:00:48. > :01:01.Live from London, this is Strictly it takes to. Please welcome your
:01:02. > :01:06.host, Zoe Ball! -- It Takes Two. Hello, and welcome to It Takes Two,
:01:07. > :01:10.now, like a bottle of vintage champagne, we are full of fizz and
:01:11. > :01:18.ready to pop with sparkly Strictly exclusive is! So here's to a great
:01:19. > :01:25.show and what a great line-up we have. It is the exquisite Anastasiia
:01:26. > :01:31.Nedobiga and on. -- Anastacia and Brendan. The bubbly Greg and Natalie
:01:32. > :01:35.and the downright fruity Lesley and Anton. Plus it wouldn't be a
:01:36. > :01:40.Wednesday without him, Ian Waite is back to give us another warm up.
:01:41. > :01:44.Now, our first guest of the night was injured on Saturday and then
:01:45. > :01:48.faced being in the bottom two but she survived to tell the tale and
:01:49. > :01:57.this week is coming back fighting. It's Anastacia and Brendan. The
:01:58. > :02:04.salsa has to be hot and spicy and you have no problem with that. I
:02:05. > :02:10.thought the underarm terms, all of them were very clunky. It was
:02:11. > :02:13.haphazard very. Considering you have had an injury and had to totally
:02:14. > :02:20.change the choreography, I felt she did a beautiful job. Anastacia and
:02:21. > :02:23.Brendan, everybody! CHEERING
:02:24. > :02:28.Boy oh boy, what a weekend you too hard. You had to change routine
:02:29. > :02:35.because of the injury. You are still here, what a trooper. It's good, how
:02:36. > :02:39.are you feeling? I'm feeling great, it's... It feels like it has been
:02:40. > :02:44.two weeks since Saturday but I am really feeling good. I am so glad to
:02:45. > :02:48.hear that. How devastated were you when you found out you weren't going
:02:49. > :02:54.to be able to dance again for the dance-off? You know, it feels like a
:02:55. > :02:59.dream. I didn't want to have do myself, but the dance-off, you just
:03:00. > :03:05.don't know what to do, it is all a bit confusing. And also, Melvin goes
:03:06. > :03:11.and you have got really close to Melvin. I totally thought I was
:03:12. > :03:16.going to go. He lives here, I'm an American, who knows her? So when
:03:17. > :03:19.they called my name, I was like... It just was the worst. I wanted him
:03:20. > :03:26.to go through because I couldn't dance. But you are here and we are
:03:27. > :03:29.very glad to have you. Brendan, I know having done the show how
:03:30. > :03:33.difficult it is to remember the routine you have been training for
:03:34. > :03:41.all week. Now, to change that on Saturday, and she has got to learn a
:03:42. > :03:45.new one, it is almost impossible. It is almost impossible. Kim, who looks
:03:46. > :03:52.after Ross, said, can you come in a bit early, we need to change things
:03:53. > :03:57.up and my face went... Help! It is a really difficult thing, to change
:03:58. > :04:02.that and change it live, the mind is doing different things, the body is
:04:03. > :04:06.doing different things, but considering that, amazing, what a
:04:07. > :04:11.great job, so it is very frustrating in many respects, because I know how
:04:12. > :04:17.good it was in training and that is when we are rock band, show us the
:04:18. > :04:21.salsa, she can do it. My arms weren't moving. I can move my lower
:04:22. > :04:27.body, it was that kind of thing. You couldn't do the lifts, which I know
:04:28. > :04:34.you really wanted to. It was very gymnast, I felt very relatable to
:04:35. > :04:36.Claudia. We are so alike! But the judges were really impressed with
:04:37. > :04:42.the way you had coped with that. How did you feel about their comments?
