0:00:54 > 0:01:01From London, this is Strictly, It Takes Two. Please welcome your host,
0:01:01 > 0:01:03Zoe Ball.
0:01:03 > 0:01:05Hello and welcome to It Takes Two!
0:01:05 > 0:01:08We may be past the halfway point of the competition, but that doesn't
0:01:08 > 0:01:10mean we're showing any signs of slowing down over here.
0:01:10 > 0:01:12Oh, no.
0:01:12 > 0:01:22Tonight, the It Takes Two jukebox will be providing top quality Music.
0:01:22 > 0:01:23Strictly's Director of Choreography, Jason Gilkison,
0:01:23 > 0:01:25will be teaching us the perfect paso doble.
0:01:25 > 0:01:27And here to provide some high calibre conversation
0:01:27 > 0:01:28are this beautiful lot.
0:01:28 > 0:01:30Survivors of the most dramatic Dance-Off of the series -
0:01:30 > 0:01:33it's Mollie and AJ!
0:01:33 > 0:01:35Like Craig, they make us weak at the knees -
0:01:35 > 0:01:45it's Debbie and Giovanni!
0:01:47 > 0:01:50choreography police?
0:01:50 > 0:01:52Because Strictly champ Joanne Clifton is back
0:01:52 > 0:01:53and taking no prisoners.
0:01:53 > 0:02:02It's time for Choreography Corner.
0:02:02 > 0:02:07Joanne Clifton, everybody!
0:02:07 > 0:02:11Don't you look gorgeous in pinstripes. Shall we continue what
0:02:11 > 0:02:20we started on snond let's start with Alexandra and Gorka's cha-cha-cha,
0:02:20 > 0:02:23judges full of praise, Shirley saying she looked like a
0:02:23 > 0:02:28professional and Craig praising her turnout. Did it turn out to be a
0:02:28 > 0:02:31goody for you?What I love to her, she comes out and performs
0:02:31 > 0:02:34everything. So much so that sometimes the technique suffers. But
0:02:34 > 0:02:39that wasn't the case. She has actually worked on the technique,
0:02:39 > 0:02:43finally got that turn you. Let's talk about turnout. In ballet, it is
0:02:43 > 0:02:47basically you turn out from the hip, I'm not sure because I'm not a
0:02:47 > 0:02:52ballet dancer. You turn your sides out and knees out. They turn out.
0:02:52 > 0:02:56Latin is different because you have to keep your knees facing forward,
0:02:56 > 0:03:01it is only the knees that have to turn out. Demo time...Exciting
0:03:01 > 0:03:07stuff.So ballet would be all out, I'm not a ballet dancer, I'm sorry
0:03:07 > 0:03:12about, that but if you did a rumba walk or cha-cha walk, the knees
0:03:12 > 0:03:15would go out. It would look like that. We have to keep your knees
0:03:15 > 0:03:19forward and feet turned out slightly. About an eighth of a turn.
0:03:19 > 0:03:24When we take a step, we run thighs, knee, calf, ankle, heel and then
0:03:24 > 0:03:29take the other step and our feet are turned out. If you have fishnet
0:03:29 > 0:03:37tights on...As I sometimes do.You should be able to hear them, as your
0:03:37 > 0:03:41legs pass. Also, the professional dancers if you look at Latin shoes,
0:03:41 > 0:03:47a lot have worn away this area here of the heel from the amount of
0:03:47 > 0:03:53rubbing they have done with the heels, when they're turned out.Now
0:03:53 > 0:03:57Ruth and Anton and their unforgettable paso doble. Craig
0:03:57 > 0:04:01described this pair's routine as a battle between entertainment and
0:04:01 > 0:04:06technique. Ruth's technique, did it win out in the end?I mean, this
0:04:06 > 0:04:12dance, it was amazing. I loved it. I think the whole nation loved it. It
0:04:12 > 0:04:19was a very different take on paso doble. Anton choreographed it
0:04:19 > 0:04:22purposefully, comedic, and it was funny, it was in the right way.
