:00:11. > :00:17.It's Tuesday. Komenting up on the show. It was 40 love for Chelsee
:00:17. > :00:22.and Pasha. I get the low down on their perfect paso. Karen Hardy is
:00:22. > :00:32.spoilt for choice and in the final top of the frocks, Julia McDonald
:00:32. > :01:02.
:01:02. > :01:11.critiques the weekend's outfits. This is strictly It Takes Two.
:01:11. > :01:15.Please welcome your host, it's Zoe Ball!
:01:15. > :01:19.Ola! Can you believe it? We now have our three finalists and the
:01:19. > :01:23.trophy awaits in the Blackpool Tower ballroom. First, our couples
:01:23. > :01:27.must perfect four - yes, that's four - different dances. Chelsee
:01:27. > :01:34.and Pasha wowed the judges at the weekend and they are here next.
:01:34. > :01:40.Here is a reminder of how they booked their place in the final.
:01:40. > :01:47.was like the Chelsee Flower Show. Your arms are absolutely exwas zit.
:01:47. > :01:56.Takes us years and years to be able to master that and you have that
:01:56. > :02:01.natural -- exquisite. Thafrpblgts was absolutely A -- that was
:02:01. > :02:07.absolutely amazing. When I see the paso performed properly, I love the
:02:07. > :02:14.shaping of it. It was fantastic. I'm a little bit speechless. I
:02:14. > :02:20.don't think you realise how good you are! That was so amazing.
:02:20. > :02:23.didn't expect that one bit. I can't even explain how I'm feeling, just
:02:23. > :02:32.amazing. I think she was still shaking right afterwards like she
:02:32. > :02:38.couldn't believe it. Speechless, honestly. Please welcome our first
:02:38. > :02:45.Strictly finalists, Chelsee and Pasha!
:02:45. > :02:51.Well done, well done, well done. So exciting! Online, Ben says, Chelsee
:02:51. > :02:57.was outstanding, get that girl to Blackpool now! Has it dawned on you
:02:57. > :03:01.yet that you could be the Strictly champion this year? Erm, I'm just
:03:01. > :03:04.kind of thinking that I'm in the final, I still have to pinch myself
:03:04. > :03:08.because I'm in the final. I didn't think that I would have got this
:03:08. > :03:11.far, so just to even be in the final, I'm not thinking that I
:03:11. > :03:14.could be crowned yet because I don't know whether I could be, I'm
:03:14. > :03:18.just in the final. I love you though, it's so exciting! How are
:03:19. > :03:25.you feeling about it all, Pasha and how good was Saturday night for
:03:25. > :03:28.you? Well, Saturday night was great, the first 40. I know. It was
:03:28. > :03:34.amazing because when Craig pulled out the ten, it was like what?!
:03:34. > :03:37.What is going on... So we were both ecstatic. Not surprised at all.
:03:37. > :03:41.Let's talk about the American smooth. Mixed comments and the
:03:41. > :03:47.judges picked up on the splits there. What happened there,
:03:47. > :03:52.Chelsee? When I started that dance, I was nervous all the way through
:03:52. > :03:56.it, whereas every other week I've been nervous but have lost my
:03:56. > :03:59.nerves once I'd got on the dance floor, but throughout that dance I
:03:59. > :04:02.think because it was the semi- finals and meant that much to me, I
:04:02. > :04:05.was kind of nervous all the way through so I sort of stumbled on
:04:05. > :04:09.that because I was shaking. were then able to use what happened
:04:09. > :04:15.in the first dance weren't you and channel that into the second dance?
:04:15. > :04:21.Yes, Pasha said to me, think about the eight on the next dance and I
:04:21. > :04:25.said "yes, I will do, even though I'm mad". Last week you seemed
:04:26. > :04:35.happy with your Paso Doble training and were worried about the paso fan
:04:36. > :04:39.
:04:39. > :04:49.but didn't take it lightly. Have a OK. Like this. Oh, yeah, wrong way.
:04:49. > :04:52.
