Episode 59

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:00:49. > :00:57.Live from London, this is Strictly: It Takes Two! Please welcome your

:00:58. > :00:59.host, Zoe Ball! It's the penultimate show

:01:00. > :01:06.of the series, we're so close to the final now,

:01:07. > :01:09.but don't worry, we've still got plenty of Strictly

:01:10. > :01:12.sparkle left in us tonight! What on earth was that?

:01:13. > :01:17.Is it coming from the green room? Sorry, this happens every year.

:01:18. > :01:25.How many times do I have to say? Do not leave the finalists'

:01:26. > :01:27.friends and family We'll be talking to

:01:28. > :01:30.Jamie Rednapp, Iain Stirling And fresh from topping

:01:31. > :01:36.last week's leaderboard, they've promised not to get

:01:37. > :01:43.emotional, it's Ore and Joanne! But first, let's get glam

:01:44. > :02:15.for one last time this series. The goddess of Gill! What age addict

:02:16. > :02:19.semifinal it was, so many costume changes, absolutely stunning,

:02:20. > :02:23.fabulous frocks. We must talk about this dress, we don't see leather on

:02:24. > :02:28.the dance floor very often, because it is so expensive. It was an

:02:29. > :02:33.amazing creation. I think, because of the concept, it worked perfectly.

:02:34. > :02:37.Making it was quite difficult, because the two sides were very

:02:38. > :02:42.different in terms of stretch, and that was so it would twist a little

:02:43. > :02:51.bit. But we managed, lots of leg on the right side, from the sheer lots

:02:52. > :03:00.of animation within the routine to the choreography, so I think it's

:03:01. > :03:05.did a good job. Carried did off so well! You have brought a couple of

:03:06. > :03:13.your favourite frocks in, Oti's tango, Louise's paso dress. This is

:03:14. > :03:17.unbelievable, I just want to show you this, this is the length of

:03:18. > :03:26.frock that she had to carry. How many metres?! Ten metres in length!

:03:27. > :03:30.What are you going to do with this after?! You need to make some

:03:31. > :03:35.curtains. It may come out in one form or another. It was mainly the

:03:36. > :03:40.fact, not the favourite dresses, but they worked perfectly for what they

:03:41. > :03:44.were designed to do. Jane wants to know what happens to them after the

:03:45. > :03:48.show. They go to different places, the show has been sold to different

:03:49. > :03:55.countries around the world, so Louise's frock is in the Lebanon at

:03:56. > :04:02.the moment. That is why it is not here. Your head is just poking out

:04:03. > :04:06.beautifully! Can the celebrities by their outfits? I think it is a bit

:04:07. > :04:11.like a wedding dress, it stays in a box, it is a memory. People at home,

:04:12. > :04:17.going, it should have been me! I didn't do that! How much have

:04:18. > :04:22.people's bodies changed? Because they trained so hard. We always have

:04:23. > :04:26.a giggle in the summer, because when we meet, that is the best the

:04:27. > :04:29.wardrobe team looks, we have been on holiday, and I say, we will look

:04:30. > :04:34.great, you will look fabulous, because they grow in confidence,

:04:35. > :04:41.they lengthen, they look clean, fabulous. I remember my rib cage and

:04:42. > :04:46.my arms, I had no bingo wings, it was great! That is why I wear long

:04:47. > :04:52.sleeves now! Let's talk about the showdances, the Gilles' costumes,

:04:53. > :04:57.you cannot tell us too much. Louise is dancing to One Moment In Time, we

:04:58. > :05:04.know she is wearing ballet shoes, any kind of 1980s nod with this? Not

:05:05. > :05:10.really, it is more about what will work for Lou. Card she is in a flat

:05:11. > :05:14.shoe, I will be mindful of the state of the hemline. I don't want it to

:05:15. > :05:19.be too covered, have too much skirt, but it is quite lyrical to suit the

:05:20. > :05:28.mood. There is a softness, lots of power through spins and things in

:05:29. > :05:32.other parts. It has to tick a lot of boxes. I just want is Lou to feel

:05:33. > :05:37.fabulous so she can do a thing. Watching her change has been

:05:38. > :05:43.incredible. Joanne and Ore are dancing to I Got Rhythm, this looks

:05:44. > :05:50.absolutely classic, feathers, classic song. Yes, Fred and Ginger,

