:00:08. > :00:13.Coming up on Wednesday's It Takes Two - Alesha crowned him King of
:00:13. > :00:17.the Tango - HRH Harry and Queen Aliona will be joining me. Devil
:00:17. > :00:21.Woman Anita and her partner Robin are here. Holly and Artem will be
:00:21. > :00:31.swanning in for a chat. Plus, Ian's back to dissect this week's
:00:31. > :01:05.
:01:05. > :01:09.training in Waite's Wednesday Warm- Live, from Television Centre, this
:01:09. > :01:18.is Strictly Come Dancing: It Takes Two. Please, welcome, your host,
:01:18. > :01:23.Zoe Ball. Hello. Welcome. Our ten remaining couples are busy working
:01:23. > :01:26.very hard for this weekend and tonight we'll get the first look at
:01:26. > :01:32.their training, which includes the first Charlstons of the series.
:01:32. > :01:37.Then I'll chat to Harry and Aliona, after this reminder of the rather
:01:37. > :01:43.tasty tango. Full of intent and purpose. Thought it was fantastic.
:01:43. > :01:52.I want to see more than eight bars in the tango hold. What's annoying,
:01:52. > :01:55.when you are in hold, you are great. Harry, intense, hypnotic, erotic.
:01:55. > :02:03.You created a beautiful piece of dance. The king and queen of tango
:02:03. > :02:09.tonight. I'm so pleased, because for some reason it's getting harder.
:02:09. > :02:13.The comments were lovely. The scores were great. Another ten.
:02:13. > :02:16.choreography it was so good, so hard to put so much in hold, but I
:02:16. > :02:26.totally understand what Len is saying. I can dream tonight about
:02:26. > :02:26.
:02:26. > :02:32.tens. Give it up for Team Hali! APPLAUSE
:02:32. > :02:42.Harry, you went from being a drummer, to being a very good
:02:42. > :02:44.
:02:44. > :02:50.drabgcla. Did you enjoy yourself -- Dracular? Did you enjoy it? Yes, I
:02:50. > :02:56.did. You did divide the judges in their remarks. Len said he would
:02:56. > :03:02.give you a seven and wanted more in hold. You got another ten and some
:03:02. > :03:07.people were saying it was more of a shows dance. What were your
:03:07. > :03:10.thoughts? I felt to dress up and do a regular dance for Hallowe'en
:03:10. > :03:16.didn't make much sense, so a bit of production is in order and that's
:03:16. > :03:23.what we have done. There was a bit of tango and other things, but
:03:23. > :03:27.altogether it was a tango, but a bit of theatrical production.
:03:27. > :03:33.For Hallowe'en. On the plus side, and this is very exciting, Len said
:03:33. > :03:39.you are one of the best male ballroom celebrities he's ever seen.
:03:39. > :03:44.I know. I know. It is true. It's amazing. I couldn't believe it when
:03:44. > :03:49.I heard him say that. Thank you, Len. Indeed. Any idea that you
:03:49. > :03:53.could dance this well before you did this? Absolutely not. I must
:03:53. > :03:59.say, I keep forgetting to say it's pretty much down to Aliona's
:03:59. > :04:03.amazing teaching. She is so patient and it takes hours and hours, so I
:04:03. > :04:06.don't think it's necessarily natural. It's a lot of hard work.
:04:06. > :04:11.From both though. Obviously you are putting in the hours too. Have your
:04:11. > :04:15.friends and your lovely bandmates noticed a difference in you?
:04:16. > :04:21.They've noticed that they don't see me any more or speak to me. They
:04:21. > :04:27.see me on TV on Saturday nights. I'm very busy, but in this period
:04:28. > :04:34.of time you have to be very focused and work hard. Are you dropping in
:04:34. > :04:42.any dancing lingo along the way? Yes. For example? I know, do a
:04:42. > :04:46.check. Good lines. That wasn't a good line. I just smacked that.
:04:46. > :04:51.Expensive piece of equipment. You revealed although you train most
:04:51. > :04:53.hours, you spend 50% of the time eating or messing about and further
:04:53. > :05:01.investigation has gone on to show us that there's an awful lot of
:05:01. > :05:11.time wasting. You look like some kind of animal, but it's not a
:05:11. > :05:16.
:05:16. > :05:26.ghost. Shrew? What's that? A sloth. Yes, that's it. I haven't had
:05:26. > :05:32.
