:00:08. > :00:11.It's Tuesday. Coming up on tonight's It's Tuesday. Coming up on tonight's
:00:11. > :00:15.show, they are Charleston went swimmingly but were they out of
:00:15. > :00:20.their depth? Alex and Jones are here. With this weekend's
:00:20. > :00:25.swingathon, Karen Hardy has her work cut out in Choreography Corner, we
:00:25. > :00:35.reveal how Aliona fares in Dance Challenge, and our designer
:00:35. > :01:04.
:01:04. > :01:12.casts her eye over the weekend's outfits. This is It Takes Two.
:01:12. > :01:17.Please welcome your host, it's Ball! CHEERING.
:01:17. > :01:21.Hello, and welcome to It Takes Two. This weekend, our magnificent seven
:01:21. > :01:27.became the sensational six. Hats off to Alex and Jones who performed a
:01:27. > :01:30.very cheeky Charleston but were harshly dubbed mediocre by judge
:01:30. > :01:36.Craig. They will be here, but first let's remind ourselves how events
:01:36. > :01:40.I love the goofiness that you put I love the goofiness that you put
:01:40. > :01:44.in, especially the goofy swing, and downs, legs in the air. Ilfelt
:01:44. > :01:51.you took a major step tonight. I just felt it was
:01:51. > :01:55.mediocre. Oh no! I found it fun and entertaining. CHEERING. It
:01:55. > :02:03.enjoyable to watch. I was quirky, sweet, really funny. I
:02:03. > :02:06.knew this dance would suit you. 6. 7. 8.
:02:06. > :02:09.James is really upset. He doesn't James is really upset. He doesn't
:02:09. > :02:13.think we were marked fairly. It seemed to go well, we didn't mess it
:02:13. > :02:16.up, it was all there from what we had practised. I suppose it's
:02:17. > :02:21.detrimental because it looks will be bottom of the leaderboard
:02:21. > :02:26.and James doesn't think that dance reflected that score. Please
:02:26. > :02:30.give an extra large cheer and Jones! Ah, thank you. CHEERING.
:02:30. > :02:34.I'm going to come to you in a moment, Mr Jordan, I know you
:02:34. > :02:38.lot to say, but first of all Alex you were so looking forward to your
:02:38. > :02:41.Charleston, you really looked forward to doing it. How was it for
:02:41. > :02:45.you out on the floor? Well, really enjoyed the dance and it's
:02:45. > :02:48.the dance I've wanted to do, thought I fancied a bit of
:02:48. > :02:52.Charleston Charl and the week leading up, it was tougher than
:02:52. > :02:56.thought because hands and feet different things, which for me is a
:02:56. > :03:00.problem but we got there and the dance seemed to go well.
:03:00. > :03:04.audience loved it and we got front of the panel and we went
:03:04. > :03:07.here to here. You could see it physically drain from you. You were
:03:07. > :03:12.all excited and then Craig says mediocre and your little heart
:03:12. > :03:16.sinks. There is a love-hate thing going on with Craig because he
:03:16. > :03:21.slated your rumba but then he absolutely loved you, and then again
:03:21. > :03:24.on Saturday - do you you know where you are at with him? There was
:03:24. > :03:28.rumba rumbagate, you know, the whole
:03:28. > :03:32.sexless, cold nightmare which we moved on from and then things
:03:32. > :03:37.of got better. The tango was all good and then not so good this week,
:03:37. > :03:41.and for somebody to say you've a step back, it's like: oh, no. You
:03:41. > :03:48.haven't. Nobody else seems to with that. Is it difficult
:03:48. > :03:52.to pick yourself up and then and do a swingathon? Yes, it was,
:03:52. > :03:57.wasn't it. I suppose it was. I still had steam coming out of my
:03:57. > :04:06.ears. I said to her: you watch me go in this swingathon, I'm going to
:04:06. > :04:15.give it everything. It was like the Hulk, argh! Yes, how long was he
:04:15. > :04:20.supposed to spin you around? Not that long! Look, there he she goes.
:04:20. > :04:23.Somebody help me! You got proper G-force going on there. Yes.
:04:23. > :04:27.look at you, you made it into final three, up there
:04:27. > :04:32.and Harry. At what point did you realise how far you had got in the
:04:32. > :04:37.swingathon? I couldn't breathe let alone know what else was going on.
