0:00:50 > 0:00:54Live from London this is Strictly: It Takes Two. Please welcome your
0:00:54 > 0:00:56host Zoe Ball.
0:00:58 > 0:01:00APPLAUSE
0:01:00 > 0:01:02Hello and welcome to It Takes Two!
0:01:02 > 0:01:04No time for faffing about tonight - we've
0:01:04 > 0:01:06got loads to get through, so let's get
0:01:06 > 0:01:07straight to business and find out who's in
0:01:07 > 0:01:09the green room!
0:01:09 > 0:01:12It's the delicious Davood and Nadiya!
0:01:12 > 0:01:18The delightful Mollie and AJ!
0:01:18 > 0:01:20Naughty!
0:01:20 > 0:01:22And the divine Vicky Gill!
0:01:22 > 0:01:25Plus, we'll be revealing which scary costume you have
0:01:25 > 0:01:26chosen for Ian Waite to
0:01:26 > 0:01:31wear later in the show.
0:01:31 > 0:01:32I wonder what it could be.
0:01:32 > 0:01:35But first, I like my Strictly couples like I like
0:01:35 > 0:01:36my coffee -
0:01:36 > 0:01:37Hot.
0:01:37 > 0:01:38Strong.
0:01:38 > 0:01:39And a little bit frothy.
0:01:39 > 0:01:46It's Davood and Nadiya!
0:01:46 > 0:01:49MUSIC: "Tell Her About It"
0:01:49 > 0:01:52This is your strength, this is what you have come amazing power and
0:01:52 > 0:01:57energy in the dances and it worked perfectly in the jive.A little bit
0:01:57 > 0:02:01heavy footed, I thought.I think you are very good.
0:02:01 > 0:02:04APPLAUSE
0:02:05 > 0:02:09Davood and Nadiya everyone!
0:02:09 > 0:02:14Show them your love! That looked quite good, didn't it?It was all
0:02:14 > 0:02:19right.It was a scorching start to the show. How ready were you for
0:02:19 > 0:02:25this jive?I was nervy at the beginning, because you need a warm
0:02:25 > 0:02:29up into a jive because its physical. We were jumping all over the place
0:02:29 > 0:02:32around the back and it added to the nerves kicking off the show but you
0:02:32 > 0:02:36could enjoy the rest of the show afterwards so it was a bonus.So
0:02:36 > 0:02:39there are pros and cons to all of it. I have to say you are back where
0:02:39 > 0:02:45you belong not in the. APPLAUSE
0:02:45 > 0:02:49Did you feel last week you had a point to prove?You want to come
0:02:49 > 0:02:55back strong and we felt like we had something to prove, and the jive is
0:02:55 > 0:03:00a great dance to come back on and hit the ground running.And joyous
0:03:00 > 0:03:03and Shirley and Darcey gave you so much praise, which we love. Craig
0:03:03 > 0:03:10gave you a bit of a list. Deep breath, too much of the body
0:03:10 > 0:03:14movement, your arm misplaced, heavy footed and on, like the teacher on
0:03:14 > 0:03:22Charlie Brown. The thing is, Nadiya, you are working with him all the
0:03:22 > 0:03:26time, how much has he improved?A lot, really. Yesterday in training
0:03:26 > 0:03:33he was telling me that where do we start? Start with the swivels, or
0:03:33 > 0:03:40the Telemark. And I thought, you really know.The terminology!These
0:03:40 > 0:03:45terms you will never forget. Years later. That is encouraging, also
0:03:45 > 0:03:51your gorgeous mum, Bonnie Langford, she tweeted this, fabulous jive.
