:00:12. > :00:17.It's Thursday. Coming up - Harry and alLeona waltz their way to the
:00:17. > :00:22.first ten of the series, but can they keep it up? They're here live.
:00:22. > :00:28.Russell and Flavia had sweet dreams. They'll pop in for a chat. I'll be
:00:28. > :00:38.joined by the samba-loving Lulu and Brendan. Plus, we get to looks at
:00:38. > :00:39.
:00:39. > :00:49.the costume department for Hallowe'en. This is T Takes Two. --
:00:49. > :01:10.
:01:10. > :01:15.Live from Television Centre, this is Strictly Come Dancing: It Takes
:01:15. > :01:21.Two. Please, welcome, your host, Zoe Ball.
:01:21. > :01:28.APPLAUSE Hello. It's me. Welcome to the
:01:28. > :01:31.programme. It's countdown to fright night. Our celebrities will come
:01:31. > :01:37.out to haunt the dancefloor for the Hallowe'en special. We can't wait.
:01:37. > :01:41.Yes, indeed. In one moment I'll find out what Harry and alLeona are
:01:41. > :01:47.cooking up, but -- Aliona are cooking up for us, but first the
:01:47. > :01:51.boys and how they're doing in training. I'm dancing the jive.
:01:52. > :01:57.High energy and jumping all around and you have to remember the dance
:01:57. > :02:02.moves. A tough one! This week Audley has had to go back to the
:02:02. > :02:06.States, so we've missed two-and-a- half days of training, so we are
:02:06. > :02:11.going to do extra hours and work extra harder. We haven't got time
:02:11. > :02:16.to mess around. All Latin dances suits the man with the rhythm and
:02:16. > :02:20.shaky hips. When he mucks around you just think damn, where did that
:02:20. > :02:25.come from? I have the potential to look good in it. I also have the
:02:25. > :02:30.potential to look bad. It's a minute-and-a-half of mayhem and you
:02:30. > :02:38.cannot afford to miss one step. I have to do it. There's no yes, I
:02:38. > :02:43.can, it's actually yes, I must. No excuses. Get it done. It's
:02:43. > :02:46.Hallowe'en week and this week we are dancing the quickstep.
:02:46. > :02:51.going to have a magic stick and I will be a witch and I'm going to
:02:51. > :02:59.move him around the floor and he's going to be under my spell. It's a
:02:59. > :03:03.mathematical equation dance. He has to count. In order to understand
:03:03. > :03:08.really how the choreography works with the music. Four, five, six,
:03:08. > :03:13.seven. It's exactly what you have to do. What is not working? I don't
:03:13. > :03:15.know. I do overthink a lot of the routine. You know, I'm a hard
:03:15. > :03:20.worker. I think Jason is overanalysing everything. I know
:03:20. > :03:23.what I'm looking at and it's pretty much great. He just has to let
:03:23. > :03:33.himself go and do it without thinking about it too much. I think
:03:33. > :03:36.
:03:37. > :03:40.it will be great. The samba! I love it! Russell is the samba. His body
:03:40. > :03:45.has a natural bounce action, which most people find really difficult.
:03:45. > :03:50.It's something that he really finds very natural. I love it! I think in
:03:50. > :03:55.a past life I must have been Brazilian. This is me, I am the
:03:55. > :04:00.samba. I have spent my whole life sambaing without knowing it. When I
:04:00. > :04:05.go to the loo, I samba in and out. It's just one of those things. I
:04:05. > :04:15.have always done this kind of move. Where I just love it. You want to
:04:15. > :04:16.
:04:16. > :04:21.vote me out, after this week, OK, I've done the samba! Wow! Cool!
:04:21. > :04:28.think the paso will suit my style, even though I tend to look like a
:04:28. > :04:31.girl. I would like to think I am quite a masculine dancer. We'll see.
:04:31. > :04:36.It's very masculine dance and I'm sure Robbie will get into it again.
:04:36. > :04:42.One, two, three, four. I don't think it will be trouble getting
:04:42. > :04:47.the aggression out. I've seen him on the pitch. There is a risk
:04:47. > :04:54.factor. There's a lot that can go wrong in this routine. One, two,
:04:54. > :05:01.three, four. It's going to look awful. It's not going to look awful.
:05:01. > :05:10.It could be a ten or it could be a two. No, it couldn't be a ten,
:05:10. > :05:15.could it? This week we are dancing a tango. The characterisation for
:05:15. > :05:25.both of us is we are going to try to kill each other, so it's very
:05:25. > :05:28.
