:00:12. > :00:15.It's Monday and what a weekend it was! Coming Uptonite - Rory and
:00:15. > :00:20.Erin were let down by their Latin and became the third couple to
:00:20. > :00:24.leave the competition. They're here live. Blonde bombshells Robbie and
:00:24. > :00:29.Ola will be popping in for some jive talking. Craig Revel Horwood
:00:29. > :00:34.rounds up Saturday's performances and Dr Pamela Stephenson examines
:00:34. > :00:41.the training room dynamics of the female celebrities and their
:00:41. > :00:51.partners. This is zans, It Takes Two. -- this is Strictly Come
:00:51. > :01:12.
:01:12. > :01:21.Live from Television Centre, this is Strictly, It Takes Two. Please
:01:21. > :01:25.welcome your host. It's Zoe Ball. Hello! And welcome. I shouldn't get
:01:25. > :01:30.carried away, it's only Monday. Welcome, it was the weekend where
:01:30. > :01:33.Chelsee and Pasha soared to the top of the Strictly leaderboard. Yes,
:01:34. > :01:39.yes, you can cheer. Harry and Aliona got the first ten of the
:01:39. > :01:44.series and Rory and Erin were knocked out. Aw. They'll join me in
:01:44. > :01:50.a moment, but first, if you myed out on the weekend's events, here
:01:50. > :01:54.is a quick reminder. Pasha, you checked in, and I'll
:01:54. > :02:00.tell you this, Chelsee, tomorrow night you're not going to be
:02:00. > :02:06.checking out. I don't think you looked comfortable doing this
:02:07. > :02:16.particular dance. Full of beans, full of energy, good job. You have
:02:17. > :02:17.
:02:17. > :02:25.your own little style. That was exquisite. 10. You tried to make a
:02:25. > :02:35.big meal out of this paso and you got indigestion. The couple leaving
:02:35. > :02:39.
:02:39. > :02:43.Please give it up for Rory and Erin!
:02:44. > :02:47.Aw! I didn't want to see you here today. We didn't want to be here.
:02:47. > :02:51.Bless you both. We are all shocked that you've gone. How surprised
:02:51. > :02:56.were you to be in the bottom two on Saturday? I knew I hadn't danced
:02:56. > :03:04.very well and I had a feeling about it. I was really sad because we had
:03:04. > :03:08.more to do, I think, lots more, we didn't plan to go out this early.
:03:08. > :03:13.We have more life to live, more love to give and we'll survive!
:03:13. > :03:17.confident did you feel going into Saturday's show about your cha-cha?
:03:17. > :03:20.I knew it wasn't my stronger dance. I thought I had to give it all I
:03:20. > :03:28.had and it's a different dance. We've talked about this lots of
:03:28. > :03:31.times before and I had to go for it. I took a wrong turn because I went
:03:31. > :03:35.for it too much with the adrenaline coming through. Erin would say to
:03:35. > :03:39.me, calm down, but I think my idea of a good dance is finish it
:03:39. > :03:43.quicker than anyone else, rather than dance it better. But I loved
:03:43. > :03:46.it and I'll miss it hugely. Sometimes you are just so eager to
:03:46. > :03:50.get through it and know that you've got to the end. Lots of the judges
:03:50. > :03:55.and the pro dancers have been talking about choreography this
:03:55. > :03:59.year. That's the big word. Would you have changed it in hindsight?
:03:59. > :04:03.don't think so. The professionals work with the celebrities closely
:04:03. > :04:06.and know what's best for the person they're dancing with so give them
:04:06. > :04:12.the routine that hopefully brings out the best in them. She has to
:04:12. > :04:17.work to my limitations because I'm about as Latin as the Duke of
:04:17. > :04:22.Edinburgh. No, he's Greek isn't he! No, I wouldn't change anything, no.
:04:22. > :04:25.So many fans and they're very upset that you've gone. Lucy said she was
:04:25. > :04:30.impressed with your dance on Saturday and thought the judges
:04:30. > :04:34.were too harsh on you. Erin, would you agree? Yes, I would. Whole
:04:34. > :04:39.heartedly. Come on... You've had a phone call, this lovely message.
