:00:08. > :00:12.It's Friday. Coming up: Anita and Robin talk about getting tough with
:00:13. > :00:18.the Argentine tango. I will be chatting to Chelsee and Pasha who
:00:18. > :00:22.are taking on the foxtrot. Have we got a Friday Panel for you! Award-
:00:22. > :00:26.winning actress Tamzin Outhwaite, star of EastEnders June Brown and
:00:26. > :00:36.West End singing sensation, Michael Ball, are all here live. It can
:00:36. > :01:07.
:01:07. > :01:17.Live from Television Centre, this is Strictly: It Takes Two. Here's
:01:17. > :01:23.Zoe! APPLAUSE Hello. Hello, lovely people. Welcome to It Takes Two.
:01:23. > :01:28.It's the night before the big day our nine remaining couples dance.
:01:28. > :01:32.They are putting the finishing touches to their routines. In 24
:01:32. > :01:37.hours 23 minutes and 35 seconds they will be taking to the floor.
:01:37. > :01:41.One couple sure to keep us entertained are Anita and Robin.
:01:41. > :01:47.Despite a couple of glitches on Saturday night, Anita dubbed their
:01:47. > :01:55.Charleston, "light, cute and fun". They will be here in a moment. This
:01:55. > :01:59.is what happened at the weekend. Characterisation perfect. Fun!
:01:59. > :02:03.I see why you are a national treasure. It was beautiful. You
:02:03. > :02:07.have great spirit. You did lose timing on occasions. It was light,
:02:07. > :02:17.cute, fun. I think you are achieving what you set out to do.
:02:17. > :02:19.
:02:19. > :02:24.You are transforming into a dancer. Yes! I love the clothes, I love the
:02:24. > :02:29.dances. I love it! Love it! progress has got better and better
:02:29. > :02:38.every week. You are making me so proud. Oh, thank you. I'm going to
:02:38. > :02:44.get emotional now! Don't make her emotional. Anita and Robin!
:02:44. > :02:50.APPLAUSE Hello, gorgeous. We must mention first, Robin, you have
:02:50. > :02:54.dressed up? Just for you. You look gorgeous. Could it not have been
:02:54. > :03:00.slashed to the waist? You are wearing this for a reason? I have
:03:00. > :03:05.come from a special rehearsal for Children in Need. Zip it! We can't
:03:06. > :03:11.find out. Back to Anita. Well done - sorry. Well done three eights and
:03:12. > :03:16.a seven from Craig. Were you super- thrilled? I was very - I loved the
:03:16. > :03:22.Charleston. I wanted to play that lady in a movie. I adored the whole
:03:22. > :03:30.thing. I loved the dress, the wig. You got to be blonde? I got to be
:03:30. > :03:36.blonde! We have so much fun. Robin, was it tough for Anita to go out on
:03:36. > :03:40.her own? Predominantly, the whole routine was side by side. I had
:03:40. > :03:45.huge faith Anita was going to do me proud. She did. The smile on her
:03:45. > :03:50.face, it was so endearing. I watched it over and over again. It
:03:50. > :03:54.was so good. You are so proud! It is, it is so - it is captivating to
:03:54. > :03:58.watch you. It is so exciting seeing you with all that - you love it?
:03:59. > :04:03.love it to bits! I'm having the time of my life. Did you enjoy
:04:03. > :04:08.playing a flapper? I loved it. It was a blast. I wanted to do it
:04:08. > :04:14.again. I wanted to go back on and do more. You are doing more. Before
:04:14. > :04:18.we talk about that, Alesha did say you are transforming into a dancer.
:04:18. > :04:27.Was that super to hear? The best thing anybody could have said. That
:04:27. > :04:36.is why I am here. It was thriting. We are watching you -- It was
:04:36. > :04:41.thrilling. We are watching you 24/7. We have been studying - we have
:04:41. > :04:46.noticed you are transforming into a dancer. Feast your eyes. This is
:04:46. > :04:50.the dream of my life. I have wondered what it must feel like to
:04:50. > :04:56.be able to dance, dance, dance, dance...
:04:56. > :05:06.# What a feeling # Keep believing... #
:05:06. > :05:13.You are developing into a dancer. There are moments where I look in
:05:13. > :05:22.the mirror and I look like I'm really doing it. I'm fabulous!
