:00:11. > :00:16.It is Tuesday and have we got a show for you tonight. Alex and
:00:16. > :00:22.James are here to discuss Saturday night's dramas. We get up close and
:00:22. > :00:27.personnel with Pasha Kovalev. Dan and Katya and Anita join me on the
:00:27. > :00:37.sofa. Karen Hardy is back. Yes, Choreography Corner is reopened for
:00:37. > :01:09.
:01:09. > :01:13.business. This is brand-new This is Strictly Come Dancing: It
:01:13. > :01:16.Takes Two. Please we can we can your host. It's Zoe Ball.
:01:17. > :01:21.Hello and welcome to Strictly Come Dancing: It Takes Two. Our series
:01:21. > :01:26.may only be one day old, but we are we are well and truly settled into
:01:26. > :01:33.our new bungalow and we will be stick to go our promise of bringing
:01:34. > :01:40.our most up-to-date gossip. We have a show more tightly packed than a
:01:40. > :01:45.pair of Vincent's trousers! Here a reminder of the weekend's
:01:45. > :01:49.antics. It was like a right exit. Left exit.
:01:49. > :01:54.Crash position. With you, Alex all the goods are there. You are a sexy
:01:54. > :02:02.woman. You have got the package. I thought it was very starchy. I
:02:02. > :02:10.thought it was very stiff. Do you realise Craig, these celeb
:02:10. > :02:17.celebrities, it is their first week Hearing that you are terrible,
:02:17. > :02:24.after you have really tried your best is hard. You do a sexy move in
:02:24. > :02:31.front of them and your mum and dad, it's difficult.
:02:31. > :02:34.It's Alex Jones and James Jordan. CHEERING AND APPLAUSE
:02:34. > :02:39.I love your bungalow, Zoe. Those stairs don't go anywhere. It
:02:39. > :02:44.is a trick. Let's talk about Saturday, Alex. You had to do sexy
:02:44. > :02:50.stuff on your own out there alone. I know how daft it feels. How was
:02:50. > :02:53.it really for you? It was kind of OK. Bless you.
:02:53. > :02:59.I was paralysed with fear at that beginning point and my dad was
:02:59. > :03:02.there and I thought, "Here we go there, is uncomfortable." I thought
:03:02. > :03:09.of what James said beforehand and it wasn't really that bad. It was
:03:09. > :03:13.OK. It was just, I was nervous about the whole dance. That
:03:13. > :03:17.beginning bit was teeing up the fear and then it just escalated.
:03:17. > :03:20.I thought you coped very well. We have to talk about the Craig
:03:20. > :03:24.confrontation, James. They have been talking about it on the
:03:24. > :03:33.websites. Vivienne on Facebook says, "Craig maybe harsh, but he knows
:03:33. > :03:39.what he is talking about, James." Jeff says, "God on on James, --
:03:39. > :03:43.good on James, Craig was too harsh.". Are you pleased you put
:03:43. > :03:46.him in his place? Maybe a bit of encouragement would have helped
:03:46. > :03:50.them and also he doesn't have to deal with the consequences. Some of
:03:50. > :03:53.the celebrities were knocked for six a little bit and felt negative
:03:53. > :03:56.about going into the training room again and we have to deal with that
:03:56. > :04:02.and the celebrities have to deal with that.
:04:02. > :04:09.. James is insistent on mimicking you and your accent. Can you do a
:04:09. > :04:12.bit for us now, James James? I am not good at impersonating something
:04:12. > :04:16.unless they say something first. You have to say something.
:04:16. > :04:20.Switch the music on. Switch the music on.
:04:20. > :04:27.That was pants! There you go.
:04:27. > :04:31.Let's move on. Why did you bring it up? Alex, you have clearly learned
:04:31. > :04:35.a lot in the last few weeks and we know why you were so hot to trot on
:04:35. > :04:40.Saturday. Oh yeah, James has been putting you through your paces.
:04:40. > :04:50.Have a look at this. I want the balls of your feet to
:04:50. > :04:52.
:04:52. > :04:56.hurt. What's this, Army?
:04:56. > :05:03.Ah. My legs kill. No pain, no gain.
:05:03. > :05:09.Golly. I just want to keep going. Again and again and again and again.
:05:09. > :05:12.If we don't get past that piece there will be punishment.
:05:12. > :05:18.Let's not go there. Come on, get up.