:04:52. > :05:02.I can't hold it because my hands aren't that big. So when... Stop
:05:02. > :05:08.breaking it. Sorry. Oo... Sorry. it falls, kick it out and that's
:05:08. > :05:18.what you are meant to do anyway. Yes. It might be better if I threw
:05:18. > :05:20.
:05:20. > :05:30.it at some point to the audience. Why? In front of your face. Yes.
:05:30. > :05:33.
:05:33. > :05:37.That's it. See, you got it. The fan didn't open. After all of
:05:37. > :05:41.that it wouldn't open. Oh, no, what a nightmare, you see, props can be
:05:41. > :05:46.a nightmare but it didn't affect your performance at all. It was
:05:46. > :05:51.incredible. The top score for a paso was Austin and Holly from a
:05:51. > :05:56.couple of weeks ago with 38 and look what you went and did, a full
:05:56. > :06:02.40. How did you feel when the scores came in? It didn't sink in,
:06:02. > :06:05.I was shaking a bit. All I could do is jump on him! I know. I thought
:06:05. > :06:08.he was about to faint because she was like sliding down. I think at
:06:08. > :06:11.that point obviously everybody wants it so badly, don't they,
:06:12. > :06:15.really after all that work, you want to get to the final and you
:06:15. > :06:18.can tell how nervous everybody was and I know for a fact how much it
:06:18. > :06:22.means to you to get that point. I was thinking that maybe you were
:06:22. > :06:27.going to cry because I think it's all built up to that moment hasn't
:06:27. > :06:32.it? Yes, it does get emotional. Because you've worked so hard and
:06:32. > :06:35.that was my hardest dance this week, I found the American smooth a lot
:06:35. > :06:39.easier so I didn't think it would have gone as well as what it did so
:06:40. > :06:44.it was a shocking surprise as well at the same time as overwhelmed and
:06:44. > :06:50.happy. That's a lot of emotions to deal with at one time. I know. I'm
:06:50. > :06:53.an emotional kind of girl, me. Bruno called you a hot Senorita, he
:06:53. > :06:58.was seriously impressed with your performance. Does that mean a lot
:06:58. > :07:01.to you when you hear that? Yes, it means so much to me because I don't
:07:01. > :07:07.expect it and for people to say such nice things about you, it's
:07:08. > :07:12.one of the best feelings, it's lovely. You are in the final. Four
:07:12. > :07:17.dances, Pasha what are you going to be doing? Rumba show dance. How has
:07:17. > :07:23.it gone so far? It's all about the hips, it's slow and I'm kind of
:07:23. > :07:30.getting the sexiness out of Pasha. At last! Cos he's not been very
:07:30. > :07:34.sexy. Be sexy doing it at least. Keep talking! Rumba is going very
:07:34. > :07:39.well and it's a difficult dance because I think everybody is afraid
:07:39. > :07:43.of rumba on strictly because it's slow and you have to show that
:07:43. > :07:48.technique which is hard to get in a short period of time but I think
:07:48. > :07:53.she's coping very well with it. Sexy! Sexy. Let's not tell her in
:07:53. > :07:57.case it goes to her head! Never. What about a show dance? You said
:07:57. > :08:07.to Claudia it was going to be funky. Have you got any more that you can
:08:07. > :08:09.
:08:09. > :08:16.tell us? Maybe. Since Chelsee does her moves, I thought I would spice
:08:16. > :08:22.it up a bit, put a few tricks, she might lift me. He's too heavy for
:08:22. > :08:25.me. Have you tried to lift him up? Oh, no, I've only got little hands.