:04:43. > :04:45.Their comments were spot on, I have to say. There was no movement in my
:04:46. > :04:51.lower body, I didn't even realise it, because I think I was so worried
:04:52. > :04:56.about my upper at the time and I think I even gave you an accident,
:04:57. > :05:04.and elbow. I got a little elbow in the face but I had no idea. He
:05:05. > :05:07.probably deserved it. If it was subconscious! We try to pretend it
:05:08. > :05:14.was in the choreography but I don't know if I'd ever do that. We are
:05:15. > :05:17.looking to forward to Movie Week, I am borderline hysterical about the
:05:18. > :05:23.whole thing, and you are doing the Viennese waltz. I imagine we will
:05:24. > :05:29.see a softer side to Anastacia. Yeah, the female side. I mean, I
:05:30. > :05:34.don't deny that their's and in a female in here and I know the
:05:35. > :05:38.strength is to empowering, but I definitely feel I don't show it as
:05:39. > :05:43.often. One of the things we were trying to do, we had the cha cha cha
:05:44. > :05:46.and the salsa, very fiery, very Anastacia, we want to soften
:05:47. > :05:49.everything up and show the really beautiful sight in and I think we
:05:50. > :05:56.have achieved that with the Viennese waltz, it is a gorgeous song, a
:05:57. > :06:02.gorgeous number... Is it beautifully choreographed? It is, by one of the
:06:03. > :06:07.world... No, I can't say that. Have you had to adapt the choreography
:06:08. > :06:12.here? The interesting thing he let me know is the arm that floats is
:06:13. > :06:17.this and this is kind of stationary and I was like, this stance was made
:06:18. > :06:22.for my injury! There will be dances we have to do adapt but this is a
:06:23. > :06:25.very soft, delicate number. We don't have to do anything in any number
:06:26. > :06:29.that we don't want to do so it is just about being aware of what we
:06:30. > :06:36.have got to do and delivering a performance that suits. And you are
:06:37. > :06:40.dancing to Twilight. And your friends were like... I was like, you
:06:41. > :06:49.are doing the walls to Twilight? OK... -- the wolves. That was
:06:50. > :06:54.totally Saturday. But it is from the movie. So massive movies of the last
:06:55. > :06:59.couple of years. I am not sure many of the Strictly viewers will know
:07:00. > :07:02.it, but it is one of the songs and a massive movie and we will try and do
:07:03. > :07:06.it justice. We are so excited to watch you dance again on Saturday,
:07:07. > :07:08.keep up the good work. Anastacia and Brendan!
:07:09. > :07:13.CHEERING Time now to check into the Strictly
:07:14. > :07:17.changing rooms and from the looks of things, a la couples are getting
:07:18. > :07:23.very sweaty indeed. Nice. His/her Judge Rinder and Oksana and Daisy
:07:24. > :07:28.and Aljaz got on this week. The hardest part of the charleston is
:07:29. > :07:34.the energy. It is exhausting, genuinely exhausting. I don't know
:07:35. > :07:39.how they did it in the 1920s. OK, I just don't want to go... Superfast,
:07:40. > :07:45.I love the footwork and we are going to do more tricks in this routine. I
:07:46. > :07:52.wanted to be fun, enjoy it and remember the steps and, boy, are
:07:53. > :07:57.they difficult. All I know about the quickstep is I
:07:58. > :08:05.have two hold onto my hold and basically do lots of quick stepping.
:08:06. > :08:10.The main thing for a quickstep is going to be keeping your frame still
:08:11. > :08:14.but don't forget to do all the footwork. It's a lot of steps. It's
:08:15. > :08:24.called quickstep, so it's going to be very quick.
:08:25. > :08:27.OK? And again. Next up, their tango had everyone
:08:28. > :08:30.jumping out of their seats with delight on Saturday night but from
:08:31. > :08:40.the looks of it, the judges were distracted by something else. It is
:08:41. > :08:49.the bootyfull Greg and Natalie. MUSIC: "Jump" by Van Halen You are
:08:50. > :08:55.going like a locomotive at full steam. Your bum sticks out. Tuck it
:08:56. > :09:04.under. What I loved about that dance was the intent and the amount of
:09:05. > :09:07.passion you had in there. What a peachy performance, Greg and
:09:08. > :09:10.Natalie, everybody! CHEERING
:09:11. > :09:15.Oh, my goodness. Everyone was talking about it, it was trending on
:09:16. > :09:21.Twitter. The big story of the night on Saturday was your bottom, Greg.