:05:22. > :05:26.# You can dance right through your life... #
:05:26. > :05:31.I don't want to stop dancing. All I can think about is the fact that
:05:31. > :05:38.I'm finally learning to dance. # What a feeling! #
:05:38. > :05:46.You are starting us all off! They are both welling up! It is quite
:05:46. > :05:51.emotional. Oh, hankies, please! Pless you. This week, you are doing
:05:51. > :05:57.-- bless you. This week, you are doing - what are you doing this
:05:57. > :06:00.week? The Argentine tango. Do you want a tissue? No, I'm fine.
:06:00. > :06:05.Obviously, a very different feel. No more smiling and jazz hands. It
:06:05. > :06:09.is a whole different look. How is it going? I love it! I love the
:06:09. > :06:15.intensity. It is about me and Robin and I love it. How is the tango
:06:15. > :06:21.face? Yeah, it is coming along. you give us your tango face? Yeah,
:06:22. > :06:27.we will buy that! LAUGHTER Some of the judges have commented on
:06:27. > :06:31.Anita's hold. This is great because you don't need the ballroom hold?
:06:31. > :06:35.The great thing is not only can you stand more upright but the elbows
:06:35. > :06:41.are dropped down. This is the perfect dance for Anita. She loves
:06:41. > :06:45.to drop the elbows! It is perfect. Tell me about your magic shoes?
:06:45. > :06:50.my magic shoes. Robin had the brilliant idea that we should have
:06:50. > :06:55.the heel half an inch less so my red shoes for the Argentine tango
:06:55. > :07:01.arrived and he said, "I can't believe it, it's made such a huge
:07:01. > :07:09.difference to the way you are shoes. Half an inch can make all
:07:09. > :07:12.the difference! Let's hope you can't stop dancing? I can't! Don't
:07:12. > :07:16.stop yet. How competitive is everybody getting? It is getting
:07:16. > :07:20.very emotional and I have been there, I know how it is. You are
:07:21. > :07:23.quite tired but you want to do it. Have you noticed a change in all
:07:23. > :07:28.the celebrities? Somebody did say to me in the corridor the
:07:28. > :07:32.atmosphere is changing, can you feel it? I suppose it is. For me,
:07:32. > :07:38.it's not about a competition. It is about being here and dancing every
:07:38. > :07:43.day. I love it. Every day I dance! You are loving it as well?
:07:43. > :07:48.course. I couldn't ask for a better partner. Stop! Cheque's in the
:07:48. > :07:53.post! It is Wembley next week and that was our first hurdle. If we
:07:53. > :07:57.can make it to there, we will be happy. Is that a scary thought? You
:07:57. > :08:01.are dancing in front of millions of people watching at home. In the
:08:01. > :08:06.studio, you have 300. Wembley 6,000? It is scary, but it is so
:08:06. > :08:12.exciting. I mean, to say you have played Wembley, Brian May eat your
:08:12. > :08:19.heart out! That will show him! Listen, good luck this week. Lovely
:08:19. > :08:22.to see you. I'm so sorry I didn't have time to talk to you. Anita and
:08:22. > :08:30.Robin! APPLAUSE Hang on. I did forget, we always get you a present
:08:30. > :08:36.and this week we forgot, so we got you a sweetie and a banana. Oh!
:08:36. > :08:40.sparkly banana! Say no more! We at It Takes Two love hearing about...
:08:40. > :08:46.Stop it... Your observations about the show. Yesterday, you spotted
:08:46. > :08:52.Russell, he looked remarkably like Penfold and it does seem you have
:08:52. > :08:57.inspired some other lookalikes, this is Points of You. Am I the
:08:57. > :09:02.only one who thinks Audley and Natalie looked just like Beauty and
:09:02. > :09:08.the Beast? Thanks a lot for a wonderful show. Bye. I would like
:09:08. > :09:13.to say Anton looks like Woody from Toy Story. I'm phoning to say that
:09:13. > :09:21.I think that Natalie looks just like Kate Middleton if she had dark
:09:21. > :09:27.hair. She would be the double. Bye. I would like to say that Holly
:09:27. > :09:31.cartwheel was the best cartwheel I have ever seen. Thank you. Bye.
:09:31. > :09:36.Thank you so much. Don't forget, you can call us with your thoughts
:09:36. > :09:44.on the routines, the outfits, the judges, my fringe! Anything that
:09:44. > :09:49.takes your fancy. Call 09011 98 66 22. Calls cost 10p from BT
:09:49. > :09:52.landlines and other networks may vary. Calls from mobile phones will
:09:52. > :09:57.cost considerably more. Now it is the time we have all been waiting
:09:57. > :10:02.for. Let's give a warm welcome to our panel this week. National
:10:02. > :10:12.treasure, June Brown, gorgeous Strictly superfan, Tamzin Outhwaite,
:10:12. > :10:16.
