:00:18. > :00:22.Robbie and Ola are on their way to Wembley.
:00:22. > :00:28.I will be finding out what the the costume department have up their
:00:28. > :00:38.sleeves for the weekend. We get the latest news on Artem's injury. This
:00:38. > :01:06.
:01:06. > :01:12.is Strictly Come Dancing: It Takes This is Strictly Come Dancing: It
:01:12. > :01:15.Takes Two. Please welcome your host, it's Zoe Ball.
:01:15. > :01:21.Welcome to Strictly Come Dancing: It Takes Two. There is just 48
:01:21. > :01:27.hours to go until Strictly's biggest ever show. The lights are
:01:27. > :01:35.going up. The dance floor is being laid and the stage is being set for
:01:35. > :01:39.Wembley. No pressure for our couples of course, they are putting
:01:39. > :01:43.the finishing touches to their routines. I will be catching up
:01:43. > :01:51.with Artem, but first this is how the girls are getting on.
:01:51. > :01:55.This week, I'm dancing the samba. I can't wait for Pasha to let me go
:01:55. > :01:59.loose and let me do my thing. It is not an easy dance, but you
:01:59. > :02:03.can do it. Chelsee is struggling the most with
:02:03. > :02:09.her mindset because she tried it and it didn't work the first time
:02:09. > :02:13.and she said, "I cannot do it. I am giving up.". I don't like it. The
:02:13. > :02:18.technique, I can't get. The steps are really hard. This is a hard
:02:18. > :02:20.dance, you know. It is hard to make samba look like samba just like
:02:20. > :02:28.that, you have to put practise into that, you have to put practise into
:02:28. > :02:32.I just want to get it right. I want to nail the dance. I want to keep
:02:32. > :02:35.it sambaish. It is getting better and better. It
:02:35. > :02:45.just needs some work. This is probably one of the
:02:45. > :02:53.
:02:53. > :02:57.This week we're dancing the tango. Naturally, I find the happier
:02:57. > :03:04.dances easier so I think the main problem this week is going to be to
:03:04. > :03:07.get the right, into the right zone. Why are you pouting your lips like
:03:07. > :03:10.that? Be like me and get more assertive.
:03:10. > :03:17.I'm not naturally a very assertive person.
:03:17. > :03:27.No, how are we going to do all this before Saturday? I just became
:03:27. > :03:41.
:03:41. > :03:49.I've choreographed it, I'll lead it. Look at you following me!
:03:49. > :03:52.This week, we are dancing the samba. The samba is probably one of the
:03:52. > :03:55.hardest dances to teach the male and the female celebrities because
:03:55. > :04:02.it is bounce action and it is all these cross rhythms and there is
:04:02. > :04:09.lots of steps. This is a busy routine. But it is
:04:09. > :04:19.such a happy, vibrant dance that Anita always seem to fit into
:04:19. > :04:20.
:04:20. > :04:26.really well. That's awesome. Five and six and seven. Ah, I like
:04:26. > :04:31.Seven and eight. We've made it to Wembley. I should
:04:31. > :04:36.pat myself on the back actually and say, "You've done well to get this
:04:36. > :04:40.far." I'm very proud and very blessed, I think, that I'm going to
:04:40. > :04:42.be part of it all. I'm really be part of it all. I'm really
:04:42. > :04:44.be part of it all. I'm really looking forward to it.
:04:44. > :04:48.This week, I'm dancing the quickstep.
:04:48. > :04:52.The quickstep is going to be her dance. I think she will feel more
:04:52. > :04:57.comfortable. I think I'm better at dancing quick
:04:57. > :05:03.dances. Holly Valance, that was nice.
:05:03. > :05:08.I hope my dress is long! I've got two trainers telling me
:05:09. > :05:13.things from every angle so it is just extra hard for me.
:05:13. > :05:17.I'm sure Holly is enjoying herself, hanging out with the boys.
:05:18. > :05:24.I thought we were over this. Artem, stop getting your pole out.
:05:24. > :05:29.Artem and I are very different in our way of teaching and dancing.
:05:29. > :05:33.Oh that worked nicely. That was beautiful, guys.
:05:33. > :05:43.Towards the end of the week we will make a decision as to which lucky
:05:43. > :05:43.