:09:22. > :09:25.Did you ever think it could cause such a stir amongst the nation?
:09:26. > :09:29.Never in a million years. It is one thing I have not been vertically
:09:30. > :09:38.thinking about, my bum, when I am dancing, which is probably to the
:09:39. > :09:41.detriment of the dance, but it was more of a storm than I expected. I
:09:42. > :09:43.think most were talking very positively about your bottom and I
:09:44. > :09:46.must say, Craig was saying that the only thing was that Greg's posture
:09:47. > :09:52.kind of affected that the shape that you need in a tango. But he has
:09:53. > :09:57.never danced before and it is only week two. You think he is being hard
:09:58. > :10:02.on himself? It is something we definitely need to work on but it
:10:03. > :10:05.did presented Sabah little bit more on Saturday than we planned --
:10:06. > :10:13.presented itself a little bit more. It's got a mind of its own. Everyone
:10:14. > :10:18.wants to call us hashtag team legs and bum now. It is something we want
:10:19. > :10:21.to work on and you have never danced a day in your life and you went out
:10:22. > :10:26.there and you attacked that dance and gave it so much welly and I
:10:27. > :10:31.couldn't have asked for any more. It was extraordinary, Greg. It really
:10:32. > :10:35.was so, so good. You did say to Claudia in the Results Show that you
:10:36. > :10:40.never did want to do the tango again. It was tough for you. It was,
:10:41. > :10:43.I wasn't getting the dance as quick as I thought I would and it got to
:10:44. > :10:47.Thursday night, it was the first time we managed to do a single run
:10:48. > :10:51.through from start to finish and I was panicking a little bit. Then we
:10:52. > :10:54.had a few issues and it wasn't happening and I was thinking I am
:10:55. > :10:58.not going to be able to complete the dance. It will be week two and I
:10:59. > :11:05.will have to go because I can't finish the dance, so it was nerve
:11:06. > :11:07.wracking. The start of the dance, I was so intense because I was
:11:08. > :11:12.desperate to get through and finish. We didn't have an ideal leader, so
:11:13. > :11:15.it was going into it with a little bit of uncertainty and for you to go
:11:16. > :11:20.out and do what you did, you didn't step up foot wrong and you
:11:21. > :11:23.performed. He is amazing, he is so much fun to work with in the studio
:11:24. > :11:30.and you try so hard, I think you care a lot. We can see that. Also,
:11:31. > :11:34.the world-renowned choreographer Sir Matthew Bourne, evening, sir, he was
:11:35. > :11:49.a big fan. He tweeted this... " he knows a thing or two about dance,
:11:50. > :11:55.Sir Matthew. How'd you feel about that? That was amazing and I think
:11:56. > :11:58.it shows how big this show is, it is unreal that people like that are
:11:59. > :12:02.watching and obviously it is his field of expertise, but that was
:12:03. > :12:06.incredible. I always sort of thing I am rubbish all the time, no matter
:12:07. > :12:09.how well it is going and that probably comes across, just the way
:12:10. > :12:12.I am, I am very self-deprecating in order to get better will stop to
:12:13. > :12:19.have comments like that was wonderful. Don't stop believing, as
:12:20. > :12:24.the song goes. This week, we have an American Smooth for you on Saturday,
:12:25. > :12:28.Movie Week. Are you enjoying this a little bit more? Again, whole new
:12:29. > :12:33.rules to learn in four days. How's it going? Better. I'm preferring
:12:34. > :12:38.this one much more to the last two. I have picked small but today, we
:12:39. > :12:44.have completed the dance -- picked up more today. It is nice to get a
:12:45. > :12:54.Wednesday and have completed it. Tweaking this, tweaking that. And
:12:55. > :13:00.you are dancing to Everything I Do, That Back The Late Brian Adams,
:13:01. > :13:08.Robin Hood, Prince Of Thieves. It looks perfect, so romantic. Speak
:13:09. > :13:12.you blew it is so perfect -- it is so perfect, it is beautiful view and
:13:13. > :13:22.he just has too trust himself, trust the process. We have lifts, so you
:13:23. > :13:25.can trust yourself. Natalie is incredible at finishing dances and
:13:26. > :13:32.the lifts in this one are pretty special, they will come thick and
:13:33. > :13:35.fast, it is special. You are going to go Kevin Costner mullet. If you
:13:36. > :13:39.had been thinking about it. We thought we would help you along.
