:00:17. > :00:22.It is Thursday. Coming up on tonight's show, Harry and Aliona.
:00:22. > :00:27.Russell Grant and Flavia ride in for a chat. I get to see what
:00:27. > :00:37.fabulous frocks the costume department have in store for us
:00:37. > :01:03.
:01:03. > :01:09.this weekend. This is Strictly Come Live from Television Centre this.
:01:09. > :01:13.Is Strictly Come Dancing: It Takes Two. Please welcome your host, it's
:01:13. > :01:16.Zoe Ball. Hello and welcome to It Takes Two.
:01:16. > :01:21.It is Thursday and our nine remaining couples are training
:01:21. > :01:25.harder than ever as whoever leaves this weekend will miss out on
:01:26. > :01:30.performing at Wembley. Yes, it is not happened yet, but in a few
:01:30. > :01:34.minutes I will find out what Harry thought of his bare-chested samba.
:01:34. > :01:40.First, here is the latest on how our couples are getting on in
:01:40. > :01:46.Well, this week we are apparently attempting the jive!
:01:46. > :01:54.Step. Step. Oh. This is potentially the hardest dance that we will have
:01:54. > :01:58.have to do so far. It is fast. Alex has a little bit of a walking
:01:58. > :02:02.section with a little bit of acting involved. That's not going
:02:02. > :02:06.particularly well. I'm not even going to the beat.
:02:06. > :02:13.The difficulty we're going to have, there will be a lot of places where
:02:13. > :02:19.Alex is going on her own. No, I can't do it.
:02:19. > :02:29.I have been dreading this dance. For this week, I think it would be
:02:29. > :02:32.
:02:32. > :02:36.a good idea maybe to have the St St John's Ambulance poised.
:02:36. > :02:38.This week we're doing the tango. I didn't do that very well. It is
:02:38. > :02:47.difficult. I'm never going to get that.
:02:47. > :02:51.You are. We need to be channelling seduction, sharpness, precision.
:02:51. > :02:57.The tricky part of these performances is to balance the
:02:57. > :03:01.technique with the performance. Seven, eight and one. You are
:03:01. > :03:04.coming out on the wrong foot. The big he is challenge will be
:03:04. > :03:09.remembering the footwork and being clean on the footwork.
:03:09. > :03:12.That was 100 times better. This is the time I can improve myself.
:03:12. > :03:16.Flick. Flick. Good. Good. That's great.
:03:16. > :03:23.And focus on becoming a little bit And focus on becoming a little bit
:03:23. > :03:27.of a dancer. This week I have the rumba. Artem
:03:27. > :03:30.has hurt his back last week and therefore, he needs to have a best.
:03:30. > :03:34.So Brendan Cole is stepping in today.
:03:34. > :03:44.And the other way. Turn the other way.
:03:44. > :03:46.I have got no idea what's going on. Artem is still here. It is his
:03:46. > :03:53.choreography, it is his way. What he says goes.
:03:53. > :03:57.It is quite annoying to choreograph, but not be able to dance.
:03:58. > :04:03.It is a shock for Hollie to just all of a sudden have another
:04:04. > :04:12.partner to dance with. Let me do it otherwise it is not my
:04:12. > :04:16.memory. As always, the show must go This week, me and Natalie are doing
:04:17. > :04:20.the cha-cha-cha. It is energetic and cheeky and vibrant.
:04:20. > :04:25.Technically, it will be a tough dance.
:04:25. > :04:33.Chin up. I want it to be technically correct. I don't want
:04:33. > :04:37.any heel leads. I just need Audley to let loose and
:04:37. > :04:40.have a bit of fun with this. With the Latin dances your
:04:40. > :04:45.personality and character can come into the dance more. I have been
:04:45. > :04:50.able to rock it a bit just doing the Audley person amount.
:04:50. > :04:55.He has a personality that I really want to bring out. Now, it is your
:04:55. > :05:01.moment to shine. With his personality it will be show
:05:01. > :05:06.stopping! This week's the Argentine tango and
:05:06. > :05:14.I am enjoying myself. I like the dance. I like the music.
:05:14. > :05:21.It is different. I think that the challenges in this dance is the
:05:21. > :05:24.lifts. The lifts are nerve-wracking
:05:24. > :05:30.because you have to get them perfect otherwise there is a small
:05:30. > :05:35.chance I might drop Aliona. Harry is a very strong man. I have
:05:35. > :05:41.all the confidence that the lifts are going to be spot on.
