:00:18. > :00:22.Coming up, Audley and Natalie were KOed. Judd and Aliona will come in
:00:22. > :00:32.for a chat. Plus, after the weekend's squabbles, Craig Revel
:00:32. > :01:00.
:01:00. > :01:10.Horwood is here. This is It Takes Live from Television Centre, this
:01:10. > :01:14.is Strictly It Takes Two. Please welcome your host, it's Zoe Ball!
:01:14. > :01:17.Hello and welcome to It Takes Two. Apologies for that! We had a very
:01:17. > :01:22.passionate stand-off this weekend between Craig and Len. We also had
:01:22. > :01:30.a cheerleading doll. And Russell came out of the closet again. But
:01:30. > :01:33.with only eight couples left, we are finally on the road to Wembley!
:01:33. > :01:36.I've had that all day. Audley and Natalie sadly won't be on the bus
:01:36. > :01:43.after getting knocked out at the weekend. They'll be here in a
:01:43. > :01:48.moment, but first, a quick reminder of the weekend's action.
:01:48. > :01:52.You had the enthusiasm of a manic cheerleader. A lot of mix of style
:01:52. > :01:57.which I thought was fantastic. Great control in all three lifts
:01:57. > :02:07.which was brilliant. Yierbgs you really are a ballroom boy. It was
:02:07. > :02:07.
:02:07. > :02:14.ladden, heavy, laboured. Not your finalest hour. You were back in the
:02:14. > :02:18.zone tonight, Jason. You are starting to tick all of my boxes.
:02:18. > :02:23.Well done. Sexy mama Queen of drama, you can tango. Considering you've
:02:23. > :02:29.had to change partners this week, you have done exceptionally well.
:02:29. > :02:36.am what I am, you are what you are and that was what that was.
:02:36. > :02:41.couple leaving tonight is... Audley and Natalie...
:02:41. > :02:44.Ah, please welcome Audley and Natalie.
:02:45. > :02:48.APPLAUSE Audley, you have managed to survive
:02:49. > :02:54.the bottom two three times, no- one's ever survived four times.
:02:54. > :02:59.Were you expecting it on Sunday or were you surprised? I think to be
:02:59. > :03:03.in the bottom two you get used to it and so it's like you're in the
:03:03. > :03:07.bottom two, but we always found a way to fight out of it. Being in
:03:07. > :03:13.the bottom two against Anita, I was happy to gout really because I
:03:13. > :03:18.didn't want to be the guy to knock out Anita. Were you shocked to see
:03:18. > :03:23.her in the bottom two, that has been the shocker. I was shocked. My
:03:23. > :03:27.advice to Anita is get out there on those social platforms more. Stkpwh
:03:27. > :03:31.yes, campaign. You can't fault her for her dancing but she needs to
:03:31. > :03:36.get out there in terms of the population. She needs to get out
:03:36. > :03:41.there because she's great. Like a political campaign trail, you have
:03:41. > :03:45.got to hold flags and babies. Is it true that you said to her, I think
:03:45. > :03:48.you whispered to her that if she'd gone, you would have stood down?
:03:48. > :03:51.little controversial I know, but I would have pulled out because I
:03:51. > :03:58.think that would have been wrong for her not to go on. I boxed at
:03:58. > :04:04.Wembley six times, I haven't danced at well blue by I have been there
:04:04. > :04:12.and I know how much Anita and Robbie feel, it's a whole new lease
:04:12. > :04:16.of life -- Wembley. We were going to go at some point. Every Saturday
:04:16. > :04:21.we've gone out there, a big thank you to Natalie because you took me
:04:21. > :04:24.from where I was at the bottom and taught me how to do it. So thank
:04:24. > :04:30.you. Thank you. It's the last time they're going to sit on the sofa
:04:30. > :04:37.together which is really sad. really brought me through, ever
:04:37. > :04:40.definitely with the ballroom. Spatula fingers and the feet were
:04:40. > :04:45.improving. How much do you think Audley has improved? Hugely. We had
:04:45. > :04:48.one week to get it all together in the beginning and it took five
:04:48. > :04:55.weeks for us to find out how each other works and that's difficult
:04:55. > :04:59.throughout the competition. Most people get that and it was very
:04:59. > :05:03.interesting times and we did well. I think you improved out of sight.