:05:51. > :06:00.Top At, that is running through the whole thing. It is a layer of navy

:06:01. > :06:03.mesh over a cream lining, and then there is a Bermuda Bluestone running

:06:04. > :06:09.through it. Lots of light and shade on the floor, hopefully the hem will

:06:10. > :06:14.really move. How much have the dancers had a say? The showdances

:06:15. > :06:18.huge for them. I want them to have more say, but because of time I

:06:19. > :06:22.don't have that luxury. They have to get it into their heads and really

:06:23. > :06:28.be connected with what they do, so I have been sending texts, saying, any

:06:29. > :06:35.news?! Can you tell me what you need from me? And finally, Danny and Oti

:06:36. > :06:38.are doing their showdance to Set Fire To The Rain, sounds very

:06:39. > :06:48.dramatic. What a joy to dress Oti, she is stunning. When I watch, it

:06:49. > :06:51.feels like there is a nod to paso through the routine, so I felt I

:06:52. > :06:56.needed to give her a long skirt with lots of volume. It is only one

:06:57. > :06:59.layer, because it cannot be heavy because of all the choreography they

:07:00. > :07:03.are doing. With embellishments, it will be really heavy, that will be

:07:04. > :07:07.the key to this number, lots of lines of embellishment running

:07:08. > :07:11.through the skirt. Not too heavy on the hem, because with lifts, as we

:07:12. > :07:19.discussed, with the American smooth, they injure partners and things. I

:07:20. > :07:27.think you and your team, Tilly, Ash, Jen, they are great, you have done

:07:28. > :07:34.amazing work. I do not know how you do it, Vicky Gill, we love you! She

:07:35. > :07:36.can go and have a nice long lie down on Sunday.

:07:37. > :07:38.So we've taken a look at what our couples

:07:39. > :07:41.will be wearing this series - but do they have the moves to match?

:07:42. > :07:44.Let's see how our finalists are bearing up in the training room.

:07:45. > :07:53.Our showdance is complex and complicated, there is so many

:07:54. > :07:57.different styles that we are incorporating, which makes it a

:07:58. > :08:02.little bit difficult. We have bits and pieces that are coming together,

:08:03. > :08:06.just doing a dance break, right now it is getting the steps in. I am

:08:07. > :08:12.really happy with his progress so far. I have no doubt in her ability

:08:13. > :08:19.to choreograph a great routine, so fingers crossed I can match her

:08:20. > :08:24.standards. All right, Danny, back. The showdances making me feel really

:08:25. > :08:31.nor shoes, there is lots of spins and turns, and today I feel quite

:08:32. > :08:35.nauseous and sick. I want this number to be quite lyrical and

:08:36. > :08:42.contemporary and balletic, I do not want a Latin or ballroom feel. I am

:08:43. > :08:45.wearing ballet shoes. I know the general direction, but it all

:08:46. > :08:52.depends on what we can pull off without Louise Robert in. Jo and I

:08:53. > :08:58.are building up our showdance, it has got a bit of everything, it is

:08:59. > :09:02.fun and joys. That doesn't mean that Jo is going any easier on me, I

:09:03. > :09:08.think she is working me harder than she ever has. It is bang, bang,

:09:09. > :09:13.bang, and right now I am struggling. Don't jump on the kick, it is a

:09:14. > :09:18.final, a showdance, it is not big, it is massive.

:09:19. > :09:21.Now here at It Takes Two we love all our finalists,

:09:22. > :09:23.don't make us choose, because we could never pick

:09:24. > :09:26.a favourite, which is why we've invited their nearest and dearest

:09:27. > :09:34.Please welcome, Jamie Redknapp, Iain Stirling and Natalie Anderson.

:09:35. > :09:45.Hello! Looking delightful, Jamie, let's start with your Mrs, Louise.

:09:46. > :09:50.She has done so brilliantly, she has grown in confidence, have you

:09:51. > :09:53.noticed the changes? I think so, I suppose I see her every night,

:09:54. > :09:59.coming back afterwards, training so hard and putting so much effort in.

:10:00. > :10:03.I suppose I have seen a growing in confidence, but last Saturday I was

:10:04. > :10:07.there, and I could see the fear in her face, and the nerves. She has

:10:08. > :10:14.been incredible, we all are, the boys, it has been a brilliant

:10:15. > :10:18.experience. Do you get nervous for her? Petrified, it is horrendous.