:04:39. > :04:45.Listen to this. I just wanted to say that Rory should not have been
:04:45. > :04:49.voted out of the competition and we were really upset. We absolutely
:04:49. > :04:53.loved the quickstep. Thank you. bless your heart. Thank you so much.
:04:53. > :04:58.Thank you for that. That was so lovely. Huge fans and so many more
:04:58. > :05:01.messages like that and everybody's quite upset. You've caught the
:05:01. > :05:05.Strictly bug. What do you think you will miss the most? Everything.
:05:05. > :05:08.I'll miss my partner, she's been just brilliant. It's been just a
:05:08. > :05:12.joy. And everything, the training, the discipline and all my friend.
:05:12. > :05:16.That was why I had the real lump in my throat because it's so sudden.
:05:16. > :05:20.One minute you are on this amazing coach journey, it stops and they
:05:20. > :05:24.say get off and you are standing at the side of the road with your bags
:05:24. > :05:29.and you look up at Tess's room and the friends are there and it
:05:29. > :05:33.becomes a whirl and you know that it's over. That's a good analogy.
:05:33. > :05:36.was really sad. I was going to say that I left with dignity but I
:05:36. > :05:42.looked at the shirt and the fake tan and said that's not quite right
:05:42. > :05:46.is it. You did have dignity. Here with what we consider to be the
:05:46. > :05:56.best bits. The dance you will be hoping to make a good impression
:05:56. > :06:05.with... Erin Boag. -- the dancer. Try to impress Revel Horwood lapse
:06:05. > :06:09.I think he's quite tough on himself. We're almost there. Oh. I thought
:06:09. > :06:13.for the first week, that was fantastic. Thank you, Len. I think
:06:13. > :06:19.she'll be a dancer yet. One, two, three, five, six, seven. This week
:06:19. > :06:28.we are dancing the salsa. You've got to be sexy. I'm not naturally
:06:28. > :06:33.very sexy. The salsa has to have the hips. It's the first time ever
:06:33. > :06:37.on Strictly they've done a Broadway week. This is my week, if I can get
:06:37. > :06:43.it right, but I have to get it right first. Quickstep is your
:06:44. > :06:49.dance. This week, Matthew, we will be dancing the cha-cha-cha. I think
:06:49. > :06:55.it could be a bit of a cha-cha challenge. Erin's mission to
:06:55. > :06:59.transform me into a sex God... Sally ride... Every week you think,
:06:59. > :07:03.I can't do this at tt start of the week, and then by the end, you
:07:03. > :07:08.think, I can and it's satisfying. You are like the Government, a lot
:07:08. > :07:12.is going on and it's not all good. The couple leaving tonight is...
:07:12. > :07:15.Rory and Erin. I really wanted to dance with Rory
:07:15. > :07:20.from the very beginning of the show. It's just too early. It's a shame
:07:20. > :07:24.we've gone now and I'm going to miss you completely and utterly.
:07:24. > :07:29.You've been wonderful. Erin, I want to thank you for all the faith and
:07:29. > :07:34.confidence you had in me. It's just been such a fantastic experience.
:07:34. > :07:39.Hay, we'll always have our quickstep and thank you for that.
:07:40. > :07:45.Mwah. We've all gone here, look. Stop it! Don't be too nice! Anybody
:07:45. > :07:55.else want one?! Who gets your vote, Rory? Who are you backing? Which
:07:55. > :07:59.one of youfr chums would you like to see lift the glitterball -- your
:07:59. > :08:05.chums? It could be any one of the six of them. I love them all, it
:08:05. > :08:08.would be wrong to pick out one name. You you have been such a true
:08:08. > :08:16.gentleman and so many people think you're very sexy indeed. Erin and
:08:16. > :08:21.Rory, thank you so much. Thank you. Thank you. In a moment, Craig will
:08:21. > :08:26.be here to recover from giving his first nine of the searrys, it's
:08:26. > :08:31.taken it out of him! Before that, here is what you sad to say about
:08:32. > :08:36.the weekend ch weekend. Russell did a fantastic job of the content. He
:08:36. > :08:42.was grossly undermarked by the judges. Well done, Russell. I just
:08:42. > :08:46.wanted to say that tonight's show has been the best of the series.
