0:00:02 > 0:00:04Previously, on the Celebrity Apprentice,
0:00:04 > 0:00:06the remaining six celebrities were tasked
0:00:06 > 0:00:09with writing and producing a jingle for Good Sam.
0:00:09 > 0:00:11Good luck. Do well.
0:00:11 > 0:00:15On team Unanimous, Aubrey O'Day once again tried to take control
0:00:15 > 0:00:17from project manager Arsenio Hall.
0:00:17 > 0:00:21I was just thinking of what would be most effective for you to win.
0:00:21 > 0:00:25You know that already, that your idea is the winning idea?
0:00:25 > 0:00:28If you give her an inch, she'll take a mile.
0:00:29 > 0:00:31On team Forte,
0:00:31 > 0:00:34project manager Dayana Mendoza tried to assert herself.
0:00:34 > 0:00:37It doesn't bother me having one dressed like a hippy.
0:00:37 > 0:00:38It's not hippies.
0:00:38 > 0:00:42- Is it a bad idea to have one person dressed as a hippy?- Yes.
0:00:42 > 0:00:45They're just evil, evil people. Ra, ra, ra, ra.
0:00:45 > 0:00:48And Lisa Lampanelli's emotions got the best of her.
0:00:48 > 0:00:49It's stuff, you know.
0:00:49 > 0:00:52He knows what he's doing and she's as loud as possible.
0:00:52 > 0:00:55- I can't even take your- BLEEP.
0:00:55 > 0:00:57She has so many insecurities that she has to deal with.
0:00:57 > 0:01:02- You're just- BLEEP- yourself, cos you are out of line, as usual, again!
0:01:02 > 0:01:06On the day of the presentation, both teams sang their hearts out.
0:01:06 > 0:01:10# He covers all our vehicles RV, truck or car... #
0:01:10 > 0:01:13# Told me, 24 hours
0:01:13 > 0:01:16# You cannot beat his rate Good Sam... #
0:01:16 > 0:01:20That night, in the boardroom, Arsenio's team took the win.
0:01:20 > 0:01:22Dayana, you lost.
0:01:22 > 0:01:27Left to fight it out, Lisa held nothing back...
0:01:27 > 0:01:30With all due respect, there was nothing going on up here.
0:01:30 > 0:01:34She is the female Lou Ferrigno and I object to that.
0:01:34 > 0:01:36..leaving Mr Trump with little choice.
0:01:36 > 0:01:39Being Miss Universe is a lot easier. This is not an easy thing.
0:01:39 > 0:01:41Dayana, you're fired.
0:01:45 > 0:01:49This season, the final five have battled hard to make it to the end.
0:01:49 > 0:01:52- Are you kidding me? - No, no, no.- Are you kidding me?
0:01:52 > 0:01:53You're being condescending.
0:01:53 > 0:01:56And they'll have to keep fighting, if they want to win...
0:01:56 > 0:01:58You come in here and you tell a lie.
0:01:58 > 0:02:01Her whole personality is about Aubrey.
0:02:01 > 0:02:04- BLEEP- that whore. - BLEEP- that whore.
0:02:04 > 0:02:07- Yelling bitch and whore about a- BLEEP- woman is- BLEEP- wrong.
0:02:07 > 0:02:09- Don't be a- BLEEP.
0:02:09 > 0:02:12- When you- BLEEP- with me and disrespect me, it's on!
0:02:12 > 0:02:16..because at the end of the night, two more will be fired.
0:02:18 > 0:02:20- That was some crazy- BLEEP.
0:02:26 > 0:02:30- So, who do you think's going to go home?- Hello? Dayana.
0:02:30 > 0:02:34- You don't think there's going to be any surprise twist?- No.
0:02:38 > 0:02:40- BLEEP,- hey.- What happened?
0:02:41 > 0:02:43- Both?- What?
0:02:43 > 0:02:45- Did both...? - Wait, what?- What?
0:02:45 > 0:02:50- I know. It was so- BLEEP- up. So, I guess one of you are on MY team now.
0:02:50 > 0:02:54- They're both gone? - Dude, he was out of control.
0:02:54 > 0:02:59'Lisa says that Mr Trump went crazy and my boy is gone.'
0:02:59 > 0:03:02They're both on the elevator, heading downstairs.
0:03:02 > 0:03:06- Mr Trump was out of control. It was- BLEEP- insane.
0:03:06 > 0:03:11- ALL:- Hey!- They're so stupid! - THEY LAUGH
0:03:11 > 0:03:13Her face!
0:03:16 > 0:03:18Oh, my man.
0:03:18 > 0:03:22Oh, my God. It was the quickest boardroom in history.
