Episode 25

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0:00:11 > 0:00:14Wow, I still can't believe we got a nine and a ten last week.

0:00:14 > 0:00:16I know, it's incredible!

0:00:16 > 0:00:20I think we've finally managed to shake the ghost of Ed Balls.

0:00:20 > 0:00:22Totally.

0:00:22 > 0:00:24Katya!

0:00:24 > 0:00:27Ed!

0:00:27 > 0:00:30Excuse me, we were just in the middle of something, here.

0:00:30 > 0:00:39A lady never forgets her first love.

0:00:39 > 0:00:42I think we all know Mrs Katya Jones likes her men

0:00:42 > 0:00:43like she likes her pumpkins.

0:00:43 > 0:00:44Orange with fire in their belly!

0:00:44 > 0:00:45This is my worst nightmare!

0:00:45 > 0:00:48Aagh!

0:00:51 > 0:00:55Oh, thank goodness, it was just a bad dream.

0:00:55 > 0:00:57Morning!

0:00:57 > 0:01:01KATYA SCREAMS.

0:01:51 > 0:01:56Live from London, this is strictly- It Takes Two. Here is your host, Zoe

0:01:56 > 0:01:58Ball!

0:02:05 > 0:02:07APPLAUSE.

0:02:10 > 0:02:14Hello and welcome to a spook-tastic edition of It Takes Two!

0:02:14 > 0:02:17Give it up for our not-so-gruesome twosome, Kevin and Giovanni!

0:02:17 > 0:02:22APPLAUSE.

0:02:22 > 0:02:24They'll be back later in the show with their partners,

0:02:24 > 0:02:25Susan and Debbie.

0:02:25 > 0:02:28Katya will be here, too, but who knows which partner

0:02:28 > 0:02:29she'll be bringing!

0:02:29 > 0:02:31Plus, Shirley Ballas answers your questions and there's

0:02:31 > 0:02:34music from Clean Bandit!

0:02:34 > 0:02:36APPLAUSE.

0:02:36 > 0:02:42No tricks here, folks, just treats.

0:02:42 > 0:02:47And with just 24 hours, 32 minutes and 23 seconds until Halloween, we

0:02:47 > 0:02:48could not be more excited!

0:02:48 > 0:02:51Now, let's head over to "hellstree", where that handsome devil

0:02:51 > 0:02:56Gethin Jones has been digging up the dirt.

0:02:56 > 0:03:00It is Friday, Elstree studios, it is a last chance for the couple to

0:03:00 > 0:03:04perfect their routine before tomorrow night. It is a spooky

0:03:04 > 0:03:08special so I am going behind the scenes to see who I can scare. See

0:03:08 > 0:03:10you soon!

0:03:10 > 0:03:12There'll be more from Gethin later in the show.

0:03:12 > 0:03:15But now, my first guests danced one hell of a rumba last Saturday.

0:03:15 > 0:03:17In fact, it was so good it shot them straight

0:03:17 > 0:03:19to the top of the leaderboard.

0:03:19 > 0:03:22It's Flexi McGee and her glamorous assistant, Giovanni!

0:03:22 > 0:03:26APPLAUSE.

0:03:31 > 0:03:37I have never seen standing leg as beautifully straight as yours!It

0:03:37 > 0:03:40was wonderful how you can arrest the floor with your feet, your best

0:03:40 > 0:03:47dance.Giovanni, darling! That was sensational, I loved it!

0:03:47 > 0:03:55APPLAUSE.

0:03:59 > 0:04:09CHEERING AND APPLAUSE Hello, gorgeous Debbie McGee! Hello,

0:04:09 > 0:04:15gorgeous Giovanni! Lovely to see you. And that frock! What a gorgeous

0:04:15 > 0:04:23rumba last week. Just divine, how did that feel on the floor?I loved

0:04:23 > 0:04:28it, I did not think of anything else except dancing with Giovanni and I

0:04:28 > 0:04:34did not know that anything else existed, it was magical.Just both

0:04:34 > 0:04:39of you lost on each other. Brilliant. It was a tough week for

0:04:39 > 0:04:44Debbie McGee. Quite emotional.How proud were you? I cannot even

0:04:44 > 0:04:51describe. It was a very difficult week but she delivered one of the

0:04:51 > 0:04:56best rumbas I have seen my life! APPLAUSE.

0:04:56 > 0:05:05That is praise indeed! So good that Craig did a Bruno Tonioli and threw

0:05:05 > 0:05:12himself off the seat!I have saved that. Any time I am depressed I will

0:05:12 > 0:05:19think of that!You did that dangerously well. And top of the

0:05:19 > 0:05:21Leader Board! APPLAUSE.

0:05:21 > 0:05:29How chuffed were you to be at the top?Chuffed to bits! We worked so

0:05:29 > 0:05:32hard that so it was great, at the end of a very tough week to get

0:05:32 > 0:05:40that, it was wow!Shirley Ballas has travelled over the world and said

0:05:40 > 0:05:46she has never seen a straight leg, more beautiful than your own?That

0:05:46 > 0:05:53is some praise indeed! We talked about the legs and focused on the

0:05:53 > 0:05:57legs because we wanted to show the judges that she has a beautiful

0:05:57 > 0:06:01league action and from the Latin Queen, Shirley Ballas, something

0:06:01 > 0:06:05like this, you must have been proud of yourself?I could not believe she

0:06:05 > 0:06:10was saying that! I had to watch it the next day!This is what dreams

0:06:10 > 0:06:16are made of.This week? We are doing the charleston!

0:06:16 > 0:06:23APPLAUSE. Nobody says it quite like Giovanni!

0:06:23 > 0:06:30That is it.In English, charleston! Dancing to this wonderful Sister

0:06:30 > 0:06:40Sledge song... Frankie, would you remember me? Will be remembered this

0:06:40 > 0:06:50dance for a long time to come? Hopefully! There are a lot of lifts.

0:06:50 > 0:06:55Hopefully they will remember this for the right reasons.If it works

0:06:55 > 0:07:00it will be amazing, we just love it, we have not stopped laughing all

0:07:00 > 0:07:04the, I cannot believe I am doing what I am doing. When he first

0:07:04 > 0:07:11showed me at, I thought, don't be stupid!How is it going upwards?