:05:28. > :05:32.important for us to really get into the character of being psych owe --
:05:32. > :05:40.psycho killers. I'm enjoying being the vampire. He portrays this dark
:05:40. > :05:47.side really well. A bit too well! She seems to think I've got this
:05:47. > :05:51.dark side, but I just can't see where she has got that idea from.
:05:51. > :06:00.If we get this perfect the audience will definitely be in for a proper
:06:00. > :06:04.fright night. Aarrrhhhh!! Please, welcome, Harry and don't make her
:06:04. > :06:08.angry, Aliona! APPLAUSE
:06:08. > :06:12.Welcome to the show -- to the show. Harry, before last weekend, you
:06:12. > :06:15.were worried about the waltz, but you only went and brought home the
:06:15. > :06:19.first ten of the series. Well done. Has that been a massive boost for
:06:19. > :06:24.your confidence this week? It was, because like you said, I found it
:06:24. > :06:29.really hard. It was my hardest week. I was being a nightmare last week.
:06:29. > :06:37.Was he? Giving you a hard time. stamped my foot, I was that cross.
:06:38. > :06:42.I found it so hard, so obviously to get a ten was a shock, but amazing.
:06:42. > :06:45.Were you at all worried about the little spat between the judges? The
:06:45. > :06:49.little fallout about the whispering on the stairs? Did that worry you
:06:49. > :06:53.at all? No, I quite enjoyed standing there and listening to
:06:53. > :06:57.them talking about it. It was quite amusing, but everyone is obviously
:06:57. > :07:02.entitled to their own opinion and it would be boring if everyone was
:07:02. > :07:06.the same, so I totally respected Len's view and it was positive,
:07:06. > :07:09.because he enjoyed our thing in hold. What did you think about the
:07:09. > :07:12.whole thing? I think it really depends on what you are looking
:07:12. > :07:17.forward in a dance, so everyone has their different opinions, but the
:07:17. > :07:24.last thing you expect, after listening to the judges, is a ten.
:07:24. > :07:33.I think both of us were so shocked. Yeah. Doh! What did you whisper to
:07:33. > :07:43.her, by the way? The fans are asking. Just the lyric, - That's
:07:43. > :07:47.not what you whispered, it was psh, psh. I remember being so nervous.
:07:47. > :07:52.It was come away with me and kiss on a mountain top. Of course!
:07:52. > :07:59.That's what she says. I thought the stairs were the mountain. Now,
:07:59. > :08:04.another thing that you have constantly been is the top of the
:08:04. > :08:10.training leadership. I didn't know there was a thing. 195 hours. We
:08:10. > :08:15.keep a tally all time. Psycho. it because she's a task master, or
:08:15. > :08:20.Harry pushing for the hours? I say 50% of the hours are us sitting
:08:21. > :08:26.around talking and bickering and eating food, just chatting, so we
:08:26. > :08:30.need long days, so we can actually - Some takes a lot of breaks.
:08:30. > :08:34.that is something we have noticed actually. There is an awful lot of
:08:34. > :08:44.eating going on in your training room. Have a look at this. I need a
:08:44. > :08:47.
:08:47. > :08:57.snack. What flavour is that? which step? Let's do it, break, do
:08:57. > :09:06.
:09:06. > :09:09.it, nuts. Are you not hungry yet? Triple step and turn and turn.
:09:09. > :09:14.BURPS Want to try something. I went
:09:14. > :09:19.believe you showed me burping. I know. Beef jerky. I would love some.
:09:19. > :09:26.You are doing the tango. How has it been? Better than last week. Really
:09:27. > :09:29.good. I wouldn't go that far.. I've really enjoyed it. I was nervous
:09:29. > :09:33.about Monday, because you have the high on Saturday and after the show
:09:33. > :09:38.you are happy and go into training on Monday and you are like, bring
:09:38. > :09:44.it on and then it starts from scratch. It's a dance you've never
:09:44. > :09:54.done before and you just hope for something better. This is what you
:09:54. > :09:58.
:09:58. > :10:02.are dancing to. Can I call that a duet. I dueted with Harry to
:10:02. > :10:08.Talking Heads. It's a Hallowe'en special. You have Psycho Killer. Is
:10:08. > :10:13.there a theme? There is a major theme. It is very, very theatrical.