:10:19. > :10:21.When I hear the music, it is butterflies. But now I am the

:10:22. > :10:26.biggest Strictly fan, I love watching It Takes Two, I read

:10:27. > :10:32.everything. From lasted, not really watching, I am obsessed! I have got

:10:33. > :10:35.a pink rosette and, of course I am! She and Kevin are the only couple

:10:36. > :10:40.not to have faced the dance-off, does that give you confidence? I

:10:41. > :10:45.suppose it does, but who knows? We were just talking to Karen and Ore

:10:46. > :10:50.there, everyone has done a great job, Danny is amazing, and it is an

:10:51. > :10:57.honour to watch them dance, because we are all in all of them. Live on

:10:58. > :11:02.TV, they are also good. I am not comparing it to different years, but

:11:03. > :11:06.they are so talented, and the pros, I am disappointed that we are not

:11:07. > :11:13.doing the pro challenge tonight, that is what we are here FOI! We can

:11:14. > :11:20.make that happen! Welcome to the show, you worked with are donkeys

:11:21. > :11:24.years ago, CBBC, that is where we cut our teeth, love that place! He

:11:25. > :11:30.is the only one without any previous experience. How has he impressed

:11:31. > :11:35.you? Apart from a few nights in Clapham, I have not seen him dance

:11:36. > :11:38.ever. You don't understand, very sporting background, I have never

:11:39. > :11:44.heard him talk about stance, and he has taken to it like a duck to

:11:45. > :11:50.water. He is obsessed! As a mate, the man is pathologically obsessed

:11:51. > :11:56.with dancing, it is odd. It has got into the final, though, I have to

:11:57. > :12:12.say. If you recognise Iain's voice, he is the voice of Love Ireland. It

:12:13. > :12:21.is my favourite show of the year! -- Love Island. Has he been emotional?

:12:22. > :12:25.I made him dinner once, and he cried, he was just grateful. He

:12:26. > :12:30.talked about meeting his wife, he got emotional telling me that he had

:12:31. > :12:35.met a girl. The man is amazing, but genuinely, like, when he was first

:12:36. > :12:39.on Strictly, it came out of the blue, I wasn't expecting it, but I

:12:40. > :12:46.have never heard a man so passionate about a thing. I am sure you have

:12:47. > :12:49.the exact same thing, but he loves it, he loves Jo, the two of them

:12:50. > :12:56.needs to stop crying a little bit. Maybe after Saturday! The just needs

:12:57. > :13:01.to watch Manchester United player the weekend! Dany Zuco the most

:13:02. > :13:09.points across the series out of anyone. -- Danny has scored. He was

:13:10. > :13:14.in the dance-off last weekend, how upset was he? I was gutted about

:13:15. > :13:19.that, but I think people think he is safe, oh my God, he is so amazing,

:13:20. > :13:23.we do not need to vote for him. It really knocked his confidence, he

:13:24. > :13:28.trained so hard, he worked so meticulous, and he has always been

:13:29. > :13:32.like that. I am really rooting for him, because he and Oti together,

:13:33. > :13:38.their partnership is incredible, the things that she has got him to do, I

:13:39. > :13:44.am like, what?!, it has blown my mind, so good. She has really pushed

:13:45. > :13:49.the boundaries with choreography, we have loved that. Does that give them

:13:50. > :13:53.an edge over the others at this point? I don't know, because she has

:13:54. > :13:57.been so powerful with her choreography, which is incredible,

:13:58. > :14:01.but at the same time, the other professional dancers know a bit more

:14:02. > :14:05.of what the judges are looking for, so you don't want it to go too far.

:14:06. > :14:13.But it is still brilliant to see all the new moves, my God, the American

:14:14. > :14:16.smooth on Saturday, that lived was just... It blew my mind, it was so

:14:17. > :14:22.brilliant. I love how obsessed you all are! Jamie, Kevin has been the

:14:23. > :14:26.final every year, does Louise feel that pressure to maybe be the one to

:14:27. > :14:29.get him the Glitterball? No, I think she is just pleased that she got

:14:30. > :14:37.into the final, and whatever happens. -- whatever happens

:14:38. > :14:41.happens. I just spoke to her before we came on air, and they are doing