0:03:51 > 0:04:00Don't let him do the ever again. #proudmum. She is an amazing mover,
0:04:00 > 0:04:04Bonnie. Has June Brown given you any tips?I could do with tips if you
0:04:04 > 0:04:11are watching, June. Next time we are in the Vic.Have they been
0:04:11 > 0:04:18supportive?We were sitting in the Vic and the people who have been
0:04:18 > 0:04:22here and done it want to hear about my journey and so everybody is
0:04:22 > 0:04:26really into it. It is like we are in the pub and then we remember we have
0:04:26 > 0:04:30got to do a scene.Not really shandy, it is an apple juice or
0:04:30 > 0:04:35something like that. Glorious. Now, it is Halloween and we know very
0:04:35 > 0:04:40well that you, young man, are a big fan of this season. Let's have a
0:04:40 > 0:04:45look, anyone remember this? Check out the face on that pumpkin. I met
0:04:45 > 0:04:49with this dance this weekend, it is a rumba, you might have to wear a
0:04:49 > 0:04:53little bit more than that on the screen.A little bit more than that.
0:04:53 > 0:04:58The first man to do the rumba in Halloween week, how does it go?It
0:04:58 > 0:05:02is the most difficult dance for a man, that is for sure. Why is it so
0:05:02 > 0:05:08difficult for the fellows? He is in charge of everything, he has too
0:05:08 > 0:05:12literally lead me every step, and if he doesn't, you can see it
0:05:12 > 0:05:18straightaway because it is a slow dance, so any small mistake.It is a
0:05:18 > 0:05:21very exposing dance because it is slow and there is a lot to think
0:05:21 > 0:05:27about and a lot to get through.How do you feel about it at the moment?
0:05:27 > 0:05:33I feel good. Can you tell the conviction? I feel good! When it
0:05:33 > 0:05:40goes right it is a beautiful dance. And you enjoy it.I even enjoyed it.
0:05:40 > 0:05:44You enjoyed it? This is progress. We look forward to see what you are
0:05:44 > 0:05:53wearing on Saturday. I love a rumba. Davood and Nadiya!
0:05:53 > 0:05:55Now, it's the moment we've all been waiting for.
0:05:55 > 0:05:56TENSE MUSIC
0:05:56 > 0:05:57You've been voting in your thousands.
0:05:57 > 0:05:59But what will Ian Waite be wearing for
0:05:59 > 0:06:00Halloween?
0:06:00 > 0:06:06Your options were -
0:06:06 > 0:06:08Scott Mills' Uncle Fester from the Addams Family.
0:06:08 > 0:06:09Frankie Bridge's Elphaba from Wicked.
0:06:09 > 0:06:12And finally, Ore Oduba's Grotesque Shopkeeper!
0:06:12 > 0:06:14And the winner -
0:06:14 > 0:06:19with an overwhelming 70% of the vote -
0:06:19 > 0:06:22will be revealed after this short message.
0:06:37 > 0:06:39Ian Waite, please reveal yourself!
0:06:47 > 0:06:57My Lord! That is quite something else. Do you know what, Green really
0:06:57 > 0:07:06is your colour. The funniest thing is that is Frankie Bridge's actual
0:07:06 > 0:07:09outfit from the show.Can I say, Frankie, please stop wearing it
0:07:09 > 0:07:15because you are stretching it.This is something else. Are you all
0:07:15 > 0:07:20right, love, had an easy flight? Got enough props?It is hard work but
0:07:20 > 0:07:25anyway, never mind, we are here now. I can't take him seriously. Starting
0:07:25 > 0:07:30with Aston and Janette and their paso doble to it Smells Like Teen
0:07:30 > 0:07:33Spirit. Does this smell like success?It smells pretty good from
0:07:33 > 0:07:42here, darling. LAUGHTER
0:07:42 > 0:07:47Very recognisable paso doble steps as you can see, very good shaping.
0:07:47 > 0:07:54Have a look at this, Zoe. This gorgeous shaping, lovely. Lovely
0:07:54 > 0:07:57shaping here, like a proper matador, you know what I mean?
