:00:51. > :00:54.From London this is Strictly It Takes Two, please welcome your host
:00:55. > :00:58.Zoe Ball! Hello, and welcome to Tuesday
:00:59. > :01:00.night's It Takes Two! If you're already suffering
:01:01. > :01:02.withdrawal symptoms from the weekend, don't panic
:01:03. > :01:04.because coming up tonight, we've got your daily fix of Strictly
:01:05. > :01:06.news and exclusives. And, of course, it's not just
:01:07. > :01:09.Tuesday, it's "Tunesday". Yes, later on I'll be exclusively
:01:10. > :01:13.revealing the music that our couples The hair-raisingly
:01:14. > :01:24.good Naga and Pasha! And everyone watch your footwork
:01:25. > :01:33.because Dame Karen of Hardy is back! Now, my first guest of the night
:01:34. > :01:36.cha-cha-changed up her hairstyle this week as she "weaved" her way
:01:37. > :01:39.across the dance floor. It's time to wig out
:01:40. > :02:01.for Naga and Pasha. You looked absolutely stunning. It
:02:02. > :02:05.was spiky, it was flat-footed, your arms lacked any sort of placement. I
:02:06. > :02:07.liked the feel of it. I would have liked due to have nailed the routine
:02:08. > :02:09.better. There was a huge amount of love
:02:10. > :02:32.on social media for you - It was trending at one point. People
:02:33. > :02:42.wanted the Rachel, now they want the Naga! Did you take much convincing?
:02:43. > :02:46.They were a bit sneaky. They said we just want a bit of her to allude to
:02:47. > :02:51.Tina Turner. I turned around an hour later and I saw these massive curls.
:02:52. > :02:56.They tried it in the dress rehearsal and then they said, it just needs to
:02:57. > :03:03.be bigger so they added loads more. It worked! It was fun! Keep it and
:03:04. > :03:12.take it out at the weekend! I had to give it back. Your dress as well. I
:03:13. > :03:22.loved it. It was amazing. Did you go to sleep on it? Yes. I actually
:03:23. > :03:29.snuck it away. Mixed scores from the Judges. Pasha, explain why that
:03:30. > :03:32.happens with the Judges. I was thinking a lot about that and my
:03:33. > :03:37.conclusion was based attacked opposite sides of the table.
:03:38. > :03:42.Different angle of view and what one sees another one doesn't want to.
:03:43. > :03:46.They did mention a couple of mistakes, were you aware of those
:03:47. > :03:50.happening? Yes, I think we were trying really hard to get me to
:03:51. > :03:54.dance the dance rather than just concentrate on the steps and that's
:03:55. > :03:58.what I tried to do. Maybe a couple of steps were slightly out of beat
:03:59. > :04:04.but I actually thought we danced it really well. We did it very well and
:04:05. > :04:08.we did it together. For me that's more important than anything else. A
:04:09. > :04:11.lot of times you forget that you're there and then suddenly, the dance
:04:12. > :04:22.is over and what happened. That's not the case with Naga. Darcey was
:04:23. > :04:27.talking about be concentrating face. At this stage in the competition
:04:28. > :04:32.there are some people who seem to be brilliant out there. You can't
:04:33. > :04:34.really help but concentrate on the steps because you've never done this
:04:35. > :04:38.kind of thing. I've never done this before and I have to learn to
:04:39. > :04:46.perform as well as get the steps right and I'm struggling with that
:04:47. > :04:52.but I'm trying my hardest. It's only week two. Week three will be
:04:53. > :04:57.completely different. We are going to do some stats because, we wanted
:04:58. > :05:01.to see how you are measuring up to a few BBC breakfast greats that have
:05:02. > :05:04.graced the dance floor before you. Here are your peers first two dances
:05:05. > :05:18.scores combined. Two finalists on the list -
:05:19. > :05:28.one of whom won it, Chris. That's not bad at all. I think we've
:05:29. > :05:35.got really big heads! LAUGHTER Let's go back to talking about this week.
:05:36. > :05:46.A Tango for movie week. What can you tell me? I'm enjoying it. It's a big
:05:47. > :05:51.secret. Think subterfuges. I love the eyebrows going like that! How
:05:52. > :05:56.easy is the Tango by comparison to last week's cha cha cha? I never
:05:57. > :06:02.thought I'd say this. It's so lovely to be back in Holt, it's so lovely.