:05:19. > :05:26.It hurts. Let's do some dancing instead of
:05:26. > :05:32.boot camp. I can't take you seriously. There
:05:32. > :05:38.is a reason behind my madness. is that? If someone has a weak core,
:05:38. > :05:44.I am trying to strengthen her core. So I am trying to get her body in
:05:44. > :05:49.the correct form. He is conditioning me. I stand like
:05:49. > :05:54.a bit of a slob really so James'... I never said that.
:05:54. > :05:59.I knew it was what you meant in a polite way. James taught me to
:05:59. > :06:02.stand correctly with good posture. And that comes from the core?
:06:02. > :06:05.course, it does. We will all be doing it.
:06:05. > :06:10.That was for my personal satisfaction. You were just showing
:06:10. > :06:16.off. This weekend, foxtrot, are you excited how Alex is progressing
:06:16. > :06:23.with the foxtrot? Go on. No, I am being nicer. I think the
:06:23. > :06:25.first week the the cha-cha-cha, amazing. This week, already I'm
:06:25. > :06:29.seeing improvement again. She is starting to get a better
:06:29. > :06:34.understanding of her body because I'm making her do the plank. Her
:06:34. > :06:37.posture is getting better. The dance is good and you've got a
:06:37. > :06:44.little prop this week which we're not going to talk about too much.
:06:44. > :06:48.Have we not learnt our lessons after the feather boa incident? You
:06:48. > :06:56.have got a prop. Good luck with the foxtrot and listen to Matt Baker,
:06:56. > :06:59.he knows what he is talking about! Alex and James.
:06:59. > :07:05.Strictly Come Dancing: It Takes Two would not be the same without my
:07:05. > :07:15.next guest. She is no no stranger at having an opinion on the dancers
:07:15. > :07:20.
:07:20. > :07:23.and their moves. It is Karen Hardy Karen is here. You are the Queen of
:07:23. > :07:27.choreography. First of all, you were doing the show with Katie
:07:27. > :07:33.Brand on Saturday, talking online across the dances. Did you enjoy
:07:33. > :07:36.Friday and Saturday? I loved it. Interactive Red Button. It was
:07:37. > :07:41.first class. I loved it. Let's waste no more time. Let's
:07:41. > :07:46.talk about our couples. We will start with Holly and Artem. Now,
:07:46. > :07:56.they impressed the judges. Did their choreography impress you,
:07:56. > :07:56.
:07:56. > :08:04.Karen? Something like this is dynamic, it is it is interacting.
:08:04. > :08:09.It is no good having a Picasso if it is it is locked in your cupboard
:08:10. > :08:12.Holly has got to be able to show everybody how great his
:08:12. > :08:19.choreography is. Eyes down.
:08:19. > :08:25.She is nervous. Got to get them up. Holly, eyes up. Loo Blackburn and
:08:25. > :08:30.Brendan's cha-cha-cha, oh dear. Here is the first of many mistakes
:08:30. > :08:34.should I say and now here we go because she hasn't nail the
:08:34. > :08:38.choreography, it all went into car crash. However, what we're going to
:08:38. > :08:42.see now is you are going to see how default happens. She is on stage,
:08:42. > :08:51.she is singing, she is stressing, bang she is back in her Loo
:08:51. > :08:56.Blackburn thing. Her -- Lulu thing. It does not matter who you are as a
:08:56. > :09:00.celebrity, when you are on this show, it is dancing is a leveller
:09:00. > :09:04.for all. You can't rely on what you are, you have got to deliver the
:09:04. > :09:14.steps. I shall quote you on. Dancing is a
:09:14. > :09:16.
:09:16. > :09:19.leveller for all. Audley's waltz. How clever was Natalie with the
:09:19. > :09:21.choreography. Three days training. That's all they had together.
:09:21. > :09:26.Unbelievable. There was something magical about
:09:26. > :09:30.this, but lots of standing around. The one, two, three, forward, side,
:09:30. > :09:34.together. It wasn't in there. So she was very clever. She gave it
:09:34. > :09:38.all the the turns and the swishes and the downs and the ups. But
:09:38. > :09:48.these are the early training days, we need to get the steps in there.
:09:48. > :09:52.
:09:52. > :09:57.I'm going to keep my fingers crossed because he is gorgeous.
:09:57. > :10:02.Robbie's cha-cha. He is leading that woman. I want to see this. He
:10:02. > :10:04.brings her into him and take her down into the lead. Let me tell you
:10:04. > :10:14.why that is important. In a partnership, it is all about the
:10:14. > :10:17.woman. I've always said that to Norm. If he is leading her, Ola
:10:17. > :10:23.will feel one million dollars and the girl comes in slowly and heavy.