:08:46. > :08:52.Everybody seemed to be having such fun and I love the way all the
:08:52. > :08:56.dancers cheer each other on. They're just like one big happy
:08:56. > :09:00.family. Congratulations to Chelsee and Pasha, brilliant routine,
:09:00. > :09:05.superb quickstep. If I was writing on Chelsee's Strictly school report
:09:05. > :09:09.this week, I would say five gold stars, well done. Rory, I think
:09:09. > :09:14.you're a brilliant dancer and I think Erin was an excellent teacher
:09:14. > :09:18.and you made a great couple. Really sad to see you leave.
:09:18. > :09:24.Thank you all for all of your messages. If you want to have your
:09:24. > :09:34.say on the weekend's events, pick up the phone and right now the
:09:34. > :09:41.
:09:41. > :09:51.Now, he is the man who tells it as he sees it. It's the rather divine
:09:51. > :09:53.
:09:53. > :09:57.Craig Revel Horwood! Come on, darling. Look at you in your
:09:57. > :10:01.fabulous belt. I imagine that is an F for fabulous. A big old dirty F,
:10:01. > :10:06.darling. Thank you for that. Love it! What a show it was on Saturday,
:10:06. > :10:11.a spat with Len, back chat from James, what drama? All a bit out of
:10:11. > :10:15.control, I thought, actually. you enjoy it? No, I never enjoy
:10:15. > :10:20.those spats, to be honest. I like to just do the judging and then get
:10:20. > :10:24.on with it, you know, and score. Let's do that now and talk about
:10:24. > :10:29.the performances. Harry and Aliona. Alesha gave a ten, the first ten of
:10:29. > :10:33.the series. This is where the dispute started with you and Len,
:10:33. > :10:36.over the whispered sweet nothings on the stairway? As a director and
:10:36. > :10:41.choreographer, I encourage people to tell stories when they dance,
:10:41. > :10:46.you know, so we are interested, and I thought this was rather sweet and
:10:46. > :10:52.nice. The only reason I didn't give it possibly a nine was after that
:10:52. > :11:01.moment because she left him a little bit on his own. Then that
:11:02. > :11:05.revealed some flaws. When you say flaws, what in particular? Arm-
:11:05. > :11:10.ography. I didn't like his arms. What did they do that you didn't
:11:10. > :11:15.like? Too closed and not as open and gorgeous a long a line as they
:11:15. > :11:19.should be. But encouraged by his performance? I loved it. Exciting?
:11:19. > :11:25.Yes, every week he's getting better and better and we are seeing a lot
:11:25. > :11:30.more personality, so I was really upset that Len decided to mention
:11:30. > :11:33.the kiss stuff because actually why not, they were out of hold for ten
:11:33. > :11:37.seconds. You are allowed ten seconds, aren't you, it's in the
:11:37. > :11:41.rules. Alex and James did the rumba. Now, this led to a little bit of
:11:41. > :11:48.back chat from James. You agreed with Len that quite a lot of time
:11:48. > :11:52.was spent on the floor and you said to Alex that it was cold? Yes.
:11:52. > :11:58.I actually said sexless and cold. didn't want to bring that up but
:11:58. > :12:02.you mentioned it? I mean by the tansing and the way you can make it
:12:02. > :12:07.sexy is through hip action -- dancing. It was quite apparent that
:12:07. > :12:12.there was relatively nothing going on in the hip department. Now, if
:12:12. > :12:18.you can get a long, juicy, delicious line with the hips, as
:12:18. > :12:23.you know, you will then appear sexy. Of course, it's nothing to do with,
:12:23. > :12:29.you know, her personally. We only ever judge the dancing for the
:12:29. > :12:32.dance sake, you know and any time I yuz those analogies, it's as a
:12:32. > :12:38.director choreographer -- use. People sometimes need to think
:12:38. > :12:41.about being a lion or tiger, you know. Some people need to be
:12:41. > :12:48.panthers. I say! I don't usually get personal and if anyone thinks
:12:48. > :12:54.that, they're completely wrong. when you say sexless, you mean you
:12:54. > :12:59.are talking about the dancing and you want more hips? Yes. Nancy and
:12:59. > :13:02.Anton and their Paso Doble. You said Oklahoma without skipping but
:13:02. > :13:06.there were positives in what you had to say which is exciting?
