:00:08. > :00:12.It's Monday, it is Hallowe'en. Coming up tonight: It was the final
:00:12. > :00:17.nail in the coffin for Nancy and Anton as they were booted out of
:00:17. > :00:23.the competition. They are here. Lulu and blen Dan talk about flying
:00:23. > :00:33.high and -- and Brendan talk about flying high and Craig Revel Horwood
:00:33. > :01:01.
:01:01. > :01:11.will be here giving me the weekend Live from Television Centre, this
:01:11. > :01:16.
:01:16. > :01:23.is Strictly: It Takes Two. Please Double double toil and trouble,
:01:23. > :01:27.than Si and Anton have left the Strictly bubble! Very sad face. The
:01:27. > :01:31.ballroom was taken over by dark forces on Saturday night and only
:01:32. > :01:41.the strongest survived. Welcome to It Takes Two. If you miss any of
:01:42. > :01:42.
:01:43. > :01:49.the Hallowe'en action, here is a quick reminder. A dress malfunction.
:01:49. > :01:55.Anything I can do! What a number. It was terrific. Loved it. Emerging
:01:55. > :02:04.from the coffin, looking like the Queen of the Night. You danced like
:02:04. > :02:11.a walking dead. You are physically unsuited for this dance. The King
:02:11. > :02:19.and Queen of tango! 10. It did need more drive. Your hands were like
:02:19. > :02:28.soup ladles, darling. You are back, well done! 10! The couple leaving
:02:28. > :02:36.tonight is Nancy and Anton. A very bittersweet welcome for Nancy and
:02:36. > :02:40.Anton. APPLAUSE There is a lot of love in this room for you tonight.
:02:40. > :02:44.Nancy, you have not had the easiest time in this competition. Are you
:02:44. > :02:52.still shocked to be here having been eliminated? I have been a bit
:02:52. > :03:02.shocked like the rest of the country. The nation was in shock. I
:03:02. > :03:03.
:03:03. > :03:07.agree. You beauty! She is right. I'm laughing now. I have to stop
:03:07. > :03:12.everybody calling me and start crying and anyway so I'm shocked to
:03:12. > :03:17.be, not shocked to be here, shocked to be out of the competition, yes.
:03:17. > :03:25.Part of it. We are never going to be out until the end of this. This
:03:25. > :03:29.morning, they could not stop talking. We have been on three or
:03:29. > :03:38.four front-pages. Brilliant. I have to say one thing - this is a
:03:38. > :03:44.competition. Everybody has to go. I think the show - the moment after
:03:44. > :03:54.we dance was like to switch off the light from a Christmas tree so now
:03:54. > :03:57.the Christmas tree is without light. You are the Christmas lights!
:03:57. > :04:03.was disappointed not to be out because this was a game to play, is
:04:03. > :04:08.for some of the comments, some of the from the judges were absolutely
:04:08. > :04:16.unnecessary, some of them. We may be extremely rude sometime. There
:04:16. > :04:22.is a fine line between whether this is entertainment and when it is
:04:22. > :04:26.something like not necessary so this was the disappointment. I can
:04:26. > :04:29.see where you are coming from. I know you were truly upset. You did
:04:29. > :04:34.work very hard. Anton, would you have done anything differently?
:04:34. > :04:39.Could you have done anything differently other than your best?
:04:39. > :04:44.Thank you. I know. I'm sad. I don't want you to go. No, nothing. What
:04:44. > :04:50.do you do differently? I thought Nancy was a delight, really, a
:04:50. > :05:00.delight, a delight to work with, wonderful on the show day, enormous
:05:00. > :05:00.
:05:01. > :05:07.fun and I hope that came across. Well, we had a great time. We had a
:05:07. > :05:13.fantastic time. What was your highlight? Meeting me! Absolutely.
:05:13. > :05:18.The highlight was to spend time with Anton. Good answer! We spoke a
:05:18. > :05:24.few times on the phone, I said, "Where are you?" We had our routine
:05:24. > :05:32.to meet every morning. We are going to continue dancing. Great! And two
:05:32. > :05:37.or three times a week. Three times a week, at least! At least three.
