:00:47. > :00:58.Live from London, this is Strictly: It Takes Two. Please welcome your
:00:59. > :01:00.host, Zoe Ball. Hello and welcome to your first
:01:01. > :01:03.It Takes Two of the week. And, boy, do we have
:01:04. > :01:05.a lot to talk about. It was an eventful weekend
:01:06. > :01:07.to say the least - and I'm not referring
:01:08. > :01:11.to Ed Balls' Charleston. So, in case you missed it,
:01:12. > :01:16.in training before Saturday's show She was seen by a doctor
:01:17. > :01:20.and advised to modify her salsa Her performance that night
:01:21. > :01:25.aggravated her injury further. The decision was made
:01:26. > :01:28.during the results show that she could not dance her routine
:01:29. > :01:30.again in the dance-off. Now, as fans will know,
:01:31. > :01:33.this is the first time But Strictly has rules for many
:01:34. > :01:38.situations, including this one. And the Strictly rules state that
:01:39. > :01:41.if a contestant finds themselves in the dance-off but they
:01:42. > :01:43.are unable to perform, In this situation, the power goes to
:01:44. > :01:50.the Strictly Come Dancing viewers - The couple in the dance-off with the
:01:51. > :02:04.fewest viewer votes We're sending our love to Anastacia.
:02:05. > :02:06.She'll join us with Brendan later in the week.
:02:07. > :02:08.And tonight, they're here to say their goodbyes.
:02:09. > :02:10.Yes, I'll be joined by Melvin and Janette.
:02:11. > :02:14.Also on the show tonight, we have Louise and Kevin.
:02:15. > :02:23.Plus, Karen Hardy will be casting her expert eye over
:02:24. > :02:26.Saturday night's dances in Choreography Corner.
:02:27. > :02:28.But first, they may have collected their suitcases
:02:29. > :02:33.but we're here to welcome them with open arms.
:02:34. > :03:14.Go crazy for Melvin and Janette! I do have to say as well, pulling out
:03:15. > :03:18.the dab hand, the running man in your last dance. Why not. Ten from
:03:19. > :03:22.all of us. Thank you. Tears from everybody. The pro dancers are
:03:23. > :03:25.crying and all sorts. It's always tough leaving the competition.
:03:26. > :03:29.Saying goodbye, especially in quite unique circumstances. Yes. How are
:03:30. > :03:34.you feeling today? I feel better today. It was a really sad day over
:03:35. > :03:38.the weekend. We just didn't want to leave and so soon as well. We had so
:03:39. > :03:41.much work to still do. We knew what we were doing this week. It's really
:03:42. > :03:48.sad to be in this position right now. You could still do that dance,
:03:49. > :03:53.just come round to mine. Then I'll tell everyone how brilliant it was.
:03:54. > :03:56.No problem. You were so gracious saying your goodbyes on the Results
:03:57. > :04:00.Show. You must have been proud of him. I was. It was such a specific
:04:01. > :04:04.situation. It's no-one's fault. Things happen sometimes and you have
:04:05. > :04:12.to abide by the rules that are written for a reason. We love an
:04:13. > :04:15.staysament we love Brendan -- Anastacia, we love Brendan. What can
:04:16. > :04:19.you do. You have to bow down and say thank you very much.
:04:20. > :04:21.Which you did so beautifully. Obviously the rules being the rules,
:04:22. > :04:27.you didn't get to dance again. It would have been great to hear the
:04:28. > :04:32.judges' advice and give your tango another whir. Were you really
:04:33. > :04:36.disappointed? When we found out we were in the bottom two, she was
:04:37. > :04:40.like, "Stretch, we're going on soon. " We were working on the final
:04:41. > :04:44.dance. We just wanted to go out there and just dance like it was the
:04:45. > :04:49.last dance ever in life. Yeah, but we can still do it. We said, we
:04:50. > :04:55.never want to do that tango again and we didn't! You have to be
:04:56. > :04:59.careful what you wish for. You've got close to your friends in the
:05:00. > :05:03.show, close to Anastacia and that makes it tough. I love the guys on
:05:04. > :05:12.the show already. Everyone messaged me. I had calls from that meeka, Ore
:05:13. > :05:18.-- Tameka, Ore and my friends and family saying they're proud of me.
:05:19. > :05:24.That's all you can ask for. Your mum as well. Mum was like, "Don't worry,
:05:25. > :05:28.we're so proud of you. And your tango face was glorious!" She was
:05:29. > :05:34.happiment I'm gutted I never got to meet your mum. Evening to Melvin's
:05:35. > :05:39.mum. Due enjoy your performance on Saturday night? You know what...
