:00:49. > :00:55.Live from London this is Strictly Come Dancing - It Takes Two. Please
:00:56. > :01:01.welcome your host Zoe Ball. CHEERING AND APPLAUSE Hello and welcome to it
:01:02. > :01:06.takes two, where we are gearing up for movie week. Saturday is the main
:01:07. > :01:13.future and Friday is the trailer, so think of us of the bit in the foyer,
:01:14. > :01:24.where you're buying your popcorn. And we have the sugar coated Claudia
:01:25. > :01:31.and AJ and the hard boiled Rinder and Oksana and we have Vicky Gill
:01:32. > :01:38.and last but not least, here to work his movie magic it is Ian Wait. That
:01:39. > :01:45.is our entire special effects budget gone. Our first couple took us back
:01:46. > :01:52.to the 50s in the American Smooth and they're going back to the stone
:01:53. > :02:00.age this weekend. It is Judge Rinder and Oksana. Those are difficult
:02:01. > :02:09.lifts. I was taken back. Very impressive. You wept from Fred
:02:10. > :02:17.Astaire to Fred Insane. Style and better than last week. Judge Rinder
:02:18. > :02:23.and Oksana, welcome. Lovely to see you. Doesn't she look splendid. I
:02:24. > :02:31.love your jacket. Very soft to the touch. You were the Prom king and
:02:32. > :02:36.queen, did it feel fabulous. I really enjoyed it. You can see the
:02:37. > :02:42.enjoyment in my face. Craig's just jealous of my smile, don't you
:02:43. > :02:47.think. Everybody is. I'm glad I said it after, I meant it, I was glad I
:02:48. > :02:53.didn't drop her. We are all very glad. I don't think we have many
:02:54. > :03:00.people in reserve. D'Arcy we saw was really surprised at how unusually
:03:01. > :03:04.athletic you are, Judge Rinder. And how smoothly you got into the lifts.
:03:05. > :03:09.You made them look easy. How difficult were they? Well how
:03:10. > :03:15.difficult? It wasn't difficult for you. She is very light and she had
:03:16. > :03:21.nothing but soup all week. By his special request. That helped.
:03:22. > :03:28.Honestly. When somebody shows you how to do it, you do it
:03:29. > :03:36.effortlessly. When Darcy said I was athletic, it was the first time
:03:37. > :03:42.apart from Oksana a woman has made me blush. I'm thinking if there is a
:03:43. > :03:49.Strictly curse... This would be news. Craig however... Poor darling.
:03:50. > :03:56.I think he is jealous. He said your hands were like a builder's trowel.
:03:57. > :04:00.Bricklayer's sorry. Have you heard your hands described in such a
:04:01. > :04:06.manner so. And she doesn't think it is fair. No. Why, because you must
:04:07. > :04:11.have worked hard on his hands. Yes I have seen what it was and what its
:04:12. > :04:15.now. It is amazing now. Do you think Craig has spent a lot of time on
:04:16. > :04:20.building sites. I wouldn't like to say. He said he wanted you to look
:04:21. > :04:30.in the mirror when you dance. I wonder if he is referring to the
:04:31. > :04:39.sequel to faceography gate part one and two. Look! So much joy. I'm
:04:40. > :04:44.having fun. You can't control it. Oksana really has told me, try and
:04:45. > :04:48.perform it and perform it to the music and in a way which expresses
:04:49. > :04:53.the story of the dance. That is what I'm doing. That happens and then it
:04:54. > :04:59.is one of the happier features of the experience. Don't you agree?