0:03:22 > 0:03:24Listen to what he said. You'll die.
0:03:24 > 0:03:28OK, so we go in, right, and then he starts going on to Dayana,
0:03:28 > 0:03:31"I think you're great, I think you're great."
0:03:31 > 0:03:34And then he just did a... "You're fired."
0:03:34 > 0:03:36'Dayana's gone. See ya, see ya,'
0:03:36 > 0:03:41wouldn't want to be ya. How mature we are today.
0:03:43 > 0:03:46- And then there were five. - # Dn, dn, dn. #
0:03:46 > 0:03:49- Teresa, you don't say- BLEEP - in the boardroom.
0:03:49 > 0:03:52This is Teresa in the boardroom. Ask me who was the weak person.
0:03:52 > 0:03:55- Teresa, who was the weakest person on your team?- AS TERESA:- I...I...
0:03:55 > 0:03:58I... They're all good.
0:03:58 > 0:04:00THEY LAUGH
0:04:00 > 0:04:02See, I'm the type, like, I'm good, I'm good,
0:04:02 > 0:04:06but then don't attack me because I attack back.
0:04:06 > 0:04:09'Now that Dayana's gone and Lisa's making impressions of me,
0:04:09 > 0:04:12'it seemed pretty obvious that I'm her next target'
0:04:12 > 0:04:15and it's like, "Oh, Lisa, you need somebody new to pick on?"
0:04:15 > 0:04:18Really? Bring it on.
0:04:24 > 0:04:27# Money, money, money, money
0:04:27 > 0:04:29# Money!
0:04:29 > 0:04:32# Money, money, money, money
0:04:32 > 0:04:33# Money!
0:04:33 > 0:04:37# Some people got to have it
0:04:37 > 0:04:39# Ye-eah
0:04:39 > 0:04:42# Some people really need it
0:04:42 > 0:04:44# Hey, listen to me, y'all
0:04:44 > 0:04:48# Do things, do things, do things Bad things with it
0:04:51 > 0:04:53# Dollar bills, y'all, come on
0:04:53 > 0:04:57# That mean, oh, mean
0:04:57 > 0:04:59# Mean green
0:04:59 > 0:05:02# Almighty dollar
0:05:02 > 0:05:06# You know that money
0:05:06 > 0:05:11# Give me a nickel, brother Can you spare a dime?
0:05:11 > 0:05:17# Money can drive some people out of their minds
0:05:17 > 0:05:20# No good, no good, money!
0:05:20 > 0:05:23# Money, money, money, money
0:05:23 > 0:05:25# Money! #
0:05:43 > 0:05:45- Good morning.- ALL:- Good morning.
0:05:45 > 0:05:49- Lisa, how do you feel about losing Dayana?- Um, I feel fine.
0:05:49 > 0:05:51I feel like we have a really strong team.
0:05:51 > 0:05:53Our team is less beautiful but just as smart.
0:05:53 > 0:05:55- Excuse me!- Oh, I'm sorry, girl!
0:05:55 > 0:05:57THEY LAUGH
0:05:57 > 0:06:01OK. We're standing in Hearst Tower.
0:06:01 > 0:06:04It's the home of the Hearst Corporation,
0:06:04 > 0:06:08one of the really powerful media companies of the world.
0:06:08 > 0:06:13It's also the owner of a fabulous magazine, Elle.
0:06:13 > 0:06:16On my right is a very special woman.
0:06:16 > 0:06:21Robbie Myers is editor-in-chief of Elle magazine.
0:06:21 > 0:06:23Now, over the years,
0:06:23 > 0:06:27I've had a great relationship with Farouk Systems.
0:06:27 > 0:06:31Next to me is Farouk Shami, who is the founder of Farouk,
0:06:31 > 0:06:34and John McCall, who is the vice chairman.
0:06:34 > 0:06:36Farouk, what's the task?
0:06:36 > 0:06:41Farouk Systems changed the hair care industry
0:06:41 > 0:06:44by introducing Biosilk and CHI products.
0:06:44 > 0:06:51We are introducing the CHI touch screen hairdryer.
0:06:51 > 0:06:57Your task will be to create a four-page print ad campaign
0:06:57 > 0:07:01to promote the CHI touch screen hairdryer.
0:07:03 > 0:07:06Tomorrow, you will deliver your print ad campaign,
0:07:06 > 0:07:09which may appear in Elle, to Farouk, John and me.
0:07:09 > 0:07:13Your print ad campaign will be judged on the following -
0:07:13 > 0:07:17brand messaging, print ad campaign and overall pitch.
0:07:17 > 0:07:22- OK, who's your project manager? Lisa!- Yes.