:05:38. > :05:45.At least three times a week! have been mesmerised by your
:05:45. > :05:51.performance. Let's have a look at your best bits. Don't show those!
:05:51. > :05:57.Your lovely partner will be Anton! She is as I knew she would be. She
:05:57. > :06:03.is a lot of fun. We haven't been kissing at all yet. He is smart,
:06:03. > :06:11.funny, has a great sense of humour. She is a stylish woman. Keep going.
:06:11. > :06:16.Keep going! Word of advice, forget props altogether. 1! I'm teaching
:06:16. > :06:22.you the language of dance, you are teaching me the language of Italian.
:06:22. > :06:28.Oh! Why you doing this? I have no idea. The most exciting part was
:06:28. > :06:32.when I took a crafty glance up your dress. Can you pull me up? We are
:06:32. > :06:37.doing tango. If you try to resist, I will use this. I have been trying
:06:37. > :06:43.to take control. I will do this first. We do this first. He knows
:06:43. > :06:49.my ideas are better. It looks like a tango, carry on this way! This
:06:49. > :06:54.week we do paso doble. You were like a rag doll being thrown about
:06:54. > :06:59.by Anton. I loved it! We are doing the rumba this week,
:06:59. > :07:03.the dance of love. It is one of Nancy's favourites. Just a kiss.
:07:03. > :07:08.don't want a kiss! The most difficult thing is getting the
:07:08. > :07:18.right step and the right timing especially on a Saturday night my
:07:18. > :07:27.mind goes blank! There was moments of Mills and Boon and moments of
:07:27. > :07:31.Meals on Wheels! The couple leaving tonight is Nancy and Anton! Anton
:07:31. > :07:37.is very special human being. We have a fantastic relationship. We
:07:37. > :07:41.will be friends forever. Nancy, you are an absolute superstar. I love
:07:41. > :07:48.you completely. I am so thrilled to have been lucky enough to have
:07:48. > :07:54.danced with you. Thank you my darling. Ah. It is only the
:07:54. > :08:03.beginning. Come on, I have told you not in front of the kids! Now the
:08:03. > :08:11.kiss! Are you going to carry on the Italian? Bon. Oui! Of course. That
:08:11. > :08:16.was French! Was it? You seen that French girl? No. What was that?!
:08:16. > :08:25.Who would you like to see go on and win? You have made lots of friends.
:08:26. > :08:31.Erin. Oh no! I think ops Who is coming on next? Brendan and Lulu?
:08:31. > :08:36.Brendan. Everyone. All of them... don't care if I'm honest! All of
:08:36. > :08:45.them. Will you stop it?! All of them. All of them. You have been
:08:45. > :08:52.such a joy. Alesha Dixon! What a remarkable lady. Nancy and Anton.
:08:52. > :08:58.APPLAUSE I'm going to miss you. going to miss you. Come every
:08:58. > :09:08.Tuesday. Every Tuesday. It was with great trepidation that we picked up
:09:08. > :09:15.the phone line to find out what you thought about the weekend. Would
:09:15. > :09:21.there be scary silences? Saturday's show was absolutely fab-u-lous.
:09:21. > :09:25.Well done all of you. Especially Nancy and Anton. Sad to see you
:09:25. > :09:32.both go. We will miss you. The glamour, the fun and the
:09:32. > :09:41.entertainment. Would like to say that I think the cygnet became a
:09:41. > :09:45.swan. That was superbly original and a fantastic routine. Bye.
:09:45. > :09:51.finished watching Pasha and Chelsee's tango and I felt so sorry
:09:51. > :09:57.for her. I just wanted to reassure her the viewers saw nothing. She is
:09:57. > :10:07.fast becoming my Strictly favourite. We love hearing your thoughts.
:10:07. > :10:13.Thank you. If you want to call us, you can on 09011 98 66 22. Calls
:10:13. > :10:16.cost 10p from a BT landline. Calls from mobiles will cost more. To get
:10:16. > :10:20.you in the spirit of all things Hallowe'en, we have a very special
:10:20. > :10:30.treat for you. Have a watch and see if you can work out who the dancer
:10:30. > :10:36.
