:00:13. > :00:16.It's Thursday. Coming up tonight: Jason and Kristina are back on the
:00:16. > :00:20.top of the leaderboard. They're here live. Samba devils, Russell
:00:20. > :00:23.and Flavia talk about their impending paso. I'll be finding out
:00:23. > :00:28.what treats the costume department have in store for Saturday night
:00:28. > :00:32.and the one and only dirty dancer, Jennifer Grey is here for an
:00:32. > :00:42.exclusive chat about taking over from Len Goodman this weekend. This
:00:42. > :01:11.
:01:11. > :01:18.Live from Television Centre, this is Strictly It Takes Two. Please
:01:18. > :01:22.welcome your host, it's Zoe Ball. APPLAUSE
:01:22. > :01:26.Hello! Welcome to It Takes Two. It is the final day of training for
:01:26. > :01:31.our couples before they start rehearsals in the Strictly Come
:01:32. > :01:35.Dancing studio. In Just A Minute, I'll be talking to Jason and
:01:35. > :01:41.Kristina who bedazzled the judges with their quickstep. Here's how
:01:41. > :01:47.our celebrities are getting on in training: This week I am dancing
:01:47. > :01:52.the Viennese waltz. Audley is definitely stronger at the ballroom
:01:52. > :01:58.than the Latin. If I get my frame right and keep my fingers closed -
:01:58. > :02:02.Craig - I have a better chance. Nice hands. It's about momentum and
:02:02. > :02:07.changing direction quite quickly. There is some tricky foot work in
:02:07. > :02:12.there. One, two, three, release. I've made it so there's not a lot
:02:12. > :02:18.of spinning. This week I want to be able to not just dance the dance, I
:02:18. > :02:23.want to act the dance. I wnt to get into this acting. I'm trying to act.
:02:23. > :02:33.He'll be fine. He has to be fine. You're going to see Audley perform
:02:33. > :02:34.
:02:34. > :02:41.The jive is petteryifying. It's very, very fast. I'm going to have
:02:41. > :02:46.a go. Boom, boom, boom. No. It's very difficult dance because
:02:46. > :02:52.there's a lot of foot work. Every time I have a jive it's not about
:02:52. > :02:56.jumping up, it's always about landing down. I'm a little bit
:02:56. > :03:01.worried Artem will chuck me around and make me do upside down things,
:03:01. > :03:05.throw me around like a rag doll like he usually does. I am going to
:03:05. > :03:11.try and move my twinkle toes and make it look cool at the same time.
:03:12. > :03:21.I'm more of a sloth. I don't move very fast. This week we're dancing
:03:22. > :03:23.
:03:23. > :03:33.the waltz. I like this one. It's soft, gentle. I think I need one of
:03:33. > :03:38.them routines after last weekend. Get up and try to invite me to
:03:39. > :03:43.dance with you. Find it quite hard looking ATOLa be romantic. We have
:03:43. > :03:50.such good banter together. would you invite me to dance?
:03:50. > :03:54.don't dance. He finds it hard to look at me in a certain way. No.
:03:54. > :04:02.What was wrong with that? I don't he's ever been romantic in his life.
:04:02. > :04:06.I feel sorry for his wife. This week, we're doing the tango.
:04:06. > :04:10.There is nowhere to hide in tango. It is fast foot work. If something
:04:10. > :04:16.goes wrong you're going to know about it. There's so many aspects
:04:16. > :04:19.that you have to put together. Am I supposed to be... I was like... Not
:04:19. > :04:26.easy. Other way. Other way. It's not quite there. I'm not doing
:04:26. > :04:36.tricks this week. It's pure content. I want it to look as fantastic as a
:04:36. > :04:37.
:04:38. > :04:43.tango can be. That's going to be no easy feat. Wow. Chin up. Nice. This
:04:43. > :04:53.is more like it. I must say I am very nervous about this one. I
:04:53. > :04:56.think this could be our down fall. This week we have the rumba, which
:04:56. > :05:04.is proving to be one of the most difficult dances for male
:05:04. > :05:08.celebrities. I haven't found it yet. And two, three, frame, four. Frame.