:13:06. > :13:12.the exciting part, I think of this performance, is the fact that Nancy
:13:12. > :13:16.goes for it. She takes an idea and she resolves it, you know, by
:13:16. > :13:21.landing herself on Anton. And I think that is great and
:13:21. > :13:25.encouragable and that's why I love her courage, to be honest. Yes, it
:13:25. > :13:29.needs a bit of work technically, of course it does. I would like to see
:13:29. > :13:35.a bit more dancing between them. I feel lick they're fighting the
:13:35. > :13:40.dance and Anton can help that, maybe by just, if someone makes a
:13:40. > :13:43.mistake, he can try and cover it up, that would help the situation.
:13:43. > :13:48.There is some talent in there. There are moments of threes and
:13:48. > :13:53.fours, you know, I think that's wonderful. It's good, twos up all
:13:53. > :13:58.the time. I loved it when she did that cape move. She's so brave?
:13:58. > :14:03.bold. If she had have made any mistakes, when she threw herself
:14:03. > :14:07.back into lift, darling, I mean her head was mill metres from the floor.
:14:07. > :14:10.Ouch! Chelsee and Pasha, incredible performance, I was standing on my
:14:10. > :14:16.sofa at the end of this routine. You said first-class, were you
:14:16. > :14:21.tempted to give a ten? No. Not a tiny bit? No. Why not, what is
:14:21. > :14:27.missing? Just wasn't good enough. But still good to get a nine?
:14:27. > :14:34.loved it, really and truly. But it didn't have the polish that a ten
:14:34. > :14:38.needs. It had dynamic, it was brilliant, had a million steps, it
:14:38. > :14:42.was going for it. It's only week three was it on Saturday? You have
:14:42. > :14:46.to understand that some dancers suit some people, you know. You
:14:46. > :14:52.have to be unlucky to get the wrong dance at the wrong time. That's
:14:52. > :14:56.when people like Rory get to go home. Exactly. Jason and Kristina.
:14:56. > :14:59.Jason finally knocked off the leaderboard. Where did he go wrong?
:14:59. > :15:04.Well, it was a bit kangaroo-ish, if you like, I suppose. He was
:15:04. > :15:09.skipping around, galloping, you know, the up and down movements,
:15:09. > :15:12.loses strength and a positive nature to it. You have to be - it's
:15:12. > :15:18.a demanding dance, shape-wise - that's why I thought he'd be better
:15:18. > :15:24.than he was. I was quite shocked actually, you know. I think people
:15:24. > :15:29.at home think Jason can actually dance because he's done Priscilla
:15:29. > :15:32.and all that sort of stuff but actually he's not a dancer, he's a
:15:32. > :15:35.great actor and singer and he's not a dancer and I know that he takes
:15:35. > :15:41.hours and hours and hours of concentrated stud tkwroi achieve
:15:41. > :15:49.what he's achieving. I think that showed him his weaknesses -- study
:15:49. > :15:53.to achieve what he's achieving. Gorgeous as always, we'll see you
:15:53. > :15:58.next week. By the way, Halloween special lrbgs you be dressing up,
:15:58. > :16:03.Craig? I hope so, if they'll allow me, darling. Mind you, you don't
:16:03. > :16:08.need to dress up, you are scary enough. Just kidding! Craig Revel
:16:08. > :16:11.Horwood! Robbie and Ola, here is how they tackled the jive.
