0:00:58 > 0:01:01Hello and welcome to It Takes Two!
0:01:01 > 0:01:04If the budget has given you the blues, half an hour
0:01:04 > 0:01:07with us is time well spent.
0:01:07 > 0:01:08CHEERING
0:01:08 > 0:01:11And we've certainly hit the jackpot with tonight's guests.
0:01:11 > 0:01:17Shake your money-makers, it's Mollie and AJ!
0:01:17 > 0:01:19A nice shimmy.
0:01:19 > 0:01:22And that Christmas bonus has come early because Mr Pritchard will also
0:01:22 > 0:01:27be launching this year's Pro Challenge!
0:01:27 > 0:01:30It had better be good!
0:01:30 > 0:01:34Plus, here to teach us the Jive, she always puts her money
0:01:34 > 0:01:37where her beautiful mouth is, it's Janette Manrara.
0:01:37 > 0:01:43Eurocard stop the! -- you can't stop her.
0:01:43 > 0:01:46But now, like a wise man once said - the best things in life are free.
0:01:46 > 0:01:49Has anyone told Ian we're not paying him for this next bit?
0:01:49 > 0:01:55It's time for Waite's Warm-up!
0:01:56 > 0:02:05Ian Waite, everyone!
0:02:05 > 0:02:11Hello, gorgeous!I've got my friends, Jason, Ian! So lovely to be
0:02:11 > 0:02:24back.I've missed you.You too.What is your verdict on Blackpool?I
0:02:24 > 0:02:31loved every minute of it, the opening, the group dance, I loved
0:02:31 > 0:02:36it, the concept seemed to get better and better.It was joyous. Fire up
0:02:36 > 0:02:43the magic wand.Are you ready, everybody?
0:02:43 > 0:02:45Let's start with a couple of quicksteps.
0:02:45 > 0:02:48First up Joe and Katya.
0:02:48 > 0:02:51They closed the Blackpool special with a '90s rave, but is it
0:02:51 > 0:02:53a rave review for this?
0:02:53 > 0:02:58Yes, well, there's a lot of choreography in promenade position,
0:02:58 > 0:03:06this running and flicking. Energetic.To be honest, the actual
0:03:06 > 0:03:12body contact is absolutely fantastic. Any space between them...
0:03:12 > 0:03:15They have complete contact throughout, which is fantastic. The
0:03:15 > 0:03:20only thing I see, if you look at the frame he has here, we've stopped it,
0:03:20 > 0:03:26if you look at it there, he's a bit low on her back. OK for the tango
0:03:26 > 0:03:33but not so much for the quickstep. If I get hold of you, little demo.
0:03:33 > 0:03:38He's holding her there. If he could hold her a bit higher, get the elbow
0:03:38 > 0:03:44out and hold her under the armpit.I can feel that.That's it, there! See
0:03:44 > 0:03:53what I mean?I see.A bit more space between them.Beautiful. Another
0:03:53 > 0:03:56quickstep from Mollie and AJ. CHEERING
0:03:56 > 0:04:01Yes. They are here tonight, very excited.Cheering for themselves!
0:04:01 > 0:04:06You've got to do that!They also have some running steps in
0:04:06 > 0:04:14promenade. Look at this, skipping and flicking, in promenade position.
0:04:14 > 0:04:19INAUDIBLE Actually this is yesterday's
0:04:19 > 0:04:26footage! Needs to be a bit more body contact. I noticed a few places
0:04:26 > 0:04:31where she should match him a bit better, Mollie. When they do a hop
0:04:31 > 0:04:36or instance, look where AJ's foot is and look where Mollie's foot and
0:04:36 > 0:04:42knee is. When you do the hop it is like underneath you.Got that,
0:04:42 > 0:04:49Mollie?Yes!A bit less of that and a bit more of that.It's like an
0:04:49 > 0:04:55extra private lesson.A bit high in the shoulders.Stop it!I'm giving
0:04:55 > 0:05:01them tips!We need these.