:05:40. > :05:44.There you are, it's great. I've never seen a baggage trolley used to
:05:45. > :05:51.gracefully. Yeah, we tried. It was a really tough week. Getting the
:05:52. > :05:55.routine down on the day was such an accomplishment, for me especially. I
:05:56. > :05:59.had, I remember my fallaways were an issue. He knows the names - I love
:06:00. > :06:02.that. You taught him well. For the whole week, we got there and did it
:06:03. > :06:07.on the night. I was proud of myself. The fact that you're using a term
:06:08. > :06:14.like fallaway... I don't know what it means! Janette kept saying it.
:06:15. > :06:18.Are you going to hang up your ballroom and Latin dancing shoes?
:06:19. > :06:24.You can catch me dancing in the clubbeds, Zoe. Yes. I'm not allowed
:06:25. > :06:30.to clubs any more. I hear it's lots of fun. How has your experience
:06:31. > :06:33.been? Amazing. I said on the night, look everyone on the show is
:06:34. > :06:37.amazing, production, hair - not that I have it - make up, Janette, all
:06:38. > :06:41.the pro dancers, the celebs. I've loved, it though it was brief,
:06:42. > :06:45.everyone's been amazing. I couldn't have asked for more. You did say on
:06:46. > :06:49.the Results Show, it's been a short and sweet your honoury. Here is your
:06:50. > :06:55.very short and very sweet Strictly story.
:06:56. > :06:59.It's Janette! We're going to be this little team going crazy on the dance
:07:00. > :07:14.floor. I can't wait. What's going on. Shoes and shorts, I don't know.
:07:15. > :07:18.It's fun. I said to the costume team, I want something real subtle
:07:19. > :07:26.(! ) What do you think. Cha-cha is a fun dance. That's what you did. I'm
:07:27. > :07:29.telling you, you forgot the hips. I'm finding the tango quite
:07:30. > :07:32.difficult. You're not doing the right foot work. I love to please
:07:33. > :07:41.people. I don't want to let anyone down. Your intentions are good. The
:07:42. > :07:48.execution has to be more precise. It was mediocre, I'm afraid. When he
:07:49. > :07:54.talks, all I hear is, "That was great, Melvin." I can reveal that
:07:55. > :08:00.the couple with the fewest viewer votes is Melvin and Janette.
:08:01. > :08:02.It's a blessing to be on this show. Thank you for Janette. It's been a
:08:03. > :08:18.great experience for me. Thank you. I have to say, so much love for the
:08:19. > :08:29.two of you. The Strictly family's loss is the Manrara's gain.
:08:30. > :08:36.He's a lovely boy. He has brought you awe present. I wanted to get you
:08:37. > :08:44.a present to say thank you. Oh, my God. You taught me so much. No-one's
:08:45. > :08:49.ever got me flowe - well Aljaz has - You're future husband! Come back and
:08:50. > :08:53.see us loads. Thank you, we're going to missing, Melvin and Janette.
:08:54. > :08:55.Now, if you've ever wondered what goes on behind the scenes
:08:56. > :08:57.at Strictly, then you've come to the right place.
:08:58. > :09:00.And we've packaged it all up nicely for you too.
:09:01. > :09:19.Are you gorgeous. Morning. Yeah. Get out, get out.
:09:20. > :09:30.Morning. I woke up at 3. 30am. Full of nerves. I haven't been back to
:09:31. > :09:35.sleep. It's now 9am. I would hate to be the first person to leave, so all
:09:36. > :09:41.I can do is try and do the routine right, listen to everything Kevin's
:09:42. > :09:45.told me and fingers crossed. It's going to be really sad to see
:09:46. > :09:53.somebody go. It will be easier to go than see someone else go. No, no.
:09:54. > :09:58.We've all become so close, especially all of us contestants,
:09:59. > :10:03.wee like to text each other. It's a real experience. Just giving the odd
:10:04. > :10:10.massage. Have you ever been massaged by an Olympian. Yes, yes, yes, thank
:10:11. > :10:15.you. APPLAUSE
:10:16. > :10:24.The idea that I would be chancing the charleston live on national
:10:25. > :10:28.television is so absurd. There's lots of donuts here today thanks to
:10:29. > :10:33.Rob. Trying to make us not fit into our costumes. I see what he's doing.
