:00:09. > :00:14.Tonight on It Takes Two: Breaking news on Holly and Artem. They're
:00:14. > :00:18.here live with an update on Artem's injury. Plus Jason and Kristina
:00:18. > :00:28.will pop in for a chat and Ian Waite will be here with the latest
:00:28. > :00:59.
:00:59. > :01:03.news from training. This is Live from Television Centre, this
:01:03. > :01:10.is strictly It Takes Two. Please welcome your host, Zoe Ball!
:01:10. > :01:14.APPLAUSE Hello! Welcome to It Takes Two. Now
:01:14. > :01:19.it was a very emotional weekend for Holly and Artem. As you know, Artem
:01:19. > :01:22.suffered a back injury, but bravely battled on and danced through the
:01:22. > :01:29.pain to get great points. They're here straight from the training
:01:29. > :01:35.room to tell us the latest news. First, here's their Saturday story.
:01:35. > :01:39.I absolutely loved that concept. I thought it was brilliant. It was
:01:39. > :01:44.not a traditional jive. You took a lot of chance was it. It really
:01:45. > :01:51.paid off. Great choreography. creative, very, very different.
:01:51. > :01:54.Very, very cool. The girl's on top. You looked exhausted, it was full
:01:54. > :02:04.of energy. I have to commend you on that. Artem I know you're suffering
:02:04. > :02:09.as well. Artem had an injury this afternoon.
:02:09. > :02:13.He's limping. I don't know how you do it, the show must go on. Please
:02:13. > :02:19.welcome Holly and Artem! APPLAUSE
:02:19. > :02:24.Quite a roller coaster of a weekend for you. First of all, Artem, when
:02:24. > :02:30.did you first hurt your back, what happened? Well I think it happened
:02:30. > :02:34.on Friday when we did camera blocking. You know, have you so
:02:35. > :02:40.much adrenaline. Your mind is spinning all the time. I didn't
:02:40. > :02:45.really give a chance to realise it was quite painful. I came home and
:02:45. > :02:51.sat on the sofa and I couldn't get up. Was there a moment when it made
:02:51. > :02:55.a crunch or squelch or was it a gradual build up of pain? It was a
:02:55. > :02:59.gradual build up of pain. It's horrible. What went through your
:02:59. > :03:05.mind at this point? Were you thinking "Oh, dear, I'm not going
:03:05. > :03:10.to make tonight's show? "It quite dramatic moment really,
:03:10. > :03:14.because this whole week we've been training so hard to dot jive. It
:03:14. > :03:19.was quite difficult... choreographed the most amazing
:03:19. > :03:22.routine. At what point due realise you were going to be in trouble?
:03:22. > :03:29.really was quite late on Saturday. I went to dot dress rehearsal aind
:03:29. > :03:34.noticed someone was missing. tried to keep everything quiet
:03:34. > :03:39.until we know what exactly is going to happen. We didn't want to upset
:03:39. > :03:42.anyone. I was looking around, you know when is he? Someone said he's
:03:42. > :03:48.sore and they're going to pt hospital to make sure everything's
:03:48. > :03:54.OK. We went through the dress run. It got to my turn... You had to
:03:54. > :03:58.dance loan. I went, I don't want to do nothing. I thought I'd better go
:03:58. > :04:02.on. Then they can Time Out the show how it's going to look and camera
:04:02. > :04:07.guys can see my shots. I thought I'd get on with. It lucky I did
:04:07. > :04:12.have a go. Dancing with, it must be so strange, but you weren't on your
:04:12. > :04:18.own for long because Sir Bruce stepped in. We have footage. There
:04:18. > :04:24.you are, minding your own business. Look at him go. He's good. He is
:04:24. > :04:27.good. He could have done it for you on Saturday night. At what point
:04:27. > :04:33.then, how down to the wire was it on Saturday that you decided that
:04:33. > :04:38.you could dance and you could get through the routine? Well, after
:04:38. > :04:44.going to the hospital and then the hospital doctor pretty much saying
:04:44. > :04:48.that your spine is fractured and you cannot dance. I was sitting
:04:49. > :04:52.there and thinking, well I have already danced twice in the camera
:04:53. > :04:57.blocking, so what worse can actually happen. So I asked him
:04:57. > :05:03."What the worse thing that can happen to me?" He said I could get
:05:03. > :05:07.paralysed. At that point, I would have been out of there. Taxi! But
:05:07. > :05:17.you had to change the choreography. You mentioned to Tess thaw changed
:05:17. > :05:21.a bit. What did you take out? part when I actually injured myself.
