:00:09. > :00:14.Coming up on Wednesday's It Takes Two: Last weekend, Nancy and Anton
:00:14. > :00:18.were bottom of the leaderboard. Jason and Kristina foxtrotted to
:00:18. > :00:22.the top. Both couples are here. It's taken him 60 years for a
:00:22. > :00:26.standing ovation, now he's had two. Dancing queen Russell and Flavia
:00:26. > :00:31.drop in for a chat. Plus, I've been waiting all week to see him again,
:00:31. > :00:41.Ian is back to give us his low down on the training in Waite's
:00:41. > :01:14.
:01:14. > :01:19.Wednesday Warm Up. This is Strictly Live from Television Centre, this
:01:19. > :01:29.is Strictly It Takes Two. Please welcome your host, Zoe Ball!
:01:29. > :01:31.
:01:31. > :01:35.# And all that jazz # APPLAUSE
:01:35. > :01:40.I can only apologise. Hello and welcome to the spectacular It Takes
:01:40. > :01:44.Two. I've got my jazz hands out for a reason today, not just for fun,
:01:44. > :01:47.because today is our first glimpse of this weekend's Broadway routines.
:01:47. > :01:53.It is going to be a show stopper. CHEERING
:01:53. > :01:59.It's going to be better than that, but before we get started, I have
:01:59. > :02:03.breaking news. Everyone at It Takes Two and strictly would like to say
:02:03. > :02:05.hearty congratulations to Bruce Forsyth, as today his title was
:02:05. > :02:13.made official when he was knighted by the Queen!
:02:13. > :02:18.APPLAUSE Congratulations Sir Bruce. Well
:02:18. > :02:23.done. Now onto our first act. Last Saturday, their dance left Bruno
:02:23. > :02:33.amazed, Alesha confused and gave Len a right eyeful. Nancy and Anton
:02:33. > :02:36.
:02:36. > :02:43.will be here after this reminder of Absolutely no idea where you were.
:02:43. > :02:48.But with great style and glamour. The most exciting part when -- was
:02:48. > :02:53.when I took a crafty glance up your dress. I'm confused I couldn't work
:02:53. > :02:57.out if you were trying to be funny or if it was just funny. I've never
:02:57. > :03:02.been so insulted in my life. think you broke records actually
:03:02. > :03:06.how many times somebody went wrong. So that's an achievement. I thought
:03:06. > :03:10.it was good, didn't snu I thought it was definitely good. The judges
:03:10. > :03:18.were silly tonight. They were being silly and provocative. No, they're
:03:18. > :03:23.completely wrong. Please welcome Nancy and Anton!
:03:23. > :03:25.APPLAUSE Nice to see you. Lovely to see you.
:03:25. > :03:29.Congratulations first, may have been bottom of the leaderboard but
:03:29. > :03:33.not in the bottom two, how did that feel when you heard your name
:03:33. > :03:37.called out? Of course, we were happy. I was happy. I have to say
:03:38. > :03:43.something I learned, a moment we couldn't really express because at
:03:43. > :03:48.the same time, somebody has this called off, it was a strange moment.
:03:48. > :03:51.It was mixed emotion. Sad to see people go. Yes, it's not nice, was
:03:51. > :03:57.not really enough time, you know somebody else is going to leave and
:03:57. > :04:01.was not very nice. Bless you. But you're still here. I'm here. That
:04:02. > :04:11.can only be a good thing. Alesha was confused. Was it supposed to be
:04:11. > :04:13.funny or not? Clear that up for us. No. We can have some subtitles next
:04:13. > :04:22.week so everybody can understand what kind of reaction we can have,
:04:22. > :04:32.they have to laugh or cry. We make it easy. So it wasn't supposed to
:04:32. > :04:46.
:04:46. > :04:52.be funny then Anton. When Alesha They'll be smooching in a moment.