:10:13. > :10:17.It's complete opposite character- wise from our romantic waltz, so
:10:17. > :10:21.there is a major kind of thing that happens in the end that people
:10:21. > :10:25.wouldn't expect. I have heard some talk of vampires. Yes. I love it.
:10:25. > :10:31.Will you have fangs and everything? He will. Not the first time you
:10:31. > :10:38.have been a vampire. No. Because, in the video for Party Girl, so
:10:38. > :10:46.check out the pecs. Sorry! There you are. Look. Take it away. Move
:10:47. > :10:52.it. Rory, he went on Saturday and a lot of people shocked and surprised
:10:52. > :10:56.and saddened. There is always the fear that you might go. How worried
:10:56. > :11:00.are you about an early exit? There is always that worry. There is no
:11:00. > :11:04.guarantee and Rory has been great and it was really sad to see him go,
:11:04. > :11:08.because I think maybe out of anyone he has had the most fun and it is
:11:08. > :11:10.going to be weird without him, definitely, but that's why I'm
:11:11. > :11:19.putting in the hard work, because there is that fear of going out.
:11:19. > :11:22.Keep it up. Good luck on Saturday. Harry and Aliona. Fangs a lot!
:11:22. > :11:25.APPLAUSE Sorry. Earlier, I managed to grab a
:11:25. > :11:30.few minutes with Vicky to see what she has got planned for the
:11:31. > :11:34.weekend's Hallowe'en special. Here in the costume department, with
:11:34. > :11:37.Vicky, our head designer. What a week this week. You are preparing
:11:37. > :11:40.for the Hallowe'en special. I imagine that is a lot of work, plus
:11:40. > :11:45.make-up as well, because that is as important this week too? Yeah. We
:11:45. > :11:48.have worked really hard and together this week. We don't often
:11:48. > :11:52.meet weekly, but we needed to come together to make sure all the looks
:11:53. > :11:58.really take on the Hallowe'en theme. And that they work. Who will be the
:11:58. > :12:05.scariest? Although I'm sure she is going to look very beautiful, I
:12:05. > :12:13.feel that Anita may look the most menacing. I know she is dancing to
:12:13. > :12:19.Cliff Richard Devil Woman. What will she wear? It's a drop-waist
:12:19. > :12:23.dress. The crystals are a dark red, so you can see the colours here.
:12:23. > :12:29.love all this draping off her arm. Who has taken the most work and man
:12:29. > :12:33.hours this week? I think Holly's has probably taken the most time.
:12:33. > :12:40.She has been the most troublesome in the nicest possible way. What is
:12:40. > :12:45.the theme? She is doing the American smooth, but it has a black
:12:45. > :12:49.swan vibe. Like Natalie Portman in the movie? Yeah. Hence the feathers.
:12:49. > :12:54.This was a skrech at the beginning of the week -- sketch at the
:12:54. > :13:00.beginning of the week. It has changed. The wings will come on to
:13:00. > :13:06.the arm and we have glued thousands of feathers on her wings. Probably
:13:06. > :13:12.a day's worth. What about Nancy? What is she wearing this week?
:13:12. > :13:17.would have loved a catsuit but we couldn't allow her to follow Alex's
:13:17. > :13:21.lead. It's apparently at the cleaners'. Wow, look at this.
:13:21. > :13:28.have a leotard base, which is very short on the right side and then it
:13:28. > :13:35.runs down into a long-line dress on left, which is caught with a
:13:35. > :13:38.crystal ankle detail. It's like a one-legged catsuit? Yes. We have
:13:38. > :13:43.created it. I've heard she is making quite an entrance on the
:13:43. > :13:48.show. I'm not going to say any more than that. I think Lady Gaga. Very
:13:48. > :13:54.good. We'll talk about the boys. What is Harry up to? He looks very
:13:54. > :13:59.dramatic. It's opulent, sexy and it's a masquerade ball feel to it.
:13:59. > :14:05.I think he's going to look amazing. We have brought the mask. That's
:14:05. > :14:09.all we have. A lot of people would be happy if he just danced in a
:14:09. > :14:16.mask. Under the cloth you always have a mystery dress. We have to
:14:16. > :14:23.guess who this belongs to. Drum roll! Look at that. Emerald green.
:14:23. > :14:26.That is beautiful. Can you give us any includes? -- clues?
:14:26. > :14:30.Professional girl and this young lady loves 50's styling. Good luck.