:05:08. > :05:13.It's about a relationship, about a love. There's lots of shapes. Lots
:05:13. > :05:22.of arm formation, lots of lines. It's going to be a tough one.
:05:22. > :05:28.has good hip action. He needs to definitely know more technically to
:05:28. > :05:34.produce more quality. Breathe. rumba is the dance of love.
:05:34. > :05:40.Love is pain. My back. Wow, babe. Is she putting everything into it,
:05:40. > :05:43.it really hurts. No pain no gain. He's so right. Please welcome Jason
:05:43. > :05:50.and Kristina! APPLAUSE
:05:50. > :05:55.Thank you so much. No pain no gain. What a Comeback Kido. Were you
:05:55. > :06:00.expecting such a great reaction as you got on Saturday? I knew the
:06:00. > :06:08.dance was special because Hallowe'en has quite a dark side
:06:08. > :06:12.and bewitched and the wonderful rue teeb that -- routine was bright, up
:06:12. > :06:17.and fun. It was charming, in a way. It's that normal, it doesn't change
:06:17. > :06:21.from week to week. Going out there, it just gets harder. The anxiety
:06:21. > :06:28.levels, can I pull it off? It seemed to go pretty well. The
:06:28. > :06:32.places, the actual dance itself was great. It was the parts that we
:06:32. > :06:36.freestyled, the jazz hands and the showbiz parts that weren't as
:06:36. > :06:39.precise as they could have been. We were very happy. Kristina, your
:06:39. > :06:47.first ten on Strictly! APPLAUSE
:06:47. > :06:52.More to come. Oh, yes! Did you say, "More to come." Let's hope so.
:06:52. > :06:56.must have been hysterical. I was so happy. My first ten in four years
:06:56. > :07:00.on Strictly. Thank you Jason one more time. You have paid your dews
:07:00. > :07:05.girl. You admitted to minor mistakes. Do you think that you
:07:05. > :07:11.were going -- you are going to have to be foot perfect before you get
:07:11. > :07:17.tens from Len, Craig and Bruno? think it's a competition. I think
:07:17. > :07:22.when you're trying to dance your best you have to dot best. There's
:07:22. > :07:27.Harry, Chelsee, Anita, Holly, there's so many people out there,
:07:27. > :07:31.Russell, so many people doing great dances at the moment. It's soo
:07:31. > :07:35.exciting. It's impossible to call, which we love. Quickstep so last
:07:35. > :07:40.week for you. This week the rumba, the dance of love. Your best
:07:40. > :07:44.routine so far, they've all been pretty good, have been quite high
:07:44. > :07:49.energy. This is understated. Are you attacking it differently?
:07:49. > :07:54.think it's a simpler routine in a sense. Yes. It's a different vibe.
:07:54. > :07:58.Very romantic, very beautiful song, which Jason chose. You chose this?
:07:58. > :08:08.Can we tell them what it is? This is what you're dancing to
:08:08. > :08:10.
:08:10. > :08:17.# Struming my pain with his fingers # Oh, Roberta Flack. That takes me
:08:17. > :08:23.back to a bedsit in Manchester. Tell me more. It's my dad's
:08:23. > :08:27.favourite song. Is he coming over? I'd like to think he could. He's
:08:27. > :08:31.been watching us on YouTube. Lots of support. Good evening to
:08:32. > :08:37.Terrence if he's watching. Roberta Flak there. We have spotted in the
:08:37. > :08:46.training room you sometimes change the lyrics. Killing me softly with
:08:46. > :08:52.her dance. Killing me softly with the heel, no they're not heel leads,
:08:53. > :08:58.are they? Toe leads. Killing me softly with toe leads
:08:58. > :09:03.# Killing me softly with toe leads Toe leads, I remember those. You
:09:03. > :09:08.are killing him softly, gently and slowly, the best way to go. Like a
:09:08. > :09:15.bedsit in Manchester, right? Stop! It is the dance of love. It's
:09:15. > :09:20.sensual. It's intimate. Can you explain this Donovan? Here come the
:09:20. > :09:29.afternoon farts. They're about to happen. Oh, my gas. There's a lot
:09:29. > :09:39.of gas in my body. I just have to... Run! It must be the cabbage or
:09:39. > :09:42.