:04:52. > :04:57.Yes, yes. You were hurt? Oh, yes. To be honest with you, I'd
:04:57. > :05:02.forgotten what you'd said. Ask me another. There was one judge who
:05:02. > :05:08.definitely enjoyed that little number and that was Len. He had you
:05:08. > :05:12.there legs akimbo on the desk. That must have been an exciting moment
:05:12. > :05:16.for Len. That should have been an incredible exciting moment for her
:05:16. > :05:20.-- for him. We got a five. I was disappointed with a five. I think
:05:20. > :05:24.you should have got a seven for that. You give him your best side
:05:24. > :05:30.and everything. They were not judging that part of my body.
:05:30. > :05:36.If they were judging that part of your body, it would have been a
:05:36. > :05:42.full ten. Ten? 11! Were you nervous. You had some risque moves, sweeping
:05:42. > :05:47.around, big lifts, jumping off the desk, going down into the kind of
:05:47. > :05:52.vacuum thing. That's the floor traditionally. I was little bit
:05:52. > :05:57.scared but we had time to try and rehearsal so everything fine. I
:05:57. > :06:03.like to take risk. It was controlled risk. I knew that I can
:06:03. > :06:08.rely on his shoulders and his lift. It was fun. It definitely was fun.
:06:08. > :06:12.I thought the beginning was the best bit. After that you didn't
:06:12. > :06:15.want to think about it. All the judge as greed that you bring
:06:15. > :06:20.glamour to this competition, even in the training room. Have a look
:06:20. > :06:27.at this. She's a very stylish woman, very
:06:27. > :06:31.sophisticated, very stylish. Glamorous. I love that. She's
:06:31. > :06:36.changed to something more glamorous. Yes, matching with the shoes. This
:06:36. > :06:39.is for you. This is very glamorous. I like this.
:06:39. > :06:49.You have to go on the coach up to Blackpool with everybody. No, no,
:06:49. > :07:05.
:07:05. > :07:10.no. Is this first class? It's a Dangerously foxy. This week tango.
:07:10. > :07:14.How lucky are you? I am. How is the tango going? Very nicely, thank you
:07:14. > :07:18.very much. And this week, no comedy, totally straight? We didn't do
:07:18. > :07:22.comedy last week. Bless you. It makes us smile though. It makes us
:07:23. > :07:26.joyful, looking good I have to say. Isn't she just. Look at that.
:07:26. > :07:31.some of that, come on. We wish you all the luck in the world this
:07:31. > :07:33.weekend for Broadway. Thank you. Nice to see you, always. Nancy and
:07:33. > :07:37.Anton! APPLAUSE
:07:37. > :07:41.Our professional dancers need no excuse to get dressed up and show
:07:41. > :07:51.off. But can you guess which one of them is dancing in disguise? Steady
:07:51. > :08:01.
:08:01. > :08:07.# In the jungle the mighty jungle, the lion sleeps tonight. #
:08:07. > :08:10.So who is the dancer in disguise. Find out later in the show.
:08:10. > :08:16.Now, it's Wednesday, which can only mean one thing. He's been waiting
:08:16. > :08:26.in the wings all week for this moment, it is the collectable Ian
:08:26. > :08:29.
:08:29. > :08:36.Waite with Waite's Wednesday Warm He's here Ian Waite, thank goodness.
:08:36. > :08:40.It is our first ever Strictly Broadway special. I know!
:08:40. > :08:46.# That jazz! # Seven styles of dancing this week.
:08:46. > :08:50.Let's have the first peek at couples in the training room.
:08:50. > :08:56.difficult to compare everybody's dancing. They're doing a jive.
:08:56. > :09:00.Anita and Robin here. If I stop it here, look at his knee. Nice and
:09:00. > :09:05.bent. He's creating this pumping action with the knee. I'd like to
:09:05. > :09:10.see that a bit more with Anita's legs, all the way through that.