0:07:57 > 0:08:05LAUGHTER For that I will give it four
0:08:05 > 0:08:11pumpkins. APPLAUSE
0:08:11 > 0:08:15Four pumpkins! Moving on to Simon and Karen who are looking good, they
0:08:15 > 0:08:19were in the last weekend and have not be this week, Sweeney Todd
0:08:19 > 0:08:25themed American smooth Viennese waltz style.Sweeney Todd needs to
0:08:25 > 0:08:30get his elbows up a bit because they are dripping in places. That studio
0:08:30 > 0:08:38needs a bit of a clean.You could go around there with your broom.As you
0:08:38 > 0:08:41can see here he is looking over the right-hand side of her. Can you see
0:08:41 > 0:08:48that? Stop laughing at that.I'm laughing at you, not Simon. You have
0:08:48 > 0:08:53lipstick on your teeth. You've got it.He needs to look over this way,
0:08:53 > 0:08:59if you get hold of me, when you go there. Can you see, dear? He needs
0:08:59 > 0:09:05to look in that window?Which window? CDs to look there are three
0:09:05 > 0:09:09that window, through this window. Get away from me before I turn
0:09:09 > 0:09:16green.He is going to get three spiders and one pumpkin. Not bad,
0:09:16 > 0:09:22not bad.It's the way you wear that we've come he's wearing it well.
0:09:22 > 0:09:28Alexandra and Gorka, zombie themed tango to Nelly Furtado's Man eater,
0:09:28 > 0:09:32should the contestants be afraid? The competition should be very
0:09:32 > 0:09:37afraid. Nice and low in the mix, sharpened staccato slick and fast,
0:09:37 > 0:09:40that's what it looks like. Look at the lovely balance in the country
0:09:40 > 0:09:51check. In places... This is getting on my nerves! In places now here, as
0:09:51 > 0:09:53you can see, sometimes she gets over enthusiastic and straightens that
0:09:53 > 0:09:59right arm. She needs to keep it compact all the time, nice and
0:09:59 > 0:10:04compact in the arm, so keep the bend in the arm Alexandra command the
0:10:04 > 0:10:08rest is brilliant. So for this I am going to give it three pumpkins and
0:10:08 > 0:10:18one spider.That is serious. The cha-cha-cha to Kylie Minogue, your
0:10:18 > 0:10:21favourite, is it looking good? Anything with Kylie Minogue is a
0:10:21 > 0:10:29winner for me, darling. It needs a bit more snap in the legs. Talking
0:10:29 > 0:10:32about the straight legs in cha-cha-cha, they need to snap back
0:10:32 > 0:10:37on every step so you get the nice slick, shop action. There is a bit
0:10:37 > 0:10:46of this going on here. As she swivels, if I do it around my broom,
0:10:46 > 0:10:50straight, straight.Do you want me to hold your skirt up, love? Yes, we
0:10:50 > 0:10:57get the idea. Come here. Do you want me to tuck it behind your ears?It
0:10:57 > 0:11:02is getting stuck to my lipstick.I have to do this all the time.Hold
0:11:02 > 0:11:11on. We have two spiders for it and two pumpkins.There we go, Mollie is
0:11:11 > 0:11:19doing a little air punch in the studio.Do you like what you see in
0:11:19 > 0:11:25the quickstep? It is my theme tune, darling. Clear the spiders, yes.
0:11:25 > 0:11:31There is a lot of yapping going on, as you can see but it is early
0:11:31 > 0:11:35stages, only Tuesday's footage and they are going through the steps and
0:11:35 > 0:11:40it looks a complicated routine. If I stop it here, you know we talk about
0:11:40 > 0:11:45flower in a vase, darling? Really she needs to shape her body towards
0:11:45 > 0:11:51him there. Get ahead out here. Even in a promenade, if I take hold of
0:11:51 > 0:11:58you. Come around.This is very surreal.Open in two promenade that
0:11:58 > 0:12:03way and then your head comes out that way.Just like that.Do you see
0:12:03 > 0:12:09what I mean?Yes.Flower in a vase all the time, think about that. For
0:12:09 > 0:12:13that I am going to give it three spiders. And one pumpkin.
