0:00:49 > 0:00:56VOICEOVER: From London, this is Strictly, It Takes Two. Please
0:00:56 > 0:01:00welcome your host, Zoe Ball. CHEERING AND APPLAUSE
0:01:00 > 0:01:02Hello and welcome to It Takes Two!
0:01:02 > 0:01:05And can you believe it, it's not Halloween any more!
0:01:05 > 0:01:08But fear not, we've got plenty more up our sleeve.
0:01:08 > 0:01:12Let's see who's in the green room, shall we?
0:01:12 > 0:01:19They reached Strictly Nirvana on Saturday, it's Aston and Janette!
0:01:19 > 0:01:26Their rumba was simply heavenly, it's Davood and Nadiya!
0:01:26 > 0:01:29And somewhat disappointingly, he's not dressed as Elphaba
0:01:29 > 0:01:35from Wicked, it's Ian Waite!
0:01:35 > 0:01:39But now, speaking of dressing up, my first guest made a fabulous Joker
0:01:39 > 0:01:41on Saturday, but it's no laughing matter, darling.
0:01:41 > 0:01:45It's Craig Revel Horwood!
0:01:56 > 0:02:01A complete dance disaster, darling.
0:02:01 > 0:02:03Craig Revel-Horwood, everyone!
0:02:03 > 0:02:10MUSIC: Toxic by Britney Spears.
0:02:10 > 0:02:12The spin in is our favourite.
0:02:12 > 0:02:13How we've missed you.
0:02:13 > 0:02:15We're six weeks in now.
0:02:15 > 0:02:20Have our celebs reached the standard you'd expect?
0:02:20 > 0:02:25There is a lot of surprises, a lot of high markers out there. But also
0:02:25 > 0:02:29a lot of improvement, which is great. And early non-improvement as
0:02:29 > 0:02:34well. We noticed from the third week that people were really developing
0:02:34 > 0:02:39proper skills, which is an absolute joy and delight to watch.
0:02:39 > 0:02:42Simon and Karen fell victim to Halloween weekend,
0:02:42 > 0:02:45but they were joined by Mollie and AJ in the dance off.
0:02:45 > 0:02:48Were you surprised to see them in the bottom two?
0:02:48 > 0:02:52Yeah, I really was. Because she's been doing really well. I was
0:02:52 > 0:02:57surprised because it was quite a good routine. She looks amazing,
0:02:57 > 0:03:02great costume, and she did rather well in the whole thing. It's really
0:03:02 > 0:03:06difficult. Certainly from the judge in perspective, when you have
0:03:06 > 0:03:09somebody who is fantastic, who you think is really motoring on in the
0:03:09 > 0:03:14competition, and they end up in the bottom two. Like Dartford, that was
0:03:14 > 0:03:25a shocker. But you have to have the audience votes. -- like Davood.
0:03:25 > 0:03:28People have to vote for their favourites.
0:03:28 > 0:03:30Mollie danced the cha-cha-cha, as did Jonnie, ho matched his lowest
0:03:30 > 0:03:31score of the series.
0:03:31 > 0:03:33More than any other dance, it's proved the most
0:03:33 > 0:03:35unpopular with our celebs.
0:03:35 > 0:03:39Why do you think that is?
0:03:39 > 0:03:44It's because it's difficult, there is a straight leg and the hip action
0:03:44 > 0:03:47is really difficult, especially for the men, because they are not used
0:03:47 > 0:03:51to moving their hips that way. They are used to side to side and side
0:03:51 > 0:04:02and forward and back, but never in a circle. With proper hip action. It
0:04:02 > 0:04:06is difficult. And if you do too much hip action, it will look too girly.
0:04:06 > 0:04:11You have to be aware of that, you have to make it look butch but
0:04:11 > 0:04:17correct. It's a tough one. And it's fast as well. If you think of the
0:04:17 > 0:04:21rumba and then double the tempo, that's what you are expected to do.
0:04:21 > 0:04:23It's so complicated.
0:04:23 > 0:04:26Susan also felt the burn this week in terms of scores.
0:04:26 > 0:04:30You fanned the flames with a three.
0:04:30 > 0:04:35You are mean. Tell me more about this.
0:04:35 > 0:04:37Kevin said they weren't really going for a graceful
0:04:37 > 0:04:39Foxtrot because of the Game of Thrones theme.
0:04:39 > 0:04:43Can you appreciate how he was trying to marry the two?
