0:00:50 > 0:00:54From London, this is Strictly It Takes Two. Please welcome your host,
0:00:54 > 0:00:56Zoe Ball.
0:00:56 > 0:01:02Hello and welcome to It Takes Two!
0:01:02 > 0:01:03CHANTING: "Blackpool!
0:01:03 > 0:01:04Blackpool!
0:01:04 > 0:01:05Blackpool!
0:01:05 > 0:01:07Just getting that out of the way first.
0:01:07 > 0:01:09Promise we won't mention it again for a about five minutes.
0:01:09 > 0:01:12Now, let's see who's waiting patiently in our green room.
0:01:12 > 0:01:13Still recovering from that head-spinning Viennese Waltz,
0:01:13 > 0:01:14it's Gemma & Aljaz!
0:01:14 > 0:01:19APPLAUSE I love these two.
0:01:19 > 0:01:23And those hips don't need replacing - it's Joe & Katya!
0:01:23 > 0:01:25APPLAUSE
0:01:25 > 0:01:27But now, it's time to give the weekend's routines
0:01:27 > 0:01:29a thorough examination.
0:01:29 > 0:01:31Who could it be?
0:01:31 > 0:01:34It's time for Choreography Corner!
0:01:50 > 0:01:52Erin Boag, everyone!
0:01:52 > 0:01:58Oh what a treat. Gorgeous to see you, as always.
0:01:58 > 0:02:02Let's start with Alexandra and Gorka's incredible Argentine tango.
0:02:02 > 0:02:05Both Shirley and Darcey commented on how it felt like a private dance
0:02:05 > 0:02:10with nobody watching.
0:02:10 > 0:02:15How do they get it to be so intimate?What makes a good
0:02:15 > 0:02:19Argentine tango is the fags, embrace, the story-telling. The
0:02:19 > 0:02:24content of the routine. They had all of that. I had chills up my spine.
0:02:24 > 0:02:30As soon as she started. The step here where she leans on him, and
0:02:30 > 0:02:34then into a series of Gauchos, look at this, with her left leg and right
0:02:34 > 0:02:39underneath and in front of her own body. It is so tremendous, it's like
0:02:39 > 0:02:43she oozes charisma and she's got such passion when she dances, it's
0:02:43 > 0:02:47just wonderful to watch. Every week I love watching her.We just get
0:02:47 > 0:02:57lost in them. Don't we? I have chills on my chills, now. Jonnie and
0:02:57 > 0:03:03Oti found themselves in the bottom two, their foxstrot left the judges
0:03:03 > 0:03:10a little underwhelmed.Well, I was quite emotional. I wasn't thereby,
0:03:10 > 0:03:16but she choreographs, great routines. It is a little ploddy,
0:03:16 > 0:03:22there he is, that should be on the balls of his feet. Now Darcey
0:03:22 > 0:03:27commented his right shoulder keeps popping forward. It does ever so
0:03:27 > 0:03:40slightly. I am going to demo this and show you how easy it is to fix
0:03:40 > 0:03:43this. It is a common fault for men. She squeeze and their right shoulder
0:03:43 > 0:03:48pops out. This is the result of the left side. Now if he were to pick up
0:03:48 > 0:03:53his left side up and forward, this shoulder would go back into place.
0:03:53 > 0:03:57And in promenade position, because I know he has tango next week, so it
0:03:57 > 0:04:02is important. This can happen if he drops off. If he picks up the left
0:04:02 > 0:04:06side, he goes back into place, easy fix but he has to do it.He has to
0:04:06 > 0:04:11do that.See that.Jonnie, take note. It could make all the
0:04:11 > 0:04:17difference.
0:04:17 > 0:04:18Mollie and AJ'S paso.
0:04:18 > 0:04:20After two weeks in the dance-off
0:04:20 > 0:04:22they were really determined to make it through.
0:04:22 > 0:04:25How was that reflected in the choreography?
0:04:25 > 0:04:29She was totally unutterly determined. I could see T it is hard
0:04:29 > 0:04:33mentally to be in the bottom two. Here goes the twist turns. Now what
0:04:33 > 0:04:39happens is all of the tension went up here in her shoulders. So she
0:04:39 > 0:04:44needs to relax this and open up this area here and present herself, long
0:04:44 > 0:04:47back of the neck and long front of the neck. I froze this moment. You
0:04:47 > 0:04:53can see T because she's so intense, it all went in here -- you can see
0:04:53 > 0:04:59it. Because she is so intense, it all went in here. She doesn't do it
0:04:59 > 0:05:06in the Latin, she sometimes does it in the ballroom. She has to relax,
0:05:06 > 0:05:07present this area, open it
0:05:07 > 0:05:09Now there's nothing like a rumba to get people talking.
