:00:10. > :00:14.It's Thursday, coming up on tonight's show: He'd give you the
:00:14. > :00:19.shirt off his back. Harry and Aliona are here live. They don't
:00:19. > :00:24.want to go-go. I'll be chatting to Jason and Kristina about their
:00:24. > :00:29.charleston. Nicola is here to give me the first sneak peek of the
:00:29. > :00:39.couples' outfits for this weekend. And we have all the news from this
:00:39. > :01:03.
:01:03. > :01:13.week's training. This is It Takes Live from Television Centre, this
:01:13. > :01:19.is Strictly It Takes Two. Please welcome your host, it's Zoe Ball!
:01:19. > :01:23.Hello and welcome to It Takes Two! This weekend, our remaining couples
:01:23. > :01:26.have everything to dance for with extra points up for grabs in the
:01:26. > :01:30.strictly swingathon, the pressure is obvious for our Magnificent
:01:30. > :01:34.Seven. They have to master not one but two
:01:34. > :01:37.routines. In a minute, I'll be talking to Harry and Aliona live,
:01:37. > :01:43.but before that, let's take a look at how the first group of
:01:43. > :01:47.celebrities are getting on in training.
:01:47. > :01:52.James and I are doing the charleston which is brilliant
:01:52. > :01:57.because since we started on this show, it's the one dance I quite
:01:57. > :02:02.fancied. Good girl... A totally different approach for me as a
:02:02. > :02:06.teacher and Alex as a student. I want it to be quirky and fun. That
:02:06. > :02:10.is Alex. You didn't put your hat back on. How do you know? I can see.
:02:10. > :02:17.We managed to avoid the lift situation. Dangerous. He said to me,
:02:17. > :02:23.you can basically land on your face. Yeah. Whoa... I'm not vain, but I
:02:23. > :02:28.would like a face by the end of Strictly.
:02:28. > :02:33.The steps look quite complicated. And eight and... OK, no, I know
:02:33. > :02:42.what I've done wrong now, stop it. It's not looking so sharp at the
:02:42. > :02:50.minute. So this week, I'm dancing the Argentine tango and I'm very,
:02:50. > :02:57.very nervous about it. Really nervous though. Sorry. What am I
:02:57. > :03:01.doing? This week we are going from bubbly, fun, party Samba, into
:03:01. > :03:06.serious, dramatic, sexy Argentine tango. It's not a dance that I
:03:06. > :03:11.think I'm going to find easy. I reckon I'll have a bit of trouble
:03:11. > :03:15.with this one. Why you started screaming when I lifted you up?
:03:15. > :03:21.tickles. Get over it. Argentine tango might be a bit challenging
:03:21. > :03:24.for Chelsee, because my goal is to tap into that man/woman
:03:24. > :03:28.relationship. Honey, I like you, would you dance with me. And when
:03:28. > :03:34.we start talking about feelings in the dance, she always finds it
:03:34. > :03:38.cheesy and she kind of in a way refuses to do anything. That's
:03:38. > :03:46.really good. I feel daft. This dance cannot be done without
:03:46. > :03:52.passion. It's not going to work. It's the Samba this week. The Samba
:03:52. > :03:56.of doom! This dance has come at a time when I needed the ballroom
:03:56. > :04:01.really. Struggling... One, two. What are you doing?
:04:01. > :04:06.is very technical. If you don't have the technique, it can look
:04:06. > :04:11.flat. To get the hip action, we've got to get the bounce action.
:04:11. > :04:17.Bounce then back... You can't teach somebody to have natural rhythm. I
:04:17. > :04:21.haven't. I'm the entertainment factor. No, no, down closed feet...
:04:21. > :04:31.Ola is amazing, but sometimes even your partner can't hide your flaws.
:04:31. > :04:32.
:04:33. > :04:36.Then take the leg up. Which leg? The other leg. Oh. Like that...
:04:36. > :04:46.I just hope that Robbie's going to enjoy it, because at the moment,
:04:46. > :04:48.