:05:21. > :05:26.It's just the jumping over Holly and rolling on the floor. I'm quite
:05:26. > :05:29.glad you didn't do that. You might not have gotten up again. What have
:05:29. > :05:35.the doctors said to you? What are the men in the coats saying? What's
:05:35. > :05:40.the official line on your back? I cannot remember all this specific
:05:40. > :05:45.terms, but explaining in my simple words. It's soft tissue damage.
:05:45. > :05:51.It's between two bones. There's a nerve running between them and it
:05:51. > :05:56.just got jammed and inflamed. not happy. It's just, any turn or
:05:56. > :06:00.rotation or bending any way is... Not good. Quite painful. He's so
:06:00. > :06:04.macho. If he's saying he's in pain, I don't even know what he's going
:06:04. > :06:08.through. There's a lot of speculation online and in the
:06:08. > :06:16.papers. What is the official line then from you. Are you dancing on
:06:16. > :06:20.Saturday? No, I'm not dancing. no. Really? OK. But it's Strictly
:06:20. > :06:25.under doctors orders. Are you out for the series? Or just Saturday?
:06:25. > :06:31.Don't say those words! Sorry. hoping to be out for a week and
:06:31. > :06:34.come back next week for Wembley. You have to rest up. In the
:06:34. > :06:39.meantime you have another knight in shining armour who has kindly
:06:39. > :06:43.stepped in to help out. You've been practising with Brendan. I have.
:06:43. > :06:47.Doing the rumba with Brendan Cole, something you weren't expecting to
:06:47. > :06:52.happen. How is it going and how is it for you, Artem, having to let
:06:52. > :06:55.another man dance with your woman? Well, to be honest with you, kind
:06:55. > :07:01.of weird seeing Holly dancing with someone else, I'm not going to lie.
:07:01. > :07:06.Look at my face. Did you get jealous. It's all grumpy and
:07:06. > :07:11.jealous. I think the hardest thing I'm finding is not being able to
:07:11. > :07:16.move. I'm choreographing this week still, is just keep not being able
:07:16. > :07:21.to feel if it feels right or wrong for Holly what she does. It's like
:07:21. > :07:30.a big gamble for what I put in. It's hard to gauge what the move is
:07:30. > :07:33.if he hasn't had a go. Then you do this, but you can't move.
:07:33. > :07:35.Ironically, this is what you're dancing to.
:07:35. > :07:42.# I think I better leave right now... #
:07:42. > :07:48.No, no, let it not be a sign! He couldn't have foreseen the future.
:07:48. > :07:51.Maybe Russell could have done. One thing we must mention as well,
:07:51. > :07:55.Craig loved your energy on Saturday. He really did. Are you very
:07:55. > :07:59.determined to go out there and give it serious welly for Artem as well
:07:59. > :08:04.as yourself on Saturday? Yeah, obviously I don't want to let him
:08:04. > :08:07.down. He's choreographing very much, a part of this week. It's difficult
:08:07. > :08:10.because I've just started to learn dancing with him. Just started to
:08:10. > :08:14.get his language and the way you move together. You learn someone's
:08:14. > :08:17.body and then all of a sudden I'm with Brendan who does things very
:08:17. > :08:21.differently and also very well, but completely different. They feel
:08:21. > :08:26.different to dance with. I now, I'm sort of back to square one a little
:08:26. > :08:30.bit. I'm at a slight disadvantage in that. But I don't have a lengthy
:08:30. > :08:37.partnership as everyone else still has right now. You're not going to
:08:37. > :08:40.let me down. You better not let him down? Look how nice he is. The pain
:08:40. > :08:44.killers. Will you be watching in the wings? Absolutely I will be
:08:44. > :08:51.there on Saturday supporting Holly and Brendan. Maybe lying down.