:04:37. > :04:42.I don't think you moved until I made you leave the floor but I saw Jason
:04:42. > :04:46.leave and thought: hang on a where is he going? Is he going to
:04:46. > :04:51.the toilet? Yes, so to get to the last three was great but for me and
:04:51. > :04:56.I know Alex also, the Charleston our little baby and I knew it was
:04:56. > :05:00.good dance, it was fun. I didn't expect to be necessarily higher up
:05:00. > :05:06.the leaderboard but I just was undermarked so I just think it's
:05:06. > :05:09.unfair. Alesha did say that. did. You went from top of the
:05:09. > :05:13.leaderboard last week to then third from bottom this week. Did that make
:05:13. > :05:18.the results show even more tense? think the results show for everybody
:05:18. > :05:22.is tense obviously now because we are down to the nitty-gritty and it
:05:22. > :05:25.can go either way but being in a vulnerable position on the
:05:25. > :05:29.board does not help and I thought: oh gosh, it would be such a shame if
:05:29. > :05:33.we didn't get to the quarter-final. And we thought with the Charleston
:05:33. > :05:36.that people would like it and that the judges might like it. They
:05:36. > :05:40.obviously did. And they did. That's the great thing, everybody
:05:40. > :05:43.home did love it and picked up the phones and voted. It could
:05:43. > :05:46.actually gone in our favour people at home I
:05:46. > :05:49.have thought: there's no way that is a 6, and possibly picked up
:05:49. > :05:52.phone and voted for us so it could have helped us. But at the end of
:05:52. > :05:55.the day it's the people at home are important, they are the
:05:55. > :05:57.judges of this competition. they are better judges. And you
:05:57. > :06:02.in the quarter-final. Now, you are
:06:02. > :06:08.you are not the only one who to have a bit of a moan. Oh no. Not
:06:08. > :06:17.Alex, surely. Yes, surely! Alex isn't a finely tuned athlete
:06:17. > :06:20.myself. Ha ha! But it's the really that I just can't take it.
:06:20. > :06:25.Oh what? James, I couldn't see. have been through the mill.
:06:25. > :06:31.know what you are seeing. It's not looking great though, is it?
:06:31. > :06:34.Please, don't moan. That was fine. You was on the wrong leg. No. Yes.
:06:34. > :06:37.You was on the wrong leg. No. Yes. Yes. No. You didn't expect me to
:06:37. > :06:41.get it first time, did you? Anything else you would like to moan
:06:41. > :06:45.about? I've got a bad rib. My hair was in my eyes. It's because
:06:45. > :06:50.these shoes. I don't want her moaning in the studio. Don't want to
:06:50. > :06:54.hear any moaning. My this hurts, my that hurts. So heavy. I don't
:06:54. > :06:58.to hear moaning. Do you want pads? No. Don't moan then. Shut
:06:58. > :07:02.up. Boring. You are boring, can't get it. We are going to have
:07:02. > :07:09.to change it, I cannot do it. You are lucky you haven't got a nag
:07:09. > :07:12.a partner. LAUGHTER. So good, I do love it! This week you
:07:12. > :07:17.have the American smooth. James, what do you have planned? You can do
:07:17. > :07:21.lifts and everything. I know. Yes, it's a bit of an
:07:21. > :07:25.the moment because we are still - they all are, let's face it!
:07:25. > :07:27.Mondays and Tuesdays aren't the best, let's be honest, so we
:07:28. > :07:31.still piecing it together. haven't really got much of a
:07:31. > :07:34.at the moment but we are working a few little steps, a couple of
:07:34. > :07:42.ideas. It will be fine. will be fine on the night, won't it?
:07:42. > :07:48.It is movie week as well and you've got an absolute classic. Pretty
:07:48. > :07:56.Woman. I see what you did. James, your favourite film? Yes, I love
:07:56. > :08:00.it. Janet loves Pretty Woman. Janet's back. It it is
:08:00. > :08:07.good movie, not one of favourites. No, Ghost is your
:08:07. > :08:11.favourite, isn't it? No, it's not! Pick on me again, on TV. So will you
:08:11. > :08:16.be in like a Julia Roberts inspired frock? That's what we are hoping. I
:08:16. > :08:20.was thinking about the knee high boots and short - probably not.