:04:48. > :04:53.he's finding it very, very difficult. The quickstep is quick
:04:53. > :04:58.and there's lots of steps. I knew nothing about it yesterday and here
:04:58. > :05:02.I am charging around the dance studio desperately trying to learn
:05:02. > :05:07.the routine. I do feel a bit like a horse
:05:07. > :05:10.running around a yard. It's all about different rhythm patterns and
:05:10. > :05:13.it's definitely one of the strengths that Harry has.
:05:13. > :05:18.Come on, Harry, move those feet faster!
:05:18. > :05:23.I asked Jason what it's like because he's done it and he said
:05:23. > :05:28."yeah, mate, it's quick". It's so quick that if you mess up once, I
:05:28. > :05:34.think it's very hard to get back into it. Quick and quick, quick
:05:34. > :05:39.quick, but no, other times it's quick, quick, quick and quick,
:05:39. > :05:46.quick quick... Got to try my best and enjoy myself.
:05:46. > :05:50.Quick and quick and quick. Please welcome Harry and Aliona.
:05:50. > :05:53.It's so good watching you two watch the competition so closely because
:05:53. > :05:57.I guess that's the first time you get to see how they all look
:05:57. > :06:01.watching the VTs? I was really enjoying it. I love them all, they
:06:01. > :06:05.are so sweet. They are though, it's great to watch them. You are a good
:06:05. > :06:09.gang, there is a lot of camaraderie. Forget about them for a minute
:06:09. > :06:16.though, performing at Wembley, you have been there before with McFly.
:06:16. > :06:19.How different was it out there as a dancer? It was SO different,
:06:19. > :06:23.petrifying. I was so nervous, I almost felt numb, it was ridiculous.
:06:23. > :06:27.But we got through it, as you can see, and I did enjoy myself.
:06:27. > :06:31.didn't just get through it, it was ace maizing. Not only did you have
:06:31. > :06:37.to unwrap Aliona, you had to throw her in the air a couple of times.
:06:37. > :06:43.How anxious were you before the performance? I was actually nervous
:06:43. > :06:48.for him more. You seemed chilled. was nervous for him. What do you do
:06:48. > :06:52.when you are stressed out? I panic, pace, my voice goes weird and I'd
:06:52. > :06:55.make her just go over and over it again and she just laughs at me and
:06:55. > :06:59.it makes me more stressed. That must help, her laughing in your
:06:59. > :07:04.face at your fear! There was a lot of talk about hip action. Was there
:07:04. > :07:09.any, was there not enough, what did you think? In my opinion, if he
:07:09. > :07:15.would have done any more hips, he would have then danced like a girl
:07:16. > :07:20.and that's the last thing I want. I think he's done enough. Perfect?
:07:20. > :07:26.Just the perfect amount of hip action for a boy. And you are the
:07:26. > :07:31.girl? Yes. Bruno said he'd like to have seen you wearing an outfit
:07:31. > :07:34.like the one he wore in the Elton John video, I'm Still Standing?
:07:34. > :07:38.We are worried because of your extreme youth that you may not
:07:38. > :07:43.remember this? Can I tell you what's happening though, we were
:07:43. > :07:48.looking at best of British songs and on the Internet, I came across
:07:48. > :07:54.the Elton John song and I paused it and went, that's Bruno. So you have
:07:54. > :07:59.seen it? This came out before Harry was born! We discovered that! Let's
:07:59. > :08:03.have a reminder, because it's that time in the series when we dig out
:08:03. > :08:11.the video of Bruno cavorting about in not very much frankly. Let's
:08:11. > :08:20.have a look at this. That is amazing. Oh, my goodness many. He's
:08:20. > :08:24.in a mankini. He's the main guy though... Nice chest. Weird dancers
:08:24. > :08:34.and then, look at the pillar. Leaning against a pillar casually,
:08:34. > :08:34.
:08:34. > :08:38.there's our man. Here we go. Yes, Bruno. Here he is. Bruno. So saucy.