:14:30. > :14:35.You are doing a great job. I know you've got so many more. I'll leave
:14:36. > :14:42.you to stick all the crystals on. Good luck. Thank you. Back to me in
:14:42. > :14:50.the studio. Thank you me and thank you to Vicky. Please, welcome,
:14:50. > :14:54.Flavia and Russell. Thoroughly enjoyed your dream sequence on
:14:54. > :14:59.Saturday. Or was it a nightmare, because you had a really bad injury
:14:59. > :15:03.and you were dancing through pain? Can you not see the face. Look at
:15:03. > :15:08.the agony. I thought you were in character. No, you are right, I was
:15:08. > :15:13.being sort of getting the acting in. Don't you just love this?
:15:13. > :15:18.absolutely do. Because the thing was, I just did that. It wasn't
:15:18. > :15:25.choreographed. I felt like doing it. Great. I thought I'll have a bit of
:15:25. > :15:31.a twirl. I did it in the afternoon and she said, "I like that." I
:15:31. > :15:36.meant to wander back. It has become you. Tell us about your knee,
:15:36. > :15:46.because you have really hurt it? I've had an MRI scan and apparently
:15:46. > :15:47.
:15:47. > :15:52.I have got a funny old thing, miniscus. Brendan knows, he's had
:15:52. > :16:00.one. Will you be all right? going straight off to an
:16:00. > :16:04.orthopaedic person who will look at it. Go like that. If it goes up,
:16:04. > :16:08.I'm in! Perfect! I've heard that before. I'm not leaving the show
:16:08. > :16:14.until I've done a samba, so even if I do it on one leg, I'm doing it.
:16:14. > :16:19.I'm doing it. Have you had to recore graph bearing the trouble in
:16:19. > :16:23.mind? Not really. It's nice and gentle, the rut teen. It is very
:16:23. > :16:28.doable. No lifts. No knee spins or anything crazy like that, so we
:16:28. > :16:33.should be all right. We are quite happy. Fabulous. Wonderful. This
:16:34. > :16:39.woman is the most brilliant. She is quite gorgeous. She has given me
:16:39. > :16:46.the whole of Brazil on a plate! You can say nuts to that if you like.
:16:46. > :16:50.If I was quick enough, I would. It's Hallowe'en week and there have
:16:50. > :16:54.been some paranormal activities going on in your training room.
:16:54. > :16:59.Yeah. We saw that four weeks ago. I heard my name being called and I
:16:59. > :17:05.turned to the crew. They didn't call me. There we were yesterday,
:17:05. > :17:09.and then what did you hear? I heard a baby scream, like as if I had my
:17:09. > :17:15.ears were covered and I heard a noise and the crew heard it too.
:17:15. > :17:22.Quite freaked out. I looked up into the dress circle and I saw this
:17:22. > :17:26.figure flit past. The curtains were just waving. True. True. Apparently
:17:26. > :17:30.they've seen something on the filming. We had to call in the
:17:30. > :17:37.experts. They are called Ghostbusters, would you believe
:17:37. > :17:45.it?! No, they have come to analyse the footage. Observe, if you will.
:17:45. > :17:49.As you do something to the right. Russell, Russell. Did someone speak
:17:49. > :17:54.then? Normally I hear a woman calling my name. Russell. This is
:17:54. > :18:04.so weird. This time it was a man. Russell? Yes. Did you want me? It
:18:04. > :18:06.
:18:06. > :18:14.was definitely a male voice. Yeah. Russell. I swear to you, my
:18:14. > :18:18.name was called. Russell Grant. Arh! We are being looked after.
:18:18. > :18:25.are being looked after. It's OK. You are doing the samba this
:18:25. > :18:30.weekend. I love it. To this music. Better the Devil You Know. Kylie. I
:18:30. > :18:35.love it. How scary are you going to be in the special? You can't be
:18:36. > :18:41.scary to Kylie. Isn't that the best? If you vote me out, I have to
:18:42. > :18:51.do it first. You are clearly loving it. Apparently you said, "I love
:18:52. > :18:54.