:08:25. > :08:30.I think you are stronger than what you think you are. You have got
:08:30. > :08:36.fluff on you. I've seen it, it's been doing my head in. You have
:08:36. > :08:42.been properly like a married couple. How long has it been? It was our
:08:42. > :08:46.50th anniversary actually, 50th rehearsal together. I'm glad he's
:08:46. > :08:50.keeping a tab on it, I didn't have a clue. Someone's been keeping it
:08:50. > :08:54.in a diary. He don't want it to end, that's why. There could be marriage
:08:54. > :08:59.on the cards yet, people. We have seen some fabulous
:08:59. > :09:03.choreography from yew this series, Pasha. Thank you. What have you got
:09:03. > :09:09.to take to the floor to Blackpool Tower in the final to stand out and
:09:09. > :09:14.be the ones to win? The floor there is so big and we have to make sure
:09:14. > :09:19.that we cover all of it and Chelsee just has to stretch her arms even
:09:19. > :09:22.more. Look how well you did at Wembley and that was enormous, so
:09:22. > :09:28.surely at Blackpool it will be a piece of cake for you? Is the
:09:28. > :09:32.Blackpool one big? It is pretty big, yes. I just love you so much. We
:09:32. > :09:42.are wondering if you might be cracking out this move in Blackpool
:09:42. > :09:45.
:09:45. > :09:55.Tower, Pasha, because this is quite special. Oh, are you OK? Did that
:09:55. > :09:55.
:09:55. > :10:00.hurt? No! Why would I hurt myself. Nicely smiled out. You are so funny,
:10:00. > :10:06.Pasha. You are revealing my choreography before I actually puts
:10:06. > :10:11.it in. Listen, good luck with your training this week. Thank you.
:10:11. > :10:17.have been so incredible and we are loving watching you. See you in
:10:17. > :10:20.Blackpool on Friday! Chelsee and Pasha! Thank you.
:10:20. > :10:23.It's the final week and we thought it only right to honour those
:10:23. > :10:29.who've made an outstanding contribution to Strictly and
:10:29. > :10:34.yesterday, we kicked off The Glitterball Awards. So let's cross
:10:34. > :10:37.to The Glitterball host Ian Waite and Karen Hardy for the nominations
:10:37. > :10:42.for today. Wow, Zoe, you really don't know
:10:42. > :10:50.what you are missing here at The Glitterballs. It's so glamorous.
:10:50. > :10:55.And we are in heaven. The next award is for the most show-stopping
:10:55. > :11:01.costume during live television. the nominees are... Chelsee's
:11:01. > :11:10.misbehaving bra top. Nancy's outrageous feather boa, Alex's
:11:10. > :11:15.unruly hemline and Holly's rebellious braces. Some well
:11:15. > :11:21.deserved nominees here. Yes. the winner is, Nancy's feather boa.
:11:21. > :11:24.Oh, shut up, no way! Oh, hiya, this is amazing. How do you feel about
:11:24. > :11:29.winning the award? It's the best feeling in the world. I would like
:11:29. > :11:33.to thank all the other feather boas on Strictly Come Dancing. You may
:11:33. > :11:41.have noticed I'm looking a different colour. It's because I'm
:11:41. > :11:46.in panto with Russell Grant! Mwah.
:11:46. > :11:49.Back to you, Zoe. Marvellous. As well as dishing out
:11:49. > :11:59.awards, Karen Hardy has receive add few in her time and she's here with
:11:59. > :12:09.
:12:09. > :12:15.all her thoughts on the weekend's Please welcome Karen Hardy.
:12:15. > :12:20.Getting on down to a bit of Jamiraqrai. Loving the big hair.
:12:20. > :12:25.Felt a bit Joan Collins. There they are, Chelsee, Harry and Jason.
:12:25. > :12:29.Harry and the charleston, he wanted to show his fun side. Did that come
:12:29. > :12:33.through for you? Harry is a person. This is going to be the most
:12:33. > :12:36.personality we are going to get out of him, but what's great here is
:12:36. > :12:42.that through choreography, we can heighten it a bit more. This sort
:12:42. > :12:45.of choreography lifts his character. But, to be honest, he's the drummer
:12:45. > :12:49.boy, he's normally stood at the back. But there's something special
:12:49. > :12:53.I like about that, you are always left wanting to know, who is that
:12:53. > :13:00.guy, the dark horse. I think that's what's mesmerizing about him. He
:13:00. > :13:05.leaves you just always thinking, mmm... Yes, I know exactly that
:13:05. > :13:10.feeling. The question mark, you know. Would he - I bet he would!