0:05:01 > 0:05:03Onto Gemma and Aljaz, who are riding high
0:05:03 > 0:05:04after receiving their first tens.
0:05:04 > 0:05:05CHEERING
0:05:05 > 0:05:10Will they be on a roll with their samba?
0:05:10 > 0:05:17They start off with the first shadow role, as Shirley said. It's a little
0:05:17 > 0:05:25bit... I sense that she's a bit sluggish forced up seeny is to pick
0:05:25 > 0:05:30it up. When she goes forward it is like somebody has tapped you in the
0:05:30 > 0:05:36stomach and said, touch it up and under. It is a bit dropped. If you
0:05:36 > 0:05:42look here, she's having a sleep on Aljaz's shoulder.It is part of the
0:05:42 > 0:05:48choreography.I'm told it is part of the choreography.It is.Not be
0:05:48 > 0:05:52remnants of Saturday's after party. Which come I hear, is mild.
0:05:52 > 0:05:53Next up, Susan and Kevin.
0:05:53 > 0:05:55They're dancing the American Smooth to Beyond the Sea,
0:05:55 > 0:05:57is this looking like a classic to you?
0:05:57 > 0:06:04Yes, this is a foxtrot American Smooth, very classic. I lot of stuff
0:06:04 > 0:06:10going outside of partner and losing contact all the way through. It is
0:06:10 > 0:06:13today's footage so they should have got it right. Let's have a look in
0:06:13 > 0:06:19slow motion. I noticed something else, she isn't releasing her toes
0:06:19 > 0:06:26at all.Very important.Staying on the floor. When she goes backwards,
0:06:26 > 0:06:29yes, Susan must release her toes but hopefully by Saturday she'll have
0:06:29 > 0:06:41that sort.Onto Nadiya... Actually this is Debbie and Giovanni.
0:06:41 > 0:06:44They found themselves in the dance-off at the weekend.
0:06:44 > 0:06:48Can their Argentine tango revive their fortunes?
0:06:48 > 0:06:51For me this isn't looking as comfortable as previous dancers
0:06:51 > 0:06:56although it is only Monday's footage. On paper you'd think that
0:06:56 > 0:07:00Debbie is going to be perfect for the Argentine Tango, she has those
0:07:00 > 0:07:05lovely legs and arches in her feet. She should be able to finish off the
0:07:05 > 0:07:09line beautifully. Not working at the moment from the footage I've seen
0:07:09 > 0:07:14but by Saturday, obviously. I've seen this lovely step, Zoe.Oh,
0:07:14 > 0:07:23dear.Let's try it.We have a lot of leg to lock here.I go forward like
0:07:23 > 0:07:30that and you lock your leg back and then I go like that.Ooh!
0:07:30 > 0:07:38Exquisite...One, two, three. Perfect, see if she can do it better
0:07:38 > 0:07:43than that. Ouch, you trod on my big toe.Sorry!
0:07:43 > 0:07:44Davood and Nadiya now.
0:07:44 > 0:07:47They've had a great few weeks, how is their waltz looking?
0:07:47 > 0:07:52Not as easy as it looks.On the pivoting here, he needs to step more
0:07:52 > 0:07:59between Nadiya's legs because he isn't getting around very well. For
0:07:59 > 0:08:03me, I donated its because they are walking through it, but his body
0:08:03 > 0:08:08posture, here's elbows are too dropped -- I don't know if it's
0:08:08 > 0:08:11because they are walking through it. Over the last couple of weeks he's
0:08:11 > 0:08:18been so good, it must be brilliant this week. At the moment his
0:08:18 > 0:08:23shoulders are sagging and he must get them up and forward.Show us.
0:08:23 > 0:08:30More like that and like that than that. He is dancing like that.Isn't
0:08:30 > 0:08:34he good? He's very good, isn't he? Very good indeed.
0:08:34 > 0:08:35And finally, Alexandra and Gorka.
0:08:35 > 0:08:37They're dancing a rumba to Beyonce's Halo.