:10:36. > :10:44.Dancers in disguise. # He did the mash
:10:44. > :10:51.# The monster mash. # Who is the dancer in disguise? Find
:10:51. > :10:55.out later in the show. Who is that? I will be chatting to
:10:55. > :10:59.Craig Revel Horwood in a minute. We have noticed some spooky goings-on
:10:59. > :11:09.around here. If you scare easily, look away now, this is not for the
:11:09. > :11:33.
:11:33. > :11:43.There is something weird going on in here. I can't work out what it
:11:43. > :12:06.
:12:06. > :12:16.Argh! Argh!
:12:16. > :12:29.
:12:29. > :12:39.Darlings! Argh! There is no hiding from me!
:12:39. > :12:39.
:12:39. > :12:43.HA-HA-HA! HA-HA-HA! Make it stop! Get behind
:12:43. > :12:53.the sofa. Please welcome the man himself, Craig Revel Horwood!
:12:53. > :12:57.
:12:57. > :13:02.APPLAUSE Argh! Hello, my darling. That was proper. I'm glad you
:13:02. > :13:06.showed me in a wonderful light(!) nice to know what people think.
:13:06. > :13:09.Terrifying. Nancy and Anton, was that the right decision? Well, I
:13:09. > :13:15.think it was about time in all seriousness. I have to say I am
:13:15. > :13:19.going to miss her. I really am. She was hilarious fun backstage.
:13:19. > :13:26.Rehearsals coming in, with a walking stick, with platform ten-
:13:26. > :13:29.inch heels on. She sleeps in those heels. She does. The is a glorious
:13:29. > :13:35.woman. Are you pleased with the overall standard of the dancing?
:13:35. > :13:39.Are our dancers improving? Yes, they are. Even the ones you least
:13:39. > :13:43.expect. Chelsee has been a big surprise for me. She's a very quick
:13:43. > :13:48.study which I think is fantastic which means she can get a lot of
:13:48. > :13:54.detail in. Jason, very hard worker and I think he's got to be careful
:13:54. > :14:00.that that doesn't overtake the dance in a way. OK. You do have to
:14:00. > :14:04.be careful you don't overwork yourself. First, the Black Swan
:14:04. > :14:11.inspired American Smooth/ballet, what an amazing concept from Holly
:14:11. > :14:17.and Artem? Yes. Quite a tricky one. Did it work? I completely loved it.
:14:17. > :14:22.This is right up my street. I love classical ballet. I was trained in
:14:22. > :14:25.that. They are probably - the only reason I didn't give it a higher
:14:25. > :14:30.mark was technically. Just small things, when you put your leg up
:14:30. > :14:35.having your knee down in the fish lift rather than square on. Just
:14:35. > :14:37.little... What is a fish lift? the man picks the lady up...
:14:37. > :14:44.they spun around. What should be down and what should be up?
:14:44. > :14:50.knee should be facing the floor not here. I like it when you tell us
:14:50. > :14:57.detail like that. The other judges give 9 - do that again? No, I
:14:57. > :15:01.won't! Let's talk about Chelsee and Pasha. Doing the tango. A bit of a
:15:01. > :15:04.wardrobe malfunction towards the end? Yes, you can't let things
:15:04. > :15:07.throw you. It was a little bow fell off, she probably thought it was
:15:07. > :15:12.the whole thing and everything was going to show. She was in hold for
:15:12. > :15:16.most of the time, even if everything had of fallen out, she
:15:16. > :15:22.should have carried on. Easy for you to say as a man! As a girl, you
:15:22. > :15:27.would want to hide your modesty. Why doesn't he give her his jacket?
:15:27. > :15:32.Could have done. There was nothing wrong. It was completely all in her
:15:32. > :15:36.mind. Bless. That is the disaster. Then of course she went on to cry
:15:36. > :15:39.because she thought it was all showing - I understand. If anything
:15:39. > :15:45.does happen like that, it is difficult to get back into the
:15:45. > :15:49.dance. She did very well to recover. Before that happened, how was her
:15:49. > :15:59.tango looking? Really great. She was spot on. It was nice and sharp.
