:00:10. > :00:15.French Sadie frost Frost It's Monday and what a weekend it was!
:00:15. > :00:19.Coming up on the show: After their shock exit, Lulu and Brendan tell
:00:19. > :00:24.us what it's like to kiss Strictly goodbye. Robbie and Ola will waltz
:00:24. > :00:28.in for a chat. Plus the newly appointed Deputy head judge Craig
:00:28. > :00:38.Revel Horwood is here for the Monday debrief. This is It Takes
:00:38. > :01:06.
:01:06. > :01:14.Live from Television Centre, this is Strictly It Takes Two. Please
:01:14. > :01:19.welcome your host. It's Zoe ball! Hello and welcome to It Takes Two.
:01:19. > :01:23.Whilst Len was away, the dancers certainly played. We saw impressive
:01:23. > :01:28.performances, shock results and some rather bull ush behaviour.
:01:28. > :01:31.Sadly, Lulu and Brendan were left with little to shout about as they
:01:31. > :01:36.became the fifth couple to leave the competition. I know! They're
:01:37. > :01:43.here live in just a moment. After this week's quick reminder of the
:01:43. > :01:49.weekend's action. That was a Samba full of pecks
:01:49. > :01:55.appeal! An intriguing glimpse of what your hips can do. A little bit
:01:55. > :02:05.too serious and earnest actually. You keep dancing like that and
:02:05. > :02:06.
:02:06. > :02:12.nobody's going to put you in the corner! Astonishing! I couldn't
:02:12. > :02:18.watch your foot baulk because your tongue kept hanging out of your
:02:18. > :02:20.head -- footwork. Very creative different and cool. Always seems to
:02:21. > :02:25.be a little mishap with you. The character of the dance was present,
:02:25. > :02:35.you are improving, it was still enjoyable to watch. The couple
:02:35. > :02:36.
:02:36. > :02:40.leaving tonight is... Lulu and Yes, they performed their last
:02:40. > :02:47.tango. Please welcome Lulu and Brendan.
:02:47. > :02:50.Aw! Absolutely gutted of Brighton, that was me on Sunday night. I'm so
:02:50. > :02:54.sorry. How did you feel when you found out you were in the bottom
:02:54. > :02:58.two? Well, I said, and I would say to
:02:58. > :03:01.Brendan too, you know, we are going to be in the bottom two this week
:03:01. > :03:05.because of the points. So I've been preparing myself that we are going
:03:05. > :03:11.to get there at some point and I had all the right kind of answers
:03:11. > :03:17.because I'd figured out, you know bs I'm going to be in the bottom
:03:17. > :03:21.two. I cried a lot yesterday, my balloon was definitely burst.
:03:21. > :03:25.Popped. I'm not surprised. Even if you say, I don't mind going home,
:03:25. > :03:27.the truth is you don't want to. I would say, I don't care if I
:03:27. > :03:34.don't win but of course I would have loved to have won. But ifry
:03:34. > :03:38.day was a bonus for me, I'm 63 years old, hello. I'm a singer, I
:03:38. > :03:45.was dancing with him, one of the greatest ballroom dancers. Everyone
:03:45. > :03:49.was jealous of me and I, you know, I'm upset. But, you know, I'm such
:03:49. > :03:57.a lucky girl to have been on Strictly. Can I just say also, all
:03:57. > :04:05.my friend just think you look so hot. You are 63, you look gorgeous.
:04:05. > :04:09.WOLF WHISTLE SKACHES YOU SEEMED REALLY PLEASED WITH THE
:04:09. > :04:13.Performance. Brendan, how did you feel it went? Pretty well. There
:04:13. > :04:17.was one little mistake, which is kind of acceptable, but you kind of
:04:17. > :04:20.go, actually as a whole, the dance went fairly well. I think the
:04:20. > :04:25.biggest problem we had on the night was the shape got lost a little.