:08:20. > :08:23.Not at 7.00? No. For you, Maybe you could be in that outfit.
:08:24. > :08:28.Listen, good luck this week, we loved your Charleston, forget about
:08:28. > :08:32.the 6, that was then, have a great week. Alex and Jones! Thank you.
:08:32. > :08:35.Thank you. Cheering. In just a second, I will be talking
:08:35. > :08:38.to Aliona about taking Dance Challenge, but first at
:08:38. > :08:41.stage of the competition we are getting to know our professional
:08:41. > :08:46.dancers pretty intimately so time to put your knowledge to the
:08:46. > :08:53.test, see if you can is. Can you guess the dancer
:08:53. > :08:57.these clues? Now, this person is the sex symbol of Strictly Come Dancing.
:08:57. > :09:02.He wrote that about himself, obviously. This guy just
:09:02. > :09:06.class. He is, like, always in a suit, always looking
:09:06. > :09:11.This dancer is known as the biggest flirt on Strictly. This person's
:09:11. > :09:15.catchphrase is: bella, ladies love me. Can't really do
:09:15. > :09:22.me. Can't really do the it is. So who do you think it is?
:09:22. > :09:28.Mmm, do you have an inkling? I think Mmm, do you have an inkling? I think
:09:28. > :09:35.I do. Yesterday we launched our Pro Dance Challenge to set a new
:09:35. > :09:43.world record in botafogoing, oh yes. Please welcome our next contender,
:09:43. > :09:49.Aliona! Hello, gorgeous lady. Going to talk to you and Harry later in
:09:49. > :09:51.the week but I must say, congratulations on your quickstep.
:09:51. > :09:58.Thank you so much. It was glorious. Thank you. When did you know it
:09:58. > :10:01.was going to be that good? On Thursday night. Yes? That's when
:10:01. > :10:05.all came together and this is going to be the one?
:10:05. > :10:10.We will talk about that later on in the week. Onto the challenge. How
:10:10. > :10:15.you think you did? I have no idea. I know last year I was last.
:10:15. > :10:19.were the bottom, weren't you, so can go up, Aliona. I am hoping it's
:10:19. > :10:26.better this year. OK, well, fingers crossed, the
:10:26. > :10:30.crossed, the suspense is killing me. Natalie scored an impressive 63.
:10:30. > :10:37.Let's see how Aliona did. The dancers are absolutely gunning for
:10:37. > :10:44.this because we have the world record at stake. The most botafogos
:10:44. > :10:48.in 30 seconds. I am going to be joined by Richard, who is leading
:10:49. > :10:56.choreographer to the stars. We also have the official world record
:10:56. > :10:58.adjudicator with us, and we want world champion.
:10:58. > :11:06.You always want to beat everyone You always want to beat everyone
:11:06. > :11:11.because you want to be the holder. Well, will the next
:11:11. > :11:18.challenger please come to the floor. Hello Aliona. Hello. Are
:11:18. > :11:21.to go as fast as you possibly can? Yes, I am. I am doing this for our
:11:21. > :11:27.team. I know Harry really to win, this is for both of us.
:11:27. > :11:31.Dance for your life, my darling. Please take to the floor.
:11:31. > :11:41.Dancer ready? Yes. Richard? Dancer ready? Yes. Richard?
:11:41. > :12:08.
:12:08. > :12:13.Ready. Adjudicator ready? Ready. For the record, 3, 2, 1, go.
:12:13. > :12:17.Stop. How do you feel? Exhausted. My Stop. How do you feel? Exhausted. My
:12:17. > :12:20.legs just gave in, in the middle. Yes. You did fall off
:12:20. > :12:25.halfway through. Possibly five faults there, but we will have to
:12:25. > :12:30.check on the slow motion. Please do, slow-mo, thank you.
:12:30. > :12:37.I think it went all right. My thighs gave in a bit in the middle. The
:12:37. > :12:43.first half was good; the second half was a bit dodgy. CHEERING.
:12:43. > :12:49.Come on, Aliona! You get so even watching it. How many do you
:12:49. > :12:59.think you manage? I have no idea, absolutely have no idea. OK,
:12:59. > :13:00.
:13:00. > :13:03.standby, we can find out now, Aliona Vilani, this is how you did.