0:04:43 > 0:04:46I can, if he does that at the beginning of the dance and the end,
0:04:46 > 0:04:53and maybe ten seconds, in between, you can go mad and tell the story
0:04:53 > 0:04:57and do something out of character. But it's our job to recognise that
0:04:57 > 0:05:02particular dance for what it is and uphold the characteristics of that
0:05:02 > 0:05:07dance. I appreciate it, and I love him for trying to take it over the
0:05:07 > 0:05:10edge a little bit, but unfortunately for me it did not work. I loved the
0:05:10 > 0:05:15routine and what he was trying to do, but I have to market on the
0:05:15 > 0:05:22specific bands they are trying to do. That's why it was difficult for
0:05:22 > 0:05:26me. -- I have to mark it on the specific dance. Sometimes it works
0:05:26 > 0:05:31well, like in Aston's case. But continue to be brave.
0:05:31 > 0:05:34At the other end of the leaderboard, you loved Aston's Paso,
0:05:34 > 0:05:37even though it contained some moves more commonly found in street dance.
0:05:37 > 0:05:39Is that why you couldn't give it a ten?
0:05:39 > 0:05:43I thought there was a bit too much of the popping and locking. He is
0:05:43 > 0:05:51amazing. You would love to give him ten, I would love to. And if he
0:05:51 > 0:05:54makes the final, maybe takes two of those sections out and replaces it
0:05:54 > 0:06:00with something else then maybe... You little tease!
0:06:00 > 0:06:03Let's talk about Davood's rumba now.
0:06:03 > 0:06:06Despite the lack of rumba content you said you could sit and watch
0:06:06 > 0:06:07it at home every day.
0:06:07 > 0:06:10You did however give it a five.
0:06:10 > 0:06:16I thought it was a really lovely strong routine. It didn't fall into
0:06:16 > 0:06:20the rumba category for me. There weren't enough basic rumba steps
0:06:20 > 0:06:25which we need to see. If he had left today few more of the basics, like
0:06:25 > 0:06:31Shirley said, having your legs go out to the side and show you are
0:06:31 > 0:06:36manoeuvring your hips in the correct way. We never really saw that. We
0:06:36 > 0:06:40saw a wonderful performance, but as a judge I can't just base it on
0:06:40 > 0:06:43entertainment. That's for the folk at home who can say, I really loved
0:06:43 > 0:06:51it.Or me!I did love it, I could watch it again and again but it
0:06:51 > 0:06:54wasn't a solid rumba.
0:06:54 > 0:06:55Here's a fact for you.
0:06:55 > 0:06:57The rumba is the only main Strictly dance that hasn't
0:06:57 > 0:06:58received full marks.
0:06:58 > 0:07:01Rachel Stevens, Kara Tointon, Chelsee Healey and Jay McGuiness
0:07:01 > 0:07:03only ever managed 39 points!
0:07:03 > 0:07:05Can the rumba ever reach the 40 mark milestone?
0:07:05 > 0:07:10Could it be this series?
0:07:10 > 0:07:15If they started learning it in week one and get to keep going and doing
0:07:15 > 0:07:21it for ten weeks then yes, probably. It is the hardest.No chance, then!
0:07:21 > 0:07:28I think Debbie McGee has the chance to get a really high score.Didn't
0:07:28 > 0:07:34she do a rumba yet?Yes, she has. If she gets to do it again, then maybe
0:07:34 > 0:07:40it will improve. She was doing some lovely work in that and was
0:07:40 > 0:07:45wonderful to watch. Incredible, really.She is. Let's talk about
0:07:45 > 0:07:48Flexi McGee. She impressed again.
0:07:48 > 0:07:51I do believe your exact words were, "Absolutely incredible".
0:07:51 > 0:07:54Her Charleston contained a cross swivel pop which
0:07:54 > 0:08:00you said we never see.
0:08:00 > 0:08:13I can demonstrate that.Is it...? Demo time!The floor is all yours.
0:08:13 > 0:08:16The difficult thing with this dance is you have to do this with your
0:08:16 > 0:08:22feet the whole time, the swivel. The cross element is when the toe
0:08:22 > 0:08:27crosses in front and behind the foot. Debbie put a hop in it as
0:08:27 > 0:08:38well. She ended up doing that, hopping and swivelling and popping.
0:08:38 > 0:08:42Cross, swivel and pop. That's how it's done.
0:08:42 > 0:08:45It was, of course, Debbie McGee who caused you to channel Bruno
0:08:45 > 0:08:50and fall off your chair a couple of weeks back.