:05:42. > :05:45.Don't worry, we can do that lift. I wouldn't like to know what she
:05:45. > :05:54.would do to me if I I dropped her live on Saturday night so let's
:05:54. > :05:58.Please welcome Harry and Aliona. CHEERING AND APPLAUSE
:05:58. > :06:03.Hello. Welcome back. Harry, you were really worried about the samba
:06:03. > :06:07.last week. How difficult was it for you on Saturday night? It was very
:06:07. > :06:11.difficult actually. I was nervous, wasn't I? Very.
:06:11. > :06:16.More so than other weeks? I was really working myself up. I was
:06:16. > :06:21.very nervous, but to be hon he is when it -- honest when the music
:06:21. > :06:27.started, you know, I did enjoy myself. Pulling some weird faces,
:06:27. > :06:31.but that's me enjoying myself. it? But that's part of it, you see
:06:31. > :06:35.professional ballroom dancers, they pull strange faces. It is not a bad
:06:35. > :06:39.thing. I did enjoy myself. I was relieved to get it out of the way.
:06:39. > :06:44.I did feel that's one of the best I danced. Definitely.
:06:44. > :06:48.Which shows how tough a week we had. No, I was pleased.
:06:48. > :06:56.Well done, your mum came on the phone last week, to give you a pep
:06:56. > :07:02.talk. Was she pleased? Yes. Hello Mrs Judd. I heard you had a
:07:02. > :07:08.text from her? I found this amew this amusing.
:07:08. > :07:14.Text from Mrs Judd. "pull out the stops for your dance
:07:14. > :07:20.this week. I have just invested in a beautiful outfit. I in turn, want
:07:20. > :07:25.to be entertained with a beautiful dance.". Let's hear it for Mrs Judd.
:07:25. > :07:29.That was Monday morning. I was tired and I thought, "I've got to
:07:29. > :07:33.pull out the stops again.". You got a standing ovation, Aliona. What
:07:33. > :07:39.did you make of the judges comments? They are entitled to
:07:39. > :07:44.their opinions and I respect them, but I give all four tens to Harry.
:07:44. > :07:48.You would have given him tens? tens.
:07:48. > :07:52.Craig did give you constructive criticism, didn't he? Yes.
:07:53. > :07:59.He really enjoyed the dance and the only technical thing that he didn't
:07:59. > :08:03.really like was the swan move which he was quite right. It could have
:08:03. > :08:09.have a bit more bounce, but he loved it in general which was great.
:08:09. > :08:17.Our viewers are impressed with the dancing, but with your outfit,
:08:17. > :08:24.Harry. Rosie Said, "Harry was looking fine on Saturday night."
:08:24. > :08:32.Another viewer said, "Watching Strictly because Harry is sexy."
:08:32. > :08:37.Becca posted "Harry Judd is hot. That bum, samba." I think we're
:08:37. > :08:41.getting the picture, ladies. Craig said he found the shirt distracting.
:08:41. > :08:45.He said you should have done it bare-chested. Is that something you
:08:45. > :08:48.would consider? I don't think. I was pretty much bare chested on
:08:49. > :08:53.Saturday. You could see through his shirt!
:08:53. > :08:57.When you are doing the costume and things you are in a daze and you
:08:57. > :09:01.are being handed things. It does get you in the mood to dance
:09:01. > :09:07.wearing those outfits. When you have got them on, you feel like
:09:07. > :09:12.you're ready to go. It is all part of the roll? It is, definitely.
:09:12. > :09:17.first option was more closed shirt. When I got into the room I was like,
:09:17. > :09:22."Cut off the arms, open the shirt, make it see through.". You don't
:09:22. > :09:29.disagree with Aliona. Don't mess with her. Arms off, she
:09:29. > :09:34.gets arms off! Vernon Kay said, "Harry needs to let go a bit and
:09:34. > :09:38.Alesha says kick it up a notch." How do you plan to keep those two
:09:38. > :09:41.people happy? I was nervous and it maybe came across for the first
:09:41. > :09:45.part of the dance. I need to focus on enjoying myself and not working
:09:45. > :09:50.myself up so much, I think. OK. One thing we have spotted is
:09:50. > :09:54.that when you're drumming, you're happy indeed. Oh really.
:09:54. > :10:04.Take a little look. Strictly has definitely taken over
:10:04. > :10:12.my life. I haven't played the drums My life is about dancing.
