0:00:50 > 0:01:01Live from London, this is Strictly It Takes Two.
0:01:01 > 0:01:03Hello and welcome to It Takes Two!
0:01:03 > 0:01:05Tonight's show is packed full of the greatest Strictly
0:01:05 > 0:01:07news and exclusives one could ever dream of.
0:01:07 > 0:01:09And, to match that, we have quite the cast.
0:01:09 > 0:01:11Lined up on our sofa right now, we have...
0:01:11 > 0:01:14The New Queen of Latin and her loyal servant -
0:01:14 > 0:01:16Debbie and Giovanni!
0:01:22 > 0:01:23Evening!
0:01:23 > 0:01:26Better the devils we know - Mollie and AJ!
0:01:26 > 0:01:28Here to give the week's training footage a good looking
0:01:28 > 0:01:32over, it's Ian Waite!
0:01:32 > 0:01:35Nice shirt!
0:01:35 > 0:01:37And she's only just recovered from Halloween -
0:01:37 > 0:01:39but what are her designs for the weekend ahead?
0:01:39 > 0:01:40It's Vicky Gill!
0:01:40 > 0:01:42Beautiful people.
0:01:42 > 0:01:44But first up, their devilish cha-cha-cha made Hell look
0:01:44 > 0:01:47like a place we'd all love to hang out - but it wasn't enough to keep
0:01:47 > 0:01:49them from a nightmare trip to the dance-off.
0:01:49 > 0:01:51It's Mollie and AJ!
0:02:01 > 0:02:04A devilishly good cha-cha-cha! It is so much fun in hell that I wanted to
0:02:04 > 0:02:11join in.There are some issues. The core needs to be more toned. You
0:02:11 > 0:02:15were wearing shoulders as earrings. You are starting to look more
0:02:15 > 0:02:23comfortable doing this stuff!Hello! You gorgeous twosome. We have never
0:02:23 > 0:02:29seen a pair of devils looking so good. Sorry, Russell Brand!
0:02:30 > 0:02:36You were amazing. How much fun was that?We had so much fun. Literally,
0:02:36 > 0:02:42I could not take the smile off my face. I was trying to go for a sassy
0:02:42 > 0:02:46thing, but I kept breaking into a smile.I'm not surprised, the
0:02:46 > 0:02:53outfit, the crowd, the music, Kylie. Craig said he looked confident and
0:02:53 > 0:02:56comfortable. You have always thought you were not keen on Latin, but has
0:02:56 > 0:03:01that helped?I love Latin, it is just that I have completely fallen
0:03:01 > 0:03:11in love with ballroom. I need to get my confidence up, but it was good to
0:03:11 > 0:03:16hear that from Craig. It is great my confidence is improving. Go on,
0:03:16 > 0:03:18Craig!Social media is going crazy.
0:03:18 > 0:03:21HellomynameisLucy wrote, I wonder if Mollie King has to be
0:03:21 > 0:03:24cut out of that outfit to have a pee?
0:03:24 > 0:03:28Can you shed any light on this?
0:03:28 > 0:03:35Did take an army to let me go to the toilet. Zipped out, so much going
0:03:35 > 0:03:38on, the microphone pack and everything. Quite a few to let me go
0:03:38 > 0:03:45for a quick wee. When you're nervous you always have to go. We are going
0:03:45 > 0:03:52live and I need a wee!You make a great devil, great choreography. A
0:03:52 > 0:03:55lovely touch when you were checking yourself out in the mirror. Did we
0:03:55 > 0:04:00catch you off or was that the currently?Morley caught me off
0:04:00 > 0:04:04guard all week. Any thing reflective, an opportunity to have a
0:04:04 > 0:04:09look.Were you happy with how it looked?Very happy, waistcoat and
0:04:09 > 0:04:14all of that.You were working your tail.
0:04:14 > 0:04:16As the smiliest couple in the competition, how hard was it
0:04:16 > 0:04:20to get into character as those devils?