:13:10. > :13:15.The Viennese waltz. Craig said it was more melancholy than usual, can
:13:15. > :13:19.you explain that? It was spell binding for me and disappointed in
:13:19. > :13:24.Craig Revel Horwood's mark. want have liked a ten? A fleckerl
:13:24. > :13:28.to start this and a beautifully delivered one. This is what I want
:13:28. > :13:32.you to look at. The voice singing in harmony with Harry's movement.
:13:32. > :13:37.That sway of the body, the relationship of the two where the
:13:37. > :13:42.voice connects with the body and the two become one. They were so
:13:42. > :13:47.limited with the choreography in a even niece waltz yet it entranced
:13:47. > :13:51.us all. I was stolen by that number, I thought it was incredible. Jason
:13:51. > :13:55.and his Samba. He must have been dreading the Samba. For some reason,
:13:55. > :13:58.it can be so tricky for the boys, but Len saw lots of content and
:13:58. > :14:01.Craig Reiched the disco infusion. What did you think about it?
:14:02. > :14:06.went from the sublime to the ridiculous, to the Viennese waltz
:14:06. > :14:10.to this, the party dance. Now, Samba, one of the hardest dances
:14:10. > :14:13.ever, but everything we are seeing here now is full content, fall
:14:13. > :14:17.aways, vaulters, all the stuff that you would want to see in a Samba.
:14:17. > :14:22.But, thinking about it, you wouldn't have time to have put the
:14:22. > :14:28.quality in. The one ace up Christina's sleeve is, it's a party
:14:28. > :14:32.dance. So let's be clever, pull the audience in, let's do loads of this,
:14:32. > :14:36.we'll forget what the dancing is doing, no-one's going to reflect,
:14:36. > :14:42.they are just going to go, I'm having a good time, it must be good,
:14:42. > :14:47.bang, bang, bang, good marks. It was fantastic choreography, very
:14:47. > :14:50.clever by Kristina and well delivered by Jason. A difficult
:14:50. > :14:55.dance to have in the semi-final. know. But it kind of made up for
:14:55. > :14:59.hit when he came on and did his arrangen Tyne tango and broke the
:14:59. > :15:03.record - 40. What an incredible score. Why was this so spectacular?
:15:03. > :15:10.I tell you what I loved. The first scene I picked up here is how they
:15:10. > :15:13.set the story line on the steps, the music was sensious, so between
:15:13. > :15:18.each other, they've left the room, it's only the two of them. That's
:15:18. > :15:21.all you can relate to. The story is going to build up and build up and
:15:21. > :15:30.that's the great Argentine tan go because what happens towards the
:15:30. > :15:36.end - this is what happens! It builds into Kristina eating him
:15:36. > :15:39.alive and back she goes and the music has gone through the sky,
:15:39. > :15:43.they have totally forgotten they are on television and 12 million
:15:43. > :15:46.people are watching them. That is really what the Argentine tango is
:15:46. > :15:50.about. It's that relationship between the two and the incredible
:15:50. > :15:56.storyline that builds up through it. That's what I fell in love with
:15:56. > :16:01.with that number. Kristina said to him in training apparently dance
:16:01. > :16:04.like no-one's watching. Yes. That's exactly what you have to do in that
:16:04. > :16:08.dance. It wasn't cheesy or anything like that, it was the passion and
:16:08. > :16:13.the realness of it. I think it was a little bit feeling like a peeping
:16:13. > :16:19.Tom peep egg in on a relationship, it was jumping on the sofa by the
:16:19. > :16:26.end of it, it was incredible and that music too! Chelsee and her
:16:26. > :16:29.American smooth first of all, they were here earlier on. There was a
:16:29. > :16:33.slip on the American smooth, a split. Is that inevitable because
:16:33. > :16:37.of the nerves? When I look back over the split section, to do that
:16:38. > :16:42.step, you have to take a big old deep breath and dive into it. But
:16:42. > :16:46.the piece that I want to look at, it got touched on. Her arms. You
:16:46. > :16:50.see how she's using her arms throughout the choreography. Now,
:16:50. > :16:56.for me, she nailed those arms the best girl I've seen out there with
:16:56. > :17:00.them. Well done, Chelsee. Then she came back to the floor and scored
:17:00. > :17:05.40 for her Paso Doble, another record on Strictly Come Dancing.