:10:12. > :10:22.Not drumming. The further I get in this
:10:22. > :10:25.
:10:25. > :10:28.competition, the worse I get at My priority is dancing right now.
:10:28. > :10:32.Ah, yes, our cameras are everywhere!
:10:32. > :10:37.You have been warned. Can you incorporate drumming into a routine,
:10:37. > :10:40.do you think? We're thinking about it. We're thinking about putting it
:10:40. > :10:45.into a paso, but we haven't danced it yet.
:10:45. > :10:50.That's stored and remembered! Argentine tango this week. How are
:10:50. > :10:55.you finding it? I'm really enjoying it. I think it maybe suits me quite
:10:55. > :10:59.well, I don't know. It is a great track that we're dancing to and it
:10:59. > :11:02.has been a fun week. It is less stressful than last week. We have
:11:02. > :11:07.seen in the training room that you are doing lifts. Are you finding
:11:07. > :11:12.them a challenge? They are a challenge. Yes, they are. It is a
:11:12. > :11:16.hole new he will -- whole new element. That looks impressive.
:11:16. > :11:20.That looks good. You are very strong. You should be able to throw
:11:21. > :11:27.her around with one hand! You have not been top of the leaderboard yet.
:11:27. > :11:33.Everybody wants you to be up there, can you do it this week? I love the
:11:33. > :11:36.way you looked at Aliona. I think so because this dance really suits
:11:36. > :11:45.both of our personalities really. It really suits Harry and he is
:11:45. > :11:48.doing a really good job this week and I hope... Fingers crossed.
:11:48. > :11:51.Fingers crossed that the judges are going to like it and appreciate the
:11:51. > :11:59.dance. There are a lot of good dancers.
:11:59. > :12:09.There is a loted of good dancers. Good luck, Harry. Let yourself go.
:12:09. > :12:11.
:12:11. > :12:13.Thank you very much. Good luck to Harry and Aliona.
:12:13. > :12:16.APPLAUSE His mum calls him Dinky. Yes, she
:12:16. > :12:21.calls him Dinky. Every so often our professional
:12:21. > :12:31.dancers need to be kept in line and interrogated about important issues.
:12:31. > :12:31.
:12:31. > :12:35.There is only one lady tough enough Answer the question.
:12:35. > :12:41.Rachel has got a question for you. She wants to know, good heavens, if
:12:41. > :12:47.you were a carrot, how would you like to be eaten?
:12:47. > :12:51.So many answers come to mind. Shredded, boiled, steamed. I feel
:12:51. > :12:56.strange talk being this with you to be honest with you.
:12:56. > :13:02.Quickly. Don't slice me, don't dice me. If I was a carrot, I would love
:13:02. > :13:05.to be eaten raw. I love a good roast carrot. I don't think you
:13:05. > :13:09.tried it. This isn't a cookery show Brendan,
:13:09. > :13:14.move on. I guess I would like to be eaten by
:13:14. > :13:18.the rabbit. What? Not by the humans, by the rabbit.
:13:18. > :13:25.Absurd answer. Then it was an absurd question. Can we have the
:13:25. > :13:31.next question? If you were a carrot? No, next question! Artem
:13:31. > :13:35.wants to be eaten by the rabbit. The mind boggles. Earlier, I
:13:35. > :13:39.visited Strictly head costume designer, Vicky to take a look at
:13:39. > :13:44.what she has up her sleeve for this weekend.
:13:44. > :13:49.Right, I'm with head designer in the BBC, Vicky. We have had
:13:49. > :13:54.Hallowe'en, we have had a Broadway theme. Any themes this week? Tell
:13:54. > :14:00.us. Tell us. No main themes, but the fact that it is remembrance
:14:00. > :14:05.weekend, we have a 40s feel. 40s gramor. -- glamour.
:14:05. > :14:10.We have our first Argentine tangos and Anita is is doing an Argentine
:14:10. > :14:14.tango. Let's look at her frock? This is the illustration for
:14:14. > :14:18.Anita's. We would use black or red, but this week, we have a twist and
:14:18. > :14:25.we're using sapphire and red. looks beautiful.
:14:25. > :14:27.We have a lovely floral detail which is reflecting the poppy and
:14:28. > :14:30.then a crystal belt that runs then a crystal belt that runs
:14:30. > :14:33.around her waist. That's incredible. There are
:14:33. > :14:37.thousands of jewels on that. We think about 2,000. Something
:14:37. > :14:40.like that. It must be worth a bit!