:08:38. > :08:44.I think we can forgive him, it was the '80s, we didn't know what we
:08:44. > :08:49.were doing. Would you wear a leotard like that on the show?
:08:49. > :08:54.Definitely, not sure I could pull it off as well as Bruno did.
:08:54. > :08:58.wasn't expecting you to say that? Neither was I. We'll hold you to
:08:59. > :09:04.that, even if it's on that podium on this programme, I tell you. It's
:09:04. > :09:12.been a high scoring dance this week for couples, the quickstep, how are
:09:12. > :09:16.you finding it? What is it, Jase? Quick. I was looking for some
:09:16. > :09:20.advice and Jason said it was quick mate. I was dreading this but I'm
:09:20. > :09:25.really enjoying it, I am. It's fast, energetic and a lot to remember,
:09:25. > :09:29.but I'm enjoying it. Ian Waite was in yesterday and he said you were
:09:29. > :09:33.almost as good as an amateur probecause you have such good sway
:09:33. > :09:43.that.'s good. He has high hopes for you this weekend. This is what you
:09:43. > :09:52.are dancing to. # Don't get me wrong
:09:52. > :09:57.# Lots of stepping on toes this week? Yes. In your training footage,
:09:57. > :10:02.we have seen there is a lot of talk of different rhythms. Has your
:10:02. > :10:05.drumming expertise come in handy? think so. Definitely. The quickstep
:10:05. > :10:14.takes it to another level though, the different counts and rhythms,
:10:14. > :10:20.it's intense, but I'm hoping it helps. I've never seen anyone do so
:10:20. > :10:24.well with rhythm patterns. Another big tick. A lot of giggling going
:10:24. > :10:28.on, you giggling at Harry which makes us gugle and you said his
:10:28. > :10:33.galloping is so sweet and then laughed in his face -- giggle.
:10:33. > :10:35.Wasn't there a ban on giggling? was dreading this one. I thought I
:10:35. > :10:39.would feel silly doing it, and as soon as we started, she was
:10:39. > :10:43.laughing and I was like, please don't laugh this week because I'm
:10:43. > :10:48.feeling silly enough as it is and she was like OK. Of course that
:10:48. > :10:53.just made her laugh even more so I gave up on that one. I'm enjoying
:10:53. > :11:03.it now though so she can laugh. talks about you being so sweet but
:11:03. > :11:32.
:11:32. > :11:36.we are not sure. We think Harry has Teaching to an obedient student.
:11:36. > :11:40.You've got your teaching hat on today. I give you that power with
:11:40. > :11:44.my energy force. Are you a Jedi? Yes. The calmer you are, the more
:11:44. > :11:51.power you can give it, the more control you have. She sometimes
:11:51. > :11:57.sounds like Yoda. Never they are locked. Never they are locked!
:11:57. > :12:02.There's something dangerous lurking inside of him, a dark side. So frus
:12:02. > :12:12.freighting. I don't know it. -- frustrating. I can feel my face
:12:12. > :12:15.
:12:15. > :12:19.slipping, frustrated, angry. the dark side comes out! So good!
:12:19. > :12:26.Ali-Yoda! We like how you like to vent your Goodison Park side and
:12:26. > :12:36.this is for you, Aliona, especially for you. This is so going to make
:12:36. > :12:41.it takes two! Please make it to It Takes Two. It's impossible not to.
:12:41. > :12:44.Celebrities do the funniest things! Marvellous. You are rehearsing in a
:12:45. > :12:49.big studio tomorrow. Anything you need to finesse before the big
:12:49. > :12:56.show? I think we are all set. Really? Yes, all set, got it!
:12:56. > :13:01.Confidence! You had the official warning from Len, no lifts!Y. I've
:13:01. > :13:04.been on such good form this season, I have been playing by the rules.
:13:04. > :13:08.No lifts in your quickstep. even the begining or tend, just in
:13:08. > :13:12.the frame. Len will be so pleased with you. This is good. Let's not
:13:12. > :13:16.forget the swingathon, all the couples on the floor together, last
:13:16. > :13:21.year, it was the semi-finals, five couples, this year seven couples.