:10:23. > :10:28.Because he gave her the lead, bang. So, he has got time to learn the
:10:28. > :10:32.technique. I think he is fabulous. You are pleased with Robbie.
:10:32. > :10:34.Possibly he has a fine body, I haven't noticed it.
:10:34. > :10:39.Russell and Flavia, possibly the campest moment of the night. Here
:10:39. > :10:46.they are with their cha-cha-cha. What are your thoughts, Karen?
:10:46. > :10:50.There is no two, three, cha-cha-cha. It is the John Travolta days. For
:10:50. > :10:55.me, I hope this is not the journey they're going to take. I think
:10:55. > :11:01.Russell will really want to learn more about what dancing is. I think
:11:01. > :11:06.it was great for the, "I'm here here." Because we all love Russell,
:11:06. > :11:10.but if he keeps doing panto we will get bored. He has the ability to do
:11:10. > :11:20.it. Get in the arms of Flavia and do it.
:11:20. > :11:20.
:11:20. > :11:24.We have time for Anita and Robin and their waltz. He encases her
:11:24. > :11:28.through everything. He frames her. He presents her. Look, he shadows
:11:28. > :11:32.her. It is just beautiful. He makes her feel like a lady, like I told
:11:32. > :11:36.you. It is all about the lady and the beautiful thing about this,
:11:36. > :11:42.even when we are in hold as man, the gentleman has to look out to
:11:42. > :11:46.the left, but he even made her feel one million dollars in his arms.
:11:46. > :11:52.I'm welling up. That was Friday night. We will talk about Saturday
:11:52. > :12:02.later. For now, Karen Hardy. Our next celebrity's performance caused
:12:02. > :12:03.
:12:03. > :12:09.a splat between Alesha and Craig. Here is what happened.
:12:09. > :12:13.Will Lobb I have -- Mr Lobb, I have to tell you something. It was quite
:12:13. > :12:19.published for a -- accomplished for a first go.
:12:19. > :12:27.You did very well. Top line, I thought it was
:12:27. > :12:35.hideously rigid. And smile. But it is his first time.
:12:35. > :12:39.Exactly, Alesha. I am a bit disappointed, I won't
:12:39. > :12:44.lie to you. We worked really hard and I thought we were getting
:12:44. > :12:50.something. They know what they're talking about. No, they don't.
:12:50. > :12:54.Please welcome Dan and Katya. APPLAUSE
:12:54. > :13:02.One dance down, Dan. How was it for you? You looked disappointed there?
:13:02. > :13:08.I was. It felt better than it obviously was to some... Under
:13:08. > :13:13.marked. A lot of people thought it was harsh. Kelly on Twitter says,
:13:13. > :13:17."Craig deserved to be hit by a wet kipper for giving you such a low
:13:17. > :13:22.mark." It was mixed compents from the -- comments from the judges.
:13:22. > :13:26.Alesha said "elegant" I would have been confused.
:13:26. > :13:31.I did have a fair bit of confusion after the comments.
:13:31. > :13:36.After Dan had done the first waltz of the evening, they had nothing to
:13:36. > :13:41.compare it to. They were a bit harsh on him.
:13:41. > :13:47.Len did say, "Great for a tall man." Dan is a foot taller than you,
:13:47. > :13:52.Katya. I only found that out today. Seriously, I thought she was five
:13:52. > :13:56.six. I made four inch heels to hit him.
:13:56. > :13:59.His His height is going to come as a positive in our partnership. He
:13:59. > :14:01.can create beautiful lines and he is strong and with lifts...
:14:01. > :14:06.Beautiful lines. Yes.
:14:06. > :14:15.And the lifts that you will be able to do. She will just disappear into
:14:15. > :14:19.the rafters. Well, she will be collecting glitter balls.
:14:19. > :14:24.We couldn't, but help pick up on a bit of tension between the two of
:14:24. > :14:30.you. Check this out. No Oh no.
:14:30. > :14:34.Every great relationship has a bit of bickering. I'm with you, OK.
:14:34. > :14:38.The relationship with Katya is already complex.