:09:10. > :09:14.do we need a bent knee with the jive? If we pick up the knee it's
:09:14. > :09:18.creates the jive look. It's a bit too close to the ground at the
:09:18. > :09:22.moment. I like that. Let's have a look at Holly and Artem, who are
:09:22. > :09:25.doing the tango this week. Holly's been doing very well. I'm always
:09:25. > :09:31.excited when I see these two. You never know what they're going to
:09:31. > :09:36.bring to the table. The beginning is very lyrical, it's very acting.
:09:36. > :09:42.Here I've stopped it for the reason that she's creating a very long arm
:09:42. > :09:47.with his connecting hand. Is that not good. No, it's so far above her
:09:47. > :09:51.head. If she bent her arm more, he would get a more compact lead.
:09:51. > :09:56.Would that be ease tkwror turn her around? Yeah it would make her
:09:56. > :10:00.quicker in effect. Holly, take note. Lulu and Brendan did great last
:10:00. > :10:05.week. She got through the routine. We were thrilled. This week a rumba.
:10:05. > :10:09.That's a very difficult dance. Rumba is a difficult dance. It's so
:10:09. > :10:13.slow and controlled. To be honest, Lulu is falling over all over the
:10:13. > :10:18.place. But, I will say, there say light at the end of the tunnel.
:10:18. > :10:22.Watch here, we're going to slow this down, look at her do this
:10:22. > :10:26.standing eros around, perfectly without any wobbles. That's good.
:10:26. > :10:30.That's quite amazing. You're pleased with her? That's the
:10:30. > :10:35.hardest step and she does it perfectly. If only she could walk
:10:35. > :10:41.like that. Take encouragement from that. Let's talk about Alex and
:10:41. > :10:49.James. Ballroom again this week. She's doing... Hang on Lulu's face
:10:49. > :10:54.here, hilarious. "Will that do?" Yes. We love you. Alex and James
:10:54. > :11:00.with the Viennese waltz. quality of movement has improved
:11:00. > :11:05.again. I'm not completely happy with the hold. The reason is...
:11:05. > :11:10.What's wrong? I'll highlight that. Alex's hand. If you're going to do
:11:10. > :11:17.man. Why am I always the man? It's the size of me. You just want to be
:11:17. > :11:22.the girl. It's a bit kinky like that. I want it to be nice and flat.
:11:22. > :11:27.If she gets the shoulder back she'll have more room. Last week
:11:27. > :11:31.everyone was saying I was shamelessly flirting with you. It's
:11:31. > :11:37.all right he's a close personal friend of my husband. I have
:11:37. > :11:40.permission. Let's look at Chelsee and Paddy Ashdown ya. The footage
:11:40. > :11:46.has come hot off the press. We haven't had much chance to look at
:11:46. > :11:51.this. She's doing the cha-cha. I think it will suit her. She's
:11:51. > :11:55.very cheeky Chelsee. This dance is compact, Latin, it suits her
:11:55. > :11:58.character. She looks so confident, the way she's looking into Pasha's
:11:58. > :12:04.eyes. She looks like she's having a good time. You're looking forward
:12:04. > :12:06.to Broadway week? I am. All that jazz! We will talk about the boys
:12:07. > :12:12.later. The gorgeous, Ian Waite! APPLAUSE
:12:12. > :12:17.In a few moments, the king and queen of the leaderboard, Jason and
:12:17. > :12:22.Kristina, will be here. First a taster of our Bondi boy's weekend
:12:22. > :12:29.highlights. Jason, you are a real showman. You
:12:29. > :12:32.were in character, even before the music started. You commit 100% to
:12:32. > :12:37.your performance. Your head position needs attention,
:12:37. > :12:43.especially in the standing spin. But classy, stylish, magnificent
:12:43. > :12:53.routine! Can you be top of the leaderboard two weeks running? I
:12:53. > :12:57.
:12:57. > :13:03.think so. I can't believe it. Living up to last week is a
:13:03. > :13:11.difficult thing. I think nine is pretty damn good week two. He knows
:13:11. > :13:16.how to act and that's what we have to do on the floor.
