0:00:48 > 0:00:54Live from London, this is Strictly It Takes Two. Please welcome your
0:00:54 > 0:00:57host, Zoe Ball!
0:00:57 > 0:00:59CHEERING AND APPLAUSE
0:00:59 > 0:01:01Hello and welcome to It Takes Two!
0:01:01 > 0:01:03The only show recommended by medical professionals to help
0:01:03 > 0:01:07cure your mid-week Strictly blues.
0:01:07 > 0:01:08It's true.
0:01:08 > 0:01:12Case in point - take a look at my Green Room.
0:01:12 > 0:01:14Just what the Doctor ordered.
0:01:14 > 0:01:15We have Ruth and Anton!
0:01:15 > 0:01:17CHEERING
0:01:17 > 0:01:19Aston and Janette!
0:01:19 > 0:01:24CHEERING
0:01:24 > 0:01:25And Alexandra and Gorka!
0:01:25 > 0:01:33CHEERING
0:01:33 > 0:01:34Plus, with Hallowe'en fast approaching, Ian Waite
0:01:34 > 0:01:37is here for a first look at this weekend's ghoulish delights!
0:01:37 > 0:01:38CHEERING
0:01:38 > 0:01:40But, right now, Cabin Doors to manual, please.
0:01:40 > 0:01:41DING DONG!
0:01:41 > 0:01:43This is a Passenger Announcement.
0:01:43 > 0:01:45Can Ruth Langsford and Anton du Beke please
0:01:45 > 0:01:47report to Gate Ten immediately?
0:01:47 > 0:01:57Your interview is ready for take-off.
0:01:58 > 0:02:04# Club is in the air...I loved it for a comedy and the showbiz, it
0:02:04 > 0:02:10didn't love it for the technique. Lots of content, the wrong foot a
0:02:10 > 0:02:15little bit but who cares?Please hold onto this fun side, it is
0:02:15 > 0:02:20fabulous, your energy came alive on the dance floor!
0:02:20 > 0:02:29Ruth and Anton, everyone!
0:02:29 > 0:02:34I can't get enough of that act as neither can those people out there.
0:02:34 > 0:02:39Look at them, they are so knowing! It was a first-class dance, how much
0:02:39 > 0:02:45should you enjoyed your experience? That is the first time the nerves
0:02:45 > 0:02:49left me, I can't watch because I did make some mistakes. But I loved it
0:02:49 > 0:02:55so much, I was very nervous until we did the reveal, if this doesn't
0:02:55 > 0:03:00work, if it gets stuck or I do not do it at the same time Anton, it
0:03:00 > 0:03:04will be a cringe moment. Once the code came off and the audience went
0:03:04 > 0:03:09wild, I just threw myself into it. But the rest of my life, I will have
0:03:09 > 0:03:12imprinted in my mind, we were face-to-face across the floor and
0:03:12 > 0:03:17all I could see was Anton in those sleeves and the sequinned trousers
0:03:17 > 0:03:22and I thought whenever I'm sad, I'm going to poll out that picture.Can
0:03:22 > 0:03:30we see it in slow motion? The Bucks Fizz moment. There she blows! Look
0:03:30 > 0:03:37at that! Anton with such gusto! You must have been so hot. Those
0:03:37 > 0:03:43costumes get warm and you have double layers.I had velvet.Yes.