0:08:50 > 0:09:00It was joyous!It was a moment of temporary insanity, it really was! I
0:09:00 > 0:09:05did miss the chair. I was thinking of Bruno, I had worked with him for
0:09:05 > 0:09:1113 years. It has annoyed me for 13 years! Stands up and sits down,
0:09:11 > 0:09:16stands up and sits down. I know he's very short and likes to show off his
0:09:16 > 0:09:22height, but it was really funny. I had no clue that was going to
0:09:22 > 0:09:27happen. I don't know what possessed me, but I did miss the chair. I
0:09:27 > 0:09:31thought I would go with it because Bruno has done it for the whole
0:09:31 > 0:09:36thing. It was a bit of a sendoff. Please come back to see us soon. We
0:09:36 > 0:09:40adore you, Craig Revel Horwood.
0:09:40 > 0:09:41CHEERING AND APPLAUSE.
0:09:41 > 0:09:44Now, Craig has to look away for this next bit as it would be unfair
0:09:44 > 0:09:47for him to cast his critical eye over a work in progress.
0:09:47 > 0:09:50Here's how Debbie and Giovanni, Joe and Katya, and Alexandra
0:09:50 > 0:09:54and Gorka have been getting on in training.
0:09:54 > 0:09:57I think I'm really going to enjoy the tango. Giovanni is really good
0:09:57 > 0:10:05at it.Tango is a really interesting dance because you have a lot of
0:10:05 > 0:10:10passion, but at the same time you have to do a lot of technique. There
0:10:10 > 0:10:15is no rise and fall in the tango. You have to be sharp, staccato all
0:10:15 > 0:10:22the time.Already one of my criticisms is to keep my fingers
0:10:22 > 0:10:26closed.Why are your fingers like this?At the moment I'm like Edward
0:10:26 > 0:10:28Scissorhands!
0:10:30 > 0:10:36The charleston is hard, very energetic. Lots of steps.Craig is
0:10:36 > 0:10:42going to be looking for the swivel action.It helps to speak the steps
0:10:42 > 0:10:49in time to the music.I'm going to have to do drill this routine into
0:10:49 > 0:10:57his brain so much. Five years on, you will still remember it.It's a
0:10:57 > 0:11:02high energy dance. I will need to eat lots of carbs over the next few
0:11:02 > 0:11:04days.
0:11:06 > 0:11:11This week we are doing the cha-cha-cha and to be very honest,
0:11:11 > 0:11:14I'm very scared. The speed is very quick and the technique is
0:11:14 > 0:11:18difficult. But in the two together, my brain goes... That was out of
0:11:18 > 0:11:24time!It's one of the difficult dances, especially for the girls
0:11:24 > 0:11:29wearing heels. It's very fast and they have to be very precise.You
0:11:29 > 0:11:33have to keep your legs straight when they are meant to be, and bend when
0:11:33 > 0:11:38they are meant to be. If you forget, surely will say something!
0:11:38 > 0:11:41Time to welcome our first couple now.
0:11:41 > 0:11:43Their angelic rumba wasn't to all the judges' tastes,
0:11:43 > 0:11:45but to us it was a little slice of heaven.
0:11:45 > 0:11:48It's Davood and Nadiya!
0:11:48 > 0:11:56MUSIC: Wicked Game.
0:11:56 > 0:12:01As a dance, I loved it, but as a rumba, I didn't. There wasn't enough
0:12:01 > 0:12:06basic steps.There was no flow from movement to movement. You have a
0:12:06 > 0:12:10beautiful feeling, but that isn't enough in this dance.The overall
0:12:10 > 0:12:13performance was very nice.
0:12:18 > 0:12:25Davood and Nadiya are here. Never mind what the judges say, we got
0:12:25 > 0:12:30lost in your performance and your character.I really gave myself over
0:12:30 > 0:12:34to it. I had issues in the week, but when we performed I loved every
0:12:34 > 0:12:38minute. It was a haunting performance. As a performance it's
0:12:38 > 0:12:42up there with some of the best of the others I had done. Which I
0:12:42 > 0:12:45didn't expect because I knew how hard the rumba was going to be.
0:12:45 > 0:12:55Nadiya had warned me.Why is it so hard for the men?He has to do all
0:12:55 > 0:13:01the leading. He has to use his body as much as he can. On the footwork
0:13:01 > 0:13:06and everything. So many details. You can see every small mistake. But he
0:13:06 > 0:13:12didn't have any.No mistakes, good boy. That's the thing, sometimes
0:13:12 > 0:13:19people go like that with the rumba, but a lot of people enjoyed it.Not
0:13:19 > 0:13:24everybody.We will get on to the judges.