:05:03. > :05:08.You definitely are a ballroom boy and you are beautiful to dance with.
:05:08. > :05:12.You are always a lot of fun, we had great times in rehearsal. All the
:05:12. > :05:16.fans love your smile. It melts everyone. Audley's smile, we are
:05:16. > :05:19.going to miss that. What will you take away from your experience and
:05:19. > :05:22.the competition? So many things, the opportunity to dance on
:05:22. > :05:26.Saturday night, to perform, to struggle through all the ups and
:05:26. > :05:32.downs of the week and to go out there on Saturday night, put on
:05:32. > :05:37.your big sequins, dress up and the warts... You like your sequins,
:05:37. > :05:42.don't you?! Yes, the opportunity to dance on a Saturday night and to be
:05:42. > :05:45.judged by everyone and to be judge sod fairly and thank you to the
:05:45. > :05:51.public, it warmed my heart. It's been great. All positive, no
:05:51. > :05:57.negatives and I go home with a happy heart and heavy heart. Happy
:05:57. > :06:06.sad. Will you keep on dancing? want to be dancing in that ring
:06:06. > :06:12.because I'm going back to boxing next year and I'm coming out to (
:06:12. > :06:22.hums Strictly theme tune) That's what I want to come back to.
:06:22. > :06:27.
:06:27. > :06:32.Best exit music ever as well. Rockies, great song. Who do you
:06:32. > :06:38.want to see win this, do you think? You have made so many mates?
:06:38. > :06:43.Everyone is doing great. From every week now on, everything is going to
:06:43. > :06:48.be a shock. My personal favourite, Chelsee, I would like her to win
:06:48. > :06:53.because she's improved so much and she's a real contender. Harry and
:06:53. > :07:01.Jason and Holly are looking great. Chelsee's right by them. Come on
:07:01. > :07:05.girl. The Fab Four, yes. And Grant. All of them are great, let's be
:07:05. > :07:10.honest. Everyone's deserving of the number one spot, everyone. Everyone
:07:10. > :07:15.is great, but I think Chelsee's my little dark horse. We've loch loved
:07:15. > :07:21.having you here. Here is your Strictly story. You will be spaing
:07:21. > :07:26.with Natalie Lowe. I have finally stepped foot in the studio with
:07:26. > :07:30.Audley Harrison. Come on Audley, come on now. We have three days of
:07:30. > :07:36.rehearsal compared to everyone else's three weeks. Time to rumble
:07:36. > :07:42.and get serious. Irbgs the standing spin was flat-footed. As you walk
:07:42. > :07:45.by, punch Craig will you. I'm going to knuckle down this week and use
:07:45. > :07:50.it as motivation. Craig Revel Horwood, you are going to be
:07:50. > :07:58.surprised this week, don't worry. The energy was great and it's good
:07:58. > :08:02.to see you let it all go! Dancing again next Saturday are... Audley
:08:02. > :08:07.and Natalie. This week, we do not want to be in the bottom two. No
:08:07. > :08:14.pain, no gain. Suck it up. We could be absolutely brilliant. You are a
:08:14. > :08:17.good teacher and I'm a good student. Nobody puts Audley in the corner.
:08:17. > :08:24.From the waist up, you are joyful and full of verve. It's from the
:08:24. > :08:29.waist down we've got to just get a little bit better. This week I am
:08:29. > :08:34.doing foxtrot. Turn, turn, you are not a boxer now, a dancer. I've got
:08:35. > :08:39.this footwork now. Got it. Audley, I'm sitting here giving you a
:08:39. > :08:46.standing ovation, well done. hear the judges' comments, positive
:08:46. > :08:56.and uplifting, really touched me. Oh, my God, Michael Jackson, woo.
