:00:10. > :00:13.It's Wednesday. Coming up on tonight's show - Holly and Brendan
:00:13. > :00:16.did Artem proud on Saturday night. All three of them are here with the
:00:16. > :00:19.latest news. I'll be chatting to Russell and Flavia, who blinded us
:00:19. > :00:29.with their sparkly American Smooth. And, Ian Waite gives us his dancing
:00:29. > :01:04.
:01:04. > :01:07.dos and don'ts in Waite's Wembley from Television Centre, this is
:01:08. > :01:11.Strictly Come Dancing: It Takes Two. Please welcome your host, it's Zoe
:01:11. > :01:14.Ball. APPLAUSE
:01:14. > :01:18.Hello and welcome to It Takes Two. It's the Wednesday before Wembley
:01:18. > :01:20.and Strictly has upped the stakes. The stage will be bigger, the
:01:20. > :01:26.audience will be raucous and the routines will be more spectacular
:01:26. > :01:29.than ever before. I cannot wait. Last Saturday night Holly and Artem
:01:29. > :01:33.became Holly and Brendan as they tackled the dance of love, and
:01:33. > :01:43.scored. I'll be talking to all three of them in just a second, but
:01:43. > :01:46.
:01:46. > :01:54.first let's take a look at what happened. I thought we got rid of
:01:54. > :01:58.you, Brendan! I'm loving this new partnership. All the basic steps
:01:58. > :02:03.were there with ease. I think there is so much more to come. I look
:02:03. > :02:13.forward to seeing it. You are beautiful. Your body is so sensious.
:02:13. > :02:14.
:02:14. > :02:19.This routine was very, very good. Well done, you. Thank you so much.
:02:19. > :02:22.Good job. He's been amazing. biggest problem this girl faces is
:02:22. > :02:27.she doesn't quite believe in herself enough and that's one big
:02:27. > :02:35.crime. It's true. It was an incredible week. Tricky dance. This
:02:35. > :02:40.guy saved the day and made it the most wonderful experience. Please
:02:40. > :02:44.welcome Holly, Brendan and Artem. APPLAUSE
:02:44. > :02:49.Lovely little three-some you make there. First, Artem, how proud were
:02:49. > :02:52.you of these two on Saturday? proud. They did the routine well
:02:52. > :02:58.and got high scores. Very, very proud. Amazing. Was there a little
:02:58. > :03:03.bit of you hurting, having to watch them dance it together? Was I
:03:03. > :03:07.hurting? Physically? Yeah. Yes, I was. For more reasons than one.
:03:07. > :03:11.Holly, how did it feel walking down the stairs with another man?
:03:12. > :03:14.felt like I was cheating on my husband! No, obviously it's a
:03:14. > :03:17.little strange after seven weeks, but we had a great week together.
:03:17. > :03:20.We have been mates from the beginning, so we tried to work on
:03:20. > :03:24.making it look as seamless as possible and that he had been
:03:24. > :03:28.around forever. Well done on that. I thought you did well on that.
:03:28. > :03:33.Extra pressure for you, Brendan, because not only did you have to
:03:33. > :03:38.get it right, you also had that hanging over you of what if you had
:03:38. > :03:43.gone out that week? It's probably the most pressure I've ever felt on
:03:43. > :03:45.Strictly and I don't suffer from nerves a lot, so I had this
:03:46. > :03:49.overwhelming feeling of nerves, thinking, do not ruin this, because
:03:49. > :03:53.you could be going home. Sending them both home. It would have been
:03:53. > :03:57.two weeks running which is not good for anyone. That has never happened
:03:57. > :04:03.to anyone. That would have been embarrassing, frankly. Holly, how
:04:03. > :04:07.good was it to hear the words "You are safe."? Such a big relief,
:04:07. > :04:11.because I felt the same. I would have felt so guilty and this thing
:04:11. > :04:15.ha happened it was difficult and tricky and no-one chose it and we
:04:16. > :04:20.got on with it, but if we can gone out I would have felt guilty.
