:00:08. > :00:12.It's Tuesday. Coming up on tonight's It's Tuesday. Coming up on tonight's
:00:12. > :00:16.show, like a cat with nine lives, Nancy and Anton are here after
:00:16. > :00:19.escaping elimination for the second time. She certainly knows her
:00:19. > :00:23.fleckerls from her flicks, Hardy is back with Choreography
:00:23. > :00:29.Corner. They smoothly made it through to the next round,
:00:29. > :00:39.Robin will be here. Plus fashion designer Julien Macdonald OBE gives
:00:39. > :01:09.
:01:09. > :01:16.us his take on the weekend's outfits. This is It Takes Two.
:01:16. > :01:18.please welcome your host, it's Zoe Ball!
:01:18. > :01:25.hello, and welcome to It Takes Two. hello, and welcome to It Takes Two.
:01:25. > :01:29.Now, as you know, the weekend gave us a smorgasbord of dancing styles,
:01:29. > :01:33.sensational scores and teddy bear so there's plenty to talk
:01:33. > :01:38.about. In a moment I will be talking to Nancy and Anton but first here is
:01:38. > :01:43.why their paso doble was one remember. You were like a bit of
:01:43. > :01:47.rag doll, counting out loud, being thrown about by Anton but I
:01:47. > :01:51.it. I enjoyed it, there going on. It was entertaining. Well
:01:51. > :01:55.done. How can you actually and go off time? But great effort.
:01:55. > :01:59.Not quite as successful have been, but great to watch. I
:01:59. > :02:08.think that secretly there is talent beneath the surface and I think we
:02:08. > :02:11.It was fun. When it's a live show It was fun. When it's a live show
:02:11. > :02:15.you don't know what is going to happen. It was perfect in rehearsal.
:02:15. > :02:22.Definitely very, very close to very, very good. You only get one
:02:22. > :02:28.go, sadly. If we had another go, it would have been perfect.
:02:28. > :02:31.Nancy and Anton are here! Bottom two Nancy and Anton are here! Bottom two
:02:31. > :02:36.again, but the public saved you. Brilliant. Really? Were you
:02:36. > :02:40.relieved, Nancy? Definitely, I'm happy to be here again. Happy that
:02:40. > :02:44.we went through. It's difficult to describe the very emotions happening
:02:44. > :02:50.at that moment. Of course it was absolutely relief and happy to be -
:02:50. > :02:53.to stay in the competition, in the show, but very sad
:02:53. > :02:58.and Erin. I know, he was in tears, a lot of people were. It is horrible
:02:58. > :03:04.when people go. We don't like it. No, but they say they can't change
:03:04. > :03:08.the show. It is kind of the nature of the beast, of the show really.
:03:08. > :03:11.Let's talk about your performance. During your performance the judges
:03:11. > :03:16.did point out that they could you mouthing the numbers, you were
:03:16. > :03:22.counting. Did you realise you were doing that? Of course not.
:03:22. > :03:26.LAUGHTER. I don't know what we were doing! No, actually I was surprised
:03:26. > :03:31.when Bruno said the comment. at that, in time, isn't that a
:03:31. > :03:36.beauty? I say keep counting. Don't care what Bruno says. Beautiful! We
:03:36. > :03:39.were doing it in rehearsal and of course that helped me actually
:03:39. > :03:43.Anton said keep counting. Keep counting. I think it was a bit
:03:43. > :03:47.tricky. They left a little bit volume too high probably.
:03:47. > :03:51.it is more the mouthing of rather than the volume.
:03:51. > :03:55.that was fun, yes. Probably we've got to be careful now not to count
:03:55. > :04:01.the next one but I would do it, whatever will help. There has
:04:01. > :04:08.much discussion about the upside-down move. Wow. People love
:04:08. > :04:15.it. Move? Moves. Moves. It was in your salsa and your paso doble.
:04:15. > :04:20.it becoming a trademark? Ooh, love it. Stay down a bit longer. I'm
:04:20. > :04:23.having a lovely time! That's the first bit she had done right
:04:23. > :04:27.day. You were down there about minutes. Helps with the grey
:04:27. > :04:31.matter, doesn't it? Yes. Inches from the floor as well. Some of
:04:31. > :04:35.those moves, Nancy, really brave. I'm a professional, I know where the
:04:35. > :04:43.floor is. I can feel it under my feet. LAUGHTER.