:08:56. > :08:57.
:08:58. > :09:06.Funky, happening. Oo, I like this. Completely and utterly totally
:09:06. > :09:10.unphysically suit totd this dance. Craig, it's either going to be the
:09:10. > :09:14.broomstick or my fist but something's going to go bump in the
:09:14. > :09:18.night tonight. He's stronger at ballroom. I want to act the dance
:09:18. > :09:23.and dance the dance. You should be proud, a very good job. I didn't
:09:23. > :09:29.know you could be so delicate. You treated her like a prin sense, like
:09:29. > :09:36.a precious china doll. The cha-cha- cha is that lacking in flavour,
:09:36. > :09:42.this is where I need to go to it. From the T-O-P, got to go twice,
:09:42. > :09:46.sounds so nice... Yeah. It wasn't your best dance, but you did your
:09:46. > :09:53.best. I just don't think Latin or this particular dance suited you.
:09:53. > :09:58.The couple leaving tonight is... Audley and Natalie.
:09:58. > :10:01.Natalie Lowe, thank you from taking me from week one all the way to
:10:01. > :10:04.week seven because I couldn't have done it without you. It's been a
:10:04. > :10:07.great experience. It's been an absolute pleasure. We have had some
:10:08. > :10:15.great times in training. You are amazing, you havement braced the
:10:15. > :10:20.Strictly experience and I thank you for that. All the best. Mwah.
:10:20. > :10:25.does get really emotional. You have been an absolute pleasure to watch
:10:25. > :10:32.both of you well done. We are going to miss you. Audley and Natalie!
:10:32. > :10:37.Don't start me off! In a meement, Craig - your best mate - will be
:10:37. > :10:43.here to discuss the weekend's dances and dramas. But here is what
:10:43. > :10:49.you made of it all: Craig and Len have been really grumpy tonight. I
:10:49. > :10:52.don't know if they've taken grumpy pills. Bye! Len's being a bit rude
:10:52. > :10:56.to the first two dancers and also Harry, he said it was passionate
:10:56. > :11:00.when I thought it was the most passionate dance I'd ever seen. I
:11:00. > :11:09.agree with Alesha and I think he's got a bit of jet lag from America.
:11:09. > :11:14.Hope you buck up your ideas, Len, I love you, bye! Artem is indisposed
:11:14. > :11:18.and has a bad back. I can sympathise because I have had a bad
:11:18. > :11:22.back. I hope he gets well soon. would love to see Jason lose his
:11:22. > :11:26.body hair. That's putting me off the guy. Flavia's got to be given
:11:26. > :11:33.so much credit for what she's doing with Russell Grant and we are
:11:33. > :11:36.loving everything she does. Thank you Charlie and Ruby, Evelyn,
:11:36. > :11:46.Sue and Vicky for your messages. What do you think of the dances and
:11:46. > :11:51.
:11:51. > :12:00.judges? We'd like to hear your It's time to welcome the man who
:12:00. > :12:08.can lay claim to the invention of the term "armography.". Give a
:12:08. > :12:14.welcome hand to Craig Revel Horwood. APPLAUSE
:12:14. > :12:20.Darling. Hey, first of all check out the heels on those boots. Look
:12:21. > :12:26.at you. Man heels, darling. Is that what they call them?! It is! What
:12:26. > :12:31.was us like having your dear friend Len back next to you at the weekend
:12:31. > :12:36.loving Charlie's message about the grumpy pills. Rather ugly I thought
:12:36. > :12:41.actually. I much preferred when I was head judge. Anyway, one has to
:12:41. > :12:45.succumb to the pressure. You are so good to us. We had some high
:12:45. > :12:49.scoring dances on Saturday, very exciting. Two 10s for Harry. How do
:12:49. > :12:55.you think the couples have raised the game, taken it up a notch and
:12:55. > :12:59.other Clics? They really, really have -- cliches. They've obviously
:12:59. > :13:02.been putting in a lot of hard, heavy work to achieve these scores.