:18:54. > :19:00.samba." It was said 58 times. You also said, "I am samba." That was
:19:00. > :19:05.my friend saying that. It is so wonderful. Do you want to see my
:19:05. > :19:10.moves. Come on! APPLAUSE
:19:10. > :19:14.Russell, Flavia, good luck for the weekend. Have fun on the Chris
:19:14. > :19:16.Evans' breakfast show tomorrow morning. We're doing that tomorrow
:19:16. > :19:20.morning. APPLAUSE
:19:21. > :19:30.I am samba! Time, now, to see how our ladies are shaping up with this
:19:30. > :19:33.week's dances. It's Hallowe'en and we are dancing the paso doble. Last
:19:33. > :19:38.week we had a knock, so the confidence isn't quite there to
:19:38. > :19:42.carry it, so James' job is quite a lot harder this week. This will be
:19:42. > :19:46.the end of me. Don't say that. It's a very aggressive and powerful
:19:46. > :19:53.dance and you need to channel a lot of anger and aggression and I'm
:19:53. > :19:58.going to get her to think about one person. And Craig Revel Horwood,
:19:58. > :20:01.because she doesn't have an aggressive bone in her body. I need
:20:01. > :20:11.more stern. Feel creepy as you do it. We have been working on looking
:20:11. > :20:12.
:20:12. > :20:18.angry. Let it come out. Aaarrrhhhh! This has got a bit of stamping of
:20:18. > :20:28.feet and who knows, I might accidently stamp on Craig's foot?
:20:28. > :20:32.This week is Hallowe'en and we are dancing the terrifying tango. It's
:20:32. > :20:36.aggressive, so a completely different dance. This is
:20:36. > :20:43.frightening. You ain't seen nothing yet. It's so fast and you have to
:20:44. > :20:47.be very quick to execute them. Three, four. Oh, I felt that! I'm -
:20:47. > :20:53.You felt it!! I have to get her to go in a completely different
:20:53. > :20:58.direction. I need to see the devil inside. The best villains are good
:20:58. > :21:04.fun and nice people, because somehow they can throw themselves
:21:04. > :21:13.to the opposite end of the scale. This tango is a nightmare. You're a
:21:13. > :21:18.nightmare! This week I'm doing the American smooth. I'm going to be
:21:18. > :21:22.Black Swam this week for Hallowe'en. What is going on? I didn't feel you
:21:22. > :21:28.there. I think Artem will take every opportunity to push me really
:21:28. > :21:33.hard. Turn, turn, turn. This week I think she will find it extremely
:21:33. > :21:37.difficult because it is physical. It is really physical. We have a
:21:37. > :21:41.lot of turns and it's tricky to come out and not want to throw up.
:21:41. > :21:46.She has the quality of being an amazing dancer, but we are not
:21:47. > :21:53.using it. Not getting that. It could be completely disastrous or
:21:53. > :22:00.it could be nice. I'm not sure what it's going to be yet. Swan Lake and
:22:00. > :22:05.ballerina, not quite, but I'm working on it. We are doing the
:22:05. > :22:13.rumba, the dance of love. It's one of her favourites. It's supposed to
:22:13. > :22:18.be very sexy, a lot of body involvement. I want a kiss. I don't
:22:18. > :22:22.want a kiss. I'm trying to temper her enthusiasm a little. Long, long,
:22:23. > :22:30.straight, not fast. It's the timing we are struggling with. We are
:22:30. > :22:35.going to count out loud so we can all hear you. One small problem,
:22:35. > :22:39.she doesn't always do as I tell her. You have to count. I'm not going to
:22:39. > :22:42.count. It's the most difficult thing, which is to get the right
:22:42. > :22:46.step in the right timing, especially on the live show and my
:22:46. > :22:53.mind goes blank. If she can get over that, I think we'll see a good
:22:54. > :22:57.dance. This week is the tango. The biggest challenge would be going
:22:57. > :23:03.into character of this dance and really nailing it and making this
:23:03. > :23:10.dance look passionate. You should be very precise, but seductive in a
:23:10. > :23:18.way too. I'm not known for being seductive. It's not sweet and
:23:18. > :23:28.lovely. I'm a little out of my comfort zone. I want to create the
:23:28. > :23:29.
:23:29. > :23:37.step where we almost kiss each other. Oh, no, I'm not into that! I
:23:37. > :23:44.don't reckon Pasha will bring the passion out in me! This week it's
:23:44. > :23:47.the paso doble and Brendan has got the most fabulous ideas for it.
:23:47. > :23:53.worried it might be a lot of content, however the excitement of
:23:53. > :24:01.what we are producing is going to pro -- blow the show away. Point
:24:01. > :24:05.the feet. All the way around. Off you go. Where am I running? I don't
:24:05. > :24:11.like to be left too much on my own to do my Lulu thing. I like to be
:24:11. > :24:15.as close to Brendan as possible. If I'm on my own doing all this by
:24:15. > :24:18.myself I'm not Kristina. I watch Kristina last week and I was
:24:18. > :24:23.mesmerised by the way she moved her skirt. If I can get a little of
:24:23. > :24:33.that I will be thrilled. You should cross my legs. I don't feel like
:24:33. > :24:34.
