0:00:51 > 0:00:58From London, this is Strictly It Takes Two. Please welcome your host,
0:00:58 > 0:01:02Zoe Ball!
0:01:02 > 0:01:03Hello and welcome to It Takes Two!
0:01:03 > 0:01:05Tuesdays don't get better than this.
0:01:05 > 0:01:07Coming up, Strictly's Jason Gilkison will be
0:01:07 > 0:01:09showing us how to do the perfect quickstep.
0:01:09 > 0:01:11Plus, we'll be exclusively revealing this
0:01:11 > 0:01:12weekend's music in Tunes on Tuesday.
0:01:12 > 0:01:16But first, let's meet tonight's guests.
0:01:16 > 0:01:18I "spy" with my little eye - it's Davood
0:01:18 > 0:01:26and Nadiya!
0:01:26 > 0:01:28"Slam your body down, and wind it all around!"
0:01:28 > 0:01:29It's Debbie and Giovanni!
0:01:29 > 0:01:31But first, he's a former world champion, with 12
0:01:31 > 0:01:34titles under his belt, and was a professional dancer
0:01:34 > 0:01:35on Strictly for seven years.
0:01:35 > 0:01:36Taking over this week's choreography corner -
0:01:36 > 0:01:43it's one the and only Vincent Simone!
0:01:58 > 0:02:05Give it up for Vincent!What a treated! It is so lovely to see you!
0:02:05 > 0:02:14I know!We have missed you!I know! What have you been doing with your
0:02:14 > 0:02:19time?Well, unfortunately not too good so far because I hurt my back
0:02:19 > 0:02:23on tour. Not long now until I get back. Since Strictly I have been
0:02:23 > 0:02:34touring a lot, with all my womens! So many womens! How much have the
0:02:34 > 0:02:42contestants been impressing you this year?What a beautiful show.
0:02:42 > 0:02:45Obviously, I have performed in Blackpool so many times, but
0:02:45 > 0:02:52watching on TV it is so grand and beautiful, so well done.Yes, well
0:02:52 > 0:02:56done, everybody involved. Let's start off by talking about our
0:02:56 > 0:02:59dancers, and the highest scoring dance of the night, Alexandra and
0:02:59 > 0:03:06Gorka's quickstep. Was it worth its wake in gold, Vincent?Definitely.
0:03:06 > 0:03:09The thing I love about Alexandra, she's got that charisma which is
0:03:09 > 0:03:15very hard to find anywhere. The dance was beautiful, there was loads
0:03:15 > 0:03:20of content. The only thing for criticism if I have to say something
0:03:20 > 0:03:24is when they do a prominent position, which is the hardest. We
0:03:24 > 0:03:31have a clip. When we have it like that, is quite hard to keep in
0:03:31 > 0:03:35contact with your partner and showed three hips. As soon as you overturn
0:03:35 > 0:03:39you're going to end up showing four hips and your shoulder can come out
0:03:39 > 0:03:51a bit as well. Apart from that, beautiful.OK, three hips on show.
0:03:51 > 0:04:02And I call them 'eeeps!Next, Gemma and Aljaz, what stood out for you?
0:04:02 > 0:04:06She is the beautiful girl to watch but I think she is the most improved
0:04:06 > 0:04:10so far. That dance was really beautiful. The lifts going in and
0:04:10 > 0:04:16out - perfect. My only criticism, the foxtrot is so hard when you're
0:04:16 > 0:04:21moving backwards for the ladies, you should have a natural release of the
0:04:21 > 0:04:25toadfish if we watch a clip, she was lifting the toes and the feet off
0:04:25 > 0:04:31the floor.OK.But then here, she doesn't. Obviously, Aljaz has been
0:04:31 > 0:04:36telling her, it's just obviously, you know, performance mode, people
0:04:36 > 0:04:46watching, too many people watching! Now, we have Susan and Kevin's paso
0:04:46 > 0:04:53doble. Craig said it needed "more of, sort of, everything". What did
0:04:53 > 0:04:58you think?Well, the paso doble is all about... If that makes sense.It
0:04:58 > 0:05:04makes perfect sense.That's what I want to see when I see this dance.