:04:20. > :04:25.Luckily, you are all still here. The interesting thing is, you are
:04:25. > :04:35.all training together, but Holly, it would appear that you are the
:04:35. > :04:35.
:04:35. > :04:39.gooseberry in the training room. Check this out.
:04:39. > :04:42.# I want to dance with somebody # I want to feel the heat with
:04:42. > :04:52.somebody # Yeah, I want to dance with
:04:52. > :05:08.
:05:08. > :05:18.somebody LAUGHTER
:05:18. > :05:20.
:05:20. > :05:24.APPLAUSE Team Bratem. This is unfair
:05:24. > :05:27.behaviour. We were not warned about this. It's a little true. They
:05:27. > :05:33.speak the same language and I'm often off at the side trying to
:05:33. > :05:37.work out what is going on. It's amazing to have two professionals,
:05:37. > :05:43.but they often go off and do their thing and I nod and pretend. Yeah,
:05:43. > :05:48.yeah. I have never felt so much embarrassment on a live television
:05:48. > :05:53.show before. This is an all-time high. We are quite proud. Artem,
:05:53. > :05:56.back to you. Now, what is the very latest on your back situation?
:05:56. > :06:00.Definitely got better from last time I was here. I'm going to the
:06:00. > :06:05.doctor right after here to find out the verdict if I'm dancing or not.
:06:05. > :06:12.Are you all going to hospital together? I'm going to put a few
:06:12. > :06:16.banana skins along the way. When will you make the final decision
:06:16. > :06:21.about Saturday night for Wembley? I'm not sure. Maybe tomorrow. Or
:06:21. > :06:23.Friday. You never know. It depends on what the doctor says. Good luck
:06:23. > :06:28.there. We'll talk about what you are doing this week. You are
:06:28. > :06:32.dancing the quickstep. How is it going? It's quick. It's properly
:06:32. > :06:37.difficult. I always thought I was a bit better at at faster routines
:06:37. > :06:43.than the slow and up until today I've been really struggling.
:06:43. > :06:53.They've been very patient with me. Has she been struggling? Very.
:06:53. > :06:54.
:06:54. > :06:58.is what you are dancing to. Valerie. Amy Winehouse version here. A
:06:58. > :07:02.slight little thing with the best of British I've been told. The
:07:02. > :07:11.judges seem to think that you still have loads to give. Is Wembley the
:07:11. > :07:16.week to give? Are you holding back on us? I'm hoping to give it.
:07:16. > :07:20.Underlined three times?! When I've got a fast song and one I love and
:07:20. > :07:24.a really great routine and then I can get into it more. The jive was
:07:24. > :07:29.the best dance for me and this is not dissimilar this week, so I'm
:07:29. > :07:33.hoping it will be pretty mega. We are using such a big stage to do it.
:07:33. > :07:37.There is an extra dynamic, the massive stage, that none of us are
:07:37. > :07:43.prepared for. It will be a massive challenge. The floor is about four
:07:43. > :07:48.times the size? More. It's huge. What other things will she need to
:07:48. > :07:52.do differently on Saturday night in front of 6,000 people? Be good.
:07:52. > :07:58.have been good. You've been amazing. Is there anything particular that
:07:58. > :08:01.she needs to work on? The big thing is the confidence. She doesn't
:08:01. > :08:04.believe in herself enough and she as got the talent and ability and
:08:05. > :08:09.now you have to put it in here and go out and show the world that you
:08:09. > :08:14.are so good at this. Maybe if you stopped tarting around together and
:08:14. > :08:19.gave her more attention. We are showing her. I'm so embarrassed,
:08:19. > :08:22.Artem. Whoever gets to dance on Saturday at Wembley, good luck and
:08:22. > :08:28.keep us posted, Artem. Good luck at the doctors.
:08:28. > :08:33.APPLAUSE Artem, will you ring us on tomorrow
:08:33. > :08:37.night's show and let us know what is happening? Absolutely. Promise.