:10:16. > :10:24.and theatre legend, Michael Ball! APPLAUSE Welcome. Hello. What a
:10:24. > :10:29.lovely line-up! Michael Ball. You look like a musketeer! I love
:10:29. > :10:35.it. I'm the only West Ender! What are you thinking of the series so
:10:35. > :10:39.far? It is up there with my favourite. I think great couples,
:10:40. > :10:44.good choice of people doing it, some fabulous music, it looks great.
:10:44. > :10:48.I'm thoroughly enjoying it. You are seeing people develop. Which is
:10:48. > :10:54.what you want. Absolutely. can't tell at the moment. No, there
:10:54. > :11:01.is no clear winner. Which makes it grippinging. June you have danced
:11:01. > :11:05.yourself with Vincent - we remember your tango on the Christmas Special.
:11:05. > :11:10.LAUGHTER You were the oldest dancer to have ever done Strictly and you
:11:10. > :11:16.did it with such class. Does that bring back happy memories? I kept
:11:16. > :11:20.apologising to him for not being Flavia. They are so wonderful.
:11:20. > :11:25.difficult is it stepping out on to the dancefloor? It was all right. I
:11:25. > :11:31.kept saying I can't remember that step. "Oh, you'll do it!" That was
:11:31. > :11:38.that. It is so tricky. Tamzin, as an actress, who do you think is
:11:38. > :11:44.selling it? Oh, not necessarily if best dancers -- the best dancers,
:11:44. > :11:49.but Jason for me, Russell sells everything. He does! I think
:11:49. > :11:52.Chelsee is amazing. I think that Holly is a brilliant dancer, she is
:11:52. > :11:56.quite underrated, I think. She is not getting the marks I expected.
:11:56. > :12:00.That is because she is not selling it like she is going to. She is
:12:00. > :12:04.about to pull it out the bag. an interesting thing. Artem's
:12:04. > :12:06.injured. Let's have a look at them this week. We will start with
:12:06. > :12:13.Robbie and Ola who are doing the American Smooth this week. Here
:12:13. > :12:20.they are in training. Robbie is desperate to get better marks from
:12:20. > :12:25.Craig. What do you think - will he manage to do that this week,
:12:25. > :12:29.Michael? Well, yeah, I think he's getting serious now. He's - I think
:12:29. > :12:33.he took the Mickey out of it to start with. He has got the bug. You
:12:33. > :12:40.are looking at him there. He is doing good lines on that. His arm
:12:40. > :12:44.is going well. She's fabulous. is. I do. You would have to be
:12:44. > :12:52.rubbish not to do well with her. This is what they will be dancing
:12:52. > :12:57.to. A classic oldie, but done by the Pussycat Dolls. Will he be able
:12:57. > :13:04.to dance well to this? Will he get the sway? Yeah, I like his footwork.
:13:04. > :13:11.The top line can be a bit tricky in the sense that - I'm outdoing my
:13:11. > :13:17.husband here! Tom Ellis, he was pretty good. You trained him well!
:13:17. > :13:21.I taught him everything he knows! We knew that! LAUGHTER I think
:13:21. > :13:25.Robbie's got great lines. There is something about his broken wrists
:13:25. > :13:29.that I sometimes - it makes me look at his arms instead of his feet.
:13:29. > :13:33.His top lines are sometimes brilliant, but it is very hit-and-
:13:33. > :13:37.miss. His footwork is much better than I imagined for a footballer.
:13:37. > :13:41.More graceful. I know. One with such a history as well! Work on the
:13:41. > :13:45.broken wrists. Audley and Natalie are doing the cha-cha this week.
:13:45. > :13:52.Audley's been suffering from a bad knee. Natalie in disguise there.
:13:52. > :13:56.She has had a poorly tummy. This is what they are dancing to.
:13:56. > :14:01.# Baby, everything is all right. # A bit of Stevie. Will that suit
:14:01. > :14:06.him? Yes, he has that kind of a rhythm. Really, he's got to get
:14:06. > :14:16.lighter on his feet. He's got to get - translate what is in his head
:14:16. > :14:16.