:05:32. > :05:40.enough sleep. Try to stay up. That's it. Come on, sloth. Still
:05:40. > :05:47.not finished? One move and we're done. I go like that. I can't wait
:05:47. > :05:53.for a massage. Come on, sloth. on, sloth! It's the perfect
:05:53. > :05:57.nickname for you. This week it's the samba to this music. Stevie
:05:57. > :06:03.Wonder. Fine choice. Yesterday, Harry, you tweeted, not that I'm
:06:03. > :06:08.stalking you or anything, that the samba is hard, "Help, anyone.". Bit
:06:08. > :06:14.of a challenge for you this week? It's been really tough. The good
:06:14. > :06:19.thing is, the more frustrated I get the more Aliona finds it hilarious
:06:19. > :06:22.and the more angry I look the more sloth-like I look. It's been really
:06:22. > :06:32.tough. We can show everybody at home just how hard he's finding it.
:06:32. > :06:34.
:06:34. > :06:43.Check this out. This is so hard. I want my mummy. Why? Why does it
:06:43. > :06:51.have to be so hard? You are right. Look at her laughing. Well, your
:06:51. > :06:57.wish is our command, Harry and hopefully on the line is Harry's
:06:57. > :07:02.mum, Mrs Judd. Hello. Are you enjoying the show, Harry's mum?
:07:02. > :07:11.Love it. Do you have some words of wisdom for your boy? I'll hand you
:07:11. > :07:16.over. Hi, mum. Hi, darling. Look, Harry, come on, just pull yourself
:07:16. > :07:22.together. I will, promise. Think about it. You know you can do it.
:07:22. > :07:29.You know you can do it. Just keep calm and keep going. Thanks, mum.
:07:29. > :07:35.Do as your told for once. You will do really well. Love you. Thanks,
:07:35. > :07:39.mum. Thank you, Harry's mum. APPLAUSE
:07:39. > :07:47.Good luck with the samba this weekend. I don't want to scare you,
:07:47. > :07:57.but some of the highest scores of samba have been scored by yours
:07:57. > :07:58.
:07:58. > :08:02.trulyy. And Matt Baker. We got oath 38.. Both 38. Now, our
:08:02. > :08:08.professionals love a bit of chit- chat, but do you know which dancer
:08:08. > :08:12.they are goss ipg about? -- gossiping about? This dancer wears
:08:12. > :08:16.the highest heels out of all the professionals at three-and-a-half
:08:16. > :08:21.inches. This person loves chocolate and cannot walk past a chocolate
:08:21. > :08:27.much inand say no. I want this person to be the mother of my
:08:27. > :08:31.children. This dancer is the quickest, the sharpest, the most
:08:31. > :08:35.beautiful one in Argentine tango. Who do you think it is? Find out
:08:35. > :08:45.later in the show. It's Wednesday and that can mean only one thing,
:08:45. > :08:47.
:08:47. > :08:52.my dancing partner in crime is here. It's time for the Wednesday warm-up.
:08:52. > :08:57.Please, welcome back the batman to my Robin, it's Ian Waite.
:08:57. > :09:03.APPLAUSE My family are in tonight. Yeah,
:09:03. > :09:13.you've got them all with you. Did you enjoy the weekend? All I can
:09:13. > :09:22.
:09:22. > :09:27.say, it was fanningdabbido zey. Trn Lulu is doing well. She starts off
:09:27. > :09:31.in a very upright position, comp isn't so great, but as she is doing
:09:31. > :09:39.those crosses she goes into this position, which, I'm going to draw
:09:39. > :09:43.it for you, that position. It's the banana shape. I love that. If she
:09:43. > :09:48.can maintain this throughout that is fantastic. With taking that,
:09:48. > :09:53.that way, she needs to balance it up with the hips underneath, so as
:09:54. > :10:00.the head goes that, the more the hips should come underneath and you
:10:00. > :10:07.should be balanced. Sometimes she does look as though in Brendan lets
:10:07. > :10:15.go she falls over. Lift it up a little. Russell and Flavia are
:10:15. > :10:23.dancing the paso doble. Will this be matador or matadon't? Good.
:10:23. > :10:28.Another characterful dance. He excels at these. I want to show
:10:28. > :10:33.this. If I - no, I want to highlight that. Come on. Look at
:10:33. > :10:38.his arms. I want to emphasise the arms. Good arms, or bad? Yes.