0:08:37 > 0:08:41Is it looking heavenly to you?
0:08:41 > 0:08:46I think this dance may be a challenge for Alexandra this week
0:08:46 > 0:08:50because it's not about speed, it's more about the aesthetic of a slow
0:08:50 > 0:08:55movement required for the rumba. It's going to be more difficult for
0:08:55 > 0:09:00her. There are places where I think she could get a better yesterday in
0:09:00 > 0:09:08her legs and feet, if she did this. -- a better aesthetic. We have two
0:09:08 > 0:09:14points. If she takes too big a step like she did there it will actually
0:09:14 > 0:09:19compromise the usage and action of the feet and legs. If she can take a
0:09:19 > 0:09:25smaller step, get her body weight over it she can go like that.OK, we
0:09:25 > 0:09:27understand.
0:09:27 > 0:09:31Another lovely warm-up.
0:09:31 > 0:09:39I think you'll agree. Ian Waite.A big thumbs up for rent a crowd over
0:09:39 > 0:09:41there!They are good!
0:09:41 > 0:09:44But that's not all that's been keeping you busy, is it, Ian?
0:09:44 > 0:09:47Ladies and gents, you're looking once again at the head judge
0:09:47 > 0:09:48for the Strictl Pro Challenge 2017!
0:09:48 > 0:09:54Are we in for a close contest?
0:09:54 > 0:09:58Well, do you know what, it's a really technical step and no one
0:09:58 > 0:10:05will have an advantage. It's the step, it's difficult to do. Yeah,
0:10:05 > 0:10:08it's going to be very close this year.Very, very close.
0:10:08 > 0:10:10Well, without further ado, let's find out
0:10:10 > 0:10:15what the challenge is this year.
0:10:15 > 0:10:20This year's Strictly Pro Challenge is going back in time to the roaring
0:10:20 > 0:10:2420s, where the pros will attempt to set a Guinness world record title
0:10:24 > 0:10:29for the most charleston swivels steps in 30 seconds. Judging
0:10:29 > 0:10:31alongside me will be award-winning choreographer and charleston expert,
0:10:31 > 0:10:38Bill Deamer, and official adjudicator: Sophie Greening. The
0:10:38 > 0:10:41swivel step is essential in the charleston and as the Strictly
0:10:41 > 0:10:44judges often stress, if it doesn't have swivelled and it isn't a
0:10:44 > 0:10:51charleston. In order for the step to qualify the pros will have two
0:10:51 > 0:10:54complete one Ford Mack and one backward step. If there is no swivel
0:10:54 > 0:10:59in the feet and ankles or if they don't complete the Ford Mack and
0:10:59 > 0:11:04backward steps, then the step will be disqualified -- forward. This
0:11:04 > 0:11:08step will be the hardest and most technical that the pros have ever
0:11:08 > 0:11:13faced but only one person can claim the title. Welcome to the Strictly
0:11:13 > 0:11:19Pro Challenge 2017.Thank you, Ian. Looking divine in that outfit. Time
0:11:19 > 0:11:25to welcome the first Pro Challenge contender.
0:11:25 > 0:11:27He hails from Stoke on Trent, he has a shoe collection
0:11:27 > 0:11:30to rival my own and Mollie King introduced him to his first
0:11:30 > 0:11:31curry.
0:11:31 > 0:11:33It's AJ Pritchard!
0:11:37 > 0:11:45What an entrance!I'm ready.You are, looking ready to go.
0:11:45 > 0:11:49Now, Italy's Giovanni Pernice is our reigning Pro Challenge champion
0:11:49 > 0:11:52for doing the most Jive kicks and flicks in 30 seconds.
0:11:52 > 0:11:56But that's so 2016.