:06:03. > :06:10.That's the terrifying thing about Latin. You've got to be out there on
:06:11. > :06:16.your own but when you are in hold its quite comforting. Darcey said I
:06:17. > :06:20.need to trust Pasha. This has been a real education in actually thinking
:06:21. > :06:25.he's going to take me there. So just trust him and it does feel a lot
:06:26. > :06:28.better. You were very independent and sometimes even when you were
:06:29. > :06:33.waiting for me to take you there, you are still going on your own.
:06:34. > :06:37.What should we expect from this performance being movie week and
:06:38. > :06:45.everything? It's going to be a huge character and a lot of... A lot of
:06:46. > :06:50.that! Without the wobbly jaw! LAUGHTER No salivating, please! I
:06:51. > :06:54.think you're going to be amazing. Good luck for Saturday, Naga and
:06:55. > :06:58.Pasha! APPLAUSE During the weekend, I managed
:06:59. > :07:02.to steal a very important list containing of all our celebs' songs
:07:03. > :07:05.for this Saturday's Movie Week and I've now personally programmed
:07:06. > :07:07.each track into our very So put another dime in the jukebox,
:07:08. > :07:18.baby, it's Tunes on Tuesday time. Let's see what film soundtrack
:07:19. > :07:24.classics we've got in store in this weekend's show,
:07:25. > :07:30.what's up first? This is The Heat Is On from
:07:31. > :07:37.Beverly Hills Cop - which starred Eddie Murphy
:07:38. > :07:39.in the title role. But did you know his role
:07:40. > :07:42.was initially supposed to be played Allegedly he walked out on the movie
:07:43. > :07:47.before shooting began over the important matter of what type
:07:48. > :07:51.of orange juice was to be kept Luckily - my team know how
:07:52. > :07:55.I like mine - no bits. They'll be dancing
:07:56. > :08:12.a tango to this number. But will it be enough to heat up
:08:13. > :08:15.the Strictly dance floor? Right let's see what's next
:08:16. > :08:25.on my jukebox tonight. MUSIC: Singing In The Rain
:08:26. > :08:39.by Gene Kelly. It's really bad luck, don't open
:08:40. > :08:43.umbrellas inside! Thanks, darling. Sorry, I'm really superstitious.
:08:44. > :08:46.Have I hurt his feelings? Sorry. Bring him back!
:08:47. > :08:49.This is Singing in the Rain from the all-time classic movie ?
:08:50. > :08:56.The film ? starring Gene Kelly and Debbie Reynolds -
:08:57. > :08:59.has been voted the Greatest Movie Musical of all time.
:09:00. > :09:02.Fun fact ? did you know the rain used in this iconic dance was made
:09:03. > :09:06.up of a blend of water and milk to make sure it showed up on camera?
:09:07. > :09:11.But who will be hoping to make a splash on the Strictly dance floor
:09:12. > :09:25.They'll be dancing an American Smooth to this classic -
:09:26. > :09:27.but will they storm it on Saturday night?
:09:28. > :09:29.Right, I've got time for just one more tune.
:09:30. > :09:42.It's the all-time classic What A feeling!
:09:43. > :09:46.This smash hit is from the movie Flashdance, about an 18-year-old
:09:47. > :09:54.The song was performed and written by Irene Cara and won her an Oscar
:09:55. > :10:14.It was definitely not about tennis, Ed Balls! I like that move anyway.