:14:38. > :14:43.When they asked me what I needed from a partner, the first thing I
:14:43. > :14:46.said was patience. I'm being patient, I'm just working
:14:46. > :14:55.you. Do you want to turn that off
:14:55. > :14:59.because it might annoy me. Every passionate relationship there
:14:59. > :15:04.has to be some sort of fighting and aggression.
:15:04. > :15:10.Maybe we've had a little bit of a cat fight. That's my first cat
:15:10. > :15:16.scratch. I think it is healing well. I'm not mean to you on purpose. It
:15:16. > :15:21.is the way forward, really. It is so good. You are fighting
:15:21. > :15:25.like cat and Lobb. That was so last week.
:15:26. > :15:30.That was so two weeks ago, darling. What's happening this week? I think
:15:30. > :15:33.what happened in all seriousness it took us maybe two or three sessions
:15:33. > :15:39.at the most to figure each other out.
:15:39. > :15:43.And now he is in love with me. Now I just say, "Yes, dear. Sorry
:15:43. > :15:48.dear.". It is just like a marriage. Well, you are spending that much
:15:48. > :15:51.time with each other it has to be like a marriage. No, we ironed out
:15:51. > :15:57.those little spats, but there weren't many. A lot of them were
:15:57. > :16:01.funny. A lot of them were us just messing around.
:16:01. > :16:05.Salsa? It is looking good. I think he might be a bit of a Latin man
:16:05. > :16:10.actually and a ballroom man. But he is doing really well. He came to
:16:10. > :16:13.the training room with an open mind and he is just saying yes to me and
:16:13. > :16:23.going for it 100% so I'm really proud of him.
:16:23. > :16:29.
:16:29. > :16:31.We cannot wait to see you at the weekend. Good luck. Dan and Katya.
:16:31. > :16:34.APPLAUSE Heartthrob, Dan, that's you, to
:16:34. > :16:36.another, this year there is a new boy in town and it seems that
:16:36. > :16:45.everyone is talking about him. He comes from a land far, far away.
:16:45. > :16:48.He is set to change the dance competition forever.
:16:48. > :16:52.His competitors fear him. You have got everything going for
:16:52. > :16:56.you in life. If you look like that, you move like that.
:16:56. > :17:02.The ladies love him. He has great technique. Great moves
:17:02. > :17:09.and he is an amazing spinner. has got beautiful brown eyes.
:17:09. > :17:16.But he only has eyes for one thing, the Strictly Come Dancing trophy!
:17:16. > :17:21.Ladies and gentlemen, we give you, Pasha.
:17:21. > :17:30.I'm from Russia and I've been dancing for 23 years. I have done
:17:30. > :17:34.since I was eight years old. I I have been a US National Finalist.
:17:34. > :17:38.I've starred on Broadway. I'm cheeky. The ladies find me
:17:38. > :17:42.irresistible. We were new boys last year. He is
:17:42. > :17:47.stealing our thunder. I hope he doesn't think he will
:17:47. > :17:52.come over here on to our show and pick up the glitterball on his
:17:52. > :18:00.first show. I have travelled 1,000 miles to get here. I will make it
:18:00. > :18:03.worthwhile. I know how to get the best results out of of my dance
:18:03. > :18:08.partnersment Chelsee and I are going to go out there and tear up
:18:08. > :18:14.the dance floor. Make no mistake, I'm here to win the trophy. I don't
:18:14. > :18:18.have to justify why I'm here on Strictly. My work will speak for
:18:18. > :18:25.itself. I'm not scared of the competition. I am the competition.
:18:25. > :18:30.It is a shame he is not a girl! Something tells me that Pasha maybe
:18:30. > :18:33.a bit of a hit with the ladies and some of the men men as well. I have
:18:33. > :18:38.Karen Hardy back with me for a second round of Choreography Corner.
:18:38. > :18:43.Karen, what do you think of the new boy? I love him. He is a gentleman.
:18:43. > :18:49.He has gotta len, what more could I say? I gave me a little spin and I
:18:49. > :18:54.was gone. There is a lot of me. Let's talk
:18:54. > :19:02.about his waltz with Chelsee. Len said it got manic. Was it too much
:19:02. > :19:09.or did you love it? It was too much, but I don't think - it got stumbly
:19:09. > :19:15.and messy. I don't think anybody expect this young lady to turn into
:19:15. > :19:21.that. She turned into a beautiful angelic lady. If you had seen it in
:19:21. > :19:24.rehearsals, you would have said, "My gosh, she is good." By the time
:19:24. > :19:28.the beautiful dress was on, there was something so innocent about her,
:19:28. > :19:34.it came together and you had the big at the end and you didn't need
:19:34. > :19:38.it.. She was just excited and the thing with the music, you get
:19:38. > :19:44.carried away. Let's talk about Nancy and Anton's waltz. It didn't
:19:44. > :19:46.go so well. Did you feel for them? go so well. Did you feel for them?