0:05:04 > 0:05:08There's three different ways to dance the paso doble. Do you mind if
0:05:08 > 0:05:16I show you?OK, are we having done no time? Come on!That was it!
0:05:16 > 0:05:20Actually, the three ways, we've got what we call challenge, which is the
0:05:20 > 0:05:30man and the woman going against each other. It's like the matador against
0:05:30 > 0:05:39the bull. Then, the lady can become what we call the Cape action.Oh,
0:05:39 > 0:05:45it's coming off!So, it's very important goals Kevin was doing all
0:05:45 > 0:05:50this action, going around one way and the other. But I would have
0:05:50 > 0:05:55loved to see her using the skirt a bit more. When she goes around, it's
0:05:55 > 0:06:02very important that she swings... Swing that skirt around!And then,
0:06:02 > 0:06:05of course, the Flamenco section, which was good but I would have
0:06:05 > 0:06:12liked to have seen a bit more rotation of the wrists, the elbows,
0:06:12 > 0:06:16more nails, more drama.Just a bit more drama. Are you all right
0:06:16 > 0:06:22getting your jacket back on?I'm all right.Now, if we look at Susan in
0:06:22 > 0:06:27action...You can see the skirt? She's doing little moves, it should
0:06:27 > 0:06:32have been more.Bigger moves, OK. Mollie and AJ and their Charleston.
0:06:32 > 0:06:39She looks so gorgeous, the bird is certainly let out of the cage. Craig
0:06:39 > 0:06:42just mentioned a bit of a floppy foot - what did you think?
0:06:42 > 0:06:48Definitely. It is an option, the Charleston, you're allowed to do it
0:06:48 > 0:06:52either way. It's my perfect stance! So what I'm saying from that point
0:06:52 > 0:06:56of view is, so far they've been doing so much amazing choreography.
0:06:56 > 0:07:01In my opinion they have been a bit old and scored so far. But I do
0:07:01 > 0:07:06agree that in this dance, we have a clip where you can see the foot...
0:07:06 > 0:07:13-- underscored. And then once she goes around, if you put all of that
0:07:13 > 0:07:17intensity when you dance, you should go to the extreme of your body, to
0:07:17 > 0:07:23the hands and to the feet.All the way. OK, Mollie will get that.
0:07:23 > 0:07:30Amazing left they did there. Davood, surely praised his terms in the paso
0:07:30 > 0:07:36doble - what did you think?I did like the twist turns, but not as
0:07:36 > 0:07:40much, because the footwork was there. What I would have loved like
0:07:40 > 0:07:46I explain in the paso doble, more like a shape and leaning action. If
0:07:46 > 0:07:51we look at the clip it was a bit too straight for me.You're talking
0:07:51 > 0:07:58about his shoulder line?Yeah, shoulder line, more into her so you
0:07:58 > 0:08:03create a massive, bigger shape. It was too linear for me.Next off,
0:08:03 > 0:08:07dance-off survivors heavy and Giovanni. Was there a Spice Girl
0:08:07 > 0:08:13inspired Samba spicy enough for you, Vincent?Well, the samba we know is
0:08:13 > 0:08:21the hardest for the celebrity girls to do.We spent all of our time to
0:08:21 > 0:08:26tell our womens, keep your legs straight! And then we come to the
0:08:26 > 0:08:29samba, where actually we have to do the opposite.We have to say, Flex
0:08:29 > 0:08:38your legs. And you can see from the clip, she's very linear. Tiny, tiny
0:08:38 > 0:08:45little bounce. But here you can see she's doing it more. It is not the
0:08:45 > 0:08:52easiest dance to do for the ladies. And Giovanni right, your little
0:08:52 > 0:09:02brother.Yeah.And finally, Joe and Katya's salsa, Craig said it lacked
0:09:02 > 0:09:06the necessary rotation in the hips, what do you say?I agree to a
0:09:06 > 0:09:15certain extent. I loved what they did. They made me smile. But then
0:09:15 > 0:09:19again, when it comes to the basics, like we saw in that clip, it's very
0:09:19 > 0:09:28important...Here we go! Come on! It's very important for the man and
0:09:28 > 0:09:34for the lady, in dancing, most of the time you either step forwards or
0:09:34 > 0:09:40backwards. So, in this case you step forward into a line. And then with
0:09:40 > 0:09:44some nice foot pressure, being a Cuban dance they all dancer down and
0:09:44 > 0:09:51dirty, like that. The way he was doing it, stepping sideways or
0:09:51 > 0:09:57diagonally, it creates a swing.As you're wearing those shoes, which
0:09:57 > 0:10:05look amazing - I'm jealous... Almost!If we start with any foot
0:10:05 > 0:10:13you want, when you go forward you make sure you step in line.OK.Nice
0:10:13 > 0:10:19foot pressure.I'm not sure about this hip action!Step to the side...