:16:11. > :16:19.Your energy was on a different level tonight. It was great to see
:16:19. > :16:28.you having such a good time. Brilliant entertainment. Never seen
:16:28. > :16:38.anybody working the golden locks like Jerry Hall. Kicks and flicks
:16:38. > :16:40.
:16:40. > :16:47.were sloppy. Listen, you loved it, the people loved it, I loved it.
:16:47. > :16:52.I thought I would get 27 points four weeks in, I would be delighted.
:16:52. > :16:57.Very proud of you. Thank you. Please welcome our blonde
:16:57. > :17:00.bombshells, Robbie and Ola. Hello. How are you both? Another standing
:17:00. > :17:06.ovation for you Mr Robbie Savage, well done to both of you. Peter has
:17:06. > :17:10.been in touch online and said well done Goldilocks, keep it up, not
:17:10. > :17:15.bad for an ex-footie player. How was it for you on Saturday? Yes,
:17:15. > :17:20.going back to Craig's remarks, I think it was fair because
:17:20. > :17:26.technically it wasn't good but I gave it my best shot. You really
:17:26. > :17:32.did. You got so carried away. Look at your nose. You've got a proper
:17:32. > :17:40.scar on your conk from head banging the camera? Yes, on my conk, yes.
:17:40. > :17:44.What happened then, too keen? Supposed to stop by the camera, too
:17:44. > :17:48.much enthusiasm, too close and I can't breathe properly. The crew
:17:48. > :17:56.have asked if I can pass this bill on to you for damages, they said
:17:56. > :18:01.the cheque is fine. A couple of lenses broken. Craig said he loved
:18:01. > :18:04.Rob eye's characterisation but stompy and plody he said? I agree,
:18:04. > :18:07.the technique would have been better. When I heard we were doing
:18:07. > :18:10.a jive at the beginning of the week, I thought oh dear, what are we
:18:10. > :18:15.going to do, I didn't think it would suit Robbie, but you know
:18:15. > :18:18.what, he sold the dance with his personality. I think if he wouldn't
:18:18. > :18:22.have done that, he probably wouldn't be as good, but he really
:18:23. > :18:26.went for it 100% and he sold it and he was brilliant and we loved it.
:18:26. > :18:31.Until the end of the dance you don't know how it's going to end up
:18:31. > :18:35.and what we are going to get, but he was brilliant. How important is
:18:35. > :18:45.it, Robbie, for you to be happy with your hair for you to give a
:18:45. > :18:46.
:18:46. > :18:52.good performance on a Saturday night? On Saturday night I was like
:18:52. > :18:59.Wurzel Gummidge at times. Yeah, I like my hair. Alesha pointed out
:18:59. > :19:08.that if you don't get a hair commercial by the end of the series,
:19:08. > :19:15.she'll eat her hat. We made one up for you anyway.
:19:15. > :19:23.Feels so good. # You lying here next to me.
:19:23. > :19:28.# Oh, what a groove. # Do you want to impress the ladies.
:19:28. > :19:33.Your hair. # Just washed it. It's good, I like it. Nice. # Do you
:19:33. > :19:41.want to be the envy of all your friends. Who's blonder? Robbie's
:19:41. > :19:47.blonder. # Who's got the best hair? Robbie's got the best hair, hasn't
:19:47. > :19:52.he? # In your answer is yes, you need Strictly Savage. This product
:19:52. > :20:00.will improve your life. My hair's better, my teeth's better, my eyes
:20:00. > :20:03.are better, my Bodelwyddany's better. Cos I'm worth it -- my
:20:03. > :20:11.body's better. Cos I'm worth it! Next week it's a Halloween special.
:20:11. > :20:14.You are doing the Paso Doble and we are excited about that? It's a
:20:14. > :20:19.masculine dance. After seeing that, I probably look like a girl so it's
:20:19. > :20:24.difficult to look like a man. always look like a man out on that
:20:24. > :20:29.floor Not always! You told him skhrat how does this feel. Three
:20:29. > :20:39.more weekends, if you can make it clu three more weekends, you get to
:20:39. > :20:42.