:05:44. > :05:47.bloke gets to dance with me. I'm So that's how the girls are getting
:05:47. > :05:50.on. We will find out how the boys are doing later on. First of all,
:05:50. > :05:56.one man who really wants to be out there on that dance floor on
:05:56. > :06:02.Saturday is is Artem. We have him on the glitter phone now. Hello,
:06:02. > :06:07.Artem, how are you? I'm very good. How are you? He sounds positive.
:06:07. > :06:15.You have finished in training, where are you right now? Right now,
:06:15. > :06:20.I'm at Wembley and looking at the venue for Saturday.
:06:20. > :06:23.How did it go yesterday? What did the doctors say? The doctor said
:06:23. > :06:29.that he thinks I'm going to be able to do it.
:06:29. > :06:34.Yes! He says yes! But there sounded like there was a
:06:34. > :06:40.but in your voice? He said, "It is up to you. It depends on the pain
:06:40. > :06:44.levels." I think it is looking good because after the first rehearsal
:06:45. > :06:48.with Holly, I danced with her. So far I'm OK. I will wait to see how
:06:48. > :06:52.I'm feeling in the morning, but I think it is good.
:06:52. > :06:58.It does sound good. Yes. The people are very, very excited.
:06:58. > :07:05.I must ask is Brendan still waiting in the wings just in case?
:07:05. > :07:09.Yes, he is being a trooper. I appreciate all his help and he has
:07:09. > :07:13.been amazing and a terrific teacher. . When are you going to make the
:07:13. > :07:17.final decision? I think it is going to be Saturday, to be honest with
:07:17. > :07:20.you. OK. Well, make sure Kara puts you
:07:21. > :07:25.to bed early tonne and makes you soup and looks after you. OK, rest
:07:25. > :07:27.up and we'll keep everything crossed. He is hopefully going to
:07:27. > :07:31.dance, everybody. Night.
:07:31. > :07:35.Bye. He is Russian. He is so going to
:07:35. > :07:40.dance. We like to keep the pro dancers on their toes and what
:07:40. > :07:49.better way to do if with the help of your questions and our master
:07:49. > :07:52.Answer the question. Charlotte wants to know, if you
:07:52. > :07:56.worked in a supermarket, what section would you like to work in?
:07:56. > :07:59.It is about the shelf stacking and getting the labels facing the right
:07:59. > :08:04.way. Nice attention to detail, Brendan.
:08:04. > :08:07.I used to work in a supermarket. I used to be an in store baker.
:08:07. > :08:12.Very interesting, bye. Probably working in the meat
:08:12. > :08:18.cutting area. Oh. Just chopping because after
:08:18. > :08:22.every single rehearsal, you need to release the stress of it. So just
:08:22. > :08:26.take a steak and chop it, chop it. Maybe I should call the police.
:08:26. > :08:30.Holly Valance, are you listening? Run for your life.
:08:30. > :08:35.I'll pick the till because hopefully lots of people don't take
:08:35. > :08:38.take their change and I can pocket Unparliamentary.
:08:38. > :08:47.Ann, you can come to my till any time.
:08:47. > :08:54.No, thank you, I'd rather shop What is he like? I'm worried about
:08:54. > :08:57.Artem, "chop it, chop it." We are half-way through the series. What a
:08:57. > :09:02.better better time to look at the good times, the laughs and the
:09:02. > :09:12.great dancing and the sad goodbyes and who better to take us on that
:09:12. > :09:15.
:09:15. > :09:20.journey than superfan, Miranda Hart. In a ballroom-style palace, far,
:09:20. > :09:25.far away, there were 14 couples all laughing and dancing and loving
:09:25. > :09:29.each other. Smashing. But there was a problem, isn't
:09:29. > :09:35.there always? .king Bruce of the ballroom issued
:09:35. > :09:40.a decree, only one couple can stay here and inherit my ballroom crown.
:09:40. > :09:49.Now between you and me, this was a problem because King of the
:09:49. > :09:53.Ballroom had hooked up with a younger woman.
:09:53. > :09:59.I know, saucy. So it was causing a kingdom problem.