:13:03. > :13:03.Aliona, your botafogos have been Aliona, your botafogos have been
:13:03. > :13:04.Aliona, your botafogos have been counted and verified and I can
:13:04. > :13:05.counted and verified and I can counted and verified and I can
:13:05. > :13:10.Aliona, your botafogos reveal that five of your botafogos
:13:10. > :13:20.were disallowed because they weren't into the floor enough. So your total
:13:20. > :13:21.
:13:21. > :13:26.number of approved botafogos is - 64!
:13:26. > :13:31.CHEERING. Well done, Aliona. It puts you top
:13:31. > :13:34.of the Pro Dance Challenge leaderboard. You beat Natalie Lowe.
:13:34. > :13:38.Who do you think will be your biggest competition out of the other
:13:38. > :13:43.pro dancers? Probably one of the boys. I know they get very
:13:43. > :13:46.competitive, so I've seen James practise and he was fast.
:13:46. > :13:53.fast. Yes. We will see you on in the week, with Harry, and
:13:53. > :13:59.tomorrow we will see Erin face the challenge. Give it up for Aliona!
:13:59. > :14:02.Last week, Len issued a warning to all couples: abide by the rules or
:14:02. > :14:07.be penalised. Did they manage to do it? Here to tell us is a lady known
:14:07. > :14:17.as the Queen of choreography, it's the gorgeous Karen Hardy.
:14:17. > :14:21.
:14:21. > :14:26.we like the way she moves, Karen we like the way she moves, Karen
:14:26. > :14:36.Hardy! Owe yes! I love that. What mover you are. Bit of that, bit of
:14:36. > :14:39.
:14:39. > :14:42.that. You had Coyy with you Saturday . Hopefully Cox will be
:14:42. > :14:46.here on the Friday panel. here on the Friday
:14:46. > :14:53.Choreography-wise has it stepped a notch? Of course, and
:14:53. > :14:59.reason is, if they learn something like a chasse, side, together, side,
:14:59. > :15:03.very simple step, that step we would use in a quickstep, a waltz, a
:15:03. > :15:08.cha-cha-cha, so now when their professional says we are going to
:15:08. > :15:12.a chasse, they know it. So they are not worrying about the steps now but
:15:12. > :15:17.it's more about the dance itself, and I'm just loving it. So was I.
:15:17. > :15:21.Now, let's talk about Alex and Jones first. Alex handled the hats
:15:21. > :15:27.brilliantly in her routine. Three hats she had to get through. Yes.
:15:27. > :15:32.I was thinking: don't drop it. How difficult is it to do tricky
:15:32. > :15:38.choreography and handle props? Talking of tricky choreography, for
:15:38. > :15:43.a special lady at home Miranda Hart, she wanted swimming and she got it.
:15:44. > :15:47.The thing about Charleston, not only is it over-the-top actions of
:15:47. > :15:52.whacking yourself or lifting the shoulders but what Alex and Jones
:15:52. > :15:57.did this time is the hats. The hats are a nemesis to any dancer, but
:15:57. > :16:01.even if you got one hat, that would be a probable, which it normally
:16:01. > :16:04.- it would be a problem - six hats in total were going on that floor.
:16:04. > :16:10.Anything could have happened. could have dropped one, missed
:16:10. > :16:13.off the coat hook, it was a really I like the idea of it, it was very
:16:13. > :16:16.challenging, but what it played in their advantage is that normally
:16:16. > :16:21.hats hide the face and people don't like that on TV. It actually
:16:21. > :16:25.pictured and framed their faces. They had some great
:16:25. > :16:29.they were lifting it. I absolutely loved it. Great number. Good. Well
:16:29. > :16:34.done Alex and Jones. Holly and Artem, quite a contemporary foxtrot.
:16:34. > :16:36.What made it so good? Well, first things first, the music was
:16:36. > :16:43.incredible, and then along with it I think this is a step that everybody
:16:43. > :16:48.has loved it and I have chosen it here. Gorgeous! Got to be done,
:16:48. > :16:52.hasn't it? That's how I think I look when doing it at home, but it's
:16:52. > :16:56.a different story. Straight into hold. I think probably we have been
:16:56. > :17:01.critical before with Artem pushing his luck with choreography. Full
:17:01. > :17:05.class, straight up into top line, even when I look back at it,
:17:05. > :17:09.detail of how her hands lay, of the women were even still
:17:09. > :17:13.grabbing the man's arm, to the point of perfection. Perfect fingers.