0:07:22 > 0:07:23I am so glad we have two
0:07:23 > 0:07:25to their three members
0:07:25 > 0:07:28because they have to carry Teresa along
0:07:28 > 0:07:30and we don't have to carry anyone,
0:07:30 > 0:07:31so I think we're stronger, the two of us.
0:07:31 > 0:07:35- Who's your project manager? - I am.- Very good.
0:07:35 > 0:07:37'This is the last task before the final four,'
0:07:37 > 0:07:40so I really want to make a big impression to Mr Trump
0:07:40 > 0:07:43'and I feel I definitely belong in the final four.'
0:07:43 > 0:07:49OK, the project manager of the winning team will get 50,000.
0:07:49 > 0:07:52Let's match it and make it 100,000. What do you say?
0:07:52 > 0:07:55- That's great, John.- Oh, my God. - That's fantastic.
0:07:55 > 0:07:57Farouk, Aubrey has gotten more and more beautiful
0:07:57 > 0:08:03- as the weeks have gone by. - Nice red hair.- Thank you.- Beautiful.
0:08:03 > 0:08:08- Is that your cheat colour? - It's all real.- Oh, right...
0:08:08 > 0:08:13OK, 100,000 to the project manager of the winning team.
0:08:13 > 0:08:15Have fun, do a great job.
0:08:15 > 0:08:18Elle magazine is terrific, Farouk is terrific.
0:08:18 > 0:08:22- Do a good job for both of them. - Thank you.- Good luck.- Thank you.
0:08:34 > 0:08:36Do you like that? "More time, more shine.
0:08:36 > 0:08:39"CHI - the world's best blow dryer."
0:08:39 > 0:08:43- Hi.- Hello.- Hi.- Hello.- Hi. Teresa.
0:08:43 > 0:08:47- Robbie. Nice to meet you. - Hi, Farouk. Teresa.- Pleasure.
0:08:47 > 0:08:52- Nice to meet you. I like your boots! - The CHI boots.- I love them!
0:08:52 > 0:08:55- We both like red.- We do.
0:08:55 > 0:08:58ARSENIO: I don't know Mr Farouk, but he had on a custom pair
0:08:58 > 0:09:02of red boots to match his branding for the company.
0:09:02 > 0:09:06Is Farouk pimping or what? Corporate pimping!
0:09:06 > 0:09:08He's a bad little dude!
0:09:08 > 0:09:10FAROUK: This is the CHI Touch.
0:09:10 > 0:09:15It's touch screen, very light. It dries the hair almost half the time.
0:09:15 > 0:09:18We developed this with lots of NASA technology.
0:09:18 > 0:09:20HAIRDRYER BLOWS
0:09:20 > 0:09:24- Oh, it's quiet, yeah. - See how quiet it is?- Mmm-hmm.
0:09:24 > 0:09:27What we want to do is marry Elle's girl, as we call her,
0:09:27 > 0:09:29with what she is trying to do.
0:09:29 > 0:09:32Importantly, there's sexy and then there's vulgar
0:09:32 > 0:09:34and we're never vulgar.
0:09:34 > 0:09:36- Lisa?- We're out of here!
0:09:36 > 0:09:39THEY LAUGH
0:09:39 > 0:09:43I have a question for you about the actual print ads
0:09:43 > 0:09:45you feature in your magazines where they tend to go on,
0:09:45 > 0:09:48regards to hair, because most of the time it's more beauty based.
0:09:48 > 0:09:52Well, it's so important to look at the visuals and take them
0:09:52 > 0:09:55- as seriously as you're trying to take what the copy would be.- Right.
0:09:55 > 0:10:01- You have gorgeous eyes.- Thank you. - It makes me weak but that's OK.
0:10:01 > 0:10:04ARSENIO: I'm looking at Farouk's left hand and I'm thinking
0:10:04 > 0:10:08if he has a wedding ring on, he's making a play for Aubrey's hair.
0:10:08 > 0:10:11If he doesn't have a wedding ring on, he's making a play for Aubrey.
0:10:11 > 0:10:15Men take to Aubrey. If she wasn't such a bitch, I'D be into Aubrey.
0:10:15 > 0:10:18But we have a different relationship.
0:10:18 > 0:10:20- Thank you so much for coming by. - Thank you so much.
0:10:20 > 0:10:23- It's a pleasure to meet you. - Thank you.- Thank you, Farouk.
0:10:23 > 0:10:27Thanks a million. Oh, my God! Where do you live?
0:10:27 > 0:10:30- LA.- Oh, I'm moving! AUBREY LAUGHS
0:10:30 > 0:10:32- I live in Houston.- Let's do it.