:08:51. > :08:54.I request a sign. I will be signing. We will keep you all updated. We
:08:54. > :09:00.have a special present for you, which actually you won't be able to
:09:00. > :09:05.lift because it's so heavy. It's a basket of fruit and a get well card.
:09:05. > :09:09.That's so sweet. So soft tissue damage. He won't be dancing on
:09:09. > :09:11.Saturday, but he will be there, fingers crossed for Wembley. Holly
:09:11. > :09:16.good luck with Brendan. Thank you so much for coming in!
:09:16. > :09:21.APPLAUSE My goodness. It's all going on. It
:09:21. > :09:31.didn't take much encouragement to get another one of our pro dancers
:09:31. > :09:45.
:09:45. > :09:51.to dress up and give us a twirl. Who is the dancer in disguise? Find
:09:51. > :09:56.out later in the show. It's Wednesday, which means it's
:09:56. > :10:04.time to get technical with our very own dance analyst. It's Waite's
:10:04. > :10:10.Wednesday Warm Up. Ian Waite's here!
:10:10. > :10:17.APPLAUSE Hello handsome. Hello gorgeous.
:10:17. > :10:21.would like to thank Jess in Glasgow. She has made an Ian and Zoe,
:10:21. > :10:27.knitted them. That's amazing. incredible. Look at that. She's got
:10:27. > :10:31.your hair line and everything. And I'm in grey. Look. Thank you
:10:31. > :10:35.very much. Anybody else who would like to immortalise us in clay or
:10:35. > :10:45.wood, feel free. Thank you Jess. Very exciting week. We've had
:10:45. > :10:47.
:10:47. > :10:50.dramas. You've seen Artem there. We have the first Argentine tango.
:10:50. > :10:56.Let's look at Holly, now dancing with Brendan, choreographed by
:10:56. > :11:02.with Brendan, choreographed by Artem. How is it looking? Isn't it
:11:02. > :11:05.fantastic that Brendan has taken over and is taking -- helping out.
:11:05. > :11:10.It's great. I did the same for Brendan and to be honest, I think
:11:10. > :11:15.it may be an advantage for her. She has two professional males, helping
:11:15. > :11:18.her. As you can see, Artem is choreographing the piece. He's
:11:18. > :11:22.telling Brendan what it do, which is quite interesting. I'd love to
:11:22. > :11:26.be in the room. No doubt Brendan will have his own take on things.
:11:26. > :11:30.That's fantastic. I think this dance will suit Holly. She's long,
:11:30. > :11:34.lovely long legs. The rumba is perfect for that. I think it's
:11:34. > :11:39.going to be a great dance for them. We look forward to this on Saturday.
:11:39. > :11:44.Fingers crossed Artem gets well quick. Anita and Robin are doing
:11:44. > :11:48.the Argentine tango. How is our lass looking in the training room?
:11:48. > :11:54.I was a bit worried because I don't think the legs and feet or Anita
:11:54. > :11:58.are her strong point. In Argentine tango itess especially emphasises
:11:58. > :12:04.the leg and feet. There's lots of decoration, flicks and kicks. What
:12:04. > :12:12.I wanted to do is circle this here, because she's doing a wonderful leg
:12:12. > :12:16.wrap around there. I'm pleasantly surprised because she's using her
:12:16. > :12:22.legs and feet and she's putting them in the right place. They look
:12:22. > :12:28.strong. So she really has surprised me this week. Keep it up! By the
:12:28. > :12:32.way, bobby, thank you so much. He's wearing a sweaty Bobby T-shirt.