:19:46. > :19:51.At times. We don't like props. The other thing was, how long they
:19:51. > :19:57.were on the stage, one, two, three. Two, two, three.
:19:57. > :20:00.All the faffing around. This is. This is a dancing competition. Now,
:20:00. > :20:04.the sad thing about this is he could have picked it up or they
:20:04. > :20:09.could have dealt with it. Once they went into hold as well, she was
:20:09. > :20:11.hanging on so you know, I think they can turn this around, they
:20:11. > :20:15.have got to come out with a rocking number next week.
:20:15. > :20:19.They have. The other thing with it, as a
:20:19. > :20:24.person, she is a prop in herself, she is a strong character. Don't
:20:24. > :20:28.take that wrong, Nancy. She is so glamorous and gorgeous
:20:28. > :20:31.that you really don't have to add much to it. She is her own thing
:20:31. > :20:38.that's going to come on the floor and steal the show.. She will be
:20:38. > :20:42.doing salsa. I can't wait for that. Jason and Kristina and their cha-
:20:42. > :20:48.cha-cha. Why was this so good? Double whamies. Look at his face.
:20:48. > :20:54.Yes, you will mark it, yes I am good at what I'm doing. And yes,
:20:54. > :21:00.I'm loving this. I just love it. What do we normally get first week?
:21:00. > :21:04.We get funny faces. We had great dancing. A great
:21:04. > :21:09.chemistry between the two of them and that double conviction of, "Yes,
:21:10. > :21:15.I'm here. You will love it." I went, "You said you were everything you
:21:15. > :21:23.said you would be." He is committed and practising and he is training.
:21:23. > :21:26.I think you are pleased with Jason. Craig Craig, picked up on Harry's
:21:26. > :21:32.lack of hip action, is that something you would agree with
:21:32. > :21:37.this? This could be an action, but what's coming up is the classic
:21:37. > :21:41.example, a walk in a lock step. It has gone to sleep there. Let me
:21:41. > :21:45.tell you something very, very important about this. This boy is
:21:45. > :21:51.so talented. He had so many great things going on, body isolation,
:21:51. > :22:01.the use of the arms, the working with Aliona, that the hips stuck
:22:01. > :22:03.
:22:03. > :22:09.out like a sore thumb. Let's talk about Erin and Rory.
:22:09. > :22:13.our world, it is the men. But she is so clever tying in the
:22:13. > :22:18.choreography with the music. His delivery of the set was not very
:22:18. > :22:24.good. The music is building up and they are spinning around. Everyone
:22:24. > :22:27.is clapping. We don't know why we're clapping. That's how it was
:22:27. > :22:33.in my house. I don't know why I'm clapping, but I am.
:22:33. > :22:37.Classic theatre work. It is classic, "This is it." And we don't want to
:22:37. > :22:41.be looking at the technique now. It is week onement we want to know who
:22:41. > :22:45.they are and what they are about and we want to feel their hearts
:22:45. > :22:50.and how much they are in love genuinely with this show.
:22:50. > :22:57.Edwina and Vincent, cha-cha-cha. This was a cheeky little cha-cha-
:22:57. > :23:00.cha, wasn't it? I thought her hips moved well. And role reversal.
:23:01. > :23:04.That step would normally be carried out by the lady and they have
:23:04. > :23:11.clearly agreed that we have got a very opinionated woman combined
:23:11. > :23:15.with the hot Italian stallion. I'm just as tough as you are, but
:23:15. > :23:20.actually she didn't do too bad. I saw hip actions and she was having
:23:20. > :23:24.a good time. And she flashed her pants atted end
:23:24. > :23:26.-- at the end which is what we want from former MPs!
:23:26. > :23:31.Looking forward to next week's show already.
:23:31. > :23:36.Karen Hardy. Anita and Robin will be here in a
:23:36. > :23:44.minute. Let's remind ourselves of how they Wowed the crowd on Friday.
:23:44. > :23:48.For me, that was the most sincere dance of the night, honestly.
:23:48. > :23:53.Poised and beautifully acted. You need to sort out your head
:23:53. > :23:57.placement, but I thought that whole routine was gorgeous.