0:10:40 > 0:10:43We want to nail down a concept, Teresa,
0:10:43 > 0:10:45- so we know where we're going with this.- OK.
0:10:45 > 0:10:50"Chi" is like a phrase used in Zen meditation.
0:10:50 > 0:10:52That's what the product is all about.
0:10:52 > 0:10:56I think, as far as the hair goes, we do a futuristic look
0:10:56 > 0:10:58because this is the future of products,
0:10:58 > 0:11:01given that it's a touch screen. We do some type of futuristic look
0:11:01 > 0:11:05with the girls doing meditating poses, so we pull in the chi
0:11:05 > 0:11:08and it can be something like, "Be at peace with your hair".
0:11:08 > 0:11:10And there should be no words
0:11:10 > 0:11:13and we should be able to get what the company is saying.
0:11:13 > 0:11:18'As usual, I had a million ideas. It was my idea to create'
0:11:18 > 0:11:20a yoga meditative vibe with our models,
0:11:20 > 0:11:23mixed with futuristic hair and futuristic lighting
0:11:23 > 0:11:27'and being able to step into the future of hair care innovation.'
0:11:27 > 0:11:30I like that, yeah, cos it is the touch screen,
0:11:30 > 0:11:33- we're in 2012, the future.- Right.
0:11:33 > 0:11:36- So, I can definitely see it going that way.- Right.
0:11:39 > 0:11:42On the surface, I thought it was just going to be,
0:11:42 > 0:11:45"We threw on a touch screen" and that's all that it has to offer.
0:11:45 > 0:11:48But it's lightweight and it's really quiet, dude.
0:11:48 > 0:11:51'We're down to the final five and friendship does not run thicker'
0:11:51 > 0:11:53than, "Hey, do your job".
0:11:53 > 0:11:58'So, if Clay makes a huge mistake, I'm going to attack him.'
0:11:58 > 0:12:03So, something about below the surface, beauty on the inside.
0:12:03 > 0:12:05How do we portray that in a picture?
0:12:05 > 0:12:07Maybe taking women who are a lot more than what you saw.
0:12:07 > 0:12:12'I'm like, what about the idea that this hairdryer is a lot more
0:12:12 > 0:12:14'than what you see on the outside?
0:12:14 > 0:12:17'Who else is judged like that? Women.'
0:12:17 > 0:12:19Maybe we ought to combat the stereotype that women
0:12:19 > 0:12:22who look a certain way don't always have nothing else going on inside.
0:12:22 > 0:12:26Now, that concept is busy and I like it
0:12:26 > 0:12:29but we've got to make sure that it works for Elle.
0:12:29 > 0:12:34It's difficult to get across a concept that's abstract.
0:12:34 > 0:12:37'My fear is we might be making it too difficult'
0:12:37 > 0:12:40for the reader to grasp what it is we're trying to talk about.
0:12:40 > 0:12:45I think it's more appealing if they all have different personalities.
0:12:45 > 0:12:47And then the copy could play directly the opposite.
0:12:47 > 0:12:49Like the tomboy chick, she'd be like,
0:12:49 > 0:12:52"You don't know I cry at homework commercials", or whatever.
0:12:52 > 0:12:57'We decided we're going to show types of women who are the Elle girl
0:12:57 > 0:12:59'and through ad copy,
0:12:59 > 0:13:02'tell the stories behind who these women are,
0:13:02 > 0:13:05'that's diametrically opposed to the actual photos,'
0:13:05 > 0:13:07so more than just a pretty new face.
0:13:09 > 0:13:12- "Because under the surface, it IS different".- That's cute.
0:13:16 > 0:13:19I need to negotiate for models.
0:13:19 > 0:13:20Who we should fight for first is her,
0:13:20 > 0:13:23because the first thing that guy said was how he loved my hair.
0:13:23 > 0:13:27- Mmm-hmm.- 'One person from each team had to negotiate for models.
0:13:27 > 0:13:30'The first person I wanted was definitely the redhead'
0:13:30 > 0:13:34cos Farouk loved Aubrey and she had red hair, so hello!
0:13:36 > 0:13:37So, should we even use a guy then?
0:13:37 > 0:13:40I think we should because they want to market it to both people.
0:13:40 > 0:13:44- So, these are the two that you have to make sure we get.- OK.
0:13:44 > 0:13:48- Whatever you do, don't allow them to get what we want.- No, I know.
0:13:50 > 0:13:53- How many are we supposed to pick? Four.- Does it matter who we get?
0:13:53 > 0:13:57- To be honest, I don't really care because they're all fierce.- Yeah.