:13:21. > :13:26.Are you willing to take people down? We've designed our lifts to
:13:26. > :13:31.take anyone out within five metres. I've requested that Jason is next
:13:31. > :13:41.to me. Perfect. You are going down, Jonathan, ples you! We cannot wait
:13:41. > :13:43.
:13:43. > :13:50.to see you pull it out of the bag - - bless you. Thank you, Ali-Yoda
:13:50. > :13:59.and Harry Jedi. One person gets us now to the
:13:59. > :14:03.nitty-gritty, our Widdy. Order. Answer the question. Question from
:14:03. > :14:10.Laura today. If you had to spend 24 hours locked in a room, with one of
:14:10. > :14:15.the pros, celebs, or presenters, who would it be? Yes? Look, we
:14:15. > :14:20.haven't got all day. Yeah, yeah. Next. At the moment I'm going to
:14:20. > :14:24.have to stay loyal and say my professional partner Artem because
:14:24. > :14:27.I need every hour with him I can get, so we can spend the time
:14:27. > :14:31.practising for whatever the next dance is. Terribly boring answer
:14:31. > :14:37.but I need the help. Yes, you are right, it's a boring answer.
:14:37. > :14:41.Gieming to have to pick Artem. He was my roommate and he left me for
:14:41. > :14:47.Kara and I miss him so I could easily spend 24 hours watching
:14:47. > :14:52.movies and kicking back a few beers. I actually would never want to be
:14:52. > :14:58.locked up with any of them because they're crazy. How to make friends
:14:58. > :15:04.and influence people! Bye! I have to say, I love Artem's
:15:04. > :15:10.braces, niex look. One thing we cannot deny is how fabulous the
:15:10. > :15:14.celebrities are looking week after week -- nice look. I went to find
:15:14. > :15:17.out what is in their box of tricks for this weekend. I'm here with
:15:17. > :15:21.wardrobe wonder Nicola for a few clues as to what everyone is
:15:21. > :15:24.wearing at the weekend. Crucial stage in the competition. Are the
:15:24. > :15:28.celebs getting more involved in what they are wearing? Yes, every
:15:28. > :15:35.week everyone's always involved, at this stage no-one wants to go home,
:15:35. > :15:39.no tears. There will be more tears no, I can guarantee it. Chelsee
:15:39. > :15:43.looked fantastic last week. What have you got lined up for her tango
:15:43. > :15:49.this week? It will be a contrast. Last week it was fun, flirting
:15:49. > :15:55.bubble gum colours, this week different, really sophisticated and
:15:55. > :16:00.elegant. She's doing the Arge tango. Here is her dress this week. She's
:16:00. > :16:07.covered from head-to-toe, but these here are slits up to the thigh to
:16:07. > :16:11.allow for the flicks and kicks for the movement. Saucy. A turquoise
:16:11. > :16:15.lining underneath. Purple on the tops are strong, then the flash of
:16:15. > :16:19.the turquoise underneath. Unusual colours to put together. That's
:16:19. > :16:23.really effective, I like it? Just dramatic in a different way,
:16:23. > :16:29.because she's fun and young, you want a fresh exist on it. Anita,
:16:29. > :16:35.she's dancing with rent-a-pro Brendan this weekend. They are
:16:35. > :16:40.doing the cha-cha, what is she going to be dressed in? She's going
:16:40. > :16:44.to be in a nude coloured dress, flesh from the neck, sleeves in and
:16:44. > :16:48.it goes down to a full skirt which is great for the movement. This is
:16:48. > :16:53.her design. This is actually completely covered in crystals all
:16:53. > :17:00.the way down. It's taken so long. The Elle bell lishment has taken
:17:00. > :17:06.lots of hours to do -- embellishment. These are the jewels
:17:06. > :17:12.and how they come. They're so tiny. You pick them up with sticky
:17:12. > :17:15.fingers and glue them on one by one? Not quite sticky fingers...