:14:42. > :14:45.lifts, and Kevin has waited until he was super fit to do it, she took

:14:46. > :14:50.exception to that! She has said they go really well really badly, looking

:14:51. > :14:55.to see how it works tomorrow night. I don't think that is a bad thing,

:14:56. > :14:58.saving these things until the end. Ore and Joanne top of the

:14:59. > :15:08.leaderboard last week, are they the ones to beat? Everyone is an amazing

:15:09. > :15:12.this year. Another year, maybe he would be the one to be, I think this

:15:13. > :15:20.year anyone could win so what you have got to do is vote for Ore! You

:15:21. > :15:23.will get your time in a minute! Winger Danny likes to put in sunny

:15:24. > :15:29.hours of training, how seriously will he have taken this week? So

:15:30. > :15:33.seriously, Danny approaches any project, he gives it anything, he

:15:34. > :15:39.would have completely given it everything this week, 100%. Here we

:15:40. > :15:44.go. You have put forward cases but now it's time to really hammer home

:15:45. > :15:50.who you think should win. They need to get ten seconds to convince the

:15:51. > :15:57.great British public. Are you ready for this, Redknapp? Why should

:15:58. > :16:01.Louise when? Just please vote for her, and also about the partner

:16:02. > :16:04.Kevin can he has done such a good job, don't let him with a bridesmaid

:16:05. > :16:18.for ever, let him be the bride! Also, I have a pink rose at on! Good

:16:19. > :16:22.one, Jamie. OK, your turn, Ian. Ladies and gentlemen, what we love

:16:23. > :16:25.in Britain? An underdog! This man has had no training whatsoever, he

:16:26. > :16:36.is accessed with dancing, he lives, breathes dancing, vote for Ore, the

:16:37. > :16:43.People's Champion! Natalie, you will not let him down, your ten seconds

:16:44. > :16:46.for Penny starts now. He's literally one of the nicest people you will

:16:47. > :16:51.ever make them he has such heart, such Salcombe who works incredibly

:16:52. > :16:58.hard and like Jamie said, Oti has been incredible... Please vote for

:16:59. > :17:02.Danny! I have to say, all three of two, so passionate, it's wonderful.

:17:03. > :17:07.Maybe contestants next year! The calls are going in now. Thank you

:17:08. > :17:14.all! Well I think it's fair

:17:15. > :17:16.to say anyone could win the Glitterball trophy this year,

:17:17. > :17:19.we just can't call it. That hasn't stopped Jeremy Vine

:17:20. > :17:21.from cracking the code to Strictly success though -

:17:22. > :17:32.let's take a look at part Welcome back to our graphics area,

:17:33. > :17:36.where we are doing the full power of the fixed devices here to see if we

:17:37. > :17:41.can work out who will win this series. Is there any clue in the

:17:42. > :17:47.contestants's professions as to who has the age? Two singers do better

:17:48. > :17:53.than sports stars? Two models do better than musicians? That me show

:17:54. > :17:56.you the professions of the 34 finalists we have seen and I will

:17:57. > :18:03.break it down the globe gathered nine finalists who have been singers

:18:04. > :18:07.or musicians, nine who have been presenters, it should have been

:18:08. > :18:11.pinned, everyone agrees! 11 who have been actors, six and have been

:18:12. > :18:18.sports stars, the comedians, and at the end, two models. So look at

:18:19. > :18:25.that, it's best to be an actor if you want to get to the final. But

:18:26. > :18:28.actually, let me change this now, look at the winners and their

:18:29. > :18:33.professions and they are pretty evenly represented in this series,

:18:34. > :18:38.here you can see some very even spreads. There isn't really a clue

:18:39. > :18:44.here. You can't be sure which profession gives you the age. Here

:18:45. > :18:47.is a very good question, can we work out who the winner is by adding up

:18:48. > :18:57.their scores across the whole series? In the 13 past series of

:18:58. > :19:04.Strictly, that worked in nine of them, but they were four exceptions.

:19:05. > :19:09.Series III was won by Darren Gough, 406 points in total, but more points

:19:10. > :19:15.than him was second placed Colin Jackson, and more points than them

:19:16. > :19:24.both was our own salary! You were robbed! Series six, total points for

:19:25. > :19:32.the winner, but look at Rachel Stevens in second place. Now look at

:19:33. > :19:38.series sevens, Chris Hollins won, way more points though, in second

:19:39. > :19:44.place was Ricky Whittle. A difference of 94, and yet he lost.