0:11:56 > 0:12:01I was ill last year so I couldn't take part.You must be keen this
0:12:01 > 0:12:07year?I was excited, very nervous, it was nerve-racking.It is a huge
0:12:07 > 0:12:13honour, dancing in front of an Olivier award-winning choreographer
0:12:13 > 0:12:16and charleston official yobbo, Bill Deamer.We love him.And Ian
0:12:16 > 0:12:21watching you.He put the pressure on, suited and booted, with his
0:12:21 > 0:12:27notepad.How much rivalry is there between you?We're all very
0:12:27 > 0:12:31competitive, we want to win all the time so when it comes to this, we
0:12:31 > 0:12:35don't put people off on purpose but we have a competitive edge.I've
0:12:35 > 0:12:42seen you at it! Let's see how you got on.This is my first Pro
0:12:42 > 0:12:46Challenge, feeling very nervous and excited. I just want to win, it's
0:12:46 > 0:12:51quite simple.Yes, it's a day. Hello, welcome to this year's
0:12:51 > 0:12:58Strictly Pro Challenge. You are the baby of the bunch.It's true.Do you
0:12:58 > 0:13:03think you have an advantage, you are on your side?Yes, short legs as
0:13:03 > 0:13:07well, keeping reloaded the ground, low centre of gravity.Keep focused,
0:13:07 > 0:13:15keep your feet tight.Please take your position on the dance floor.
0:13:15 > 0:13:23For your official attempt, beginning in three, two, one, go.
0:13:28 > 0:13:36Keep going, stop laughing!As good, that's good.15 seconds.
0:13:36 > 0:13:45Consistency.Keep going, keep going. Faster. That's it, keep the swivel.
0:13:45 > 0:13:56Five, four, three, two, one. Stop. That's good.Yeah that was good.
0:13:56 > 0:14:01Pleased with that?Yeah. I don't know why I'm out of breath, I
0:14:01 > 0:14:05stopped breathing halfway through. Just one tiny stop but you picked it
0:14:05 > 0:14:11up again. That was good. Really good dog blue well done, AJ, thanks for
0:14:11 > 0:14:12taking part.
0:14:15 > 0:14:19For me it went fantastic, I had a stumble in the middle but I picked
0:14:19 > 0:14:27it up. Nervous now, I can't do any more, it's happened.I've never seen
0:14:27 > 0:14:29you nervous before. That's quite funny.
0:14:29 > 0:14:32You said your low-centre of gravity might give you an advantage.
0:14:32 > 0:14:34How do you think you did?
0:14:34 > 0:14:38It did help but I did a stumble. I started laughing, I forgot that.
0:14:38 > 0:14:45Like a maniac, were you nervous?I'm very nervous now.I like this.
0:14:45 > 0:14:50The Strictly judges have been quick to point out the swivel,
0:14:50 > 0:14:51or lack of in this series.
0:14:51 > 0:14:59How tricky was it to do it at that speed?
0:14:59 > 0:15:06I don't want to say any more. I have come over all nervous.
0:15:06 > 0:15:07Well, after each of the professionals
0:15:07 > 0:15:10had made their attempt, the footage was watched back
0:15:10 > 0:15:12by adjudicators in slow motion to verify every single swivel
0:15:12 > 0:15:13to make sure they were accurate.
0:15:13 > 0:15:15Even with that little stumble in the middle,
0:15:15 > 0:15:19how well do you think you've done?
0:15:19 > 0:15:28I'm going to say I did OK, I am not going to give a number... I can't...
0:15:28 > 0:15:33I can now reveal you had three steps disqualified...
0:15:33 > 0:15:35That is OK... I can take that!
0:15:35 > 0:15:37Well, with that in mind, we can't keep
0:15:37 > 0:15:38you in suspense any longer.
0:15:38 > 0:15:43AJ Pritchard, in 30 seconds you completed...
0:15:51 > 0:15:5517 Charleston swivels,
0:15:55 > 0:15:57which puts you at the top of the leaderboard!
0:15:57 > 0:16:04And the bottom!
0:16:04 > 0:16:10Kind of difficult to know... Because...Only three disqualified,
0:16:10 > 0:16:14I take that as a positive.I made that little stumble in the middle.
0:16:14 > 0:16:16Are you happy with your score?