0:05:09 > 0:05:11Let's look at Joe and Katya's routine.
0:05:11 > 0:05:13Bruno said it had the perfect balance of presentation
0:05:13 > 0:05:14and interaction.
0:05:14 > 0:05:15Would you agree?
0:05:15 > 0:05:27up. Ye, I would. It was beautiful. I can see how hard Katya was worked.
0:05:27 > 0:05:31But what I like about him is his line, his partnering skills. Bang,
0:05:31 > 0:05:36bang, bang. He is in control she can dance on balance and he knows what
0:05:36 > 0:05:40she is doing. We froze it. He is making a great line right through to
0:05:40 > 0:05:44the right foot to the top of the left hand. That's beautiful. They go
0:05:44 > 0:05:50into the sliding doors. Now not only does he dance through his feet and
0:05:50 > 0:05:55hips but his whole arms they present, up and over. So he is using
0:05:55 > 0:05:59everything he's got and dancing to the fullest to make the biggest,
0:05:59 > 0:06:04biggest impact. It's brilliant. I can see a big improvement from week
0:06:04 > 0:06:07to week.Good boy, Joe. I love that.
0:06:07 > 0:06:08We'll pause it there for the moment,
0:06:08 > 0:06:12but Erin will be back later to chat about the rest of our couples.
0:06:12 > 0:06:15For now, give it up for Erin, everyone!
0:06:15 > 0:06:17APPLAUSE
0:06:17 > 0:06:19Time to welcome my next guests now.
0:06:19 > 0:06:22We don't have to say we love them - but we do!
0:06:22 > 0:06:29Give us a Viennese twirl, it's Gemma and Aljaz!
0:06:29 > 0:06:34# You don't have to say you love me...#
0:06:34 > 0:06:38I saw a great difference in your eye level which was brilliant.Work on
0:06:38 > 0:06:43the inner emotions. I want to feel what you feel.Performance is as
0:06:43 > 0:06:47important as the technique. Look at him, you have Aljaz, you are not
0:06:47 > 0:07:06holding a laundry basket.Gemma and Aljaz. You did that in the
0:07:06 > 0:07:11Clauditorium. You had packed your suitcase for Blackpool. You had a
0:07:11 > 0:07:17plan. A beautiful dance, you were holding on so tight. How did you
0:07:17 > 0:07:22feel?The ending oshlingly was come out of the spins and do a move and
0:07:22 > 0:07:27to thor to the suitcase. We tried in rehearsals and I was to thorring off
0:07:27 > 0:07:33like this, I said - you know what, in the end just hug me.I could
0:07:33 > 0:07:38really feel for you, Bruno said you were holding Aljaz like he was a
0:07:38 > 0:07:42laundry basket. He does smell divine. Do you ever confuse the two?
0:07:42 > 0:07:47No, look how hand some he is. You are not a laundry basket. I was
0:07:47 > 0:07:58doing it.. It is understandable. There is a very famous Slovenia
0:07:58 > 0:08:03brand of laundry basket, kiss me quick.And what about the shoe
0:08:03 > 0:08:07coming off. What happened there? Things like that do happen. My foot
0:08:07 > 0:08:11slipped out of my shoe. It went back in but not properly. So for the rest
0:08:11 > 0:08:16of the dance I was thinking - oh my gosh, my shoe. But things like that
0:08:16 > 0:08:21happened. I said to him after - Cinderella lost a shoe and still
0:08:21 > 0:08:27went to the ball. I'm still going to the ball.Yes.Cinderella going to
0:08:27 > 0:08:32Blackpool!Shirley said, we must quote this "You have to get your
0:08:32 > 0:08:38devotion and your motion to come out as emotion." Now, if that isn't a
0:08:38 > 0:08:41met vagusal quote, I don't know what is. We heard that. We got it printed
0:08:41 > 0:08:48on to a mug for you, guys.Oh, thank you.The best gift ever.Don't say
0:08:48 > 0:08:54we never give you nowt. On that subject, do you know what she means?