:19:45. > :19:47.Finally, series ten over here, another one where the total points

:19:48. > :19:55.didn't show you the winner, Louis Smith came top, runner-up, Denise

:19:56. > :20:00.van outing at more than him, so it's interesting, you can't always work

:20:01. > :20:03.out who the winner is simply by adding up the cumulative total of

:20:04. > :20:10.their points, doesn't work like that. We know we can analyse this

:20:11. > :20:16.test sticks all we like about in the end, those finalists have to have

:20:17. > :20:21.nerves of steel -- analyse the statistics. We are all going to be

:20:22. > :20:23.watching, aren't we? Merry Christmas to all of your family!

:20:24. > :20:27.Time now for our final guests - these two go up and down

:20:28. > :20:28.the leaderboard time more times than a yo-yo.

:20:29. > :20:31.But after storming last weekend's show with their Quickstep

:20:32. > :20:32.and Argentine Tango, they're heading into

:20:33. > :20:52.You came alive! The energy, the attack, the focus was all there. It

:20:53. > :21:03.was fantastic! I could hardly breathe because of

:21:04. > :21:10.the magnetic intensity of that dance. You should be so proud of

:21:11. > :21:24.yourselves. For teaching him to dance like that, bravo. Ore and

:21:25. > :21:29.Joanne! Strictly finalists, 2016, how does that sound? That is the

:21:30. > :21:35.nicest thing ever. When Claudia said that on the Results Show, it was a

:21:36. > :21:40.spontaneous burst into tears. Might not surprise you. Now it has settled

:21:41. > :21:44.in and it has been the most amazing thing to say this week. I love

:21:45. > :21:51.hearing telling us that you cried when he made you a meal once! First

:21:52. > :21:56.time since week five, top of the leaderboard, what a week to do it.

:21:57. > :22:01.That's amazing, Ore. We didn't see that coming. We were in the

:22:02. > :22:04.dance-off in the quarterfinals so we knew we had to make sure we came

:22:05. > :22:08.back with a bang. We were fortunate to have two dances, the quickstep

:22:09. > :22:16.and the Argentine tango to be able to go, how! Really show everybody,

:22:17. > :22:19.we absolutely went for it. To get their scores at that stage, it's the

:22:20. > :22:25.perfect time but for us, we were so happy to be able to deliver our

:22:26. > :22:32.best. Also because you have been going wrong up until... Yes!

:22:33. > :22:39.Finalist or not, she is still on it. And she makes sure I don't miss a

:22:40. > :22:41.thing. They never let you forget, professional dancers! Also, your mum

:22:42. > :22:50.and dad, I fell in love with your mum and dad what was their feedback?

:22:51. > :22:57.They were just so proud. You know what, they will be back for the

:22:58. > :23:02.final, and I know way in my lifetime thought of being in the final and my

:23:03. > :23:06.mum and dad would be there to see, and Joe, her mum and dad as well,

:23:07. > :23:11.proper family affair. They have never seen me do anything, school

:23:12. > :23:15.plays, when you are a kid, sports days, that was the first they have

:23:16. > :23:20.ever seen me do anything so for them to see me do anything... No wonder

:23:21. > :23:23.you are so emotional! My son never forgives me for not being at a

:23:24. > :23:29.swimming gala. Let's talk about your quickstep, you start on a motorbike

:23:30. > :23:36.and wearing leather is only ever going to be brilliant. It was

:23:37. > :23:42.difficult not to get carried away, first things first, that is the most

:23:43. > :23:50.incredible dress I have ever seen! It was quite warm! Sticky, sticky!