0:13:24 > 0:13:26Well, the judges thought the routine was lacking in basic rumba.
0:13:26 > 0:13:31What was the thinking behind the choreography?
0:13:31 > 0:13:40The first four bars, it was him doing the cooker rapture. He was
0:13:40 > 0:13:45trying to move into the swivel and the overturn and into the pivot and
0:13:45 > 0:13:52the fanning...There is a list!
0:13:52 > 0:13:55Were you hoping for better scores?
0:13:55 > 0:14:02A couple of sevens but also a five. Craig said some lovely things but to
0:14:02 > 0:14:05get a five after that was disappointing. It was fulfilling to
0:14:05 > 0:14:10do that dance after a tough week of trying to learn it. Everybody has
0:14:10 > 0:14:14their own opinion, but to know he liked it as a performance was good,
0:14:14 > 0:14:19because we certainly enjoyed it.He said he would like to watch you all
0:14:19 > 0:14:26day. Slightly concerning. It was really lovely to see your TV mum
0:14:26 > 0:14:30Bonnie Langford in the audience. She was really enjoying the performance.
0:14:30 > 0:14:33She looked quite concerned and a bit cross when the judges gave their
0:14:33 > 0:14:40critique. Did she go over like any good mum and have a stern word?I
0:14:40 > 0:14:44had to restrain her. She was looking after her boy. Beforehand she
0:14:44 > 0:14:50brought me all the stuff she knows I like, like protein bars and energy
0:14:50 > 0:14:53drinks, telling me to look after myself. She was brilliant, and it
0:14:53 > 0:14:56was great to have her in the audience and she loved the
0:14:56 > 0:15:02performance.You have so many mums come you are so lucky! Onwards and
0:15:02 > 0:15:05upwards, quite literally. It's American Smooth and you get to do
0:15:05 > 0:15:06the lifting!
0:15:09 > 0:15:18Will they be fun?We have done two illegal list already! We just want
0:15:18 > 0:15:22to make them as spectacular as we can and use the opportunity to do
0:15:22 > 0:15:25something like that and show a different side to the performance.
0:15:25 > 0:15:31I'm loving it. Mix it in and making it work, were working on it but I
0:15:31 > 0:15:35think it will look great.You've got some great music.
0:15:35 > 0:15:40MUSIC: This Will Be (An Everlasting Love) by Natalie Cole.
0:15:40 > 0:15:44I will be storming onto the floor!
0:15:44 > 0:15:46Now, as you know we've got eyes and ears everywhere,
0:15:46 > 0:15:49which means we've picked up some very interesting sounds in training.
0:15:52 > 0:15:58DAVOOD TRAINING NOISES.
0:16:06 > 0:16:16APPLAUSE I love it! And Darren Burnett was
0:16:16 > 0:16:23on, he said he loves you too and he feels you need your rake out dance
0:16:23 > 0:16:30so could this be the one?I think so. He is enjoying this dance.I am
0:16:30 > 0:16:34loving it, more than any other so far so I hope I can do it justice
0:16:34 > 0:16:44and the choreography is great.Make loads of noises! Good luck.
0:16:44 > 0:16:45Davood and Nadiya everyone!
0:16:45 > 0:16:48Now, as the night draws in and the temperature drops,
0:16:48 > 0:16:50there's no better way to warm up than with Mr Toasty Toes
0:16:50 > 0:16:53himself, Ian Waite!
0:17:04 > 0:17:07Ian Waite, everyone!
0:17:07 > 0:17:16CHEERING AND APPLAUSE You have brought your fans with you!
0:17:16 > 0:17:28Get it out for the people.Can I say, happy birthday to my dad, Alan.