0:04:22 > 0:04:26Thing about Ruth, she was really in it the whole time. The little looks
0:04:26 > 0:04:29she gave and little shoulder wiggles, all part of the
0:04:29 > 0:04:34performance, it was amazing. Yes she could've had more shaping, more body
0:04:34 > 0:04:38shape, and body arch and stuff and hips forward and things like that
0:04:38 > 0:04:47but you know what, it worked. So, the ending as well...Everyone will
0:04:47 > 0:04:53be doing that from now on. Jonnie and Oti and Bruno was impressed with
0:04:53 > 0:04:57Jonnie's be ability to pulse with his upper body, did that impress
0:04:57 > 0:05:01you, too?I think Jonnie is coming out of his shell quite a will the
0:05:01 > 0:05:06now, as we are progressing down the line of the show. He definitely did
0:05:06 > 0:05:09move his upper body. He was moving it to the beat of the music which
0:05:09 > 0:05:14was great. He needs more in his hip. He could do those exercises, like he
0:05:14 > 0:05:20did yesterday for Gemma. I did it with the upper body, he can do the
0:05:20 > 0:05:25same keeping his upper body and figure of eight. . What I'm
0:05:25 > 0:05:29concerned is his hands. There's in energy in the fingers, if you give a
0:05:29 > 0:05:32hand gesture like point be, if you are pointing at something oven
0:05:32 > 0:05:35there, you can feel t you don't g it's over there or a um this is up,
0:05:35 > 0:05:41you don't go like, that you have energy to the fingertips. To
0:05:41 > 0:05:43practise, he could hold something disgusting like a boiled sweet with
0:05:43 > 0:05:48a hair on it, something like that. So the other fingers stay away from
0:05:48 > 0:05:55it and practise bits of the routine with each finger doing that. So they
0:05:55 > 0:06:06get used to having energy.
0:06:11 > 0:06:17And the American smooth for Darvood. That looked terrific, that liftYes
0:06:17 > 0:06:22the amount of trust you have to have and to make it look as graceful a
0:06:22 > 0:06:26inseamless as it was, like one hand. One handHe must be so strong. This
0:06:26 > 0:06:30was my favourite dance for them. I think he is the celebrity that has
0:06:30 > 0:06:37improved the most from last week to this.Good boy. Iain and I will try
0:06:37 > 0:06:42to recreate that tomorrow night. Just kidding. Susan and Kevin's
0:06:42 > 0:06:46jive, Craig said the timing and synchronicity between them was
0:06:46 > 0:06:51amazing, how difficult is that to pull off?In a dance such as drive,
0:06:51 > 0:06:55so fast and lots of kicks and flicks and side by side, so it is obvious,
0:06:55 > 0:07:01if you are doing things side by side, if someone is tired or slow
0:07:01 > 0:07:07you see it. But side by side they were great. What I needed from Susan
0:07:07 > 0:07:14- her personality was wonderful, joyous to watch. She goes for it. I
0:07:14 > 0:07:19would've liked to have seen her a bit lighter, not so much in the
0:07:19 > 0:07:24kicks and flicks but on the sashay and the basics. Demo time. To make
0:07:24 > 0:07:29it lighter, more of a retraction in the knees. In the kicks and flicks,
0:07:29 > 0:07:35she was quite good, lifting her knees, but the sashay,
0:07:35 > 0:07:38side-close-side, you can't do it on every step. You have to imagine you
0:07:38 > 0:07:44have a football and your knee in a football. You have to go knee, side
0:07:44 > 0:07:51close side, and one, da, da.And full speed now, Jo.
0:07:53 > 0:07:59Oh, Jo, it is such a treat to have you back, we love and adore you. Jo
0:07:59 > 0:08:02Clifton.
0:08:02 > 0:08:05My next guests made movie magic with a foxtrot set in a film studio.
0:08:05 > 0:08:08But despite finding love on the Strictly dance floor,
0:08:08 > 0:08:10they also found themselves in the Dance-Off.
0:08:10 > 0:08:18It's Mollie and AJ!
0:08:18 > 0:08:24Oh my darling, you did so well. There was an incident on a turn...