:17:13. > :17:17.great number, great content and that little tease factor in it I think
:17:17. > :17:22.made it contemporary. The other thing, I think if they had done a
:17:22. > :17:26.traditional soft, fluffy let's say foxtrot, I think that could have
:17:26. > :17:30.gone against them. Each professional knows the celebrities' mojo now,
:17:30. > :17:38.what makes them tick, that was a great number. Much more up Holly's
:17:38. > :17:44.street, wasn't it? Yes, saucy and contemporary. So Ola and Robbie,
:17:44. > :17:50.should the trousers have come off or not? What I am going to say is:
:17:50. > :17:57.thumbs up to Ola, because look I've spotted. Look at this, heel,
:17:57. > :18:02.heel, heel, heel. It's a Latin dance, absolutely no heels. Except
:18:02. > :18:06.for the paso doble. But look, do we do? Ola knows that
:18:06. > :18:12.he is not technically the strongest in this field at the moment,
:18:12. > :18:15.technically, so what do we do? We got to keep this in there. We got to
:18:15. > :18:18.put entertainment in there. he goes. Because what happens?
:18:18. > :18:22.Everyone at home, even if they saw it, by the time he has
:18:22. > :18:29.they would have completely it and gone: oh my gosh,
:18:29. > :18:33.unbelievable! He has got no trousers on. Jason and Kristina, the
:18:33. > :18:37.judges said "That was a Charleston", underlined several times. What was
:18:37. > :18:40.so good about this Charleston? I think we've always talked about his
:18:40. > :18:44.performance but you've got to at the level now. We've got knees
:18:44. > :18:47.twisting one way, hips going another, facial expressions,
:18:47. > :18:51.going another way and they are in harmony. Look, they are a wink out
:18:51. > :18:56.there. That's all they are out, and now they are back in sync with each
:18:56. > :19:00.other, so it is absolutely brilliant. The quality that is in
:19:01. > :19:05.this now. I think from the beginning we've always gone: here is Jason, he
:19:05. > :19:08.is going to be able to do all the performing, it's a Charleston, he is
:19:08. > :19:10.going to do this bit no problem I wanted to point out how strong
:19:10. > :19:14.that choreography was able to master it. Do you
:19:14. > :19:22.is having a bit of trouble with the side by side, because at Wembley he
:19:22. > :19:29.had a bit of a problem with the Said, a tiny mistake with the side
:19:29. > :19:32.by side. This competition is so close, if they make a mistake you
:19:32. > :19:37.are probably going to pull them but to be honest, even as a
:19:37. > :19:41.world professional we all make mistakes, and what he did here is he
:19:41. > :19:51.made a mistake but did we see it? No. No. I was blissfully unaware.
:19:51. > :19:55.Ignore it. Fantastic number. Harry and Aliona. Harry made this
:19:55. > :20:00.quickstep look so easy but it incredibly complex, wasn't it? It
:20:00. > :20:04.was. It is the greatest have seen on here. On this series?
:20:04. > :20:08.In this series. The choreography was what we call high level professional
:20:08. > :20:12.pieces of choreography put together. Slows and quicks, ups and downs. I'm
:20:12. > :20:16.going to attempt the impossible now. Stick with me. OK. I want you to
:20:16. > :20:20.understand what is going on in their heads count-wise, especially in a
:20:20. > :20:26.quickstep, I won't get it all but will have a go. I am excited.
:20:26. > :20:31.No, don't be. So if we look at how to count this, quick and quick slow,
:20:31. > :20:38.quick, quick, quick, quick, quick, quick, slow, quick, quick, slow,
:20:38. > :20:46.slow, slow, slow, quick, quick, slow, quick, slow, quick, quick,
:20:46. > :20:51.slow, quick, quick, quick, slow. impossible for you to even speak it,
:20:51. > :20:55.he performed it. There was another section, quick and quick and
:20:55. > :20:59.quick, quick, quick. You have remember your hold, this
:20:59. > :21:03.choreography, you've got to presentation, I just really want
:21:03. > :21:07.people to understand how difficult that choreography was. There were no
:21:07. > :21:16.tricks, there was no lifts in it, was pure dance and it was brilliant
:21:16. > :21:19.and out came those tens. Hoo hoo! Yes, hurrah. Chelsee and Pasha, and
:21:19. > :21:23.the judges felt Chelsee could have acted through her Argentine tango
:21:23. > :21:29.little more but in terms of footwork, was she on the money?