0:12:13 > 0:12:19APPLAUSE Thank goodness for that. No idea
0:12:19 > 0:12:24about the system. Susan and Kevin dancing the foxtrot to Killer Queen
0:12:24 > 0:12:30and this could be so good.These killer heels are killing me.They
0:12:30 > 0:12:35are not mine.She is struggling slightly to keep up with Kevin
0:12:35 > 0:12:38Vickers Kevin has so much energy and I can understand that and her legs
0:12:38 > 0:12:41are slightly shorter than his but her movement is really good, which
0:12:41 > 0:12:48is a plus. The other thing is I noticed that sometimes, as you can
0:12:48 > 0:12:53see here, her arm drops down the side. She's got to keep the site up
0:12:53 > 0:13:05and the elbow up and she will be absolutely fine.Where are we going
0:13:05 > 0:13:09with this scoring system?I'm afraid we are going to have to give this
0:13:09 > 0:13:15four spiders.Is that good or bad? We're not really sure.I'm not
0:13:15 > 0:13:20feeling really generous dressed like this.I have to say sadly it is time
0:13:20 > 0:13:26for this pretty one to fly away. Ian Waite, or Elphaba.
0:13:26 > 0:13:32APPLAUSE Just something else.
0:13:32 > 0:13:35It's the way you are holding that broom!
0:13:35 > 0:13:37Now from one wicked treat to another.
0:13:37 > 0:13:39We sent our cameras to meet Strictly's Director
0:13:39 > 0:13:42of Choreography Jason Gilkison to teach us how perform
0:13:42 > 0:13:43the perfect Viennese waltz.
0:13:43 > 0:13:49Take a look at this.
0:13:51 > 0:13:53The Viennese waltz is probably the oldest of all the ballroom dances
0:13:53 > 0:13:59and it is very rich in history. It dates back to the 18th-century and
0:13:59 > 0:14:06differs from the normal waltz in that is twice the speed. Many of the
0:14:06 > 0:14:09celebrities probably think they will have a very easy time when they do
0:14:09 > 0:14:13the Viennese waltz because there is not many steps. That's where they
0:14:13 > 0:14:16are very, very wrong. The first step we would learn when learning the
0:14:16 > 0:14:20Viennese waltz is the natural turn. The natural turn is a movement that
0:14:20 > 0:14:24moves to the right and starts on the right foot and moves around the
0:14:24 > 0:14:29floor counterclockwise. If we are just concentrating on the man's
0:14:29 > 0:14:32steps, the man steps forward on the right foot, continues to the side on
0:14:32 > 0:14:36the left foot and then closes his right foot to his left foot to start
0:14:36 > 0:14:40off. The second half of the action, he goes back on the left, swings his
0:14:40 > 0:14:44right foot to the site and then closes his left foot to his right
0:14:44 > 0:14:48foot. I think it is inputted to note the male and female do exactly the
0:14:48 > 0:14:54same steps. The second step you usually learn in the Viennese waltz
0:14:54 > 0:14:57is the reverse turn, the turn to the left, and the left foot goes
0:14:57 > 0:15:01forward, the right foot goes to the side, and the left foot crosses in
0:15:01 > 0:15:05front of the right foot for the first part of the action. And then
0:15:05 > 0:15:09the right foot goes back, the left foot goes to the side, but this time
0:15:09 > 0:15:13we actually close the feet together just like in the natural turn. I
0:15:13 > 0:15:16think the important thing to watch on the reverse turn is that we don't
0:15:16 > 0:15:22lose sight of our body connection.