:24:34. > :24:40.Kristina! Welcome Lulu and Brendan. APPLAUSE
:24:40. > :24:43.Congratulations, because Lulu, you broke Brendan's curse of the samba!
:24:43. > :24:47.APPLAUSE You are still here. How excited
:24:47. > :24:50.were you to be back in the training room and stay in the competition?
:24:50. > :24:53.When we got through, I thought we were going to be out and I think
:24:53. > :24:58.you could see my mouth doing that. To be back in the room on Monday
:24:58. > :25:03.was just - Did you really think that was it? Very easy, because the
:25:03. > :25:09.numbers were very close. I thought it. There were three couples all
:25:09. > :25:14.tied and one under and normally the one underneath gets saved and then
:25:14. > :25:19.we are in a very difficult situation. Third up is never a good
:25:19. > :25:25.place to be. The judges thought the samba really suited you. Well, I
:25:25. > :25:34.took what Craig said and I just took it. Thank you Craig. Julien
:25:34. > :25:39.Macdonald OBE was in earlier this week and he said you were fabulous.
:25:39. > :25:43.The judges did pick you up on the whole stairs scenario, as they did
:25:43. > :25:48.others. How difficult is it for you to core graph for the judges, but
:25:48. > :25:50.also for the public? It always makes me laugh a little bit, the
:25:51. > :25:56.fact someone can comment on something they know nothing about.
:25:56. > :26:00.Only we as the professional dancers know for our partner how much
:26:00. > :26:04.content and what to do and unless they've come in and worked with
:26:04. > :26:08.Lulu and seen what she is capable of, they can't really comment on
:26:08. > :26:12.that. I was happy. I was happy to go up and party with the people. We
:26:12. > :26:19.had a lot of content and they say it's a lack. You think, hang on,
:26:19. > :26:24.look at it back. To me it's them not doing their job properly.
:26:24. > :26:31.also said that Alex wasn't sexy. I didn't agree at all. I thought she
:26:31. > :26:34.was sexy. She is a very, very sexy lady. Don't be nervous. We'll tell
:26:34. > :26:42.her that. You are doing another Latin dance. A very different one.
:26:42. > :26:45.The paso doble. How is it going? are pushing the boat out this week.
:26:45. > :26:51.We are. We have got so many different variables that could
:26:51. > :26:56.potentially ruin the dance for us. But it's Hallowe'en special. Last
:26:56. > :26:59.year I loved it. I thought we all really enjoyed it and I want to do
:26:59. > :27:02.something. We are doing something that has never been done before on
:27:02. > :27:06.Strictly. We have a costume that we have never done before and I came
:27:06. > :27:09.up with the idea and I said is it possible? They have said yes and we
:27:09. > :27:14.are doing it. You are going to rehearse the special thing after
:27:14. > :27:23.you have been here. It is very tricky, but we are hoping it will
:27:23. > :27:28.be a treat. Is it roller skates? You've ruined it. This is what you
:27:28. > :27:32.are dancing to. Highway To Hell. It's the first time anyone has
:27:33. > :27:42.danced to ACDC. I got on the Tube after training yesterday and there
:27:42. > :27:47.was a dude standing head to toe in ACDC gear. It's a sign. Is it a
:27:47. > :27:50.good sign? I hope so. We are so looking forward to how special your
:27:50. > :27:54.performance is going to be and you've had an awful lot of support
:27:54. > :28:02.from the fans. They've been texting in and calling in. Have a little
:28:02. > :28:06.listen to this special message. This is Bob. I'm just ringing to
:28:06. > :28:11.say that I think Brendan is a fantastic dancer and a wonderful
:28:11. > :28:17.choreographer and he's getting better looking every day. Much more
:28:17. > :28:22.han so many than James Jordan fella. -- handsome than that James Jordan
:28:22. > :28:26.fella. Love you all. Goodbye. a lovely message. What a nice man.
:28:26. > :28:34.It's amazing for the support. Anyone think that man sounded
:28:34. > :28:40.familiar? We called Bob back and this is what happened. PHONE RINGS
:28:40. > :28:46.I'm sorry, but brend dand Cole is not -- Brendan Cole is not
:28:46. > :28:48.available. Good luck on Saturday with the big show. We can't wait.
:28:48. > :28:52.Lulu and Brendan. APPLAUSE