:05:00. > :05:06.Yes. Oksana likes my face. We all love your faces. You can't doing
:05:07. > :05:12.them at home. The Charleston, loads of faceography. We want to see lots
:05:13. > :05:15.of expression. Yes as he is stepping into the character's shoes, we are
:05:16. > :05:24.going to bring it and there is more tricks. More tricks? More lifts more
:05:25. > :05:34.impressive. Wait until you see. High risk. You're taking on the character
:05:35. > :05:42.played by John Goodman in the movie, Fred Flintstone. Before the more
:05:43. > :05:52.rubbish sequels. That nice English actor, Mark Addy. Are you going to
:05:53. > :06:00.be Wilma or barney Rubble. Wilma. Of course you R There we were thinking
:06:01. > :06:10.you Western wearing shoes, but they're flesh-coloured. Yes. How is
:06:11. > :06:16.he yabadaba doing? We have a all talk no noise policy. Are you being
:06:17. > :06:21.a good boy? Yes. It is like the Flintstones. Fred always gets it in
:06:22. > :06:26.the end, you know what I meant? The point is she... Yeah, she definitely
:06:27. > :06:32.polices me in a helpful way. It is hard to get in touch with my inner
:06:33. > :06:37.cave man. I'm doing my best. We can't wait to see what comes out.
:06:38. > :06:46.I'm sure you will be brilliant. Judge Rinder and Oksana. Movie week
:06:47. > :06:51.is approaching, so how are things going for our celebrities. Love the
:06:52. > :06:59.quickstep. Not a lot to remember. Smile. Head. Angle. Bottom and now
:07:00. > :07:05.dance. It looks flowing and beautiful, but it is not as easy as
:07:06. > :07:09.you think. It is a love that Lesley can embrace and bring the character
:07:10. > :07:18.to. I'm delighted with the way it has gone. And she is brilliant. And
:07:19. > :07:22.one and two... Yes! We are attempting the salsa. So I'm really
:07:23. > :07:29.working on my hips and the figure of eight. Cool, cool. Forward and back.
:07:30. > :07:36.He is better at being a woman than I am. We need to move more. Be
:07:37. > :07:42.Italian. I was better last week when I was trying to be graceful. I need
:07:43. > :07:53.to you know forget all of that and try something very different. Simply
:07:54. > :07:59.hot, the Whitmore. Now... From the studio that brought you way to warm
:08:00. > :08:02.up part one, we bring you the long awaited sequel - way to warm up part
:08:03. > :08:26.two. These Harry Potter of dance. It is
:08:27. > :08:33.Ian Wait, wand at the ready. I love it. I forgot what you were going to
:08:34. > :08:41.say. I was so concerned about acting I forgot my words. Is that just a
:08:42. > :08:49.stick from the park? Yes. Magic. Last night sparkly twinkle said on
:08:50. > :09:00.line how long has he been pals with Zoe Ball. Let's look. It is uncanny.
:09:01. > :09:04.I look so ugly. Sorry about your break with Taylor Swift. Watching
:09:05. > :09:13.the night manager was like watching you. Now let's start with Will and
:09:14. > :09:19.Karen. Dancing the salsa, with a Bollywood feature, it is Jai Ho's
:09:20. > :09:24.track from Slumdog Millionaire. Rngts. Look at the pants. Will they
:09:25. > :09:31.be that baggy. He is getting into character. He has a sort of
:09:32. > :09:36.Bollywood sort of salsa. It is a Bollywood salsa. Look at that leap!
:09:37. > :09:39.It seems to be made for him. We have slowed it down and they're doing
:09:40. > :09:45.some salsa moves and he looks at home. He could move the hips more.
:09:46. > :09:50.That could be early days. Maybe you can't see in the big pants. Next
:09:51. > :09:59.joint top of the leaderboard Louise and Kevin. Cha-chaing to what a fee
:10:00. > :10:06.ling from Flashdance. This looks good. Yes, I can't move in these
:10:07. > :10:09.trousers, but she is doing some lovely swivels with a head flick. It
:10:10. > :10:16.is difficult enough without the head flick. Lovely flicks and kicks and
:10:17. > :10:23.she goes into cha-cha, and the thing is, it is so fast, this is like,
:10:24. > :10:27.this is difficult professional choreography she has been given. So
:10:28. > :10:33.sit is difficult. But what she occasionally because of that, I
:10:34. > :10:36.don't know which end to use, she is not straightening her legs
:10:37. > :10:43.completely. Is that because of speed? Yes. But it is such a small
:10:44. > :10:50.detail. Throughout the whole dance, it is so good. Have you been
:10:51. > :10:54.impressed. Ed came out of his shell with the Charleston. They have given
:10:55. > :11:01.him the Samba. I have faith in Ed now. I'm loving him. Yes, he is
:11:02. > :11:07.getting the steps. I feel sorry for him. The Samba is a hard dance for
:11:08. > :11:13.so early on. He is doing a good job. There is a few places. He is not
:11:14. > :11:19.finishing off his arms. It is like this, he has forgotten about them.