0:08:54 > 0:09:02No. I do and I don't. I think it is a lovely saying. It looks great on a
0:09:02 > 0:09:13cup. But Gemma has been doing this for around ten weeks now. Viennese
0:09:13 > 0:09:16waltz I knew from day one would be the hardest we would tackle in
0:09:16 > 0:09:25ballroom. With all the spins and all the turns and we had to figure the
0:09:25 > 0:09:29posture for her to do it properly to have something to focus on in the
0:09:29 > 0:09:34room. There might have been a moment in that dance where the face wasn't
0:09:34 > 0:09:39fully engaged and portraying the story, that there should have been
0:09:39 > 0:09:42but I think it's impressive for Gemma to get through a Viennese
0:09:42 > 0:09:49waltz and there were so many steps, so many changes, so I forgive my
0:09:49 > 0:09:53partner that has danced for ten weeks, that the face wasn't engaged
0:09:53 > 0:09:59for that one time. I forgive you. That's yes, sir a gorgeous cheaper.
0:09:59 > 0:10:05So I'll put the cup here.Smash it. Fought back in the middle.That will
0:10:05 > 0:10:11be mine on Sunday. The best thing is, you get to go to Blackpool. It
0:10:11 > 0:10:19is your birthday this weekend. It could get messy.19 again.A bibe. E
0:10:19 > 0:10:25-- a baby. It's the American smooth for you. You must have something
0:10:25 > 0:10:28epic planned, you missed out on Blackpool last year.Something epic.
0:10:28 > 0:10:35I can't wait to do it.It's so Blackpool.I love the fact you are
0:10:35 > 0:10:39saying it is so Blackpool. You and your family go there every year. Are
0:10:39 > 0:10:48you going to show him the stiets? Definitely. Take him on the roller
0:10:48 > 0:10:54coasters, hit the lovely beach.I heard it was like the MaldivesI do
0:10:54 > 0:10:58love Blackpool. I was there in July I went there 234 July.We go back to
0:10:58 > 0:11:03lift. Last time lifts, how are you ribs and how is it going to be going
0:11:03 > 0:11:12upwards?We did a few today in training...Light, light.There is a
0:11:12 > 0:11:19great, no pain at all.Keep strapped up, smile through the pain. We're so
0:11:19 > 0:11:22looking forward to your birthday weekend in Blackpool. So smash t my
0:11:22 > 0:11:31darling. Gemma and Aljaz. It really does work. Look at them
0:11:31 > 0:11:33Now, our couples may have made it through to Blackpool
0:11:33 > 0:11:36but that doesn't mean they can sit back and relax -
0:11:36 > 0:11:39there's dancing to be done - but first we need some music.
0:11:39 > 0:11:47It's time for Tunes on Tuesday!
0:11:47 > 0:11:50# Are you all ready for this...#
0:11:50 > 0:11:52Are you ready for a Blackpool takeover?
0:11:52 > 0:11:55Almost as famous as the Wurlitzer, it's our own music making machine...
0:11:55 > 0:11:57Jukebox, play us our first hit.
0:11:57 > 0:12:00MUSIC: Sweet Dreams by The Eurythmics
0:12:00 > 0:12:02It's 'Sweet Dreams' by The Eurythmics.
0:12:02 > 0:12:06Released in 1983 it reached number two in the UK charts.
0:12:06 > 0:12:08In the now classic music video, Annie Lennox sported her iconic
0:12:08 > 0:12:12cropped orange hair and tailored black suit.
0:12:12 > 0:12:15But she almost had her limelight stolen by rather large cow!
0:12:15 > 0:12:20Appropriately enough, the lyrics are often
0:12:20 > 0:12:23misheard as "Sweet dreams are made of cheese"!
0:12:23 > 0:12:28"Who am I to disagree?"
0:12:28 > 0:12:32Cheese, cheese.Thank you so much, Aljaz.You're welcome, for the
0:12:32 > 0:12:34cheese.
0:12:34 > 0:12:39So, who will brie hoping to impress the judges with this one?
0:12:39 > 0:12:51I can only apologise!Who is it? Who is it?
0:12:51 > 0:12:55It's Jonnie and Oti.
0:12:57 > 0:13:05Right, what's next on the Blackpool playlist?