:12:32. > :12:37.Full marks to him. Robbie and Ola are dancing the American smooth
:12:37. > :12:41.this week, more ballroom from our ballroom boy. He looks good in
:12:41. > :12:45.ballroom. He's very upright. He's strait and pulled up. Craig
:12:45. > :12:49.mentioned the top line. Which is a good thing. My concern is that when
:12:49. > :12:54.he goes into lines like he's going to dance this promenade run now, he
:12:54. > :12:56.needs to dance through to the end of his arms. If we stop it here,
:12:56. > :13:01.of his arms. If we stop it here, what I'd like him to do is take the
:13:01. > :13:08.arm higher. Then it would match Ola's. Every time he takes a step,
:13:08. > :13:13.to take it out and finish it off. One, two, three. We could make you
:13:13. > :13:17.do that all night. I mean it's more about the expression through the
:13:17. > :13:22.body, through to the hand and through to the arms. Because
:13:22. > :13:25.sometimes he can look a little bit mechanical and clinical. I want him
:13:25. > :13:29.to show expression. Just because it's ballroom doesn't mean you
:13:29. > :13:32.can't use expression. More expression. Good. Alex and James
:13:33. > :13:38.with a great quickstep last week. This week it's fast as well, the
:13:38. > :13:41.jive. This is looking really good. It's very bouncy. There's lots of
:13:41. > :13:46.great kicks. Lots of great arms punching. I've slowed this down
:13:47. > :13:49.because I wanted you to see the bounce that Alex is getting.
:13:50. > :13:53.Amazing bounce and she maintains that throughout. I'm assuming
:13:53. > :13:57.that's all good. Really good. I think that because they did
:13:57. > :14:01.quickstep last week, I think it's kind of an accumulation from last
:14:01. > :14:06.week. She's continuing doing the same, very similar technique in the
:14:07. > :14:11.jive. So I think it's quite an advantage to go from jive onto
:14:11. > :14:15.quickstep. Looking very good. sounds very promising. Chelsee and
:14:15. > :14:18.Pasha are doing the foxtrot. Top of the leaderboard last week. They're
:14:18. > :14:25.probably on a high this week. How are they looking? I have nothing
:14:25. > :14:29.but great things to say about Chelsee, although... Hawk-Eye Ian
:14:29. > :14:38.has seen... That's a catchy name. In the mirror because most of this
:14:38. > :14:43.foot ath is just the top half. In the mirror I can see - we do that a
:14:43. > :14:48.lot, looking at the foot work in the mirror. She's not wearing her
:14:48. > :14:51.shoes again. Naughty Chelsee. You have told her before. I'm slightly
:14:51. > :14:54.disappointed because I believe in rehearsals you should be training
:14:55. > :14:58.in your shoes. Also when they get in hold, you'll notice that she's a
:14:58. > :15:01.bit small for him. I think she'll be in a different place, about
:15:01. > :15:07.three inches higher and in the right place for him. If we carry on
:15:07. > :15:10.with this. I don't know whether we can, they do some, a lot of
:15:10. > :15:15.ballroom hold and stuff like that. It's quite intricate the dancing
:15:15. > :15:19.they do. Now that she's improved so much, she's coping with it
:15:19. > :15:23.brilliantly, and I think that again she's going to produce a fantastic
:15:23. > :15:28.dance. Very exciting. It's a foxtrot, not an American smooth.
:15:28. > :15:32.is it, thank you. Someone's paying attention! Audley and Natalie are
:15:32. > :15:38.doing the cha-cha-cha this week. His knee's in a brace, is that a
:15:38. > :15:42.worry? I'm slightly worried because his left knee is giving him a bit a
:15:42. > :15:45.problem. And he's dancing cha-cha. One of the dances that is quite
:15:45. > :15:49.hard on the knee sz a cha-cha-cha because you have to straighten the
:15:49. > :15:54.leg so quick. He's not really straightening his legs properly.