:04:43. > :04:46.Good point. Goodness me, now, of the leaderboard for two weeks,
:04:46. > :04:50.how can you go up? It's they should do it in the computer,
:04:50. > :04:54.just flip it. That would be nice, wouldn't it? Can't you sneak round
:04:54. > :05:00.the back of the set and have a word? I can do but I am not sure it will
:05:00. > :05:04.help, sweetheart. We are not going to reveal our tactics. Don't reveal
:05:04. > :05:13.anything. Next week it's a Hallowe'en special and you are doing
:05:13. > :05:18.the rumba. Training so far: frightening or fabulous? Er, both of
:05:18. > :05:24.them! I'm quite looking forward. have been asking: what is rumba? And
:05:24. > :05:31.what I heard is rumba is like a - Firm hand shake. LAUGHTER. Sorry.
:05:31. > :05:34.It's to pretend to make love on the dance floor, isn't it? Ah. Are you
:05:34. > :05:38.comfortable? Very comfortable. I think my underpants are on back to
:05:38. > :05:47.front but I'm very comfortable. LAUGHTER.
:05:47. > :05:51.He is so cheeky, oh my goodness! I said pretend. I know but you said
:05:51. > :05:56.do it properly, you can't resist. I know, I'm a very handsome man. We
:05:56. > :06:00.should leave these two to it. They are going to have their own
:06:00. > :06:07.will happen. It's going to happen. Has she been teaching you
:06:07. > :06:14.Italian? Yes! Oh, not that one. rude ones. Shall we show it? The
:06:14. > :06:19.lessons are going very well. Well, I'm developing my Italian language
:06:19. > :06:29.skills, whilst being with Nancy. And I think it's coming on terribly
:06:29. > :06:34.
:06:34. > :06:40.well. SPEAKING ITALIAN. No, SPEAKING ITALIAN. It means "don't
:06:40. > :06:47.what you feel". Listen, I'm not deaf, I just don't understand. What
:06:47. > :06:51.are you doing? I have no idea. SPEAKING ITALIAN. Do it again?
:06:51. > :07:01.do it again. No, the other left foot, love. Wonder what that is in
:07:01. > :07:01.
:07:01. > :07:04.Italian. Looking left. COUNTING IN ITALIAN. For a girl from Croydon,
:07:04. > :07:11.think she does a marvellous job. LAUGHTER.
:07:11. > :07:20.It's so good. You get him, Nancy. What's the latest phrase that you've
:07:20. > :07:26.learnt? SPEAKING ITALIAN. And the translation? Good bottom. Thank you.
:07:26. > :07:29.We like it. How was that, was all right? Absolutely right. Am I
:07:29. > :07:33.a good student? Absolutely fantastic, you are better than me.
:07:33. > :07:42.Never. You are a fantastic student. With your rumba this
:07:42. > :07:46.and Anton. The dance of love. Bella! At the weekend there was controversy
:07:46. > :07:50.over the choreography, Goodman v Jordan ballroom brawl.
:07:50. > :07:53.Luckily we have a lady who can explain what all the fuss was about.
:07:53. > :08:03.Here is Karen Hardy Choreography Corner.
:08:03. > :08:07.
:08:07. > :08:11.Please welcome Karen Hardy! CHEERING Please welcome Karen Hardy! CHEERING
:08:11. > :08:15.We've got to do some of this, that right? That's all you got to
:08:15. > :08:18.do. Saturday, 11 different styles of dancing were performed. What did you
:08:18. > :08:22.make of the overall standard of choreography? Were you happy?
:08:22. > :08:26.I was happy in general. On its way up. We've got a great road ahead of
:08:26. > :08:31.us. It will be very exciting. A couple of little knit
:08:31. > :08:34.but in general, fabulous. Let's start with Jason who was finally
:08:34. > :08:41.knocked off the top of the leaderboard. He described this paso
:08:41. > :08:46.doble as a "difficult birth", quite a funny analogy. Take us through it.