0:16:16 > 0:16:17We've got another 14 pros to go.
0:16:17 > 0:16:19Who will you be keeping our eye on?
0:16:19 > 0:16:27I think Jeanette. She is keen, she is good, she knows it, she is good.
0:16:27 > 0:16:30Well done for being the first.
0:16:30 > 0:16:34Give it up for our current Pro Challenge leader AJ!
0:16:34 > 0:16:39Now, as we've seen, our pros love a challenge,
0:16:39 > 0:16:41so we've invited none other than Latin sensation Janette Manrara
0:16:41 > 0:16:44to show me, and you lot at how to dance a Strictly favourite.
0:16:44 > 0:16:49Look alive, cos it's time to jive!
0:16:54 > 0:17:02Janette Is here. She has already started, you have had a lovely data
0:17:02 > 0:17:10data, you have been at the Palace. We curtsy.-- we have had a lovely
0:17:10 > 0:17:18day today. Why have you chosen the jive?Because I am a pocket rocket
0:17:18 > 0:17:31Latin sensation. I am little, you have to be fast on your feet.
0:17:31 > 0:17:33The jive has always been a fan favourite.
0:17:33 > 0:17:35Why do you think the viewers enjoy it so much?
0:17:35 > 0:17:39Even if you are at home on the couch, you say, I love this song,
0:17:39 > 0:17:42you cannot help but move, anything that gets you do move even while
0:17:42 > 0:17:47sitting on a couch has to be exciting to watch.Can you give us a
0:17:47 > 0:17:53history lesson?It came about in the 1920s when jazz music became very
0:17:53 > 0:17:57popular in America, it was a bit naughty, older dancers would not
0:17:57 > 0:18:02like it, too much going on, to fast, they even banned it because they
0:18:02 > 0:18:07wanted to do the slow anticlockwise dances, they did not like jive. But
0:18:07 > 0:18:12when the American GIs came over to Europe they brought it over here,
0:18:12 > 0:18:16and even then it was still quite naughty, they did it only in
0:18:16 > 0:18:22underground nightclubs. It was not until the 1950s when it became swing
0:18:22 > 0:18:25and jitterbug and Lindy hop and all of that and boogie-woogie, that is
0:18:25 > 0:18:27when we liked it.
0:18:27 > 0:18:30Now, Alexandra has the highest scoring jive of the series so far,
0:18:30 > 0:18:34giving us an instant classic with Proud Mary.
0:18:34 > 0:18:38But of course we've seen some fantastic jives over the years,
0:18:38 > 0:18:41from Jill Halfpenny's gamechanger in series 2
0:18:41 > 0:18:45to Ore's runaway winner last year.
0:18:45 > 0:18:51Amazing, amazing, Ore, so much stamina, needed kicks and flicks all
0:18:51 > 0:19:02the way through the routine.There was smoke coming from his feet!
0:19:02 > 0:19:04But in between those two lies Jay and Aliona's
0:19:04 > 0:19:05Pulp Fiction-inspired jive.
0:19:05 > 0:19:07If online views are anything to go by it's Strictly's most
0:19:07 > 0:19:09popular dance of all-time, having been watched over
0:19:09 > 0:19:10three million times!
0:19:10 > 0:19:143 million people! This is my personal favourite, he does kicks as
0:19:14 > 0:19:22he is turning, and in perfect synchronisation with Aliona,
0:19:22 > 0:19:30incredible stuff, kicks are hard, incredible stuff.Lovely to chat.
0:19:30 > 0:19:34But I feel like we should learn some moves. But first, we need this!
0:19:36 > 0:19:39We are going to skip that
0:19:39 > 0:19:43We are going to skip that basic... We will move on, we will start with
0:19:43 > 0:19:47a drunken sailor... A lot in the name, so think of your head being a
0:19:47 > 0:19:51little bit woozy, after a few drinks in the club, and you will go across
0:19:51 > 0:19:57behind, side step. Cross behind, side, step.