:08:37. > :08:42.You've heard of the phrase a wolf in sheep's clothing. How about a
:08:42. > :08:52.dancer in wolf's clothing? See if you can guess who this is dancing
:08:52. > :09:09.
:09:09. > :09:13.# Who's afraid of the big, bad wolf?... # My, my, what big paws
:09:13. > :09:16.you have. We will reveal who that is dancing at the end of the show.
:09:16. > :09:21.It's time now to find out how our eight remaining couples are getting
:09:21. > :09:31.on in training and who better to give us some pre-match analysis
:09:31. > :09:33.
:09:33. > :09:43.than our very own dance pundit, Ian Waite. Please welcome the man with
:09:43. > :09:43.
:09:43. > :09:48.the magic machine, Mr Ian Waite. I like that. Warm-up. We should
:09:48. > :09:54.stretch. Yes. Thank you very much for that! Now, it's a huge weekend.
:09:54. > :10:00.They are all on their way to Wembley. Yeah. Where were you? Come
:10:00. > :10:05.on, keep it up. What do the couples need to do at the weekend to
:10:05. > :10:12.transfer their amazing routines to the huge scale of Wembley?
:10:12. > :10:15.danced there on the tour. You know, we have to dance bigger. We are
:10:15. > :10:20.quite tall, but the little ones especially, but gorgeous little
:10:20. > :10:25.ones, are going to have to dance very big, up there out to the Gods.
:10:25. > :10:28.They are going to have to make it show. You and I on the floor two
:10:28. > :10:33.steps we are across. Russell and Flavia, a little more space. It is
:10:33. > :10:38.huge that floor. It is. At the same time, they have to remember that
:10:38. > :10:42.you guys, the guys at home, will be seeing the cameras, so they'll see
:10:42. > :10:46.the facial expressions and all the techniques, so they've got to be
:10:46. > :10:53.thinking about the technique also. The technical detail and the judges
:10:53. > :10:55.will be watching all the time. We'll look at Anita and Robin. They
:10:55. > :10:59.were in the bottom two at the weekend. I'm sure they don't want
:10:59. > :11:02.to be there. How is it the samba looking? At the moment they are
:11:02. > :11:08.just kind of walking through the steps at the moment and not really
:11:08. > :11:13.doing the technique. They are very nice, but if you look at this
:11:13. > :11:21.action, if we stop is here, what I would like to see more and what she
:11:21. > :11:31.can do next to develop, is to get more bounce. You stand here. We are
:11:31. > :11:32.
:11:32. > :11:39.going and one, two, three and four. One, two, three, four. There you go.
:11:39. > :11:44.Stop, stop, stop! We are going into it now. Also, she is wearing her
:11:44. > :11:48.lucky red shoes. Good. Fingers crossed. I think it will be good.
:11:48. > :11:53.She needs to work on the technique. With the shock of the bottom two,
:11:53. > :11:58.anyone who loves her will vote this weekend. Robbie, we'll talk about
:11:58. > :12:02.him. He's going back to Latin this week. Can he pull off the salsa?
:12:02. > :12:07.Well, it's a very fast dance and I was thinking maybe Robbie would
:12:07. > :12:14.struggle, but it's looking great. Very fast moves and look at this.
:12:14. > :12:20.Around the neck. She is like a Bond girl. That is very spectacular and
:12:20. > :12:24.groud pleasing. -- crowd pleasing. I wanted to highlight this area,
:12:24. > :12:30.because I felt that everything was right, just he needs to work on the
:12:30. > :12:34.finesse of his steps. They need to be a little more fluid and softer.
:12:34. > :12:38.He's so good. He's a little flat- footed, and he needs to use the
:12:38. > :12:44.feet more and get into the salsa rhythm. I would like to see more
:12:44. > :12:48.body action too. I think the flow would - the salsa needs to be fluid.
:12:48. > :12:53.Robbie wasn't feeling well and he went home early, so get well soon,
:12:53. > :12:58.darling. Hope you are well again tomorrow. Alex and James have had
:12:58. > :13:02.three great weeks in a row. Can they make it a fourth? It is
:13:02. > :13:06.looking extremely good. It's looking fast. It's looking compact.