0:07:11 > 0:07:22Nothing!You are such a tease! It is Halloween, is a storyline?Yes.I

0:07:22 > 0:07:34really have to act this week. I will be Frankenstein. With the lovely

0:07:34 > 0:07:41Debbie McGee as the woman of Frankenstein.I have to fall in love

0:07:41 > 0:07:48with them X may so difficult! Especially in green make-up.Going

0:07:48 > 0:07:56Phil Green? Who knows?The judges will be keeping a close eye on this

0:07:56 > 0:08:03level, yesterday Ian said you were looking very good.The thing is, we

0:08:03 > 0:08:07have to get Giovanni to say so little. I have been dreaming of him

0:08:07 > 0:08:29saying that. Sweevel?Swivel. It is my accent. Sweevel!Beautiful. You

0:08:29 > 0:08:41were born on Halloween, Debbie, it is your birthday.Ooh! You must be

0:08:41 > 0:08:45excited? Yes, I am a real witch because it was born on Halloween! I

0:08:45 > 0:08:51just hope to be in the competition for Halloween and I am so excited.

0:08:51 > 0:08:56Doing the stands where from the moment we start dancing, we both

0:08:56 > 0:09:01start smiling and that is what it has been like in training.Just

0:09:01 > 0:09:09happy. Every week.The charleston in particular makes us giggle.Good

0:09:09 > 0:09:11luck with your charleston, Debbie and Giovanni!

0:09:11 > 0:09:21APPLAUSE.

0:09:21 > 0:09:25Now, to get you in the spirt - as if you weren't already -

0:09:25 > 0:09:27it is my great pleasure to introduce Michael Jackson's Thriller

0:09:27 > 0:09:36as performed by the class of 2017.

0:09:39 > 0:09:46MUSIC: Thriller.

0:10:01 > 0:10:11You try to scream... But terror takes the sound before you make

0:10:11 > 0:10:29it... # 'Cause this is

0:10:30 > 0:10:32Thriller # You're fighting for your life Inside a killer Thriller

0:10:32 > 0:10:43tonight, yeah You're fighting for your life Inside a killer Thriller

0:10:43 > 0:11:00tonight, yeah Creatures crawl in search of blood To terrorize y'all's

0:11:00 > 0:11:07neighborhood no mere mortal can resist, the evil of the Thriller...

0:11:07 > 0:11:17LAUGHTER

0:11:24 > 0:11:35The Class of 2017.

0:11:38 > 0:11:41Time now to welcome our Friday panel of Strictly supernatural fans.

0:11:41 > 0:11:44Give it up for Ed Balls, Katy Brand and The Reverend Richard Coles!

0:11:44 > 0:11:50APPLAUSE. Welcome, what a fine selection we

0:11:50 > 0:11:55have. Richard, welcome back. We never got to say goodbye! Reverend

0:11:55 > 0:12:04Richard Coles! How much are you missing the Strictly experience?A

0:12:04 > 0:12:09lot, mostly of this has come off on my bath towels!I started a dance

0:12:09 > 0:12:12class. APPLAUSE.

0:12:12 > 0:12:19I know!Thank you. What style? Wednesday night, in the working

0:12:19 > 0:12:29men's club. It is so rock, it is like chatting. You must swap

0:12:29 > 0:12:40partners and it is very civilised. We need to go!Are you excited for

0:12:40 > 0:12:45Halloween? I love Halloween generally as a festival but I also

0:12:45 > 0:12:49love Halloween on Strictly, my favourite, maybe even more than

0:12:49 > 0:12:56Blackpool!Shocking! I could be with you! Ed Balls is back!

0:12:56 > 0:13:03APPLAUSE. How are you?So good to see you. So

0:13:03 > 0:13:07strange to be back in the middle of Strictly!It is like you have never

0:13:07 > 0:13:13been away, we have much to discuss, Jim and Aljaz, doing the jive this

0:13:13 > 0:13:17week, let us look at them. The judges say they are the ones to

0:13:17 > 0:13:24watch. Here they are in rehearsals. Doing a jive to the Buzzcocks.

0:13:24 > 0:13:31Marvellous stuff, do the others need to watch their backs?Definitely, I

0:13:31 > 0:13:35think Gemma is improving every week. Beautiful, dancing beautifully, her

0:13:35 > 0:13:45lines were fabulous, doing really well.Goodbye! They have a vampire

0:13:45 > 0:13:52inspired dance. Could she slay this week? This is the first of many!

0:13:52 > 0:14:00Don't open with that! I think they're dance was so beautiful last

0:14:00 > 0:14:03Saturday, quite emotional and it was like the time and I saw them coming

0:14:03 > 0:14:07together as a proper partnership on the dance floor and she looked like

0:14:07 > 0:14:11she was having a lovely time so I am excited to see how that translates

0:14:11 > 0:14:16into this dance.Into the Latin. Ruth and Anton, quick step,

0:14:16 > 0:14:22bewitched. Here they are in training. Will this be enough to

0:14:22 > 0:14:29cast a spell over the lovely judges? Richard? I think it will. Ruth is

0:14:29 > 0:14:34wonderful, she keeps pulling stuff out, and the perfect partner for

0:14:34 > 0:14:40Anton, it is comedy and delivery. The perfect sound bite. Very fast

0:14:40 > 0:14:49paced. As you know. You got 27 for your quickstep! Lots of stamina

0:14:49 > 0:14:53needed, how is not looking to you? It is clear that Ruth has got

0:14:53 > 0:14:57stamina and she is really performing and projecting, the way she pulled

0:14:57 > 0:15:02off her dress at the weekend to reveal... Were you watching a

0:15:02 > 0:15:11different show? She pulled it off. And she pulled it off! Keep saying

0:15:11 > 0:15:18it! Alexandra and Gorka are doing a zombie tango. Could be glorious.

0:15:18 > 0:15:22Sliding down the Leader Board at tiny but last week. Here they are in

0:15:22 > 0:15:28training.

0:15:28 > 0:15:32She obviously has incredible talent and presence. She's used to

0:15:32 > 0:15:35performing and she's ambitious in a brilliant way. I'm looking forward

0:15:35 > 0:15:40to her tango because she has that angry but dignified vibe which I

0:15:40 > 0:15:48think suit the tango well.Not many people can do angry and dignified.I

0:15:48 > 0:15:56admire it in others.She set the bar early in the competition. Can she

0:15:56 > 0:16:01maintained that?She can do anything. A sensational dancer. She

0:16:01 > 0:16:08did that first paso doble with Gorka.Sat between a vicar and a

0:16:08 > 0:16:12politician and I am the least professional person from a dancing

0:16:12 > 0:16:18point of view!She has to do is keep getting better every week. You have

0:16:18 > 0:16:24to keep improving otherwise the others get better.Mollie and AJ and

0:16:24 > 0:16:28their cha-cha-cha. Ed Balls, you were a mad scientist with your

0:16:28 > 0:16:35cha-cha-cha, genius. Any advice you would give to these two brilliant

0:16:35 > 0:16:42youngsters?Any advice I give should be ignored! But the thing with

0:16:42 > 0:16:47Mollie, she's doing really well. AJ is a great teacher. She needs to

0:16:47 > 0:16:51have a big breakthrough dance, the one where people say she has really

0:16:51 > 0:16:59arrived. A bit like the Argentine tango that Louise did. Maybe this

0:16:59 > 0:17:03week she will stay in, but she needs a moment where she really arrives.