:15:59. > :16:00.
:16:00. > :16:04.Had a lot of content. I enjoyed it. Good. Right. I am the Russell samba
:16:04. > :16:09.Grant, was he the samba? No, it is a dance that suits him. He went
:16:09. > :16:13.wrong, a lot! It's such a terrible shame. I just knew that it was
:16:13. > :16:19.totally in his body and he would have a great time with it. We
:16:19. > :16:23.didn't see the true dance to its maximum potential which is really
:16:23. > :16:31.sad. I know that that would have been incredible if he hadn't missed
:16:31. > :16:37.all the timing and got it all wrong. I hope he gets to do that dance
:16:37. > :16:42.again. OK. I do love I am the samba. Let's talk about Harry doing his
:16:42. > :16:52.tango with Aliona on Saturday. He still looked hot even with fangs.
:16:52. > :16:53.
:16:53. > :16:57.Lots of people saying - the judges - everybody saying they wanted more
:16:57. > :17:01.in hold and there wasn't enough? When he is in hold he is really
:17:01. > :17:08.safe and on it. It is only when he goes out of hold that he starts
:17:08. > :17:12.being a bit exposed. Like I have talked about his arms, the
:17:12. > :17:18.armography. He will bring his arms to here rather than to here. It is
:17:18. > :17:22.those details that he needs to get into his body. I really think he is
:17:22. > :17:28.fantastic. Good. Now, that we are seeing some sort of personality
:17:28. > :17:35.because he had a bypass the first week... He was terrified! I shouted
:17:35. > :17:40.at Craig Revel Horwood! I know. It is reflected in the scoring. Yes.
:17:40. > :17:44.Mr Savage, Robbie and Ola, can we talk about the leap from the floor
:17:44. > :17:50.to the desk? I thought that was incredible. It was. Can we talk
:17:50. > :17:54.about the result of the leap, darling? Yes, I sort of liked it.
:17:54. > :18:00.He's - it is not - there was no proper shaping in it. For instance,
:18:00. > :18:08.he didn't hold his back arched. I never ever really saw a proper
:18:08. > :18:14.dance in there. There was too much other stuff going on. OK. Hair and
:18:14. > :18:21.stuff. He does have such lovely hair. Yes. He's doing the waltz
:18:21. > :18:24.next weekend? Safe, at least he is in hold. He is good at ballroom?
:18:24. > :18:29.is. Jason and Kristina back at the top of the leaderboard. Your dance
:18:29. > :18:34.of the night? I really loved it. I tell you why. I like the story
:18:34. > :18:42.behind it. I really like the fact that Kristina had really sorted a
:18:42. > :18:46.proper story to give him and it was wonderful to see him doing it. Lots
:18:46. > :18:51.of content. I know how hard he has to work to achieve a result like
:18:51. > :18:56.that. Obviously, it is not perfect. It could be. It could be. It gives
:18:56. > :19:01.us something to look forward to. does. Audley and Natalie, the big
:19:01. > :19:06.man. Everybody says jive is so hard for a man of his size or any tall
:19:06. > :19:10.man. Where could he have done this better? Well he needs to use - he
:19:10. > :19:15.has one sort of fundamental problem and that is his feet. He needs to
:19:15. > :19:20.go through his foot a lot more than he's doing. That is why it is
:19:20. > :19:30.looking stompy and flat-footed. I would suggest little things like
:19:30. > :19:39.
:19:39. > :19:43.this, just little exercises - it is important. A classical bar, darling.