:13:16. > :13:16.I can't believe it. I love that bit. Jason and Kristina, welcome to the
:13:17. > :13:21.show. APPLAUSE
:13:21. > :13:23.Second week at the top. Congratulations. That's great. You
:13:23. > :13:31.must have been so confident in your routine when you went out on
:13:31. > :13:36.Saturday? Kristina shaking her head? The foxtrot is a very
:13:36. > :13:41.concentrated dance. I think with the cha-cha-cha, I had a bit more
:13:41. > :13:46.of my personality, if I'm true, trying to find the character, the
:13:46. > :13:51.precision, being slower is a bit more difficult, I think. Once
:13:51. > :13:55.you're in a moment... You look like you're enjoying it there. That's a
:13:55. > :14:00.big smile. That's a professional smile, I have to say. And you got
:14:00. > :14:05.the first nine of the series. Just week two. Kristina, your first ever
:14:05. > :14:09.nine on Strictly. I know, thank you. She deserves it. Well deserved.
:14:09. > :14:13.Thank you. Where do you go from here? Will we see tens? Well, I
:14:13. > :14:19.don't know. You know what, I hope we're not going to go down, that's
:14:19. > :14:22.for sure. Not every single dance is going to suit Jason I suppose.
:14:22. > :14:27.There will be some difficult weeks ahead and some good weeks ahead.
:14:27. > :14:32.But all I can say is that he's an amazing pupil to have. He's so
:14:32. > :14:36.dedicated and so wants to get it right. We work our hardest. We're
:14:36. > :14:43.going to try and do another great performance. And a politicianist
:14:43. > :14:47.that's what I am. We love Vincent for inventing that word. The scores
:14:47. > :14:50.are irrelevant on the basis that you go out and dot best job you can.
:14:51. > :14:56.You're not thinking about being top of the leaderboard. I'm thinking,
:14:56. > :15:01.how can I get a buzz from this routine. That drives me, personally
:15:01. > :15:05.each week. That's little hairs and when you go, wow, this feels good.
:15:05. > :15:10.It felt good. The second one not so much as the first one, but you know,
:15:10. > :15:16.this week is going to be amazing. We must say, you take your training
:15:16. > :15:19.very seriously as is apparent. Occasionally there's a crazy side
:15:19. > :15:29.to Jason that's emerging in training. I don't want your
:15:29. > :15:38.
:15:38. > :15:48.insanity in my head. Just random... ( unintelligible chanting) Don't
:15:48. > :15:51.
:15:51. > :15:58.get frustrated. Toe, heel, toe... When you think about the step ahead,
:15:58. > :16:07.you're already in the wrong position. Turn, heel... Oh, the
:16:07. > :16:11.cameraman. Five, six, seven, eight. You did say you had a warped sense
:16:11. > :16:15.of humour. It's so intense training that you have to let it out. This
:16:15. > :16:19.week Broadway, you're doing the tango to Gloria Gaynor's I Will
:16:19. > :16:25.Survive, which is from Priscilla. You were in the stage show of that.
:16:25. > :16:30.You must be excited. Really excited. This is my spiritual home, as it
:16:30. > :16:34.were. I think the wonderful thing about the tango is the passion and
:16:34. > :16:38.the fire and what we've got with Priscilla is a bit opposite to that
:16:38. > :16:43.as well. You are driving two cars at one time. I was saying to
:16:43. > :16:49.someone before it's like a Monet painting and a Gilbert and George.
:16:49. > :16:53.I hope you're following all these cultural references. Sorry, it's
:16:53. > :16:57.exciting. It's a really exciting and fun. We have to switch
:16:58. > :17:02.characters. I like that. Unlike Priscilla you're not in drag.