:08:46. > :08:49.This step, see he is on his toes there, it reminds me of when my
:08:49. > :08:53.tiptoes across to my room in the middle of the night. Mum, I'm
:08:53. > :08:57.here. But that's the one thing don't want to do in the middle
:08:57. > :09:02.paso doble. Now, if he had taken heel leads, the one dance of the
:09:02. > :09:05.Latin, the five Latin category that were allowed to do heel
:09:05. > :09:09.paso doble, so things like would have made him look a lot
:09:09. > :09:13.stronger. However, I think his dancing was incredible again. Alex
:09:13. > :09:17.and James were doing the rumba. This caused a little row between James
:09:17. > :09:21.and Len. Len felt there was too much movement down on the floor. Your
:09:22. > :09:25.thoughts, Karen? Yeah, we know with Len, he is very clear
:09:25. > :09:30.about what he likes and he doesn't like. He likes dancing. What I
:09:30. > :09:35.picked up on this, and we are going to freeze frame right here, OK, now,
:09:35. > :09:39.I began to hear these messages of: Alex doesn't know how to be sexy,
:09:39. > :09:45.doesn't know how to feel womanly. This is very, very simple and I
:09:45. > :09:50.give you a quick lesson. A lesson on how to be womanly. Help. Yes. Very
:09:50. > :09:55.quick, we have angles, as a woman. We have elbows, our wrists, our
:09:55. > :09:59.hips, our bust, our knees. So if took that line and I stood up and
:09:59. > :10:09.stood like that, bit of a bloke. Not so interesting, yeah.
:10:09. > :10:13.soon as we put it at an angle, you see? WOLF WHISTLES. Now look, we
:10:13. > :10:16.have angles, hips, knees, angles, this immediately turns you into a
:10:16. > :10:19.great woman on the dance floor. That's all she had to do. Other than
:10:19. > :10:23.that, fabulous number. Chelsee and Pasha, highest score of the night.
:10:23. > :10:27.Fantastic. What made this performance first class? So much.
:10:27. > :10:31.First of all, look at this choreography.
:10:31. > :10:34.Kicks and flicks, and not just that, Kicks and flicks, and not just that,
:10:34. > :10:38.let's throw in some barrel rolls. Nothing like a bit of a barrel roll.
:10:38. > :10:42.We take a simple pivot everybody learns early days which is
:10:42. > :10:45.when the two bodies move together but know, they turn it into
:10:45. > :10:49.roll which means they now incline the body over and around each
:10:49. > :10:53.at the same time as turning. What was fabulous about it, perfect
:10:53. > :10:57.contact throughout. All that choreography. However, when it
:10:57. > :11:01.to the simple steps a little later we saw a bit of gaping. She would
:11:01. > :11:07.have got tens if it was any other dance, we just know in quickstep
:11:07. > :11:10.everybody makes little tiny errors. Why did the samba suit Lulu so
:11:11. > :11:15.She looked like she was loving this dance. It's really simple. She is
:11:15. > :11:20.having a party out there, that real carnival party. Now, let's remember
:11:20. > :11:26.back a few weeks before, was having a party in cha cha, she
:11:26. > :11:29.was - She was the only one there. Disaster. She didn't remember the
:11:29. > :11:34.steps. What I love here, she is having a party,
:11:34. > :11:37.steps. A little repetitive, but who cares? If she is nailing the
:11:37. > :11:41.she is having a good time. The only thing is, didn't need the
:11:41. > :11:45.bit. Yes, what's with everybody and the stairs this week? I think we
:11:45. > :11:49.should have them cordoned off next week. Police stop tape, no go up the
:11:49. > :11:52.stairs. We will put that there ourselves. Leave the stairs alone.
:11:52. > :12:00.I've got some at home. Audley was doing the foxtrot on Saturday,
:12:00. > :12:04.it's one of the toughest ballroom dances for the men. How did Natalie
:12:04. > :12:08.choreograph to help him? We have slip pivot not once, but twice, we
:12:08. > :12:12.have a contra check and we are coming out of the action
:12:12. > :12:16.I have been very critical that does lots of repetition of steps or
:12:16. > :12:20.he stands there and does nothing. What Natalie is beginning to do now
:12:20. > :12:26.is to build up the content of the choreography, slip pivots, we have
:12:26. > :12:30.to slip the foot backwards, very difficult with men - especially with
:12:30. > :12:34.size 18 foot - and he mastered those steps very, very well. It's
:12:34. > :12:38.nice to see greater choreography starting to come out of his work.