:11:20. > :11:25.But as you can see here, he needs to bend into his knee to create a bit
:11:26. > :11:29.more... Leg action in the back and get, he needs to get his chest
:11:30. > :11:35.forward. Are you going to demonstrate. I love the shirt by the
:11:36. > :11:47.way. Go one and two and over and over. Oh he is so forceful. Look at
:11:48. > :11:54.that. Chest over. Got it. Anastasia, Viennese Waltz, dancing to A
:11:55. > :12:00.Thousand Years. This looks divine. Gorgeous, flowing, a nice technique
:12:01. > :12:05.with her footwork. Good contact throughout the body. A reverse flick
:12:06. > :12:12.from a standing position. Into a reverse turn. I must say, it is good
:12:13. > :12:17.apart from there is a slight issue with her... You know her head keeps
:12:18. > :12:24.coming in. I would like to see her get her head up more like a flower
:12:25. > :12:33.in a vase. Like we used to say. Maybe it is because of her injury.
:12:34. > :12:40.So I might forgive her. Lesley unleashed her fiery side. Anton had
:12:41. > :12:48.stubble. They're loving their quickstep. He is lovely. Let's have
:12:49. > :12:52.a look at this. I cannot believe that she is doing this... It is
:12:53. > :12:57.wonderful. The amount of steps she is doing and the amount of content
:12:58. > :13:02.and need and energy of this woman is phenomenal. There are places where
:13:03. > :13:08.if I stop it here... That you can see there is a bit of gapping going
:13:09. > :13:12.on. It is kind of every where. I think it is because of the speed. If
:13:13. > :13:21.she needs to keep contact in the top of the rib cage up to him. Greg and
:13:22. > :13:27.Natalie, they are doing an American Smooth to everything I do. She is
:13:28. > :13:32.doing a brilliant job. I noticed, there is some lovely flow in this
:13:33. > :13:36.foxtrot and he is using his feet so well now. He needs to be commended,
:13:37. > :13:42.because they were shocking before. Now they look good. He is using the
:13:43. > :13:47.foot. What I would like to see is here as you can see, he has his
:13:48. > :13:52.thumb up and also there is a bit of a gap. He needs to get his hand like
:13:53. > :13:57.a chicken drum stick under the armpit, right under and then close
:13:58. > :14:02.that gap. So he can create that bigger hole. If he does that, it
:14:03. > :14:07.will be beautiful. You look lovely from behind. You are saying I don't
:14:08. > :14:13.look so good from the front? You're not the first to say that. We will
:14:14. > :14:19.see you next wait. Now, if anyone knows the value of a good warm up it
:14:20. > :14:31.is our Strictly gymnast who has brought her fellow side kick. It is
:14:32. > :14:39.Claudia and AJ. Swept away by the power of love. Beautiful arm. Great
:14:40. > :14:45.arch. Lovely. Good hold. Good movement. Good technique. Let up my
:14:46. > :14:59.life? You lit up this ballroom, I'm telling you. Lovely clam! -- lovely!