0:13:05 > 0:13:09# When you're alone and... # You can always go
0:13:09 > 0:13:11# Downtown...#
0:13:11 > 0:13:13MUSIC: Downtown by Petula Clark
0:13:13 > 0:13:14Yes, it's Downtown!
0:13:14 > 0:13:17By none other than the "First Lady of the British Invasion",
0:13:17 > 0:13:18Petula Clark...
0:13:18 > 0:13:20Who was the first female singer from these shores
0:13:20 > 0:13:22to have a number one hit in the US.
0:13:22 > 0:13:25They couldn't get enough of us Brits in the '60s.
0:13:25 > 0:13:26Who could be dancing to this?
0:13:26 > 0:13:30It's Gemma and Aljaz!
0:13:30 > 0:13:37as you can tell, they are quite happy about it, they will be doing
0:13:37 > 0:13:43an American smooth, which looks nothing like this. Too much, love.
0:13:43 > 0:13:48Right, last one, here we go, what's it going to be?
0:13:48 > 0:13:56MUSIC: The Gold Diggers' Song (We're in the Money) - 42nd Street
0:13:56 > 0:14:02It was originally sung by Ginger Rodgers in the aptly-titled movie
0:14:02 > 0:14:12gold-diggers. It was directed by Busby Barkley, who got as many show
0:14:12 > 0:14:17girls in his performances, as he could, just like this, he likes
0:14:17 > 0:14:24overheadcam radio trickery. Aren't they glorious. Right, who will be in
0:14:24 > 0:14:29the money with this one? Let's find out.
0:14:31 > 0:14:32It's Alexandra and Gorka!
0:14:32 > 0:14:35And they'll be dancing a quickstep.
0:14:35 > 0:14:39Thank you.
0:14:39 > 0:14:42To find out the rest of the songs, head to the Strictly website.
0:14:42 > 0:14:45Right, Erin, it's time to head back over to Choreography Corner.
0:14:59 > 0:15:04Welcome back Erin Boag!
0:15:04 > 0:15:05Nice choreography over there, darling.
0:15:05 > 0:15:08Time to look at the rest of our Blackpool hopefuls now.
0:15:08 > 0:15:09Starting with Davood and Nadiya.
0:15:09 > 0:15:11Their charlston saw them go joint top of the leaderboard.
0:15:11 > 0:15:13Shirley said the choreography was outstanding.
0:15:13 > 0:15:22What made it so special?
0:15:22 > 0:15:25What he does here, comes out right at the beginning. They talk about
0:15:25 > 0:15:29foot swivels. He faces the judges. Look at me, I can do this, no
0:15:29 > 0:15:35problem. If that's not enough. Not only does he lift very well, he
0:15:35 > 0:15:39throws her over his shoulder. Dough now how hard that is with
0:15:39 > 0:15:44eight-and-a-half stone on your back. Great improvement from week to week.
0:15:44 > 0:15:45Good boy
0:15:45 > 0:15:46Onto Susan and Kevin's tango now,
0:15:46 > 0:15:48which was all about channelling Susan's serious/dramatic side.
0:15:48 > 0:15:51Did she pull it off with this routine?
0:15:52 > 0:15:56.It was really nice to see these two come out with no gimmicks this
0:15:56 > 0:16:00week. Come out and do a proper tango. She stayed very serious and
0:16:00 > 0:16:04in character throughout the whole dance. She stayed nice and flexed in
0:16:04 > 0:16:10the knees. What she needs to do from now on to improve, especially with
0:16:10 > 0:16:13ballroom, is her upper body. It is a little bit Flopsy all over the
0:16:13 > 0:16:19place. Her right arm goes straight and pushes away. If you have a look
0:16:19 > 0:16:21here, I think we've frozen it. Look, that happens right through the
0:16:21 > 0:16:28routine. I think I know why.OK. It's demo time.
0:16:28 > 0:16:31CHEERING Here we go.You imagine the man
0:16:31 > 0:16:38standing in front of you. You want to put, ladies, your right underwire
0:16:38 > 0:16:44up on the man's line. Up and out to the left. What's common for all
0:16:44 > 0:16:47ladies, to make this line out to the left, they push from their right
0:16:47 > 0:16:51arm. It goes straight. You can't do that. You have to hang left. Keep
0:16:51 > 0:16:56your arm up and forward. And create your line. You see that? Nice and
0:16:56 > 0:17:02easy. None of this. Anton's been going at me for 21 years. He keeps
0:17:02 > 0:17:10saying, too strong.Not underwire.I don't give him underwire. I give him
0:17:10 > 0:17:16underwire, I don't give him bust. He's furious.You can't push off
0:17:16 > 0:17:20from theasm. It's quite heavy, the man's left arm.