:13:40. > :13:50.Here is normal Greg. Here is mullet Greg. I think it would work. You can
:13:51. > :13:54.take that with you and mull it over. Good luck on Saturday. I think it
:13:55. > :13:57.will be absolutely beautiful. Well done, Greg and Natalie!
:13:58. > :14:02.CHEERING Now, the last thing our couples want
:14:03. > :14:07.is to end up at the bottom, there it is again, sorry, Greg, of the Leader
:14:08. > :14:15.Board. Let's see how hard Claudia and AJ and Danny and Oti have been
:14:16. > :14:19.working in the training room. I think the hardest thing to get with
:14:20. > :14:24.the charleston is all the footwork. It is really difficult, I get really
:14:25. > :14:31.confused. You have to think about your feet and at the same time, the
:14:32. > :14:34.facial expressions. The rest of the week, pretty much we will just be
:14:35. > :14:39.drilling get, again and again and whenever we make a mistake, back to
:14:40. > :14:48.the beginning. All week, sweating our guts out. That was good!
:14:49. > :14:54.Everybody loves the drama, so we are going to bring the drama. I have got
:14:55. > :14:58.a cape, I always come prepared. I am really Zorro, which is everybody's
:14:59. > :15:05.dream. However, there is a chance I am going to look like I am waving
:15:06. > :15:09.around aimlessly. I need to own it. He is getting the steps, he is just
:15:10. > :15:15.as excited as I am, so it is going well.
:15:16. > :15:25.Danny Mac looking fantastic. It's time to talk to Ian, we will find
:15:26. > :15:30.out whose routine will be top of the box office and who is heading for a
:15:31. > :15:43.disastrous flop. Our very own leading man, Ian Waite!
:15:44. > :15:47.APPLAUSE Are you ready for this? Lights,
:15:48. > :15:57.camera, action! APPLAUSE
:15:58. > :16:03.Look, what have you done to your ones? Hollywood showgirl number.
:16:04. > :16:12.Either that or Mac Len Dodd. -- to your wand. What did you make of
:16:13. > :16:15.everyone's dancers? I was tweeting away, giving my opinions on how they
:16:16. > :16:19.were doing, I have technical things to say about all of them but it was
:16:20. > :16:21.a great show, I loved it. The standard is epic.
:16:22. > :16:25.First up, it's Laura and Giovanni, they smashed
:16:26. > :16:27.First up, it's Laura and Giovanni, they smashed their Waltz,
:16:28. > :16:39.Dancing to rid them of the night from Mulan Rouge. This is in two
:16:40. > :16:44.halves, very short clips. -- rhythm of the night. Salsa basic. Lots of
:16:45. > :16:49.rhythm. It is very difficult for a tall girl, as you know, to do the
:16:50. > :16:55.dances like salsa, they are normally the kiss of death foretold girls.