:12:38. > :12:42.Look, getting better and better. Now, hare, first ten of the series
:12:42. > :12:47.Harry. Look at your body language. You clearly loved it. But Len said
:12:47. > :12:51.he didn't like the whispering on the stairs. Craig loved it, he didn't
:12:51. > :12:55.mind. Were you a fan? What did you think? This is incredible. You can
:12:55. > :12:59.replay this and replay it. The rise and fall alone, we always teach our
:12:59. > :13:02.celebrities rise and fall. only had that, he had the
:13:02. > :13:09.swing and sway. You don't have time to teach that normally, so that
:13:09. > :13:16.shows you how natural a dancer is. Now what's very important -
:13:16. > :13:20.Tell me something important. Aliona didn't know how good he was because
:13:20. > :13:24.the rule now we have, the celebrities and professionals are
:13:24. > :13:27.allowed to separate for ten They are the rules. Right. If I'm
:13:27. > :13:33.going to separate away from like Harry, I'm not going to
:13:33. > :13:36.and have a kiss and couple on the steps and stop dancing. If it's
:13:36. > :13:42.Harry you might want to though. No, no, show his assets, his great
:13:42. > :13:46.dancing. Let's talk about Russell and his tango. Craig said shoulder
:13:47. > :13:53.shrugs didn't really belong in the tango. Was this tango tailor to
:13:53. > :13:57.style? Here they are. Very typical in these early stages of learning to
:13:57. > :13:59.dance. Basically, the importance if I touch your hand in any way,
:13:59. > :14:06.because I'm touching that, I will want to move that first.
:14:06. > :14:11.have to learn in ballroom dancing is that the legs and the body work; not
:14:11. > :14:15.the arms. So if I did this, this the arms working, or I stop this but
:14:15. > :14:18.I move the body. Can you see the difference there? I like it, OK.
:14:18. > :14:23.It's very natural what he is doing, we always move the arms first as
:14:23. > :14:29.are learning to dance, one of those moments, so all very natural. Let's
:14:29. > :14:35.not worry about it. Gaping not worry about it. Holly and Artem
:14:35. > :14:39.and their Viennese waltz. It was said she could be great. Did the
:14:39. > :14:42.choreography show off potential? This is sort of a
:14:42. > :14:48.fleckerl. Now, that's one of the hardest steps to do
:14:48. > :14:53.Viennese waltz. I will show you quickly why. Show us. What it does,
:14:53. > :15:00.look, two steps forward, and we go hin. Two steps forward. Now, what
:15:00. > :15:05.did we see? Tiptoes. Tiptoes, tiptoes. She is spinning around.
:15:05. > :15:07.What I love is that they actually attempted it. They went to do a
:15:07. > :15:11.fleckerl. Holly is beautiful, graceful and look how stunning
:15:11. > :15:15.looked here, I thought she looked amazing but let's try and up
:15:15. > :15:19.thattography a little more because I think - up that choreography a
:15:19. > :15:24.little more because I think she could be even better. I think
:15:24. > :15:29.what is coming from the judges. she could do it really well. Now,
:15:29. > :15:32.Robbie, Mr Love Man, not perhaps the most perfect performance of
:15:32. > :15:36.night technically but why was jive such a hit with everybody?
:15:36. > :15:39.This is one of the best songs in dance business. He wouldn't have
:15:39. > :15:46.only got the women's votes have got the men going: how did
:15:46. > :15:49.do that? He is even singing the words because he knows that he is
:15:49. > :15:56.out there. Technically not the greatest. What he was very clever
:15:57. > :16:01.with was kicks and flicks. Lovely, light and fresh. But what a way to
:16:01. > :16:05.score the votes from the men and women, the Love Man. Love it.
:16:05. > :16:13.certainly is. It's Hallowe'en special this weekend. What is your
:16:13. > :16:15.word to all celebrities and dancers this weekend? Don't fall into all
:16:15. > :16:20.the costumes of Hallowe'en, deliver the content of dance. You have
:16:20. > :16:27.spoken. It is now word. We love Karen Hardy! CHEERING.
:16:27. > :16:28.See you next week. Last week we had See you next week. Last week we had
:16:28. > :16:28.See you next week. Last week we had the pleasure of having Ann
:16:28. > :16:30.the pleasure of having Ann the pleasure of having Ann
:16:30. > :16:34.See you next Widdecombe on the show but that was
:16:34. > :16:38.only the beginning. She has been back to the benches to get
:16:38. > :16:48.heart of what the nation wants to know. It's Widdy's
:16:48. > :16:48.