:09:42. > :09:52.something. It does smell of poo I'm only human. Like Gary
:09:52. > :09:57.
:09:57. > :10:03.Necessityman. -- Newman. Jason! Zoe! Stop it.
:10:03. > :10:07.Let's gather ourselves. It's so romantic. This is your first rumba
:10:07. > :10:11.on Strictly. I don't want to scare you, but you are the first of the
:10:11. > :10:15.male celebrities to dot rumba, are you anxious Kristina? I am excited.
:10:15. > :10:18.I love the dance. It kind of came together in the end. He worked so
:10:18. > :10:22.hard on the technique side and there are some brilliant rumba
:10:22. > :10:26.walks. I hope it's going to go really well on Saturday. What do
:10:26. > :10:31.you need to finesse in the next 24/48 hours? The thing about this
:10:31. > :10:34.dance is you can't come in cold. You can't come in cold with any
:10:34. > :10:39.dances, but it's really good to get the steps and layer it before you
:10:39. > :10:44.go out and dot performance. If I come in -- do the performance. If I
:10:44. > :10:49.come in in the morning it's rough until you are warmed up. There's
:10:49. > :10:54.lots of shapes. There's lots of character in this. There's love,
:10:54. > :10:59.divorce, passion, fire. A story we love it. It's a story board. It's a
:10:59. > :11:03.character-driven piece. We can't wait. Bring on the tools. Good luck
:11:03. > :11:08.on Saturday, Jason and Kristina! APPLAUSE
:11:08. > :11:11.Now, the costume department dazzled us with a spectacular array of
:11:11. > :11:16.Hallowe'en outfits last weekend. How can they possibly top it? I
:11:16. > :11:21.caught up with them to find out. We are in the deepest, darkest
:11:21. > :11:24.parts of the BBC and this is Nicola, chief assistant to head designer
:11:24. > :11:28.Vicky. Thanks for coming on It Takes Two. Great fun last week,
:11:29. > :11:35.Hallowe'en, amazing. This week, back to more traditional outfits
:11:35. > :11:40.and very exciting, first charleston of the series. How does a
:11:40. > :11:45.charleston dress differ? The Latin dresses are skimpy and shorter.
:11:45. > :11:50.With the charleston there's the 1920s feel about it. It's a looser
:11:50. > :11:56.feeling dress. It's not so tight to the body, more fabric and fringing.
:11:56. > :12:01.This is Anita's for this week. looks stunning. It's chic, classic
:12:01. > :12:06.and elgant. We have the fringe at the hem, perfect for movement.
:12:06. > :12:12.Kicks out nicely when you do the steps. And lots of Chrisals on the
:12:12. > :12:16.dress this week. She's going to feel a million dollars. Now Holly
:12:16. > :12:22.and Artem have asked for something different. Artem wants them to both
:12:22. > :12:26.be dressed the same. In frocks? What a shame! Maybe next week.
:12:26. > :12:31.would be a first. They're going to be in suits. We're having
:12:31. > :12:34.pinstriped suits made for them. And Holly is wearing men's black and
:12:34. > :12:38.white spats as well, which have got to be specially made because her
:12:38. > :12:43.feet are a lot smaller than this. Just a bit. Will that be difficult
:12:43. > :12:47.dancing in these when she's used to dancing in the heels and ballroom
:12:47. > :12:52.shoes? I think she'll prefer it. In training she always wears her socks
:12:52. > :12:58.or flat shoes. This will be a comfort for her not wearing heels
:12:58. > :13:02.and hopefully she'll feel closer to the ground. Liking the AlCapone
:13:02. > :13:07.look. What about Russell. We look forward to seeing what he's wearing.