0:17:28 > 0:17:42Happy birthday. He is 70 today. He is quite a move as well. Debbie and
0:17:42 > 0:17:48Giovanni were top of the leaderboard with their gravity defying
0:17:48 > 0:17:52Charlie-ston. They are doing a tango, have you got a feeling about
0:17:52 > 0:17:59this?She's in a fantastic position and he gets her in the right place,
0:17:59 > 0:18:03lovely head position and could yield leads which is what we are looking
0:18:03 > 0:18:12for. But I noticed this position. What is so great about this is that
0:18:12 > 0:18:17he always manages to find these wonderful positions for her where
0:18:17 > 0:18:25she looks brilliant.Gorgeous.I thought we could try that. I will do
0:18:25 > 0:18:41Giovanni.I'm Giovanni.I'll be Debbie. OK.APPLAUSE
0:18:41 > 0:18:48Oh my God!He is definitely not Debbie McGee! He's getting on!These
0:18:48 > 0:18:55trousers are so tight.On to Mollie and AJ, they wanted to impress this
0:18:55 > 0:18:58week having been in the bottom two but they are doing the foxtrot and
0:18:58 > 0:19:04this could be glorious.As you can see, she is releasing her toes
0:19:04 > 0:19:10lovely which is what we want in the foxtrot. I would like to see her
0:19:10 > 0:19:17reaching back with the toes so they get, this lovely Rolls-Royce action,
0:19:17 > 0:19:25she needs to be stretching back. Stretch back.Lyrical!And the other
0:19:25 > 0:19:31thing I noticed, with her physicality, she said about
0:19:31 > 0:19:37slouching a bit, what she needs to do is open that area, the sternum,
0:19:37 > 0:19:44and push in from there and she will get that lovely...Yes.They are
0:19:44 > 0:19:50very knowledgeable! And she needs to look over the seam of his shirt and
0:19:50 > 0:19:58not so far to the left.Gemma and Aljaz, following on from a couple of
0:19:58 > 0:20:04strong weeks, they are doing a salsa. How is it looking?There is a
0:20:04 > 0:20:10nice bit of salsa, very basic which is good and you have to make sure
0:20:10 > 0:20:18you did a lot of body rhythm. There is a bit of arms there. Because she
0:20:18 > 0:20:24is slightly taller, probably the same height as Aljaz, she has to
0:20:24 > 0:20:28keep it nice and light and it doesn't look happy because sometimes
0:20:28 > 0:20:33salsa can look heavy and she needs to make it light across the floor
0:20:33 > 0:20:37and rhythmical. I can see a lot of rhythm but she has to keep it light.
0:20:37 > 0:20:43And onto Jonnie, he is quite pleased that the cha-cha-cha is the hind
0:20:43 > 0:20:50him, this week it is a salsa.It is looking quite rhythmical, he is more
0:20:50 > 0:20:55at home in this dance than he was with the cha-cha-cha because the leg
0:20:55 > 0:20:58action is not as important. It is more about the rhythm in the body
0:20:58 > 0:21:07and all that lovely arms. I thought we would show it back. This is not
0:21:07 > 0:21:13easy. I was thinking about us trying to do this to demonstrate that are
0:21:13 > 0:21:19the first two moves I decided not to!You can't do it!Because I have
0:21:19 > 0:21:26never done the other before.And now is your first time!No! But very
0:21:26 > 0:21:30good and clever armography and if they do that slick it will look
0:21:30 > 0:21:37amazing.And finally Joe and Katya, I loved the spider routine but the
0:21:37 > 0:21:43Charleston for them this week and it could be groovy.I am exhausted just
0:21:43 > 0:21:46watching them loads of effort and energy in all of the moves and that
0:21:46 > 0:21:53is what you want, all of those very light on the feet and matching
0:21:53 > 0:22:04moves.I like that one.Reverse it! But my favourite thing about him is
0:22:04 > 0:22:12facial expressions. If there was ever a dance where you need a lot of
0:22:12 > 0:22:15facial expressions, this is it. He is an actor and he should be able
0:22:15 > 0:22:23to.You don't want to finish on another Debbie impression?No!Ian
0:22:23 > 0:22:25Waite, everyone!
0:22:25 > 0:22:27Now, like the song says, "Here we are now, entertain us".
0:22:27 > 0:22:31And in the spirit of Strictly Halloween they most certainly did.
0:22:31 > 0:22:35It's the im-paso-bly brilliant Aston and Janette!
0:22:38 > 0:22:40Come on, people!
0:22:45 > 0:22:52That was a paso doble that brought the dead back to life.That solo,
0:22:52 > 0:22:59how you beat out the rhythm, it was crisp and exact and you owned it.It
0:22:59 > 0:23:03was amazing!
0:23:12 > 0:23:18It was brilliant, all her work. That was incredible, what a closing to
0:23:18 > 0:23:27the show, just amazing. We were screaming for tens. Did you love it?
0:23:27 > 0:23:31That is an understatement, that is the highlight of my Strictly journey
0:23:31 > 0:23:39so far.You could tell how much you loved it. Darcy said you owned it.