:04:25. > :04:29.Once you go wrong, it's hard to just go, especially for these guys,
:04:29. > :04:35.do limited hours in the week and then all of a sudden you lose a
:04:35. > :04:38.position. There's the moment. Don't look. And Alesha mentioned there
:04:39. > :04:42.was always a little mishap. Do you think that was your downfall in the
:04:42. > :04:46.end? I don't know, maybe. But, you know, it doesn't matter. If I'd
:04:46. > :04:52.have been out in the second week, the first week, fourth week,
:04:52. > :04:56.whatever, you know, it's pretty amazing, the whole thing was an
:04:56. > :05:01.incredible experience. I'm sad but I just have to sort of go like this,
:05:01. > :05:06.oh, my God is this real, I was on Strictly. You were. The rumba. I'll
:05:06. > :05:09.never forget it. I was in tears, told you that before. How was your
:05:09. > :05:12.partnership together? How did you feel, what were the good bits about
:05:12. > :05:19.it? I think there were a lot of things said in the press today and
:05:19. > :05:22.of course if it's in the papers, it must be true! Not! For me, you know,
:05:22. > :05:26.I know that I'm the sort of person who when I want to do something, I
:05:26. > :05:30.want to do it right and get absolutely determined and I sort of
:05:30. > :05:34.get a bit insane and feel sorry that he had to go through that and
:05:34. > :05:39.watch me. Because when I'm in the room and don't get it right, I'm
:05:39. > :05:42.mad. We couldn't have worked harder I don't think. It's not like we sat
:05:42. > :05:47.back and took things for granted. We were in the studio a lot of
:05:47. > :05:52.hours every day trying to make it right. And it's tough. It is tough.
:05:52. > :05:55.Tough to be together, you know, to go through those things, you know,
:05:55. > :06:00.you wanted me to get it right, me wanting it right, me getting in a
:06:00. > :06:02.state about it. What can I say, I'm crazy. I don't think there was a
:06:02. > :06:07.moment in the studio when it was like, tempers were flying or
:06:07. > :06:11.anything like that. We laughed, cried and sang. Got on with it and
:06:11. > :06:15.if it didn't work, we did it again. There were frustrating times when
:06:15. > :06:18.it doesn't go either on Lulu's behalf or mine. At the end of the
:06:18. > :06:22.day, we are in a show, there's pressure, we got on with it.
:06:22. > :06:25.gave it your best shot week after week. It's very, very tough. I
:06:25. > :06:29.don't know who could be in a room together like that working like
:06:29. > :06:33.that under that sort of pressure. I know what I'm like, always feel
:06:33. > :06:37.like I have to prove myself and this time I'll be discovered. I
:06:37. > :06:44.mean really... As I say, I felt bad for him but I've been married twice,
:06:44. > :06:47.doesn't that say it all. Yes, OK! It says a a lot. There's a great
:06:47. > :06:51.camaraderie between all the celebrities this year more so than
:06:51. > :06:55.years before, you've all become such good buddies. What's the
:06:55. > :07:01.reaction been from the others at your departure? That's when I got
:07:01. > :07:07.tearful yesterday. I got texts from Robbie and all the others, you know,
:07:07. > :07:14.and Tweets. I got really sad. you. Because it's been... I am a
:07:14. > :07:17.very lucky girl, that's what I have to keep telling myself. Wait until
:07:17. > :07:22.sex Saturday, trust me, that's when it really hurts. Who are you going
:07:22. > :07:28.to be rooting for? Robbie paid me just before I came on, so he's
:07:28. > :07:33.going to win, Robbie and Ola. paid everybody! We are going to be
:07:33. > :07:39.talking to him later on. shouldn't have said Robbie, so
:07:39. > :07:43.sorry. I got told something about Robbie by Biggins but can't
:07:43. > :07:47.possibly reveal it. I know what it is. We've loved having you here,
:07:47. > :07:57.let's have a look at your story, Lulu. Time to reveal your Strictly
:07:57. > :08:07.
:08:07. > :08:17.Lulu is a lit ol ball of energy. Mornings are yes, yes, yes. I don't
:08:17. > :08:24.
:08:24. > :08:30.know if I'm ready, but let's go. Wey-hey. Dance disaster. It's not
:08:30. > :08:32.easy to do a foxtrot. I'm concerned. No point in lying about it.