:17:03. > :17:08.You're in traditional dress, are you? You'll have to watch! Nice
:17:08. > :17:13.tease! And Craig mentioned when he was on the show, head position, are
:17:13. > :17:17.you working on that? Yes he was absolutely right. We worked on it
:17:17. > :17:21.very hard and hopefully in tango it will be better. It's a shame,
:17:21. > :17:26.because in rehearsals his posture was much better. You get so nervous
:17:26. > :17:32.when you're out there. Yeah, yeah. It doesn't matter how many shows
:17:32. > :17:34.you do professionally in theatre or whatever you do, I still can't, you
:17:34. > :17:38.still can't understand how difficult it is to hit it right in
:17:38. > :17:41.those one minute 30 seconds. much to remember. Good luck with
:17:41. > :17:46.the tango. Maybe we'll seat tens, who knows. Jason and Kristina!
:17:46. > :17:49.APPLAUSE Right, now Ian is back for more
:17:49. > :17:54.Waite's Wednesday Warm Up. We're going to talk about the boys now in
:17:54. > :17:58.their Broadway week. Who's first? First up Rory and Erin. They're
:17:58. > :18:03.dancing a quickstep. I'm going to stop it very early on because I
:18:03. > :18:06.have a few issues really. Oh, dear. have a few issues really. Oh, dear.
:18:06. > :18:09.Yes, first with this leg... What's wrong? It shouldn't be so high.
:18:09. > :18:14.When you're dancing in quickstep, you should just pick up the knee
:18:14. > :18:21.and lift the foot under you. flicking out. Unless you have a
:18:21. > :18:25.charleston step. Like that. If they carry on, you can see Erin has
:18:25. > :18:30.given him quite tricky steps. that a good thing? I think at this
:18:30. > :18:35.early stage it's quite a risk, but he seems to be coping very well. He
:18:35. > :18:38.has a very good fluid moving in the ballroom dancing. I think it will
:18:38. > :18:43.be a good dance for him. That was Tuesday's training. Harry and
:18:43. > :18:47.Aliona are doing the jive this week. Talk me through their training.
:18:47. > :18:53.This is quite a long intro without any jive steps, now they're doing
:18:53. > :18:57.all of this, which is all very lyrical and acting. It is Broadway.
:18:57. > :19:05.It is Broadway, obviously we're going to be doing that, swing there.
:19:05. > :19:10.Then we're going into some chassis, pivoting. Tha all jive? Jive-ish.
:19:10. > :19:14.You want more jive. If I show you here, he missed the flicks there,
:19:14. > :19:17.but here he's going to do flicks and kicks. Pointy toe, good.
:19:17. > :19:22.does it very well. I'm hoping there's more to the routine that we
:19:22. > :19:26.can see at the moment. Dan and Katya are doing the Viennese waltz
:19:26. > :19:29.for Broadway. Back to ballroom. I think this dance suits him
:19:29. > :19:35.tremendously and for such a difficult dance, he's doing
:19:35. > :19:40.extremely well. Here, we're going to stop it here. He's going into an
:19:40. > :19:45.oversway. Now can you see that gap? Yeah. Is that not good? No, it's
:19:45. > :19:50.not. I would like his elbows kept up. Keep the T shape in the back. I
:19:50. > :19:55.keep on about that. He needs to maintain it even when going into an
:19:55. > :19:59.oversway like that. Could that make the difference between a six and a
:19:59. > :20:05.seven? It would for me, if I was judging. One day, it may come.
:20:05. > :20:08.Always the bridesmaid. Audley and Natalie and their quickstep, how's
:20:08. > :20:12.Audley looking? You know, we're only seeing the intro again. I
:20:13. > :20:18.think it's early days. It's a bit unfair to be judging him too much.