:17:05. > :17:10.incredible Paso Doble. I think I talked about it once before with
:17:10. > :17:16.Holly, but one thing being taught choreography, but in this dance you
:17:16. > :17:23.have to take that and answer your own and answer your man back and
:17:23. > :17:27.she even snarls and answers back. She did snarl, yes. It puts her in
:17:27. > :17:32.charge of the dance buzz the gypsy Spanish woman, she's out there to
:17:32. > :17:37.demand the familiar, equally as much as the man and that's what I
:17:37. > :17:41.love. I think each week we've seen Pasha send her on her own for her
:17:41. > :17:48.own little bit. Well this all came together because now when it came
:17:48. > :17:50.to a dance like the paso, she delivered this assertive passionate
:17:50. > :17:54.dance with her assertive energy stealing the show for me. She
:17:54. > :18:00.didn't even need the fan, she stole the show herself. She was
:18:00. > :18:04.incredible. To the final, Miss Hardy? Yes. Earlier on, you said
:18:04. > :18:07.too many people were doing show dances, earlier on in the series,
:18:07. > :18:11.but probably now they get to do their show dance. Yes. What will
:18:11. > :18:18.the judges be looking for and what should we be looking for in a show
:18:18. > :18:21.dance? Sinlpl clear things we want - if -- simple clear things we want
:18:21. > :18:25.- the music has to get people standing on their feet. You have to
:18:25. > :18:32.imagine there are shows of parties going on in people's homes, it's
:18:32. > :18:37.the Grand Final. Cinemas as well? Don't use a piece of music that's
:18:37. > :18:43.deep intense and theatrical. You are in the tower, then come the
:18:43. > :18:47.lifts. Hopefully you have a couple hidden up your sleeve thinking you
:18:47. > :18:51.were going to make the final. Could be a dress reveal, could be a great
:18:51. > :18:55.stunning lift. But most of all, you've got to sell that number
:18:56. > :19:02.because that's where the big points have come from over all the years.
:19:02. > :19:07.You've got to connect, entertain and don't overcomplicate. It's not
:19:07. > :19:12.aerobics. It's a dance showcase spectacular. I want to see cha-chas,
:19:12. > :19:16.waltzs, rumbas, everything in that show dance and with a lift and a
:19:16. > :19:21.fabulous costume and them then the music to seal it all off. I hope
:19:21. > :19:25.they got that whole list down. Thank you so much. I'm so, so
:19:26. > :19:33.excited. So am I. You will be in Blackpool with us on Friday won't
:19:33. > :19:38.you? Yes. Always a pleasure, Karen Hardy. That's got me going! As well
:19:38. > :19:44.as a show dance and two favourites from the series, Chelsee and Pasha
:19:44. > :19:54.have the rumba to get the grips with. Here is katd ya to explain
:19:54. > :19:56.
:19:56. > :20:02.Today we are going to be talking about one of my favourite Latin
:20:02. > :20:08.American dances, the sweet, the romantic, the slow and sensious
:20:08. > :20:12.rumba. The reason why I love rumba the most out of all the other Latin
:20:12. > :20:17.American dances is because rumba is the slowest one. So this is your
:20:17. > :20:22.chance to actually dance it, to enjoy it. You don't have to hurry
:20:22. > :20:25.or rush anything. You can produce and finish your movements. In the
:20:25. > :20:30.rumba, you have three to four basic steps that you will always see. You
:20:30. > :20:35.have got the rumba walks, forward and back, two, three, four, one,
:20:35. > :20:40.two, three, four, one. You will also be able to see the beautiful
:20:40. > :20:44.walks when the lady takes her foot forward and straightens it and
:20:45. > :20:49.walks like a little cat. You've got your New Yorkers, which is when the
:20:50. > :20:57.lady and the man open up to either side and extend their arms to the
:20:57. > :21:02.side. Your back basic, your fan position and of course, your tricks.