:14:16. > :14:21.into the whole of his body. June? Swagger. You were licking your lips
:14:21. > :14:26.there! I wasn't. He moves quite well. The technicalities. June, do
:14:26. > :14:30.you think he can get out of the bottom two? What do you think he's
:14:30. > :14:39.been struggling with? I think that he is a big man. He's got these
:14:39. > :14:42.muscles at the top and everything. He should be a bit more like
:14:42. > :14:47.Muhammed Ali - dance like a butterfly and sting like a bee! It
:14:47. > :14:51.is because of the muscles. It must be big on top. Someone says he has
:14:51. > :14:57.size 17 feet. It is like he has a low centre of gravity. Everything
:14:57. > :15:06.is rooted down and needs to be raised up. Yes. I'm lifting up like
:15:06. > :15:10.this! Alex and James, they are doing the jive to this music.
:15:10. > :15:16.# Do I love you... # She did great last week with the
:15:16. > :15:24.quickstep. Into the jive this week. Is it going to work out for her?
:15:24. > :15:28.have always got Jill Halfpenny in my head when we talk about the
:15:28. > :15:32.jive! She is one of the most improved. At the beginning, I
:15:32. > :15:36.thought I was a bit worried about her. She is developing into a
:15:36. > :15:43.dancer like Anita. That can only be a good thing. June, what do you
:15:43. > :15:48.think of Alex? Are you liking Alex? Can you see her getting to Wembley?
:15:48. > :15:54.Not quite sure about that. I must say that I really enjoyed the
:15:54. > :15:58.Charleston last week with Anita and Chelsee. Forget Alex! I would like
:15:58. > :16:04.to talk about Anita! I thought that was brilliant. I have watched
:16:04. > :16:09.Strictly for years. I love it. My mother, I saw my mother dance the
:16:09. > :16:14.Charleston and she was 20 in the '20s, she used to do a lot of the
:16:15. > :16:21.old backflip and she used to walk forward and backward. Nobody does.
:16:21. > :16:25.They did. Well done! APPLAUSE Anita! Thank you for getting that
:16:25. > :16:33.off your chest! Jason and Kristina are doing the Viennese waltz this
:16:33. > :16:41.week. They are dancing to the Goo Goo Dolls. He had a hard time last
:16:41. > :16:50.year? He did. I don't think - I think if his wife came down to see
:16:50. > :16:55.us... I love your showbusiness world! You all hang out... He is
:16:55. > :16:59.living, eating, breathing this. He is loving it. I think he's not had
:16:59. > :17:03.that much dance experience, the shows he's done. He is working so
:17:03. > :17:07.hard at it. What he tries to do - you can see this - he tries to take
:17:08. > :17:11.on the characters and that translates so if he doesn't get the
:17:11. > :17:17.character right, it is not going to work. What character does he need
:17:17. > :17:24.for a Viennese waltz? He needs romance, he needs to go back to the
:17:24. > :17:30.'40s and '50s, those kind of things. Is it hard, June, to act, to be in
:17:30. > :17:33.love with somebody acting if they have stinky breath? That is acting.
:17:33. > :17:43.I once had a chap who didn't look at me. It didn't make any
:17:43. > :17:46.difference to me at all! LAUGHTER I want to hear more! I actual I will
:17:46. > :17:51.have danced Viennese waltzes in Vienna. When you do your ballroom
:17:51. > :17:54.dancing, it is not what I learnt, slow, slow, quick, quick, slow. It
:17:54. > :17:59.is exhibition and it is far more difficult. We can do that fancy
:17:59. > :18:03.stuff, you whirl Round One way and you are whirled around the other!
:18:03. > :18:07.lot of it is about that. It is about looking like you are loving
:18:07. > :18:13.it. We don't get the technique stuff. We are punters. I don't
:18:13. > :18:18.know! Tamzin and Tom Ellis, they know it all! Anita does that, the
:18:18. > :18:22.actors seem to know if their feet aren't been technical, how to sell
:18:22. > :18:30.it. Anita does that all the time. It is what I have done with every
:18:30. > :18:35.show! No-one looks down there! was brilliant when she was up at
:18:35. > :18:40.the top of the steps because it was like she was on stage. As soon as
:18:40. > :18:44.you come down, you are not on stage. You can do it on stage. I learnt to
:18:44. > :18:49.do The Beatles dance on stage. have done it all! We must talk the
:18:49. > :18:55.story of the week. Artem has a back injury and Brendan has stepped in
:18:55. > :19:00.to Holly and they are doing the rumba. Lovely. They are dancing to
:19:00. > :19:05.Will Young, Leave Right Now. How do you think Holly will cope with a
:19:05. > :19:09.new man? She will come into her own. It will be her chance to actually -
:19:09. > :19:13.she will have to raise her game and Holly's much better dancer than
:19:13. > :19:22.people think. It's just she's not as good as the others at selling it.