:13:02. > :13:06.Technically, they're doing much, much better as well. You have to
:13:06. > :13:10.remember, it changes from week-to- week and it depends what dance you
:13:10. > :13:14.get, Latin or ballroom, some are good at some, some are good at
:13:14. > :13:20.others. Chelsee has the advantage of being good at both. Clever girl!
:13:21. > :13:25.We'll talk about her in a moment. Harry and Aliona, top score, top of
:13:25. > :13:29.the leaderboard. You said it had authority, the Argentine tango, you
:13:29. > :13:33.said it was filth and you loved it and you disagreed with Len over the
:13:33. > :13:39.passion. He said it was passionless, what do you think he couldn't see
:13:39. > :13:45.that you saw? Passion. In a word. I mean, I really don't know what Len
:13:46. > :13:50.was watching because, for me, Harry was playing that role brilliantly.
:13:50. > :13:54.It was full of intent, full of purpose, it had passion and a
:13:54. > :14:01.considerable amount of it, so I really don't know what Len was
:14:01. > :14:06.looking for, you know. Right. seeing it in droves. Why no 10 from
:14:06. > :14:11.you? What more did he need there for you to give that a 10? Well,
:14:11. > :14:16.particularly this particular dance, he needs to lead with his solar
:14:16. > :14:24.pleck suss and instigate every single move that the woman makes --
:14:24. > :14:28.plexus and that takes years. It's leading with your chest, your solar
:14:29. > :14:35.plexus. Thanks for explaining that, I was pretending I knew. You were
:14:35. > :14:41.looking a little blank. Phew, lost her again, yes! Loosen up the kicks
:14:41. > :14:51.and flicks, the gaun Cho stuff. That would have been worth an extra
:14:51. > :14:52.
:14:52. > :14:55.point -- gancho. You say Jason's arms are letting him down? He's
:14:55. > :15:00.moving his arm. I'll let you watch that for a moment, but he's moving
:15:00. > :15:03.his arms like a wooden block. He was thinking he was doing the
:15:03. > :15:09.shoulder, the elbow, the wrist through to the fingers. He thought
:15:09. > :15:14.he was doing that, but actually, he wasn't, he was sort of planking it
:15:14. > :15:24.up and down like that, you know, rather than through the movement,
:15:24. > :15:29.darling. It's all very wooden. right. Do you think apart from that
:15:29. > :15:33.it was good? Yes, I thought he was great, fantastic. He's so motivated.
:15:33. > :15:38.That's what I adore about him. You know, and he works, he probably
:15:38. > :15:43.works the hardest out of anybody and he's probably got the least
:15:43. > :15:46.natural talent out of the entire company. Right. But what's
:15:46. > :15:52.extraordinary... When you are talking about natural talent, you
:15:52. > :15:57.are talking dancing wise? Yes. Not his whole career, darling, no, just
:15:57. > :16:03.the dance. I was wondering. You are either dance savvy or you are not.
:16:03. > :16:07.Some people are naturally gifted, you know, like for instance Chelsee
:16:07. > :16:10.is. But Jason has to work really hard to achieve it and he does,
:16:10. > :16:15.he's solid and solid and will do it over and over. Once he gets the
:16:15. > :16:18.arms, he'll be there and he'll never forget them. Stkpwh Anita and
:16:18. > :16:23.Robin and their Argentine tango. Another amazing performance and a
:16:23. > :16:28.great score. You said she needs more cross and throw away to every
:16:28. > :16:34.gancho? Yes. See, that's a little bit pathetic because it needs to go
:16:34. > :16:39.a little bit further. The cross is that. Check this out.