0:03:43 > 0:03:54Tell them...What?Subtitles are available!I love this!I haven't
0:03:54 > 0:03:58told payment or Jack and I wanted it to be is a prize and I said, what
0:03:58 > 0:04:02did you think when I walked out in the Blue dress? He said, I was
0:04:02 > 0:04:06really cross with you. I just thought, what have they put her in,
0:04:06 > 0:04:11that is so typical of Ruth not to make a bus, they put her in that and
0:04:11 > 0:04:17stupid hair until I ripped it off and it made sense.I love that, that
0:04:17 > 0:04:21is brilliant. Did you have an inkling, sir, those trousers might
0:04:21 > 0:04:26steal the show? Last week, we said among the team, what we need right
0:04:26 > 0:04:31now in this competition is Anton in a catsuit.He went one better.We
0:04:31 > 0:04:38thought about a catsuit. We were thinking about a catsuit. I was so
0:04:38 > 0:04:43delighted that the reveal think was not leaked. And the reaction from
0:04:43 > 0:04:48Ayman was what we were wanting. Sometimes, you end up walking down
0:04:48 > 0:04:52the stairs and giving the game away. But it was an ill fitting suit and
0:04:52 > 0:04:59all that. Exactly what we were after, I loved that reaction.We had
0:04:59 > 0:05:04to be Cavanaugh to stick together, we were full of magnets! -- we had
0:05:04 > 0:05:11to be careful.Things like that coming you do not want to give it
0:05:11 > 0:05:16has to be a shock to the audience. Because the room just goes wild. And
0:05:16 > 0:05:19live shoe for the number. And the number makes sense because the
0:05:19 > 0:05:29reveal was retro.And Shirley gave you a six and she said she
0:05:29 > 0:05:33recognised the choreography, did you do it on purpose?It was stolen from
0:05:33 > 0:05:39her repertoire from 1976. It was a hot marsh.She definitely loved
0:05:39 > 0:05:45that. Despite the judges lovingly impolite entertainment, the scores,
0:05:45 > 0:05:54we didn't get those up.I had such a good time. And they still said nice
0:05:54 > 0:05:59things. I think people forget a lot of the marks are also based on
0:05:59 > 0:06:03technical things and I did go wrong a couple of times.I don't remember
0:06:03 > 0:06:10you going wrong.It might have been the glare! It was your own sleeve!
0:06:10 > 0:06:16It is up to the judges. People are voting and thank you whoever voted.
0:06:16 > 0:06:22I'm thrilled.Hallowe'en week. And it is Quickstep and you have great
0:06:22 > 0:06:30music. Let's hear it. Is Anton slotting into the clueless
0:06:30 > 0:06:41husband role nicely?I have to go like this wake up.There you go,
0:06:41 > 0:06:46scattered chassis, reverse, you missed out the good bit.We like
0:06:46 > 0:06:57surprises. How is the nose twitch? Perfect! Do it again. Anton? Can you
0:06:57 > 0:07:03do it? No! Anton is wearing a tight slacks we have ever seen.Very
0:07:03 > 0:07:08tricky. I will not be doing a demonstration today.That is a
0:07:08 > 0:07:13terrible shame! You said on Monday it is like a square one all over
0:07:13 > 0:07:21again. Wednesday, which were you one today?It used to be a week and now
0:07:21 > 0:07:24I'm all right. I have tears on Tuesday, Wednesday is all right,
0:07:24 > 0:07:29today has been good. Always tears on Thursday because I panicked and go,
0:07:29 > 0:07:33this is my last training day because Friday, we get to the studio and we
0:07:33 > 0:07:37have to do the dance, you have to know it I then, you are supposed to
0:07:37 > 0:07:43know it.Supposed to know it!As long as you know it by Saturday
0:07:43 > 0:07:49night!I think I know most of it. You are doing wonderfully. Ruth
0:07:49 > 0:07:56follows really well. The Quickstep Esau was the first time she had done
0:07:56 > 0:08:02it. I took hold of her and her wig stir around the floor. This is
0:08:02 > 0:08:08lovely in theory, a lovely skill to have the follow and for me to read
0:08:08 > 0:08:12her and she follows me around the room. The problem is when we put the
0:08:12 > 0:08:15choreography together and she thinks about the choreography. That is the
0:08:15 > 0:08:21battle. The fear of forgetting. It's a massive stumbling block. The woven
0:08:21 > 0:08:27thing and you guess perhaps.Or I looked down. I looked at his feet so
0:08:27 > 0:08:34I know where he is going.You can do it and that looks glorious.
0:08:34 > 0:08:36Quickstep is adorable. Thank you. Good luck.
0:08:36 > 0:08:38Ruth and Anton, everyone!