:08:32. > :08:42.Beautiful interpretation of something, just not sure what.
:08:42. > :08:49.not going to fall apart. I am a dancer! You played it with the
:08:49. > :08:56.emotional fragility of a teenager in love. This week I'm doing a slow
:08:56. > :08:59.rumba! Argh... She's like an excitable child. Brendan decided to
:08:59. > :09:05.bring in some masks. Do you think this will give me inspraution to
:09:05. > :09:14.dance? She's getting it. -- inspiration. Illegal lifts will not
:09:14. > :09:24.be tolerated. This week, it's the Samba. We have developed a kind of
:09:24. > :09:25.
:09:25. > :09:32.a language of our own. Ba-da-da... Goo-ga. It's the one dance I always
:09:32. > :09:39.get out of structly on. He's not going out. His curse is over.
:09:39. > :09:43.it on. Let's do it. Effervesce isn't. As soon as you started
:09:43. > :09:51.dancing I thought, suits you, full of beans and energy, good job.
:09:51. > :10:01.week it's the pa toe dob lay, I'm going to learn how to fly -- Paso
:10:01. > :10:03.
:10:03. > :10:13.Doble. I loved it. The tango is so complicated. Argh... This could be
:10:13. > :10:14.
:10:14. > :10:18.our downfall. A beautiful rendez. don't know what they're putting in
:10:18. > :10:26.your porridge, but I want some. can now reveal the couple leaving
:10:26. > :10:31.tonight is Lulu and Brendan... It's hard to accept. I'll miss even,
:10:31. > :10:36.you know, and miss everybody about it. It was an incredible experience.
:10:36. > :10:40.It's pretty amazing. What was your favourite dance? That lift was
:10:40. > :10:44.really special. But I think if we'd have stayed in longer, I would have
:10:44. > :10:49.asked him to put more flying in because then my feet wouldn't have
:10:49. > :10:54.touched the ground, no mishaps.? You broke the Samba curse as well,
:10:54. > :10:57.well done. Come on! You've been glorious, we shall miss you, Lulu
:10:57. > :11:02.and Brendan! APPLAUSE
:11:02. > :11:06.In a moment, Craig will be here to discuss this weekend's performances.
:11:06. > :11:13.But before Mr Pernickety has his say, we want to know what you
:11:13. > :11:18.thought his points of You. Bruce Forsyth did an incredible
:11:18. > :11:22.number. He lifted the show, he's so professional. It's such a change
:11:22. > :11:27.from all these younger people who don't have the professionalism and
:11:27. > :11:32.I really, really enjoyed it. nine-year-old daughter Molly is
:11:32. > :11:42.upset that Brendan and Lulu went out because we came up with a team
:11:42. > :11:42.
:11:42. > :11:45.name for them last week. Brendan Cole. I felt so sorry for Artem on
:11:45. > :11:50.Saturday night. He's absolutely amazing and if he needs a holiday
:11:51. > :11:54.after the show, I'd be happy to take him on one. I've just watched
:11:54. > :11:57.last night's programme again and I've watched Audley and Natalie
:11:57. > :12:03.because of the remark that Craig made about his tongue hanging out
:12:03. > :12:08.all the time. We just saw him lick his lips once towards the end. So
:12:08. > :12:12.Craig, very unfair comment I think really.
:12:12. > :12:15.That was Liz from Truro. I'm going to discuss that with Craig. I just
:12:15. > :12:25.heard him go "rubbish" in the background. If you want to voice
:12:25. > :12:31.
:12:31. > :12:36.your opinion, pick up the phone now Now it's time to bring on the man
:12:36. > :12:40.that's turned saying three syllable words into an art form. It's the
:12:41. > :12:48.magistrate any feeck Craig Revel Horwood.
:12:48. > :12:55.-- magnificent Craig Revel Horwood. Hello, darling. Snake hips. We all
:12:55. > :12:59.really appreciated the snakey hips there. Hip-tastic and a teaser,
:12:59. > :13:03.darling. That's all we want. You had the pleasure of sitting next to
:13:03. > :13:09.Jennifer Grey on Saturday night. How exciting was that?! Did you
:13:09. > :13:14.have the time of your life? Well, not entirely, I didn't actually.