:10:38. > :10:48.Fantastic arms. Look at the fingers. Even the fingers, it looks like he
:10:48. > :10:48.
:10:48. > :10:51.has cast nets in his hands. -- castanets. He has the curved shape,
:10:51. > :10:57.so creating the character very well. I was concerned at the beginning of
:10:57. > :11:01.this dance that he's messing up the steps. That is the only worry I
:11:01. > :11:04.have. Sometimes he does forget his steps. He really needs to nail them
:11:04. > :11:10.on the live show. I think Flavia will work on that. That's only
:11:10. > :11:15.yesterday. Robbie and Ola. Back in the ballroom. Excited, because he's
:11:15. > :11:21.a ballroom boy. They are dog a waltz. I think it suits him. His
:11:21. > :11:26.hold's improved again. His quality of movement is very good. Here, Ola,
:11:26. > :11:32.has taught him some outside changes in waltz and here he does - I'm
:11:32. > :11:38.going to draw around that - because here he does a clonking great big
:11:38. > :11:42.heel. That is a promenade step. I've never heard of that move
:11:42. > :11:46.before! It's a promenade step and you have to go into a toe. There
:11:46. > :11:56.are lots of outside changes there, where he should be doing heel, toe,
:11:56. > :11:57.
:11:58. > :12:02.toe. Everybody, heel, toe, toe. Heel, toe, toe. I'll be doing that
:12:02. > :12:08.all night. That is the rise and fall. If he's not doing that, he's
:12:08. > :12:12.not doing the basic technique of waltz. I would say if Len was there
:12:12. > :12:17.he might pick that out, but he's away this week. Jennifer Grey is
:12:17. > :12:22.there this week. Remember that, Robbie. Think of Dorothy. Jason and
:12:22. > :12:27.Kristina are doing the rumba. He was back on top this week. How is
:12:27. > :12:32.this looking? Continuing to be very good. Continuing the success of
:12:32. > :12:40.last week. Amazing rumba walks there. He has that sort of dance in
:12:40. > :12:45.him. He's just good. He is the dance. Look at that leg. It's
:12:45. > :12:51.straight as a poker and turned out. He looks like a dancer. He has the
:12:51. > :12:55.lovely arms, which are creating the space all the time. The thing that
:12:55. > :12:59.he has to be careful of is that in rumba you have to stay in that
:12:59. > :13:04.movement in your body, so he doesn't want it to stay still.
:13:04. > :13:09.Don't do a move and stop. Keep it going. If he puts the arm out, the
:13:09. > :13:14.body still carries on. Like a little snake? Yes. Alex and James
:13:14. > :13:22.are doing the quickstep. How is our little Welsh wonder looking? Well,
:13:22. > :13:26.very good. All I would say is more balls. She is looking slightly
:13:26. > :13:30.flat-footed in this dance. As we know, quickstep is very light and
:13:30. > :13:34.fluffy and bouncy and to create that you have got to stay on the
:13:34. > :13:37.balls. With flat feet it's not going to happen. Again, this is an
:13:37. > :13:42.intricate dance and she looks like she is struggling to keep up, but
:13:42. > :13:46.like last week, I said in the paso doble, this is more difficult and
:13:46. > :13:51.more complicated and she is struggling to keep up, but, she
:13:51. > :14:01.took it on board. What a great night last Saturday. Maybe this
:14:01. > :14:02.
:14:02. > :14:07.will be the same. She'll take it on board. Chelsee and Pasha doing the
:14:07. > :14:16.Charlston. How will it be looking? It will really suit her. I want her
:14:16. > :14:20.to slow this down, because it emphasises how in sync they are
:14:21. > :14:25.together. She is completely copying Pasha. That is the essence of the
:14:25. > :14:30.perfect couple. If they completely match each other then you have got
:14:30. > :14:35.that special bond where you look - they even look like each other. If
:14:35. > :14:40.you put pictures up next to each other, they look like brother and
:14:40. > :14:46.sister. I notice a couple of differences. That is looking really
:14:46. > :14:51.encouraging. Tuesday's footage and they are matching so well already.
:14:51. > :14:56.Audley and Natalie are doing the Viennese Waltz. Is that exciting?