:13:07. > :13:13.They're doing the paso this week. He's always fabulous. He loves the
:13:13. > :13:19.costume. This week we've gone for a traditional silhouette. You have
:13:19. > :13:29.the jacket and cumber bund and Latin trousers. Also a cape. We
:13:29. > :13:30.
:13:31. > :13:36.need a twist, so we've decided to use this, spots. He will be our
:13:36. > :13:41.Dalmation matador in that. Very on trend. Can you give us a sneak
:13:41. > :13:45.preview of one of the ladies' frocks. Yes, one of our celebrity
:13:45. > :13:50.ladies dancing a ballroom. She is dancing quickly around the floor.
:13:50. > :13:54.That's the clue. Can you work it out? That's stunning. Thank you for
:13:54. > :13:58.talking to us. Good luck on Saturday. We're loving it. Back to
:13:58. > :14:00.me in the studio. Thank you to nick will and the
:14:00. > :14:03.costume department. You may know Len Goodman jets across the
:14:03. > :14:07.Atlantic every week to be a judge on Dancing With The Stars, the
:14:07. > :14:11.American version of Strictly. This week, he's having a well deserved
:14:11. > :14:18.rest. We've got a new judge on the panel. Jetting in, yes, it's
:14:18. > :14:21.exciting, jetting in to take his place is Dirty Dancing royalty and
:14:21. > :14:26.last year's winner of Dancing With The Stars, Jennifer Grey.
:14:26. > :14:36.APPLAUSE She's here in just a moment. First,
:14:36. > :14:49.
:14:49. > :14:51.She's here in just a moment. First, # I ware it's the truth and I owe
:14:51. > :14:56.it all to you # As the phrase goes, nobody puts
:14:56. > :15:00.Baby in the corner. She's coming down the stairs instead with a It
:15:00. > :15:06.Takes Two exclusive hot off the plane from LA. Please welcome
:15:06. > :15:14.Jennifer Grey! APPLAUSE
:15:14. > :15:19.I'm so excited to meet you. Welcome darling. Welcome to the show. I
:15:19. > :15:23.cannot tell you, the crew, we have all been hysterical all day. How
:15:23. > :15:26.was winning Dancing With The Stars? You had quite an amazing journey on
:15:26. > :15:29.the show. I'd say next to having my daughter it was the highlight of my
:15:29. > :15:33.life. She's here tonight. Also marrying my husband, there's been
:15:33. > :15:38.great moments. But it was a very, very, it was like child birth, it
:15:38. > :15:43.was like while it was happening I thought I was going to die and then,
:15:43. > :15:46.it was the single most, it was just a much deeper experience than
:15:46. > :15:51.anyone give it's credit for because it looks like a silly dance show.
:15:51. > :15:54.But it's so deep. It becomes your life. You live, breathe, sleep
:15:54. > :15:59.thinking of dancing. There's nothing else I did. I said to my
:15:59. > :16:04.daughter "I want to read to you, take you to school." She said
:16:04. > :16:10."There's time for that. Do this for now." Practise your heel leads. You
:16:10. > :16:14.were magnificent on it. Thank you. You know more than most how our
:16:14. > :16:17.celebrities will be feeling at this point. We're halfway through the
:16:17. > :16:22.series. What will they be going through at this point in the
:16:22. > :16:27.journey? I remember feeling in the middle like I wanted to quit. But I
:16:27. > :16:32.mean full on want to quit. Like I'm really done. I remember my partner
:16:32. > :16:38.Derek saying "Well you'll be the first one to do it." No-one's done
:16:38. > :16:43.it yet. John Sergeant did on our show. My body was giving up. It had
:16:43. > :16:48.become so intense. Very often, it's always the people who are going to
:16:48. > :16:51.be the real contenders, then it gets intense. The pressure is so
:16:51. > :16:56.great. Your body's giving out. You're getting more and more dances.
:16:56. > :17:00.It's so intense. You keep your eyes on the prize and move toward it and
:17:00. > :17:05.don't quit. You keep going. It's so thrilling. It is. And so rewarding.