:21:29. > :21:32.Yes, the complexity again. Pasha always loads her choreography,
:21:32. > :21:36.flicks probably could have bit quicker.Ity want to look at
:21:36. > :21:40.something else. They are always talking about her acting. We all
:21:40. > :21:44.know that she is an actress, so I think she is going to be getting a
:21:44. > :21:48.bit frustrated by now. Something teach my students always:
:21:49. > :21:52.and doing are two different things. So if you said to her: right, I want
:21:52. > :21:56.you to show me pain on stage, would scream, wouldn't you? OK. So
:21:56. > :22:00.out of your voice. But through you don't have a voice except your
:22:00. > :22:06.body. She is too stiff. That's why the emotion is not coming through.
:22:06. > :22:10.So if I did that with my hand or I did that with my hand - Ooh,
:22:10. > :22:16.at that. I could feel it. Just throw the arm like that with no
:22:16. > :22:20.body, and then we add the body, oh! Ooh, look, feel that movement, let's
:22:20. > :22:24.get carried away. You've still got it woman, I love it! I don't
:22:24. > :22:28.what it is. She has got to get her back moving and she will be acting
:22:28. > :22:35.just as great as she does in Waterloo Road. Let's talk about the
:22:35. > :22:40.swingathon. Ooh, fabulous! There they all are out on the floor
:22:40. > :22:46.together. Who for you was out? This is how you do it.
:22:46. > :22:51.the background, can you see someone spinning around, it's still catching
:22:51. > :22:55.your attention. Clever move. Look this, let's throw the arms in the
:22:55. > :23:00.air and together, catches the judges and look at this, a double flip, and
:23:00. > :23:03.not only that, let's put in as well. Nice. They would have
:23:03. > :23:07.done that two or three times in that time that the music was playing,
:23:07. > :23:10.all those three points that I captured there, very clever
:23:10. > :23:14.choreography. The judges, someone like Len, we are in our
:23:14. > :23:18.prime, we have anything up to 20, 25 people on a dance floor normally,
:23:18. > :23:22.and our eyes are so critical what we want to see, but the
:23:22. > :23:27.professionals with theirography are just as - with their choreography
:23:27. > :23:31.are just as clever because they know the exact pieces to put in
:23:31. > :23:35.that's going to get them those marks. Karen Hardy, you are
:23:35. > :23:39.Georgeous! Earlier we asked if you could
:23:39. > :23:46.who our dancers were talking about. Have you got it right? Did
:23:46. > :23:50.guess? You guessed it, it's me. Vincent Simone, of course, how
:23:50. > :23:54.you not have known that? This weekend, all our couples looked
:23:54. > :23:59.absolutely stunning as always. Robbie Savage even got leggy with it
:23:59. > :24:09.in a pair of sparkly football shorts. Only on Strictly of course.
:24:09. > :24:10.
:24:10. > :24:20.I will be talking to our designer and expert shortly after this
:24:20. > :24:21.
:24:21. > :24:25.Please welcome designer Celia Please welcome designer Celia
:24:25. > :24:32.birthwell and our fashionista with the facts, Oonagh O'Hagan!
:24:32. > :24:35.Hello, ladies, lovely to have you with us. Let's talk about Chelsee's
:24:35. > :24:39.dress first of all. Quite a different look, doing the Argentine
:24:39. > :24:44.tango. Do you think this combination worked well? Purple
:24:44. > :24:48.a little bit of turquoise. I think the colour combination is brilliant,
:24:48. > :24:54.and it's saved by the beautiful choker of all those wonderful stones
:24:54. > :24:59.round her neck, and it fused - it felt close to her face and I like
:24:59. > :25:03.the combination. The purple and then that worked as well, so I think she
:25:04. > :25:08.is quite beautiful, I like her little head. She is absolutely
:25:08. > :25:12.stunning. You made a while we were talking. I do see a
:25:12. > :25:16.little bit of Elizabeth Taylor in her face. She will be absolutely
:25:16. > :25:20.thrilled. I hope she knows who Elizabeth Taylor is actually
:25:20. > :25:24.she is so young she might not. But the stones and beading actually
:25:24. > :25:26.served a purpose, didn't they Oonagh? That is right, they
:25:26. > :25:33.there for a function as well. stones round the bottom
:25:33. > :25:38.weight to them so it keeps the dress down when she does the kicks,
:25:38. > :25:42.well as being in a crepe fabric. At the top also this lighter and
:25:42. > :25:46.darker, very flattering, very hour glass, along with that turquoise
:25:46. > :25:51.piping. That elongated the body, didn't it? Yes, and very
:25:51. > :25:55.That high neck as well. I thought it was a mandarin collar but it's not.