:21:02. > :21:05.The judges always will look out in a classic rumba routine with good
:21:05. > :21:10.hip action, nice arms, finishing lines and a good relationship
:21:10. > :21:15.between the man and the woman. You have to have a hot rumba partner.
:21:15. > :21:20.If he's not, don't bother. Unless you are a good actress and you can
:21:20. > :21:24.really fake it. But seriously, you have to have beautiful romantic
:21:24. > :21:29.chemistry to produce a very gorgeous sensual rumba. This is
:21:29. > :21:35.Katya and I hope you enjoyed my rumba step by step and I'll see you
:21:35. > :21:38.on the dance floor. I love her honesty. Together with
:21:38. > :21:42.two spectacular dances from each of the couples on Saturday night, we
:21:42. > :21:46.were treated to some amazing outfits. In a moment, Julia
:21:46. > :21:56.McDonald will be reviewing the weekend's frocks, but first, a
:21:56. > :22:09.
:22:09. > :22:14.Please welcome designer Julia McDonald and our resident fashion
:22:14. > :22:19.fact expert Oona o Hagueen. Welcome back to both of you, what a semi-
:22:19. > :22:25.final it was on Saturday night. Julien, was there an outfit on
:22:25. > :22:29.Saturday that stood out for you? They were all incredible, but I
:22:29. > :22:33.really loved Holly's charleston dress. I'm so glad you said that.
:22:33. > :22:38.It was a pair of high waisted shorts and a halter neck top. I
:22:38. > :22:41.think it was an all in one but I liked it because I thought it
:22:41. > :22:45.looked really modern and young and something that any young girl would
:22:45. > :22:53.wear out on a Saturday night. I liked it. Thank you. Gorgeous. I
:22:53. > :22:57.really loved Artem's matching outfit as well, the braces and bow.
:22:57. > :23:03.What about across the whole series, this is the top last top of the
:23:03. > :23:08.frocks. Has there been a dress throughout the series that has been
:23:08. > :23:13.your favourite? There have been so many fantastic dresses, feathers,
:23:13. > :23:21.boas, it's Holly again, the lady in red. I just loved her when she came
:23:21. > :23:25.out in this gorgeous red dress, crystal embroidery all down the
:23:25. > :23:28.front and she just flew through the air, she was just stunningly
:23:28. > :23:33.beautiful, ultra-modern, very refined and sophisticated,
:23:33. > :23:38.definitely the dress of the season for me. When she did the kicks and
:23:38. > :23:42.the splits, we all wanted her legs. Let's talk about Chelsee on
:23:42. > :23:47.Saturday night. Amazing job with her Paso Doble, incredible scores.
:23:47. > :23:50.What did you make of her dress, Julien? I love this as well. I love
:23:50. > :23:56.everything, that's the problem! Loves it all!
:23:56. > :24:01.It was a real complicated confection of pattern cutting,
:24:01. > :24:05.technical ability. She looks so tall. In real life, she's tiny. In
:24:05. > :24:11.this dress, she looks like a swirl of fun, you know, the contrast
:24:11. > :24:16.between the white and the blue, the sequin. She just stole the night in
:24:16. > :24:22.this dress. Incredible. Can you give me some facts about its
:24:22. > :24:28.construction, Oona? Julien alluded to the pattern cutting, so the most
:24:28. > :24:36.important thing about this dress is that you had to mock it up, so they
:24:36. > :24:39.did it from scratch. So rather than using a pattern block, they would
:24:39. > :24:42.have had to make it from the beginning, so they would have
:24:42. > :24:46.worked on her or on the flat putting it together, making
:24:46. > :24:52.instruction. That apparently took two days, so a huge amount of work
:24:52. > :24:56.went into it. If we look here, there's a huge amount of
:24:56. > :25:01.embellishment which you don't realise because it's cleverly done,
:25:01. > :25:06.to enhance the blocks, going around her, it elongates her. Several
:25:06. > :25:11.colours to give it the depth as well. I can see green and blue
:25:11. > :25:16.crystals there? And the jet ones again. That's a beautiful depth to
:25:16. > :25:21.it. Apparently at the last minute, they changed the crossing?