:16:49. > :16:54.Order! Answer the question. Today's Order! Answer the question. Today's
:16:54. > :16:58.question is from Sarah and she asks: what is your karaoke track? The
:16:58. > :17:04.good thing is that I don't do it. I did it once, got myself
:17:04. > :17:10.and that was it. OK. Anything from Elton. I am a big fan. Really?
:17:10. > :17:18.Like a candle in the wind. No, no, you don't need to sing.
:17:18. > :17:28.make it stop. # When the moon your eyes like a big pizza
:17:28. > :17:35.# don't give up the day job. Make it stop! Who is bad? Yes, I can see
:17:35. > :17:39.why you were embarrassed. # Candle burned out long before # This
:17:39. > :17:41.Strictly, not The X Factor. Get him off.
:17:41. > :17:45.Wise words from our Widdy there. For Wise words from our Widdy there. For
:17:45. > :17:50.more information about how to get in touch with Ann, please visit the
:17:50. > :17:54.Strictly website. At the weekend, my next couple got under the judges'
:17:54. > :17:57.skin and received their score so far. Here is a reminder of
:17:57. > :18:05.how Anita and Robin lifted themselves up the leaderboard
:18:05. > :18:09.Is it Anita or Rita Hayward? You Is it Anita or Rita Hayward? You
:18:09. > :18:12.have never been lovelier. The lifts were so daring and you should
:18:12. > :18:17.really proud of yourself. A great job. It had ease, elegance and
:18:17. > :18:26.sophistication and I thought it was fabulous. Sophisticated, classy,
:18:26. > :18:33.and you are a consummate pro who always delivers. 8. Yes! It was
:18:33. > :18:37.fantastic. Hollywood glamour at its best. When Craig gave us a 8 I
:18:37. > :18:44.thought that's as good as it gets. The hardest, meanest judge to give
:18:44. > :18:48.you a fantastic score like that, well deserved. I'm really happy.
:18:48. > :18:49.Please welcome smooth movers Anita Please welcome smooth movers Anita
:18:49. > :18:51.and Robin! and Robin!
:18:51. > :18:55.Please welcome smooth Well done on Saturday, both of you.
:18:55. > :18:59.Thank you. As the judges said, you are a consummate professional,
:18:59. > :19:02.always deliver, and you probably gobsmacked, weren't you, by
:19:03. > :19:06.what the judges said? was hoping that they would say I was
:19:06. > :19:12.improving and we would get better marks but I was just knocked out,
:19:12. > :19:16.was fantastic. I know and you deserved it. Well done. 1940s film
:19:16. > :19:21.star Rita, said Bruno and he was absolutely right. Does it
:19:21. > :19:26.to have a set and a story to get into? Yes, of course it does.
:19:26. > :19:29.love this kind of era, the 1940s, movies, glamour, all of that, I love
:19:29. > :19:33.it, but really for me the important thing is getting the steps
:19:33. > :19:35.right, hitting the marks, you know, and not getting carried away by
:19:35. > :19:38.and not getting carried away by performing. Because I love it so
:19:38. > :19:43.much, my natural instinct is to perform, and that's when the feet go
:19:43. > :19:50.to pieces. I know, you've got to keep them all connected. There is
:19:50. > :19:54.much to remember. There is here about waist level. I know! You
:19:54. > :19:58.looked devastated when Tess said could you imagine not dancing with
:19:58. > :20:02.Robin. You looked really, really shocked. A little birdie told me at
:20:02. > :20:06.that point you thought there was some kind of reality twist and she
:20:06. > :20:11.was going to be sending you home and you were really gobsmacked. I
:20:11. > :20:16.I did, I thought is this the moment? Off! Can you imagine? We wouldn't
:20:16. > :20:22.be that cruel. But how would you feel if it was your
:20:23. > :20:26.you think? Always at the back of your brain is the demon saying: next
:20:26. > :20:29.week, it could be you. way I suppose you have to try and
:20:29. > :20:33.prepare but I'm having such wonderful time, I just don't
:20:33. > :20:37.to end. It's the best party ever. Bless you. You have so much energy,
:20:37. > :20:41.everybody has been commenting online. You are in your 60s and you
:20:41. > :20:46.have so much energy, to the point where Robin has trouble keeping
:20:46. > :20:51.with you. LAUGHTER. Have a this. Anita is running circles
:20:51. > :20:54.around me. Let's do it again. One more. Again, yes? Is somebody a
:20:54. > :20:59.little out of breath back there? am exhausted. I'm knackered,
:20:59. > :21:04.know how you keep going. She is hardly breaking a sweat. You are a
:21:05. > :21:11.machine! There's me dripping over. You are so wet. Oh my God.