0:08:38 > 0:08:40CHEERING AND APPLAUSE
0:08:40 > 0:08:42We know how Ruth and Anton's Quickstep is shaping up,
0:08:42 > 0:08:44but with Hallowe'en fast-approaching, how are the rest
0:08:44 > 0:08:48of our couples getting on?
0:08:48 > 0:08:50It's time for Ian Waite to investigate.
0:08:50 > 0:09:00CHEERING AND APPLAUSE
0:09:00 > 0:09:02Hoping to cast a spell over this weekend's Hallowe'en
0:09:02 > 0:09:03routines, it's Ian Waite.
0:09:03 > 0:09:13CHEERING AND APPLAUSE
0:09:13 > 0:09:24Where did you find that shirt?I thought I would pay my own homage to
0:09:24 > 0:09:28the 1970s.It is like wallpaper, gorgeous.
0:09:28 > 0:09:30Let's start with Joe and Katya, who had their first '10'
0:09:30 > 0:09:32of the series for their Paso Doble last weekend.
0:09:32 > 0:09:34Is their Foxtrot looking worthy of another Ten?
0:09:34 > 0:09:40He needs to smooth out the pivots. He has lovely heel leads, but it's a
0:09:40 > 0:09:43bit stompy. They've cobwebs around them, getting ready for the action.
0:09:43 > 0:09:51A lovely ronde and a Contra Check. Hello, sorry, I forgot. There is,
0:09:51 > 0:10:02thank you.Slightly over rotated to his left. And if he doesn't rotate
0:10:02 > 0:10:06too much, he does rotate, but not quite that much, and he is looking
0:10:06 > 0:10:10over there. He needs to look over the top of her head if possible. So
0:10:10 > 0:10:15when he does a Contra Check, he is there over the top of her head,
0:10:15 > 0:10:20rather than men.OK, as lovely as that face is!In a throwaway comment
0:10:20 > 0:10:23he did the same and he went like that and he should be looking over
0:10:23 > 0:10:26there.Beautifully demonstrated.
0:10:26 > 0:10:29Gemma and Aljaz have been called frontrunners in recent weeks.
0:10:29 > 0:10:31Is this Jive going to put them on top?
0:10:31 > 0:10:37Well, looking at those lovely kissing shoes again, everybody is
0:10:37 > 0:10:41wearing those, they are smelly! Going through the step is, I do
0:10:41 > 0:10:46think that it's a little bit flat-footed and she needs to get
0:10:46 > 0:10:50onto the balls of her feet to make it lighter. And her body position is
0:10:50 > 0:10:57very bright. We talk about getting it tucked underneath. Just so that
0:10:57 > 0:11:01what it does, it brings your weight onto the balls of your feet just by
0:11:01 > 0:11:06changing. And if she picked up her knee, she would be able to click the
0:11:06 > 0:11:13Fat down, rather than just out. She is doing that, rather than that.
0:11:13 > 0:11:15Subtle adaption. Yes, thank you. CHEERING AND
0:11:15 > 0:11:21APPLAUSE. Feel free, he is a wonder!
0:11:21 > 0:11:24How's their Rumba looking?
0:11:24 > 0:11:30Davood and 90. Not enough straightening of the leg. Even into
0:11:30 > 0:11:35the lines, there needs to be one straight leg at a time. He does a
0:11:35 > 0:11:41nice check action, checking forward. He has worked on it. Everywhere
0:11:41 > 0:11:45else, everywhere he is taking a walk, he needs to straighten the
0:11:45 > 0:11:51walk and keep it straight. I love those legs! He goes into a line here
0:11:51 > 0:11:57and it looks a bit strange. He needs to take the knee out to the side to
0:11:57 > 0:12:06create... More of a lunch? Yes, it just looks like... These things can
0:12:06 > 0:12:13be worked on, it is only Tuesday's footage.Yes, it will be perfected.
0:12:13 > 0:12:14Debbie and Giovanni topped the leaderboard
0:12:14 > 0:12:16with their Rumba last weekend.