:25:55. > :26:01.It's a choker actually, isn't it, but she has a very pretty neck and
:26:01. > :26:06.holds her head in a particular way, doesn't she? Very poised.
:26:06. > :26:12.Absolutely. We could all learn from Chelsee. I don't think she knows
:26:12. > :26:17.how pretty she is. What about Holly, she was doing the foxtrot,
:26:17. > :26:20.maybe more tango than foxtrot initially. Did you like her frock,
:26:20. > :26:25.Celia? I think the colour is wonderful and the detailing on
:26:25. > :26:29.back was particularly nice. the mesh, yes. The mesh at the back
:26:29. > :26:33.is level and all the godets that gave it all the fluidity. Very nice
:26:33. > :26:37.movement, wasn't it? Absolutely, and it has got wiring in the bottom
:26:37. > :26:40.but very different from a usual foxtrot dress. How is it different?
:26:40. > :26:47.Usually a foxtrot dress would be very Princessy, you wouldn't
:26:47. > :26:51.this was at all like that. Lots of layers, petty coats, usually
:26:51. > :26:54.pastel colour and this is of course very red, she looks very LA
:26:55. > :26:59.Confidential in it. Very smooth in her body. This was in a crepe to
:26:59. > :27:03.keep it down as well so when she is doing those kicks - Those
:27:03. > :27:07.incredible kicks that she did. It fitted the music very well as well.
:27:07. > :27:10.The combinations were good. Absolutely, and these are crystal
:27:10. > :27:15.strings when they put them all together, it took a day to put them
:27:15. > :27:18.all on. One day, just one dress. But she carried it off so
:27:19. > :27:23.brilliantly. Well done to Holly and well done to the frock. We've got
:27:23. > :27:27.Alex's Charleston dress in the studio here. Tell me a bit about
:27:27. > :27:32.this, Celia. Well, it's a pale apple green. It actually is Lycra,
:27:32. > :27:35.although it looks like crepe. It's quite a boyish shape and it's quite
:27:35. > :27:40.suitable for the dance. you tell me about the stones, how
:27:40. > :27:44.many crystals on there? Come on, facts. I know, a huge amount, 5,000
:27:44. > :27:49.stones on that, round the neck on the Chevrons, can't believe it,
:27:49. > :27:52.absolutely. On the back of you have those beads which echoes
:27:52. > :27:56.the 1920s long necklaces so that's where a lot of the work will be.
:27:56. > :28:00.The swingathon was very exciting, seven couples on the floor and they
:28:00. > :28:05.all had a go at helping to choose their outfits and the designs of
:28:05. > :28:08.their outfits, didn't they, Oonagh? That is right, it made it much more
:28:08. > :28:15.feel like a competition because they all got to say what they wanted to
:28:15. > :28:25.wear so Holly went back to these trousers, like a 1930s suit, and the
:28:25. > :28:26.
:28:26. > :28:30.polka dot dress very 50s as well. It reminds me of Cha Cha from
:28:30. > :28:34.Greece. She wore it well, didn't she? She stole the show for me but
:28:34. > :28:38.then I do like a polka dot and like that scale. Also, a print is
:28:38. > :28:43.quite unusual on this show, so somehow it stood out for me, plus I
:28:43. > :28:49.think she is a great dancer, and I think he is a wonderful teacher.
:28:50. > :28:53.Pasha. I think she is marvellous - he is marvellous. I think we all
:28:53. > :28:58.know who Celia's favourite is in this competition. Celia for
:28:58. > :29:03.Thank you so much for coming sharing that with me. Celia and
:29:03. > :29:04.Oonagh! Thank you to all my guests tonight. See you tomorrow at 6.30 on