:20:42. > :20:46.play Wembley -- make it through to well pli. How would you feel?
:20:46. > :20:52.Wembley? To get Wembley, the added bonus is that Robbie might come as
:20:52. > :21:02.well. Oh, yes, your friend Robbie Williams. We can do it! Please stay
:21:02. > :21:07.in, we want to see Robbie. Ooh yes. Look at you switching Robbies. Good
:21:07. > :21:13.luck this week and what tricks have you got up your sleeves? Quite a
:21:13. > :21:18.bit, but we can't tell you, shh. It would ruin it. Looking forward to
:21:18. > :21:23.it. Robbie and Ola. As the drama unfolded, on screen on
:21:23. > :21:32.Saturday night, we were behind-the- scenes seeing what was really going
:21:32. > :21:39.Good morning. Morn pg. Time to get smooth. Week four. We are all very
:21:39. > :21:46.excited. It's freezing. The competition is hotting up. Wish me
:21:46. > :21:50.luck. Doing a tango. Called sweet dreams and it's actually a
:21:50. > :21:58.nightmare and that's what I'm having during the tango. My partner
:21:58. > :22:07.never stops practising, look. Took a lot of oil to get that going.
:22:07. > :22:11.Samba. She's a tough one. But Lulu and I are... Sorry. Sorry, mate.
:22:11. > :22:21.had a blackout then. In the rumba, because it's a slow dance, when you
:22:21. > :22:28.
:22:28. > :22:32.wobble, it's obvious. No wobbling here. I'm filming this to make sure
:22:32. > :22:37.he's happy with the shots and he'll do the same for me. I got booted
:22:37. > :22:42.out of the competition last weekend. But the good news for you guys, I
:22:42. > :22:48.got the cam and I'm going to get all the backstage gossip straight
:22:48. > :22:53.from me to you. Let's go find someone. Hello! Hi. Do you have any
:22:53. > :22:57.gossip for me? No, none at all and I wouldn't tell you anyway. Excuse
:22:57. > :23:04.me. Do we come in the girls' changing room when you're getting
:23:04. > :23:09.changed?! Oh yeah, we do. gossip? Do you know that I'm not
:23:09. > :23:16.going to be dog this show in two weeks' time. Jennifer Gray is
:23:16. > :23:20.taking my place. This is a full exclusive. I hope pore browny
:23:20. > :23:30.points. There are 11 different dances and in some ways I like that.
:23:30. > :23:30.
:23:30. > :23:40.A bit like watching me get my lovely make-up on by lovely Briney.
:23:40. > :23:40.
:23:40. > :23:46.Eye candy for the over '80s! picture of my bum! Now your face so
:23:46. > :23:53.she knows it's you. This is the time when the nerves are starting
:23:53. > :23:58.to kick in. He's sweating. 14 minutes left. Everyone's going with
:23:58. > :24:01.the last-minute hair spray. The rat look is back, but an extremely
:24:01. > :24:06.good-looking rat. Every time I get sown into my outfit, I need to go
:24:06. > :24:16.to the toilet. I absolutely love my dress. Focus, focus, focus. It's
:24:16. > :24:17.
:24:17. > :24:21.show time. Hope you enjoy the show. I'm going in! Woo-hoo. Good luck!
:24:21. > :24:27.Now time for some in-depth analysis and we've booked another
:24:27. > :24:30.appointment with Dr Pamela Stephenson. Welcome back Dr Pamela.
:24:30. > :24:34.The competition is really hotting up. What are our couples feeling
:24:34. > :24:38.and going through at this stage? I've been looking a the females
:24:38. > :24:42.this week and they are really feeling the pressure. There's
:24:42. > :24:45.anxiety, sleep deprivation and, as we saw from Rory, they really don't
:24:45. > :24:49.want to leave. It's really tough and getting much harder. It's gone
:24:49. > :24:53.up a step hasn't it? You can really feel that. We are going to look at
:24:53. > :24:58.the ladies in training. First of all, your ex and his new partner
:24:58. > :25:02.Alex in the training room. This is from their training last week.