:13:06. > :13:09.Everything you want to see in a tango. It's looking very good. They
:13:09. > :13:14.are doing pivots here. Then they are going to do a standing spin.
:13:14. > :13:19.Then what I would like to show you, I would stop it here in the
:13:19. > :13:24.promenade, because what I feel as though she should do, is lower in
:13:24. > :13:28.her knees a little more and go into the floor. So that you have that
:13:28. > :13:31.sort of feeling. This sort of into the floor feeling and that happens
:13:31. > :13:35.throughout the tango. You should never get out of that. Why is that
:13:35. > :13:41.important for her? Why do you need to be in the knees? When you go up
:13:41. > :13:44.it is more of a long, elegant feel. When you go down, it's more of a
:13:44. > :13:54.compact into the ground feel. That is what it's all about. It's fast
:13:54. > :13:56.
:13:56. > :14:00.moves, turns and sharpening. that again! I love it! Chelsee and
:14:00. > :14:06.Pasha are doing the samba and I can't help but think she will suit
:14:06. > :14:10.this. Brazilian and party dance. This week, they've done more
:14:10. > :14:16.practice than they normally would have by this time. She does really
:14:16. > :14:21.well on very little, because she's had Waterloo Road too. Exactly.
:14:21. > :14:27.Everything she does and all the moves are finished off. I want you
:14:27. > :14:32.to see this. Look. She is just taking a step. Fantastic step there.
:14:32. > :14:36.With the arm there. The arm is finished off every time. She never
:14:36. > :14:41.ceases to amaze me. He is giving her a lot of content, but he seems
:14:41. > :14:48.to remember it week after week, so it's a progression. She is getting
:14:48. > :14:53.better. I will say that I did speak to - look at this - no shoes on
:14:53. > :14:56.again. She does say on the show she has had poorly feet, but sometimes
:14:57. > :15:01.at the end of the day she is in socks. I saw her on Saturday, so
:15:01. > :15:07.she said the same to me. We just keep catching her out here. She
:15:07. > :15:12.does wear them. This should be good. Harry and Aliona, great little spat
:15:12. > :15:18.between Len and Craig on Saturday. Wasn't it passionate? We all
:15:18. > :15:24.thought it was good. How is the salsa looking? This is a very
:15:24. > :15:28.exposing dance and if you are not quite a great dancer it can show it
:15:28. > :15:33.up. Straightaway. It can show weaknesses that you've got. I have
:15:33. > :15:38.to say, I've slowed this town and look at Harry's hips. I don't know
:15:38. > :15:44.whether you can see this, but he's really dancing into his hips and
:15:44. > :15:51.releasing into every hip. Everybody, look at Harry's hips. They are
:15:51. > :15:56.almost mesmerising. If he can continue that throughout, it will
:15:56. > :16:01.be pretty spectacular. Jason and Kristina are doing the jive. A
:16:01. > :16:05.different style for Jason. Yes. It's a very fast dance. It's very
:16:05. > :16:11.flicky and kicky, but I have to say, it almost looks as though they are
:16:11. > :16:18.on fast-forward. Look at that. at the flicks and kicks. Very
:16:18. > :16:23.strong. Very light. I actually think this could be almost as good
:16:23. > :16:29.as Jill Halfpenny's jive. I know it's controversial, but that's what
:16:29. > :16:37.I think about this. Look at the legs. They are matching perfectly.