:14:56. > :15:03.Great, because Audley is a good ballroom dancer. He never ceases to
:15:03. > :15:05.amaze me. His musicality is extremely good. Because he's such a
:15:06. > :15:10.big guy we expect him to be not good, but the musicality is
:15:11. > :15:17.exceptional. Also, he has a great quality of movement. What I would
:15:17. > :15:21.like to see is here, his arms are slightly behind his back. Not good?
:15:21. > :15:29.He tends to drop them. Where should they be? Really they should be up
:15:29. > :15:34.more to the girl, so he needs to dance. Let me show you. His arms
:15:34. > :15:40.are in front and then he takes the girl almost like he is cuddling her.
:15:40. > :15:45.Then you still have the big circle and our arms are towards each other.
:15:45. > :15:52.Like a cuddle. Everybody needs a little cuddle. Ian, you are a
:15:52. > :15:55.fountain of knowledge. Can I just stay here for the next link? Let's
:15:55. > :16:00.hear it for Ian Waite! APPLAUSE
:16:00. > :16:06.In a moment I'll catch up with Anita and Robin, but first here's a
:16:07. > :16:12.reminder how their tango was so good. Put me down. I never knew you
:16:12. > :16:16.could play so evil. I really liked it because there was a lot of tango.
:16:16. > :16:26.I need to perfect your hold. Apart from that, brilliant. Acting ten,
:16:26. > :16:29.top line, three. I loved the routine though. I was petrified it
:16:29. > :16:34.was going to be a disaster, because I thought she has forgotten
:16:34. > :16:38.everything. As soon as you start it all came back. It was my favourite
:16:38. > :16:47.one. Look at what I'm wearing. I'm a dream. I would like to say to the
:16:47. > :16:57.judges, thank you very, very much. Please, welcome, Anita and Robin.
:16:57. > :16:57.
:16:57. > :17:00.Hello, you two. Welcome back. So, a week ago there you were you were a
:17:00. > :17:04.starlet, and now terrifying vixen. Is there a character you can't
:17:04. > :17:10.play? I don't know. Keep throwing me the challenges. We are making
:17:10. > :17:18.you a list. Overall, the judges absolutely loved it. Well done to
:17:19. > :17:25.both of you. Craig said acting, ten, top line, three. Are you working on
:17:25. > :17:33.the frame? I had a chat and what kind of happened she has spent
:17:33. > :17:36.years and years and years perfecting a way to stand up to be
:17:36. > :17:40.an actress and this dramatic actress, it's all about how you
:17:40. > :17:45.stand straight and all of a sudden I want her to tip back and it's so
:17:45. > :17:50.foreign. That's not what your brain has been taught? No, nearly 50
:17:50. > :17:56.years of standing like that. It's hard to unlearn something. I didn't
:17:56. > :18:00.even think about that. That's good. Forgetting technical terms because
:18:00. > :18:07.you have your own language of dance in the training room. There are a
:18:07. > :18:12.couple of words that have come out. Tell me more. You mean doodle flip
:18:12. > :18:18.and flap. That means a step that I've got wrong. As soon as I say,
:18:18. > :18:23."Can I do the doodle flap?" he knows what I mean. You are in tune.
:18:23. > :18:26.All the kids will be saying that on the streets now. You are doing one
:18:26. > :18:32.of the series first cheeky Charles stons. I love this dance. This is
:18:32. > :18:38.what you are dancing to. -- Charlstons. I love this dance. This
:18:38. > :18:43.is what you are dancing to. Good choice. How is training going?
:18:43. > :18:47.a challenge. It's something -- you have to keep going over and over
:18:47. > :18:51.and over it otherwise you don't learn it. But it's great fun.
:18:51. > :18:54.Terrific fun. It is really good fun. Looking at this. You are perfectly
:18:54. > :19:01.in time. This is only from yesterday. This is Tuesday. That
:19:01. > :19:07.stands you in good stead. It's the first dance where the lady can lift
:19:08. > :19:14.the chap. Should she fancy. Will you be doing that? Are you seer
:19:14. > :19:21.yution? Look at -- serious? Look at Robin's face. Can you manage 0
:19:21. > :19:25.kilos, love? We can try, if you want. Come on. Jennifer Grey is
:19:25. > :19:31.stepping in to Len's shoes on Saturday. What do you think she's
:19:31. > :19:36.going to be looking for? Well, to get it technically correct, as much
:19:36. > :19:41.as possible, I guess. And to actually evoke the feel of that era.