:25:02. > :25:08.Again. What? Do the roll until it's ingrained in your head, you do it
:25:08. > :25:13.again and again and again. It is ingrained. It's ingrained. Go on
:25:13. > :25:23.then and if it's not perfect, you do it again. Only because you're
:25:23. > :25:29.
:25:29. > :25:36.Again. How is Alex getting on with James and how is she coping with
:25:36. > :25:39.it? It's coming back to me, I'm having flashbacks. James's way is
:25:39. > :25:42.very authoritarian and it's my way or the highway. It can work as long
:25:42. > :25:48.as you keep something light. Fortunately, these two are having
:25:48. > :25:51.fun as well, helping to reduce the anxiety. Authoritarian styles can
:25:51. > :25:57.increase the anxiety, but as long as they keep teasing each other and
:25:57. > :26:04.having fun, they'll be fine. Nancy and Anton. Here they are in
:26:04. > :26:07.training last week. Here, there, push. It's not clear. Because you
:26:07. > :26:10.don't do it clear. We have to change it because of you, not
:26:10. > :26:17.because of me. Don't get all aggressive, I'm just telling you
:26:17. > :26:20.the truth. You don't like it, I can't help it. That's life, I'm
:26:20. > :26:25.afraid. I'm glad that you believe so. Do it again. Come over here and
:26:25. > :26:29.do it with me immediately. Don't hurt me!
:26:29. > :26:34.I thought he was going to get him there. She's fascinating, isn't
:26:35. > :26:38.she? I may not be qualifyed to speak about her, she may defy
:26:38. > :26:43.psychological analysis, she's a one-off and I love her. I think
:26:43. > :26:46.Anton's brulyant because you notice that he had a very tough message
:26:46. > :26:50.for Nancy -- brilliant. He shows you that you can say something
:26:50. > :26:53.tough to somebody but as long as you have the right tone and have a
:26:53. > :26:58.smile, you are going the tease and help make it palatable. That's what
:26:58. > :27:02.he does and it's working. He's going to be heard. Excellent. Lulu
:27:02. > :27:06.and Brendan. We are seeing a whole new side to Brendan in this series
:27:06. > :27:16.and we like it a lot. This is a clip of them training from last
:27:16. > :27:41.
:27:41. > :27:45.Better. Better? Yes. Total Lulu language shum-shum-shar? She learns
:27:45. > :27:49.in a different way, yes, she responds to beats, rather than
:27:49. > :27:52.counting. Normally a prodancer would count, as you know. He's not
:27:52. > :27:57.going to to that, he's going to speak her language and help her
:27:57. > :28:02.learn in the style that's familiar. Brilliant. We like it. Chelsee and
:28:03. > :28:10.Pasha, glorious on Saturday? Fantastic. Two clips of Chelsee and
:28:10. > :28:16.Pasha. Here is the first. I usually say the end, but this is not the
:28:16. > :28:20.end yet Chelsee. Chels come on, give me a break with your phone
:28:20. > :28:25.won't you, please. Yes, I know. I was just getting the scene for
:28:25. > :28:28.tomorrow. Right. It's always the same story with them, her phone.
:28:28. > :28:33.really helps to see how pressured everything is becoming and poor
:28:33. > :28:37.Chelsee has two jobs so there's very little time and Pasha gets
:28:37. > :28:42.frustrated. Right there, he was being stern and parental and
:28:42. > :28:47.Chelsee's much younger so it's easy to be a parent to her. A bit later
:28:47. > :28:57.he tries a different tack. Let's have a look.
:28:57. > :28:58.
:28:58. > :29:01.Ou! Immediately. Works every time. He's getting to her level and
:29:01. > :29:07.immediately getting results, he got her attention. Brilliant. Thank you
:29:07. > :29:10.very much. Fascinating stuff. Give it up, please, for Pamela
:29:10. > :29:15.Stephenson. That is it for tonight and thanks to all my guests. Make
:29:15. > :29:20.sure you join me tomorrow at 6.30 when I'll be chatting to Nancy and