0:17:03 > 0:17:14It hasn't happened yet, but I think it will.Lovely New Yorkers.

0:17:14 > 0:17:25Corrected by Ed Balls!It's what Len told me but maybe I'm wrong.Simon

0:17:25 > 0:17:29and Karen doing an American Smooth based on the Viennese Waltz. This is

0:17:29 > 0:17:37training. He's had a thigh injury, they've got Tom Jones and Delilah.

0:17:37 > 0:17:41He's putting any effort and enjoying himself, improving every week. I

0:17:41 > 0:17:45hope there is a lot of American in it but with that thigh injury there

0:17:45 > 0:17:54might not be much smooth.Joe and Katya doing a foxtrot to Troubled by

0:17:54 > 0:18:02Coldplay. We all had a singsong with the crew earlier and had a cry. He

0:18:02 > 0:18:06got his first ten last week. Richard, can he carry on with that

0:18:06 > 0:18:11standard?I think he's one to watch. I remember on the first day seeing

0:18:11 > 0:18:15Joe and thinking he's incredibly good. He works incredibly good and I

0:18:15 > 0:18:20think he will go far.The paso doble was amazing. I actually stopped

0:18:20 > 0:18:26looking at Twitter for the duration. I like Kellie said paso doble

0:18:26 > 0:18:35properly.I didn't mean to!Your ex woman dancing with a new man.Ex

0:18:35 > 0:18:46woman?Dance partner. Well corrected.She's a genius, great

0:18:46 > 0:18:48choreographer, brilliant teacher. I would love to say Joe was over

0:18:48 > 0:18:54marked with the ten, but he wasn't. We will resurrect that with the

0:18:54 > 0:19:04panel later. Thank you.

0:19:15 > 0:19:17Now, like a beautiful bogeyman Gethin Jones has been creeping

0:19:17 > 0:19:20around Elstree to bring us Strictly's deepest, darkest secrets.

0:19:20 > 0:19:21Let's see what he's uncovered this time.

0:19:21 > 0:19:26How's it going?Really good. Two professional dances with it being

0:19:26 > 0:19:30Halloween. We saw Brendan Purcell nightmare routine earlier on in the

0:19:30 > 0:19:36week. What about this one?It's a really cool number. It's about a

0:19:36 > 0:19:42haunted Strictly Museum, starting with those great winners. They are

0:19:42 > 0:19:47frozen in their frames. All the celebrities who have survived so far

0:19:47 > 0:19:52are walking into the museum to find something scary.I heard the

0:19:52 > 0:19:58celebrities are involved. Does that change the routine for you guys?It

0:19:58 > 0:20:05makes it even scarier!Who are you talking about specifically?Nobody

0:20:05 > 0:20:09specifically. But it's always an added bonus when you have a full

0:20:09 > 0:20:14floor. Because on Halloween they do their own number and then the group

0:20:14 > 0:20:19number. So many things to remember. A lot of things can go wrong. When

0:20:19 > 0:20:24you see a scared face on Halloween, it's genuinely scared.The

0:20:24 > 0:20:28celebrities have to raise their game with you. I hear a light fitting

0:20:28 > 0:20:33doubles up as a swing. What's going on with that.It's a huge chandelier

0:20:33 > 0:20:40but it goes in and out. It's part of the dance. It's a very cool concept.

0:20:40 > 0:20:48The professional dancing is always amazing to watch.

0:20:54 > 0:20:57The audience getting very excited about the line-up.

0:20:57 > 0:20:58Thanks, Gethin.

0:20:58 > 0:20:59Time now to welcome our next couple.

0:20:59 > 0:21:02Wronged by her ex and wrapped in a furry pink blanket,

0:21:02 > 0:21:08she had nowhere left to turn.

0:21:08 > 0:21:12All that was left was to dance a cha cha cha with her bessie mate -

0:21:12 > 0:21:16it's Susan and Kevin!

0:21:16 > 0:21:22Technically not great, no hip action to speak of, but I love your energy.

0:21:22 > 0:21:25There was just moments where you step out too much and then the

0:21:25 > 0:21:31technique suffers.I love you and I would never break up with you. I

0:21:31 > 0:21:37think you bring their cheeky to the cheeky cha-cha-cha.

0:21:53 > 0:22:00How are you?Great, thanks.It's a lovely crowd tonight. We are a

0:22:00 > 0:22:03little bit excited about Halloween. Are you over your break-up with

0:22:03 > 0:22:08Craig Revel Horwood?I will never be over it, never be over how it's

0:22:08 > 0:22:12going, but I still have hope that one day we will be together.That's

0:22:12 > 0:22:16the best thing I have ever heard. Kevin, your role is supporting your

0:22:16 > 0:22:22best friend. How did she do last week?To me it looked like she got

0:22:22 > 0:22:27over it pretty quickly! I thought she was brilliant. She was scared of

0:22:27 > 0:22:30the cha-cha-cha. I said you just have to throw everything at it and

0:22:30 > 0:22:34that is what she did. We always have the most fun when we danced

0:22:34 > 0:22:41together. An amazing time. Last week was no different and I loved it.You

0:22:41 > 0:22:48made no bones of the fact he -- other facts you were not a fan of

0:22:48 > 0:22:54the cha-cha-cha.Every time I dancer Kevin it's amazing. Every Monday

0:22:54 > 0:22:58when he arrives in Glasgow and we start dancing, it's the best week of

0:22:58 > 0:23:02my life. Of course I felt joy at the end of the dance. Every single week

0:23:02 > 0:23:10is the best of my life!You are so lucky! Craig was worried when you

0:23:10 > 0:23:14went down with the splits that something might snap. Were you

0:23:14 > 0:23:34scared?Could have gone further! Saving that for Blackpool.LAUGHTER

0:23:34 > 0:23:43She's gone! We are all on the edge now. Shirley said she would never

0:23:43 > 0:23:46break up with you. But she said she wants you to coordinate your arms

0:23:46 > 0:23:53more. We think all she really wants is a couple. What did you make of

0:23:53 > 0:24:04the comments? -- is a cuddle.We have worked really hard on the arms

0:24:04 > 0:24:09this week to address those comments. Sometimes I get so overexcited, I am

0:24:09 > 0:24:12like a puppy that has seen the sea for the first time. I forget there

0:24:12 > 0:24:19is this as well. I just get excited. Straightaway, the first bit of the

0:24:19 > 0:24:22routine, we decided we wanted to show them arms and we have worked on

0:24:22 > 0:24:27it all week. I hope the judges watch this.Craig watches everything I do.