:10:34. > :10:40.This is the daddy right here. How are you doing? Daddy, why because
:10:41. > :10:43.I'm 50 No, no, like you're the don. There are certain crimes against
:10:44. > :10:54.fashion and this is probably one of them. I've pulled my left bum cheek
:10:55. > :10:59.muscle. So I'm now running around with a heat pack in my boxer shorts.
:11:00. > :11:02.The atmosphere is getting slightly tenser now. Everyone is realising
:11:03. > :11:16.they're going to perform and that somebody goes home town. It's show
:11:17. > :11:28.time. Come on, gang. To the stairs. Shall we? Indeed. Preshow mayhem.
:11:29. > :11:38.Have a good one. Live from the BBC, this is Strictly Come Dancing.
:11:39. > :11:40.He still makes me anxious watching and waiting to go on there.
:11:41. > :11:42.Now, it's time to launch ourselves into the Twittersphere
:11:43. > :11:44.where the stars have been tweeting
:11:45. > :11:47.about the greatest show on earth, Strictly.
:11:48. > :12:24.And, finally, the Gemma Collins has given her verdict:
:12:25. > :12:28.Now, our next couple melted the judges' hearts
:12:29. > :12:31.with their Viennese Waltz - even Craig's!
:12:32. > :12:49.Your arms moved like water. That was beautiful. Absolutely beautiful.
:12:50. > :12:54.Good rotation, nice frame. You're a terrific dancer, well done. It was
:12:55. > :13:02.completely controlled. I thought gorgeous! Welcome Louise and Kevin!
:13:03. > :13:06.APPLAUSE Can I just say before we start,
:13:07. > :13:10.lovely threads, I love your dress. Kevin, you're wearing a T-shirt with
:13:11. > :13:14.a jacket. I feel weird without a tie. I like to think I'm down with
:13:15. > :13:18.the kids now and again. I like this youthful look on you.
:13:19. > :13:22.Congratulations at the weekend. Oh, the lighting and your frock. It was
:13:23. > :13:29.so graceful and floaty. In fact, such a beautiful dance, on Saturday,
:13:30. > :13:34.Gingy tweeted, "The whole aesthetic of Kevin and Louise's Viennese waltz
:13:35. > :13:39.is the exact aesthetic I want for my life." We've never met, but I'm sure
:13:40. > :13:43.she has wonderful taste. How did it feel on the dance floor? Yeah, do
:13:44. > :13:47.you know, it was just nice to get out and do it. It had been a tough
:13:48. > :13:51.week. I found the rehearsal part of the Viennese waltz extremely hard.
:13:52. > :13:55.It was so alien compared to the jive. Yeah, I think Tuesday melt
:13:56. > :14:00.down Tuesday I've named that now. This is not going to work. So to get
:14:01. > :14:07.out there and do it was just good to get through it. Did I enjoy it? Not
:14:08. > :14:13.particularly, I got through it. The spinning out there, did you have the
:14:14. > :14:19.said bucket at the side, due master the spinning? I still felt nauseous.
:14:20. > :14:31.I have a few counts to come out of it, by the time I walked to the
:14:32. > :14:35.judges I was just out of breath. Now obviously, Lennie absolutely
:14:36. > :14:39.delighted as were we at home for the first fleckerl of the series. Yes,
:14:40. > :14:44.we've been waiting for it. Was that in there specially for him? I do try
:14:45. > :14:48.to put something in for Len, a nice technical step for him to get his
:14:49. > :14:52.teeth into. But there's only three steps in the Viennese waltz any way,
:14:53. > :14:56.if you're not going to do one, you're cheating a bit. It was a
:14:57. > :15:00.beautiful fleckerl though. You've done two dances and there you are
:15:01. > :15:04.joint top of the leaderboard. I mean, it must be brilliant to be up
:15:05. > :15:08.there. Can you believe it like, oh, this is fun. I'm loving it. I never
:15:09. > :15:14.thought I'd love it like I do. I was expecting to enjoy the process, but
:15:15. > :15:17.I'm genuinely loving it. Being at the top is scary, because there's
:15:18. > :15:22.only one way to go. That's down! Which is a bit of a worry, but you
:15:23. > :15:26.know, I just try to approach every week and make the most of my time
:15:27. > :15:32.here and yeah, obviously I get to spend my days dancing with Kevin.
:15:33. > :15:38.That's good. I know. From Grimsby. We have a laugh. He is an Adonis, I
:15:39. > :15:40.tell you, even in pale blue. We have a stat alert here for you.