0:15:22 > 0:15:26The third step is a change step. We use this step to go from rotating
0:15:26 > 0:15:31one way to the other. It's interesting to note that no matter
0:15:31 > 0:15:38what step in the Viennese waltz the counting is all the same, one, two,
0:15:38 > 0:15:46three, one, two, three, one, two, three, one, two, three, one. I
0:15:46 > 0:15:49always like to tell the dancers and celebrities when they are moving
0:15:49 > 0:15:57around the floor to think of it like a race track and it's like a small
0:15:57 > 0:16:04circle. It's a weird name but the little fast moving spin that happens
0:16:04 > 0:16:07in the middle of the floor during the Viennese waltz. You can do one
0:16:07 > 0:16:11both ways, you can do it in reverse which is normally how it starts
0:16:11 > 0:16:16where you can do a natural one. What separates them both is the sudden
0:16:16 > 0:16:23movement you see in between. It's so important to master because it's one
0:16:23 > 0:16:26of the few elements which is in every single ballroom dance and
0:16:26 > 0:16:31particularly in the Viennese waltz it is done quite quickly. The thing
0:16:31 > 0:16:35I love about the Viennese waltz is that even though it's one of the
0:16:35 > 0:16:38oldest dances it's probably one of the most beautiful and the most free
0:16:38 > 0:16:41once you get it right.
0:16:44 > 0:16:48There is a real feeling of exuberance and freedom as you dance
0:16:48 > 0:16:54around the floor. While the number of steps may make the Viennese waltz
0:16:54 > 0:16:58seem really, really simple it is one the judges can pick up on
0:16:58 > 0:17:02straightaway something small goes wrong so good luck with this one.
0:17:03 > 0:17:05Thanks Jason, Chloe and Pashpot!
0:17:05 > 0:17:06Now, it's another big week for the costume
0:17:06 > 0:17:08department on Strictly.
0:17:08 > 0:17:09But what terrifying delights are in store?
0:17:09 > 0:17:14Let's find out - it's time for Puttin' on the Glitz!
0:17:27 > 0:17:33Give it up for Vicky Gill!
0:17:33 > 0:17:34CHEERING APPLAUSE
0:17:34 > 0:17:36Here she is!
0:17:36 > 0:17:38So let's get straight to it - Half term and Halloween.
0:17:38 > 0:17:42Has this been a week from hell for you?
0:17:42 > 0:17:47Not the best combination.Have you sorted out your kids outfits?I
0:17:47 > 0:17:55will.Can you help me with mine... I'm just joking! Let's start with
0:17:55 > 0:17:58the sketches, Alexandra for the tango, what can you tell us, Man
0:17:58 > 0:18:08eater.She is a zombie. So we begin, I try to maintain what they need for
0:18:08 > 0:18:14the dancing style, although we have lots of fun on Halloween I want them
0:18:14 > 0:18:19to feel comfortable performing, they want to stay in the competition
0:18:19 > 0:18:23whilst having fun and dressing up. The skirt is fitted over the hips,
0:18:23 > 0:18:29lots of room, similar to a ballroom skirt but we have a regular shapes
0:18:29 > 0:18:31running through. Big split on the left-hand side which we don't
0:18:31 > 0:18:36normally do but it's happening more and more.Because they all have such
0:18:36 > 0:18:42good leg work going on.At the moment it looks crisp and new but by
0:18:42 > 0:18:59Saturday night we will have got the dirt on it.We move on to Susan.
0:19:03 > 0:19:06She has already been Wonder Woman, now she's great to be the mother of
0:19:06 > 0:19:13dragons.We have made the dance base and got all those pieces. We have
0:19:13 > 0:19:17hired some pieces so we get the authenticity of the Basque and the
0:19:17 > 0:19:20shoulder detail and then some high street numbers so this will come
0:19:20 > 0:19:24together tomorrow. We have stuck with the blue base and then we have
0:19:24 > 0:19:32weather belligerent. -- leather embellishment. Susan will tell us.
0:19:32 > 0:19:43And Kevin, is he going to be you know nothing Jon Snow?Yes!OK this
0:19:43 > 0:19:51one looks incredible.We have bases which already exist and it's a good
0:19:51 > 0:19:55base to embellish and have fun with and this was already there and
0:19:55 > 0:19:58started life as a Latin piece which is why the feathers are on it but I
0:19:58 > 0:20:04felt like they became like spider legs so I thought we can use it.You
0:20:04 > 0:20:14have got it going on.The spider detail down the side of the costume.