0:24:27 > 0:24:34He records it, I'm sure.He is possessed. Surely popped into your

0:24:34 > 0:24:42training room this week.Such a crush on Shirley.Dancing with

0:24:42 > 0:24:49quality and entertainment!LAUGHTER One of these days I will turn round

0:24:49 > 0:24:54to the judges table and it will be Kevin Clifton wearing a dress doing

0:24:54 > 0:25:07Shirley Ballas.HERE IN PERSON IT IS SURELY. -- HE IMPERSONATES SHIRLEY.

0:25:07 > 0:25:18LAUGHTER THAT IS UNCANNY.Please don't give a

0:25:18 > 0:25:24say two. We love you.Great anticipation for your Halloween

0:25:24 > 0:25:27dance. Especially among some of us who are fans of the great fantasy

0:25:27 > 0:25:31television series.

0:25:31 > 0:25:32Susan, or should that be Daenerys Stormborn

0:25:32 > 0:25:35of the House Targaryen, First of Her Name, the Unburnt,

0:25:35 > 0:25:38Queen of the Andals and the First Men, Khaleesi

0:25:38 > 0:25:45of the Great Grass Sea, Breaker of Chains, and Mother of Dragons?

0:25:45 > 0:25:55How excited are you?No, we are doing the Monster Mash.This morning

0:25:55 > 0:26:01he saw his costume. I saw my costume, and the two of us went...

0:26:01 > 0:26:06It is essentially the most excited I have ever been in my entire life.

0:26:06 > 0:26:10I'm not saying I am, but there is a possibility there is a dragon and I

0:26:10 > 0:26:15might come down on the back of it. There may be dragons.If you don't,

0:26:15 > 0:26:23we will be furious. I assume you are Jon Snow?I am popular Channel 4

0:26:23 > 0:26:31newsreader Jon Snow, that's correct. You were dancing to Killer Queen it

0:26:31 > 0:26:38will be a foxtrot, ballroom hold. How's it going?I have adored the

0:26:38 > 0:26:43foxtrot. I never thought when I started the competition that I would

0:26:43 > 0:26:48love ballroom as much as I have. Kevin has choreographed the most

0:26:48 > 0:26:52exceptional routine I have ever seen in my life. It's a beautiful,

0:26:52 > 0:26:56gorgeous and charming dance and we will give it everything. We like two

0:26:56 > 0:27:03kids. Mum and dad have let us dress up! I keep saying it, it's

0:27:03 > 0:27:08absolutely true. Every single week I walked in and the wardrobe and

0:27:08 > 0:27:16make-up people, this is what you are just as. Really?! It's amazing.I am

0:27:16 > 0:27:29slightly hysterical about this one. It's going to be good. APPLAUSE

0:27:29 > 0:27:34It can be scary in the training room. How have Ruth, Aston and Gemma

0:27:34 > 0:27:39been coping?Lots of quick steps in it. That's the most important thing

0:27:39 > 0:27:44about the quickstep.I'm struggling to keep up with Anton. That man is

0:27:44 > 0:27:51quick.She's moving very well. Good. You do lots of moving around, it

0:27:51 > 0:27:57stops, and you have to go like that in sync, and I can't do it.If you

0:27:57 > 0:28:01get the speed right, you have done the quickstep. You can goes so fast

0:28:01 > 0:28:04that you can't see their heels and toes. That was a quickstep right

0:28:04 > 0:28:12there!Before I started training, my initial thought was, I can do it

0:28:12 > 0:28:18because I'm already fit. I can't do it, I'm not fit or active enough.

0:28:18 > 0:28:22It's really easy to go wrong with jive. As soon as you miss a step,

0:28:22 > 0:28:27the whole dance goes wrong.When it's fast, the form goes completely.

0:28:27 > 0:28:32My calves and shins are on fire. The jive is a lot harder than I thought.

0:28:32 > 0:28:41You are only halfway through.Only half?!This week we are dancing the

0:28:41 > 0:28:45American Smooth Viennese Waltz.This is probably more in my comfort zone.

0:28:45 > 0:28:51Although I don't like to use that expression when it comes to dancing.

0:28:51 > 0:28:56Simon is a ballroom boy with a great upper body.I'm a little bit behind

0:28:56 > 0:29:02because I hurt my leg last week. It puts the pressure on.He's full of

0:29:02 > 0:29:09character, full of life. And have always have fun.

0:29:09 > 0:29:13Now, it's time to welcome our last couple of the night.

0:29:13 > 0:29:14Continuing their Strictly rollercoaster ride, it's

0:29:14 > 0:29:22the matador-able Joe and Katya!

0:29:26 > 0:29:33Those silhouette sat the beginning, the shaping, I'll love it.You were

0:29:33 > 0:29:37committed, controlled. I loved the double turn to the knee.That was

0:29:37 > 0:29:44the best male paso doble we have seen on Strictly so far.

0:29:46 > 0:29:57CHEERING AND APPLAUSE

0:30:01 > 0:30:08You both look amazing.I'm covered in cobwebs!We love your boots,

0:30:08 > 0:30:16catty.I like to please. --

0:30:16 > 0:30:17in cobwebs!We love your boots, catty.I like to please. --.

0:30:24 > 0:30:32The best paso doble ever? This is her first series, you never know.

0:30:32 > 0:30:37Look at you!I cannot take my eyes off you! Fun to do and you feel like

0:30:37 > 0:30:42you're fighting, this is about bull-fighting.Fighting for my life!

0:30:42 > 0:30:48You looked possessed! By the spirit of the matador! What is it about

0:30:48 > 0:30:54that dance?It is just passionate, I suppose. And like I said, those are

0:30:54 > 0:31:01the dancers I enjoy. The ballroom, not so much.You look great in the

0:31:01 > 0:31:09ballroom! We were discussing, until you have choreographed and you teach

0:31:09 > 0:31:13them and until that routine gets put on, you don't know if they will love

0:31:13 > 0:31:19the dance, whether it is going to look good. And on Monday, my God,

0:31:19 > 0:31:30what is he doing?It is like yoga! We were doing a bit of yoga!Look

0:31:30 > 0:31:33what happened, your first nine closely followed by your first ten!