:15:54. > :15:57.It's a bit bent. He's half straightening them. I would say
:15:57. > :16:06.it's because of the knee problem, but he's doing it on the right knee
:16:06. > :16:13.as well! I think he's got to straighten that knee and cha-cha
:16:13. > :16:18.straight, cha-cha straight. APPLAUSE
:16:18. > :16:24.Just like that. Where were we? Russell and Flavia. Oh, just on
:16:25. > :16:28.Audley, he's been in the bomb -- bottom two three times K he get
:16:28. > :16:33.higher up the leaderboard this week? He's very musical. He never
:16:33. > :16:37.really goes wrong very often. So if somebody goes wrong on the night
:16:37. > :16:42.and has a bad night, which he hasn't had really, although he's
:16:42. > :16:51.been at the bottom of the table, he's quite consistent in his own
:16:51. > :16:55.way. He could sail on through again. Who knows. Russell and Flavia are
:16:55. > :17:01.doing the American smooth this week. Here they are in training. How is
:17:01. > :17:05.our Russell doing. I feel I haven't seen him for weeks. Quickstep
:17:06. > :17:10.American smooth. The only time we have seen that, I think is Alesha.
:17:10. > :17:16.Normally American smooth is more of a foxtrot. We danced a waltz.
:17:16. > :17:22.we did. We got four nines. Did we? What did we get? Four nines. I
:17:22. > :17:28.remember it well. I just want to emphasise that. Oh, what have you
:17:28. > :17:34.done. Your machine's gone bonkers. OK, correct that. That was the
:17:34. > :17:38.machine. What I would like to see, he's got dropped elbows. He's
:17:38. > :17:45.lifting up his shoulders. Drop the shoulders back, lift the arms up. I
:17:45. > :17:50.especially love the mannerisms from Russell. This little pinkie. Not to
:17:50. > :17:56.be outdone, he always has his little aquairn mannerism. He didn't
:17:56. > :18:00.be marked down for that? I wouldn't mark him down. That's a little
:18:00. > :18:06.personality. Harry and Aliona are doing the Argentine tango. It's a
:18:06. > :18:10.bit more, a bit easier for a man in Argentine tango. Really? Anita,
:18:10. > :18:16.more difficult for her, because the lady has to do all the decorations
:18:16. > :18:23.and leg things and all the lines. It's all about the lady. Yes. He's
:18:23. > :18:26.basically just doing the leading. But, as he did tango two weeks
:18:26. > :18:29.ago... Hallowe'en week. Yes, he will follow on with the character
:18:29. > :18:34.of the dance. I think it will be good for him. It will continue on
:18:34. > :18:40.from that. He knows the character now. He'll just dot same. Can he
:18:40. > :18:45.get to the top of the leaderboard. He gets great marks. This could be
:18:45. > :18:50.his week. Let's talk about jauson and Christine ya. They are doing
:18:50. > :18:54.the -- Kristina. They are doing the Viennese waltz. It's looking very
:18:54. > :19:00.good. He's got a natural flow. His arms are in the correct place. He's
:19:00. > :19:06.even trying to sway. For a male celebrity that's very difficult. So
:19:06. > :19:15.Kristina is chal edging -- challenging him. He goes into a
:19:15. > :19:24.fleckerl. Yes, you should gasp. It's a tricky move! What should do
:19:24. > :19:29.you? It's turn out, side, cross in front, side behind and twist.
:19:29. > :19:33.So if Jason can do that, Len is going to love him. He is! He's
:19:33. > :19:37.doing all the correct foot work, fantastic. Glad you said that. He's
:19:37. > :19:41.in the studio and will get you otherwise. We love you. Let's hear
:19:41. > :19:44.it for the boy, Ian Waite! APPLAUSE
:19:44. > :19:51.Ian's not the only one with eagle eyes. Here are some more of your
:19:52. > :19:55.points of view. I really like the way that Alesha's
:19:55. > :19:59.sparkly pen always matches her outfit. I'm so delighted that
:19:59. > :20:04.Russell had so much fun when he got put through. It really made Robbie
:20:04. > :20:10.laugh. He needed a laugh after being mauled by Craig. Thank you.