0:17:20 > 0:17:21Next up, Gemma and Aljaz.
0:17:21 > 0:17:24The judges thought their Vienesse waltz lacked emotion,
0:17:24 > 0:17:24despite the steps being there.
0:17:24 > 0:17:29What did you think?
0:17:29 > 0:17:34This this is our industry is what you call nice. She takes hold, looks
0:17:34 > 0:17:37lovely, dresses beautifully, she dances nicely. At this stage in the
0:17:37 > 0:17:41competition, you can't be nice. You have to have a bit of wow. You have
0:17:41 > 0:17:46to show emotion. Gemma ask an actress. She goes out, learns her
0:17:46 > 0:17:50scripts, goes out and plays the part. The same in dancing. You have
0:17:50 > 0:17:54to learn your steps and dance your steps right through from your feet
0:17:54 > 0:17:57to your ankles through your upper body through your arms and through
0:17:57 > 0:18:03your face. You have to tell a story. I think that's what she's lacking.
0:18:03 > 0:18:07But, because of her background, I don't think it will be a problem.
0:18:07 > 0:18:09And finally, the first dance in Strictly history
0:18:09 > 0:18:11to feature an eye-test.
0:18:11 > 0:18:16Debbie and Giovanni's salsa.
0:18:16 > 0:18:18We certainly couldn't take our eyes off it.
0:18:18 > 0:18:22How about you?
0:18:22 > 0:18:27She's got so much energy. Actually, energy for a woman half her age. It
0:18:27 > 0:18:31is always sublime. What I want to show here, Debbie doesn't often make
0:18:31 > 0:18:36mistakes. This is not a negative, it's a positive. It's how she picks
0:18:36 > 0:18:40up on the routine so fast. She did a spin left, we went reverse. Missed
0:18:40 > 0:18:46the hand but she knows she has this great big lift here. I have to get
0:18:46 > 0:18:49my hand between my thighs. But what whack. Did anyone see that? Probably
0:18:49 > 0:18:55not. It was played slow there, you did. She picks it up. At this stage
0:18:55 > 0:18:59of the competition, you've one chance everybody is good. You've got
0:18:59 > 0:19:05to go out. If you make a mistake like Debbie did, that's how you go
0:19:05 > 0:19:08about t you've got to carry on like nothing's happened.I feel quite
0:19:08 > 0:19:15driven now. Erevidisie rip, always gorgeous to see you.
0:19:15 > 0:19:18Time for a little behind the scenes insight now, and did you know,
0:19:18 > 0:19:20the glam squad's not just for girls.
0:19:20 > 0:19:23Here's your quick and easy guide to what the experts call.
0:19:23 > 0:19:31Male grooming - Strictly style!
0:19:31 > 0:19:38I'm Lisa Armstrong, the make-up deIainer.I'm the hair supervisor.
0:19:38 > 0:19:44We're here to help you create your favourite looks at home with ease.