0:31:33 > 0:31:40APPLAUSE. Did you ever think you would see the

0:31:40 > 0:31:48day?Personally, I think we deserved all tens!He was nice about me,

0:31:48 > 0:31:57lovely man!Do you remember, Ed Balls, we got ten combined from all

0:31:57 > 0:32:07the judges!That was really nice! We did predict, you were to send the

0:32:07 > 0:32:15roller-coaster... And second on the Leader Board! Great work!Is it good

0:32:15 > 0:32:20to ride the highs of that? But you are only as good as your last dance,

0:32:20 > 0:32:24you have to do it again this week and try to replicate last week and

0:32:24 > 0:32:34that is the thing.I have to say, I would watch that again! Have you

0:32:34 > 0:32:39given Neil his jacket by?I have, I might need to steal that back for

0:32:39 > 0:32:42the two are!And you have shaved your chest!

0:32:42 > 0:32:46APPLAUSE. I don't know why I am staring at

0:32:46 > 0:32:54that! You have to keep that look! Never mind. Foxtrot? With Coldplay.

0:32:54 > 0:33:07Let us get into the mood... That is beautiful. This song... Trouble. Has

0:33:07 > 0:33:11the choreography been troublesome? It is actually pretty good, I got

0:33:11 > 0:33:15the steps on Monday and we were running that afterwards.It shows

0:33:15 > 0:33:20you improving. He was struggling in the beginning. He is getting better

0:33:20 > 0:33:26and better every week. By Monday, come on...And it is making sure

0:33:26 > 0:33:30that when you're under the lights, it doesn't fly out the window!Doing

0:33:30 > 0:33:38jazz style! It has happened sometimes! Certainly! Catcher is

0:33:38 > 0:33:44going to play a creature notorious for being the ultimate manager. The

0:33:44 > 0:33:57Black widow spider! -- man eater. Her bite producers muscle aches,

0:33:57 > 0:34:02nausea and breathing problems! That was all just this afternoon! There

0:34:02 > 0:34:10is treatment for that! Were you born to play this?Asked my husband! He

0:34:10 > 0:34:18would say yes!Nicky showed us the costume, it is amazing!I love it.

0:34:18 > 0:34:32We decided to show some leg. My spider legs. Nothing very! -- hairy.

0:34:32 > 0:34:37You can see the shape of the spider. I love it.A great job with the

0:34:37 > 0:34:46costumes. We have yet to see what Joe is going to be wearing! Are you

0:34:46 > 0:34:50all right? That is Neal! We love you. Go and catch!

0:34:50 > 0:34:57APPLAUSE. -- Joe and Katya.

0:34:57 > 0:34:59Now, Halloween means the Strictly studio is going to look absolutely

0:34:59 > 0:35:00fang-tastic tomorrow night.

0:35:00 > 0:35:05We sent Gethin to the art department to find more.

0:35:05 > 0:35:09Whilst the professionals and celebrities get a break, there are

0:35:09 > 0:35:16two members of the team who don't get that... That is spooky! Mark and

0:35:16 > 0:35:22Catherine, scenic set supervisor, producer, director?Pretty much, and

0:35:22 > 0:35:28art director. Tell us what you do. How does your job work? I am in

0:35:28 > 0:35:34charge of the look of all the staging and props.What about you?

0:35:34 > 0:35:40My job entails from August, being in charge of building the set and on

0:35:40 > 0:35:43Saturday night, making sure all the beautiful props go on and off

0:35:43 > 0:35:48accurately.They always do but there must be hairy moments, especially

0:35:48 > 0:35:54with a set this big?Yes, there are usually 12 hairy moments every week!

0:35:54 > 0:36:00From about 6:30pm onwards! After that it seems to ease off!Anything

0:36:00 > 0:36:07we can look about tomorrow that is special?We might have the world's

0:36:07 > 0:36:15biggest chandelier! Spooky chandelier. It is really big. It is

0:36:15 > 0:36:20about eight feet wide.And ten foot high. Doing Halloween, you have done

0:36:20 > 0:36:25a few of these, does it get easier or harder just to keep raising the

0:36:25 > 0:36:32level?I would like to say it gets easier but it does not! I think,

0:36:32 > 0:36:39everyone loves the staging and the props, they want more and more! It

0:36:39 > 0:36:42gets easier with the fact that we know what we are doing.But there is

0:36:42 > 0:36:48more to do.That increases the challenge for you? Very much. What

0:36:48 > 0:36:53we struggle with each week is because everybody wants to raise

0:36:53 > 0:36:58their game, maybe we can have ten of them? We haven't got 10 million men

0:36:58 > 0:37:03to bring it along, they want more and more each week but it does up

0:37:03 > 0:37:12the ante. You work closely together? Yes.It is all right.Every day of

0:37:12 > 0:37:16the week? I literally speak to Catherine more than my wife.I get

0:37:16 > 0:37:22Sunday off. You are basically like a Strictly couple! Get back to work,

0:37:22 > 0:37:25Notts to do! Where is that ghost?

0:37:25 > 0:37:26Thanks, Geth!

0:37:26 > 0:37:30And it's not just Mr Jones bringing us the behind the scenes action -

0:37:30 > 0:37:31we've got spies everywhere.

0:37:31 > 0:37:37Here's how Alex, Mollie and Susan have been getting on in training.

0:37:37 > 0:37:45Step...I have been quite nervous about the tango. On the balls of

0:37:45 > 0:37:51your feet?Faultless on the footwork. I need to concentrate on

0:37:51 > 0:37:56keeping connected with Gorka to dance with him, not away from him,

0:37:56 > 0:38:02in the hold.We are going to do plenty on technique and posture.I

0:38:02 > 0:38:05am going to make sure I give it everything when it comes to the

0:38:05 > 0:38:12night. LAUGHTER

0:38:12 > 0:38:16I am finding the cha-cha-cha very hard, it is about legs being

0:38:16 > 0:38:21completely stiff and it is all about the hips.Mollie is definitely

0:38:21 > 0:38:25struggling, one of the hardest dancers so far, there is not to

0:38:25 > 0:38:29think about, there is nothing natural about this dance.I need my

0:38:29 > 0:38:34arms and upper body to be still and rigid. And then let the bottom half

0:38:34 > 0:38:39the talking.