:16:37. > :16:41.That wasn't very good?! His legs are perfect, but your drawing -
:16:41. > :16:45.They are matching very well at such a high speed. How is the posture
:16:45. > :16:49.looking? You know, jive is all about picking up from the centre
:16:49. > :16:52.and dancing over your feet and that's what gets the knees up and
:16:52. > :16:56.you can do that. If you are too straight it's very difficult to get
:16:56. > :17:02.your knees up. You can see he is slightly pitched over and it
:17:02. > :17:09.creates that better jive. I hope you are all joining in. My teacher
:17:09. > :17:15.used to grab me by the pants behind. Let's not talk about that! Holly is
:17:15. > :17:18.dancing with who know this weekend? She is doing the quickstep and
:17:18. > :17:23.training with Brendan, though. Talk me through it. How are they
:17:23. > :17:27.looking? Well, for me, it is going to be a great dance. She is dancing
:17:27. > :17:31.lots of different styles within his quickstep. As you can see, there is
:17:31. > :17:37.the Charlston here. Is that normal? Well, not really, but there are
:17:37. > :17:41.elements that you put in. You put lindy hop in too. They are
:17:41. > :17:44.obviously using the stage here and she seems to be coping fine. There
:17:44. > :17:49.is a lovely turn here that she makes, which is very difficult on
:17:49. > :17:55.the stairs, because if you make the wrong move you will go flying. He
:17:55. > :18:00.go off into a lock step, but I do think hopefully Artem will dance on
:18:00. > :18:04.Saturday. It would be nice. Brendan will be gutted. The only person
:18:04. > :18:09.will be gutted is Brendan. No, we'll all be gutted. It will be
:18:09. > :18:14.nice to see them again. Again, she is looking really good. Artem
:18:14. > :18:18.hopefully calling in tomorrow to tell us what the doctor said.
:18:18. > :18:26.Russell and Flavia. They are doing the jive. I'm very excited about
:18:26. > :18:30.this. How are the Grant's flicks and kicks? Looking amazing. For me,
:18:30. > :18:34.this is one of his best dances. Look at the energy and the kicks
:18:34. > :18:42.and punching. Who would know he has a bad knee? Jive, I would imagine,
:18:42. > :18:46.would be tough on a bad knee. would never know. My own concern is
:18:46. > :18:50.that Russell is tending to put his head forward and nod his head. It
:18:50. > :18:54.is slightly irritating me at the moment. If you heard that Russell.
:18:54. > :18:59.It's not, Russell, seriously. It's just that I think he's doing so
:18:59. > :19:04.well I don't want anything to detract from the legs and kicks.
:19:04. > :19:09.Watch your head. It has been announced today in the newspapers
:19:09. > :19:14.very excitingly, that the newsreaders sues that Reid, sarn
:19:14. > :19:22.Williams and Emily Maitlis and Sophie Raworth are doing a special
:19:22. > :19:32.dance on Friday and you are involved. -- Sian Williams. I was
:19:32. > :19:34.
:19:34. > :19:43.well, jell when I saw that. Isn't Angela Ripon involved also? She is.
:19:43. > :19:46.Sneak preview at training. Look at this. No-one has seen this yet. Are
:19:46. > :19:50.they looking good? I think Cher absolutely good. Look how gorgeous
:19:50. > :19:55.they are. It's unbelievable. I don't know why she sit behind the
:19:55. > :20:01.desk all the time. You can see Karen Bruce doing the choreography
:20:01. > :20:07.and I would say it's one not to miss. There are some iconic moments
:20:07. > :20:11.in there. Gorgeous man. You look beautiful today. He always does.
:20:11. > :20:18.Ian Waite. APPLAUSE
:20:18. > :20:22.We'll see you next week. I'm going to Wembley. See you there. Lucky
:20:22. > :20:25.you. I'm watching on the sofa. There has been plenty to talk about
:20:25. > :20:33.this week, as we know and as ever, you've been keeping your finger on
:20:33. > :20:40.the pulse of all things Strictly. Well done. This is Points of You.
:20:40. > :20:44.Harry Judd, you are gorgeous. Go, Harry. All the way to the final, go.
:20:44. > :20:50.We don't mind a little bit of Jason showing body hair in Dorset. We are
:20:50. > :20:55.used to that sort of thing down here, so don't cover up. Let us all
:20:55. > :21:01.have a look. I would like to say that we love little Russell on
:21:01. > :21:06.Saturday night, because he looked like he was a shiny bauble and we
:21:06. > :21:14.would love him on our Christmas tree. Phil from Stratford. Where
:21:14. > :21:19.did Craig get those heels? I want some! Thank you Scott and Margey
:21:19. > :21:23.and Alex. Phil, you wanted to know where the shoes were from, he got
:21:23. > :21:33.them from 1982! Please, do keep calling us with your brilliant
:21:33. > :21:38.