:09:59. > :10:08.It is all happening here. So said the king, "I can't choose
:10:08. > :10:13.on my own." I have appointed four examples of to help me. Sir Len of
:10:13. > :10:23.Goodmen, Count booUn roe, one and only.
:10:23. > :10:24.
:10:24. > :10:31.Sir Alesha Dixon. And Dame Craig Revel Horwood.
:10:31. > :10:35.She is quite mean, isn't she? She was mean, but she knows all about
:10:35. > :10:42.armography. I don't know what that is. Challenge one, they dance their
:10:42. > :10:46.little socks off, but I'm afraid Edwina was the first one to go. No
:10:46. > :10:51.one likes a politician. It want that surprising, but I miss the
:10:51. > :10:56.Italian, he is lovely. Challenges two and three, now here
:10:56. > :11:03.is where it it gets interesting, viewer. There is a pattern forming.
:11:03. > :11:11.Everyone loves a comedy duo and this couple, just sort of kept on
:11:11. > :11:21.dancing. But it was sort of dancing. Sort of dancing in inverted commas.
:11:21. > :11:25.
:11:25. > :11:29.I loved it. So So, "Down." The Daybreak Crier. Rory, the funny man
:11:29. > :11:33.was out. Between you and me and not his wife, I loved his hip action. I
:11:33. > :11:40.did. Challenge four, on the spookyest
:11:40. > :11:45.day of the year, the luck ran out for our court jester and his
:11:45. > :11:51.Italian mistress, one bad rumba was the final nail in their coffin.
:11:51. > :11:55.Then there were ten, surely the little Scottish songbird was safe.
:11:55. > :12:05.There are no fairytale ins this story. That's what makes it so
:12:05. > :12:05.
:12:05. > :12:10.exciting. Challenge five and she was bye-bye.
:12:10. > :12:15.In the next challenge, the big fella got knocked out. Well, come
:12:15. > :12:22.on, he he really put his foot in it this time. You know what they say
:12:22. > :12:27.about men with big feet - can't can't dance. So now the road to
:12:27. > :12:31.Wembley is paved with good intentions and our couples keep
:12:31. > :12:37.whirling and twirling like extras from the red shoes. Who will be
:12:37. > :12:42.crowned king and queen of our ballroom kingdom? Can you guess? It
:12:42. > :12:48.is too exciting for words, but I'm going to have to pause our little
:12:48. > :12:58.story here. I know, it is sad. Don't cry. Please, don't cry. Good
:12:58. > :13:11.
:13:11. > :13:16.Thank you Miranda. And Miranda will be here next week.
:13:16. > :13:22.Earlier today, I managed to grab a few minutes with Strictly's head
:13:22. > :13:26.designer to find out what is coming Time for us to have a good nosey at
:13:26. > :13:30.what our favourite celebrities will be wearing this weekend. Vicky, how
:13:30. > :13:34.are you? I'm all right. A big show this weekend. A big
:13:34. > :13:39.floor at Wembley. Is that an extra big job for the costume department?
:13:39. > :13:41.A bigger job. Everything has has bigger, brighter bolder to create
:13:41. > :13:48.an impact on the Wembley Wembley floor pt.
:13:48. > :13:53.. Tell me about the logistics of moving your kit over to Wembley?
:13:53. > :13:59.move house. All the lovely ladies are packing around as we speak. It
:13:59. > :14:03.is like packing up to go on tour for The One Show.
:14:03. > :14:09.I believe Chelsee is leading the way. Tell us what she is going to
:14:09. > :14:13.be wearing. Chelsee will be wearing the Union Flag.
:14:13. > :14:20.Jerry Spice? Yes. We are not using traditional red, white and blue,
:14:21. > :14:25.because we have that in another number. We are using pale, hot pale,
:14:25. > :14:30.pink and pale blue. What's going on up top there?
:14:30. > :14:35.the crystal details on a section on the top of Chelsee's dress and it
:14:35. > :14:37.scatters down into the Union Flag. The dress is small and fitted to
:14:37. > :14:44.accommodate all of the detail on the back.