:10:15. > :10:16.You cannot be serious! Is that because of the orange juice? The man
:10:17. > :10:20.is clearly not, I love it! But which couple will be hoping
:10:21. > :10:22.for an award-winning performance They'll be performing a cha cha cha
:10:23. > :10:32.and hoping to make movie magic. If you want to find out
:10:33. > :10:35.what movie classics the rest of our couples are dancing to,
:10:36. > :10:49.head to the Strictly This weekend the professionals will
:10:50. > :10:58.be starring in a huge movie extravaganza and we managed to sneak
:10:59. > :11:04.into rehearsals. Its movie week and you are about to get an exclusive
:11:05. > :11:10.preview of our Group Dance. Lights, camera, action. So the concept of
:11:11. > :11:15.the group routine is a tribute to the Rodgers and Hammerstein, all
:11:16. > :11:21.those wonderful, wonderful musicals. It starts with the Sound of music
:11:22. > :11:26.which is based on ballet and then that goes into Oklahoma which is the
:11:27. > :11:37.famous cowboy hoedown sequence. That develops into The King and I which
:11:38. > :11:43.is basically polka. Then we go into Carousel which is a waltz and has to
:11:44. > :11:44.be really tight. I've grown up on Oklahoma and the sound of Music. I
:11:45. > :12:02.can't help myself. In one of the routines the boys have
:12:03. > :12:10.cowboy hats. Anton is the best cowboy because he looks like Woody
:12:11. > :12:20.from toy story. I think it adds a certain swagger. The most exciting
:12:21. > :12:24.part is going to be the lips. -- lifts. That's all we can show you
:12:25. > :12:34.for now so tune in on Saturday and find out if this is a box office hit
:12:35. > :12:40.or not! Kevin is saying the Sound of music could possibly be the cutest
:12:41. > :12:44.thing he's ever seen. Now for some hard-hitting in-depth analysis. If
:12:45. > :13:03.only I had a Hardy in the house! Karen Hardy, everyone! Hello my
:13:04. > :13:08.darling. You and Ed Balls in legwarmers... What a vision! We need
:13:09. > :13:14.to talk about the rest of the couples. We are going to start with
:13:15. > :13:18.Danny and Oti. Joint high scorers of the night. Len surprised everybody
:13:19. > :13:23.by loving their modern take on a Viennese waltz, what did you make of
:13:24. > :13:27.the choreography? It was fabulous. There was one key element, I know
:13:28. > :13:30.they loved the design of the choreography, it was the flow and
:13:31. > :13:40.the contemporary feel but nobody really picked up on the power. The
:13:41. > :13:43.idea of this Viennese waltz, we've got limited steps but normally it's
:13:44. > :13:47.like this dance-off. We are secretly trying to catch up on each other.
:13:48. > :13:51.You get this magical drive on the dance floor. He really achieved
:13:52. > :13:55.that, I've never seen such a powerful Viennese waltz. We are
:13:56. > :14:04.going to see good things from him. Great night all round for waltzes
:14:05. > :14:09.because Louise and Kevin did theirs. Craig says there might have been too
:14:10. > :14:16.much rise and fall. Can there be too much thing as too much rise and
:14:17. > :14:21.fall? It links quite nicely, the two performances. What is so beautiful
:14:22. > :14:25.is the attention to her footwork. So graceful, so elegant. As they dance
:14:26. > :14:30.out of it you'll see slight little Pops. If that had a bit more drive,
:14:31. > :14:36.it would have evened out the rise and fall. We do need that in there
:14:37. > :14:42.but it needs the power of the drive. The use of the standing leg. I can't
:14:43. > :14:51.believe we're saying this in week two. The use of the driving leg. But
:14:52. > :14:58.it was elegant and it was gorgeous. Onto Ore and Joanne's cha cha cha.
:14:59. > :15:03.He was so good, wasn't he? He so confident in that outfit. He lived
:15:04. > :15:07.the dream. I think Darcey was talking a lot about his hands. What
:15:08. > :15:17.a frilly hand. I'll slow this piece down. This is
:15:18. > :15:22.my best bit. Oh, and that little extra bit on the end. So, it is
:15:23. > :15:26.going to carry on. What we need to say about this is that early on,
:15:27. > :15:31.this is fine. What she's doing, she is being clever, she is at least
:15:32. > :15:34.teaching, asking the guys who use their arms. They are normally hands
:15:35. > :15:40.in pockets or something like that. So she is getting him to use his
:15:41. > :15:45.arms but really we need it a bit cleaner. I will jump up quickly. Is
:15:46. > :15:51.that all right. Here we go. Into a New Yorker for example. We place the
:15:52. > :15:57.feet, we bring the hands up, we hit the line up and Bosch we come back
:15:58. > :16:06.and keep it nice and clean. Full speed And ooze. We don't want
:16:07. > :16:12.shagga, shagga going on. Too much extra rhythm. But he is being
:16:13. > :16:17.creative. Later on it'll explode and be fabulous. Next Claudia and AJ and
:16:18. > :16:22.their waltz. A beautiful moment. Craig upset the other judges quite a
:16:23. > :16:25.lot when they were talking on Len's Lens about the overhyperextending.