:19:43. > :19:49.That's to strengthen his arch and that is what is missing. He really
:19:49. > :19:56.should have been nice and high up on his toes. If he can achieve that,
:19:56. > :20:05.that could be half a point more. whole half a point?! It makes a big
:20:05. > :20:08.difference. Alex and Jaime, she set your pulse racing? She did. Only
:20:08. > :20:13.because I sort of like the wild nature of this. The track, the
:20:13. > :20:19.dance suited the track, the story. There was some sort of innocent
:20:19. > :20:25.virgin stuff going on which I like. I like the... Unlike Len I can't
:20:25. > :20:29.believe I just said that! I apologise now to the nation. I'm so
:20:29. > :20:33.sorry. With that... I won't do it again! Thank you very much.
:20:33. > :20:38.Consider yourself spanked! I like the dress stuff. That was probably
:20:38. > :20:43.what I would have done as a choreographer with her. It is a big
:20:43. > :20:46.full skirt and using it, it is like a cape. I have to go now. You keep
:20:46. > :20:51.it up. I love you. Imagine going round trick or treating and Craig
:20:51. > :20:56.answering the door! Don't knock on my door! Craig Revel Horwood!
:20:56. > :21:01.APPLAUSE Oh, dear. Now, we know what happened on the dancefloor
:21:01. > :21:08.over the weekend. What we really want to know is what was going on
:21:08. > :21:14.behind-the-scenes? I'm really scared. I have no make-up on!
:21:14. > :21:21.Morning, sunshine. Here we go again! I have my lacey
:21:21. > :21:24.Hallowe'enesque top on. Hi, it is me Erin and we will get some gossip.
:21:24. > :21:34.Have you got anything to say? Listen, it does take two. If you
:21:34. > :21:35.
:21:35. > :21:45.want two, this is the two you want! Ah! I'm scared today. We have the
:21:45. > :21:51.
:21:51. > :21:57.terrifying tango. My hair is all over the set today! Look! LAUGHTER
:21:57. > :22:05.You see this man, we love him. He runs around the floor. He has
:22:05. > :22:15.cobwebs on his camera. I love it! It's Brendan Cole. If you are not
:22:15. > :22:18.
:22:18. > :22:26.scared yet, you will be later! make-up and costume have excelled
:22:26. > :22:36.this week. They always do. This is like out of this world. Spiders on
:22:36. > :22:45.your eyes? Grrr! How you feeling? Argh! Spooky! To be fair, you look
:22:45. > :22:55.better than normal, babe! Normally we turn on this show, but Artem is
:22:55. > :22:59.
:22:59. > :23:09.going the other way! HA-HA-HA! look like Renee from 'Allo 'Allo.
:23:09. > :23:11.
:23:11. > :23:15.Is that Jason Donovan in his pants?! Was Cousin It a woman?
:23:15. > :23:20.look like Pamela Stephenson. Since I did the paso last week, this is
:23:21. > :23:27.what has happened to me. I Like.com anyone here. I'm not fond of trick
:23:27. > :23:33.or treating. I sort of like the idea that people get together and
:23:33. > :23:43.have a big party and try and spook each other. Grrr! Show time! HA-HA-
:23:43. > :23:44.
:23:44. > :23:48.Jason in that bald wig, terrifying. One couple that bewitched all four
:23:48. > :23:58.judges were Lulu and Brendan. First, here is a quick round-up of what
:23:58. > :23:59.
:23:59. > :24:03.happened to them. I tell you, you handled all that with panache.
:24:03. > :24:08.concept was great. I loved that exit. Really theatrical. Lots of
:24:08. > :24:12.tricks and quite a few treats. What entertainment! I loved it. Well
:24:13. > :24:20.done. I love your determination. You did a good job. Really good job.
:24:20. > :24:30.8. The choreography, the flying, the costume and make-up was spot on.
:24:30. > :24:32.
:24:32. > :24:38.I am delighted. High-five! Yeah! Another one! Please welcome Team
:24:38. > :24:42.Brulu. APPLAUSE Well done on Saturday. It was fabulous. 29, your
:24:42. > :24:49.top score. Can you believe it? is wonderful. You must have been as
:24:49. > :24:52.high as a kite? I am still flying. The flying, my goodness, were you
:24:52. > :24:56.terrified before you swooped off the stage? The thing I was
:24:56. > :24:59.terrified was the going back, that I wasn't going to make that stage.