0:04:20 > 0:04:27You kept saying, Mollie, you need to be more fierce and sassy. I kept
0:04:27 > 0:04:31coming out of my fork, hey!You've got to do it seriously, this is
0:04:31 > 0:04:35going to happen on the live show. She was coming out, all smiles. A
0:04:35 > 0:04:40bit scary, but not really.Then something terrible happened. The
0:04:40 > 0:04:43dance-off. There was an audible gasp shock throughout the audience,
0:04:43 > 0:04:53throughout the country. What happened?We were in the danger
0:04:53 > 0:04:57zone, the middle of the table is always a scary. You never know who
0:04:57 > 0:05:00is safe. When we found out we were in the dance-off, we were both
0:05:00 > 0:05:06gutted. We love it so much. We just don't want it to end.That's the
0:05:06 > 0:05:10thing.You see the red light and you just think, my gosh, this is the end
0:05:10 > 0:05:14of it. We are literally going. I'm not going to learn any more dancing,
0:05:14 > 0:05:18we are not going to be hanging out any more. It's just over. You have
0:05:18 > 0:05:23to really pick yourself up. AJ was there to calm me down. I was going,
0:05:23 > 0:05:29my gosh, we are going.Your little faces! The judges saved you
0:05:29 > 0:05:36unanimously. So good.
0:05:36 > 0:05:41Craig was singing your praises
0:05:41 > 0:05:45Do you feel more confident?Yes, there are so much technique to
0:05:45 > 0:05:50learn. The most important thing is to go out and have fun. We love
0:05:50 > 0:05:54rehearsing together, being in the training room, getting to learn a
0:05:54 > 0:05:57whole new skill every week. I just love that. I hope we can continue
0:05:57 > 0:06:00for as long as possible.We have been looking in your training room
0:06:00 > 0:06:04this week. A character keeps making an appearance.
0:06:10 > 0:06:18I think I told my tension in my hands. My hands look like a
0:06:18 > 0:06:31Tyrannosaurus rex. I seem to dance with Tyrannosaurus rex arms. My
0:06:31 > 0:06:43hands are like claws. Those changes, I was in business.
0:06:44 > 0:06:50It's all the rage.We have worked at what it is, she is so used to
0:06:50 > 0:06:53holding a microphone in hand. It is like shoes go to start singing.
0:06:53 > 0:07:04That's what I told him, anyway. Foxtrot. That was to Connie
0:07:04 > 0:07:11Francis's Call Me Irresponsible. Dreamy. This takes me back. What can
0:07:11 > 0:07:21you reveal about your character? Morley is a Hollywood superstar. She
0:07:21 > 0:07:26is there. I'm her assistant, helping her. I am taking off the code and
0:07:26 > 0:07:32glasses. I save her at the beginning. She falls in love.You
0:07:32 > 0:07:38fall in love with her, or she falls in love with you as to marketShe
0:07:38 > 0:07:41physically falls, and then she falls in love with me.He added that bit
0:07:41 > 0:07:47into the story! Tyre maybe it is a different story in her brain.
0:07:48 > 0:07:53You did say today it could be her best chance ever.I think it is. I
0:07:53 > 0:07:58love the foxtrot.Do you think?This was the beginning of the week.She
0:07:58 > 0:08:10looks amazing there. Are you checking yourself out, AJ?
0:08:10 > 0:08:12Debbie's been crowned the new Queen of Latin -
0:08:12 > 0:08:15are you gunning for Anton's Queen of Ballroom crown now?
0:08:15 > 0:08:21I would love that!Good luck at the weekend, it could be your best bands
0:08:21 > 0:08:24ever. Mollie and AJ!
0:08:26 > 0:08:30Right now, it's time for one man and his wand to boldly go where no
0:08:30 > 0:08:31man has gone before.
0:08:31 > 0:08:32Well, at least since yesterday.
0:08:32 > 0:08:34It's Waite's Warm Up.
0:08:49 > 0:08:51Luck who is here!
0:08:56 > 0:09:01How was your dad's takeaway last night?It was a nonevent, really. We
0:09:01 > 0:09:06had a takeaway and he said he was going for a wash and to go to bed
0:09:06 > 0:09:10early.It was his 70th birthday. You do what you want.
0:09:10 > 0:09:18Where's your wand?
0:09:18 > 0:09:24You can tell Gio is in the house. I'm glad you are wearing flowers.It
0:09:24 > 0:09:27works, we are like a couple.
0:09:27 > 0:09:29Alexandra and Gorka are taking on the dreaded Cha-cha-cha,
0:09:29 > 0:09:34is she going to make it look easy?