:16:39. > :16:43.Sorry. She just sort of goes to there and leaves it up. It should
:16:43. > :16:48.just whack up and shouldn't be controlled at all. This bit is
:16:48. > :16:52.controlled but a it's just like the leg being pushed up. Now we know
:16:52. > :16:55.what he's talking about. That's a cross and a throw away.
:16:55. > :16:59.surprised were you, because I do think it's been the shocker of the
:16:59. > :17:02.series so far that Anita and Robin after the great scores were in the
:17:02. > :17:09.bottom two? Yes, it is, but someone's got to end up there and I
:17:09. > :17:14.sort of thought actually, due to the performance, you know, she sort
:17:14. > :17:19.of did belong there really in an odd way. I mean, I think people are
:17:19. > :17:22.voting for the Grant, as you all put it, because of the
:17:22. > :17:26.entertainment value and they look forward to seeing him every week
:17:26. > :17:32.and what he's going to come up with next, you know, he'll be on roller
:17:32. > :17:37.skates I suppose next week. Please, we've never had them yet!
:17:37. > :17:42.Producers! Insurance! Alex and James and their jive. You said no
:17:42. > :17:47.real accuracy or precision in steps for Alex. What did she have to do?
:17:47. > :17:53.If she had have just either chose one thing, either point the foot or
:17:53. > :17:57.flex it, but make sure it's one or the other. If it's dangling
:17:57. > :18:03.somewhere in-between, it doesn't look pretty. If she's just more
:18:03. > :18:07.precise and directional with the kicks, they would have gone wow,
:18:07. > :18:12.that's amazing. That's a jive kick. Looking a little sloppy. I think
:18:12. > :18:17.she did a great job, a fantastic job, a huge amount of content and
:18:17. > :18:24.steps, but it wasn't precise. we want more precision! Absolutely.
:18:24. > :18:28.Chelsee and Pasha, what a gem she is and an amazing foxtrot. What
:18:28. > :18:31.causes the hopping? She lost her centre. You can be thrown off
:18:31. > :18:36.balance and lose your centre core with is your centre and that very
:18:36. > :18:40.much keeps you on centre as the boy takes you around. I could
:18:40. > :18:46.understand it if it was a celebrity man with a professional woman, do
:18:46. > :18:49.you see what I'm saying, but Pasha should have been able to keep her
:18:50. > :18:55.on centre but she was way off and that's why she had to hop around.
:18:55. > :19:02.Orother than that... Ticking all my boxes, fabulous, loved it and then
:19:02. > :19:07.I went "ewwww". Russell and plaf ya and their American smooth. --
:19:07. > :19:11.Flavia. You said astonishing last week, but this week? I don't want
:19:12. > :19:16.to get too technical because I won't know where to stop. I was
:19:16. > :19:21.thinking about this last section, the leap section West Side Story in
:19:21. > :19:26.gold sequins that was. Very, very odd, but, you know, I like him, but
:19:26. > :19:30.I can't mark him just for the entertainment. OK. I would probably
:19:30. > :19:34.give him an extra one for entertainment. I'm looking for a
:19:34. > :19:39.little more content. But he is a good dancer, he can actually dance.
:19:39. > :19:43.Yes, he is. But it's weighing up the odds, isn't it, you know.
:19:43. > :19:47.You've got to be political on this show to canvas for the votes, you
:19:47. > :19:52.know, and he's begging people, as you can see, by the amount of high
:19:52. > :19:59.jumping he does on the stair case darling when he gets through.
:19:59. > :20:03.their way to Wembley this week! We can't wait for your post-Wembley
:20:03. > :20:07.match chat next week. Craig Revel Horwood. Thank you!