:14:40. > :14:47.I wouldn't be surprised if that goes missing.
:14:47. > :14:51.She is She is doing lots of kicks and flicks? A slim-line skirt with
:14:51. > :14:56.two splits which enables her to do the Argentine tango.
:14:56. > :14:59.I'm excited about that. Holly had an interesting week. Brendan has
:14:59. > :15:04.stepped in and is being to be dancing the rumba. What will she be
:15:04. > :15:09.wearing for this romantic dance? This week, Holly is in a metallic
:15:09. > :15:14.grey and pink. It is very pretty, very sexy. There is lots of light
:15:14. > :15:18.and shade in the design. The right side of the dress is in dark
:15:18. > :15:24.metallic grey. That will be jeweled? Yes.
:15:24. > :15:28.A lot of work, isn't it? It is covered in crystals.
:15:28. > :15:31.The left-hand side of the dress is lighter. Very pretty and
:15:31. > :15:36.sparkically. Pinks and greys. I like it. What
:15:36. > :15:45.about the boys? The boys are traditional. We have got classic
:15:45. > :15:49.tails and and tuxs. Russell will have a little moment.
:15:49. > :15:53.What do you mean? A surprise? reveal.
:15:53. > :15:57.A reveal from Russell. Can you reveal anymore? I can never reveal
:15:57. > :16:03.a reveal. She is so good. That's something to
:16:03. > :16:07.look forward to. I will get it out of her later. Remembrance Sunday,
:16:07. > :16:11.the professionals are doing the jitterbug. Is it tricky when you
:16:12. > :16:16.have got to make six outfits for the ladies, all different? We are
:16:16. > :16:20.always trying to work with the theme. It is jitterbug. It is
:16:20. > :16:24.Remembrance Sunday, so they will be doing a swing routine. We try to
:16:25. > :16:29.work on a silhouette that works for them and their figures. This
:16:29. > :16:33.illustration is going to be for Ola. She is going to be in red and she
:16:33. > :16:36.will have an accent of possibly the blue. The girls will be in red,
:16:36. > :16:42.white and blue. They will look gorgeous. We will
:16:42. > :16:46.have a sneaky peek tomorrow. We will reveal who is under the
:16:46. > :16:53.gold dress this week. Who is going to be wearing this dress? It will
:16:53. > :16:57.be one of our pro dancers. A celebrity will be wearing that. Can
:16:57. > :17:02.you guess, there is only one girl who can carry that off. That's
:17:02. > :17:12.barely a dress. It is like a bikini. Stunning. I hope you managed to
:17:12. > :17:12.
:17:12. > :17:21.guess that. Keep working your Thank you very much. Bruno
:17:21. > :17:31.Described Russell and Flavia's paso doble. Here is more news from
:17:31. > :17:32.
:17:32. > :17:37.This week I'm dancing the foxtrot. I really can't wait.
:17:37. > :17:44.No matter what you do with your fingers, you move your hand, and
:17:44. > :17:48.that's how you and I will follow. Chelsee naturally bursts into this
:17:48. > :17:52.foxy dance. The foxtrot is a different story and we have to make
:17:52. > :17:58.sure her character is changed and she she becomes more smooth, more
:17:58. > :18:02.graceful, refined. LAUGHTER
:18:02. > :18:08.It is a tough job to do. Yes, that's right.
:18:08. > :18:13.I have not had a slow dance since the first week. For me to go from
:18:13. > :18:20.fast dances to the slow dance and show my elegance, hopefully I'll
:18:20. > :18:28.pull it off. This week, we're doing the American
:18:28. > :18:32.smooth. One. Where Here. And then there. The American smooth is the
:18:32. > :18:39.hardest dance I've done, a lot of spins and lifts above my head. It
:18:39. > :18:45.is hard this week. I think he is not going to find it easy. What am
:18:45. > :18:50.I doing now? I forgot. The same steps.
:18:50. > :18:55.I get very dizzy in this. When I come out of the spins, I
:18:55. > :19:02.don't know where I am. This is going to be a tough week. But we
:19:02. > :19:07.can do it. Nice! APPLAUSE
:19:07. > :19:11.I'm giving it everything I've got, but all I can do is my best.