0:09:34 > 0:09:40She is doing a pretty good job of a difficult dance. A lot of syncopated
0:09:40 > 0:09:45stuff I have noticed, which is more difficult. It is half the beat of a
0:09:45 > 0:09:50normal beat.That's what it means, people!I'd like to see a bit more
0:09:50 > 0:09:55articulation in the ankles. Just to make the finesse look a little bit
0:09:55 > 0:10:00better. Also, I noticed that there are places where she could settle a
0:10:00 > 0:10:11lot more into the hips. When she is actually settling into it. You make
0:10:11 > 0:10:17the area between your shoulder blade and your hip shorter, squeeze it.I
0:10:17 > 0:10:24don't like squeezing mine.It gives you the earthy look. Sometimes she
0:10:24 > 0:10:28misses that out.We have learned something.
0:10:28 > 0:10:30Aston's Paso wowed the judges on Saturday but can he reach
0:10:30 > 0:10:34the same dizzy heights with this Viennese Waltz?
0:10:34 > 0:10:44He's absolutely brilliant on his own. But sometimes it's a bit like
0:10:44 > 0:10:50me, when I'm on my own... Sometimes he can look a little bit awkward.
0:10:50 > 0:10:55He's not so comfortable. But I must say, his frame has improved a lot. I
0:10:55 > 0:11:01notice here that sometimes he is struggling in the pivot to get
0:11:01 > 0:11:04around her. I think if he was slightly over there a little bit
0:11:04 > 0:11:11more, if he took a slightly bigger step...Around her?He might be able
0:11:11 > 0:11:15to rotate easier.We got that, that's good. I like that little
0:11:15 > 0:11:20sketch.A bigger step.
0:11:20 > 0:11:24Susan took a little knock back last week but can the Mother of Dragons
0:11:24 > 0:11:29set the dancefloor on fire with this Jive?
0:11:29 > 0:11:32She has been working very hard. Think there are a lot of lovely
0:11:32 > 0:11:37basics in the routine. I would like to see a bit more bouncing on the
0:11:37 > 0:11:41feet, because they are very flat. But I like the fact she is
0:11:41 > 0:11:45attempting to lift her knees. The fact she is lifting her knees is
0:11:45 > 0:11:54making it look more like a drive. -- jive. To make it much better, she
0:11:54 > 0:11:57needs to work on the finesse of the finishing off of things. Finishing
0:11:57 > 0:12:05off the feet, finishing off the arms. You know, the pointing, the
0:12:05 > 0:12:10bouncing and rotation in the back. It is all a bit square and not
0:12:10 > 0:12:17pointed, and not finessed. We could see some more points.Good girl.
0:12:17 > 0:12:25Ruth and Anton are dancing a Paso.
0:12:25 > 0:12:29The judges are loving the improvement, how about you?I love
0:12:29 > 0:12:35these two. I feel sorry for Ruth, she had a hard time. On Twitter I
0:12:35 > 0:12:41saw she was having a bit of a meltdown. Just enjoy yourself! Enjoy
0:12:41 > 0:12:49the show!There is a lot of love here.I did notice that she has
0:12:49 > 0:12:53cheered up. At the end of the day, look at and on's face, that will
0:12:53 > 0:12:56make you laugh!
0:12:56 > 0:13:03I just think enjoy yourself, don't take it too seriously. I know it is
0:13:03 > 0:13:08difficult, because everybody saying you to improve this and that.She is
0:13:08 > 0:13:14a joy to watch.
0:13:14 > 0:13:16Davood and Nadiya.
0:13:16 > 0:13:21Is their American Smooth looking smooth enough for you?
0:13:21 > 0:13:27Gorgeous foxtrot. At times, he loses contact with Nadiya, because he
0:13:27 > 0:13:32stops driving. He starts to drive and then he backs off. Literally,
0:13:32 > 0:13:35they lose contact.You talk about driving a lot in foxtrot, you've got
0:13:35 > 0:13:43to move across the floor?Keep driving!If you notice here, when he
0:13:43 > 0:13:52is stepping outside of her, he kind of loses contact. That is because he
0:13:52 > 0:13:56has no CBMP. When I go outside you, instead of being straight, like
0:13:56 > 0:13:59that, you've got to turn your body to your partner, when you step
0:13:59 > 0:14:05outside.You keep contacts, you see what I mean? Then we won't lose
0:14:05 > 0:14:15contact. CBMP it means Contra body movement.You are divine. Please
0:14:15 > 0:14:21come back again soon. Ian Waite!
0:14:21 > 0:14:24Keeping up with the latest Strictly fashion trends can be tough.
0:14:24 > 0:14:26Luckily, we've got a gal who knows all about
0:14:26 > 0:14:27the weekend's must-see looks.
0:14:27 > 0:14:33This is not a Stitch-Up - it's Puttin' on the Glitz!