:20:10. > :20:16.Bye. Hello, Jason, we appreciate how much training you do and your
:20:16. > :20:21.dances are mesmerising. We hope you help Kristina to win the
:20:21. > :20:27.glitterball. I thought Jennifer grey was brilliant on Saturday. I
:20:27. > :20:34.did miss Len. He tells it like it is. But with great humour. Good on
:20:34. > :20:37.you Len. Thank you for all your messages and
:20:37. > :20:47.specially you Beverley. Len is back on Saturday. You can call us any
:20:47. > :20:51.
:20:51. > :20:54.on Saturday. You can call us any After a run of leaderboard topping
:20:54. > :20:58.dances, Jason and Kristina found themselves falling to seventh place
:20:58. > :21:04.last weekend. They're near a moment. First, here's how they got on with
:21:04. > :21:08.the rumba. You just killed me softly with that
:21:08. > :21:11.rumba. You need to dig deeper and connect more to your sexy,
:21:11. > :21:14.beautiful partner. I got a little bored throughout it. I just wanted
:21:14. > :21:20.to feel that genuine romance and sparkle and chemistry. It was
:21:20. > :21:24.lacking a little bit. Usually your performances are so focused and
:21:24. > :21:29.correct. Tonight you went for too much. You tried to place the leg
:21:29. > :21:36.and the hip didn't work. Just a bit too serious and earnest. Kristina
:21:36. > :21:39.is not very happy, I can tell. disagree. Show me another male
:21:39. > :21:43.celebrity who can dot same rumba walk. It could have been more
:21:43. > :21:50.intense between the two of us. That's valid. That quaz quite --
:21:50. > :21:55.was quite fun. I feel good about. Give it up for Jason and Kristina!
:21:55. > :22:00.APPLAUSE Hello, how are you? How
:22:00. > :22:05.disappointed were you after your performance with the judges'
:22:05. > :22:09.reactions? Well, I mean... Deep breath Kristina. No-one likes
:22:09. > :22:14.negative comments. I don't care how good or bad dancer or how much
:22:14. > :22:18.effort you put in. We put 100% into our training. I think the dance was
:22:18. > :22:24.fantastic. It had a particular pocket with me in terms of the walk
:22:24. > :22:29.and the placement of the foot work. The only thing about the comments
:22:29. > :22:34.was that they didn't focus on positive things. It was just
:22:34. > :22:38.negative across-the-board. I looked at that dance back, you know, and I
:22:38. > :22:42.was happy with it. I can understand judges have to do what they do. I
:22:42. > :22:47.take those comments and there were certainly aspects of what they were
:22:47. > :22:51.saying which was spot on. A few positive things as well. Wouldn't
:22:51. > :22:55.go a miss, would it? I have something positive though. Ian
:22:55. > :23:01.online says the judges were too harsh, very undermarked. Kristina
:23:01. > :23:05.was right to look annoyed. You were quite annoyed. I was annoyed. I
:23:05. > :23:10.don't often look like that on Strictly. I was annoyed. What did
:23:10. > :23:15.you make of the comments? We worked really hard. My point about rumba
:23:15. > :23:20.was to show good technique, show a lot of basics, which usually judges
:23:20. > :23:24.asking always not enough content in dances. So I put all the basic
:23:24. > :23:28.steps, rumba walk, sliding doors, the basics which are supposed to be
:23:28. > :23:32.in the rumba. Obviously nobody even mentioned anything about that. I
:23:32. > :23:36.think it's a very cliche about rumba that it has to be raunchy and
:23:36. > :23:39.sexy and they felt there was no emotions. It was a different
:23:39. > :23:42.emotion. The song was saying something romantic and
:23:42. > :23:46.sophisticated. That's what we wanted to do. We've done all the
:23:46. > :23:53.raunchy and sexy thing in foxtrot week two. We're trying to do every
:23:53. > :23:59.week something different. I must say, five pro boys said to me the