0:08:24 > 0:08:27But it was also impressive you picked it up again. Definitely going
0:08:27 > 0:08:31in the right direction.I thought it was classy. I thought it was stylish
0:08:31 > 0:08:35and I thought it was elegant, well done.
0:08:39 > 0:08:47Moly and AJ everybody. What, what a weekend, I felt for you to be in the
0:08:47 > 0:08:51dance-off and it was so emotional. You were quite upset by it.I was, I
0:08:51 > 0:08:56was. It felt like a real lose, lose situation because to be in the
0:08:56 > 0:08:59dance-off with Aston, you know, he shouldn't have been in the dance-off
0:08:59 > 0:09:04and to be there, you know I've known Aston for nearly 10 years, I
0:09:04 > 0:09:07obviously didn't want to go home and I also didn't want him to go home.
0:09:07 > 0:09:11So it was a really emotional weekend. So I think you have to, you
0:09:11 > 0:09:17have to try and pick yourself up and that's what AJ is amazing at. He is
0:09:17 > 0:09:21like - come on, we have to keep going and be positive and just keep
0:09:21 > 0:09:23dancing, as they say.Keep dancing...
0:09:23 > 0:09:29I know. We will discuss more about the dance-off but your foxtrot was
0:09:29 > 0:09:32worthy of an Oscar, you looked like Grace Kellie out on the floor. You
0:09:32 > 0:09:38looked so beautiful. Was it a fun dance to do?It was the best dance.
0:09:38 > 0:09:41My most favourite dance we've done. I felt like my grandparents out
0:09:41 > 0:09:48there doing the foxtrot. It felt really old school, romantic.It was
0:09:48 > 0:09:52a gorgeous danceWe loved every minute out there. Even though I
0:09:52 > 0:09:55tripped him up.It was fantastic before and after. It had a little
0:09:55 > 0:10:00mistake. It happened to the best of us. The main thing was, you picked
0:10:00 > 0:10:05up and continued like it never happened.That's what the judges
0:10:05 > 0:10:08praised you on, to recover from something like that was brilliantly
0:10:08 > 0:10:15done. There you go. A tiny little trip. Back into position.Back in
0:10:15 > 0:10:20there.Good work.Oh dear.You know what do you do in a moment like
0:10:20 > 0:10:26that? 'Twas a demonstration of rip and grip there?It just shows, we
0:10:26 > 0:10:31train 12 hours a day we are always doing it and when mistakes happen we
0:10:31 > 0:10:36be it, we make sure we continue for scenarios like this. You can't say
0:10:36 > 0:10:41on a live show - stop the music, we'll do it again. You were in a
0:10:41 > 0:10:43good position for hold yourself together. You had a strong core
0:10:43 > 0:10:47which we have been working on.We have been working on the core.She
0:10:47 > 0:10:51showed it, the strong core meant she could stay in position, keep smiling
0:10:51 > 0:10:56and continue.Always smiling. So good. How does it feel to go into
0:10:56 > 0:11:00the dance-off the second week in a row? That's tough to take, isn't it?
0:11:00 > 0:11:04It is heartbreaking, to be honest because we are loving our journey
0:11:04 > 0:11:08and I'm loving learning how to dance and learning a new skill each week.
0:11:08 > 0:11:12And when that red light goes on you, you just think - right, this is the
0:11:12 > 0:11:18end of our journey, you can't help but think that. So, it's, yeah, you
0:11:18 > 0:11:22are really sad. Just loving the journey, I'm like - please, no, not
0:11:22 > 0:11:28the red light.Not this week. If you are feeling disappointed, week 7 is
0:11:28 > 0:11:32notorious for a shock dance-off. In the last three weeks alone these
0:11:32 > 0:11:37celebs have been in the position you are now. Caroline Flack and Pasha,
0:11:37 > 0:11:43week 7. Went on, though, to lift the glitterball, let's remind ourselves.
0:11:43 > 0:11:47Kellie Bright and Kevin week 7. Got to the final. And received two
0:11:47 > 0:11:51perfect scores. So another great example and then Ore and Jo an, week
0:11:51 > 0:11:587 last year and they went on to win. Wow. I hope that brings you some
0:11:58 > 0:12:03comfort.I love those facts. Sniek use that positive energy all week.