:16:26. > :16:31.What do you think? Obviously she is a gymnast, what do you make of it? I
:16:32. > :16:38.can't believe I'm going to say this, I'm going to regret this. I'm on
:16:39. > :16:41.Craig's side. Oh. You know why. The piece I have picked up here, the
:16:42. > :16:47.back is arched there. The arms are working. This is all very nice. Once
:16:48. > :16:53.we get into this, she needs to recover again, but it is keeping, it
:16:54. > :16:57.is looking too forced. So what needs to happen t just needs, the elbows
:16:58. > :17:03.to stay in front of our bodies all the time. Once we start pulling the
:17:04. > :17:09.elbows behind the bodies, it starts arching and pulls the shape and
:17:10. > :17:14.creates an uncomfortable curve. Keep the elbows in front and she will
:17:15. > :17:19.have the elegant ballroom line. Lesley and Anton. Shy thought she
:17:20. > :17:25.was stung. I enjoyed her performance so, so much. Darcey said a couple of
:17:26. > :17:29.balance issues with the free arm Do you know, we say these muscles are
:17:30. > :17:33.smaller than our bodies, so we tend to throw an arm into the action to
:17:34. > :17:37.help us speed up but this lady didn't need that at all. I have to
:17:38. > :17:43.pick up on this. We will go into this move. She is going to go into
:17:44. > :17:49.her little drop. Watch closely. She asserts her own energy - did you see
:17:50. > :17:52.that? That's not Anton lifting her. She is asserting her own energy
:17:53. > :17:56.going into the drop. It is fantastic. She leaves a lot of the
:17:57. > :18:02.young ones standing, let me tell you. Come on Lesley! She is
:18:03. > :18:06.assertive, and inspires her part nerks I love it. Oh great stuff. I
:18:07. > :18:12.love it. - inspires her partner.
:18:13. > :18:16.And Will with the jive, Craig said they missed their first intooifd
:18:17. > :18:19.side, did you spot that? Of course. You know what I'm like, I see
:18:20. > :18:24.everything. I picked it up here but what I love is how he makes it up.
:18:25. > :18:27.Look he has gone wrong here, look I'll double turn and catch her again
:18:28. > :18:33.much that's clever. The benefits of this is he has got musical rhythm.
:18:34. > :18:39.He has rhythm, a regular occurrence on an accented beat. Say that again?
:18:40. > :18:45.Rhythm is a regular recurrence of accented beats. Repeat after me...
:18:46. > :18:50.He was able to jump back in and keep it going. He has to watch his
:18:51. > :18:53.footwork and he has to watch his feet. I will be interesting to see
:18:54. > :19:01.how he is developing that but a fabulous dance. All that of with a
:19:02. > :19:08.twinged bum. Well done, Will. The judges praised the character of
:19:09. > :19:11.Tam ka and Gorka's Charleston. It is brilliant week 2, and we are seeing
:19:12. > :19:16.so many performances. Craig would have liked more swivel. Craig always
:19:17. > :19:27.wants more swivel. Demands, demands, demands. But it is ooerl days. You
:19:28. > :19:32.have to bring it. He was right. She has a bit of
:19:33. > :19:37.swivel but I know what he is after, he really wants to see - I'm sorry,
:19:38. > :19:41.I have to keep watching it, I love it. It is free, easy, natural and it
:19:42. > :19:46.has the character. You are not feeling like it is robotic anywhere.
:19:47. > :19:50.But you do in this - you really want to feel the action. Do you know
:19:51. > :19:54.what, it is week 2. She wouldn't even have had time but the little
:19:55. > :20:01.bit she got, beautiful. Onwards and upwards for these two. Brilliant. Go
:20:02. > :20:07.on girl. OK, Judge Rinder and Oksana's American smooth. What a
:20:08. > :20:12.performance. Len said, however, that Judge Rinder is obsessed with heel
:20:13. > :20:17.leads. Now they do tell to you do heel leads but I guess there are a
:20:18. > :20:22.time when you do and a time when you don't? I picked up, you have to look
:20:23. > :20:30.early on at this. He does heels all the way across the bottom. It is
:20:31. > :20:34.almost looking Groucho... Marx We always say loyal fans, that work is
:20:35. > :20:39.the foundation of movement. I remembered that one Well done. So
:20:40. > :20:44.typically, we would get a heel, followed by a toe, which creates
:20:45. > :20:49.continuity through movement across the floor. When you are typically
:20:50. > :20:52.doing a heel and another heel, it is almost a constant stopping action.