0:10:19 > 0:10:27And step to the side. I get to dance with Vincent Simone! It's my dream
0:10:27 > 0:10:32come true! Will you come and see us again, please?Any time you want.We
0:10:32 > 0:10:35adore you!
0:10:35 > 0:10:39Right - time now to meet my next guests.
0:10:39 > 0:10:42There's a new Bond in town, and he's licensed to dance...the paso doble.
0:10:42 > 0:10:43It's Ghadami, Davood Ghadami,
0:10:43 > 0:10:46and his femme fatale sidekick, Nadiya.
0:10:58 > 0:11:03The sparks were flying between you, it was strong, the attack was great.
0:11:03 > 0:11:07A powerful performance, incredible. I have to commend you on your twist
0:11:07 > 0:11:15and turn - it was extremely impressive, great performance.Wow!
0:11:15 > 0:11:22Davood and Nadiya! Everyone was really excited about the way you
0:11:22 > 0:11:26went into that! Where do we even start with this?! Did you love it as
0:11:26 > 0:11:32much as we did?Obviously, it was exceptional. It was so much fun. Who
0:11:32 > 0:11:37doesn't want to be James Bond and be parachuted into a fire?! With one
0:11:37 > 0:11:47hand! By no! I had to mix it all together.You see, teaching him well
0:11:47 > 0:11:52cap you wait till the next James Bond film! And I must say, the
0:11:52 > 0:12:00outfit was something else. Did it take much...? Nadiya, you look
0:12:00 > 0:12:04stunning as well, but Davood, did it take much persuasion from Vicky Gill
0:12:04 > 0:12:10to get you in that see-through number?No, I just turned up to
0:12:10 > 0:12:14Blackpool in that top and it looked perfect! I didn't realise how
0:12:14 > 0:12:16revealing it was, actually, until I caught myself and I look at the
0:12:16 > 0:12:26screen - that's me! All exposed! And I kind of did that!Funny, does, you
0:12:26 > 0:12:30wore it so well! And Nadiya, a huge gear change from joy of the
0:12:30 > 0:12:35Charleston the week before - how happy were you with how it went?
0:12:35 > 0:12:39Ferry, because he really wanted to do the paso and he got the chance to
0:12:39 > 0:12:44do it and to be James Bond, and in Blackpool. Everything worked for us.
0:12:44 > 0:12:50And then once we did it I was so happy and I watched it back and he
0:12:50 > 0:12:54looked like a real professional dancer doing that.That's what you
0:12:54 > 0:12:59want to! It's lovely watching the two of you watching it for - look at
0:12:59 > 0:13:06that bit...! And also your joint second highest score of the series
0:13:06 > 0:13:11so far, so well done to you. Do you feel now the two of you like you are
0:13:11 > 0:13:17on a roll, it feels good?It feels good. You know what, I'm taking the
0:13:17 > 0:13:21opportunity to really enjoy every dance and go out and relax on the
0:13:21 > 0:13:26Saturday when we do it - that's what you've asked me to do, and that it
0:13:26 > 0:13:29has really started to come together. Just working hard in the week and
0:13:29 > 0:13:34relaxing on the Saturday.He knows he is going in the right direction.