:13:14. > :13:18.no? But I loved sitting next to her, it was absolutely brilliant and
:13:18. > :13:23.backstage was fantastic too. We got to talk about lots of things.
:13:23. > :13:28.Working with Patrick Swayze and all kinds. How might haveed was Bruno
:13:28. > :13:32.that you got to be Deputy Head in his absence? He turned horribly
:13:32. > :13:38.ugly backstage, I can't tell you. He smoked so many cigarettes, he
:13:38. > :13:43.was not on it. Oh, no. Most might haveed. Oh, no. There was a lot of
:13:43. > :13:47.tension because of it. It was bizarre. How strange? No, anything
:13:47. > :13:50.with Bruno's not strange, he's just bizarre anyway. Lulu and Brendan
:13:50. > :13:54.have gone. Do you think the public made the right decision? No. I
:13:54. > :14:00.think Lulu should have stayed. I really thought Audley should go. I
:14:00. > :14:04.mean, I said that on Sunday and I know that that's going to be a bone
:14:04. > :14:08.of contention, but still, I really think Lulu had a lot more to give.
:14:08. > :14:11.Actually, she was very dance talented, you know, towards the end.
:14:11. > :14:16.Obviously, she didn't start that way, but Brendan taught her a lot
:14:16. > :14:21.and I think she was absolutely loving it. So I was really
:14:21. > :14:26.gobsmacked and quite shocked. was a shocker, wasn't it? Even was
:14:26. > :14:29.like "what's happened?". I thought I was going to be right but was
:14:29. > :14:34.proved wrong by the entire British public once again. That doesn't
:14:34. > :14:40.happen very often, does it, just twice this series. We are going to
:14:40. > :14:43.start with Holly and Artem. Artem has had an injury. As you saw on
:14:43. > :14:47.the weekend show, he's hurt his back, he's currently resting it as
:14:47. > :14:53.much as he can, but he is busy choreographing the next routine for
:14:53. > :15:00.him and Holly for Saturday. Brendan's kindly helping out by
:15:00. > :15:05.practising with Holly, so from all of us, get well soon, Mwah. Their
:15:05. > :15:08.jive was sensational, wasn't it? He's such a talented dancer and
:15:08. > :15:15.equally talented choreographer. I love his work, you know, whether it
:15:15. > :15:17.be on or off the screen, he's just incredible. I think he devised an
:15:17. > :15:22.immaculate routine for them both. It's a terrible shame that I never
:15:22. > :15:26.got to see it. I'm sure everyone got to see it in rehearsals or
:15:26. > :15:31.whatever, you know. Holly said they had to change a little bit? I don't
:15:31. > :15:36.know what they changed because we don't see it until it happens, so
:15:36. > :15:41.whatever they deliver us on a plate is what we have to actually decide
:15:41. > :15:47.on in the end. I was thinking, well, what was missing and there wasn't a
:15:47. > :15:53.lot. I think she did brilliantly bringing some verve to the
:15:53. > :15:58.environment, you know, because generally she's a bit laid back.
:15:58. > :16:03.She's incredibly laid back. Yes, was that a kick, ball, chain... And
:16:03. > :16:07.you sort of go, come on, Holly, get in there, darling. She sort of did
:16:07. > :16:12.get in there and it was great. I really love the idea that she was
:16:12. > :16:17.in a suit, pin-stripe, giving it that gangster look. With flat shoes.
:16:17. > :16:20.She still looked sexy, she can work it? I love her. I love her when she
:16:20. > :16:26.puts effort behind it. I don't love her, however, when she decides to
:16:26. > :16:30.be a bit sort of Aussie lazy. She's working really, really hard,
:16:30. > :16:34.I think it's in her nature isn't it, but we saw some good stuff from her.