:20:53. > :20:57.We know in ballroom we are looking for continuity. So you would get a
:20:58. > :21:02.heel to a toe, potentially another heel or another toe, but a
:21:03. > :21:06.succession of heels, it almost stops the action going across the floor.
:21:07. > :21:11.However, he is using the ankles. Week 2, we can forgive these things.
:21:12. > :21:16.He is holding frame and he is working hard. I'm so glad you are
:21:17. > :21:22.here to explain it. We all understand after Karen explains.
:21:23. > :21:28.Finally, Daysy and Aljaz. Amazing. Len deducted point because it is the
:21:29. > :21:32.cha-cha-cha, the feet, one foot must stay on the floor all the time. The
:21:33. > :21:38.golden rule, feet on the floor. We have a beautiful clip. We have to
:21:39. > :21:42.show off how gorgeous her legs R let's not overlook that. But here we
:21:43. > :21:46.go, slowing it down, two feet off the floor and assisted by the
:21:47. > :21:52.gentleman Any time it is considered a lift is when that happens. Now
:21:53. > :21:58.what Aljaz should have done, is bend into his knees further, extended his
:21:59. > :22:01.arms away, so the lady's leg brushed out further and stayed near the
:22:02. > :22:06.floor. Could it have been his fault or her fault? It was a GM bell, it
:22:07. > :22:13.is what we call one of the wow steps. - a gamble. It was a risk.
:22:14. > :22:17.Week 2 - fabulous. Are you looking forward to Movie Week? I cannot
:22:18. > :22:27.wait. It is my favery. You get the set, everything. Lights, camera,
:22:28. > :22:31.action. A dancer's dream. Come over, we will wear PJs and get popcorn.
:22:32. > :22:34.Now, I never ever thought I'd see the day that Ed Balls dressed up
:22:35. > :22:38.But Strictly is proof that dreams really do come true.
:22:39. > :22:58.That is a sight I don't think I ever wish to see again. What a comeback.
:22:59. > :23:01.It is good to see the funny side of Balls. You came out with enthusiasm.
:23:02. > :23:15.You got a standing ovation. Ed and Katya everyone. Boom. Oh, Ed,
:23:16. > :23:18.catchia, I have to say, such an incredible reaction from the
:23:19. > :23:22.audience in the studio and from the whole nation. Could you feel that? I
:23:23. > :23:26.mean the ground must have been vibrating, Ed? I think we felt it
:23:27. > :23:30.from the first ten seconds or so. Once you were going and the energy
:23:31. > :23:35.of the audience gives you energy yourself. I think all the people
:23:36. > :23:41.would have will be willing us on at home. It definitely helped things.
:23:42. > :23:45.By the end they were rolling. For the best part of the routine I
:23:46. > :23:52.couldn't see him. I didn't know what was going on. I turned and I saw him
:23:53. > :23:58.and thought - yes... He's got it. Yes. I know you worked him so hard.