:17:05. > :17:09.We all love it, watching it. Who stood out for you the most on our
:17:09. > :17:15.series so far? They're all, they've all got so much either charm or
:17:15. > :17:21.charisma or real dance talent. I mean, I think Harry is doing great
:17:21. > :17:24.and Holly is doing amazingly. Russell is just a hoot. Jason is...
:17:25. > :17:29.I love him. They're going to be so excited that Jennifer Grey has
:17:29. > :17:33.mentioned their names on telly. about Chelsee. She's someone to
:17:33. > :17:36.watch. It feels like she's maybe, I don't know, I feel like when she
:17:36. > :17:40.gets off her other show and can really concentrate, it might be a
:17:40. > :17:44.little scary. I know. She did an amazing performance on just 12
:17:44. > :17:48.hours training. She's so good. Has Len given you any advice? You know
:17:48. > :17:54.our Len. I love Len. He hasn't returned my calls. Oh, Len! Naughty
:17:54. > :17:59.boy. I'll get him to call you. Yes, I'll have a word. We realise you're
:17:59. > :18:03.under pressure to fill his shoes. What shoes! Amazing shoes.
:18:03. > :18:06.thought we'd give you a bit of help and remind you of some of Len's
:18:06. > :18:12.best known phrases. Oh, good. You're like the Government, there's
:18:12. > :18:16.a lot going on and not all of it is good. Seven! I was a bit chilly
:18:16. > :18:21.round the Willie, but that has warmed me up a treat. Go home and
:18:21. > :18:27.pickle my walnuts. Hold your horses old sausage. Plentsy of boom bang
:18:27. > :18:31.abang but nothing to shout about. There were moments of Mills & Boon
:18:31. > :18:37.and moments of meals on wheels. You were like a Lancashire hot pot. You
:18:37. > :18:43.little beauty I'm telling you! good. Our Len, we are wondering if
:18:43. > :18:48.you want to give your best impression. Oh, "I'm going home and
:18:48. > :18:54.pickle me walnuts" I love it when Americans do English accents.
:18:54. > :18:58.badly. "Hold your horses old sausage. You may need this. You are
:18:58. > :19:05.like a Lancashire hot pot. Get this woman and job in Coronation Street.
:19:05. > :19:07.Try that. You may need this on Saturday. Give us a Len. Seven.
:19:07. > :19:14.APPLAUSE You're such a great sport. Thank
:19:14. > :19:18.you. We must mention Dirty Dancing. It was such a -- an inspiration to
:19:18. > :19:25.so many. Ola became a dancer from watching you in that. Oh, really?
:19:25. > :19:28.True. You got to work with Patrick Swayze. What a remarkable man. Was
:19:28. > :19:31.that your first experience of dancing? Absolutely. I'd never
:19:31. > :19:34.learned choreography. I was always the girl in the back of the class,
:19:34. > :19:38.I still am, who is not able to learn the combination. It's really
:19:38. > :19:41.hard for me. It was very much like the show, where you have a
:19:41. > :19:45.professional dancer taking the naive person who has no idea what
:19:45. > :19:49.they're getting into and then teaching them to dance and actually
:19:49. > :19:54.having a much deeper experience through dance, which is a really,
:19:54. > :20:01.it happens every season. It's bizarre. Your professional dancer
:20:01. > :20:07.was Patrick Swayze. I know, I've been so blessed to have Patrick and
:20:07. > :20:12.Derek. Patrick he is, he was such an amazing dancer. Incredible.
:20:12. > :20:16.Beautiful. And he is very much missed. We have lots of questions
:20:17. > :20:23.from our Strictly fans online. A couple here, what kind of judge are
:20:23. > :20:26.you going to be? And aleash -- an Alesha, Bruno, Craig or a Len?
:20:26. > :20:31.Probably like Alesha. Once you've gone through this, it's very hard
:20:31. > :20:36.to, I have so much compassion for what everyone's going through.
:20:36. > :20:40.you have a crush on Patrick? didn't! Yes, we all had crushes on
:20:40. > :20:45.Patrick. Especially Tom! What was your favourite dance? You know,
:20:45. > :20:52.it's like like saying which is your favourite child. I only have one
:20:52. > :20:55.child. I love the jive. I loved the Argentine tango. I loved our
:20:55. > :20:59.quickstep. I just loved doing it. You loved the whole thing.