:17:15. > :17:21.Sorry, nice clean hands and gloves. It's a stick with wax on the end
:17:21. > :17:26.which picks it up and places it on to the glue on the dress. Tiny,
:17:26. > :17:31.consuming process? Yes. She will carry it off so well. She'll have
:17:31. > :17:37.some colour as well, ribbons will decorate the hem. Nice and flirty.
:17:37. > :17:42.Good for Anita! Now, Jason, going for a bit of a Gatsby feel to his
:17:42. > :17:48.charleston? Yes, the great Gatsby is his inspiration this week. This
:17:48. > :17:54.is the Robert Redford, the great Gatsby. He's going to look dapper
:17:54. > :18:03.this week, very gentlemanly. This is his waistcoat for this week be
:18:03. > :18:08.teamed with a shirt, trousers and shoes. I can't help but notice this.
:18:08. > :18:12.I'm assuming it's for the head. Can I try it on, I've been dying to.
:18:13. > :18:16.Look! What do you think? I think it's gorgeous. Just need some
:18:17. > :18:22.charleston moves. And this goes with what is under there, I've
:18:22. > :18:28.heard? Yes, this dress. Give us a flash. Let's see if we can dress
:18:28. > :18:32.who is wearing this. Look how it glistens. I will return this, I
:18:32. > :18:36.promise, can I just borrow it for the rest of the afternoon, please?!
:18:36. > :18:41.Good luck this weekend, Stirling work, we love Nicola, thank you.
:18:41. > :18:44.It's so cute, does it suit me. Who is that woman? Despite a few
:18:44. > :18:48.missteps, Jason and Kristina rocked around-the-clock with their jive on
:18:48. > :18:52.Saturday. They'll be with me in a moment, but first, time for an
:18:52. > :18:56.update on how the rest of the celebs have been getting on in
:18:56. > :19:03.training. This week, we are dancing the cha-
:19:03. > :19:11.cha. Dear Robin is not well and I have a new dance partner. Oh, my
:19:11. > :19:17.goodness. One, two... Sorry, I missed it completely. It's so quick.
:19:17. > :19:19.She doesn't believe enough for the dance to come out from her body. It
:19:19. > :19:23.starts looking like you are completely in control of what you
:19:23. > :19:27.are doing, regardless of what you are thinking. My body can't
:19:27. > :19:36.physically make the shapes, but Brendan doesn't accept that, he
:19:36. > :19:42.says UK, I've watched you. He's working much more on my attitude.
:19:42. > :19:47.There you go. Work, work, work, now you're talking. Feel me up here,
:19:47. > :19:50.woman, it's your only chance. I would like her to come out with
:19:50. > :19:56.this cha-cha and hit the audience right between the eyes. It's not
:19:56. > :20:02.true what Robin says, you are not a dud! I'm probably coming into this
:20:02. > :20:06.week to do my foxtrot a little hungryer, because I would like next
:20:06. > :20:11.week not to have that scary feeling under the red light. I'm pushing
:20:11. > :20:16.Holly, she's working harder this week. The for example trot, it has
:20:16. > :20:20.to be so precise. That's not my strong point. Slow, quick quick
:20:20. > :20:26.slow. The most difficult thing is to timing. Instead of slow, say
:20:26. > :20:34.chocolate, because it's a longer word. Chocolate, quick quick .She
:20:34. > :20:39.Wants to go quicker and it has to be slower. What a disaster.
:20:39. > :20:46.judges have been saying Holly is holding back and not performing.
:20:46. > :20:52.It's frustrating, I'm dancing full out and I watch the tape back and
:20:52. > :20:59.it looks like I'm holding back. That was really good. Give me that
:20:59. > :21:05.back, that would be brilliant. this weekend, obviously, we do the
:21:05. > :21:10.charleston, which is very, very exciting, 19 '20s, character, you
:21:10. > :21:14.know, quite quick and cheeky -- 1920s. I know it's a very
:21:14. > :21:19.character-based sort of step routine. I would have to say the
:21:19. > :21:23.charleston is probably one of the harder dances that I've learned.