0:13:59 > 0:14:02'We had to negotiate with team Unanimous for which models
0:14:02 > 0:14:05'we wanted to use, but Lisa and I really didn't have any models,'
0:14:05 > 0:14:09particularly, that we really, really had to have,
0:14:09 > 0:14:12so it wasn't going to be a very tough negotiation.
0:14:17 > 0:14:20- Hey, tough negotiator.- Hi. - How you doing?- Good.
0:14:20 > 0:14:23- This is going to be easy.- OK. - OK, who do you want?
0:14:23 > 0:14:29I want the redhead, I want him and...these two.
0:14:29 > 0:14:32OK, so we want three of the same ones.
0:14:32 > 0:14:35- I definitely want the redhead. - Clay was like, "Get that redhead".
0:14:35 > 0:14:41'Clay and I were not hardcore married to any models'
0:14:41 > 0:14:45but this broad wants that redhead so bad,
0:14:45 > 0:14:49that I have to pretend I want her equally bad
0:14:49 > 0:14:51and manipulate Teresa.
0:14:51 > 0:14:56So, um, if I give you her, you have to give me these two.
0:14:56 > 0:14:58That's not fair!
0:14:58 > 0:15:01Yeah, it is. If you want her THAT bad...
0:15:04 > 0:15:05TERESA SIGHS
0:15:05 > 0:15:09- Hold on. I'll come right back. - OK, cool, no problem.
0:15:12 > 0:15:16- Right, quick. We wanted three of them the same.- Right.
0:15:16 > 0:15:19So she said she'll give me this one but she wants these two.
0:15:19 > 0:15:22No, tell her we'll take the guy and the redhead
0:15:22 > 0:15:25- and she can kiss our ass. - You got that?- OK. Let's see.
0:15:26 > 0:15:28It seemed like Lisa was running a mad game
0:15:28 > 0:15:30and there was nothing I could do.
0:15:30 > 0:15:33It was the most helpless feeling in the world.
0:15:33 > 0:15:35OK, got it, honey, sorry.
0:15:35 > 0:15:37Don't worry about it. Are we starting from scratch?
0:15:37 > 0:15:41- Yeah, let's start from scratch.- Oh, Jesus.- So, I'll take the redhead.
0:15:41 > 0:15:43What makes you think you can go first?
0:15:43 > 0:15:45Can I have the redhead? You said I could have the redhead.
0:15:45 > 0:15:49- No, we started over, bitch. - I definitely want the redhead.
0:15:49 > 0:15:50I'm going to get slammed by Clay
0:15:50 > 0:15:52when I go back in there without a redhead.
0:15:52 > 0:15:57I will give you her... if you take him.
0:16:00 > 0:16:02If I take him? I don't want him.
0:16:02 > 0:16:06- You're- BLEEP- me by taking the only redhead.- That's not fair.
0:16:06 > 0:16:09- Of course it's fair. - I already have a guy!- So?
0:16:09 > 0:16:11I thought going in to see what models we want
0:16:11 > 0:16:13was going to be a piece of cake.
0:16:13 > 0:16:15I didn't think she was going to be dirty like her mouth.
0:16:15 > 0:16:19Lisa's taking it to the hoop. Come listen.
0:16:19 > 0:16:22If you want her that bad and I'm going to,
0:16:22 > 0:16:23out of the goodness of my heart,
0:16:23 > 0:16:26cos I'm a Christian God-fearing woman, give you HER,
0:16:26 > 0:16:30you're going to have to take him and that's on the table right now.
0:16:30 > 0:16:33- I don't want him!- It doesn't matter. - AUBREY:- Yes, it DOES matter, Teresa!
0:16:33 > 0:16:35This is a negotiation.
0:16:35 > 0:16:39- This isn't a Teresa says what I'm going to get- BLEEP.
0:16:40 > 0:16:44You have 30 seconds to decide or else Alice gets ripped up
0:16:44 > 0:16:47- and torn on the floor and nobody gets her.- But this is not cool.
0:16:47 > 0:16:50Tick tock. Tick F-ing tock.
0:16:52 > 0:16:55'Right there, I saw who Lisa Lampanelli really is.
0:16:55 > 0:16:57'She is a shady, shifty,'
0:16:57 > 0:17:01two-faced blank. You can fill in the blank.
0:17:01 > 0:17:04- I'm not doing this any more. - You have...- Figure it out.
0:17:13 > 0:17:17You have 30 seconds to decide or else Alice gets ripped up
0:17:17 > 0:17:18and nobody gets her.
0:17:18 > 0:17:21There are three models we're not using. Why can't I use one of these?
0:17:21 > 0:17:24Because this is how a negotiation works.