:15:00. > :15:04.Well done. That was such a stunning waltz on Saturday. You must have
:15:05. > :15:09.been chuffed to bits. I was so happy doing it and I was speechless after,
:15:10. > :15:16.because I was so stunned how well I did it. It went off OK. We actually
:15:17. > :15:20.did it. So good and AJ, a whopping 30 points. That is four up on your
:15:21. > :15:25.score from before. How wowed were you? I was ecstatic. It couldn't
:15:26. > :15:30.have gone any better. It was the best on the night. I tried not to
:15:31. > :15:39.get my foot off. You were a good girl. On the ground. It was let's go
:15:40. > :15:47.for it and whacked it out and didn't realise she was
:15:48. > :15:57.You have to try and stay calm. And not swing her around. You could
:15:58. > :16:02.probably do that in the show dance. The judges are loving it. Darcey and
:16:03. > :16:06.Bruno really admired the arch you created. How important is it to have
:16:07. > :16:11.the judges recognise all those things you have done and give you
:16:12. > :16:18.such praise? So important. Obviously, I like to please the
:16:19. > :16:20.judges. Now I have to win over Craig! He was talking about the
:16:21. > :16:47.hyper extension... There was a bit of a
:16:48. > :16:54.row with the judges. Obviously, I was on Len's side. So much love for
:16:55. > :17:01.you online. Sian Busby has got in touch. She said beautiful, Claudia,
:17:02. > :17:12.really well done. AJ is a real-life Disney prints. We had a row earlier
:17:13. > :17:15.about which one you were. Is he thin rider from Tangled or an add-in? The
:17:16. > :17:27.jury is out. I will take any Disney prints! What they think about the
:17:28. > :17:31.audience? It is amazing. They pick up their phones and vote for you.
:17:32. > :17:37.Everyone has been so supportive online and even walking around in
:17:38. > :17:43.Bristol and they say can graduations! I look like a mess! And
:17:44. > :17:51.your mum and dad came on Saturday. And your dance partner, Chloe, who
:17:52. > :17:57.is on the show tomorrow, what did they make of it? The absolutely
:17:58. > :18:02.loved it. Mum had a little tear in her eye. And Claudia, your gymnast
:18:03. > :18:09.friends were in the audience, what did they think of your performance
:18:10. > :18:15.and what did they think of AJ? They said there are pretty boys in here!
:18:16. > :18:20.You don't need that make up on him! You have possibly the best tune of
:18:21. > :18:29.the weekend as far as I am concerned, you are dancing to You
:18:30. > :18:33.Give A Little Love from Bugsy Malone. How are you enjoying it? I
:18:34. > :18:40.am getting at OK which is good. I can't wait to go out there and do
:18:41. > :18:45.it. It is very smiley and out there. I cannot believe the charleston. The
:18:46. > :18:50.speed of your steps. It is freaking me out how fast you are getting it.
:18:51. > :18:55.Lots of slips and lifts. You must be in your element with this dance? Not
:18:56. > :19:01.really, I trust myself when it comes to lifts but now I have to trust AJ.
:19:02. > :19:08.You have got to learn to trust me. He has not done lifts before he told
:19:09. > :19:15.me. He said, I have never done this before. I said, are you serious?! Is
:19:16. > :19:21.he shaping up? I have not dropped her yet will stop it will be
:19:22. > :19:28.perfect. Enjoyed it on Saturday night. It will be epic. AJ and
:19:29. > :19:34.Claudia! Don't drop her! The training never stops for our
:19:35. > :19:38.Strictly stars. Here is a look at how Ore and Joanne and Will and
:19:39. > :19:43.Karen are getting on. I know pretty much nothing about the
:19:44. > :19:46.American Smooth. I think it is just effortless cool and I don't do
:19:47. > :19:53.effortless and I don't do cool very well. I will be watching his
:19:54. > :19:59.smoothness, it gliding around the floor with precise little hands or
:20:00. > :20:08.big hands as Ore has big hands. It's a really stunning dance, it is just
:20:09. > :20:14.down to me to perform it. Crikey! Ourselves this week has a Bollywood
:20:15. > :20:20.theme. It is a really fun dance to do -- ourselves this week. I am
:20:21. > :20:30.doing it without shoes on. Will is a natural move so it is becoming a bit
:20:31. > :20:33.easier but I have to feel secure that when we are doing a trick he
:20:34. > :20:39.will catch me and not let me for. Spectacular. That looks very good.