:20:18. > :20:22.What I would like personally with Audley is to see him when he's
:20:22. > :20:27.making a step or making an arm movement is dance it through the
:20:27. > :20:31.body to create that. Through the body to a hand finishing or through
:20:31. > :20:36.the body to a step. It all looks very pedestrianised with arms and
:20:36. > :20:40.legs at the moment. But this is very early on. It's difficult to
:20:40. > :20:45.say. You may see that. Let's look at Robbie and Ola. Robbie did
:20:45. > :20:49.brilliant last week. This week the tango. Another ballroom dance. It
:20:49. > :20:54.should suit Robbie, although I'm not too happy with his hold. What's
:20:54. > :20:57.wrong with it? Now I'm going to highlight the whole thing because
:20:57. > :21:01.the top half needs to be much stronger in tango. It's very
:21:01. > :21:06.willowy and all over the place. He's overrotating. This is a
:21:06. > :21:16.ballroom, a normal ballroom hold, waltz or foxtrot, which is quite
:21:16. > :21:17.
:21:17. > :21:23.Now tango, more compact and we maintain that strong frame.
:21:23. > :21:30.gosh. Break my neck there. Never in time. Lovely to be back there.
:21:30. > :21:35.That was good. It's the only dancing I get to do these days.
:21:35. > :21:40.That was Robbie and Ola from Monday. They will have improved vastly by
:21:40. > :21:44.Wednesday. Thank sow much. Will you come back next week? It's always a
:21:44. > :21:45.pleasure to be here with you. Waite!
:21:45. > :21:46.APPLAUSE Now,
:21:46. > :21:46.Now, can
:21:46. > :21:46.Now, can you
:21:46. > :21:49.Now, can you predict
:21:49. > :21:54.Now, can you predict who my next couple is? He's been described as
:21:54. > :21:59.camper than a row of tents. Yes, Russell and his partner, Flavia are
:21:59. > :22:03.here. First here's how they lit up the dance floor at the weekend.
:22:03. > :22:08.What it lacked in technique and content, it made up for in fun and
:22:08. > :22:18.entertainment. You put the boy in flamboyant. Jo a dancing queen you
:22:18. > :22:24.
:22:24. > :22:30.You have more glitter, fun and enjoyment than a carnival float.
:22:30. > :22:34.Amazing marks! I'm here to really, really enjoy myself. I love Flavia.
:22:34. > :22:44.I love the judges. I love the audience. I love life because I've
:22:44. > :22:45.
:22:45. > :22:49.It's Russell and Flavia! APPLAUSE
:22:49. > :22:54.Welcome. Lovely to see you both again. Your second standing ovation,
:22:54. > :22:59.Russell. How did that feel? weren't just me. And Flavia. Sorry.
:22:59. > :23:04.It was both of us. I never know it's happening. It's normally
:23:04. > :23:11.Flavia and Bruce who say "Look, look." I'm so grateful to everyone.
:23:11. > :23:16.I mean, I never expected standing ovations. I expected tolerance.
:23:16. > :23:25.Can I say by the way, Ola and James, it's their anniversary today.
:23:25. > :23:34.anniversary. Happy anniversary. many years, do we know? Eight.
:23:34. > :23:39.that pick lily or something? Let's talk about the boa, it made another
:23:39. > :23:45.appearance. It did. We can see it here. Was that wise? I think so,
:23:45. > :23:52.yeah. We had a little costume malfunction at the end where the
:23:53. > :23:57.flower wasn't sewn on strongly enough. You dealt with it well. I
:23:57. > :24:01.hadn't even noticed. Exactly. We had done the dancing by then. It
:24:01. > :24:04.was fine. The thing we're loving about you two is that you enjoy
:24:04. > :24:09.yourselves so much. It is infectious. If I had a pound for
:24:09. > :24:17.every time you said "fabulous" or "love it" I'd be a very rich woman.
:24:17. > :24:24.Check this out. Shall we... Dance. Fabulous. Oh, wonderful. I love
:24:25. > :24:34.that. Oh, divine. I love it. It's so sexy. Fabulous. How mad is this,
:24:35. > :24:35.
:24:35. > :24:44.it's fabulous. Fantastic. Music, lights, action! Fabulous number.