0:23:39 > 0:23:47What was it about the dance that got you?Janette's voice in my air! All
0:23:47 > 0:23:58week! Shaping! Shaping! Hips! Again! You heard Nirvana and I heard
0:23:58 > 0:24:04Janette!Look at her gorgeous phase them you would never think she would
0:24:04 > 0:24:07be like that but it paid off with your highest score of the series.
0:24:07 > 0:24:18Two tens. Did it feel good to join the prestigious club?It felt good,
0:24:18 > 0:24:27I felt like a glass of champagne! Spoil yourself! Shirley said it was
0:24:27 > 0:24:31not traditional enough but she still Daegu nine and I think she loved it
0:24:31 > 0:24:37-- she still gave you.She is tough to crack but she knows what she is
0:24:37 > 0:24:40talking about and she is very knowledgeable so I take everything
0:24:40 > 0:24:45she says on board and fingers crossed, hopefully she will like the
0:24:45 > 0:24:52Viennese waltz more, that is more traditional.We must imagine how
0:24:52 > 0:24:57Bruno compared YouTube Joaquin Cortez. Have you heard of him? --
0:24:57 > 0:25:04compared you to.I had seen the video, she said, this is what you're
0:25:04 > 0:25:11going to be like!Can we just admire this magnificent leap. In slow
0:25:11 > 0:25:27motion.Yes!And the arms and the chest!And the heels!And he had
0:25:27 > 0:25:32Cuban heels, that is so hard. Mail pros sometimes try to avoid them
0:25:32 > 0:25:36because you are literally wearing heels to dance.On Monday you would
0:25:36 > 0:25:42have been laughing!He said, I've got a new-found respect for women!
0:25:42 > 0:25:43YouTube alt-right it.
0:25:44 > 0:25:53It's so good. -- you should all try it. And we have an interesting stat,
0:25:53 > 0:25:57we have added up the scores so far for the top five cup doubles --
0:25:57 > 0:26:02couples. This is how you measure up.
0:26:14 > 0:26:25Who is at the top? CHEERING Go on!That's a bit more pressure!
0:26:25 > 0:26:37It could change easily.You train next to Alexandra and Gorka.We are
0:26:37 > 0:26:45team 45, that is the studio we rehearse in.And know you are all
0:26:45 > 0:26:49great friends, someone is bringing me, I'm sorry! It's my son! I'll
0:26:49 > 0:27:00just turn it off. You train in the studio... Where am I?! I know you
0:27:00 > 0:27:08get on great but when it is that close, do you get a bit...It might
0:27:08 > 0:27:15be now. But honestly, Gorka comes next door and Janette is like, can
0:27:15 > 0:27:21you show him this step.We are supportive of each other and we
0:27:21 > 0:27:24literally rehearse right next to each other so that we are constantly
0:27:24 > 0:27:28going backwards and forwards and we show each other's routines and it's
0:27:28 > 0:27:35really nice.That's lovely, until the final! The Viennese waltz this
0:27:35 > 0:27:43week and you have an amazing record to dance to. It is the Jacksons. You
0:27:43 > 0:27:50love Michael Jackson, don't you? Super fan.How does it feel to dance
0:27:50 > 0:27:56to this?It's an honour obviously but you worry a bit, you had to do
0:27:56 > 0:28:00it justice because this is one of my favourite songs. OK, let's take a
0:28:00 > 0:28:05deep breath and go into this routine as with any other and try to
0:28:05 > 0:28:12concentrate and not get lost. Looking good in the giant lemon de!
0:28:12 > 0:28:21Here's been fighting a really bad cold -- the lemon hoody.I think you
0:28:21 > 0:28:27should wear it on Saturday! And possibly sideburns?Are you growing
0:28:27 > 0:28:31them? I'm going to try!Are you happy with how it has gone in
0:28:31 > 0:28:39training?Very happy, I think it will be a nice routine.Well done,
0:28:39 > 0:28:41Aston and Janette! APPLAUSE
0:28:41 > 0:28:43That's all we have time for tonight.
0:28:43 > 0:28:46Join me again tomorrow at 6.30pm when I'll be chatting to Mollie
0:28:46 > 0:28:48and AJ and Debbie and Giovanni.
0:28:48 > 0:28:51Plus It Takes Two heavyweights Vicky Gill and Ian Waite will be
0:28:51 > 0:28:52here to lend us their expertise.
0:28:52 > 0:28:56Goodnight!
0:29:04 > 0:29:06Today's the day.The final day.