0:13:34 > 0:13:40And it gives him some extra confidence.I've got a great
0:13:40 > 0:13:45teacher.You have, she's very good. And your fast becoming a front
0:13:45 > 0:13:51runner, dare we say? I mean, this is exciting stuff, Davood?I don't like
0:13:51 > 0:13:56to think about that! I don't want to jinx it in my head. Like the Sox, I
0:13:56 > 0:13:59forgot my socks, and then it got into my head. So if I start to
0:13:59 > 0:14:04think... But we take it week by week and see what happens after this
0:14:04 > 0:14:10week.I'm interested now, will you be wearing the Sox this week?I will
0:14:10 > 0:14:17be doubling them up this week!And also, the judges now are getting
0:14:17 > 0:14:20really down to the nitty-gritty, as we get closer and closer to the end
0:14:20 > 0:14:25of the competition. Does that make your job harder?I mean, from the
0:14:25 > 0:14:31beginning, tried to look at all of the details but now, absolutely it
0:14:31 > 0:14:33is even more difficult, because he's getting better and better every
0:14:33 > 0:14:41week, so everybody is expecting more from him. And so we go into all the
0:14:41 > 0:14:46technique and details and especially this week it's going to be a very
0:14:46 > 0:14:54technical one.We must mention as well, your mum and dad were in the
0:14:54 > 0:14:59audience, they were absolutely loving it.Dad knows when there is a
0:14:59 > 0:15:07camera on him!I know, he does!Can you see the similarity? And they had
0:15:07 > 0:15:11a great time, they were so supportive and they came all the way
0:15:11 > 0:15:15from Essex.They must have loved it? They adored it and they loved being
0:15:15 > 0:15:21in that front row seat. At the end of the dance I saw my dad standing
0:15:21 > 0:15:34there and he could not contain his excitement.Are you scared, excited?
0:15:34 > 0:15:39A mixture of both?The fear is definitely there. It's a lot to take
0:15:39 > 0:15:45on board. You have to forget the last dance and reset... Only half
0:15:45 > 0:15:50forgetting. Not completely, you might have to do it again. It is
0:15:50 > 0:15:55picking up everything new. All the technical aspects. You saw my face
0:15:55 > 0:15:59earlier today.The waltz is slow. You have to control. Technique
0:15:59 > 0:16:04should be right. Footwork. Especially with our song which is
0:16:04 > 0:16:09quite slow in the beginning. We decided to do it like a proper
0:16:09 > 0:16:15waltz. I think we had it all. We had him parachuting on to the dance
0:16:15 > 0:16:23floor. You...Mixing it up. Down to emotional, exposings and slow. The
0:16:23 > 0:16:28choreography is beautiful. I want to do it justice.It is just a waltz.
0:16:28 > 0:16:32Just a waltz. A walk in the park. Good luck this weekend. You're
0:16:32 > 0:16:40glorious. Davood and Nadiya! CHEERING.
0:16:40 > 0:16:44Now, if you want to know what music the kids are listening to these
0:16:44 > 0:16:45days, then you've come to the wrong place!
0:16:45 > 0:16:46We only play classics here.
0:16:46 > 0:16:52It's time for Tunes on Tuesday!
0:16:52 > 0:16:54It's that time of the week people - let's see
0:16:54 > 0:16:57what's on the jukebox tonight.
0:16:59 > 0:17:01MUSIC: "Umberella" by The Baseballs.
0:17:01 > 0:17:06It's Umbrella ella ella eh eh eh by The Baseballs!
0:17:06 > 0:17:11This song was originally a huge hit for Bajan pop goddess Rihanna back
0:17:11 > 0:17:19in 2007, scoring her, her first ever UK number 1.