:20:40. > :20:42.Did we mention it was Movie Week? We might have done? That means the
:20:43. > :20:45.costumes are more important than ever. Here is the Strictly costume
:20:46. > :21:02.designer Vicky Gill. She is here in canary yellow shoes,
:21:03. > :21:06.we love them. Vicky Gill! Hello, gorgeous. Movie Week which means
:21:07. > :21:12.there is a big Group Dance and all the costumes. Is it all going to
:21:13. > :21:16.plan? I think so. We are all bit nervous. At will all be fine. We
:21:17. > :21:25.will have a peek at some of the costumes. This is beautiful. This is
:21:26. > :21:29.Claudia's. This is the beginning of Claudia's. We are trying to mix up
:21:30. > :21:31.the tone is running through the show. With the charleston we have
:21:32. > :21:35.the fringe but because their number this week, I feel we need to go into
:21:36. > :21:38.more of a pleated vibe, dropped waist and keep up with the era of
:21:39. > :21:46.the film was produced in, Oakley Malone. I think this line will come
:21:47. > :21:52.down and much more of this white opal stone we have used quite a lot
:21:53. > :21:56.in this series. Beautiful. And her legs, they are incredible. You will
:21:57. > :22:00.see more and more of them. This costume, you had better watch it or
:22:01. > :22:12.it will come home with me! I love it! This is Laura's costume. She is
:22:13. > :22:23.dancing to a song from Moulin Rouge. It is on base. We have jewellery
:22:24. > :22:28.stones, some 16, 14, 12 and a few size at which are tiny. To do this
:22:29. > :22:33.it probably takes about two days to get it so nice. She will be cross
:22:34. > :22:40.eyed! What will happen with the Bella? I hope it will stay long. If
:22:41. > :22:46.you can manage it, it will be this length. We may add more skirt to the
:22:47. > :22:55.front. She looks amazing in anything. I would not be able to get
:22:56. > :23:00.this over my thigh! We have a sketch now of Anastacia's dress. Twilight
:23:01. > :23:06.is the dance, that is the theme, the movie. She has had two Latin
:23:07. > :23:12.numbers. Week one we had a really great base for her week one dress.
:23:13. > :23:18.The upper is based on week one in terms of styling. She looked lovely.
:23:19. > :23:23.Much softer. The skirt is one layer of crepe on the top and two layers
:23:24. > :23:29.of georgette. It is really liked and nice and soft. It will be fluid.
:23:30. > :23:34.More white opal on this one. Directing you got a bargain deal on
:23:35. > :23:41.that down the market! And this is Oti's dress for a paso doble. I am
:23:42. > :23:45.very excited about that one. And you had taken some influence from
:23:46. > :23:49.Catherine Zeta-Jones? It is so hard when we do these themed weeks. We
:23:50. > :23:57.love it and the viewers love it but trying to marry the costume at the
:23:58. > :24:00.dance style can be tricky. When you see it on Saturday night it could
:24:01. > :24:05.reduce down to one layer. There are lots of frills on the lining. It is
:24:06. > :24:10.fun and frothy but it will all depend on what she can do. I'm sure
:24:11. > :24:15.she will manage. She is an incredible girl. I am so excited!
:24:16. > :24:20.What will you be wearing on Saturday night? I don't know! Give it up for
:24:21. > :24:28.Vicky Gill! Let's meet our final couple of the evening. They brought
:24:29. > :24:35.the seaside to our scene on Saturday and we do like to be beside the
:24:36. > :24:39.seaside. It is to make and Gorka. I love the fact it was completely
:24:40. > :24:48.character driven. It was absolutely brilliant. The kick and the drag.
:24:49. > :24:56.Great fun. Fun at the seaside. The tide is going out but you are not
:24:57. > :25:05.going anywhere! It is Tameka and Gorka the corker! Thank you, guys!