0:38:43 > 0:38:47I love the routine this week, Kevin has choreographed a brilliant dance

0:38:47 > 0:38:52for us.We are working on the frame a lot because this is a comment we

0:38:52 > 0:38:58have had before.We need to work on the hold and the footwork and also

0:38:58 > 0:39:06on which direction my head is going in because it is like a that.Dare I

0:39:06 > 0:39:09say it, I feel like Susan is becoming a ballroom dancer! Well

0:39:09 > 0:39:16done!Looking good, Susan!

0:39:16 > 0:39:18Now, a special occasion calls for a very special guest.

0:39:18 > 0:39:20She's kind of a big deal.

0:39:20 > 0:39:21It's Shirley Ballas!

0:39:21 > 0:39:26APPLAUSE.

0:39:33 > 0:39:41How are you? Shirley Ballas! This is your first Strictly Halloween, how

0:39:41 > 0:39:45excited are you?I am just excited about the goblins and everything

0:39:45 > 0:39:51that goes with Halloween, like the audience.You might be dressing up

0:39:51 > 0:39:58well as well? I know what she is wearing! It is a good one. Last

0:39:58 > 0:40:03week, you gave Joe the only ten of the night, he was so excited and you

0:40:03 > 0:40:07said this was the best paso doble we have seen. Are you talking about

0:40:07 > 0:40:13this series?What was so great? The paso doble is very difficult for the

0:40:13 > 0:40:18man to lead an experienced lady. If you have a strong man and you are

0:40:18 > 0:40:22lately, it is easier to follow and I thought he led her spectacular, his

0:40:22 > 0:40:28knee work was impeccable and his shaping was just divine. His

0:40:28 > 0:40:31expression was told, it came from inside, it was not all out there

0:40:31 > 0:40:40with funny faces.Brilliant. We don't want funky faces! Sometimes we

0:40:40 > 0:40:45do! Also, the second ten you have given because Alexandra with her

0:40:45 > 0:40:50drive, which was spectacular.What was so satisfying? With the jive,

0:40:50 > 0:40:55full of energy, it can be internal coming into external and she was

0:40:55 > 0:41:02just on 100% on that night, the routine was great, the dancing was

0:41:02 > 0:41:03great, she deserved ten. APPLAUSE.

0:41:03 > 0:41:06It was so good!

0:41:06 > 0:41:11Well, the last time you were on you treated us to a samba demo.

0:41:11 > 0:41:13Continuing this great Latin tradition, I think we'd quite

0:41:13 > 0:41:14like to see the jive.

0:41:14 > 0:41:17It's time for a Ballas Breakdown!

0:41:17 > 0:41:23APPLAUSE. I thought I would pick the simplest

0:41:23 > 0:41:30step first, which is the link, when you rotate your hips and these kind

0:41:30 > 0:41:35of actions, link steps, they connect every single basic step together.

0:41:35 > 0:41:40Watch out for that link step. Rotary figure. Rotating with your arm

0:41:40 > 0:41:47across the body. And I thought I would mention the chassis being one,

0:41:47 > 0:41:52two, three, three steps in any direction. Loose cross forward, it

0:41:52 > 0:41:57can be the chassis to the side, three steps or ten dancers. Are you

0:41:57 > 0:42:04following? And another thing, slip ball change. You slip the standing

0:42:04 > 0:42:11foot, you had your bottom, and the he goes about the front, slip, Ball,

0:42:11 > 0:42:15change. If you are kicking like this you are not in a good position.

0:42:15 > 0:42:20Slipped and hit your bottom.Ball, change! We need to see this but

0:42:20 > 0:42:32together! We need Giovanni! Here he is. And surely has picture favourite

0:42:32 > 0:42:44Halloween tune ever!# Reach for the stars...

0:42:54 > 0:43:14Oh! My Lord! APPLAUSE.

0:43:14 > 0:43:33Ladies and gentlemen... And that is why... You lucky lady! As the saying

0:43:33 > 0:43:44goes, it is never too early for a viewer's questions to Shirley! One

0:43:44 > 0:43:49question is, when did you earn the title, Queen of Latin?32 years ago

0:43:49 > 0:43:53I trained little boy called Alan Grundy, and he was 17 he was the

0:43:53 > 0:43:58young hairdresser of the year and he would do my hair, from Liverpool, he

0:43:58 > 0:44:03would say, come in here, Queenie, get your hair done! I would hear

0:44:03 > 0:44:09this every week, you will always be my Queen of Latin. He is 41 now. He

0:44:09 > 0:44:19nicknamed me.They have surpassed themselves! Shirley, you have two

0:44:19 > 0:44:27pick something from here? Number one. This question is from Lauren,

0:44:27 > 0:44:30who are what influence due to start dancing?I was influenced by going

0:44:30 > 0:44:35to the church hall and I would see the adults dancing and I was seven

0:44:35 > 0:44:38and I would put my head through the little window and see them dancing

0:44:38 > 0:44:42and that is when I first fell in love with the cha-cha-cha! And the

0:44:42 > 0:44:47music of the Latin and ballroom dances and started from and I too

0:44:47 > 0:44:55just one year of when I had my son. Another one?Number five. Who has

0:44:55 > 0:44:58improved the most from the start of the competition?Thank you very much

0:44:58 > 0:45:03for that question. I would not lead to single out anybody on this show,

0:45:03 > 0:45:08it changes every week. Look at Susan. They are all improving. Every

0:45:08 > 0:45:17week. From the first week, I was never quite sure, but they all have

0:45:17 > 0:45:23the amazing qualities...Just one more.

0:45:23 > 0:45:27Number seven.If you could dance one dance with any person living or

0:45:27 > 0:45:33dead, who would it be and why, from Charlotte?If I could pick one, I

0:45:33 > 0:45:41would love to dance with my son one day.Make that call!

0:45:41 > 0:45:43That's all we have time for.

0:45:43 > 0:45:51Thank you to everyone who sent in a question,

0:45:51 > 0:45:52Now, you've heard of arachnophobia, claustrophobia,

0:45:52 > 0:45:54but what about Strictly-phobia?

0:45:54 > 0:45:58Take a look at this.

0:45:58 > 0:46:03The scariest thing about being on Strictly is the shaking knees, the

0:46:03 > 0:46:08sweaty palms, and what makes it even worse is when I hold Gorka's hand

0:46:08 > 0:46:13and he's sweating as well and it shows me he really cares.You are

0:46:13 > 0:46:17out there being judged in front of millions of people at something you

0:46:17 > 0:46:23are not naturally great at. It's been a terrifying experience, to be

0:46:23 > 0:46:27honest.My scariest moment on Strictly was the first week when I

0:46:27 > 0:46:34was so frozen with terror I couldn't move.Scariest moment so far was the

0:46:34 > 0:46:41tango where I blanked. I'm hoping that isn't going to happen again.