:16:34. > :16:38.Alex and James and the quickstep. She got her heel caught in the
:16:38. > :16:42.dress. I didn't even notice that at all, she styled it out so
:16:42. > :16:46.brilliantly? Acted like a proprofessional would. I was amazed
:16:46. > :16:49.about that. Not many people can do what she did. You know, to have
:16:49. > :16:52.that caught throughout most of the routine, which meant that her
:16:52. > :16:57.footwork was going to be ruined from the beginning, plus she was
:16:57. > :17:02.thinking about that. We had the Chelsee scenario last time that
:17:02. > :17:06.flummoxed her. Alex, totally and proftionally, got through entire
:17:06. > :17:10.thing, the routine was gorgeous as well -- professionally. Just to be
:17:10. > :17:17.able to get over that humongous stumble is enormous. You know what
:17:17. > :17:21.it's like going out and suddenly bits pop off. And bits ping off?
:17:21. > :17:25.Yes, and she kept that routine going. The end was a complete
:17:25. > :17:29.disaster. I quite loved it though when they fell over. It makes me
:17:29. > :17:34.laugh. I would have liked them to have maintained at least some
:17:34. > :17:38.dignity. Not just to give up and say, heel, shoe, nasty, bumph.
:17:38. > :17:43.are going to be on the show tomorrow. Anita and Robin did the
:17:43. > :17:50.charleston, I loved them this weekend, thought they were all fab.
:17:50. > :17:54.You said she lost a bit of swivel? Yes, I mean by that, the when you
:17:54. > :17:59.charleston, both feet have to swivel and it's difficult. I don't
:17:59. > :18:09.mind doing my arms like a chicken. Some people have aly zi right or
:18:09. > :18:10.
:18:10. > :18:14.left. I have a lazy left actually but I do love the charleston swivel.
:18:15. > :18:20.The choreography, I adore that, it was great. She just got a little
:18:20. > :18:24.bit sort of lazy with the footwork towards the end of it. But that's
:18:24. > :18:28.understandable. There was so much content in there? Fantastic, she's
:18:28. > :18:31.a brilliant actress and brilliant dancer. I just want her to be a
:18:31. > :18:35.little more technically on it. I think I've been banging on about
:18:36. > :18:40.that so I'm sure everyone at home is getting bored of it. She's got
:18:40. > :18:44.the message. Harry and Aliona. Harry is such a great dancer but
:18:44. > :18:48.has not managed to be top of the leader board yet. What did you want
:18:48. > :18:58.more of? What weren't you high pressure pi with? I would have
:18:58. > :19:00.
:19:00. > :19:05.taken the top off entirely -- happy with. He's a brilliant dancer, I
:19:05. > :19:10.want himself to involve himself a bit more. By that, I mean
:19:10. > :19:14.specifically emotionally. I feel like he tends to do the dance like
:19:14. > :19:20.he's placing it every moment, rather than it just happening out
:19:20. > :19:24.of fun, out of improvisation and he doesn't really do that. That's what
:19:24. > :19:27.makes his dancing less exciting than someone like Chelsee because
:19:28. > :19:32.Chelsee lives life on the edge, you know, I mean on the dance floor, of
:19:32. > :19:35.course. You are not talking about her personal life and casting
:19:35. > :19:41.aspersions? No, that has been confused before. If he lived life
:19:41. > :19:47.on the edge a bit more on the dance floor. Let himself go, come on!
:19:47. > :19:51.Absolutely. Shirt off! I couldn't actually cope if he did that!