:14:44. > :14:49.She is doing a samba so you need maximum plumage, don't you? Go,
:14:49. > :14:54.Chelsee. What about Holly, what is she wearing this week? Holly is
:14:54. > :15:00.doing a quickstep to an Amy Winehouse number. We have tried to
:15:00. > :15:04.incorporate that. We are mixing emerald and tor quois blues. There
:15:04. > :15:10.is five layers of petticoat. The top is to create a cardigan feel
:15:10. > :15:18.really, but it is a nude base covered in Chrisals. It is
:15:18. > :15:22.Strictlied up. And we have a little nod to Amy
:15:22. > :15:26.with a leopard print bow. Is a quickstep number she is doing
:15:26. > :15:31.and the dress only goes to the knee. Are you breaking rules again,
:15:31. > :15:36.Vicky? Yes, the second time this series there has been a shorter
:15:36. > :15:43.stage, but it is Wembley. You can do what you like.
:15:43. > :15:50.What about Anita? Anita has had some quite outrageous costumes. For
:15:50. > :15:56.samba this week, it is an eloquent piece. We have a black base and it
:15:56. > :16:03.has has cerise pink. Is that hot pink? Well, we can say
:16:03. > :16:10.hot pink, but it is probably florescent pink!
:16:10. > :16:14.And I'm seeing feathers, more feathers. We had lots of feathers
:16:14. > :16:20.on Holly's number. Are these the ones that fell off? I would say
:16:20. > :16:28.five times the amount of Holly's. Look at the shoes? Pink shoes. It
:16:28. > :16:35.is a no, no, really. The proes don't like it. But it is Wembley!
:16:35. > :16:43.OK, let's talk about the boys. What's our Jason wearing this week?
:16:43. > :16:48.He has a pale blue suit, T-shirt underneath. I haven't decided on
:16:48. > :16:52.the the slogan yet. Kind of what he used to wear in the
:16:52. > :17:00.80s! What about Russell, dare we even
:17:00. > :17:03.ask. Ask about Russell. Very bright. That is seriously bright.
:17:03. > :17:09.Egg yolk yellow. He has lots of stars over his shirt.
:17:09. > :17:12.I heard he is going to be wearing something glittery on his head?
:17:12. > :17:17.has a sparkly head detail, but I can't tell you.
:17:17. > :17:19.I know. It is amazing. What is under the gold cloth. Who will be
:17:19. > :17:24.wearing this at Wembley this weekend?
:17:24. > :17:29.Ah, look at the size of those sequins. Are they still called
:17:29. > :17:33.sequins when they are that big? will call them sequins because we
:17:33. > :17:41.don't know. There is a 60s feel to that dress?
:17:41. > :17:46.Yes, the pro pro celebs are doing a 60s number.
:17:46. > :17:49.I would say Kristina. I can't tell you.
:17:49. > :17:54.Good luck. Thank you, the gorgeous Vicky.
:17:54. > :17:58.Last Saturday, Robbie's American smooth earned him the praise he
:17:58. > :18:05.craved for from Craig. Robin and Ola will be here live in a moment.
:18:05. > :18:11.Here is how the boys are getting on This week, we are dancing the salsa.
:18:11. > :18:18.It is very free. It is very floaty. Tas very, very -- it is a very,
:18:18. > :18:23.very fun dance. The last Latin dance we did, the
:18:23. > :18:31.judges felt I could give it more. This week I have to focus on my
:18:31. > :18:41.performance and just letting go. P We're going to work really hard,
:18:41. > :18:42.
:18:42. > :18:47.but I think he is going to be able to let go with this one. I'm sorry.
:18:47. > :18:51.We are going to perform our salsa in Wembley which means ten times
:18:51. > :18:54.more audience. I find it it hard to start thinking
:18:54. > :18:58.about the audience and everything else because then you forget your
:18:58. > :19:04.steps. I don't want to fall flat. I want to go out there and give it my
:19:04. > :19:11.all. This week, we're doing the jive.
:19:11. > :19:14.There is a full energy dance. going to be a sweaty day, guys. I
:19:14. > :19:17.think the jive works with my character. I have been doing my
:19:17. > :19:27.homework. This one is quick, quick. If you thought the quickstep was
:19:27. > :19:32.fast, this is on a different scale! It is so fast, wow. You Russians
:19:32. > :19:36.are just like hard core, man. I have to work with Jason because I
:19:36. > :19:42.want this dance to be amazing and for everyone to be on their feet
:19:42. > :19:52.and clap and have a good time. It really puts a smile on your face.