0:12:03 > 0:12:07Positivity, positivity. You were saved by Craig and Shirley. I know
0:12:07 > 0:12:11you are really grateful for that and I guess you want to go on and show
0:12:11 > 0:12:16them it was the right decision. Totally. More than everything, we
0:12:16 > 0:12:21want to go on and show how grateful we are they put us through. We want
0:12:21 > 0:12:24more than anything to get to Blackpool. It's taken over our
0:12:24 > 0:12:28lives. You can't switch off. Even if I'm standing in the queue somewhere
0:12:28 > 0:12:32I'm thinking - are my feet at ten to two, how is my posture? We want to
0:12:32 > 0:12:38stay in as long as we can.Do you know what, that never really leaves
0:12:38 > 0:12:49you, I still do occasionally now still break into a samba. It was
0:12:49 > 0:12:54your birthday. Happy birthday to AJ. Did you have a lovely time.I ate
0:12:54 > 0:13:00too much cake on Saturday. And more cake on the Sunday. A relaxed day.
0:13:00 > 0:13:04Cake, more cake, choreograph, and get ready for my favourite dance,
0:13:04 > 0:13:12the paso doble this week. I love it. ! And the paso doble to Derek and
0:13:12 > 0:13:18the Dominos, people, come on!Sounds so good. What can you reveal about
0:13:18 > 0:13:21this little cheeky number at this stageIt is going to be a good one.
0:13:21 > 0:13:26Black and gold we will be in. It is going to be strong, authentic
0:13:26 > 0:13:32colours. ! Yes. She's going to be spotlighted.I hope that doesn't
0:13:32 > 0:13:35happen on the night.A couple of days franing and this is what
0:13:35 > 0:13:39happens. I think I should get back into the studio now.You have to be
0:13:39 > 0:13:46fierce, haven't you?Ye, I think I need to bring out, Tallulah Tango.
0:13:46 > 0:13:50She needs to come back out and more. Is she angrier.This week we are
0:13:50 > 0:13:54focussed. We know what we want to do. Get to Blackpool. We are here,
0:13:54 > 0:13:59we mean business and we're going to show you.Brilliant. I'm really
0:13:59 > 0:14:05excited about this. And obviously Ruth and Anton demonstrating how
0:14:05 > 0:14:09pasos should be last weekend.That's a for sure.The best dance
0:14:09 > 0:14:14literally.I don't know if we can top that ending.Can you give me
0:14:14 > 0:14:22your best - ole.Ole.I love that. Good.AJ how old were you?I'm 23
0:14:22 > 0:14:30now.I could be his grandmother! Good luck. We adore the two of you.
0:14:30 > 0:14:35Moly and AJ.
0:14:35 > 0:14:37Up next, a dance master class that you two might
0:14:37 > 0:14:39want to pay close attention to.
0:14:39 > 0:14:41You've seen Ruth and Anton's interpretation at the weekend -
0:14:41 > 0:14:44but what does the perfect paso doble look like according
0:14:44 > 0:14:49to Jason Gilkison?