:19:22. > :19:28.She is very cool. She is laid-back. The two Aussie also be together.
:19:28. > :19:36.is a Kiwi! They are down there anyway! There will be that rapport
:19:36. > :19:41.for that. I think there will be a solidarity. Friday Panel
:19:41. > :19:47.perfection! Tamzin Outhwaite, June Brown and Michael Ball! APPLAUSE
:19:47. > :19:50.Please stay. Up nextly be in the Strictly BBC One studio to catch up
:19:50. > :19:53.with Chelsee and Pasha. Our nine remaining celebrities have reached
:19:53. > :20:00.the half-way point of the competition and no-one wants to go
:20:00. > :20:05.home. I am so happy I have made it half-way through the competition. I
:20:05. > :20:10.never realised I would have so much joy in my life. I want her to keep
:20:10. > :20:15.enjoying it for as long as possible. To reach half-way I feel personally
:20:15. > :20:19.a great sense of achievement and accomplishment. At my age, I should
:20:19. > :20:24.be so lucky! I think we have both really proud at what we have
:20:24. > :20:27.achieved and the fact we have entertained so many people. I am
:20:27. > :20:31.really proud of what Chelsee have achieved because when we just
:20:31. > :20:37.started she had a talent but she barely could move. To make it this
:20:37. > :20:41.far is just an amazing feeling. When I commit to something, I
:20:41. > :20:44.commit to it heart, body and soul. So I'm giving it my all. We have
:20:44. > :20:49.put in the effort. Audley is a great performer. That is what it
:20:49. > :20:53.comes down to. I'm so grateful the public are keeping me on the show.
:20:53. > :20:57.The more you get through, the more you want to keep going. I feel
:20:57. > :21:00.there is a lot more to Holly than what people have seen so far.
:21:00. > :21:03.is more things I want to learn. I'm not finished with this great group
:21:03. > :21:08.of people. I feel a sense of achievement getting this far. There
:21:08. > :21:13.is a long way to go. Right now, I'm focusing on this week. Hopefully,
:21:13. > :21:21.the journey isn't near the end. really want for Harry to perform to
:21:21. > :21:26.the best of his ability and to show the people he can do this thing.
:21:26. > :21:31.What is driving me is that adrenaline on a Saturday night,
:21:31. > :21:35.having finished a routine, having worked hard at it and watching the
:21:35. > :21:41.audience's reaction. He loves the dancing, the process of it, getting
:21:41. > :21:46.through each dance, he absolutely loves it! I want to keep going and
:21:46. > :21:50.going and going. Because when Strictly is gone, part of your life
:21:50. > :21:54.goes. It would be devastating to get knocked out at this stage. We
:21:54. > :21:59.want to get to Wembley. If I got knocked out Saturday, I would cry
:21:59. > :22:03.on the dancefloor! It's a great feeling to get half-way. I'm so
:22:03. > :22:07.proud of Alex. She is the most improved dancer and she deserves it.
:22:07. > :22:17.It is not about winning, it is not about getting to the final, it is
:22:17. > :22:19.
:22:19. > :22:29.about being able to do this every day. Look, we are in time to catch
:22:29. > :22:36.
:22:36. > :22:40.the pros catching their jitterbug Away and down, two, three, four,
:22:40. > :22:50.five, six, seven and one, two, three, four, five, six, seven,
:22:50. > :22:51.
:22:51. > :22:56.eight! Take it back. And to the stage. Guys, get ready. Here we go.
:22:56. > :23:02.Five, six, seven, eight, one, two, three, four, five, six, seven,
:23:02. > :23:11.eight. Stick to the choreography. One, two, three, four, five, six...
:23:11. > :23:17.Guys, it is going to be great. Let's call it a wrap for today!
:23:17. > :23:22.Pasha, thank you. Hi, Vincent. Hi, ladies. Chelsee and Pasha, hi. When
:23:22. > :23:27.you watch them doing that, you see how fast they go? I know. That is
:23:27. > :23:32.how fast you can go? No! Well done on Saturday night. Another great
:23:32. > :23:37.performance. Top of the leaderboard. Did you feel on fire after that?