0:19:44 > 0:19:48Today, we're concentrating or efforts in the lovely Ed here. Not
0:19:48 > 0:19:53everybody knows this but boys do wear make-up too. We're going to
0:19:53 > 0:19:57give him a lovely Strictly makeover. We're taking Ed's lovely hair out of
0:19:57 > 0:20:07his face. With the boys on Strictly they whizz around the dance floor at
0:20:07 > 0:20:11100 miles per hour and suite a lot. We prep the skin in order to combat
0:20:11 > 0:20:16that. I'm using cleansing water across the forehead, down the nose,
0:20:16 > 0:20:20the side of the face. We're not caking him in make-up. We're going
0:20:20 > 0:20:25to enhappens his beauty. We're using an anti-shine. This is used as a
0:20:25 > 0:20:27primer underneath whatever foundation or base you're going to
0:20:27 > 0:20:33use. It just helps the product to sit on the skin. Now we'll use a
0:20:33 > 0:20:37tinted moisturiser. Preps the skin for more of a heavier base we'll
0:20:37 > 0:20:41apply after this. It's nice and light. It adds a bit of colour and a
0:20:41 > 0:20:47bit of texture to the skin. That already starting to take shape. I'll
0:20:47 > 0:20:52use a tiny bit of under-icon sealer to take aany dark circles underneath
0:20:52 > 0:20:57the eye. Tap it on. Blend it out. We'll add some powder. Powder's
0:20:57 > 0:21:00important when we're working with the boys on Strictly. It will set
0:21:00 > 0:21:07the make-up and hold everything in place. We're going to finish with a
0:21:07 > 0:21:12tiny bit of lip balm lightly patted on to the lip. You're strictly ready
0:21:12 > 0:21:17with your face, now it's your hair. The biggest problem we have is when
0:21:17 > 0:21:21they're dancing they sweat a lot. We need to get products in that will
0:21:21 > 0:21:25hold the hair in place all the way through their dancing. We have to
0:21:25 > 0:21:33start by wetting the hair.Don't you met Mike make-up!No, I won'tment
0:21:33 > 0:21:36don't worry about that. We'll get lift in the front. I'll start by
0:21:36 > 0:21:43drying it through. Now the hair's dry, I'm going to use a matifying
0:21:43 > 0:21:49powder. As you can see, Ed's hair grows forward. We need to get some
0:21:49 > 0:21:55lift in this. Take small sections and sprinkle it in at the root. Just
0:21:55 > 0:21:59go along, do the same throning right through to the front -- same thing
0:21:59 > 0:22:03right through to the font. That will take shape and do what it's supposed
0:22:03 > 0:22:09to do just with the powder. The next thing is texture spray. I spray that
0:22:09 > 0:22:13through. Move the hair into the shape that I want it. I'm taking a
0:22:13 > 0:22:18tiny bit of cream wax now. Then I'm just going to scrunch a little bit
0:22:18 > 0:22:22into the ends. The mistake a lot of guys make with their hair is
0:22:22 > 0:22:26whacking a load of wax into it. It's too heavy. Your hair will just flop.
0:22:26 > 0:22:31Doing these steps will make your hair stay where you want it to be.
0:22:31 > 0:22:38I'll finish this off with some hairspray. Stand back, Lisa. That
0:22:38 > 0:22:44will hold everything in place. I can tweak the final little bits. A final
0:22:44 > 0:22:50tip which the boys seem to like and use quite a lot, to give it a little
0:22:50 > 0:22:54bit of lift, get a tail comb, poke it in, lift little bits that you
0:22:54 > 0:22:59want to and break it up a little bit. Then, if you want to give it a
0:22:59 > 0:23:05final spray... Seeing as it's Strictly... And that's probably a
0:23:05 > 0:23:09quarter of the amount of spray that the boys actually put on their hair.
0:23:09 > 0:23:16There you go, aify Strictly tips for you on male grooming. And now, he's
0:23:16 > 0:23:27ready to go.Thank you to Lisa and Lisa and Ed. My final guest dance
0:23:27 > 0:23:32add lovely rumba on Saturday.
0:23:32 > 0:23:33How do I know this?
0:23:33 > 0:23:35Because like Shakira once said, "Hips don't lie".
0:23:35 > 0:23:39It's Joe and Katya.
0:23:39 > 0:23:42We haven't seen many celeb men do this well. Your hip action was
0:23:42 > 0:23:48really lovely. Great partnering work.It had a perfect balance of
0:23:48 > 0:23:53presentation and interaction with your partner.I thought you did an,
0:23:53 > 0:23:54questions the job, so well done.
0:23:54 > 0:23:58Joe & Katya, everyone!
0:23:58 > 0:24:02Look at that movement. Joe, you can't stop. Never ever stop. Joe,
0:24:02 > 0:24:10Joe, what do you know? How are things in cocoamo? My dad used to
0:24:10 > 0:24:18say that. You're going to Blackpool. I don't know why. In the beginning,
0:24:18 > 0:24:24it was I'd like to do well. Now it is, we need to get to Blackpool. Sad
0:24:24 > 0:24:30Ruth didn't make it.She's OK.She can hold her head up. She was
0:24:30 > 0:24:35brilliant.You had a love-hate relationship with the rumba. How do
0:24:35 > 0:24:39you feel about it now?It is the dance of love. I love it. I don't
0:24:39 > 0:24:43know why everyone gives it a hard time. It's a beautiful dance. My
0:24:43 > 0:24:47signature dance from now on. It is a slippery one. You don't know what
0:24:47 > 0:24:51it's meant to feel like because you've never done it before. I trust
0:24:51 > 0:24:56this woman implicitly. It is the hips and isolation and then the
0:24:56 > 0:25:03hips.That's correct.You've taught him so well. You are a good student.