:20:07. > :20:12.As our couples prepare to rack up some of their highest scores to
:20:12. > :20:21.date at the weekend, we had our cameras backstage to capture all
:20:21. > :20:24.the action. Morning. Really want to get through
:20:24. > :20:29.this week because next week is Wembley, it's very exciting. It's
:20:29. > :20:34.frightening, the thought that getting to Wembley, but also
:20:34. > :20:41.exhilarating and fabulous. I'm contkpuezed. It's going to be all
:20:41. > :20:47.right on the night. Keep calm and carry on. -- confused. It's
:20:48. > :20:57.marvellous being back. Bizarrely, I missed being from last week.
:20:58. > :21:34.
:21:34. > :21:37.Doesn't look like this really.... Don't Get That. It's A Different
:21:37. > :21:40.Dance, We Are Getting Ready For Next Week. Get well soon Artem, but
:21:40. > :21:42.for now, I'm going to have a good time. Bit Nervous Tonight. I've Got
:21:42. > :21:45.Two Of Them To Let Down Now, The Pressure's On. Watch Out West End,
:21:45. > :21:55.Here Comes The Russell Grant Show Coming To A Theatre Near You!
:21:55. > :22:02.We are doing a cover for the Radio Times, just the Welsh ones. Our
:22:02. > :22:12.work here is done. But our new work begins. Shimmy away there. Come on.
:22:12. > :22:15.
:22:15. > :22:24.I'm going this way! Good luck Robbie, you can do it! I just love
:22:24. > :22:29.Brendan. Marry me! Harry, keep wrigen that bum! -- wriggling that
:22:29. > :22:33.bum. Good luck, Jason. Thank you, guys. Made our dream come true
:22:33. > :22:41.tonight. Strictly! Five, circumstances seven, eight...
:22:41. > :22:47.calm before the storm because the show is going to start soon.
:22:47. > :22:56.minutes and we'll head through fleez, folks. -- please, folks.
:22:56. > :22:59.mum's in the front row. There's my girlfriend, there's my mum. I can't
:22:59. > :23:05.believe somebody's actually not going to be at Wembley. I haven't a
:23:05. > :23:12.clue who that is going to be. Fingers crossed, we'll do our very
:23:12. > :23:19.best. Hello... This is remembrance weekend and
:23:19. > :23:25.I've got a feeling it's going to be a Strictly to remember!
:23:25. > :23:30.At last, top of the leaderboard, welcome Harry and Aliona!
:23:30. > :23:36.Not bad, not bad at all. Look at that. Two 10s, a stand ogvaition.
:23:36. > :23:41.How good did you feel on Saturday night, Harry Judd -- ovation.
:23:41. > :23:46.good. Overexcited I think. Really? Yes. That is allowed though after
:23:46. > :23:51.all that. Aliona, how gorgeous did you look. Harry didn't look so bad
:23:51. > :23:57.but you did look so seriously hot. What did you make of Craig and
:23:57. > :24:07.Len's little spat over passion or no passion? It was really funny to
:24:07. > :24:10.watch. Very entertaining. I don't know, I loved that part. Craig just
:24:10. > :24:20.talking about he wasn't sure what Len couldn't see there. Despite the
:24:20. > :24:23.
:24:23. > :24:27.argument, you scored 37, which beats the last one.
:24:27. > :24:32.Matt Baker, you beat him. He's on his rickshaw at the moment. Do you
:24:32. > :24:40.think Harry is a finalist. ? I definitely think he's a
:24:40. > :24:44.contender. He has all the pen rblg to be in that final, of course.
:24:44. > :24:48.Holding her cards close to her chest there, it's safe to say. You
:24:48. > :24:54.had quite a crew in the audience. Your mum was there, your girlfriend
:24:54. > :24:59.was there, your lovely, beautiful girlfriend. My mum. Danny. Look.
:24:59. > :25:04.And the band. Obviously not Danny because he's in the jungle. What
:25:04. > :25:09.did they think of Dinkie's performance? Thank you for that!