:19:52. > :19:54.
:19:54. > :20:04.I'm starting to feel it now. Fortune favours the brave.
:20:04. > :20:10.
:20:10. > :20:20.I love the jive. I love it so much because it is full of energy. It is
:20:20. > :20:23.
:20:23. > :20:27.dynamic. It is fast. It is just so wouzer! You give him the fast dance
:20:27. > :20:32.which most people can't keep up with and he doubles it.
:20:32. > :20:37.What happens is there is part of the jive where we do four quick
:20:37. > :20:47.kicks and we're doing little flicks, little deadly flicks.
:20:47. > :20:57.So far, I've managed to stab Flavia to death four times.
:20:57. > :21:01.
:21:01. > :21:07.She has not got me once. Flavia This week we are dancing the is
:21:07. > :21:14.salsa. It is a fun party dance. A lot of
:21:14. > :21:18.hip actions. A lot of moves. I'm enjoying this one.
:21:18. > :21:24.I bet you did. Even if I go wrong, I'm going to
:21:24. > :21:28.dance T I'm going to shake it and give it somg. -- some.
:21:28. > :21:32.I wasn't that nervous because we practise and practise and when you
:21:32. > :21:39.get it, you can get it. It is not like something could go wrong
:21:39. > :21:42.because she is quite light. There is three very difficult lifts.
:21:42. > :21:46.There is two on my neck and having broken my neck in the past so
:21:46. > :21:51.that's going to be a tester to be fair. I just hope my neck is strong
:21:51. > :21:55.enough. What happened?
:21:55. > :22:05.I am so pumped for this week. I think people will be blown away by
:22:05. > :22:10.
:22:10. > :22:13.Delighted to see you both. How much did it mean to you Robbie to get
:22:13. > :22:20.those comments from Craig on Saturday night? It meant everything
:22:20. > :22:23.because it helped Ola to get to Wembley. You were happy as well?
:22:23. > :22:33.was delighted. He was.
:22:33. > :22:39.
:22:39. > :22:41.31 was your highest score to date. Well done.
:22:41. > :22:43.APPLAUSE 31 is like I'm in the relegation
:22:43. > :22:45.zone really now because me and Alex are like relegation and Harry and
:22:46. > :22:50.Jason, they are Manchester City. Never underestimate the under dog
:22:50. > :22:54.because Darren Gough, quietly doing your thing. Later on, it can still
:22:54. > :22:56.happen. Me and Alex have improved. If I go
:22:56. > :23:00.out Saturday, I have had a great experience and I proved to myself,
:23:00. > :23:06.I can dance. Don't start talking about leaving
:23:06. > :23:10.yet. Craig loved Robbie's arm placement, you must have worked
:23:10. > :23:13.hard on his arms? We have worked on his arms a lot. I was happy for
:23:13. > :23:18.Craig to mention that and notice that we worked on the arms. They
:23:18. > :23:25.were very good, weren't they? have just got to work on my feet
:23:25. > :23:28.now. When you did the waltz, your mum and your wife cried. My mother
:23:28. > :23:35.is staying with my father because he is not well. She has not had the
:23:35. > :23:42.opportunity to come that often. I am a ballroom boy. The salsa on
:23:42. > :23:48.Saturday is is wouzers. Your boys, Charlie and Freddie,
:23:48. > :23:54.what do they make of their daddy? They love their daddy. I haven't
:23:54. > :23:58.seen them since last Wednesday. You go to To Strictly and you know what
:23:58. > :24:03.is going to happen. Hello, I love you.
:24:03. > :24:06.On Tuesday, talking about your dancing being fabulous, Karen Hardy
:24:06. > :24:10.said she was impressed with your lifts and transitions back into the
:24:10. > :24:16.dance moves. How is your dance termology coming on. Are you
:24:16. > :24:26.picking up the lingo? Well, to be fair I'm like a dog because all Ola
:24:26. > :24:27.
:24:27. > :24:34.says is, "Sit. Stay. Good boy. Roll over. Roll Roll over. ". Do you get
:24:34. > :24:38.doggy treats if you are good. Maybe that's what you need to do.