0:17:24 > 0:17:27'Teresa goes, "I want the redhead." You never make yourself'
0:17:27 > 0:17:31- sounds that desperate cos then somebody can- BLEEP- with you
0:17:31 > 0:17:33and I'm, like, "You can have the redhead
0:17:33 > 0:17:36"and then you have to have a second guy."
0:17:36 > 0:17:39The fricking guy had a crew cut.
0:17:39 > 0:17:42But that's messed up cos you're sticking me with...
0:17:42 > 0:17:45There's no indication I'm giving in. We just throw her away?
0:17:50 > 0:17:54Take the guy and you've got the redhead. Do it.
0:17:58 > 0:18:00'When I need to be stubborn, I could be,
0:18:00 > 0:18:03'and I could have stayed there all day but the time was ticking by'
0:18:03 > 0:18:05and I had to make a move.
0:18:05 > 0:18:08All right, whatever. They wanted the redhead.
0:18:08 > 0:18:11'Lisa probably thinks that she won round one
0:18:11 > 0:18:13'but she definitely messed with the wrong woman'
0:18:13 > 0:18:16and it gives me more reason to beat her as a project manager.
0:18:16 > 0:18:21So, this is team Forte here and this is team Unanimous.
0:18:22 > 0:18:23All right, let's go.
0:18:23 > 0:18:26It's a pleasure doing business with you.
0:18:26 > 0:18:28LISA LAUGHS
0:18:29 > 0:18:33- Did you hear all that?- I heard everything.- It was awesome, right?
0:18:33 > 0:18:34So she took two guys?
0:18:34 > 0:18:37I go, "In 30 seconds, I'm ripping her picture up
0:18:37 > 0:18:40- "and nobody's getting her." - We don't even care who we- BLEEP- get.
0:18:40 > 0:18:43But they're F-ed cos now they're saddled with two guys.
0:18:43 > 0:18:45I'm an evil genius.
0:18:46 > 0:18:49- Tell me something good.- She's, like, "You can have the redhead,"
0:18:49 > 0:18:53- and then I had to have him. - Why did we get HIM?
0:18:53 > 0:18:56- Why didn't we take one of those girls?- Because she's telling ME.
0:18:56 > 0:19:00- She's trying to stick it to me, get it?- No. We can't have two guys.
0:19:00 > 0:19:03- Well, she wouldn't budge. - Then YOU don't budge.
0:19:03 > 0:19:08- We were going to have one man, but we definitely can't have two.- No.
0:19:08 > 0:19:14'We got duped, man. She got one man with almost as little hair as me.'
0:19:14 > 0:19:18It's a hairdryer. We need hair.
0:19:19 > 0:19:22- She said Clay really wanted her.- I guarantee that they don't want her.
0:19:22 > 0:19:25- That's Lisa's manipulation.- It's over, guys, it's over. It's over.
0:19:30 > 0:19:33- How are you, sir?- How are you? - Good to see you today.
0:19:33 > 0:19:36- You look comfortable.- Not really. It's the illusion of comfort.
0:19:36 > 0:19:38- What happened?- Well...
0:19:38 > 0:19:41Her and Lisa went and had a dispute about the models
0:19:41 > 0:19:44- and we've got some people that we don't want.- So, it's...
0:19:44 > 0:19:47This is NOT OK. It's definitely not OK for a hair campaign.
0:19:47 > 0:19:49- I wanted this redhead.- Mmm-hmm.
0:19:49 > 0:19:52And she said, "You can have the redhead if I stick you with him."
0:19:52 > 0:19:55Why is she driving that choice? It's a negotiation, right?
0:19:56 > 0:19:58No, I know that, but she...
0:20:02 > 0:20:05'We're down to the final five. You can't make a mistake.
0:20:05 > 0:20:08'The fact that Teresa lost the negotiation,'
0:20:08 > 0:20:09I think, if they ultimately lose,
0:20:09 > 0:20:12she could really be the one on the chopping block.
0:20:13 > 0:20:15What's the concept?
0:20:15 > 0:20:21Our concept is, we're doing peace with your hair in the future.
0:20:21 > 0:20:27- Was it your idea, Aubrey?- Yeah. - Chi means, you know...- Energy.
0:20:27 > 0:20:29- Chi is energy.- Chi is Zen,
0:20:29 > 0:20:32it's relaxation, meditation, so we want our girl... Go ahead.
0:20:32 > 0:20:35So, we're doing yoga, like a girl sitting in a yoga position.
0:20:35 > 0:20:38How is the hairdryer going to be in the ad or is it not?
0:20:38 > 0:20:40The hairdryer's going to be the thing she's holding
0:20:40 > 0:20:43that gives her the relaxation during the yoga pose. He said...