0:46:41 > 0:46:45The scariest moment so far was the first time facing the judges. I had

0:46:45 > 0:46:51been worrying about that moment like a recurring nightmare.Doing the

0:46:51 > 0:46:54cha-cha-cha, I knew I hadn't quite got it. So in my head was, you just

0:46:54 > 0:47:01have to do the best you can do, girl.The scariest thing for me

0:47:01 > 0:47:04about being on Strictly is hoping the red light doesn't hit you.

0:47:04 > 0:47:10That's the scary moment.Coping with the fear on the set of Strictly is a

0:47:10 > 0:47:17very difficult thing to do. Terrifying.So far, my scariest

0:47:17 > 0:47:20moment has been standing in front of the judges after the dance-off. It's

0:47:20 > 0:47:25the first time I have felt quite so vulnerable in front of so many

0:47:25 > 0:47:31people.It's kind of like being in a relationship that's too good to be

0:47:31 > 0:47:36true, so you fear it's going to end. That's how Strictly feels for me.It

0:47:36 > 0:47:40will be over at some point, so you have to dance everyone like it's

0:47:40 > 0:47:45your last and enjoy it as much as possible.

0:47:48 > 0:47:55They're back, it's the Friday Panel!

0:47:55 > 0:48:01Let's get back to the training. Katy Brand, we will see Jonnie and Oti

0:48:01 > 0:48:05dance eight cha-cha-cha to Olly Murs' Troublemaker. Will they get

0:48:05 > 0:48:12into the judges good books?I'm amazed by Jonnie Peacock every

0:48:12 > 0:48:17single week. I'm sure everyone is the same. Fearless, brilliant, a

0:48:17 > 0:48:22really good dancer. Oti is my queen, and she pushes him. The choreography

0:48:22 > 0:48:29is astonishing every week. Although others have been choreographing

0:48:29 > 0:48:32great stuff as well, especially last week. He's my little tip for the

0:48:32 > 0:48:42final, perhaps. I'm going there already!Ed Balls, a Rumba for

0:48:42 > 0:48:50Nadiya. Will he be afraid?My biggest disappointment is I never

0:48:50 > 0:48:54did the Rumba. I wanted to show my Rumba side.We all wanted to see

0:48:54 > 0:49:04that.I think I'm feeling it over here!Those two are naturally

0:49:04 > 0:49:06beautiful and passionate together and I think the Rumba will be a

0:49:06 > 0:49:12great dance for them.I think he can relax a bit now. He's no longer

0:49:12 > 0:49:17intimidated by my physique. It will have released something within

0:49:17 > 0:49:27Davood.A paso doble to Nirvana's teen spirit. Something else. Can

0:49:27 > 0:49:34this routine entertain us?Aston is a brilliant dancer, very fluid and

0:49:34 > 0:49:38they look like a proper partnership. You can always tell by this stage

0:49:38 > 0:49:42where the partnerships are starting, where it's not so much obvious who

0:49:42 > 0:49:46is the professional and Hurou the celebrity is. That's happening with

0:49:46 > 0:49:50them, it's very fluid.With Aston you saw somebody completely

0:49:50 > 0:49:54brilliant Wood Street dancing at first, but now you see him doing

0:49:54 > 0:50:03different things. -- brilliant at Street dancing.Susan and Kevin

0:50:03 > 0:50:09taking on a Game of Thrones inspired foxtrot. Could this get a seat on

0:50:09 > 0:50:21the eye Throne? Dancing to Killer Queen.Susan Calman, the queen of

0:50:21 > 0:50:26dragons. I love her. I think Kevin and Susan could do anything in this

0:50:26 > 0:50:31competition. I think it would be great on Saturday.What are Susan's

0:50:31 > 0:50:36strengths?She said last week, spreading joy and getting good

0:50:36 > 0:50:40marks. She's improving every week and trying really hard. And she is

0:50:40 > 0:50:44spreading joy. People want joy in their lives and that's why they are

0:50:44 > 0:50:52enjoying Susan.We need joy, people! Debbie and Giovanni dancing the

0:50:52 > 0:50:56charleston. Talking of joy. They topped the Leaderboard last week.

0:50:56 > 0:51:04Can they keep up the good work?I was so stunned by their Rumba. I

0:51:04 > 0:51:09thought it was beautiful, strong, sexual but in a great way. She's

0:51:09 > 0:51:15amazing, like a walking Jackie Collins novel, in a good way. Like

0:51:15 > 0:51:20an incredible back story, incredible dancer, she has this mystique of

0:51:20 > 0:51:26experience, but she's very brilliant tap dancing. She is one to watch.

0:51:26 > 0:51:33And put Giovanni a bit in the shade. That's a achievement.As a vicar, I

0:51:33 > 0:51:37have had spray tan with Debbie McGee, unusually, and believe you

0:51:37 > 0:51:43me, the sky is the limit with that woman.Top half, awful Jeremy Vine?

0:51:43 > 0:51:52I'm not going to go there. -- or the full Jeremy Vine.Full Jeremy Vine?

0:51:52 > 0:51:59Did he... Wow.He was told by the guys in the first week, and he

0:51:59 > 0:52:02stripped completely naked and had the whole deal. What show did he

0:52:02 > 0:52:11think he was on?This is salacious! So you can have a spray tan, but is

0:52:11 > 0:52:16not a full Jeremy.You learn something new on this show every

0:52:16 > 0:52:22night. Who will be going home this weekend? Who will be the bottom two?

0:52:22 > 0:52:26Clearly Ruth and Simon Haft to show passion and commitment and drive and

0:52:26 > 0:52:32improvement. When you have been in the dance-off a couple of times,

0:52:32 > 0:52:36it's hard to get out of it. But I think they both can. You could end

0:52:36 > 0:52:39up with two people we don't expect in the dance-off, and that's when

0:52:39 > 0:52:49things get spicy.Give me a name. Simon might be in danger.No idea.

0:52:49 > 0:52:51Great panel. Thank you to you all.

0:52:51 > 0:52:54Right, it's time to head back to Elstree for one last sneaky

0:52:54 > 0:52:55peek behind the scenes.

0:52:55 > 0:52:58But where's Gethin hiding this time?

0:52:58 > 0:53:01I can't get over the Jeremy Vine revelation.