:19:11. > :19:16.This week, Jason and I are going the waltz. I have to work hard to
:19:16. > :19:20.bring the emotions through and the emotional connection with one
:19:20. > :19:25.another. You disconnected from me like I don't exist.
:19:25. > :19:30.The waltz has been a challenge. did you stop? Because I lost my
:19:30. > :19:36.geography. I was expecting something a little less complicated.
:19:36. > :19:41.Quicker, quicker, no. Look. It is a slippery floor, babe.
:19:41. > :19:44.I don't think this is the reason. Can we have a couple more goes just
:19:44. > :19:46.for my confidence because at the moment I'm lacking confidence, I
:19:46. > :19:50.think. I'm pushing Jason to the limit
:19:50. > :19:58.because I want to bring the best out of him. One, two, three, got
:19:58. > :20:04.it? I think we're getting there, but it has been a challenge.
:20:04. > :20:07.I'm so loving the American smooth. It is perfect for Russell. A
:20:07. > :20:16.fabulous song, a bit of ballroom dancing, so hopefully it should be
:20:16. > :20:21.a good American smooth. Slow, slow. I want to start off
:20:21. > :20:26.very fast. I got it, I just got excited.
:20:26. > :20:29.Well, Russell is always adding rather than taking away.
:20:29. > :20:34.I have gone too far. If I try and make something easier,
:20:34. > :20:38.you will put an extra two pirouettes in.
:20:38. > :20:41.I want to go twirling around like a thing possessed. All I've got to do
:20:41. > :20:51.is run off. No spinning.
:20:51. > :20:51.
:20:51. > :20:59.No, promise. Please welcome the whirling dancer,
:20:59. > :21:00.it is Russell and Flavia. They are off already.
:21:00. > :21:08.LAUGHTER I do love you.
:21:08. > :21:12.We were watching that VT thinking... LAUGHTER
:21:12. > :21:15.I keep dashing off. I'm like a Labrador puppy. I can't be stopped.
:21:15. > :21:19.We will talk about your song in a moment.
:21:19. > :21:23.Sorry, darling, I'm jumping the gun. This is what I do in rehearsals, I
:21:23. > :21:28.jump the the gun. Let's go back to last Saturday.
:21:28. > :21:35.Another standing ovation, getting to be a habit with you two. Were
:21:35. > :21:41.you happy with your paso doble? loved it so much. I just loved it
:21:41. > :21:51.and well, my friend here... Your friend here.
:21:51. > :21:51.
:21:51. > :21:54.What an entrance. LAUGHTER
:21:54. > :22:01.I get worried at my performance. Don't look at it close up. You look
:22:01. > :22:05.good. You look fabulous darling. Craig described it as astonishing,
:22:05. > :22:10.was that the kind of reaction that you were looking for? One word from
:22:10. > :22:13.Craig is great. As long as it is a good word. We love Craig, honestly.
:22:13. > :22:18.If he said pants, he would have meant that nicely too.
:22:18. > :22:23.Yeah. Probably the ones I'm wearing. They are nice pants.
:22:23. > :22:29.LAUGHTER Bruno said you looked... We are in
:22:29. > :22:35.red and black. Bruno said that you looked like
:22:35. > :22:43.Benny Hill. Lots of our viewers disagreed and thought you looked
:22:43. > :22:49.more like Dangermouse's friend, Penfold. I don't mind looking like
:22:49. > :22:54.him. That is a great moment in my life. Look, look, do you remember
:22:54. > :22:58.seeing the wonderful Benny Hill in the Italian Job when he used to
:22:58. > :23:04.help large ladies up on the coaches. That's how I was on the bull.
:23:04. > :23:11.An interesting fact for you as well, Benny Hill is Holly's grandfather's
:23:11. > :23:21.cousin. Fact. I may need to check that fact.
:23:21. > :23:22.
:23:22. > :23:32.There are your your your specs. Darling, you try them.
:23:32. > :23:34.
:23:34. > :23:37.We haven't seen Flavia in them. They look flavoulous!
:23:38. > :23:42.If anybody was saying Russell was a comedy act on this show, what would
:23:42. > :23:46.you say? If you go back to our routines, we have had a lot of
:23:46. > :23:51.content in all our routines. I think because Russell is a good
:23:51. > :23:54.entertainer and perp former people -- performer people see so much of
:23:54. > :24:01.that side that they miss the fact that we're doing lots of steps and
:24:01. > :24:04.I think that's what people, you know, get confused by, but it is
:24:05. > :24:09.because we have a good combination of performance and content.