:16:56. > :16:59.Looking very good. Side-by-side. -- for the taller girls. Shrug and
:17:00. > :17:04.shrugged and shoulder roll, slightly late, she should have gone with
:17:05. > :17:09.Giovanni. Either that or Giovanni went early. You know what he is
:17:10. > :17:20.like! Other than that, looking good, considering she is a tall girl. Nag
:17:21. > :17:23.and Pasha, music is Mission impossible. I wonder if it is
:17:24. > :17:30.Mission impossible for her to look confident. She looks amazing, she
:17:31. > :17:34.has a gorgeous body, great physique, she should be brilliant but she
:17:35. > :17:38.doesn't believe it in her face. OK. I would like her to have acting
:17:39. > :17:44.lessons, to bring it out in her face. Tango, fundamentally, you have
:17:45. > :17:50.to stay quite low in your knees. Stay down. It keeps you grounded,
:17:51. > :17:55.all the time. She is up on straight legs. Asher with a flexed leg, she
:17:56. > :18:00.needs to get down, her tail tucked under and then more compact and into
:18:01. > :18:04.the floor. It is a confidence thing with facial expressions, that will
:18:05. > :18:06.come. I hope so. It is a little thing. Just a little thing.
:18:07. > :18:09.Daisy and Aljaz had another strong week.
:18:10. > :18:12.Can be third time lucky with the Quickstep?
:18:13. > :18:20.I think so. She will be Mary Poppins, what more do you want? My
:18:21. > :18:26.dream come true to be Mary Poppins. We can make that happen. Lots of
:18:27. > :18:33.content, brilliant. One step which is called the hinge and she has
:18:34. > :18:40.dropped her hips back, she should be sat on Aljaz's leg. We will go
:18:41. > :18:46.across. Flick up the leg. That leg goes like that. You should be sat on
:18:47. > :18:50.my lap. Like a ventriloquist dummy. Very nice. There should be no gap.
:18:51. > :18:52.Hinge and bracket, sitting on his knee.
:18:53. > :19:00.He is being Fred Flintstone. Taking it so far that he hasn't even got
:19:01. > :19:10.shoes on. I have a feeling he won't be wearing
:19:11. > :19:15.shoes and that is why he isn't. Bags of enthusiasm. Every week. I love
:19:16. > :19:21.it. As you can see, they are doing this flapper step. Flappy bird.
:19:22. > :19:26.Sometimes, because of his enthusiasm and energy, sometimes he loses that
:19:27. > :19:31.ability to finish off the character of the stats. He needs to make sure
:19:32. > :19:35.it is very clear in the technique -- character of the steps. It gets
:19:36. > :19:38.mixed up in the exuberance and enthusiasm. More precise. Wafting
:19:39. > :19:49.around a feather duster. They need to follow that incredible
:19:50. > :19:58.charleston. With a tango from Beverly Hills Cop, The Heat Is On.
:19:59. > :20:01.This could be good for them. They are a strong couple, a strong
:20:02. > :20:07.character between the two of them. He is the new boy trying to impress
:20:08. > :20:10.and she is just hilarious. At the moment, not a proper tango hold
:20:11. > :20:14.because she is holding onto him like a koala. She should get her hand
:20:15. > :20:18.underneath, they have not been working on the hold yet. They are
:20:19. > :20:24.doing a fall away and she has opened up her hips. You don't like that.
:20:25. > :20:32.Opening. Open position. Keep your hips towards me. OK. Keep tight to
:20:33. > :20:36.Gorka! Open your head but keep your hips towards me. Feather up your
:20:37. > :20:39.nostrils! I feel like I am being attacked by an emu.
:20:40. > :20:41.Danny and Oti were sitting pretty at the top of
:20:42. > :20:55.He will be Zorro. Quite a few people will be excited about this. Paso
:20:56. > :21:01.doble. Twist terms. I am not sure why he does a bounce action almost.
:21:02. > :21:05.Should it be straight leg? Straight leg, I think. Maybe trying to get
:21:06. > :21:10.the shaping but try not to bend the knee. Here I would like to see him
:21:11. > :21:16.do more shaping. He needs to shape his body a bit more. Lift up his
:21:17. > :21:23.elbow. Yeah. But his weight further into his knee. Like a lunge So he
:21:24. > :21:26.creates more shape. A bit in between his weights.