:15:41. > :15:43.We have a rich history of girl group members on Strictly,
:15:44. > :15:45.so we've tallied up their scores for their first two dances,
:15:46. > :15:47.and here are the all-important numbers.
:15:48. > :15:50.Let me introduce to you the greatest girl group of all time,
:15:51. > :15:57.Mis-Saturdays Eternal Spice Child Aloud.
:15:58. > :16:09.Emma Bunton, she got 66 points dancing with Darren Burnett. A got
:16:10. > :16:16.67 points, Alicia. Michelle from destiny's child, Kimberly with 54.
:16:17. > :16:22.Frankie got 60 with yours truly, Kevin. And Louise with 63, not bad
:16:23. > :16:26.at all. So you are third only to champion and a Spice Girl. Some
:16:27. > :16:34.pretty big boots to fill with those lot. We are not showing that to you
:16:35. > :16:37.to scare you, by the way. It is Movie Week this weekend, which
:16:38. > :16:43.always gets us excited. You have got a cha cha cha, what can you tell us?
:16:44. > :16:47.I know you're not allowed to give too much away? What do you know
:16:48. > :16:53.about the cha cha cha, Louise? Keep my legs straight and move my hips.
:16:54. > :16:58.Those were my notes for today. I was going, two, three, four, one, two,
:16:59. > :17:08.three, four, all day. Lock it in, which counts do you go forward? She
:17:09. > :17:14.went, "Five?" It was like I had sworn, you must never say "Five".
:17:15. > :17:20.And that knee thing, how are you going to follow the Star Wars dance
:17:21. > :17:27.from last year's Movie Week? You have to follow that. The plan last
:17:28. > :17:30.week was Jamie Redknapp came into training and Louise was all
:17:31. > :17:34.frustrated and said, I can't do it, I have to do this, have to do that,
:17:35. > :17:41.the posture is here, I have do stretch across the floor, and Jamie
:17:42. > :17:49.goes, "Well, just do that, then." The Sportsman's mentality. Don't
:17:50. > :17:52.moan about it, just do it. Music and outfit, I am so excited. Good luck
:17:53. > :17:58.on Saturday, doing brilliantly, Louise and Kevin!
:17:59. > :18:00.APPLAUSE Now, the judges have had their say, but what about Karen?
:18:01. > :18:23.It is time for corner. -- we are loving that the remix of the
:18:24. > :18:27.intro. Loving it. Karen, what a weekend. I have to say, for the
:18:28. > :18:31.second week, their performances were just up there this weekend. We will
:18:32. > :18:36.talk about Laura and Giovanni, she looked like Veronica Lake out on the
:18:37. > :18:40.dance floor. The waltz, the joint highest scoring of the dads and Len
:18:41. > :18:48.praised her "Beautiful, throw over sway", and I love those, if I knew
:18:49. > :18:52.what one was. What is it? We will lead into it and as we lead into it,
:18:53. > :18:58.we have to look at her beautiful head position. She goes away into
:18:59. > :19:01.the throwaway position and even the change of the head, that is the
:19:02. > :19:07.throwaway over sway. Normally by week two or week three, they have
:19:08. > :19:12.looked at videos or seen this head position and they are overextending
:19:13. > :19:15.and it feels uncomfortable. She just has all the bricks naturally sitting
:19:16. > :19:20.on top of each other, beautiful. Warning, though, let's get a bit
:19:21. > :19:24.spicy. I see they are doing a salsa next week, I want to see a bit of
:19:25. > :19:32.spice in this girl. But gracious and beautiful. Stunning. Next, Ed Balls
:19:33. > :19:36.and the Charleston! It was a huge hit with the audience. It was a huge
:19:37. > :19:42.hit across the nation. I have to say, they said bring it, balls, and
:19:43. > :19:47.he really did. How impressed were you? I loved it, it is clear that
:19:48. > :19:52.nobody is putting baby in the corner. You know what, who started
:19:53. > :19:56.of fear and what I love, if we watch closely, he is wearing out and then
:19:57. > :20:04.he gets this new lease of life, as though catty at homing in on him and
:20:05. > :20:08.saying do not slow down -- Katya. He did not stop from beginning to end,
:20:09. > :20:12.he is the man who is not going to sit on the side at a wedding, he
:20:13. > :20:15.will be getting up and having a go and that is what I love about the
:20:16. > :20:21.show, the ones you think are going to sit back and crews and then you
:20:22. > :20:26.get something like that. It is pure tele- joy, they were all smiling,
:20:27. > :20:30.even pat on camera one. Anastacia and Brendan with a salsa, she had
:20:31. > :20:33.this injury and they had to change the routine last minute, so she has
:20:34. > :20:41.to learn it and then unlearn it just before going on. That is tricky for
:20:42. > :20:45.a probe. -- professional. We have a routine for five years, so to learn
:20:46. > :20:49.it in two minutes. So pressure and the trust factor is what I love with
:20:50. > :20:54.these two. She rose to it and took it on. Here, they are coming towards
:20:55. > :21:00.the end and as Brendan is preparing, they believe so much, he has started
:21:01. > :21:05.before she has even gone down into the line to finish this number. The
:21:06. > :21:08.trust factor, the teamwork between these two is unstoppable and it is
:21:09. > :21:14.going to carry them through and we wish her well. We do wish her well.