0:17:19 > 0:17:28Oi oi flexy Magee you can't stop the woman! If she does herself an
0:17:28 > 0:17:29injury, he'll kill us.
0:17:29 > 0:17:32Although when it was released there was record rainfall across
0:17:32 > 0:17:35the majority of the UK, with many dubbing it the Rihanna curse.
0:17:35 > 0:17:37Hopefully the song will bring better luck to this couple.
0:17:37 > 0:17:44Here we go...
0:17:44 > 0:17:51It's Mollie and AJ, and they'll be dancing a quickstep!
0:17:51 > 0:17:55Well done, thank you so, so much. Thank you. You must. Such a
0:17:55 > 0:17:56gentleman.
0:17:56 > 0:18:00Right, what's next on the playlist?
0:18:00 > 0:18:02Those legs are amazing.
0:18:02 > 0:18:04MUSIC: The River of Dreams by Billy Joel.
0:18:04 > 0:18:06Yes, it's The River of Dreams by none other than Billy Joel!
0:18:06 > 0:18:09Known informally as the Piano Man, Mr Joel has sold over 150 million
0:18:09 > 0:18:12records, making him one of the biggest selling acts in the world.
0:18:12 > 0:18:17Not bad for someone who's last UK hit was this, back in 1993!
0:18:17 > 0:18:19But who'll be dancing to this?
0:18:19 > 0:18:27Let's find out.
0:18:27 > 0:18:29It's Gemma and Aljaz!
0:18:29 > 0:18:31Who'll be dancing a samba.
0:18:31 > 0:18:32Last one now.
0:18:32 > 0:18:33What's it going to be?
0:18:33 > 0:18:35MUSIC: "Halo" by Beyonce.
0:18:35 > 0:18:38It's Halo by bootylicious megastar, Beyonce!
0:18:38 > 0:18:42This angelic power ballad was released in 2009
0:18:42 > 0:18:47reaching number 4 on the UK hit parade.
0:18:47 > 0:18:50The song includes the word 'Halo' 69 times
0:18:50 > 0:18:54and apparently took three hours to write.
0:18:54 > 0:18:56What did they do with the rest of the time?!
0:18:56 > 0:19:02Let's find out who's taking on this number.
0:19:02 > 0:19:07Hello. Here we go.
0:19:07 > 0:19:09It's Alexandra and Gorka!
0:19:09 > 0:19:13And they'll be dancing a rumba.
0:19:13 > 0:19:15A rumba.
0:19:15 > 0:19:23To find out the rest of the songs, head to the Strictly website.
0:19:23 > 0:19:28And, well, from that heavenly treat to another,
0:19:28 > 0:19:30Here's Jason Gilkison with his guide to the perfect quickstep.
0:19:30 > 0:19:36to another, perfect quickstep.
0:19:36 > 0:19:40The quickstep is one of the most popular of all the ballroom dances.