0:20:01 > 0:20:06And now do it with a little bit of a bounce, yes. Make sure you have that
0:20:06 > 0:20:16sensation, that drunken sensation. And then... It is in the name, Tony
0:20:16 > 0:20:18Heal
0:20:19 > 0:20:33that macro toe heel swivel. Toe heel swivel. Toe heel swivel twist!
0:20:38 > 0:20:42Finishing with kicks, the trick for this, act as though you have a
0:20:42 > 0:20:47little string tied from the back of your heel, to your behind, retract,
0:20:47 > 0:21:07retract quickly. One, and switch and switch... Knee is up, knee is up. --
0:21:07 > 0:21:14knees up. Keep up. Shall we do it together, here we go.
0:21:20 > 0:21:26Drunken sailors. Five, six, seven, drunken sailor.
0:21:27 > 0:21:46Heel, so, so he'll swivel -- toe heel swivel.
0:21:57 > 0:22:06So good, I feel light-headed. That was so good, you did well.
0:22:06 > 0:22:08Now, my final guests of the night were the first
0:22:08 > 0:22:11on the bill in Blackpool, and what an opening act it was.
0:22:11 > 0:22:19They're waiting in the wings, it's Mollie and AJ!
0:22:19 > 0:22:23What a way to open the show in Blackpool.Much more confidence,
0:22:23 > 0:22:27much more strength, great improvement.No turnout in your
0:22:27 > 0:22:35swivel but I thought both lifts were an absolute
0:22:35 > 0:22:40triumph.
0:22:40 > 0:22:41Mollie and AJ, everyone!
0:22:41 > 0:22:42What a performance!
0:22:42 > 0:22:48Was it those wings that made you fly or the sprung floor?
0:22:48 > 0:22:53My goodness, it was just the hire of being in Blackpool. Amazing, opening
0:22:53 > 0:22:59the show... Such a privilege, it was... Men so much to us. It was a
0:22:59 > 0:23:05real honour. The high of being in Blackpool. We all know the going
0:23:05 > 0:23:10first...Something like that, it must've been terrifying.It really
0:23:10 > 0:23:14was, and AJ said to me, don't let the nerves get to you, I know that
0:23:14 > 0:23:18they will get to me but I thought, you know what, this will happen only
0:23:18 > 0:23:24once, I have got to go out there and love it. The crowd were amazing, we
0:23:24 > 0:23:27could hear them... They were really encouraging, you could tell the
0:23:27 > 0:23:31crowd wanted you to do well, so the minute it started I thought, I am
0:23:31 > 0:23:39going to love this.You could see that in your face, both of you
0:23:39 > 0:23:40looking incredible.
0:23:40 > 0:23:42Of course you got to see Nana King.
0:23:42 > 0:23:45What did she make of your charleston?
0:23:45 > 0:23:50She loved it, absolutely loved it, we went to Hull to visit her, gave
0:23:50 > 0:23:56her the preview...We took it to her front room! Some of the lifts we
0:23:56 > 0:24:00could not get into the living room. Unless you take down the ornament!
0:24:00 > 0:24:07She could not believe how much we had come, from the beginning.She
0:24:07 > 0:24:11said, the Charleston, that is a hard one, and she started doing it. She
0:24:11 > 0:24:17said, that is a hard one.Of course, AJ, not your first rodeo.
0:24:17 > 0:24:20We found this little pic of your first visit
0:24:20 > 0:24:25to the Tower Ballroom.
0:24:25 > 0:24:33So cute! Are you wearing a medallion? How old were you?I think
0:24:33 > 0:24:41I was 11...How did you do?Not very well...! I think it was the first
0:24:41 > 0:24:46ever major competition for Chloe and myself, walking into town, a bit
0:24:46 > 0:24:49like Molly, so nervous but excited at the same time, cannot believe
0:24:49 > 0:24:54that.Look at you now. Bruno really knows, he could see the confidence
0:24:54 > 0:24:57in you, are you feeling more confident as the competition goes
0:24:57 > 0:25:04on?Definitely, and having that week avoiding the bottom two picks you
0:25:04 > 0:25:10up, no doubt, being in the bottom two, it does not your confidence.