:21:38. > :21:43.comments about the show. Lines are always open. Like Midas, everything
:21:43. > :21:49.that Grant touches turns to goal. He and Flavia will be here in a
:21:49. > :21:59.moment, but we'll remind ourselves of the action last weekend.
:21:59. > :21:59.
:21:59. > :22:03.came out from that screen and you were like a giant FerreroRocher.
:22:03. > :22:08.was a mix of two parts. The second half was part of your imagination
:22:08. > :22:18.and it looks like a great place to be. You really are your own special
:22:18. > :22:19.
:22:19. > :22:26.creation! Immofrtal, darling! immortal, darling! I had more
:22:26. > :22:34.nerves tonight than normal. It was tricky and we had a difficult week
:22:34. > :22:36.training. Can I go off and do a big leap again?! Please, give it up for
:22:36. > :22:41.Russell and Flavia. APPLAUSE
:22:41. > :22:45.I love it when you two come on. Russell Grant, I don't think I've
:22:45. > :22:50.ever seen you quite so comfortable on the dancefloor. Was that your
:22:50. > :22:54.favourite yet? I love every dance I do. But, I did like that one in
:22:54. > :22:57.particular, because it was very showbiz and it was pretty fabulous
:22:57. > :23:03.and Flavia's routine of creeping behind a closet and coming out the
:23:03. > :23:09.other side in a new frock, genius. Where did you get the inspiration
:23:09. > :23:14.for that concept? Here we are! I even ask! We are wondering if it
:23:14. > :23:17.came to you in a dream. It always comes to me in a dream and it's
:23:17. > :23:22.always up here, but I never know whether it will work on the floor
:23:23. > :23:28.and it did. We tried it out on Friday. We did. I had to obviously
:23:28. > :23:35.core graph it, not knowing how long it would take for the change. I was
:23:35. > :23:38.pretty much spot on. It was so good. There was a little risk that we
:23:38. > :23:48.wouldn't have long enough, but we played with it on Friday and had
:23:48. > :23:49.
:23:49. > :23:54.helpers around the back. Billy and Ezra. We owe you. Maybe some
:23:54. > :24:00.certain chocolates, wrapped in glold. Craig used two words --
:24:00. > :24:06.wrapped in gold. Craig used two words, "Immortal, darling." What
:24:06. > :24:13.did you make of that? It will live forever. TV gold. I can't think
:24:13. > :24:17.what else it means. It will crop up. When I'm 80 or 90 and doing some
:24:17. > :24:22.programme about old starlets, they will say here's an old one and I'll
:24:22. > :24:26.pop up. When you present that show, will you still wear that gold suit?
:24:26. > :24:30.I will. You must take it home. The reaction to you getting through to
:24:30. > :24:37.Wembley was pretty amazing too. I was in hysterics. We'll play it
:24:37. > :24:42.again. Here he goes. Down the stairs. I'm off. Did you know he
:24:42. > :24:46.would do that? I never know what he's going to do, so I have to say
:24:47. > :24:53.I did say, "If we are called out first, before anyone else, I want
:24:53. > :24:58.you to jump on to the banister and slide down." That is next week.
:24:58. > :25:03.was so thrilled to get to Wembley. My first Middlesex home was there.
:25:03. > :25:06.I just didn't - I wanted to tell someone. Pasha was very funny,
:25:06. > :25:13.because I rushed down to tell someone and went I got there, there
:25:13. > :25:23.was no-one there. There was Flavia, going, "Come here. Stand there."
:25:23. > :25:24.