:19:51. > :19:55.Audley and Natalie and their Viennese waltz, you reached a whole
:19:55. > :20:00.new level of critique on this when you picked up on his tongue. Tell
:20:00. > :20:05.me about that? It hung out of his head and it was taking its toll to
:20:05. > :20:11.be honest because I kept finding my eye going from his footwork then to
:20:11. > :20:15.his facial expressions and it was like a big old cow lick, you know,
:20:15. > :20:19.it was quite grotesque. Was it that bad? He recorded a message for you
:20:19. > :20:23.after the show especially for you, Craig! Come on, Craig, you said to
:20:23. > :20:27.me, ubdn't find no positive, you said how long can I go on. I think
:20:27. > :20:33.I've been very friendly and nice with you Craig, but this week when
:20:33. > :20:42.I see you on It Takes Two, argh, come on Craig! There's a threat for
:20:42. > :20:46.you. The big old ear lobe, darling. Funnily enough, actually, very
:20:46. > :20:50.disappointed that we haven't had spatulas mentioned. Thank you very
:20:50. > :20:56.much. We had something here to have a word with you while he was
:20:56. > :21:02.passing actually. How's it going, Craig? Can we go for a little walk
:21:02. > :21:08.please? Come into my office. not touching you. Audley and Craig,
:21:08. > :21:11.off you go. Good luck, darling. Oh, my goodness me. Anything could
:21:11. > :21:14.happen now. Don't do that! Saturday's show was full of
:21:14. > :21:23.explosive performances but were there any fireworks behind-the-
:21:24. > :21:27.scenes? Feast your eyes on this! Half way point today. Wow. It's a
:21:27. > :21:32.lovely day... Never expected to be here in November so it's nice.
:21:32. > :21:36.Every Saturday morning I wake up feeling sick with nerves. My voice
:21:36. > :21:41.has gone. Very nervous. Half way mark today. Unbelievable. Can't
:21:41. > :21:46.quite believe it. Get the bags out. Stop filming me that early...
:21:46. > :21:56.That's what I have to wake up next to in the morning! I'm in trouble.
:21:56. > :22:02.Let's go get ready. This week it's all-or-nothing.
:22:02. > :22:09.interesting because we are working with a big cow. Big cow is not me!
:22:09. > :22:19.I'm doing the Samba. A Latin number. Lots of bootee shaking. That's it,
:22:19. > :22:23.
:22:23. > :22:28.yes. Dancing the Samba, Harry Judd and Aliona... Being a mechanic is
:22:28. > :22:34.hard. See all my hands are dirty now. Dirty job. Hardly anyone's had
:22:34. > :22:40.their hair done and everyone's being pulled from every single arm.
:22:40. > :22:49.You look gorgeous. I'm really pleased Len's gone. What a
:22:49. > :22:57.beautiful and delightful replacement! Got that money I
:22:57. > :23:00.promised you. Oh, sorry... Actually, I'm a little disappointed
:23:00. > :23:07.Len's not here this week. Much as I'm excited about Jennifer Grey
:23:07. > :23:12.being here because she's pretty hot. So fabulous. I'm going to take them
:23:12. > :23:17.all to my home in Wales and have them make me frocks, once a week
:23:17. > :23:21.I'll bring local men in. Men? she's coming now! See the size of
:23:21. > :23:25.that. A little one there. Everybody's running around
:23:25. > :23:32.frantically getting dressed but me being a good boy, I'm dressed and
:23:32. > :23:40.ready to go and so is the wonderful Jason Donovan. Sparkly! Ten minutes,
:23:40. > :23:44.darling, ten minutes. Deep breaths, Chels. I'm expecting a lot more
:23:44. > :23:54.proper dancing. A lot more actually of everything. Come on, we are
:23:54. > :23:55.
:23:55. > :24:00.needed. Stop bubbling along. We're going in, everybody.
:24:00. > :24:04.And here she is, please welcome our premiership performers Robbie with
:24:04. > :24:08.Ola! Good hair. That was amazing hair. Thank you. Robbie back in the
:24:08. > :24:12.ballroom which is where we like you. How much did you enjoy your waltz
:24:12. > :24:16.on Saturday? Absolutely loved it, emotionally and the way I danced. I
:24:16. > :24:19.thought it was my best dance personally and I just am a ballroom
:24:20. > :24:24.boy. You are, aren't you. There was a tear at the end. I made my mum
:24:24. > :24:29.and dad and my wife cry. I loved it. Yes, there were tears in your eyes,
:24:29. > :24:34.there are tears in your eyes now, bless you, it's all coming back.