:19:41. > :19:45.The 20's feel. The flapper style. Is it exciting? A new judge or is
:19:45. > :19:55.it quite scary? I think it's going to be a little weird. As long as
:19:55. > :19:55.
:19:55. > :20:03.no-one puts her in the corner! got it in first. Last week, we gave
:20:03. > :20:13.you a sweatband to help you in the studio. I did wear it. It worked.
:20:13. > :20:13.
:20:13. > :20:18.We have seen that you put it to good use. Look at this.
:20:18. > :20:25.# Let's get physical... # I'm not sweating that much today. It's
:20:25. > :20:31.actually working. They are really good. Thank you, Strictly Come
:20:31. > :20:35.Dancing: It Takes Two. Yeah, thank you. It's quite funny, because
:20:35. > :20:42.Robin says it works. That is why they are called sweatbands. We have
:20:43. > :20:49.made you a little T-shirt to go with it. Look at this. You have to
:20:49. > :20:53.wear it. Next week it's going to be hotpants. Don't think Anita the way
:20:53. > :20:58.you dress in the studio and when you are in training we love it.
:20:58. > :21:02.Here's three of our favourite looks. Access rising with a bow. We
:21:02. > :21:06.wondered if you had any tips for dressing nicely in the training
:21:06. > :21:12.room? No, I think wear something that is comfortable and if you are
:21:12. > :21:18.doing an upbeat number why something colourful. That's just me.
:21:18. > :21:23.We had the sleeves left over, so we made you this beautiful piece.
:21:23. > :21:30.love it. Gorgeous. Thank you. I will wear it with pride. We get
:21:30. > :21:35.gifts. We'll come again. These two must be great at Christmas. Your
:21:35. > :21:40.leaderboard has been chequered. You were joint second an then fifth and
:21:40. > :21:49.joint ninth. Who is your biggest rival, do you think? Everybody!
:21:49. > :21:54.of them? Sno one in particular? -- no-one in particular? No, we are
:21:54. > :22:00.having a ball. Good luck on Saturday. We can't wait. Thank you.
:22:00. > :22:04.Anita and Robin. APPLAUSE
:22:04. > :22:12.Last weekend Hallowe'en was crammed full of disguises, however it seems
:22:12. > :22:18.that a couple of you picked up on some unexpected look-alikes.
:22:18. > :22:26.ringing to see if anyone else looked like Brendan looked like
:22:27. > :22:32.Aled Jones on Saturday. Wondering if Craig Revel Horwood models
:22:32. > :22:42.himself on tin tin with the extraordinary hairstyle? I hope he
:22:42. > :22:42.
:22:43. > :22:47.does. He looks lovely. Thank you very much. Up next, I'll talk to
:22:47. > :22:51.Holly and Artem, but first here's how their weekend performance
:22:51. > :22:58.ruffled a few feathers. You look incredible. This is my favourite
:22:58. > :23:03.concept so far. I think you have gone mad, but you succeeded. More
:23:03. > :23:12.in hold, but you know I'm always on about that, but what a number.
:23:12. > :23:16.high-risk, but you made it work. broke the 30 curse. That alone
:23:16. > :23:21.makes me happy. It's a breakthrough for us, because the past four weeks
:23:21. > :23:26.have been tough. I had a couple of things go wrong, so I was mad at
:23:26. > :23:33.myself. I hope they enjoyed it. If we get through, then I can't wait
:23:33. > :23:38.to get started on Monday morning. Welcome our gorgeous feathered
:23:38. > :23:42.friends, Holly and Artem. APPLAUSE
:23:42. > :23:48.Brilliant performance from you both on Saturday. You did it. You scored
:23:48. > :23:54.over 30. You got 35. Were you very pleased? It was such a relief and
:23:54. > :23:57.that we not only moved, but moved up. I know. A long way up. Yeah.
:23:57. > :24:05.Great. It was such a great performance and you had a very
:24:05. > :24:13.special guest in the studio. I did. My friend, princess B came along.
:24:13. > :24:22.She wanted to watch. I nearly fell off my sofa. She is your friend?
:24:22. > :24:25.Yes. Did she enjoy it and is she voting for you? Yes, she is under
:24:25. > :24:32.strict instructions. It's the only time I can boss a princess around.
:24:33. > :24:35.Good evening. I am bowing. Great judges' comments for you as well.