:23:37. > :23:43.Yeah, we were made up. She wanted to dance it again! No, I wouldn't
:23:43. > :23:46.go that far! As if! Let's do it again! When it goes well, you do
:23:47. > :23:50.feel like you could do it constantly? Yeah, but after the
:23:50. > :23:55.first time because your adrenaline is going and you are like thank God
:23:55. > :24:01.I got through it and it didn't go wrong. Did it feel like it all went
:24:01. > :24:05.according to plan? I think so. Everything worked. We smiled.
:24:05. > :24:08.People clapped. Judges gave good marks. I think everything was right.
:24:08. > :24:17.Craig used the fabulous word. Does that give you a real thrill, a leap
:24:17. > :24:23.of the heart when you hear him say that? It did. I was - I was buzzing.
:24:23. > :24:27.Buzzing?! You have to work on that accent! Did you feel like it was a
:24:27. > :24:32.dance that suited you, the whole character of it, the speed of it?
:24:32. > :24:38.Yeah, it's fast, it is bouncy, it is funky and that's me! I loved
:24:38. > :24:42.doing the dance. I felt right at home. From one extreme to the other,
:24:42. > :24:47.from the very cheeky Charleston to the very fancy footwork of the
:24:47. > :24:53.foxtrot this week. How are you finding that? Erm... I'm finding it
:24:53. > :24:59.not very good! Bless you. I know what you mean. It is quite a tricky
:24:59. > :25:03.dance. Did you snort then?! Sorry. That made me laugh. It is quite
:25:03. > :25:09.tricky, the foxtrot? It is very sophisticated. It is different from
:25:09. > :25:14.the Charleston. It is smooth. It is extended and we have to be very
:25:14. > :25:18.passionate and romantic. Elegant. So it is everything that I'm not!
:25:18. > :25:24.You don't think you are elegant, but when you watch you on the
:25:24. > :25:28.dancefloor, you can do elegant! still can't see it! She likes that
:25:28. > :25:33.stuff but she can. It is more like your character, the kind of funky
:25:33. > :25:37.stuff. I think it should be a really good one for you. Is there
:25:37. > :25:44.extra pressure this week because you were top of the leaderboard
:25:44. > :25:48.last week? Go on, you speak first. We do each week as it comes. We are
:25:48. > :25:54.not going to say we want to be like top of the leaderboard again. We
:25:54. > :26:00.will try our hardest. And hopefully do the dance proud and show me
:26:00. > :26:05.elegant side. Is there anything you have struggled with with foxtrot?
:26:05. > :26:08.All of it! My head. Where does the head have to be? It is stretched
:26:08. > :26:14.and turned out. It is such an unnatural position to be in. That
:26:14. > :26:18.kind of constantly pushed out there. Did you have a fun night out? The
:26:18. > :26:22.Strictly girls went out last night? It was so much fun. It was lovely.
:26:22. > :26:29.It was long overdue. We have been meaning to do it for a long time.
:26:29. > :26:34.It was nice. I know. How is training this week? Artem's injured
:26:34. > :26:40.his back so Brendan has stepped in. I know Audley has hurt his knee. Is
:26:40. > :26:44.everybody all right? Are spirits OK? Yeah. I think it is the middle
:26:45. > :26:51.of the competition and people start feeling pressure on their bodies.
:26:51. > :26:56.It is normal. We are trying to be careful, hydrating, stretching,
:26:56. > :26:59.and... I always have trouble with me feet! You are wearing wellies.
:26:59. > :27:02.Ian spotted you don't train in the training room in your shoes. Have
:27:02. > :27:07.you problem with your feet? shoes have been hurting but I do
:27:07. > :27:13.train in my shoes but they never seem to catch it on camera! We are
:27:13. > :27:18.trying to switch. That is one of the perils of being a dancer,
:27:18. > :27:28.aching bad feet! We are a week away from Wembley. How much do you want
:27:28. > :27:29.
:27:30. > :27:35.to be there? Do it, Pash! Do the excited! I didn't get that dance!
:27:35. > :27:39.Can you get to Wembley? I hope so. We are going to do our best and see
:27:39. > :27:45.where it will take us. I can't wait to watch your foxtrot. Have a
:27:45. > :27:50.fabulous weekend. Thank you, Chelsee and Pasha! APPLAUSE So
:27:50. > :27:56.don't forget the big show, Strictly Come Dancing on tomorrow night at
:27:56. > :27:59.6.55pm and we will be back on BBC2 at 6.30pm on Monday. Now, as you