:20:59. > :21:02.Especially in retrospect. We cannot wait to see what you think of our
:21:03. > :21:06.celebrities on Saturday. I can't wait too. It's official, we love
:21:06. > :21:11.you. Jennifer Grey! APPLAUSE
:21:11. > :21:17.Thank you so much. Wow. In Just A Minute, I'll be
:21:17. > :21:19.talking to Russell and Flavia, who despite setting the room alight
:21:19. > :21:26.last Saturday got a lukewarm reception from the judges. Here's
:21:26. > :21:33.how the rest of our celebrities are shaping up in training.
:21:33. > :21:38.This week James and I are attempting the quickstep. It would
:21:38. > :21:43.be nice to do an upbeat dance where I can be happy and smiley and
:21:43. > :21:50.probably very out of breath. I am feeling wrecked. And... Is it that
:21:50. > :21:59.fast? Yes. This is a quick dance and there's a lot more content. To
:22:00. > :22:05.be fair, she has difficulties doing one step, let alone possibly 500.
:22:05. > :22:14.Wrong way, lovely. With every step of this blasted quickstep, I'm
:22:14. > :22:19.feeling less, less sure. My energy is being zapped.
:22:19. > :22:23.This week we're doing the charleston. The charleston is fun,
:22:23. > :22:29.happy. I'll be going from that to that. The majority is acting. I
:22:29. > :22:36.think Anita's going to be at home in this dance. It's very the marx
:22:36. > :22:45.brorges. I hope the charleston will suit me. -- brothers. A lot of it
:22:45. > :22:50.you dance together but not in hold. Sorry, missed it. I'm never going
:22:50. > :22:56.to be as perfect as you are, baby. We'll get it there. Don't worry.
:22:56. > :23:01.The problem is that having to dance next to Robin who is a professional,
:23:01. > :23:05.I'm having to knock my game up. "I wish I were a dancer right now."
:23:05. > :23:15.You are a dancer. No, I'm an actress.
:23:15. > :23:18.
:23:18. > :23:21.Samba this week. Uh-huh. It is impossible. Ah, one. Samba is
:23:21. > :23:26.notoriously difficult dance. It's really hard to make it look nice
:23:26. > :23:30.and proper. Most of the time it looks awkward. It's really bouncy
:23:30. > :23:35.and funky. That, unfortunately, isn't coming naturally to me. There
:23:35. > :23:40.seems to be a thin line between camp and masculine. I'm veering
:23:40. > :23:45.more towards the camp side at the moment. And Aliona is doing her
:23:45. > :23:51.best to get me back on the masculine side. Look at that
:23:51. > :23:55.sticking out. I can't do that. a little bit worried, if I'm
:23:55. > :23:59.perfectly honest. I haven't been worried yet, but I'm worried now.
:23:59. > :24:04.This week I'm dancing the charleston. I can't wait because
:24:04. > :24:08.it's fast, bouncy and I think that's more me. I can't wait to get
:24:08. > :24:12.stuck in. It's high energy dance. I think it will suit Chelsee
:24:12. > :24:18.perfectly, because she is a little ball of energy. Push and ankle down.
:24:18. > :24:24.Cheek to cheek. Oh, yeah. Bam. In charleston it's very important to
:24:24. > :24:29.muster -- master the hand and arm positions. Tea cup. I mean teapot.
:24:29. > :24:33.We're dancing side by side a lot. We want to match perfectly.
:24:33. > :24:37.right. That's going to be our goal for this week.
:24:37. > :24:41.In last week's performance I had a wardrobe malfunction. I still have
:24:41. > :24:46.the nerves, but I'm going to try and overcome them and dot dance
:24:47. > :24:53.proud. -- Do the dance proud. This week,
:24:53. > :24:59.we have a paso doble. I think it's going to be really fun. I love it.
:24:59. > :25:03.What will be the main challenge? I think keeping tight buttocks.