:24:44. > :24:52.Love it. Fab. Britain today, the world tomorrow. Love that. I love
:24:52. > :24:58.it so much. Wonderful. And you've still got to fight a little bit to
:24:58. > :25:03.keep those elbows up. Elbows up. Always up. Is it
:25:04. > :25:08.wonderful to train someone who is so enthusiastic? Absolutely, yes. I
:25:08. > :25:13.couldn't ask for more. It's a joy every day. The hours fly by. It's
:25:13. > :25:18.5pm before we know it and it feels like 12 o'clock. It's Broadway this
:25:18. > :25:22.week. Fabulous. Wonderful. You did a little sneaky audition for the
:25:22. > :25:32.judges. They didn't seem that impressed. Let's have a look.
:25:32. > :25:35.
:25:35. > :25:39.you're ready girls. I quite like the short one.
:25:39. > :25:43.They were impressed. Holly went. I'm in. You're still there. Will
:25:43. > :25:49.you be wearing that little number on the show on Saturday? We did try
:25:49. > :25:54.to go for it, but Moira, the producer, she's the boss. We love
:25:54. > :25:58.her. She decide today must wait. I don't know when till. I'll be voted
:25:58. > :26:02.out before we can wear it. after you said that. They'll be
:26:02. > :26:07.voting like crazy. You're so embroiled in the whole thing you're
:26:07. > :26:12.even dancing in bed. I am. It's true. I bashed into my poor old dad
:26:12. > :26:18.the other night coming out of the loo at 3am. I was doing a salsa...
:26:18. > :26:26.I thought you were saying the whole family is in one bed. Like Willy
:26:26. > :26:29.Wonka! I said "Sorry dad." And moved off. About 4am I had the
:26:29. > :26:34.World Service on, suddenly I felt the duvet moving, I thought what's
:26:34. > :26:40.going on here. It was my feet! They were doing what Flavia had taught
:26:40. > :26:43.me the day before. See, he is such a guy. What a lovely picture of
:26:44. > :26:47.life. You're doing the foxtrot. It's the first time we're going to
:26:47. > :26:52.see you doing ballroom. Are we going to see a different side to
:26:52. > :26:56.ballroom? Here I go, look at me there, wow.
:26:56. > :27:00.Good chest movement. Coming together. I'm very jealous as well
:27:01. > :27:05.because you are dancing to one of my favourite songs of all time.
:27:05. > :27:10.yes. Don't Rain On My Parade from Funny Girl. Fab. Great number.
:27:10. > :27:17.Barbara Streisand. Why did you choose that one? We were given that,
:27:17. > :27:22.weren't we. Yeah we were, but it's one of yours. Yeah it is. We now
:27:22. > :27:26.want Fanny Bryce, we'll find something for Flavia. Our producers
:27:26. > :27:33.have taken note. It has been written down. A great number though.
:27:33. > :27:36.You're loving it. The judges loving the entertainment factor and May
:27:36. > :27:41.posted "Of course Russell is entertaining, why don't they give
:27:41. > :27:44.him credit for being a great dancer too." Would you like more
:27:44. > :27:47.constructive criticism? No, not really. What they're saying is
:27:48. > :27:53.really nice. It's wonderful that people have said that. Did it
:27:53. > :27:58.really say that? Yes. Thank you. Lovely May. So good to see you both.
:27:58. > :28:00.We do adore you. I want to give you a standing ovation. Thank you, I'll
:28:00. > :28:05.give you one back. It's all love here.
:28:05. > :28:09.APPLAUSE Great to see you both again. Good
:28:09. > :28:12.luck this weekend. I'm sitting down now, come with me, earlier on we
:28:12. > :28:22.set you a cheeky It Takes Two challenge to see if you could
:28:22. > :28:28.
:28:28. > :28:32.recognise which of our pros was Ah, he may be out of the
:28:32. > :28:37.competition but Vincent is still our main attraction. Thanks to all
:28:37. > :28:39.our guests today. I'm back live tomorrow at 6.30pm with Harry and
:28:39. > :28:43.Aliona, Harry and Artem and Lulu and Brendan, plus all the latest