0:12:16 > 0:12:19What do you think of their Charleston?
0:12:19 > 0:12:26This looks great fun. She has great beat and legs and is neat and tidy.
0:12:26 > 0:12:33I love her outfit! I would like to see more wild Debbie. Expressing
0:12:33 > 0:12:39herself and going a bit mad rather than keeping it contained. She has
0:12:39 > 0:12:47got a lovely swivel. Swivel action. Like I said about going for it, the
0:12:47 > 0:12:54steps out, we will show them how to go for it. Flapping bird.Why is it
0:12:54 > 0:13:08always the flapping bird?!Flapping bird.I look more like a chicken.
0:13:08 > 0:13:14What are you talking about? Debbie, that is not how you do it.
0:13:14 > 0:13:16Finally, Jonnie AND Oti are performing a Cha-Cha-Cha
0:13:16 > 0:13:17to 'Trouble Maker', by Olly Murs.
0:13:17 > 0:13:19Does this look like trouble to you?
0:13:19 > 0:13:25I think this is going to have its problems. It is all about the legs
0:13:25 > 0:13:28and the straight leg action. I would say it would be difficult for him.
0:13:28 > 0:13:34But he is doing a really good job of coping with it. So impressed so far,
0:13:34 > 0:13:41but with his top half, here, when he leans across to Oti, he needs to get
0:13:41 > 0:13:46his elbows out the create the shape. So I will take your elbow out rather
0:13:46 > 0:13:52than dropping down here. Take it out there to create space.I don't know
0:13:52 > 0:13:56what I'm supposed to do! I will just stand there and look gormless! That
0:13:56 > 0:14:02is me! We would do the rest of the couples tomorrow. And don't
0:14:02 > 0:14:03forget...
0:14:03 > 0:14:04Tomorrow's the big day.
0:14:04 > 0:14:06We'll be revealing just what you're dressing
0:14:06 > 0:14:08up as for Hallowe'en, as voted for by It
0:14:08 > 0:14:09Takes Two viewers.
0:14:09 > 0:14:12Are you excited?
0:14:12 > 0:14:20Yes! I'm excited because it has been a long time since I wore a dress.
0:14:20 > 0:14:24You don't know what you are wearing yet. No backing out now.
0:14:24 > 0:14:25Give it up for Ian Waite, everyone!
0:14:25 > 0:14:29CHEERING AND APPLAUSE
0:14:29 > 0:14:30I love it.
0:14:30 > 0:14:31I love it.
0:14:31 > 0:14:33Next up is a couple whose waltz we couldn't help
0:14:33 > 0:14:34but fall in love with.
0:14:34 > 0:14:40It's Aston and Janette!
0:14:47 > 0:14:51Handling it beautifully, the control and grace was there, your weight was
0:14:51 > 0:14:55on your toes.I thought it was pretty impressive tonight.I love
0:14:55 > 0:15:00how you danced and I could watch you all night.
0:15:02 > 0:15:03Aston and Janette, everyone!
0:15:03 > 0:15:10CHEERING AND APPLAUSE
0:15:10 > 0:15:16What they waltz, it was absolutely beautiful. So clever, Aston, both of
0:15:16 > 0:15:23you.How did it feel? Emotional, it was emotional. I was shaking,
0:15:23 > 0:15:28actually. Probably the first time in how many weeks, four, five?We don't
0:15:28 > 0:15:35count them! Not halfway yet.I was honestly shaking just because of the
0:15:35 > 0:15:41atmosphere and the feel of the song, the routine. Yeah.It really means
0:15:41 > 0:15:45you are feeling it on the floor. How did you calm him down?The whole
0:15:45 > 0:15:51week we talked about it because previously he's been playing a
0:15:51 > 0:15:54character, the cool guy but I wanted him to just be Aston and get lost in
0:15:54 > 0:16:02the moment. Not in the routine!He did.I felt it, he was dancing with
0:16:02 > 0:16:05me and I really felt like it was just me and him in our little bubble
0:16:05 > 0:16:09and I think we accomplished it. But when we were finished and we were
0:16:09 > 0:16:14being judged he was literally shaking. He said he had never felt
0:16:14 > 0:16:20like that in his life, feeling so vulnerable, and I loved it.So good.