:23:51. > :23:55.It was quite difficult but as she says, all week, the Argentine tango,

:23:56. > :23:58.we started off so that was the second one, we were playing catch up

:23:59. > :24:03.all week. It didn't settle into my body until that dance. It's fair to

:24:04. > :24:10.say, she wasn't in a good place on Saturday. I was backstage saying,

:24:11. > :24:17.keep calm, keep calm! Pull it together! Argentine tango, joint top

:24:18. > :24:21.highest score of the night. You said you wanted to create the most

:24:22. > :24:28.powerful Argentine tango we had done, did you manage it? I think so,

:24:29. > :24:33.I don't really know... That for example... He caught me with one

:24:34. > :24:39.arm, I didn't think he could do that, when we tried that I was like,

:24:40. > :24:43.hello! You've got muscles! That's the first time I have got a use for

:24:44. > :24:48.it! I worry about the people who have been trying that at home with

:24:49. > :24:53.no success! Sober emotional at the weekend, how has this week been

:24:54. > :24:59.emotion wise? We've kept it under wraps, haven't we? Came into the

:25:00. > :25:04.studio and we would quite focused, yes, come on, we have been working

:25:05. > :25:08.really hard. We had a moment today will we watched back all about

:25:09. > :25:16.dances. Just sat down and watched them all. Obviously today was our

:25:17. > :25:22.last training session, so these, we know it's the last one, so the week

:25:23. > :25:25.before you can't be sure. You can't celebrate it, but this week it has

:25:26. > :25:30.been part celebratory, part emotional. We were saying thank you

:25:31. > :25:35.to the studio. Thank you to the floor, thank you to the ceiling! How

:25:36. > :25:41.are you dealing with the pressure of the final three dancers? We're

:25:42. > :25:47.juggling it, I don't think it's pressure at the moment because we

:25:48. > :25:52.did to last week, for this week, we have two dances that we have done

:25:53. > :25:57.before and they showed dance that she has got has just been fun. It

:25:58. > :26:00.has been the best, most energetic, most fun week ever, we're just

:26:01. > :26:09.really lucky to have three awesome dances. I have to be careful I don't

:26:10. > :26:12.put my foot in it, I will be sent to the naughty step further if I reveal

:26:13. > :26:20.too much but we know you were dancing to this, I am so jealous! I

:26:21. > :26:33.River makes Mac can you describe your showed dance? -- showed dance?

:26:34. > :26:41.In three words? Great, and blue... Big massive props! Quite dangerous,

:26:42. > :26:48.we could break legs. Hopefully that's last, you don't say that very

:26:49. > :26:55.often! Thank you for bailing out there and how! Great news for you,

:26:56. > :27:03.Jo happens to be 2013 world ballroom champion. Handy! How much fun have

:27:04. > :27:08.you had choreographed in this? I am lucky with this one, because

:27:09. > :27:12.obviously I am ballroom show dance, and he, I think that suits him

:27:13. > :27:17.really well, it's his style, the whole Fred Astaire, Gene Kelly, he

:27:18. > :27:21.gets into character and he loves the music and that style, it's perfect

:27:22. > :27:24.for me. Basically you have to do a show dance around their skills and

:27:25. > :27:29.show off their strengths and his strength is that. The thing that is

:27:30. > :27:34.great as we have just matched each other every week. Going back to the

:27:35. > :27:40.launch show, we didn't know we would get matched together, we are the

:27:41. > :27:45.perfect pair. I couldn't think of the more perfect partner. To be able

:27:46. > :27:51.to show her strength and the dance style that I would most like to

:27:52. > :27:57.perform out there is perfect. I am overexcited! Also, you had to choose

:27:58. > :28:02.your favourite to do which is your jive, which was all the way back in

:28:03. > :28:08.week four. First dance of the series to get tens. Must be great to

:28:09. > :28:12.revisit that? It is, it is. Every time we catch each other, can I just

:28:13. > :28:18.say how exhausted I was at this stage? That has not changed! May

:28:19. > :28:22.have been nine more weeks under the belt but it's still as shattering as

:28:23. > :28:25.it was back then. We catch each other when we are doing it and we

:28:26. > :28:32.are having the best time. An absolute ball. I can't mention the

:28:33. > :28:36.judge was macro pic but are you happy with what they have chosen for

:28:37. > :28:43.you? We are happy. We have some work to do, though! When are you going to

:28:44. > :28:46.do that? It's coming up fast! You may as well sleeping on the sofa

:28:47. > :28:54.because you are back again tomorrow. Good luck, see you both tomorrow,

:28:55. > :28:57.Ore and Joanne! That's all we have time for the night.

:28:58. > :29:01.Join me tomorrow for the final It Takes Two of the series!

:29:02. > :29:03.Ian and Gethin will be here and joining me

:29:04. > :29:06.on the Friday panel - Alfie Boe, Michael Ball

:29:07. > :29:12.All that and I'll be chatting to all our finalists for one last