0:14:39 > 0:14:43JAZZY MUSIC
0:14:45 > 0:14:47APPLAUSE
0:14:47 > 0:14:55Give it up for Vicky Gill, everyone!
0:14:55 > 0:14:56Great Halloween.
0:14:56 > 0:14:57The cast looked hideous.
0:14:57 > 0:15:02I mean that in a nice way.
0:15:02 > 0:15:06Let's talk about Debbie's charleston outfit because she had a quick
0:15:06 > 0:15:14change. How much planning and how worrying is it best to mark quick
0:15:14 > 0:15:20change is always a worry, we did one live and you could see it.It is
0:15:20 > 0:15:24nerve-racking, it is live. I like it when people go behind and then make
0:15:24 > 0:15:29the entrance. It's quite nice that she was revealed in blue, not that
0:15:29 > 0:15:35anybody knew it was coming!No one had any idea!The same system
0:15:35 > 0:15:39applies with a quick change, it's all about timing and I think that
0:15:39 > 0:15:44the performer are just going to get it off.Debbie did it very well. We
0:15:44 > 0:15:50are going to look at some sketches, Alexandra is doing the cha-cha-cha.
0:15:50 > 0:15:57There is a theme that she's being a jazz singer.Yes, a slinky longer
0:15:57 > 0:16:01line for Alexander. She's had a short and sassy numbers so far. She
0:16:01 > 0:16:05looks brilliant in anything really bad with the cha-cha-cha it is nice
0:16:05 > 0:16:10to have a gentle swish rather than something bouncy for the samba and
0:16:10 > 0:16:16salsa. We may take it short on the side because her legs are great and
0:16:16 > 0:16:22we want to get them out.Gorgeous. Oti's dress, she and Jonnie are
0:16:22 > 0:16:28doing the salsa. She's gone short, ooh! Is by natural wee action.Oti,
0:16:28 > 0:16:37this week I feel I need to see more of their choreography --that is my
0:16:37 > 0:16:44natural reaction.Oti is Bobby looking and saying, I sent a note to
0:16:44 > 0:16:50get trousers, and she might!She is good like that.But her legs are
0:16:50 > 0:16:53fantastic and we are going to hopefully end up in some slightly
0:16:53 > 0:17:01swinging black shorts, and the top are going to be like mess with
0:17:01 > 0:17:07stones -- are going to be black mesh. That said, we may get
0:17:07 > 0:17:13tomorrow...She may have bell bottoms! We are going to look at
0:17:13 > 0:17:22Ruth, her Paso dress, look at this. They are dancing to the Shady Lady
0:17:22 > 0:17:27From Seville. What can you tell me about this?It is a simple dress,
0:17:27 > 0:17:32the viewers know that we need a lot of volume and flair for the Paso
0:17:32 > 0:17:37Doble and if she wants to, she can lift it all the way up. Hopefully
0:17:37 > 0:17:43she'll have a nice short Basque underneath. These frills may become
0:17:43 > 0:17:49bigger.Are they going to be as big as Anton's?Hopefully not too much.
0:17:49 > 0:18:00Very pretty lady, Ruth. I like the embellishments down the centre.
0:18:00 > 0:18:06There are ss12 stones here, the smallest ones we go to.You can
0:18:06 > 0:18:10hardly see them and someone has to stick them on.We'll have to see
0:18:10 > 0:18:15with Anton, he's been quite reserved this year.He tends to go
0:18:15 > 0:18:19understated for the bigger numbers. I can't wait! He'll never get better
0:18:19 > 0:18:27than the pink trousers. And our two soldiers, Joe and Cathy are doing
0:18:27 > 0:18:40the charleston.The man needs his trousers -- Joe and Katya. We need
0:18:40 > 0:18:43to be careful with the trouser and when we have the male and female in
0:18:43 > 0:18:48the same style, the body shapes are different. Joe is going to have a
0:18:48 > 0:18:54lot of fun with this. It stretches. He can do his wafting bits.And the
0:18:54 > 0:19:01pant on the bottom of the men's shirt.Oh yes, their pants! That's a
0:19:01 > 0:19:08lovely onesie! Will his trousers be white?Yes, looking forward to this.
0:19:08 > 0:19:12This is our first man mannequin on the show.
0:19:12 > 0:19:15APPLAUSE Exciting moment. Debbie, you are a
0:19:15 > 0:19:24wonder. I just called you Debbie! Vicky, you are a wonder.