0:16:20 > 0:16:24Have a big cry, that is what I would have done!I'd didn't think I was
0:16:24 > 0:16:31able to cry, literally.It is meaning so much! It can be a bit of
0:16:31 > 0:16:35a risk to do the contemporary stuff, but Craig absolutely loved it,
0:16:35 > 0:16:42surely loved it. To deviate from a traditional waltz, is that a risk?
0:16:42 > 0:16:47It is always a risk, you never know what people are going to like and I
0:16:47 > 0:16:50kept saying to him that I'm nervous because I know there are many
0:16:50 > 0:16:53contemporary elements and it can go either way, they can love it or hate
0:16:53 > 0:16:59it. So to hear them loving it, I thought, thank God. They went with
0:16:59 > 0:17:02me and they felt what I felt and I was really proud that he could
0:17:02 > 0:17:07deliver.I know, there were some real moments when you did your legs,
0:17:07 > 0:17:12stunning. Craig was talking about it being a bit sharp and an issue with
0:17:12 > 0:17:17your hands. What did you make of that?It's fine, Craig, we'll fix
0:17:17 > 0:17:23it.Perfect answer. And you're gorgeous girl Sarah came to visit
0:17:23 > 0:17:30you. She gets to visit you in the training room, what did she'd think
0:17:30 > 0:17:37when she saw the finished dance?She was very emotional, she could see it
0:17:37 > 0:17:42better than anyone, it wasn't the usual me, my performance, so it was
0:17:42 > 0:17:46nice for her to see another side of me, very open and honest.That is
0:17:46 > 0:17:48the hard thing for the partners because they know the signs when
0:17:48 > 0:17:55you're a bit scared. At least she can watch, though. It's been a tough
0:17:55 > 0:18:04week for you, Aston, we must discuss, you have lost your B Boy.
0:18:04 > 0:18:10Is it all right talk about it?We can go there.Actually, Bayern, he
0:18:10 > 0:18:15has sent you a message in case you were missing him -- Brian.You poe
0:18:15 > 0:18:28we don't remember me, are used to be on the show, I am Brian Conley. You
0:18:28 > 0:18:32made it very special, my experience, because, Aston, you're a nice bloke.
0:18:32 > 0:18:47I'll see you soon and please stop doing my dance routines!Brian.
0:18:47 > 0:18:55Aawww! We miss him already. So, this weekend, Halloween, Paso Doble,
0:18:55 > 0:19:03Nirvana. This is quite crackers, Nirvana on Strictly Mac. Ah You
0:19:03 > 0:19:11fans, the two of you?I love the song, I can't say that I have
0:19:11 > 0:19:19listened to all songs but I love Smells Like Teen Spirit.You were
0:19:19 > 0:19:24about six when it came out! The first time we've had Nirvana on
0:19:24 > 0:19:30Strictly. I think is the first time we've had a Paso Doble done by
0:19:30 > 0:19:35ghosts, probably. How is it going? Any other firsts going to happen?
0:19:35 > 0:19:41Well, working really hard. I have to say, when of a take it slow with
0:19:41 > 0:19:46Aston, it's very fast, a lot of footwork, lots of further action. A
0:19:46 > 0:19:51lot of work on and everything. More than anything, when we danced to
0:19:51 > 0:19:55music, it feels so good.Just something takes over, honestly, it's
0:19:55 > 0:20:04very weird.You are no longer Aston! I love it when you say that! This is
0:20:04 > 0:20:08the thing, with a Paso Doble you have two feel it with your toes and
0:20:08 > 0:20:14hands and fingers, you are becoming a matador, Aston.I am trying. But
0:20:14 > 0:20:20it's tough, this one is tough. You really need to be in this one.
0:20:20 > 0:20:27Unique to fight it but -- you need to fight it.The battle, Halloween,
0:20:27 > 0:20:31the perfect time to do it. You're amazing, good luck this weekend.