0:25:10 > 0:25:14Being there in Blackpool, I never expected we would get that far. Just
0:25:14 > 0:25:19to be there, this is amazing, and how far we have come, how far I have
0:25:19 > 0:25:24come from the first jive, to be in Blackpool, just incredible. It does
0:25:24 > 0:25:29help your confidence grow. You just have to take it in at that point.
0:25:29 > 0:25:37Those lifts, so impressive. You did Tom Daley crowd, the way that you
0:25:37 > 0:25:43dived into it, look at you go, and back up... Look at that. Absolutely
0:25:43 > 0:25:54beautiful.In rehearsals, we had only manage them about twice.That
0:25:54 > 0:25:59was the second time we completed it properly.You must have been quite
0:25:59 > 0:26:05scared.Very scared, understatement, we practised it in the dress run...
0:26:05 > 0:26:10Had not really... A lot more my fault, than AJ's, because I was
0:26:10 > 0:26:16like, just grabbed me! But thank goodness, on the night.And he did.
0:26:16 > 0:26:22Incredible stuff. Also, Darcey always keeping an eye...
0:26:22 > 0:26:28Shoulders...Shoulders! But you get so tense. You just want to get
0:26:28 > 0:26:35involved.You do want it, I am going to get involved so much, so much
0:26:35 > 0:26:40more energy, and you think, give me energy but...LAUGHTER
0:26:40 > 0:26:54Perfect position.Make it sound so easy. This weekend, quick step...
0:26:54 > 0:26:56MUSIC: "Umbrella" - The Baseballs
0:26:56 > 0:26:58The quickstep is one of your favourite dances,
0:26:58 > 0:27:00what is it you love about it?
0:27:00 > 0:27:04At home they can feel your excitement, able to smile as well,
0:27:04 > 0:27:07Molly loves to smile, we love to smile, so we can put personality
0:27:07 > 0:27:11into it. -- Mollie. We can channel the energy, I am always full of
0:27:11 > 0:27:16energy. Throw more here, run a bit more here, you can always add in
0:27:16 > 0:27:22more. It is not like, it is a bit too much, no, more, more, more. It
0:27:22 > 0:27:31is always better.If I don't move, I get walked on, literally, I have got
0:27:31 > 0:27:36to get moving, he is not slowing down, he says, if I don't get you
0:27:36 > 0:27:41moving, then I am still moving forward myself. There has been a few
0:27:41 > 0:27:45crashes, my trainers that were white are now Brown.And your toes, I
0:27:45 > 0:27:52should imagine. Also, the paso doble. It got you through to
0:27:52 > 0:27:58Blackpool. How are you preparing for this?So excited, I keep saying to
0:27:58 > 0:28:11AJ, I cannot wait to be out there. We are going to be out there...They
0:28:11 > 0:28:15are not even inside, we have blinkers on.That is fighting talk.
0:28:15 > 0:28:23Nobody puts Mollie in the corner! Nobody puts Mollie in the corner(!)
0:28:23 > 0:28:24you get through to...
0:28:24 > 0:28:25through to...
0:28:25 > 0:28:28Your face is always a picture when you get through another week.
0:28:28 > 0:28:31What will you do if you make it through to Musicals Week?
0:28:31 > 0:28:32Jazz hands!
0:28:32 > 0:28:36Good luck on Saturday, Mollie and AJ, everyone!
0:28:36 > 0:28:42You are doing brilliantly. Thank you.
0:28:42 > 0:28:45That's all we have time for tonight.
0:28:45 > 0:28:47What a fun show!
0:28:47 > 0:28:49Join me again tomorrow at 6:30
0:28:49 > 0:28:51when I'll be chatting to Alexandra and Gorka,
0:28:51 > 0:28:52Vicky Gill previews this weekend's glamorous garms
0:28:52 > 0:28:56and the Pro Challenge continues!