0:14:55 > 0:14:58The most dramatic of all the ballroom and Latin American dances
0:14:58 > 0:15:04has got to be the paso doble. It takes place in the bullring. The man
0:15:04 > 0:15:10plays the part of the matador and the lady is his cape. Generally in
0:15:10 > 0:15:15competition dancing the competitors don't use a cape. On strictly we
0:15:15 > 0:15:20have a physical cape which adds to the atmosphere. Although the dance
0:15:20 > 0:15:23has its origins in southern Spain, the original couple dance came from
0:15:23 > 0:15:29France. Once you have said the character of this particular dance,
0:15:29 > 0:15:37the first thing you will learn is the Apel. This is a strong stamp and
0:15:37 > 0:15:41indicates to the lady, this is where I am going. Of the man and the woman
0:15:41 > 0:15:46have to have a really strong posture with the centre being right between
0:15:46 > 0:15:53the rib cage. A truly important the hips are moved forward Andy Legg
0:15:53 > 0:15:58goes right up two underneath the armpit. -- and the leg. You have to
0:15:58 > 0:16:01imagine if the bull was charging towards you, you would move your
0:16:01 > 0:16:05hips out of the way to avoid getting stabbed. One of the most popular
0:16:05 > 0:16:13steps is a wheat, French for eight. Eight steps to move the lady from
0:16:13 > 0:16:17the right to the left. The man stands on one particular Place,
0:16:17 > 0:16:22brings his feet together and keeps stabbing on the spot while he is
0:16:22 > 0:16:27shaping his partner from left to right. The female is actually
0:16:27 > 0:16:30continuing her body in one direction until the man changes to the other
0:16:30 > 0:16:36direction. Another movement very similar, but turning from left to
0:16:36 > 0:16:45right, is a chassis cape. It starts with one, two, three, chassis cape,
0:16:45 > 0:16:50move the leg to the other side. Move back in front of you. Something else
0:16:50 > 0:16:55that is also very distinctive in the paso doble is the use of arms and
0:16:55 > 0:16:59legs. The arms are kept in place. The arm stays in frame the whole
0:16:59 > 0:17:07time. With circular actions on the hand, it rotates left and right. In
0:17:07 > 0:17:13this particular dance you don't want to break your focus.
0:17:13 > 0:17:24This is a dance to the death.
0:17:27 > 0:17:31The guy has to say -- stay really strong and controlled the whole
0:17:31 > 0:17:37time, while the lady has just a fluid and focused on the man so she
0:17:37 > 0:17:43can depict the cape.
0:17:50 > 0:17:54In the paso doble, you have an actual narrative you have to thread
0:17:54 > 0:17:57through the whole time while staying focused, stained dramatic and
0:17:57 > 0:18:01staying arrogant. If the bull doesn't get you, Craig
0:18:01 > 0:18:03well.
0:18:06 > 0:18:10-- Craig will. That is how it is done.
0:18:10 > 0:18:12A big thanks to Jason, Pasha and Chloe.
0:18:12 > 0:18:15Next up, what do Barry Manilow, Tina Turner and Sir Tom
0:18:15 > 0:18:16Jones have in common?
0:18:16 > 0:18:18They have all shot to fame after being featured
0:18:18 > 0:18:21on my next segment - but who will get their
0:18:21 > 0:18:22big break this week?
0:18:22 > 0:18:27There's only one way to find out - it's Tunes On Tuesday!
0:18:32 > 0:18:37This weekend's playlist promises to be full of some absolute tunes.
0:18:37 > 0:18:39So shall we see what's up first?
0:18:39 > 0:18:42Here goes.
0:18:42 > 0:18:44It's 'Firework' by Katy Perry.
0:18:44 > 0:18:47What a banger!
0:18:47 > 0:18:51The music video famously features fireworks shooting
0:18:51 > 0:18:54out of Katy's bosom - please don't try this at home.
0:18:54 > 0:18:57But did you know the singer, who once kissed a girl and quite
0:18:57 > 0:18:59liked it, is actually the daughter of two pastors?
0:18:59 > 0:19:00Now you do.
0:19:00 > 0:19:02So who will be hoping for belated fireworks
0:19:02 > 0:19:08at the weekend with this number?
0:19:08 > 0:19:13Here we go.
0:19:13 > 0:19:17It's Susan and Kevin - they'll be dancing a tango.
0:19:17 > 0:19:21Right, what's next on the jukebox, baby?
0:19:21 > 0:19:23This is 'You Don't Have To Say You Love Me',
0:19:23 > 0:19:28made famous by the legendary Dusty Springfield.
0:19:28 > 0:19:30But did you know it was originally an Italian song
0:19:30 > 0:19:39composed by Pino Donaggio?
0:19:39 > 0:19:41What is that you are doing?!
0:19:41 > 0:19:43While you're here, what was the original called Giovanni?
0:19:43 > 0:19:45Io che non vivo (senza te).
0:19:45 > 0:19:46Which actually means?
0:19:46 > 0:19:48I, who can't live without you.