:25:21. > :25:27.lacing, yes. But they changed it from black to white. Why did they
:25:27. > :25:30.do that? They felt it looked a bit too heavy for the dress and I agree
:25:30. > :25:36.and it made it feel contemporary, young, modern and graph if I can.
:25:36. > :25:43.thought the lacing was sporty. It added a youthfulness to a
:25:43. > :25:49.traditional dress. Gym mass tick- type. -- gymnastic-type. Alex's
:25:49. > :25:54.salsa dress, what did you think? my God. This was actually a really
:25:54. > :25:58.complicated dress. It was a very sophisticated red which went into
:25:58. > :26:02.pastel. Then the hem of the dress has got these incredible ostrich
:26:02. > :26:09.feathers. When she dances, she sparkles and flies. She could
:26:09. > :26:17.almost take off, she just needs wings. How was the feather boa
:26:17. > :26:24.skirt made? In contrast to Holly's outfit for her dance was done in
:26:24. > :26:28.one layer, this was six metres in the total number. Huge amounts of
:26:28. > :26:34.work. This is another interesting one. This was done on the mannequin,
:26:34. > :26:37.so that's a technique we call draping. Thank you. And so it was
:26:37. > :26:43.put together like a jigsaw piece, so putting the bits of lace
:26:43. > :26:47.together and working perfectly with her body. Can you give me any
:26:47. > :26:53.fashion facts about this dress? do know, don't we, we were
:26:53. > :26:58.discussing this backstage. Apparently how many? 6,000 crystals.
:26:58. > :27:04.6,000 crystals! Not one above, not one below, exactly 6,000. 6,000.
:27:04. > :27:08.Thank you for that! Right, Holly and her Argentine tango. Oo.
:27:08. > :27:14.loved this dance and you could really tell I think. Her dress
:27:14. > :27:19.really suited her didn't it, Julien? She does look like a
:27:19. > :27:23.dangerous Red Devil. Like a bond girl. The dress is skintight jersey,
:27:23. > :27:30.she had an electric bolt of crystal which wraps around the body like a
:27:30. > :27:35.snake, wraps around the body, round the neck, not one split but two
:27:35. > :27:39.splits, a double split for the first time on Strictly! Apparently
:27:39. > :27:42.it was because when she went down with her leg, she needed a split.
:27:43. > :27:47.She did that once but she had two. We have it in the studio here.
:27:47. > :27:54.There is the one split and the second split. Of course, you can
:27:54. > :28:00.see through the mesh. Transparent as well. It's very body conscious a
:28:00. > :28:04.dress and it hugs to her. The diamantes had to be put on by hand.
:28:04. > :28:08.It looks as though you will buy a whole rib been of the band but they
:28:08. > :28:13.had to put it on by hand so it didn't stretch and look ungainly on
:28:13. > :28:18.her so it really worked with her body contour. If anybody saw her
:28:18. > :28:24.eye make-up, she had fantastic cat eyes, a gorgeous black eye line
:28:24. > :28:30.which sack sen chew waited the eyes. She looked dangerous -- accentuated.
:28:30. > :28:35.I think you like Holly! I do. are right, she would make an
:28:35. > :28:43.amazing bond girl. Thank you so much for coming to see us again
:28:43. > :28:49.Julien and Oona g h thank you for being our resident fashion fact
:28:49. > :28:53.expert -- July yen and Oonagh! Join me again tomorrow when I'll be