0:20:31 > 0:20:38Aston and Janette! Powerhouses.
0:20:38 > 0:20:41Right, time now to see how Davood, Jonnie and Joe are getting ready
0:20:41 > 0:20:41for this weekend's Hallowe'en Spooktacular.
0:20:41 > 0:20:46EVIL LAUGH
0:20:46 > 0:20:49That was deep!
0:20:52 > 0:20:58This new style of dancing, the Rumba is making me confused.Definitely
0:20:58 > 0:21:04difficult for him to get the steps now. Now it's...Such full body
0:21:04 > 0:21:09movements even though it slow and there is a lot to take on board. For
0:21:09 > 0:21:15the moment, the fear is kicking in, which is perfect for this week.
0:21:19 > 0:21:23We have a cha-cha, which is the first dance I'm doing is where I
0:21:23 > 0:21:28feel I have to use my hips. This is going to be interesting. I Develin
0:21:28 > 0:21:33the feel embarrassed doing these movements. -- I definitely feel
0:21:33 > 0:21:36embarrassed. This is the most embarrassed I been so far. I've gone
0:21:36 > 0:21:43red!I think he loves shaking his hips, I always see a smile in the
0:21:43 > 0:21:50corner of his face. Whoo!Gentle rise and fall, the foxtrot, you've
0:21:50 > 0:21:56got to keep the glide across the floor. That's good, that's good.
0:21:56 > 0:21:59Some quick and some slow and I'm not sure of the order yet.Judges are
0:21:59 > 0:22:05going to be looking for improvement. They will look at his correct
0:22:05 > 0:22:13footwork. That's it.Feels good at the moment.
0:22:15 > 0:22:19My next guest has something of a problem
0:22:19 > 0:22:20with bad boys constantly catching her eye.
0:22:20 > 0:22:23Lucky for her, her partner is a total gent.
0:22:23 > 0:22:27It's Alexandra and Gorka.
0:22:33 > 0:22:41You bring this floor alive, you just gel.The upper half is exquisite and
0:22:41 > 0:22:47I think a bit more work on the lower half.I love watching you, really
0:22:47 > 0:22:53good.
0:22:53 > 0:22:57Alexandra and Gorka.
0:22:57 > 0:23:04Gorgeous. Tell you what, we are in the love... In love with the shape
0:23:04 > 0:23:09of your Samba, it was amazing, how did it feel? Look at you.It felt so
0:23:09 > 0:23:16good, I came off stage and I thought, that felt hot!It looked
0:23:16 > 0:23:23pretty hot, the two of you. I don't know which one to watch. Also, you
0:23:23 > 0:23:28follow on from a shower of 10s the week before, and then the judges got
0:23:28 > 0:23:33more critical. Did you expect that? I always expect to be criticised
0:23:33 > 0:23:38because we know why we are here, to learn and improve and gawker has
0:23:38 > 0:23:45been an amazing teacher and I felt... He knows my energy gets a
0:23:45 > 0:23:48bit too much sometimes and you can forget your technique and I'm
0:23:48 > 0:23:53working on not getting too excited and going into Beast Mode and forget
0:23:53 > 0:23:57what he is teaching me.I love when you go into the Beast Mode.I can't
0:23:57 > 0:24:01do that any more because I'll get pigeon feet!You said last week that
0:24:01 > 0:24:10you had to contain your inner Jamaican.I managed to have a bit of
0:24:10 > 0:24:14that influence when he allowed me to be free and give it a little
0:24:14 > 0:24:19something something but that's it, nothing more, very contained.It's
0:24:19 > 0:24:28Halloween, it's coming.Everything you have put aside. And gawker, a
0:24:28 > 0:24:31lot of people on social media saying this was under marked. What you
0:24:31 > 0:24:38think?Scores are scores and every week is different. It was an amazing
0:24:38 > 0:24:44dance. Even today we are thinking we wish we could dance it again because
0:24:44 > 0:24:49I wanted to do it again.It went so quick, really quick.That's a good
0:24:49 > 0:24:53sign, wanting to do it again. If you are like, I never want to do that
0:24:53 > 0:24:57dance.I know, it is nice that we felt that way and still feel that
0:24:57 > 0:25:06way. We still have the samba vibes. The first two for -- the first time
0:25:06 > 0:25:11for you two, you finished mid-table. Were you thinking, results, a
0:25:11 > 0:25:16dreaded dance off?It's getting harder and harder every week and
0:25:16 > 0:25:22that week I was very nervous, waiting for the results.It felt
0:25:22 > 0:25:26like we had it in our heads and said if we are the bottom two, let's just
0:25:26 > 0:25:30dance and go for it, give it everything. You can never be
0:25:30 > 0:25:37complacent, you can't feel you done a good dance, you never know how
0:25:37 > 0:25:42it's going to go, so always prepare. Although it scares you, prepare and
0:25:42 > 0:25:46hope for the best.We saw how you bring the floor alive, watching you
0:25:46 > 0:25:53dance. Are you finding that you pick up the routine is a bit easier now?