:21:15. > :21:21.It was a tough night for them. Moving onto Naga and Pasha. When
:21:22. > :21:26.they came out, people were like, "Who's Batgirl?" Loving the Barnet.
:21:27. > :21:32.Len did say the cha cha cha was full of mistakes. Can you talk us through
:21:33. > :21:35.some of those? It is really tricky, it is like a scattering of little
:21:36. > :21:40.mini mistakes everywhere, but not enough that you can say, it was
:21:41. > :21:45.exactly that. We have a couple of things here, slightly out of sync,
:21:46. > :21:50.just looks slightly behind, but you have do overlook all about. When she
:21:51. > :21:54.comes out looking like that, glitz personified. I want to wrap her in
:21:55. > :21:59.cotton wool, make her feel a bit special and put a beautiful big
:22:00. > :22:03.smile on her. She is just a bit nervous at the moment. If we can
:22:04. > :22:08.make her feel at home, the Strictly family say, come on, give us that
:22:09. > :22:11.big smile, she will be amazing. It is that confidence thing, it is hard
:22:12. > :22:15.enough to go out there anyway and then wearing a dress like that,
:22:16. > :22:21.doing something she has never done before... That is stunning, the
:22:22. > :22:24.look, their hair, even that, you have to have confidence to carry
:22:25. > :22:31.that on the floor and I thought she was magnificent. It is week two.
:22:32. > :22:37.Now, Gregg and Natalie's tango, his bottom was a major talking point of
:22:38. > :22:41.the evening. What can you tell me? We can tell it is hurt and
:22:42. > :22:46.beautifully shaped, but as we go into this line here, can you see the
:22:47. > :22:49.curve at the back? He does the Contra check, he is going down the
:22:50. > :22:54.line, going into a prominent position and you see the bottom is
:22:55. > :22:58.slightly sticking back. What this basically means, in the first couple
:22:59. > :23:03.of weeks, you have got to get used to going into each other's space, it
:23:04. > :23:13.is quite a bizarre feeling. So much so, let's demonstrate. Queen of
:23:14. > :23:18.tango, yourself. Now, don't get so excited, very, very simple. First of
:23:19. > :23:27.all in tango, we have these knees that are really fret -- flexed. No
:23:28. > :23:30.pigeon toes. It has been a long time. We just knock the feed
:23:31. > :23:37.slightly back from each other. That is the easy beat -- bid. We have to
:23:38. > :23:44.get up close and comfortable. My knee has to go in between your two
:23:45. > :23:50.knees and I have got to grip, I am gripping. Now, you can see my knee
:23:51. > :23:55.popping out the other side. This is like twister. If I move my knees
:23:56. > :24:00.back a bit, you will see that I feel a bit uncomfortable. We get the
:24:01. > :24:06.knees in, up close and comfortable and... Get into that. That, ladies
:24:07. > :24:11.and gentlemen, is how you tuck your bottom, from the mistress. I love
:24:12. > :24:16.that. Thank you, Karen, we will see you again to talk about our couples
:24:17. > :24:22.tomorrow. Karen Hardy! That livened me up. They may have danced their
:24:23. > :24:25.emotionally charged Viennese waltz like they were having relationship
:24:26. > :24:26.issues but this is one partnership working in perfect harmony.