0:20:14 > 0:20:20Turn it around, look at that jewel work.We need some red elements but
0:20:20 > 0:20:26we will probably do that tomorrow. At the bottom we have got binding on
0:20:26 > 0:20:29the head so it's more of a ballroom shape and we will see, she might
0:20:29 > 0:20:34want it to go, we wish you what she thinks.If we wonder this way you
0:20:34 > 0:20:51will see this means we have the mystery manic and back.
0:21:00 > 0:21:03You are doing the cha-cha-cha to better the devil you know, what are
0:21:03 > 0:21:12you looking for?I have heard it is red, so feel on devil with horns.
0:21:12 > 0:21:22That usually works. Let's do the reveal.Wardrobe malfunction!Gasps
0:21:22 > 0:21:29from the audience. Let's look at age eight, he looks happy! Mollie what
0:21:29 > 0:21:40do you think?I am loving it!What can you tell us in 20 seconds?These
0:21:40 > 0:21:45mites Tiago, it might go into place it depending on eg thinks, you will
0:21:45 > 0:21:51have detail and horns and lots of embellishment.I am loving it, how
0:21:51 > 0:21:58much it will shake as I am moving. Mollie is happy, eg is happy, Vicki
0:21:58 > 0:22:03is happy, cannot wait to see it all. Thank you.
0:22:10 > 0:22:13Right, back to the training room now to see how Aston & Janette's
0:22:13 > 0:22:16and Debbie & Giovanni's halloween routines are shaping up.
0:22:16 > 0:22:22It is fast and furious, it feels like a volcano. He really needs to
0:22:22 > 0:22:27have a strong presence throughout this whole routine.You have to
0:22:27 > 0:22:35really use the wrist and the arms and pop the chest up.This is going
0:22:35 > 0:22:38to be a serious dance.
0:22:42 > 0:22:45The minute we started learning the Charleston I fell in love with it,
0:22:45 > 0:22:53it's fun, happy and I just love it. It just takes so much energy, I run
0:22:53 > 0:22:59out of steam about 80% of the way through.We have to focus a lot now
0:22:59 > 0:23:07on technique. Swivel and stamina. Beautiful! Beautiful!I am going to
0:23:07 > 0:23:12be so fit by the end of this week.
0:23:12 > 0:23:15Now, my final guests may have started their performance at the end
0:23:15 > 0:23:18of a pier, but there was nothing 'end of the pier' about their
0:23:18 > 0:23:19romantic Viennese Waltz.
0:23:19 > 0:23:29It's Mollie and AJ!
0:23:30 > 0:23:35It was very romantic and very believable chemistry.Very
0:23:35 > 0:23:41impressive I have to say. You were gliding around like you're on a
0:23:41 > 0:23:47carousel.A lot of wonderful Viennese in that. Congratulations.
0:23:47 > 0:23:50It's Mollie & AJ everyone!
0:23:50 > 0:23:58Welcome.
0:23:58 > 0:24:02'Anyone who had a Heart' loved that routine - we've checked.