0:25:53 > 0:25:57I've always picked them up quite quickly, it's just if they stay in
0:25:57 > 0:26:03my brain!One of the things that happens, we know each other better
0:26:03 > 0:26:09now, so we know we have to work with it other, which helps. When I have
0:26:09 > 0:26:12the detail, she must learn it, we understand better and it goes
0:26:12 > 0:26:18quicker.Yeah, it goes quicker.You get a kind of language.There is a
0:26:18 > 0:26:23thing, a good thing.A look in the eyes.I know when it's coffin time
0:26:23 > 0:26:31as well! -- coffee time.It is not just dancing that this man is
0:26:31 > 0:26:44teaching you in the training room. Have a look, everyone.R-r-r-r-r.
0:26:44 > 0:26:56R-r-r-r-r.R-r-r-r-r.I don't know why anyone wants to watch that.
0:26:56 > 0:27:03Teaching me to roll my Rs, I can't do it and I'm a singer. It's really
0:27:03 > 0:27:20hard. It's difficult.Too good, everybody. Tango. Maneater, Nelly
0:27:20 > 0:27:26Furtado. How does a zombie Tango differed to a normal one?It's going
0:27:26 > 0:27:33to be a bit more scary, a bit more energetic and just get ready for
0:27:33 > 0:27:37Saturday because it's going to be scary.Scary for the right reasons I
0:27:37 > 0:27:44hope?Yeah. We will do our best.We are going to look like really cool
0:27:44 > 0:27:53zombies, I can't wait.You are dancing to Manager, do Gorka's
0:27:53 > 0:27:58hordes of fans need to be afraid? No, not at all, no one need to beat
0:27:58 > 0:28:04scared -- you are dancing to ten ferry.We know you are a screamer,
0:28:04 > 0:28:10Alexandra, what sounds are you making this week? -- you are dancing
0:28:10 > 0:28:17to Maneater.It is you, the roles have changed.The noises this time,
0:28:17 > 0:28:28stepping on my toes, my knees.He says, I stepped on -- you stepped on
0:28:28 > 0:28:32me today, I bashed him in the face, it's like a battle, it's really bad
0:28:32 > 0:28:38and I'm sorry!It's Halloween!Good luck, I know it's going to be a
0:28:38 > 0:28:44dream and scary for the right reasons. Alexandra and Gorka!
0:28:44 > 0:28:45That's all we have time for tonight.
0:28:45 > 0:28:48We'll be back here tomorrow at 6:30 getting all the
0:28:48 > 0:28:50gossip from Mollie and AJ and Daverd and Nadiya.
0:28:50 > 0:28:51Vicky Gill will be
0:28:51 > 0:28:52here to preview all the
0:28:52 > 0:28:55hottest looks for Halloween.
0:28:55 > 0:28:57And Ian Waite returns in costume!
0:28:57 > 0:29:00Goodnight!
0:29:03 > 0:29:08The Curious gathers stories of suspense and surprise.