0:53:01 > 0:53:05In wardrobe the team are working overtime to make sure everything is

0:53:05 > 0:53:10ready for tomorrow. Especially these three. It's the first time we have

0:53:10 > 0:53:15spoken to you on a Friday. Jonnie and Gemma, what is Friday like for

0:53:15 > 0:53:19you? Both of you were in rehearsals and quite nervous but pulled it out

0:53:19 > 0:53:24of the bag in the end.It's a bit ropey, but I love Fridays. It's one

0:53:24 > 0:53:29of the easiest days of the week. You are not training for ten hours. Oti

0:53:29 > 0:53:36is hanging back somewhere.What about you, Gemma?Its opposite for

0:53:36 > 0:53:42me. I get fearful on Friday. We do the dance three times in the studio.

0:53:42 > 0:53:45When you have been rehearsing somewhere else, you get on the

0:53:45 > 0:53:47studio floor with the band and the lighting and it makes you think,

0:53:47 > 0:53:52this is my last attempt to get the dance before we do it tomorrow.If

0:53:52 > 0:53:57you are not musical it's tough on Friday. You hear it with the track,

0:53:57 > 0:54:02but on Friday and Saturday you hear it live.Sometimes when the band

0:54:02 > 0:54:06comes in, sometimes I think you hear it in a different way. You hear

0:54:06 > 0:54:11every nuance. On the track you get the overall thing. But all of a

0:54:11 > 0:54:17sudden you get the bits of drum or base.Your track, Troublemaker. Is

0:54:17 > 0:54:23she telling you something this week? I hope not. We have gone with the

0:54:23 > 0:54:27hips for the first time in the whole thing.Can we see some right now?

0:54:27 > 0:54:34You'll have to wait and see.What about tomorrow night? We saw you

0:54:34 > 0:54:39rehearsing earlier, it's amazing but very quick.The jive is really hard

0:54:39 > 0:54:54on the hips. It's so quick. It is fast. It's very flicking.American

0:54:54 > 0:54:58Smooth, Viennese Waltz. If you did the jive tomorrow you might struggle

0:54:58 > 0:55:02with your leg. How are you doing? Is it the perfect dance for you

0:55:02 > 0:55:08tomorrow?I'm very fortunate. It's a bit of what damage, so luckily the

0:55:08 > 0:55:12American Smooth is quite gentle on my legs. I have got to last 90

0:55:12 > 0:55:18seconds, or maybe two lots of 90. Good luck for tomorrow night. You

0:55:18 > 0:55:22can have a quick look at your outfits before you go.

0:55:22 > 0:55:23That's all we have time for tonight.

0:55:23 > 0:55:26Thanks to all my guests and make sure you tune

0:55:26 > 0:55:28into the Strictly Halloween special with Tess and Claud tomorrow night

0:55:28 > 0:55:30at 6.35pm on BBC One.

0:55:30 > 0:55:33I'll be back on Monday with the next couple to leave the competition.

0:55:33 > 0:55:35But now, singing us out with their new single,

0:55:35 > 0:55:36I Miss You, it's Clean Bandit!

0:55:36 > 0:55:40Have a spine-chilling weekend!

0:55:48 > 0:55:52# I know you're in Cabo, hanging with your brother.

0:55:52 > 0:55:55# Wishing that I was your bottle.

0:55:55 > 0:55:58# so I could be close to your lips again.

0:55:58 > 0:56:00# I know you didn't call your parents.

0:56:00 > 0:56:01# And tell them that we ended.

0:56:01 > 0:56:04# Cos you know that they'd be offended.

0:56:04 > 0:56:07# Did you not want to tell them it's the end?

0:56:07 > 0:56:10# And I know we're not supposed to talk.

0:56:10 > 0:56:13# But I'm getting ahead of myself.

0:56:13 > 0:56:15# I get scared when we're not.

0:56:15 > 0:56:17# Cos I'm scared you're with somebody else.

0:56:17 > 0:56:20# Oh I guess then it's gone.

0:56:20 > 0:56:22# And I just keep fighting myself.

0:56:22 > 0:56:26# Oh I can't believe it.

0:56:26 > 0:56:31# I miss you, yeah I miss you.

0:56:31 > 0:56:35# I miss you, yeah I miss you, oh I do.

0:56:35 > 0:56:41# I miss you, yeah I miss you.

0:56:41 > 0:56:45# Though I'm trying not to I know.

0:56:52 > 0:56:54# You weren't a fan of pictures.

0:56:54 > 0:56:58# So I hardly ever took them.

0:56:58 > 0:57:00# Got 'em saved on my mind from the bedroom.

0:57:00 > 0:57:03# So that way I can't forget your skin.

0:57:03 > 0:57:04# So I saved all of the texts.

0:57:04 > 0:57:07# All of the best over the years.

0:57:07 > 0:57:11# Just to remind myself of how good it is, or was.

0:57:11 > 0:57:14# And I know we're not supposed to talk.

0:57:14 > 0:57:16# But I'm getting ahead of myself.

0:57:16 > 0:57:19# I get scared when we're not.

0:57:19 > 0:57:21# Cos I'm scared you're with somebody else.

0:57:21 > 0:57:24# Oh I guess then it's gone.

0:57:24 > 0:57:26# And I just keep fighting myself.

0:57:26 > 0:57:30# Oh I can't believe it.

0:57:30 > 0:57:34# I miss you, yeah I miss you.

0:57:34 > 0:57:38# I miss you, yeah I miss you, oh I do.

0:57:38 > 0:57:43# I miss you, yeah I miss you.

0:57:43 > 0:57:48# Though I'm trying not to I know.

0:57:56 > 0:57:58# So I saved all of the texts.

0:57:58 > 0:58:01# All of the best over the years.

0:58:01 > 0:58:04# Just to remind myself of how good it is.

0:58:04 > 0:58:07# Yeah I saved all of the texts.

0:58:07 > 0:58:11# All from my ex, minus the tears.

0:58:11 > 0:58:14# Just to remind myself of how good it is, or was.

0:58:14 > 0:58:19# Cos I miss you, yeah I miss you.

0:58:19 > 0:58:24# I miss you, yeah I miss you, oh I do.

0:58:24 > 0:58:28# I miss you, yeah I miss you.

0:58:28 > 0:58:32# Though I'm trying not to I know.

0:58:32 > 0:58:36# I can't help it I just.

0:58:48 > 0:58:53# Though I'm trying not to I know.

0:58:53 > 0:58:55# I can't help it, I just.#

0:58:55 > 0:58:58APPLAUSE.