:21:11. > :21:16.Sorry, I'm gross. I'm like a - yes, swimming pool. You are dripping!
:21:16. > :21:22.You are dripping brown. If I much more I'm going to give myself
:21:22. > :21:27.an electric shock. Grab my arm, now, as soon as you start to go - my arm
:21:27. > :21:37.pit must smell gorgeous. I should bottle it and sell it. Sorry, I'm
:21:37. > :21:39.
:21:39. > :21:43.oh dear, Robin, we've got you a gift oh dear, Robin, we've got you a gift
:21:43. > :21:49.that we thought might help with the sweat issue, look, you've got your
:21:49. > :21:53.own head band. Diamante, darling, of course. LAUGHTER. Sweat bands.
:21:53. > :21:58.Bless you. Oh, it's beautiful. at that. We want to see you wearing
:21:58. > :22:02.that in the training room. It's camp at all, is it? On this show,
:22:02. > :22:07.never! This week you are doing the tango. We are. And you are dancing
:22:07. > :22:13.to Sir Cliff's Devil Woman. What great record. Do you know Sir Cliff?
:22:13. > :22:17.I have met Sir Cliff, yes. I he is great. I am a huge fan. You
:22:17. > :22:22.can't take him seriously now, can you, in that. We want to
:22:22. > :22:27.the training room. Promise. the tango going? Scary to start
:22:28. > :22:35.with but I am really falling in love with it now so fingers crossed I can
:22:35. > :22:39.deliver, again. Take it off. A Hallowe'en special, any surprises
:22:39. > :22:43.for us? You know what, Devil Woman is kind of all in the title, but we
:22:43. > :22:46.are not going to do much faffing around at the beginning,
:22:46. > :22:51.into the dance, show them a good tango and finish with a nice end to
:22:51. > :22:55.the story. Lots of content, Karen said. You are paying
:22:55. > :23:00.attention. Adorable as ever, and Robin!
:23:00. > :23:08.It wasn't just the dancing that got tongues wagging on Saturday. There
:23:08. > :23:18.was also the fabulous fashion. It's time to talk Top of the Frocks.
:23:18. > :23:18.Here to give their expert opinion on Here to give their expert opinion on
:23:18. > :23:21.Here to give their expert opinion on this week's outfits are fashion
:23:21. > :23:24.this week's outfits are fashion this week's outfits are fashion
:23:24. > :23:24.lecturer Oonagh O'Hagan and uber lecturer Oonagh O'Hagan and uber
:23:24. > :23:27.designer Julien Macdonald OBE! designer Julien Macdonald OBE!
:23:27. > :23:28.APPLAUSE. APPLAUSE.
:23:28. > :23:33.Here to give I feel like I should curtsey in your
:23:33. > :23:37.company. Welcome, both of you, lovely to have you here. Julien,
:23:38. > :23:43.have designed for the likes of Beyonce, Kylie Minogue and Cheryl
:23:43. > :23:48.Cole. Who, what was your favourite outfit of the show? My favourite
:23:48. > :23:53.was the fabulous, unique, Lulu. I love the way you say fabulous.
:23:53. > :23:57.want that on tape. Let's have at Lulu's dress. Why was this
:23:57. > :24:01.perfect for you? What did about it? I thought it was so
:24:01. > :24:08.modern, so unexpected. It was almost like a sweater thrown off the
:24:08. > :24:13.shoulder, turned into a very tiny little lady in red dress.
:24:13. > :24:18.I think there would be so many women watching the programme, thinking: I
:24:18. > :24:23.love Lulu and I love that dress. Absolutely, I want that dress. I
:24:23. > :24:26.want to borrow it. It didn't have as much sparkle as some of the other
:24:26. > :24:32.dresses of the night. Talk us through the detail. The first thing
:24:32. > :24:36.I thought was very Flash Dance. the shoulder. Back to the 80s, yes.