0:19:40 > 0:19:43It is fast and exciting and one of the ones the celebrities look
0:19:43 > 0:19:47forward to doing the most. It's actually a sped up version of the
0:19:47 > 0:19:51foxtrot with a birth of charleston thrown in for good measure. Like
0:19:51 > 0:19:55many of the famous dances of the 1920s and 1930s, the quickstep
0:19:55 > 0:20:02hailed from New York. If originated with a dance called The You Turkey
0:20:02 > 0:20:06Trot. One of the most important things to get right off the cuff is
0:20:06 > 0:20:11the tempo of the music. The basic feel of the quickstep is slow, slow,
0:20:11 > 0:20:16quick, quick, slow. Slow, quick, quick, slow. If you he can that in
0:20:16 > 0:20:22your head from the beginning, you're on yare way. One of the most famous
0:20:22 > 0:20:28words in Strictly is chasse. Not only will you see a normal Shahs
0:20:28 > 0:20:33abut a scatter Shahs away moves very quickly around the room. The normal
0:20:33 > 0:20:36Shahs acomes after a forward walk. After that on the right foot, a man
0:20:36 > 0:20:40would put his left foot to the side. He would go to the ball of the foot
0:20:40 > 0:20:45and close very neatly and then he would descend to ball flat before he
0:20:45 > 0:20:53finance on with his backward foot. After you've mastered the chsssis,
0:20:53 > 0:20:59it is the scatter cricks hassis. That's quicker, quicker, quick, you
0:20:59 > 0:21:04have to be so synchronised with your partner. In this dance, the judges
0:21:04 > 0:21:09are looking for a smoothness across the room. Smooth on top like a swan
0:21:09 > 0:21:15across the water. Underneath, your feet are paddling like mad. You have
0:21:15 > 0:21:19to master that rise and fall. The fall part is on your heels when
0:21:19 > 0:21:23going very low. You're on the ball of your foot, you're in the high
0:21:23 > 0:21:30part. You have to control your ankles. At the end of a quick
0:21:30 > 0:21:33motion, you your angle has to control your foot ready to do a heel
0:21:33 > 0:21:38lead again. One of the most used steps in this dance is a lock step.
0:21:38 > 0:21:41Generally, the man moves forward on his left foot on the ball of the
0:21:41 > 0:21:47foot and his right foot crosses behind. To do this perfectly, he has
0:21:47 > 0:21:51to move his left side forward to indicate to the lady that he's about
0:21:51 > 0:21:58to do a lock step. Whilst a lock step and cricks hassis are similar,
0:21:58 > 0:22:03when we move to the side it is a cricks hassis and when we move to
0:22:03 > 0:22:06the side it is a lock step.
0:22:17 > 0:22:21# Come on over Valerie # The clue is in the title, the
0:22:21 > 0:22:25quickstep is quick.
0:22:29 > 0:22:32The dancers should travel at speed across the floor and have the
0:22:32 > 0:22:37feeling of the wind in their hair. And, if you master all of those
0:22:37 > 0:22:44moves, you'll be we will on your way to getting a perfect score.
0:22:44 > 0:22:47Now despite giving us all what we really, really wanted at the weekend
0:22:47 > 0:22:50with their samba, my final guests found themselves in the dance-off.
0:22:50 > 0:22:57Here to dance another day, it's Debbie and Giovanni.
0:23:04 > 0:23:12Thank you for bringing girl power to the tower!The shadow reverse roll,
0:23:12 > 0:23:17you were outstanding in that.Love you dropped into the splits and the
0:23:17 > 0:23:19timing was exceptional.
0:23:19 > 0:23:22Debbie and Giovanni, everyone!
0:23:22 > 0:23:24CHEERING
0:23:24 > 0:23:28Congratulations on surviving the dance-off.
0:23:28 > 0:23:36How was the weekend for you? We had a great weekend.There was such a
0:23:36 > 0:23:40buzz at Blackpool. It did come crashing down when we were in the
0:23:40 > 0:23:43dance-off. But, from week one, where Giovanni's been really good is he'd
0:23:43 > 0:23:46really coached me about if we were in the dance-off. Every week he
0:23:46 > 0:23:49really pushes me with tech sneak. If you're in the dance-off, you have to
0:23:49 > 0:23:55have the technique. It worked on Saturday. So, thank you to him.Well
0:23:55 > 0:23:59done. Good coaching. You really were in that danger zone. Smack bang
0:23:59 > 0:24:04middle of the leaderboard. Were you worried after? And about the results
0:24:04 > 0:24:13show?Yes, we were. Eight couples left, to be in the middle of the
0:24:13 > 0:24:18leaderboard is really dangerous. You hope the public really vote for you.
0:24:18 > 0:24:28We just ended up in the bottom two. We both felt it once we knew that's
0:24:28 > 0:24:32where we were on the leaderboard. We were quite serious afterwards. We
0:24:32 > 0:24:36didn't say anything to each other but we both knew.We felt it was
0:24:36 > 0:24:41going to happen at some point.Of course, you dealt with it
0:24:41 > 0:24:49brilliantly. I have to say, who doesn't love a Spice Girls' medley?