0:20:43 > 0:20:46- Can I talk? I don't want to overshadow you.- Yeah, of course.
0:20:46 > 0:20:48We're in the juxtaposition of peace and future.
0:20:48 > 0:20:52"Be at peace with your hair. Head into the future with hair care."
0:20:52 > 0:20:55- We want to be able to show these two concepts in one photo.- Mmm-hmm.
0:20:55 > 0:20:58'If there's one thing about Aubrey she's consistent.
0:20:58 > 0:21:00'She always has a loud voice, she's very type A,
0:21:00 > 0:21:03'but at the end of the day, Teresa's the project manager.'
0:21:03 > 0:21:06Teresa's going to be the one accountable if they ultimately lose.
0:21:06 > 0:21:09I think we're completely hitting the mark.
0:21:09 > 0:21:11I think that the models are a problem right now and we'll fix it.
0:21:11 > 0:21:15- They just played hardball with us. - She was a- BLEEP.- Just relax.
0:21:15 > 0:21:18- We'll get through this. - You know how she is, you know.
0:21:27 > 0:21:30- Hello, how are you?- How you doing? You're too cute.
0:21:30 > 0:21:32I'm Clay. Nice to meet you.
0:21:32 > 0:21:36'The concept for our ad campaign is "More than just a pretty new face".
0:21:36 > 0:21:38'We're going to show types of women'
0:21:38 > 0:21:42who are Elle readers, and show that
0:21:42 > 0:21:43just cos they look a certain way
0:21:43 > 0:21:46doesn't mean they don't have more going on on the inside.
0:21:48 > 0:21:51You're sort of the librarian, studious woman.
0:21:51 > 0:21:55We have you as the tomboy. You're going to be the modern hippy.
0:21:55 > 0:21:58Lisa Bonet. You, we have as fierce glamour.
0:21:58 > 0:22:01So, that's perfect casting right there.
0:22:01 > 0:22:03'Initially, I wasn't 100% sold on the idea
0:22:03 > 0:22:05'but, once we paired our models'
0:22:05 > 0:22:09with the personalities that we wanted them to convey,
0:22:09 > 0:22:11I was cautiously optimistic.
0:22:11 > 0:22:14- We've got to go shopping.- I'll go to Lord & Taylor for the clothes.
0:22:14 > 0:22:17Do you want to take one of them with you
0:22:17 > 0:22:19- cos they're girls and they have style?- That would be cool.
0:22:19 > 0:22:21Ladies, shall we?
0:22:26 > 0:22:28This is really cute.
0:22:28 > 0:22:30Clay says he's the only gay guy in the world
0:22:30 > 0:22:32who doesn't know anything about fashion.
0:22:32 > 0:22:35I don't know nothing about fashion either but I had a model with me.
0:22:38 > 0:22:40This is definitely bohemian.
0:22:40 > 0:22:43What about something like this, with the belt around the waist?
0:22:43 > 0:22:46You're a genius! Oh, my God!
0:22:46 > 0:22:49'Shopping for size zero - it was the best thing in the world.
0:22:49 > 0:22:51'You could buy hundreds of items'
0:22:51 > 0:22:54and they don't weigh anything. The bags weren't even heavy.
0:22:54 > 0:22:58I'm like, "Bitch, ten of those is like one size 16."
0:22:58 > 0:23:00- Get both.- Get both?- Yeah.- OK.
0:23:00 > 0:23:01I guess I'm just trying to cover my ass
0:23:01 > 0:23:04and get enough so I don't get yelled at by Clay.
0:23:12 > 0:23:13Hello?
0:23:22 > 0:23:25- Perfect, thank you.- And they have beautiful hair?- They have good hair?
0:23:28 > 0:23:30Great.
0:23:31 > 0:23:35'With all of the dysfunction of Teresa's non-ability to negotiate,'
0:23:35 > 0:23:38I am trying to get wardrobe and models brought in
0:23:38 > 0:23:39or we will never get this done.
0:23:43 > 0:23:46- OK, I love.- I love you, I love you!- Thanks.
0:23:46 > 0:23:50OK, let me call another hook-up that I have.
0:23:50 > 0:23:52'What I'm feeling in my heart is,
0:23:52 > 0:23:55'how dare you not have handled business in the right way?'
0:23:55 > 0:23:58Now you're relying on your team and when I say "team", I mean me,
0:23:58 > 0:23:59to fix the entire problem.
0:24:01 > 0:24:05Lisa, you can stick it. Lisa can go scratch, how about that?
0:24:05 > 0:24:10'Teresa's no fool. She knows that she's been duped and it was,'
0:24:10 > 0:24:12"Lisa, Lisa, Lisa. Oh, that bitch.