0:19:24 > 0:19:26Right, back to the training rooms now where Davood,
0:19:26 > 0:19:28Gemma and Susan are putting the finishing touches
0:19:28 > 0:19:33on the weekend's masterpieces.
0:19:33 > 0:19:41So sorry!American Smooth is a really nice, elegant dance and
0:19:41 > 0:19:44movement should be like gliding on the floor.It's quite complex
0:19:44 > 0:19:50choreography. It's like you're walking together but there's so much
0:19:50 > 0:19:54going on. It's listening to music at the same time and if you don't do
0:19:54 > 0:19:57that, you step on her feet and I've done that on more than one occasion.
0:19:57 > 0:20:04Ouch!Then I've got to concentrate on the other aspect, the hold and
0:20:04 > 0:20:07the frame and making sure it looks like a strong performance. You've
0:20:07 > 0:20:13got to really know what you're doing.We are hopefully going to see
0:20:13 > 0:20:19Gemma doing the salsa.It's weird because the footwork is fast but the
0:20:19 > 0:20:25upper body is very smooth and loose. No dance comes naturally to me at
0:20:25 > 0:20:30all.One, two, three, don't worry! The thing I'm struggling with is my
0:20:30 > 0:20:36timing. It is difficult to try and swing your hips when you don't have
0:20:36 > 0:20:41a lot of hips.The smoother the step, the bigger the hip.But I'm
0:20:41 > 0:20:49going to find them by Saturday! I'm doing it!The Jive is a fast dance
0:20:49 > 0:20:53but I know it's very technical as well.Try and jilt this but as you
0:20:53 > 0:20:58do it. The challenge is picking up the knees and giving it bouncy and
0:20:58 > 0:21:01energetic but also tight and under control.Dancing is really
0:21:01 > 0:21:11difficult! Despite having... I can't step forward on the correct foot.
0:21:11 > 0:21:16You're going to land on the back one.Looking forward to it. Looks
0:21:16 > 0:21:21like a lot of fun, I think.Yeah!
0:21:21 > 0:21:28Now, my final guest of the night took a big risk by resurrecting her
0:21:28 > 0:21:30long lost love Gio-stein for a cheeky Charlie-ston.
0:21:30 > 0:21:31Luckily, they did not disappoint.
0:21:31 > 0:21:38It's the latest recruits to the Ten Club, Debbie and Giovanni!
0:21:45 > 0:21:50Precise, absolutely incredible.How you produce those crazy lifts, you
0:21:50 > 0:21:56are fearless.I'm going to give you my queen of Latin crown because you
0:21:56 > 0:21:59deserve it! APPLAUSE
0:21:59 > 0:22:05Debbie and Giovanni, everyone!
0:22:05 > 0:22:07Welcome to the Ten Club.
0:22:07 > 0:22:13You had not one but three of them.
0:22:13 > 0:22:18The best scoring Charlie-ston of the series. Debbie, what do you make of
0:22:18 > 0:22:23that?We haven't come down yet, we are still in the clouds. Having a
0:22:23 > 0:22:27fantastic week since then.They are both in a very naughty mood, they
0:22:27 > 0:22:38keep giggling! Not only that, but... She's gone! You had a coronation as
0:22:38 > 0:22:44well. Look at her face, that's amazing! You were crowned by
0:22:44 > 0:22:51Shirley... Wu yes, I think she's really happy--, yes, I think she's
0:22:51 > 0:22:58really happy.She's very happy! Something in the water! I've got to
0:22:58 > 0:23:02say, your final lift, not only did she give you the crown but the final
0:23:02 > 0:23:10left almost broke Bruno. Look at his face and look at Darcey. Up you go.