:25:03. > :25:08.you do that, feel you stick your bum forward. That's it. Yeah.
:25:08. > :25:13.Always bum forward. OK. In this dance there's going to be a lot of
:25:13. > :25:18.acting. Hold it there for a little bit. Then go. Then just go. That's
:25:18. > :25:23.where Russell will be in his element. This one in particular is
:25:23. > :25:30.a combination of comedy and drama. I would say sort of more high camp
:25:30. > :25:32.than high Shap rel. Krb chaperel. Welcome Russell and
:25:32. > :25:37.Flavia. APPLAUSE
:25:37. > :25:44.I'm loving the fact that you told me that waist coat you were wearing
:25:44. > :25:47.was given to you by Anthony Costa. We did a show together and he left
:25:47. > :25:52.me with that jacket. First out on Saturday night, first on the floor
:25:52. > :25:56.d, that make it harder for you? Yeah. Scary. We were congratulating
:25:56. > :26:02.ourselves it was going first. It was the worst thing we ever did.
:26:02. > :26:06.You have no chies. -- Choice. It was ice cold. In fact it was
:26:06. > :26:11.Siberia. It was not like that. But there were Craig pointed out a
:26:11. > :26:16.couple of technical mistakes. It was a bit of aye timing issue. To
:26:16. > :26:21.the untrained eye no-one would notice it. No, no look. Poor old
:26:21. > :26:26.soul. I mean red was never my favourite colour. You get back into
:26:26. > :26:29.it there. He styled it out so well. Amazing. I mean little things
:26:29. > :26:34.happen to everybody, but it's whether you can carry on and cover
:26:34. > :26:38.them. That's brilliant. Look at that. Look at that! You were
:26:38. > :26:42.dancing to Kylie Minogue. I was singing as well. I hear Kylie got
:26:42. > :26:45.in touch with you. She did. She came on Twitter. That made our
:26:45. > :26:54.night. When I got off someone came onto Twitter and said "Have you
:26:54. > :26:58.seen Kylie was asking how the dance went." So I sent her a note back
:26:58. > :27:04.saying "Alesha said Russell and Kylie all in one go, what more can
:27:04. > :27:08.you ask for." She said "Russell shimmy." It will all be back to
:27:08. > :27:13.Kylie in a couple of weeks. Your knee, we're all concerned. What's
:27:13. > :27:18.the latest? It's cool. It's good to go. We will go on until the great
:27:18. > :27:23.British public vote us out. Never, never we hope. Doing the paso doble
:27:23. > :27:29.this week, will you channel Jason Donovan's firm buttocks? I don't
:27:29. > :27:35.know. After what you showed me earlier. Oh, yes. Oh, no. Please.
:27:35. > :27:43.You know what I mean. I'll keep my own buttocks. But there's a lovely
:27:43. > :27:48.Russian called Sergei. Or is it Sir Gay? Or is he just gay, I don't
:27:48. > :27:52.know. He's Russian. One of Flavia's friends. You two make me laugh. Is
:27:52. > :27:58.he like Arro-Grant, your friend from a couple of weeks ago? He's a
:27:58. > :28:06.bit more, I don't know. I would say he's so slick and cool and fabulous
:28:06. > :28:11.that if I can look Sergei or just a bit gay, I will be happy. It will
:28:11. > :28:19.dot job. He does a great paso doble. She showed me that and I started to
:28:19. > :28:23.go into one of my and she went "Go Sergei, go." We burst into laughter.
:28:23. > :28:27.His paso is masculine. Are you bringing out the masculine side?
:28:27. > :28:35.It's dramatic and full of attack. And think Bennie Hill.
:28:35. > :28:39.combination of the two. I cannot wait to see. Nor can we. Thank you
:28:39. > :28:44.Russell and Flavia. Thank you to my guests this evening. Join me
:28:44. > :28:49.tomorrow when I'll be talking to Chelsee and Pasha and Robbie and
:28:50. > :28:55.Ola, Mr Tess Daly, also known as Vernon Kay, will be here alongside