0:25:03 > 0:25:10Sophie brook in Yorkshire wrote online.
0:25:17 > 0:25:26So sweet. Did I see that. It was lovely to read.Very happy.It's not
0:25:26 > 0:25:30bad.Three-and-a-half days is incredible.
0:25:30 > 0:25:33Craig and Shirley disagreed with each other on the flow
0:25:33 > 0:25:34through "the four" - what
0:25:34 > 0:25:37were they talking about?
0:25:37 > 0:25:41I can talk the talk but I think I should walk the walk.Is it demo
0:25:41 > 0:25:49time?It's demo time.I love it. What I think they were discussing is
0:25:49 > 0:25:54the fact on rumba we move during two and three and the four, one we're
0:25:54 > 0:25:59meant to hold. What I believe in is our feet is what defines the rhythm.
0:25:59 > 0:26:06OK. So if my feet are moving on two and three and four, hold one, I
0:26:06 > 0:26:13don't move, I fell over there. I'm wearing high heels. But our body and
0:26:13 > 0:26:18hips and arms should not stop. What we worked really hard on is we don't
0:26:18 > 0:26:24go four, one, two, three, four, one. We washed really hard that our body
0:26:24 > 0:26:28and arms and into the hip continues through one and we go two and three
0:26:28 > 0:26:31and four and one and two and three. Now we understand!
0:26:31 > 0:26:39APPLAUSE We squeeze.And a big finish as
0:26:39 > 0:26:44well. I love that. Shirley's been calling you the dark horse. Ore said
0:26:44 > 0:26:51you were a unicorn? How are you taking to that?You know, it's fine.
0:26:51 > 0:26:54I really don't think of myself in those terms. I'm getting through
0:26:54 > 0:26:59week by week. I've no goal or finish post in sight at all. I don't think
0:26:59 > 0:27:03you can. There are some amazing dancers left. I'm not looking around
0:27:03 > 0:27:07at all, it scares me slightly when I do. I'm cob accept traiting on what
0:27:07 > 0:27:12I do.Every dance is different.It is a whole new world you're learning
0:27:12 > 0:27:15every single week. You can't rest on your laurels, I've got this. We
0:27:15 > 0:27:20don't. You have to keep trying and listening.Let's talk about your
0:27:20 > 0:27:33music for Blackpool. Black Box. Come on. Somewhat hysterical.So chuffed.
0:27:33 > 0:27:40She sings the wrong lyrics.Got to get up, got to get up, got to get up
0:27:40 > 0:27:47the leaderboard! This is going to be glorious.It will be fun. We're
0:27:47 > 0:27:51throwing the kitchen sink at it. It is a big routine. It has to be.
0:27:51 > 0:27:59We're in Blackpool. Extra dancers and trickery thrown in.Trickery,
0:27:59 > 0:28:04you're terrible.That's all I'm saying at this point.Last week,
0:28:04 > 0:28:09your theory was more is not enough. And practice makes progress. We made
0:28:09 > 0:28:13a mug for Gemma so we felt you needed the T-shirt.I'm expecting
0:28:13 > 0:28:19you to wear that every day.Every day. If not wear it as a head band.
0:28:19 > 0:28:25Isn't it brilliant?It is a salsa. Are you building a pour root toe
0:28:25 > 0:28:31here? Are we getting the guacamole? Cheese, sour cream.Spiciness.
0:28:31 > 0:28:37Everything. Honestly. It will be epic.Is it?I am really, really
0:28:37 > 0:28:42looking forward to this.It will be good.Good luck up in Blackpool. Joe
0:28:42 > 0:28:47and Katya. CHEERING. That is all we've time for
0:28:47 > 0:28:54tonight. Join me tomorrow at 6.30. I'll chat to Alexandra and Gorka and
0:28:54 > 0:28:57Ian wait warms us up for Blackpool weekend. Until then, good