0:23:10 > 0:23:18His face! He's absolutely dumbstruck.Darcey looked like she'd
0:23:18 > 0:23:25seen a ghost.I guess it was Halloween. You didn't make it easy
0:23:25 > 0:23:33for Her Majesty, did you?Absolutely not, a guy who did the choreography,
0:23:33 > 0:23:38brilliant, we worked together as a team. We got good stores and I was
0:23:38 > 0:23:44proud of her as well.Yes, a hard week.Bos lifts, if anything had
0:23:44 > 0:23:49gone wrong, it could have been awful.Yes, a disaster.Was it
0:23:49 > 0:23:53scary?It was Halloween week, it was meant to be scary, that's the
0:23:53 > 0:24:06reason. A lift every week, it's difficult because we have to do is
0:24:06 > 0:24:13push ourselves 100%. What's wrong with you? We did it and its fine.I
0:24:13 > 0:24:17will say, in all fairness, I'm sorry I have the giggles, but we have
0:24:17 > 0:24:22giggled all week. We've been with the soldiers are selling poppies at
0:24:22 > 0:24:27King's Cross Stadium, which was really exciting and fun. Back to the
0:24:27 > 0:24:30Charlie-ston, in the rehearsal room, Giovanni didn't drop me once and we
0:24:30 > 0:24:35did it so many times. Not once did he drop me. So I wasn't scared
0:24:35 > 0:24:42because I knew whatever happened... Total confidence. You had those
0:24:42 > 0:24:46lifts, you had acting, a quick costume change. How easy is it to
0:24:46 > 0:24:52rehearse this because it is so speedy?I couldn't do it twice
0:24:52 > 0:24:55back-to-back and in the end, Giovanni worked out that I needed
0:24:55 > 0:25:01four minutes in between to get my breath back.Yes, it was difficult
0:25:01 > 0:25:06for the stamina, it was very fast. You did it correctly on the night. I
0:25:06 > 0:25:15said to her before we went out, just do the best you can and she did the
0:25:15 > 0:25:22last lift.It was awesome. Not to be outdone, you were in green,
0:25:22 > 0:25:26Giovanni. It's not easy being Green! Is this your favourite Halloween
0:25:26 > 0:25:37outfit?I think it looks more like the Incredible Hulk.The incredible
0:25:37 > 0:25:48"ulk"!The Incredible Hulk!You got 39 for your charleston with Georgia
0:25:48 > 0:25:55and if we went back, she got to the final, so...There is no connection.
0:25:55 > 0:26:01Nothing about this. Every week is a different stance. What we want to
0:26:01 > 0:26:05do, impressed the judges every week. We did with the charleston, so it's
0:26:05 > 0:26:19good.The ulk and the Charlie-ston. It is the Black Eyed Peas this week.
0:26:19 > 0:26:24All eyes are going to be an new two after your incredible scores.
0:26:24 > 0:26:28Giovanni, have you thrown anything in?I have phone in everything, I
0:26:28 > 0:26:32want to do a completely different stance, a lot of technique, you
0:26:32 > 0:26:40know, tango steps. We are back in ballroom. We will look at position
0:26:40 > 0:26:45and focus on technique.In the training room we been paying close
0:26:45 > 0:26:55attention, Giovanni seems to have developed his own dance language.We
0:26:55 > 0:26:57do the GROWL and the GROWL.
0:27:07 > 0:27:17Yeah, so HE GROWLS. What are you doing?Nothing.You see where this
0:27:17 > 0:27:23is coming from? Do you know what he means by that?Actually we changed
0:27:23 > 0:27:34that bit.We aren't doing that SHE GROWLS any more.Ian and I tried one
0:27:34 > 0:27:39of your moves yesterday and it was a disaster. How do you keep coming up
0:27:39 > 0:27:42with these incredible ways of displaying Debbie's talent?We know
0:27:42 > 0:27:48she has talent soap every I want to put in something that really shows
0:27:48 > 0:27:51the talent and so far it's gone really well so fingers crossed for
0:27:51 > 0:27:56Saturday again. It's really tricky. You try to do it yesterday and it's
0:27:56 > 0:28:01difficult.Really difficult.The weight is on my right arm, she must
0:28:01 > 0:28:09kick and maintain possession. She is great.She is good.She is.There is
0:28:09 > 0:28:14no rise and fall in the tango, what are we looking for?Sharp, staccato,
0:28:14 > 0:28:25heal action and perform.And no growling!Ooh!I'm going to give you
0:28:25 > 0:28:34my crown of It Takes Two, Debbie. APPLAUSE
0:28:34 > 0:28:37Good luck with your tango.
0:28:37 > 0:28:40That's all we've got time for, a huge thank you to all my guests.
0:28:40 > 0:28:42Don't forget to tune in tomorrow night at
0:28:42 > 0:28:44the earlier time of 6 o'clock.
0:28:44 > 0:28:46I'll be chatting to Alexandra and Gorka, Susan amd Kevin
0:28:46 > 0:28:48and Gemma and Aljaz.
0:28:48 > 0:28:50Plus joining me on the Friday panel will be Lisa Riley,
0:28:50 > 0:28:52Tom Allen and Martine McCutcheon.
0:28:52 > 0:28:53See you then.
0:28:53 > 0:28:56Goodnight!