:24:39. > :24:43.Now it is Wembley, the big W this weekend.
:24:43. > :24:47.We are concerned that you are notks sited about it because -- excited
:24:47. > :24:51.because you have hardly mentioned Wembley. What's driving me is
:24:52. > :24:57.Wembley. I want to get to Wembley. Wembley. I played at Wembley twice
:24:57. > :25:02.and I won the Carling Cup. I have seen bands at Wembley, you know.
:25:02. > :25:07.I played at Wembley twice. The final hurdle getting to Wembley. Is
:25:07. > :25:13.that when it goes to Wembley? Wembley. Wembley is Wembley.
:25:13. > :25:19.Wembley. Wembley. To Wembley. Wembley. Did you ever play in
:25:19. > :25:28.Wembley? Yeah. How many times? Twice. Only twice? I wasn't that
:25:28. > :25:33.good. You did win there with Leicester?
:25:33. > :25:37.Yeah, Ola was right, I wasn't that good. I didn't play at Wembley that
:25:37. > :25:42.much! The thing is when you danced at
:25:42. > :25:45.Reading, a few weeks ago, the TV went to Reading, you said you
:25:45. > :25:49.weren't that nervous going out there and dancing. Do you think you
:25:49. > :25:56.will be suited to dancing at Wembley Arena.
:25:56. > :26:00.Yes, the song is Let Me Entertain You by Robbie Williams.
:26:00. > :26:04.It must really help to dance to a record that is this good that you
:26:04. > :26:07.love, surely that helps the spirit of the dance. Yes, it does. That's
:26:07. > :26:11.what we will be relying on on Saturday, the spirit of the dance.
:26:11. > :26:14.It is a salsa, but there is more entertainment. This is for the
:26:14. > :26:18.public, you know, we're going to give it everything. My hips, I am
:26:18. > :26:21.not a salsa boy, I'm not, but we're going to give it our best shot and
:26:21. > :26:26.I think people will love it, I honestly do.
:26:26. > :26:31.Before we start talk being your hip action, Robbie, I must ask about
:26:31. > :26:35.Robbie Williams. He is your mate. Has he given you any advance?
:26:35. > :26:42.can't come, he put it back a couple of weeks because he is busy making
:26:42. > :26:46.a new album. He e-mailed me. He said attack it with gust yes o go
:26:46. > :26:50.out there -- gusto and think that you are the best person on earth.
:26:50. > :26:54.Good advice from Williams. You should have that tattooed on your
:26:54. > :26:58.arm before you go. When you started your training, you struggled a bit,
:26:58. > :27:03.but we think we may have uncovered the secret ingredient to your
:27:03. > :27:06.recent success, Mr Savage. He is a dancer now so he has to get
:27:06. > :27:10.tough. Oh that's hard, that.
:27:10. > :27:20.Yes. That's hard. The way my brain works,
:27:20. > :27:22.
:27:22. > :27:32.I can't do it. I need to toughen up. Toughen up
:27:32. > :27:44.
:27:44. > :27:54.I've got muscles in my head! It feels weird, doesn't it? Yes.
:27:54. > :28:04.
:28:04. > :28:07.I'm sorry. APPLAUSE
:28:07. > :28:11.Give that boy a cake. You are doing the salsa, how is the hip action?
:28:11. > :28:18.How is it looking Ola? He is looking good, yes. Something to
:28:19. > :28:22.look forward to. We've got three big lifts. We have seen a sneaky
:28:22. > :28:25.peak of some of them. I have bruises everywhere and they are
:28:25. > :28:28.painful. That's a difficult lift when you
:28:28. > :28:36.have had a broken neck in the past. Please go easy.
:28:36. > :28:39.What a way to go out! Come on, Savage.
:28:40. > :28:44.It is every man's dream. Who are you like? How much do you
:28:44. > :28:49.want to stay in the competition? More than anything. It has been the
:28:49. > :28:55.best experience of my life and I love it. Ola, she is magnificent.
:28:55. > :28:59.And she has bruises from that lift. She wanted to show you, but it was
:28:59. > :29:06.just too rude. Go get them. Thank you to all my