0:19:48 > 0:19:52Very sweet of you to say.
0:19:52 > 0:19:57Anyway, Dusty made it her mission to record an English version,
0:19:57 > 0:20:03and it's since been covered by everyone
0:20:03 > 0:20:07from Elvis Presley to Loose Woman Denise Welch.
0:20:07 > 0:20:09We looked like Sisters!
0:20:13 > 0:20:17I love it when you do that. I don't know what it is.
0:20:17 > 0:20:18But who will be hoping for an international smash with this?
0:20:22 > 0:20:30It's Gemma and Aljaz, and they'll be dancing a Viennese waltz.
0:20:30 > 0:20:31Absolute lunatic.
0:20:31 > 0:20:37We've just got time for one more song.
0:20:37 > 0:20:41Yes, one of our couples will be doing the Lambeth Walk
0:20:41 > 0:20:42on Saturday night!
0:20:42 > 0:20:43Oi!
0:20:43 > 0:20:48This song is from the 1937 West End musical, 'Me and My Girl'.
0:20:48 > 0:20:51Based on a cockney strut, it swept the nation,
0:20:51 > 0:20:54with even King George VI and Queen Elizabeth attending
0:20:54 > 0:21:02a performance and joining the audience in a singalong.
0:21:02 > 0:21:06Is this the actual... ? I've no idea.
0:21:06 > 0:21:10But who will be taking the Lambeth walk all the way
0:21:10 > 0:21:11to the Strictly dance floor?
0:21:11 > 0:21:13Let's find out...
0:21:13 > 0:21:16It's Davood and Nadiya!
0:21:16 > 0:21:17They'll be dancing a Charleston to this.
0:21:17 > 0:21:20Sounds like a right East End knees up!
0:21:20 > 0:21:25To find out the rest of the songs, head to the Strictly website.
0:21:25 > 0:21:28Time now for my final guests of the night.
0:21:36 > 0:21:39I have got a feeling they are going to be in high spirits, it is Debbie
0:21:39 > 0:21:46and Giovanni.
0:21:46 > 0:21:52My darling, it was like watching a tango masterclass. A flawless.It
0:21:52 > 0:21:57gave me tingles down my back. I don't think I have ever seen a tango
0:21:57 > 0:22:00like that from a celebrity.
0:22:04 > 0:22:15CHEERING. Come on! Where do we even start?
0:22:15 > 0:22:19Very excited. Congratulations on the first perfect score.
0:22:19 > 0:22:28CHEERING. It's absolutely amazing. What has
0:22:28 > 0:22:34the response been?Fantastic. Everywhere we have gone, everybody
0:22:34 > 0:22:38has been wonderful and excited for us. We have been really excited as
0:22:38 > 0:22:47well.Giovanni knows all of the judges' comments off by heart! It is
0:22:47 > 0:22:56hard to get a nice word from Craig, let alone for him to buy down. --
0:22:56 > 0:22:59bow down. Were you worried when he came out from behind the desk?I
0:22:59 > 0:23:05was, actually. Nothing happened. He just went on his knees and it was
0:23:05 > 0:23:16like wow!I'm used to men being on their knees!Debbie McGee, you say
0:23:16 > 0:23:23the funniest things! I am actually speechless.Not Craig!Debbie, you
0:23:23 > 0:23:27were rendered speechless yourself on Saturday night. How was that
0:23:27 > 0:23:32experience?It was just surreal. It is the best thing that can possibly
0:23:32 > 0:23:37happen to you on Strictly. Craig just doesn't do things that. I was
0:23:37 > 0:23:42like Giovanni. I thought I wasn't holding my posture and he was going
0:23:42 > 0:23:45to come and show it. When the other judges were saying such amazing
0:23:45 > 0:23:53things, it is what everybody would wish. I feel really lucky.It was
0:23:53 > 0:23:57hugely emotional. You are emotional, Giovanni, as well. It is probably
0:23:57 > 0:24:03the second time on Strictly you have had a perfect score.There was one
0:24:03 > 0:24:10in the final with Georgia. To get a 40 on week seven is really nice. You
0:24:10 > 0:24:16feel really good. I felt really good. We worked really hard. When we
0:24:16 > 0:24:23get to the end of the week, it is a really nice feeling. There is always
0:24:23 > 0:24:31a but. That was week seven. Now we have to focus on the next week.