:21:23. > :21:28.Orb, my gosh, that's full-on. We thought the jive was the quick one,
:21:28. > :21:34.but this dance is literally killing both of us. You are really worried?
:21:34. > :21:37.I am a bit. You really need to kick my thigh. Come on then. Yes it's
:21:37. > :21:43.quick, character-based and therefore within that, it's a
:21:43. > :21:47.little easier to sort of find a home. I think charleston suitnesss
:21:47. > :21:50.him because there's lots of acting at the beginning. I think he likes
:21:50. > :22:00.it and I think at this moment actually we are doing quite well.
:22:00. > :22:04.Beautiful. That was absolutely great! Here they are, Jason and
:22:04. > :22:08.Kristina! Thank you. Thank you.
:22:08. > :22:14.So, let's go back to Wembley and Ian on the show last week was
:22:14. > :22:22.looking at your dance training and saying, it's going to be tens, we
:22:22. > :22:26.all thought that. What happened? First thing, my son Zac did tell me
:22:26. > :22:31.that he'd seen the show and he'd said that Ian was saying some great
:22:31. > :22:39.things. Look, I mean, it was just one of those moments, there it is,
:22:39. > :22:45.where I just put the wrong foot, you know. You came back so quickly
:22:45. > :22:51.though. You did, amazing. You know, it's a live show and we have been
:22:51. > :22:55.through our routines backward and forward. I peen, you know, we work
:22:55. > :22:59.extremely hard and try and have fun with it too. It was a fun dance,
:22:59. > :23:04.just one of those moments and I've hit a few of those in my
:23:04. > :23:08.professional clear, you know, it's not all about trying to be
:23:08. > :23:11.absolutely spot-on -- in my professional career. An amazing
:23:11. > :23:16.routine. I was going to say, how confident were you, Kristina, that
:23:16. > :23:20.the crowd were going to love it anyway? I think it's a great song,
:23:20. > :23:24.great venue and the jive was going so well and I was absolutely loving
:23:24. > :23:27.it, I never thought he'd make a mistake, but you know what, hey
:23:27. > :23:31.it's a live show, he's not a professional and I'm so proud
:23:31. > :23:41.because he went back immediately and kind of carried on, it was
:23:41. > :23:46.unbelievable. Still great scores. Exactly. But I can't say that I
:23:46. > :23:50.wasn't disappointed. We felt it. I think we were all disappointed.
:23:50. > :23:55.close! He was so down. In the results show, you were one of the
:23:55. > :23:59.last people to be called out. know! What was going through your
:23:59. > :24:04.mind at that point? I have a funny perspective on that, you know. Look,
:24:04. > :24:11.we can go out at any single point, it's a public vote and, you know,
:24:12. > :24:17.Kristina's obvious lib been through the process a lot more than I have
:24:17. > :24:22.db - obviously been through the process a lot more than I have.
:24:22. > :24:26.There's not a lot more that we can do. We've tried our best, had a
:24:26. > :24:31.great journey and if the public think it's time for us to go,
:24:31. > :24:37.that's... Don't say such things! Stop! I can't... You are doing the
:24:37. > :24:45.charleston this week. Four days in, what do you think? Do you like?
:24:45. > :24:48.like it. Me like too. Look at that. There's a bit of campness in there.
:24:48. > :24:58.Strictly Come Dancing camp, never! This is the music you are dancing
:24:58. > :25:00.
:25:00. > :25:03.to. # No Sir that's my baby # Yes, Sir, that's my baby... #
:25:04. > :25:08.How's the stamina at this point? It's quick, it's even killing me.
:25:08. > :25:13.He was hoping for an easy week with the charleston. Never, no, not at
:25:13. > :25:19.this stage in the competition. the toes, stepping on the toes.