:24:27. > :24:43.That was really like watching a waltzing heart-throb. It is elegant,
:24:44. > :24:51.the way you held your top line. A very nice stands. You are a
:24:52. > :24:57.fantastic dancer, you really are. Welcome Danny and Oti! Do you know
:24:58. > :25:02.what? I have had so many messages with people saying I am in love with
:25:03. > :25:05.Danny, say hello to Danny. Are you praise Brosnan, you Richard Keogh,
:25:06. > :25:12.young Thom Cruise? -- Pierce Brosnan. An amazing performance of
:25:13. > :25:17.your Viennese waltz and quite a wait to go right at the end. How was the
:25:18. > :25:21.anxiety just before you performed? Compared to the week before, I was
:25:22. > :25:24.terrified the first week but this week, it was a little bit easier
:25:25. > :25:28.during the day, everyone was a little bit more relaxed but then
:25:29. > :25:34.waiting for 14 dances, it got nerve wracking. I was nervous, I was
:25:35. > :25:38.shaking. We changed the routine every day, even up to the dress
:25:39. > :25:42.rehearsal. Two minutes before we went on and he was asking me, am I
:25:43. > :25:47.doing this right? And I was like, you are asking me now? You need the
:25:48. > :25:55.reassurance, though. Very exciting for you, Oti, Len in modern twist on
:25:56. > :25:59.a Viennese waltz approval shocker! Taking a little bit of a risk
:26:00. > :26:03.because he likes it to be quite traditional, but you must have been
:26:04. > :26:07.chuffed. I was so nervous, I did not sleep the whole weekend we kept
:26:08. > :26:12.changing it because we were saying, we have to dance more, we have to
:26:13. > :26:18.dance more so for him to say that was a relief. Danny, I have to say I
:26:19. > :26:21.loved the pulling Oti's leg move. We can see that again. Was that quite
:26:22. > :26:29.hard to master? It looks quite scary. Maybe we just got a lucky one
:26:30. > :26:35.there. Oti is so good, if I let go, she would probably hold herself up.
:26:36. > :26:39.Amazing. The only critique that you had from the judges at all was that
:26:40. > :26:43.there was a bit of skipping. Were you aware that she was skipping? It
:26:44. > :26:50.was all choreographed, they just didn't like it! Obviously, you are
:26:51. > :26:53.leading out there, Danny, and doing it so well but it does appear in the
:26:54. > :27:01.training room, somebody else might be the boss. Here we go!
:27:02. > :27:08.One, two, three. Bend your knees! Am I the boss? I am the boss. OK,
:27:09. > :27:16.you're the boss, you are the boss. She really, really means business,
:27:17. > :27:22.she is incredible. I will pinch you. What is next? I am not hurting him,
:27:23. > :27:27.he is being dramatic as usual. That is really painful. What did I do?
:27:28. > :27:34.Don't look so mad, smile about it. You are on Strictly Come Dancing! I
:27:35. > :27:42.love it. Don't mess with Oti. It is Movie Week this weekend, you have a
:27:43. > :27:46.paso doble. It is so exciting, how is it going? Apparently we have had
:27:47. > :27:54.an hour today. We have done for things. Straight after this, I am
:27:55. > :28:00.straight back into training. I like it, Monday night, taking it
:28:01. > :28:03.seriously. Also, Oti, it is only your second Strictly Come Dancing,
:28:04. > :28:08.last year you were paired with lovely Anthony and you were the
:28:09. > :28:13.second to Ogogo! Are you feeling safe with Danny? I did have the best
:28:14. > :28:17.time with Anthony, I must say, but I am feeling a little safer with
:28:18. > :28:23.Danny, but you never know, because we could go home any time. One week
:28:24. > :28:27.at a time, you can't be too comfortable. Tell me about the Danny
:28:28. > :28:34.Mac dans I have heard is gripping the nation. Danny is like, what are
:28:35. > :28:39.you talking about? When I concentrate, I seem to get very
:28:40. > :28:43.moody and I get a very miserable face and Oti doesn't like that and
:28:44. > :28:48.she prefers me smiling and happy, so to try and relax me, she does a
:28:49. > :28:54.silly dance that makes me smile. Once in awhile, when he gets
:28:55. > :28:58.something right, I say, "Go, Danny, go, Danny." And then I am smiling
:28:59. > :29:03.and the pressure eases and we can get some work done. You are in your
:29:04. > :29:05.happy place. Good luck being a matador on Saturday night, I think
:29:06. > :29:08.you will be amazing. Danny and Oti! A huge thank you to
:29:09. > :29:12.all of my guests. where we'll have a second course
:29:13. > :29:15.of Choreography Corner with Karen Hardy and an exclusive
:29:16. > :29:18.listen to Movie Week music. Plus, I'll be chatting to Ed
:29:19. > :29:26.and Katya, Naga and Pasha,