0:24:31 > 0:24:34Debbie, you had sleepless nights over the stance last week. What was
0:24:34 > 0:24:39worrying you?The whole dance, the technique, could I acted properly?
0:24:39 > 0:24:46It was worrying me. I was practising and practising. I couldn't sleep.
0:24:46 > 0:24:50Practice makes perfect. Look what you did. It is incredible. I have a
0:24:50 > 0:24:54bone to pick. Because of you, we now have to rewrite our Strictly history
0:24:54 > 0:25:01book. Not only was this the first perfect 40 of the series, this is
0:25:01 > 0:25:04the earliest there has ever been a perfect score in the competition.
0:25:04 > 0:25:12CHEERING. Only three tangos have ever scored
0:25:12 > 0:25:18maximum points. I present to you the holy Trinity. Kim Billy Walsh and
0:25:18 > 0:25:26Pasha in 2012 in the final. Kellie Bright and Kevin, 2015. And there
0:25:26 > 0:25:31you are, Debbie McGee and Giovanni. Look at that look on Giovanni's
0:25:31 > 0:25:40face. Well done. Incredible. Debbie, you are the only person to have got
0:25:40 > 0:25:46a 40 outside the final.I can't believe it. It just is fantastic. I
0:25:46 > 0:25:50can't believe what is happening in my life. I wish everybody could feel
0:25:50 > 0:25:56like I feel at the moment.I think we are filling it with you. Also,
0:25:56 > 0:26:06Giovanni, Darcey... Why not leave her to do the choreography?Exactly!
0:26:06 > 0:26:12I'm going to have a day off. That is the biggest compliment I could have
0:26:12 > 0:26:17received from the judge. When my celebrity dancers as a professional
0:26:17 > 0:26:23dancer, it means I did a great job and I did teach the correct moves. I
0:26:23 > 0:26:28am really pleased.Very chuffed indeed. Top of the leaderboard for
0:26:28 > 0:26:33three weeks. How do you maintain that standard?We are just doing
0:26:33 > 0:26:38what we do every week. We forget Saturday. We go in on Monday and
0:26:38 > 0:26:43learned the next dance. That is like starting on week one. Every dance is
0:26:43 > 0:26:46so different. It is just focus, let's had a good time and learn a
0:26:46 > 0:26:55new dads.Well said.Salsa this week. To a corking cheer, let's here
0:26:55 > 0:27:00at! -- tune.
0:27:04 > 0:27:11That is proper disco, proper fast. What can you tell us?It is a fast
0:27:11 > 0:27:16routine again. Completely different to the tango. A lot of hip movement.
0:27:16 > 0:27:32Sexiness. And lift.I know what you mean! Debbie, you have given us some
0:27:32 > 0:27:40great lifts already. How do you feel?How do I feel?!I won't be
0:27:40 > 0:27:44eating too many chips this week. I will have a go at anything and that
0:27:44 > 0:27:49is what this programme is about. To see what I can do. We will see what
0:27:49 > 0:27:54happens. I am more worried about letting go in the salsa. I am not a
0:27:54 > 0:28:04disco queen.You can bring it. And you have got the best teacher.Say
0:28:04 > 0:28:08again.You have got the best teacher. Good luck.
0:28:08 > 0:28:12CHEERING.
0:28:12 > 0:28:14That's all we have time for tonight.
0:28:14 > 0:28:17Join me tomorrow at 6.30, when I'll be chatting to Alexandra and
0:28:17 > 0:28:18Gorka, and Joe and Katya.
0:28:18 > 0:28:21Plus, Ian Waite is here for his first warm-up of the week.
0:28:21 > 0:28:24And Shirley Ballas will be giving us all a lesson in the cha-cha-cha.
0:28:24 > 0:28:25I can't wait.
0:28:25 > 0:28:26Goodnight.