:25:19. > :25:22.Black-and-blue, bruised. It's the big toe scenario. Not getting
:25:22. > :25:27.smelly? My toes have never been pleasant at the best of times, I
:25:27. > :25:33.have to say. This week they are looking pretty ugly. It's time for
:25:33. > :25:37.a pedicure. Any offers? One thing we have noticed about your training,
:25:37. > :25:47.you are working really hard and we love that about you, but you do
:25:47. > :25:48.
:25:48. > :25:53.need to remember to breathe. Yes, Jason, breathe. Breathe. One,
:25:53. > :26:03.two,... Without breathing, it's going to kill you. Breathe. Good.
:26:03. > :26:03.
:26:03. > :26:11.Breathe. Good. He's blue because he's not breathing. Argh...
:26:11. > :26:21.You have to breathe out so it's easier for the body. Breathe out.
:26:21. > :26:28.
:26:28. > :26:34.Yeah. Breathe out. Breathe out. I live and breathe this show!
:26:34. > :26:38.It's almost as though you're giving birth. I know. Well, I mean, my
:26:38. > :26:43.breathing at the best of times is not particularly good. I do have a
:26:43. > :26:47.slight sort of asthma problem, but you know, I think it's the one
:26:47. > :26:50.thing about a professional stage craft, whether a singer, actor or
:26:50. > :26:56.dancer, is when you breathe properly, you know, you can pupbgs
:26:57. > :27:04.chew wait your moments a lot better and it's probably my least best
:27:04. > :27:07.point -- punctuate your moments a lot better. We have got the
:27:07. > :27:11.swingathon this weekend as well. Do you think this is going to bring
:27:11. > :27:18.out a competitive edge in all our celebrities that we haven't seen
:27:18. > :27:22.yet so far? Everybody eebs great friend, very lovely, it's the last
:27:22. > :27:27.man standing, are you willing to take people down and what do you
:27:27. > :27:32.have planned? What do we do for that, Jason? It's about having fun
:27:32. > :27:36.first and foremost. I think the one thing about this swingathon...
:27:36. > :27:42.sweatathon? Yes, I was thinking of going naked, it seems to be the way
:27:42. > :27:47.to go these days. Maybe some small pants would help! It's all about
:27:47. > :27:52.spatial awareness because it's easy to get... Yes, seen couples on the
:27:52. > :27:57.floor. That's tough, making sure you are focused on your partner,
:27:57. > :28:04.not getting starry eyed by everything else. Are you going up
:28:04. > :28:09.down, under, over, round? Yes, everywhere. I think I might do a
:28:09. > :28:15.karate lift in Harry Judd's direction and maybe Robbie Savage's
:28:15. > :28:19.direction. It could get quite nasty, the gloves are on! Any special
:28:19. > :28:25.trick, diamond moves? Karen's taught me the term? We have a few
:28:25. > :28:31.actually and it's going to be a lot of fun, honestly. The Joe Calzaghe
:28:31. > :28:37.move. Wait until you see it! not going there. Sounds dangerous.
:28:37. > :28:41.It's not dangerous, but under a Len's Lens, figure it out. Figure
:28:41. > :28:47.out which is the Joe Calzaghe in our swingathon. Little competition
:28:47. > :28:52.for all of you, the first person to spot it wins a prize. Good luck
:28:52. > :28:56.this weekend with the charleston and swingathon, it's going to be
:28:56. > :29:00.great. Jason and Kristina. Thanks to all my guests tonight. Tune in
:29:00. > :29:05.tomorrow on BBC Two and I'll be talking to Robbie and Ola and
:29:05. > :29:08.having a nose around the Strictly studio to find out what is going on
:29:08. > :29:12.in rehearsals. I'm excited about the Friday panel this week, not
:29:12. > :29:17.only do we have Strictly superfan Miranda Hart on the sew farbgs
:29:17. > :29:21.she'll be joined by her on screen mother, Patricia Hodge and love
:29:21. > :29:25.interest Tom Ellis -- sofa. Before we go, there's something funny
:29:25. > :29:35.going on in the training rooms. Oh yes, have a look at this. Good
:29:35. > :29:37.