:21:27. > :21:37.Charleston. To possibly my favourite song time ever, you give a little
:21:38. > :21:43.love and it all comes back to you from Bugsy Malone. The speed, she is
:21:44. > :21:48.going so fast, she's incredible. She is used to doing that, going fast in
:21:49. > :21:51.gymnastics. They are so superfast. To learn a new skill like this and
:21:52. > :21:58.be this good so early on is phenomenal. The thing I wanted to
:21:59. > :22:03.point out, look at that face. Look at that gorgeous face. Bugsy Malone,
:22:04. > :22:08.fun, cheeky charleston and she's got that look all the way through. I
:22:09. > :22:13.think this will get them on top of the Leader Board. He said it! You
:22:14. > :22:23.heard it here! OK, if they are top of the Leader Board, I want money!
:22:24. > :22:28.Last week he was a fireman, Ore and Joanne. All Gene Kelly this week,
:22:29. > :22:31.American Smooth, singing in the rain.
:22:32. > :22:37.There are parts of this which are glorious and gorgeous but other part
:22:38. > :22:42.in the foxtrot, the hold, they are lumpy. He needs to smooth them out.
:22:43. > :22:48.There are places where he goes off on his own, like this. Fabulous. Off
:22:49. > :22:52.he goes. But the extremities he's got, he needs to straighten out the
:22:53. > :22:58.fingers and the wrists and also the feet. He needs to stretch and point
:22:59. > :23:02.his toes just to finish of those beautiful movements. American
:23:03. > :23:07.Smooth, he needs to be smooth. Darcey said frilly, now nice and
:23:08. > :23:08.smooth. Finish off his hands, straighten up. A bit off their
:23:09. > :23:10.nests. Ian will be back
:23:11. > :23:12.tomorrow night for the sequel to his warm up -
:23:13. > :23:20.until then, And his very funny frilly wand. I
:23:21. > :23:23.hope you have a new end on your wand every time.
:23:24. > :23:24.Time now to meet tonight's final couple,
:23:25. > :23:26.in week one, the judges called her sophisticated,
:23:27. > :23:29.Well, what a difference a week makes!
:23:30. > :23:31.In the words of Bruno, Dorian Green is back!
:23:32. > :23:50.# If you can't make your mind up... Sleek, cheeky, flirty, fun, I loved
:23:51. > :23:53.it. I have to say, I wasn't expecting that, that's for sure,
:23:54. > :23:59.darling. You certainly show absolutely no sign of inhibition. I
:24:00. > :24:04.thought it was terrific! Well done! Thank you.
:24:05. > :24:09.Leslie and Anton! APPLAUSE My goodness me. Lesley Joseph, you
:24:10. > :24:17.looked like you were having the time of your life. Out on the floor. Are
:24:18. > :24:20.you still high? I loved it, absolutely loved it. Everything the
:24:21. > :24:26.judges say he has said to me already in the week. I am enjoying it so
:24:27. > :24:31.much, I go too far without holding it in, it is a new skill and I am
:24:32. > :24:37.loving it. Can you possibly go too far? This is the thing. Craig said
:24:38. > :24:41.you had no signs of inhibition. You can't, it's sassy and smart. He kept
:24:42. > :24:45.saying, keep it tight, the movement is tighter, shorter and sharper. I
:24:46. > :24:52.tried. LAUGHTER She tried! Then he spins me round
:24:53. > :24:57.and I go a bit gaga in the head and I'm over. I fling myself into his
:24:58. > :25:02.arms. Karen was saying that was really good because you are using
:25:03. > :25:06.your wait to get into his arms like a professional dancer. Karen Hardy
:25:07. > :25:10.said that about you. Yes, for that exact reason! LAUGHTER
:25:11. > :25:13.Also she was raving about you on choreography, yesterday saying how
:25:14. > :25:19.fabulous you are. She was also saying that you leave a lot of the
:25:20. > :25:24.young ones standing. LAUGHTER She is a proper judge. I find it
:25:25. > :25:27.difficult to find out I am the age I am, everybody knows, I cannot say
:25:28. > :25:34.the words. We don't need to know that age. How much did you enjoy
:25:35. > :25:43.yourself out on the floor, Anton? Oh, beautiful! I had to trousers.