0:24:49 > 0:24:56It was something else. Comments from the judges all good. Darcey said she
0:24:56 > 0:24:59thought it was lacking a bit of energy at the end. I remember doing
0:24:59 > 0:25:04a samba. Getting to the end is exhausting, you were on podiums, up,
0:25:04 > 0:25:08down, how was it?I really enjoyed doing it. It was a dance we had a
0:25:08 > 0:25:11lot of fun rehearsing it. On the night, I enjoyed it as much as I
0:25:11 > 0:25:14enjoyed it in the rehearsal room which isn't always possible. It does
0:25:14 > 0:25:20take it out of you.It was a difficult routine. It required a lot
0:25:20 > 0:25:24of stamina. You did it.You did brilliantly.I just hadn't eaten my
0:25:24 > 0:25:27spinach like Popeye.There you were in the Union Jack dress with the
0:25:27 > 0:25:30hair and a certain original Ginger Spice got in touch. What did her
0:25:30 > 0:25:36message say?She said, Geri sent me a message on Friday saying she was
0:25:36 > 0:25:41thinking of me and thought I was inspirational and a shining star and
0:25:41 > 0:25:48go for it, girl. How wonderful is that. Still pinching myself.So
0:25:48 > 0:25:51good. You are an inspiration. She's not the only pop princess who
0:25:51 > 0:25:54messaged you. I believe somebody beginning with K has been in touch?
0:25:54 > 0:25:59It is not Kylie who messaged me direct but her make-up artist told
0:25:59 > 0:26:06me working on her new video this week in rehearsals she's been going
0:26:06 > 0:26:13let's do some Debbie ma geeb lifts! I've sent her a massage saying, I
0:26:13 > 0:26:18hear you're stealing my lifts. Which are his.Could be a Great War. This
0:26:18 > 0:26:23week, for you two, it's the big one. It's the fan favourite, the
0:26:23 > 0:26:29Argentine tango.Yes, it is.So exciting. That's just our getting
0:26:29 > 0:26:33excited Argentine tango music. The music they have is amazing. We're
0:26:33 > 0:26:38keeping it a secret. How do you approach this Giovanni? How excited
0:26:38 > 0:26:42are you, sir?Absolutely excited about this dance. It's always been
0:26:42 > 0:26:48one of my favourite to watch. It requires a lot of passion, which I
0:26:48 > 0:26:54think Italian and English people is the best combination.Ooh, yes! I
0:26:54 > 0:26:58thought that myself, actually.I paid him to say that.You didn't
0:26:58 > 0:27:04give me the money yet. It's a lot of technique going on in there. A lot
0:27:04 > 0:27:20of flicks and legs. The song is amazing. I believe and have a
0:27:20 > 0:27:25feeling this will be epic.How is sultry...We had a little bit of
0:27:25 > 0:27:32time so far. At the moment I'm trying not to kick him in the shins
0:27:32 > 0:27:39and up the bum, actually.A bit of that.The sultry bit I'm sure will
0:27:39 > 0:27:45come. At the moment, I'm just trying to learn the steps.This one really
0:27:45 > 0:27:54excites me.
0:27:54 > 0:28:08This is the music for the paso doble thon to get us into the mood. I love
0:28:08 > 0:28:12it. We know, Debbie Magee, this is how you started the show. Seems like
0:28:12 > 0:28:16years ago, with the paso doble. You wowed the nation, are you looking
0:28:16 > 0:28:26forward to revisiting that dance?I really am. I really loved the paso
0:28:26 > 0:28:40doble the first week. The fact it was our first week learning
0:28:40 > 0:28:57together, it is really nice to go back there. From that music, I think
0:28:57 > 0:29:17it will be quite different from the first week.It is a completely new