0:24:02 > 0:24:07I did it feel?It was my favourite dance to date, I loved every moment
0:24:07 > 0:24:12and it felt like we were in a movie and I did not want it to end. I felt
0:24:12 > 0:24:17like a princess for 90 seconds. Congratulations for not throwing up
0:24:17 > 0:24:24on his lovely slacks.Always a bonus!You were wearing acrobat,
0:24:24 > 0:24:33very well. Eight's across the board including your first from Darcey and
0:24:33 > 0:24:37Craig. You'll might guess, we were asking if he felt OK, it was great,
0:24:37 > 0:24:41it was amazing because I said at the start of the week I would love to
0:24:41 > 0:24:48get eight.You just wanted the one. Yes and then to get all of them,
0:24:48 > 0:24:57come on!Can you imagine if Bruno was there as well? Also Shirley
0:24:57 > 0:25:01Reilly appreciated your choreography which I now must go down well
0:25:01 > 0:25:03because you work so hard, she said there were things in their she had
0:25:03 > 0:25:10not even seen before.It means a lot but it makes it hard for Mollie but
0:25:10 > 0:25:17she put in the hard work so the continuous natural turning was not
0:25:17 > 0:25:22easy.I have got the best teacher. He is very good. I say that to
0:25:22 > 0:25:26everyone in case they get cross. You put in extra hours last week
0:25:26 > 0:25:32training so hard and it is pinning off.That is the best thing, you can
0:25:32 > 0:25:37see it is paying off. We are training about 12 hours a day at the
0:25:37 > 0:25:43moment.Nonstop dancing people. No time for Sam Burgees.Go again and
0:25:43 > 0:25:50again and again.You are pretty proud of yourself in the studio and
0:25:50 > 0:25:56rightfully so, have a look.I am going to nail it. No nerves, just
0:25:56 > 0:26:09mailing. I am killing it. Come on! If Craig could see me now! Ten!
0:26:09 > 0:26:18Mollie shaking her days! Yes, Mollie, nothing like a bit of self
0:26:18 > 0:26:24praise in this room. It's the only praise I am getting. Yes! Positive
0:26:24 > 0:26:32energy, positive energy.CHEERING APPLAUSE
0:26:32 > 0:26:38I save the positive energy for Friday and Saturday.You barely say
0:26:38 > 0:26:44anything AJ.It's the only praise I get, I am in the begging myself up.
0:26:44 > 0:26:48He is just checking himself out in the mirror.The first one I
0:26:48 > 0:27:00definitely was.It's Halloween and you have a cha-cha-cha. Work!I am
0:27:00 > 0:27:07ready!Aioli said he was a little devil. You have always said you
0:27:07 > 0:27:14prefer ballroom so how do you feel about this Latin number?Positive!
0:27:14 > 0:27:18Now he is positive!The cha-cha-cha is a devil for me, it is not
0:27:18 > 0:27:24agreeing with me. AJ is being positive with me this week. You know
0:27:24 > 0:27:29when it's just not going in the body? I'm trying to keep the legs
0:27:29 > 0:27:36straight, I need to dance like Ian did around the broomstick.This is
0:27:36 > 0:27:40you in training, it's the snapping like action, it is a really
0:27:40 > 0:27:46difficult.It is so hard. It feels weird to keep the legs straight all
0:27:46 > 0:27:51the time and AJ is saying keep it snappy and sharp.I do not give you
0:27:51 > 0:27:55a break, if you have got that good it goes to the head and then the
0:27:55 > 0:28:02arms and then back to the hips.It's exhausting. He knows what he's
0:28:02 > 0:28:09talking about. You have got great music, Kylie Minogue. AJ we hope you
0:28:09 > 0:28:16are channelling Russell Grant from 2011.This is why I have the horns.
0:28:16 > 0:28:20I don't know if I am going with this exact bloke but I will take some of
0:28:20 > 0:28:32it. Saturday will hit me.Good luck at the weekend. I cannot wait to see
0:28:32 > 0:28:37the trousers coming off that outfit. I want to see what my outfit is I
0:28:37 > 0:28:43feel left out.You are wearing Russell Brand 's outfit! -- Russell
0:28:43 > 0:28:49Grant's outfit. Thank you very much.
0:28:49 > 0:28:51That's all we've got time for - a huge thank
0:28:51 > 0:28:52you to all my guests.
0:28:52 > 0:28:55Don't forget to tune in tomorrow at the earlier time of 6pm
0:28:55 > 0:28:57I'll be chatting to Debbie & Giovanni, Joe &
0:28:57 > 0:28:59Katya and Susan & Kevin.
0:28:59 > 0:29:01Plus on the Friday panel it's Ed Balls, Katy Brand and