:25:44. > :25:49.Can we have applause! APPLAUSE A few viewers wondered if they were
:25:50. > :25:56.chafing. I had a nice lining. It is very dangerous if you get the edge
:25:57. > :26:00.of the seat. He loved his sparkly trousers. What did you think about
:26:01. > :26:06.the judge's comments? Were you please? Yes, both weeks. I have been
:26:07. > :26:09.thrilled with the judge's comments. Really complimentary. I am thrilled
:26:10. > :26:16.because you put a lot of work in. Lots of work in. And it is the
:26:17. > :26:23.technical stuff. You want to pick up on the detail of what you are trying
:26:24. > :26:29.to do. It's easy to point on one and a wink on two. We can all do that.
:26:30. > :26:34.All right! LAUGHTER But it's the detail. You hope it
:26:35. > :26:38.comes across. When it does and the judges make nice comments, it's
:26:39. > :26:41.great for Lesley, is lovely for me, because we spent the time and I am
:26:42. > :26:49.thrilled for Lesley. You want that positivity for the -- from the
:26:50. > :26:53.judges. The kick at the end. I won't do it now. LAUGHTER
:26:54. > :26:58.I was very pleased with that. I watched that it back and I thought,
:26:59. > :27:03.oh my, that leg is getting quite high, not bad. How straight it was,
:27:04. > :27:08.so good. Are you feeling an improvement and growing confidence
:27:09. > :27:12.in Lesley as the weeks go by? Yes. It's difficult, you will remember,
:27:13. > :27:16.the first week of doing the show, you spend a couple of weeks doing
:27:17. > :27:20.the dance and you get comfortable with it, you think, marvellous. And
:27:21. > :27:24.then the first show, you don't know what to expect. You think it was
:27:25. > :27:28.quite nice and then, suddenly, you get marked and all of the judges are
:27:29. > :27:32.making comments. It's all a bit odd and you look at other people and we
:27:33. > :27:35.thought we were quite good, actually. As soon as you settle into
:27:36. > :27:41.it and you start to grow with it, I can feel this from Lesley, starting
:27:42. > :27:45.to find has a bit more. This is great for me, some exciting. We can
:27:46. > :27:51.do more. Do more stuff. Including a quickstep. Hello! A couple of
:27:52. > :27:54.swells. I am finding it quite difficult to look at him, because he
:27:55. > :28:01.hasn't shaved. We have never seen him like this. It might cause a
:28:02. > :28:05.rash! I'm staying in character. A couple of swells, Judy Garland, Fred
:28:06. > :28:11.Astaire, you are being trams, it is going to be glorious, how is it
:28:12. > :28:16.going? Really well. -- being tramps. I am obsessed with the quickstep, it
:28:17. > :28:21.is joyous. I will wear a very short wig, blacked out to his, not sure.
:28:22. > :28:26.Might be dressed like a real tramp, don't know. I can pick and choose. I
:28:27. > :28:31.will look at him in a dusty old suit, that's fine, I can live with
:28:32. > :28:36.that. Honestly, it's so much fun to rehearse. Just flying across the
:28:37. > :28:44.floor, it is joyous. Flying. We cannot wait, it will be fantastic.
:28:45. > :28:46.You are spreading joy. Anton an Lesley and! That is all we have time
:28:47. > :28:47.for. getting all the gossip
:28:48. > :28:51.from Claudia and AJ, Tameka and Gorka and
:28:52. > :28:53.Judge Rinder and Oksana. Plus Ian Waite is back with another
:28:54. > :28:55.warm-up and Vicky Gill will be
:28:56. > :28:58.letting us have a rummage through