:24:09. > :24:17.And were you disappointed to be at the bottom of the leaderboard after
:24:17. > :24:26.a crowd pleasing number? Where we? I never noticed any of that.
:24:26. > :24:31.I go up to Tess and nick one of her Polos and she says, "You are
:24:31. > :24:36.bottom." I put my faith in the great British public. How can I
:24:36. > :24:40.thank them, two or three? Hello, great British public and I'm going
:24:40. > :24:49.to include the Isle of Man, the Channel Islands and I'm going to
:24:50. > :24:53.say to all of you, Ireland, anywhere, thank you so much.
:24:53. > :24:56.Beautifully done. If I relied on the judges, darling, I would have
:24:56. > :25:02.been out in September, before we started!
:25:02. > :25:07.How could you be out before we had begun? It is getting weirder.
:25:07. > :25:11.You're doing the American smooth this week. This is what you're
:25:11. > :25:17.dancing to. # I am what I am #
:25:17. > :25:24.I love this song so much. He wants to sing it. I do. I do. It
:25:24. > :25:30.is a fact. I just stand there, it is John Barrowman who is awesome,
:25:30. > :25:39.but the arrangement of swirling strings and I do, I actually, I had
:25:39. > :25:44.a text from my lovely friend angingly friend Angela Ripon and
:25:44. > :25:51.she said her friends loved watching me, so I put in Royal Ballet moves
:25:51. > :25:55.at the end. Yes, we put ballet.
:25:55. > :26:02.Flavia always gives me ten seconds on my own.
:26:02. > :26:07.And does Russell come with the ideas? Do what you feel.
:26:07. > :26:16.It is working. Is that lovely man Robert Webb?
:26:16. > :26:21.He is from Peep Show? He is adorable. But Royal Ballet.
:26:21. > :26:26.Incredible. Hollywood-style dance. It must be a dream for you, the man
:26:26. > :26:32.who put show in show business? Sorry darling, I'm so carried away
:26:32. > :26:37.by that, can we have another burst? I love the fact that you are so
:26:37. > :26:42.ecstatic whatever you are dancing, it is almost as if you have taken a
:26:42. > :26:47.magic position for joyfulness. Someone actually said to meez
:26:47. > :26:52.recently, -- me recently, if you can bottle what you are doing, it
:26:52. > :26:57.would be Russell and Flavia happiness.
:26:57. > :27:01.Working with Flavia is beyond my wildest dream. It is fabulous.
:27:02. > :27:05.We are having a really good time. She is a wonderful person.
:27:05. > :27:15.It feels like we've known each other forever. We're beautiful
:27:15. > :27:16.
:27:16. > :27:26.together. I'm game for a laugh.
:27:26. > :27:30.
:27:30. > :27:35.LAUGHTER Lovely. Who did that? The very
:27:35. > :27:45.special boys and girls. I loved it, special boys and girls,
:27:45. > :27:46.
:27:46. > :27:49.that was so cute. Now, this weekend, me, Hollywood,
:27:50. > :27:57.never in the same sentence. What can we expect from your American
:27:57. > :28:02.smooth this week? Well, I have to say it is a first for Strictly, I
:28:02. > :28:09.think. Another first. The bull was a first. This week,
:28:09. > :28:14.there is another first. Vicky from wardrobe said there was a Russell
:28:14. > :28:22.moment. She is working very, very hard.
:28:22. > :28:27.Claudia would call it The Grant. I thought she was saying the grunt,
:28:28. > :28:31.but it is The Grant. I don't want to know about that. It was on this
:28:31. > :28:35.show, you are terrible. Wembley in a week. How much do you
:28:35. > :28:40.want want to be dancing there? first house was in Wembley.
:28:40. > :28:44.Is there a plaque? No, there should be. It is in Middlesex, the countyI
:28:44. > :28:48.was born in. I've come home and I can't wait. I want to get there.
:28:48. > :28:55.You want to get to Wembley. If I don't get there, I will have to go
:28:55. > :29:03.home. I'm going back to Cymru, that's gorgeous.
:29:03. > :29:07.6,000 people stand up for Russell. Harls Harl ston.
:29:07. > :29:11.Russell and Flavia, good luck with your American smooth.
:29:11. > :29:16.Thank you. Oh dear. Thank you to all my guests.
:29:16. > :29:22.Join me tomorrow when I will be chatting to Chelsee and Michael