:23:57. > :24:05.I was in tears when he left you at the end. I will be all right in a
:24:06. > :24:11.minute! I loved every second of that. I
:24:11. > :24:16.just want to cry. It was fabulous. It was so beautiful to dance and I
:24:17. > :24:25.enjoyed every single second just as much as you. It was amazing.
:24:25. > :24:26.Oh, well to the show, Anita and Robin.
:24:26. > :24:33.APPLAUSE Bruce was nearly in tears. Robin,
:24:33. > :24:37.you were dewy eyed. You must have you were dewy eyed. You must have
:24:37. > :24:41.been so proud of Anita. I couldn't have asked for anything more. We
:24:41. > :24:47.had fun and I made the whole experience enjoibling, but we --
:24:47. > :24:51.enjoyable, but we worked hard at the same time. Anita made me so
:24:51. > :24:56.proud on Friday night. Stop it, we're all going to well up.
:24:56. > :25:02.You can fall in love with him, can't you? I am in love with him.
:25:02. > :25:06.Your man was there, your husband was sat in the audience. You are
:25:06. > :25:11.like, "Which husband?" Brian was in the audience. How was the
:25:11. > :25:15.experience for him? Was he getting misty eyed? He said he got teary,
:25:15. > :25:19.but he felt confident because he thinks Robin is a brilliant dancer
:25:19. > :25:23.and he said, "I think you have got the right partner and I know you
:25:24. > :25:27.want to do well and you will.". He was very supportive.
:25:27. > :25:32.Joint second on the leaderboard. How does it feel to be up there?
:25:32. > :25:36.Amazing. A lot of young bloods up there.
:25:36. > :25:40.You showing them all. It doesn't matter at all. Lots of people
:25:40. > :25:45.online think you are one of the best pairings ever, already. They
:25:45. > :25:49.are falling in love with you. Why do you think you instantly clicked?
:25:49. > :25:54.Sense of humour. We laugh at the same things.
:25:54. > :25:58.Oh yes. We have no idea what it is.
:25:58. > :26:03.And is it true that you were saying that Freddie Mercury would have got
:26:03. > :26:08.on well with Robin? He would have adored him. Yeah, he would have
:26:08. > :26:11.taken him home and told him lots of stories and gave him lots of
:26:11. > :26:17.champagne. It sounds like a typical night out.
:26:17. > :26:24.One of the fans want to know will you ever dance to a Queen song?
:26:24. > :26:27.is a possibility. I won't say yes or no, but it is a possibility.
:26:27. > :26:32.We like to investigate your training techniques and how they
:26:32. > :26:36.work. So Robin, we have noticed that you have a split personality.
:26:36. > :26:42.Oh yeah, when it comes to teaching. Check this out.
:26:42. > :26:52.The policeman of dance, Bobby the policeman of dance.
:26:52. > :26:53.
:26:53. > :27:02.Lower heel, turn. No. Unhappy Bobby looks like this.
:27:02. > :27:06.I don't want unhappy Bobby. I'm not scared of unhappy Bobby, no.
:27:06. > :27:10.Unhappy Bobby. I'm sorry, Bobby.
:27:10. > :27:17.One, that's much, much, much, much better.
:27:17. > :27:27.Happy Bobby. LAUGHTER
:27:27. > :27:32.
:27:32. > :27:38.I love it when you're happy. Fab, dabbydoesious.
:27:38. > :27:42.How do you know which Bobby you are dancing? I am starting to know. I
:27:42. > :27:46.expect it. I do the step wrong and I look up and sure enough there is
:27:46. > :27:52.the face. Bad Bobby. You have got pet names
:27:52. > :27:56.for each other quickly. What are they? Come on, share? I did call
:27:56. > :28:02.him squirrel because he can get so many grapes into his mouth.
:28:02. > :28:08.I heard that about him! You are like a marriage. How is the
:28:08. > :28:14.salsa going? How is that going to be different to the waltz? Well, it
:28:14. > :28:20.is insane. It is mad. It is so fast. I just laughed the whole time.
:28:20. > :28:26.Is she doing well? So far it has been fantastic. Compared to the
:28:26. > :28:31.waltz, it is at the opposite end of the spectrum, so far, so good.
:28:32. > :28:37.It is so lovely to have you in. Good luck with the salsa. Anita and
:28:37. > :28:42.Bobby, we love them. Tomorrow, I will be joined by my