:23:59. > :24:02.same thing, Brendan, James, Artem, saying it's probably the best male
:24:02. > :24:08.celebrity rumba we've seen. APPLAUSE
:24:08. > :24:13.Hooray. I trust them. Seventh on the leaderboard. That's the lowest
:24:13. > :24:17.you've been, sorry to keep dragging it up. On Sunday's show you were
:24:17. > :24:22.the last couple to get through. How worried were you that you were in
:24:23. > :24:27.the bottom two at that point? is always worried. It's a public
:24:27. > :24:31.vote. Each week is a different journey. You don't know how people
:24:31. > :24:37.will take what you do. The whole package of the show as well. But
:24:37. > :24:41.you know, I honestly can say I put, as I've said a number of times, I
:24:42. > :24:45.put 100% into the show each week. I try to have a good time and a
:24:45. > :24:48.journey along the way, if we were to go out, if we go out this week
:24:48. > :24:58.or the week after or the week after that, it's not for a want of not
:24:58. > :25:04.trying. I feel good about myself. We want 120%! I don't know how much
:25:04. > :25:07.deeper I can dig. We know it's luck tkwroi have public support. A lot
:25:07. > :25:12.of them love you. We had Christopher Biggins in last week.
:25:12. > :25:16.He said he was surprised - big up Biggins. He was surprised and
:25:16. > :25:25.really impressed how much you're putting in in training. We have
:25:25. > :25:30.noticed you are very studious indeed. Here we go.
:25:30. > :25:37.What I learnt was that it's a mathematical equation dance. One,
:25:37. > :25:47.two, one and as well. One, two, three, four. I can't count. I was
:25:47. > :26:09.
:26:09. > :26:14.never a mathetisionist. Francisco Kristina, do you want some tapas
:26:14. > :26:23.# Kristina, ole! # Do you believe in life after love
:26:23. > :26:28.It's just the geography I need to reshape. I'm so confused. Where am
:26:28. > :26:35.I? OK, I've mapped it. Pass the test? Yeah, passed.
:26:35. > :26:39.There you go. I love that. That's your report. That's funny. Don't
:26:39. > :26:44.worry, he's mapped it. The Viennese waltz, are you a fan? It's a lot
:26:44. > :26:48.more difficult than I thought. I mean, there's obviously the
:26:48. > :26:52.simplicity in the one, two, three, the rise and fall. But there's a
:26:52. > :26:56.lot more layers to it. We have a great song this week. Let's have a
:26:57. > :27:06.listen. # And I don't want the world to see
:27:07. > :27:07.
:27:07. > :27:11.me." Goo Goo Dolls. From that film. I love it. That is where the theme
:27:11. > :27:15.has come from. We try to look for characters and stories. That's what
:27:15. > :27:20.we're drawing from. You have always been successful in dance was a
:27:20. > :27:24.character. Yes and a theme. What is your character this week?
:27:24. > :27:29.Separation, angels, spirits. film is all about two people who
:27:29. > :27:33.can't be together because one is an angel. Don't ruin it. It's so sad
:27:33. > :27:41.and sweet. I want to cry. I look forward to the dance. And the
:27:41. > :27:45.judges want more oomph, can you give it? That's an interesting one.
:27:45. > :27:49.I think... We'll try, I suppose. Last week I take on board what they
:27:49. > :27:54.were saying. It was a difficult balance with the rumba to find the
:27:54. > :27:59.happiness and passion. This week is soft and gentle and you know...
:27:59. > :28:04.can't wait. It's going to be good. Believe, brilliant. Good luck this
:28:04. > :28:14.weekend. Jason and Kristina! APPLAUSE
:28:14. > :28:23.
:28:23. > :28:27.Time now to reveal our dancer in Ola! It was of course, Ola. I'm
:28:27. > :28:30.back tomorrow at 6.30pm with Russell and Flavia and Harry and
:28:30. > :28:35.Aliona. We have a sneak preview of the weekend's outfits an the latest