:25:09. > :25:13.They loved it. I was worried. It was the first time my mum came and
:25:13. > :25:17.I thought I would better pull one out the bag and I thought if I
:25:17. > :25:20.don't it will be because she came. Thankfully I think it was the best
:25:20. > :25:24.performance so far. She was very proud and it was a great night and
:25:24. > :25:27.we had the day together on the Sunday. Is it difficult being that
:25:27. > :25:31.passionate and intense in front of your mum when your mum is sat
:25:31. > :25:35.there? I think when you are there, you just have to give it your all
:25:35. > :25:40.and fear nothing really because if you do, that comes across very
:25:40. > :25:45.easily which I've learned, so you have to try and get into the...
:25:45. > :25:50.Into the zone. Yes, definitely. Aliona compared you to a sloth a
:25:50. > :25:57.few weeks ago. The sloth community have got in touch with the show and
:25:57. > :26:00.their spokesman had something to say about your dancing. Sorry, mate,
:26:00. > :26:03.didn't realise we were rolling. Whoops. I've been hanging around
:26:03. > :26:07.all weekend waiting to do this. Do you know what, you weren't that bad
:26:07. > :26:11.actually. Look, Len, I'm from the South American jungle. I know
:26:11. > :26:16.what's hot and steamy, and let me tell you, mate, that lad nailed it.
:26:16. > :26:21.All I can say is that routine was like a juicy Argentine steak. Meaty
:26:21. > :26:30.and well done. Probably time for a little kip now, but from one sloth
:26:30. > :26:35.to another, well done Harry and keep dancing! Quite special. Thank
:26:35. > :26:40.you to Johnny Curtis, like a modern day Johnny Morris. Were you more
:26:40. > :26:45.relaxed last week, did that help? don't think you were not relaxed.
:26:45. > :26:49.So chilled as always. He was really into it. I think it really matched
:26:49. > :26:54.his personality, this dance, and that's why he could go for it more.
:26:54. > :26:57.So this week you've got the salsa. Are you worried about encountering
:26:57. > :27:05.similar problems you did with the Samba? You've had a bit of practise
:27:05. > :27:10.today, how is it looking so far? Really good. Sounded surprised.
:27:10. > :27:14.Because we've done Samba, it's somewhat similar so he's doing much
:27:14. > :27:18.better with salsa. Being prepared, you know, with Samba now. Anything
:27:18. > :27:25.in particular he needs to work on this week? Everything. Well,
:27:25. > :27:29.everything as usual, but... I was joking... To let go more, a bit
:27:29. > :27:39.more body action. I try to let it go. So it's better than Samba and I
:27:39. > :27:40.
:27:40. > :27:44.think it will be. It's coming out. Wembley! We can't help ourselves.
:27:44. > :27:47.You've played there obviously in your band McFly. How different will
:27:47. > :27:50.the pressure be dancing there, do you think? I think it will be
:27:50. > :27:53.completely different. It's in the middle, you are in the middle of
:27:54. > :27:58.the arena as well, you know, not just at the back overlooking
:27:58. > :28:04.everyone on the stage, you are in the middle. 6,000 people? 6,000
:28:04. > :28:09.people, yes. It will p intense - - p intense. I've got to go for it.
:28:09. > :28:13.I'll only do it once so have some fun as well. Are you putting in any
:28:13. > :28:16.secret little tricks to entertain the roud? Of course, it's 6,000
:28:16. > :28:21.people in the audience, yes -- the crowd. She's very brave. We
:28:21. > :28:27.practise these lifts and things and she just chucks herself on me and
:28:27. > :28:32.expects me to know to catch her. She's like just flip me. No crash
:28:32. > :28:37.mats involved? No. Good luck, we can't wait to see you, if it's
:28:37. > :28:40.anything like Saturday, you are going to fly. Well done, Harry and
:28:40. > :28:45.Aliona. Wembley! That's all for tonight. Thanks to all my guests
:28:45. > :28:51.and make sure you join me tomorrow at 6.30 when I'll chat to Anita and