:24:36. > :24:42.The bat wing. Of course. are right, it didn't have as
:24:42. > :24:47.jewels on it, it had these swags and tails and was made with sandwiched
:24:47. > :24:50.together crystals around it, very small amount of crystals on it. In
:24:50. > :24:59.the skirt you didn't have any more crystals, you had it in the vest
:24:59. > :25:09.top, so it was quite casual, felt quite young. You can see in the
:25:09. > :25:09.
:25:09. > :25:15.skirt lots of go-days. Eight. That gave it its flare. She loved it.
:25:15. > :25:18.She was almost doing the can-can. It really does help though, you can
:25:18. > :25:24.tell when the lady loves her dress she dances even better. She
:25:24. > :25:30.reminded me of a modern-day Tina Turner, that shaggy hair, the sexy
:25:30. > :25:34.dress, the rocking and rolling. And great pins as well. Lulu gets
:25:34. > :25:37.gold star. Let's talk about waltz dress. Quite revealing on the
:25:37. > :25:43.top but typically ballroom on the bottom. Did you like this
:25:43. > :25:48.combination? I did. This was very unexpected. It was almost a tale of
:25:48. > :25:55.two cities, a tale of two dresses. The top part was very coutured, very
:25:55. > :26:01.worked, very much a kind of Art Deco inspired geometric lines, and
:26:01. > :26:03.the skirt, a very classical favourite, swaying, lots of metres,
:26:03. > :26:08.colourage, it was just that you might find over the
:26:08. > :26:13.rainbow. Yes, very much so. I'm falling in love with the way you are
:26:13. > :26:17.talking about this dress. It's incredible. Give us some details.
:26:17. > :26:22.Yes, if we start with the bodice part, as Julien was saying it was
:26:22. > :26:27.very Art Deco because you had these geometric shakes with all the
:26:27. > :26:31.crystals - 9,000 crystals. Wow. Which took over 8 hours to do
:26:31. > :26:37.that, so it's an of work. That is incredible.
:26:37. > :26:42.cubs at that position of the two - this juxtaposition of the two
:26:42. > :26:46.colours on the colour wheel made it very contemporary and it
:26:47. > :26:52.Holly as well. When she did turn round, I thought she was going to
:26:52. > :27:00.take off, because it's so big. Wouldn't that be great! Maybe they
:27:00. > :27:03.can work on that for Wembley. Talking of taking off, our Strictly
:27:03. > :27:08.hostess, Chelsee and Pasha did incredible routine on Saturday.
:27:08. > :27:15.Let's look at Chelsea's dress. It's in the studio here. Look at that.
:27:15. > :27:20.Now, the interesting fact about this, it was slightly inspired by
:27:20. > :27:26.Britney Spears in her toxic video, Julien, and you styled her. I know,
:27:26. > :27:31.this is like deja vu for me. I actually did that video so when I
:27:31. > :27:36.watched it on Saturday my eyes almost fell out. I've seen this
:27:36. > :27:39.before? Is she going to start singing Toxic? I thought she looked
:27:39. > :27:46.amazing, this fabulous kingfisher blue, and let me tell you blue
:27:46. > :27:50.one of the hottest colours for next summer. You heard it here! Ladies -
:27:50. > :27:54.and gentlemen, of course. On fashion, and basically she just
:27:54. > :27:57.looked young, sexy, modern, and it's a type of dress where I think
:27:57. > :28:02.were watching the programme and a young girl you would say do you
:28:02. > :28:07.know what, I really want to that dress, where can I buy it? I am
:28:07. > :28:11.sure the high street as we will be copying that dress.
:28:11. > :28:16.Stitching. Come on, get if out there. They will be banging on the
:28:16. > :28:21.windows. And the little hat as well, let's not forget. Which we have
:28:21. > :28:26.here! Very cool. Where do you a hat like that? I will look like
:28:26. > :28:33.something from the Village People. You said it, not us. There it is.
:28:33. > :28:36.It's so tiny. It is so small. Burlesque. It's the new fascinator.
:28:36. > :28:41.That's a very flash word. Are you looking forward to the Hallowe'en
:28:42. > :28:51.special? I am. Got my Hallowe'en nails on. Thank you so much,