:24:35. > :24:40.Alesha says you are a contender and you can win this. That must be
:24:40. > :24:43.great to hear from a past winner. It's a full-on comment. I was
:24:43. > :24:48.really flattered. I didn't remember the win part until tonight. That's
:24:48. > :24:54.a big thing to say. It's scary too. It is quite hard to remember what
:24:54. > :24:59.they say, because you are so relieved? Yes. Artem, Swan Lake,
:24:59. > :25:04.never performed on Strictly before. You were nervous about taking such
:25:04. > :25:09.a risk? Well, yeah, of course. I thing the song is difficult to core
:25:09. > :25:14.graph, because it's ballet and really big moves. It was a big
:25:14. > :25:21.challenge, but it came across well and we got good comments back.
:25:21. > :25:25.really did pull it off. We were disgusted you weren't in tights.
:25:25. > :25:30.Karen praised you and Elizabeth on- line says, "That has got to be the
:25:30. > :25:33.dance of the series. It made me cry." That's amazing. Pretty good.
:25:33. > :25:43.Good evening there. You are doing the jive and this week you are
:25:43. > :25:45.
:25:45. > :25:50.dancing to. Buen know Mars. What clever core -- Bruno Mars. What
:25:50. > :25:55.clever choreography have you got this week? It's quick. I know. I
:25:55. > :25:59.picked up when you two came in, you sat down like this. You are
:25:59. > :26:03.exhausted from training. How is it going? Are you liking it? I love it.
:26:03. > :26:08.I was dreading it because it was so fast. I thought I'll be wonky on
:26:08. > :26:13.this one, but I'm enjoying it. I love the song. It all helps and it
:26:13. > :26:22.peps you up. I can't wait to hear the band play this, because they
:26:22. > :26:27.are great musicians and it will go Bez eshing. -- beserk. Is she
:26:27. > :26:37.keeping up with you? I think at this point. I think the first
:26:37. > :26:43.couple of days was tough. Because - I didn't. Going from Swan Lake to
:26:44. > :26:53.jive - I love it. He is there with the Russian drive. Anything to work
:26:54. > :26:54.
:26:54. > :26:57.on? Attitude. No, I this I -- no, I think it's great. We are changing
:26:57. > :27:02.bits. We are polishing things tomorrow. Hopefully it's perfect.
:27:02. > :27:07.Has it got to the point where Holly can chip in with suggestions for
:27:07. > :27:12.dancing or are you - They are uninvited, but they happen. Look at
:27:12. > :27:16.his face. Let's put it this way - it's good to know the opinion of
:27:16. > :27:21.your partner. The things they like to do and don't like. It helps to
:27:21. > :27:26.core graph and helps to feel good about it. Make you comfortable.
:27:26. > :27:31.suggestions are always great. I never decline any. Send them on a
:27:31. > :27:34.postcard. Don't expect a reply. fax them overnight. We have a guest
:27:35. > :27:38.judge on Saturday night. Jennifer Grey is going to be here. How does
:27:39. > :27:43.that make you feel? Exciting prospect for you? Very. It's nice
:27:43. > :27:48.to have flesh blood. She is an icon in the dancing world. Really cool.
:27:48. > :27:53.Bring a new dynamic to the evening. -- to the evening. Are you
:27:53. > :27:58.encouraged to be away from Len? Is that a good thing? Well, this week
:27:58. > :28:03.we have a jive. It is quite a bit of a jive content in it, but Len
:28:03. > :28:06.would probably say something about it. I'm quite happy that it's going
:28:06. > :28:11.to be Jennifer. A Len break. We have Jennifer on the show tomorrow.
:28:11. > :28:14.Good luck this weekend. We know you are going to be great. Holly and
:28:14. > :28:18.Artem. APPLAUSE
:28:18. > :28:21.Earlier in the show, we asked you if you could guess who our
:28:21. > :28:31.professional dancers were talking about. It's now time to redevelop
:28:31. > :28:34.
:28:34. > :28:38.their identity. You guess ited it. It's me. -- you guessed it. It's me.
:28:38. > :28:42.Holly got it right. Thank you to all my guests. I'll be back
:28:42. > :28:46.tomorrow when Russell and Flavia will be here, to talk about their
:28:46. > :28:51.paso doble. Jason and Kristina will talk rumba and there will be a