:25:24. > :25:30.Heel, the Grant. Bless you. On-line Donna says, "Us el's love of
:25:30. > :25:38.dancing -- Russell's love of dancing shines brighter than his
:25:38. > :25:42.suit.". How lovely. There seems to be, though, in training, a bit of
:25:42. > :25:51.role reversal. Russell Grant, you are quite the core grapher, look at
:25:51. > :25:55.this. Russell is emblelishing and adding, rather than taking away --
:25:55. > :26:01.embellishing and adding, rather than taking away. I need to stylise
:26:01. > :26:07.it. Let's listen to it a bit more. Quick, quick, slow. Quick, quick,
:26:07. > :26:12.slow. That was good. We'll carry on! I let him get on with it.
:26:12. > :26:19.going to walk it through for continuity. Danger hold. That might
:26:19. > :26:27.be better. That was ace. We'll do one more. Quick, quick, slow. Bum,
:26:27. > :26:32.bum, bum. You were almost there. And then... Is that long enough?
:26:32. > :26:40.Should be. That was better and I felt it. How do you feel? Yeah.
:26:40. > :26:48.Fabulous! I think a possible career change. Maybe in West End shows?!
:26:48. > :26:52.You need a little stick. I want to thank Michael Ball for lending me
:26:52. > :27:02.his hair tonight? I felt really bad, because on the Friday panel with
:27:02. > :27:08.
:27:08. > :27:14.the tash and beer, I said he looked like one of the mush tiers. --
:27:14. > :27:18.Musketeers. You are doing the jive. How is it? I love it. But I do have
:27:18. > :27:23.the nodding dog problem. I'm all right there. We know the bit. It's
:27:23. > :27:31.because I need to keep my head up, but the speed of it, I love the
:27:31. > :27:37.jive and I love the number. I love it. How is your knee? That's not so
:27:37. > :27:45.bad. It is strapped up. You are dancing to this music.
:27:45. > :27:51.# Reach for the stars, climb every mountain... # I'm so excited.
:27:51. > :27:54.just the best number. I've also heard you are making a big entrance.
:27:54. > :27:59.What a surprise! We have had the shell. We have had the bull.
:27:59. > :28:06.Whatever can we expect this week? What can I say? You'll never guess.
:28:06. > :28:16.What can I say? It's massive. It is mammouth. It's huge. It is the
:28:16. > :28:37.
:28:37. > :28:47.biggest thing that I've ever done. We apologise for the temporary loss
:28:47. > :28:48.
:28:48. > :28:55.of subtitles. We have a very special message from the Queen of
:28:55. > :29:02.pop. Hi, Russell. Just put the jazz hands in there. Russell, you have
:29:02. > :29:06.captivated the nation and also my heart. You are doing so, so well. I
:29:06. > :29:10.was absolutely thrilled and delighted that you performed to one
:29:10. > :29:15.of my tunes and I wish you all the very best with the rest of the
:29:15. > :29:20.season. APPLAUSE
:29:20. > :29:25.Are you welling up there? I am welling up. She might be watching
:29:25. > :29:29.at home. Do you want to give her a message? Where is home? Australia,
:29:29. > :29:33.London, Paris. Who knows? I love your numbers. One of the numbers we
:29:33. > :29:37.danced to, but I found out I'm doing it on the radio, and I can
:29:37. > :29:45.mention that, it's BBC, one of the numbers we are going to put in is
:29:45. > :29:50.Step Back In Time. How do you do it on the radio? We dance around it.
:29:51. > :29:57.Around the console. We wanted to do that, so we'll put more Kylie in.
:29:57. > :30:03.Thank you, darling. You can never have too much. Good luck. I can't
:30:03. > :30:07.wait. The Grant and Flavia. APPLAUSE
:30:07. > :30:17.Just too good. Have you managed to guess which one of our dancers was
:30:17. > :30:24.
:30:24. > :30:29.It's our very own Erin. Thanks to all my guests this evening. Tune in
:30:29. > :30:33.tomorrow live at 6.30, when I'll be joined by Robbie and Ola and
:30:34. > :30:38.getting a peek at the outfits for Wembley. We also have a very