:23:59. > :24:02.It is a difficult thing to master the Charleston. Darcey wanted you to
:24:03. > :24:09.embrace the character. You must have been so proud of him? I was
:24:10. > :24:14.extremely proud. You know I didn't know how he would feel and the you
:24:15. > :24:22.had aen's energy got up, it was amazing. - the audience. She is
:24:23. > :24:27.still on a high now All day in training referry day, this is what
:24:28. > :24:30.she is like. It is fantastic but exhausting. Ann Widdecombe sent you
:24:31. > :24:33.advice on avoiding elimination. Did you take anything on board, you
:24:34. > :24:38.seemed to have embraced it. There was a difference It was Ann and
:24:39. > :24:42.Darcey in her comments last Saturday who said - you have to go out and
:24:43. > :24:47.perform and get in character. I think the first week I was in a suit
:24:48. > :24:52.on Westminster Bridge and we were concentrating really hard. I think
:24:53. > :24:55.my face said it was me and me, on Strictly Come Dancing, that's not
:24:56. > :25:01.kind of what I think of me being. But the second week, you know we
:25:02. > :25:11.were in a music hall, playing the ban Joes. I pulled on my Charleston
:25:12. > :25:17.head and boom. Ed Balls just said "boom" on TV shocker. There are 7s
:25:18. > :25:23.there and then a 3 from krachlingt he got booed by everybody. - from
:25:24. > :25:29.Craig. He said it was the wrong side of "goofy" for him. Do you think
:25:30. > :25:32.that was fair? Or are you not surprised? He is hard to please He
:25:33. > :25:38.was right, I wasn't swivelling enough. We were focussing on getting
:25:39. > :25:42.the character out. So even if he went a little overboard, I would
:25:43. > :25:46.rather have that. We love Craig but we areall like, boo, boo. He gave me
:25:47. > :25:51.less marks for that than I did the waltz. I thought the waltz was
:25:52. > :25:55.nowhere near as good. I love that, you are feeling the improvement, Ed.
:25:56. > :26:01.This is great. We have got him. I have an exclusive for you. Speaking
:26:02. > :26:04.of the judges, we here at it takes 2 carefully monitor them throughout
:26:05. > :26:07.the live shows to make sure they are all paying attention. Here is a
:26:08. > :26:08.quick little look at their reaction to your Charleston, Ed. Have a look.
:26:09. > :26:26.Can't wait. Look, they are all really enjoying
:26:27. > :26:33.it and Craig is trying so hard there not to crack a smile. We have caught
:26:34. > :26:39.him out there. Darcey did talk about your impressive musicality. That's a
:26:40. > :26:45.drome in a partner. - a dream. When I found out he could play piano I
:26:46. > :26:49.thought - you are my cup of tea. I play as watch. We have no problems
:26:50. > :26:54.with musicality. He feels it through his body. We kept the energy going.
:26:55. > :26:58.In some of the rehearsals you start strolling it and can't quite sustain
:26:59. > :27:04.it. This time we were going at the end. We could have done it all
:27:05. > :27:08.again. I thought - oh my God, you have more energy than me. I can't
:27:09. > :27:16.keep up. That is not possible. She has had a lot of training. You will
:27:17. > :27:20.be as good, you wait, Ed. You had unusual support, former political
:27:21. > :27:24.ally, George Osborne said on Twitter "Come on Ed Balls." Is dance the way
:27:25. > :27:30.to cure all political differences? Well the Prime Minister said she was
:27:31. > :27:35.backing me at the Conservative conference. In the end, dance
:27:36. > :27:40.something appropriate. All the MPs are thinking - go for t have a good
:27:41. > :27:47.time. There may be a few who think - oh my gosh, what is he up to, but
:27:48. > :27:54.most think, good for him. Good on you. What was your wife's review of
:27:55. > :28:00.cowboy Ed? She was in the audience. She was sending me messages to say,
:28:01. > :28:05.go, go, go, sell, sell, sell, you have to go for T she was worried I
:28:06. > :28:11.would be cautious. I was reading the messages. I found out Norwich had
:28:12. > :28:16.baeteden Wolves, so I thought - what a day, fabulous. If Norwich can win
:28:17. > :28:22.every week it'll spur you on. OK, it is movie week, this weekend, and you
:28:23. > :28:28.have a samba. I'm still learning what it is. It is not a dance I'm
:28:29. > :28:34.familiar with. Katya is dressed for a samba. What is a samba. What are
:28:35. > :28:39.you trying to teach Ed this week? Bounce, up and down action. We have
:28:40. > :28:43.done waltz which is all gliding. He keeps asking - can we go back to the
:28:44. > :28:47.frame? No, you have it start bouncing but I think he is on such a
:28:48. > :28:51.high now after the second week, Charleston, he is quite, you know, I
:28:52. > :28:52.think he is going for it. I'm quite happy. Good luck this weekend, both
:28:53. > :29:15.of you. Ed and Katya, everyone. JOHNNY CASH: # You can run on for
:29:16. > :29:20.# Sooner or later God'll cut you down