:24:34. > :24:38.don't cry. He's a man, he's a man. He's wonderful, that's what the
:24:38. > :24:44.waltz should do. You looked out of sorts after the judges gave you
:24:44. > :24:48.your marks, were you disappointed? Yes, I was. It's Craig again, I
:24:48. > :24:52.don't know what I've got to do to please that guy. What is it with
:24:52. > :24:58.you two? I don't know. Because his comments again said the rise and
:24:58. > :25:02.fall was fantastic and... Good, yes. And to perform in front of 11
:25:02. > :25:06.million people, a waltz, I'm so proud of myself, iblgdz I couldn't
:25:07. > :25:14.dance seven weeks ago. You never expect things off judges but you
:25:14. > :25:18.know, a 6, a 2,, a 5. It's been almost a constant quest for you to
:25:18. > :25:23.impress Craig, hasn't it? I may as well have three judges on the show,
:25:23. > :25:27.just get rid of Craig, just get rid of him. He's going to get a right
:25:27. > :25:30.old night of it tonight, you and Audley. Check out this meeting,
:25:31. > :25:40.it's quite funny. I don't understand what Craig wants. I need
:25:40. > :25:46.to try and impress Craig. Hi, Craig. Gone for the white for you today.
:25:46. > :25:50.Itch. Morning, Craig, hope you're well! To get a higher mark off
:25:50. > :25:54.Craig would show me that we've been working extremely hard and we are
:25:54. > :26:04.getting better. Got to get an eight off Craig this week, surely. Come
:26:04. > :26:08.on, Craig! Mwah. Treat 'em mean, keep 'em keen. You've made me go
:26:08. > :26:11.all of a fluster, Craig. actually died a little bit there,
:26:11. > :26:15.didn't you. Do you think you are becoming more of a dancer each
:26:15. > :26:20.week? Yes, I do. For me, the ballroom is what dance is all about,
:26:20. > :26:25.you know, the Latin I'm not strong at. I think the ballroom, the way...
:26:25. > :26:30.I'm having the time of my life, I'm dancing, you know, in front of so
:26:30. > :26:34.many people. People pay huge amounts of money to dance and I can
:26:34. > :26:38.carry this on after Strictly, I love it. You can carry on and teach
:26:38. > :26:43.all your mates. We are half way through Ola, can you give me a half
:26:43. > :26:47.time report for Robbie Savage? improving every day and made me so
:26:47. > :26:51.proud on Saturday. The waltz was so beautiful. It was very clean, the
:26:51. > :26:55.posture was so much better than the last ballroom dance. So he's
:26:55. > :27:00.improving every day. I think there's still a lot of improvements
:27:00. > :27:05.to be made as well. Yes, next week you have the American smooth. You
:27:05. > :27:09.can do lifts. Are you going to get your own back on Ola? A little gasp
:27:09. > :27:14.there. Have you tried any lifts out? Yes, tried a few out. Yes,
:27:14. > :27:20.it's the spin when you get into the lift because I can't spin.
:27:20. > :27:23.can't. It makes you sick. Yes, when he spins he gets dizzy, can't even
:27:23. > :27:28.go on a roller coaster everyone. Finds it really difficult. So when
:27:28. > :27:32.I'm on his shoulder up side down and he's spinning, it's very scary
:27:32. > :27:37.actually. If she's upside down, you must think, which way is she.
:27:37. > :27:41.have a great view though. I'm going to spin all the way around. Do you
:27:41. > :27:48.think that you can make it to Wembley? One more show, then you
:27:48. > :27:52.could play at Wembley? That's my goal. Technically, I'm not good
:27:52. > :27:56.enough to win, I always put myself down, but Wembley was the goal
:27:56. > :27:59.before and I lost in so many finals of football because I wasn't a good
:27:59. > :28:03.enough footballer either really. You had your moments I think!
:28:03. > :28:08.can get to Wembley as a dancer, wow, it would be amazing. It would be.
:28:08. > :28:12.Ola, can he do it, do you reckon? Yes, come on, we can do it! Just
:28:12. > :28:16.believe American smooth, can't wait to see you spinning with her on
:28:16. > :28:21.your shoulders. Robbie and Ola.! That is all for tonight. Thanks toe
:28:21. > :28:25.all my guests. Join me tomorrow at 6.30 when I'll chat to Audley and
:28:25. > :28:31.Natalie and Alex and James, plus Karen Hardy will be here with