:24:59. > :25:04.The coming in, no problem at all. You are hooked up. Everything is
:25:04. > :25:09.fine. It is very, very safe. The harness is like triple layered. The
:25:09. > :25:15.going out was a big risk because we had to get her hooked up while the
:25:15. > :25:25.music was still going. There was no room for error. Did you not see me
:25:25. > :25:33.hanging?! Slightly. Julia says, "Lulu flies much better than Ann
:25:33. > :25:37.from last year." She had two wires and I had one wire. Quite a risk
:25:37. > :25:42.thing to do to put your girl in flight, Brendan. You must have been
:25:42. > :25:46.so happy and gratified... You know how crazy he is! Everybody loved it.
:25:46. > :25:50.Especially the judges. Did that make you happy? It is lovely to get
:25:50. > :25:53.compliments on your ideas. You can't always fulfil everything you
:25:53. > :26:00.want to do. For some reason, the BBC let me go. It was Hallowe'en.
:26:00. > :26:02.They said, if you want it, you do it. Very excited. Whatever can we
:26:02. > :26:07.expect next?! Len mentioned something about soft body on
:26:07. > :26:13.Saturday. You are doing the tango this week. Yes. You have to work on
:26:13. > :26:17.the soft body and the attitude and the hold. I don't know what that
:26:18. > :26:22.is! The soft body... Do I have to do that?! Just like - we will work
:26:22. > :26:26.on it tomorrow! The soft body, Len is sort of right, but it came from
:26:26. > :26:30.a mistake in the footwork and everything let go. That is why it
:26:30. > :26:34.went a bit casual. Lulu has a strong body. I like the way she
:26:34. > :26:41.presents herself. I'm not too worried about that. It will be good.
:26:41. > :26:46.I'm worried about it for the tango! Is it a similar kind of mood to the
:26:46. > :26:53.paso? Yes I guess so. Is it? Is it? It is quite strong and passionate.
:26:53. > :26:56.Passion! That is what it is! It's passion. Right. Are you surprised
:26:56. > :27:01.at how much information you are having to absorb and managing to
:27:01. > :27:05.absorb? I'm not managing to absorb anything! I am. It's shifted. It's
:27:05. > :27:09.shifted from the start. It is a lot to take in. Somehow, I'm not so
:27:09. > :27:13.terrified, that is the key. I think I was like a rabbit in the
:27:13. > :27:20.headlights the first few weeks after screwing the first one up.
:27:20. > :27:24.Now, I'm a little bit - am I more relaxed? Yes. Maybe too relaxed?
:27:24. > :27:29.Yes! Are you having dreams, do you dance in your dreams? I'm dancing
:27:29. > :27:35.every day in my dreams. She is not asking you! Yes, Zoe. I dream, I
:27:35. > :27:40.eat, I sleep, I walk, I talk Strictly. I wake up in the night
:27:40. > :27:46.and I - oh, I have forgotten my steps again. I'm having nightmares
:27:46. > :27:53.like that myself! Can you get your scores up to the 30s? Yes, can we
:27:53. > :27:59.do it? Yes. Let's do it. Let's do that. 30s. For goodness sake!
:27:59. > :28:05.of people talking about the hair. You looked handsome. Will we be
:28:05. > :28:14.seeing the hair like that again? have been getting a lot of love.
:28:14. > :28:20.don't want him to look like that again. Lulu and Brendan! APPLAUSE
:28:20. > :28:27.Thanks. Earlier in the show, we asked you to guess who our
:28:27. > :28:36.terrifying dancer in disguise was. Have you worked it out yet?
:28:36. > :28:40.# He did the mash. # Who did you think it was? Robin.
:28:40. > :28:46.had a feminine swagger about him. It was Pasha. Thank you to my
:28:46. > :28:51.guests. Tune in tomorrow whenly be chatting to Audley and Natalie and
:28:51. > :28:54.Audley and James. I will be discussing who wore what with whom
:28:54. > :29:04.with the fashion designer Ben De Lisi. Good night. Happy Hallowe'en.
:29:04. > :29:08.