:25:06. > :25:11.We must congratulate you, Tameka, you are Inside Soap's funniest
:25:12. > :25:15.actress. Did you do a big speech and did you tear up? I did tear up but
:25:16. > :25:23.more to the point I nearly fell off the stage. It was quite a lot of
:25:24. > :25:29.drama. It is Inside Soap so it has to be drama. Had you had a couple of
:25:30. > :25:34.Sherry 's? I really enjoyed your charleston at the weekend. The
:25:35. > :25:40.audience adored it, the judges did. Bruno said you wear Queen of
:25:41. > :25:44.slapstick. How much of your character was coming out there?
:25:45. > :25:51.There was a lot of Kim. She would love to do that. The bigger, better,
:25:52. > :25:56.the more energy, definitely upper Street. Was there is much joy in
:25:57. > :26:03.dancing at as there was for us watching? Yes! I think for me it was
:26:04. > :26:09.the best I have done it. You said I was the best one. Especially the
:26:10. > :26:19.middle half to the end, your energy was even higher. And that was quite
:26:20. > :26:23.a full on dance. Darcey said you will swim through this competition
:26:24. > :26:29.if you keep that standard up. That must be begin up your confidence?
:26:30. > :26:32.Yes, it is really good, really love that but this week is something
:26:33. > :26:38.completely different. There are ups and downs, it is like the sea. We
:26:39. > :26:44.loved the swimming move that you did at the end. Here you go. That is
:26:45. > :26:49.scary because you can take your teeth out doing that. Vicky did say
:26:50. > :26:55.that not many people could look that good in a stripey place it so well
:26:56. > :27:00.done, Gorka. Yes, you are very good. Can I just say, I was not up for
:27:01. > :27:09.that ending. I was like, do me a favour! But they convinced me. I'm
:27:10. > :27:14.so glad we did that. Thanks, Vicky! There was another move you were not
:27:15. > :27:19.sure about in training. Let's have a little look. One, two, three, four,
:27:20. > :27:37.five, six. SHE SCREAMS. I don't like it! I
:27:38. > :27:45.don't like it, I don't like it, I don't like it! Why? I feel like
:27:46. > :27:54.something will happen. I don't like it! , Gorka! I don't think she liked
:27:55. > :28:01.it! How can you help Tameka overcome her fear? I said, if you have to
:28:02. > :28:08.scream, use it and follow me. She was teasing me so I said, you scream
:28:09. > :28:14.and then run behind me but you scream. Every time in that bit ice
:28:15. > :28:27.cream. This time next year I will still scream. It is all part of the
:28:28. > :28:34.character. This week, the tango. Beverly Hills Cop from the 80s with
:28:35. > :28:40.Eddie Murphy. How was the training going? I know you have got a bit of
:28:41. > :28:44.a poorly knee. This week it is very different, it is very hard, the
:28:45. > :28:51.whole framing. It is hard for me this week, I am not going to lie.
:28:52. > :28:55.And the knee injury, I am not making any excuses, thank you to Gorka
:28:56. > :29:01.because he has amended some of the moves. It is hard this week. She has
:29:02. > :29:09.to be able to bend her knees, it is like sitting on your knees. It is
:29:10. > :29:16.hard but it will be good. I like his confidence. And you have ripped Hugh
:29:17. > :29:27.Orde genes. You will get a draft! -- you have ripped your genes. Rest
:29:28. > :29:35.that knee tonight. Fingers crossed. You are terrific, Tameka and Gorka!
:29:36. > :29:42.That is all we have time for tonight. A huge thank you to all of
:29:43. > :29:49.my guests. Join us here tomorrow... That was 6pm in Spanish. I will be
:29:50. > :29:56.chatting to Laura, Giovanni, Daisy and Aljaz and Will and Karen. And
:29:57. > :30:01.joining us will be cheeky chappies Sam and Mark and former Strictly
:30:02. > :30:03.star Sophie Ellis-Bextor at 6pm. Thank you.