0:24:12 > 0:24:14"Lisa, that bitch. Scratch, scratch, scratch."
0:24:14 > 0:24:18She's probably, like, "Ha, I got over on Teresa." Yeah, OK, bitch.
0:24:18 > 0:24:21Lisa has no idea she has a far-reaching effect
0:24:21 > 0:24:25that has still got a grip on Teresa.
0:24:25 > 0:24:29Lisa Lampanelli, you messed with the wrong person.
0:24:38 > 0:24:41- Hey, how are you? I'm Clay.- Jason. - Nice to meet you, Jason.
0:24:41 > 0:24:43'I brought the models to the studio'
0:24:43 > 0:24:46to try to start getting them ready, get their hair and make-up done.
0:24:46 > 0:24:50Are we thinking clean background or...?
0:24:53 > 0:24:57These backgrounds, are they linen backdrops or painted canvasses?
0:24:57 > 0:25:00'But when I walked in, I was so overwhelmed
0:25:00 > 0:25:02'by how many people started running towards me.
0:25:02 > 0:25:05'Everybody wanted information and there was only one of me.'
0:25:05 > 0:25:08Let's put it right here on the floor.
0:25:08 > 0:25:11So, I had to pretend I knew what I was doing and stay calm with it all.
0:25:12 > 0:25:15When Lisa gets here, she'll be able to give more.
0:25:15 > 0:25:17When Lisa gets back, she'll have her headshot.
0:25:17 > 0:25:19We can't make a decision till Lisa gets here.
0:25:19 > 0:25:21'I really needed Lisa.
0:25:21 > 0:25:24'I was concerned about the lack of organisation'
0:25:24 > 0:25:27and the lack of direction that we had.
0:25:27 > 0:25:29- You wanted black. - Yeah.- This has cream in it.
0:25:29 > 0:25:31'But I did as best as I could.'
0:25:31 > 0:25:34- She's starting to look like a librarian now.- Great.
0:25:48 > 0:25:51So, basically, we're combining peace and future
0:25:51 > 0:25:53- but we want the look to be futuristic.- OK.
0:25:53 > 0:25:56I want to shoot the product first. It feels like that's easiest.
0:25:56 > 0:26:00- Absolutely. And Arsenio will do all that with you.- OK. Excellent.
0:26:02 > 0:26:04'The task this week is create'
0:26:04 > 0:26:07a four-page layout for Elle
0:26:07 > 0:26:10that trumpets this wonderful new product
0:26:10 > 0:26:15called the CHI digital hairdryer that's quieter, lighter and safer.
0:26:15 > 0:26:18So, you can give me straight, slightly tilted
0:26:18 > 0:26:21- and then you can give me nervous-breakdown tilted.- Yeah.
0:26:21 > 0:26:24'I had an advantage cos I'm a photographer,
0:26:24 > 0:26:28'so I got to place myself in my wheelhouse with the photographer.'
0:26:28 > 0:26:32I'm getting my Annie Leibovitz on. Looks great to me.
0:26:32 > 0:26:35- So, we're done with this? - Moving on.- We're facing this way.
0:26:35 > 0:26:37- Turn it around!- Got it, boss!
0:26:39 > 0:26:42- I think your three looks can be this, this and this.- I love that.
0:26:42 > 0:26:45Cos you have medium curl, mostly curl...
0:26:45 > 0:26:47But what about the other redhead with the bangs? I love that.
0:26:47 > 0:26:51- Do you want me to do it?- What? - Be the redhead.
0:26:53 > 0:26:56- Whatever you want, babe. - I think I could do good.
0:26:56 > 0:26:59OK, why don't you start getting done up?
0:26:59 > 0:27:03'Even though we fought for the redheaded model,'
0:27:03 > 0:27:05I decided to be the model.
0:27:05 > 0:27:07Farouk loved her so much.
0:27:07 > 0:27:10You know, we have a redhead and we're going to use her.
0:27:10 > 0:27:14'Do I want to be in the ad? Hell, yeah!'
0:27:14 > 0:27:17I'm not scared to take risks and that is what separates me
0:27:17 > 0:27:18from the other people here.
0:27:18 > 0:27:22- Aubrey, I want you to meet Alice. - Hi, Alice.
0:27:22 > 0:27:25- Nice to meet you. - Nice to meet you too.- OK.
0:27:25 > 0:27:29I know it's not your fault but we started with the redhead already.
0:27:29 > 0:27:31- Of, course. - So we're going to go with her.
0:27:32 > 0:27:36- Thank you.- Thank you. - Thank you for coming. Thank you.
0:27:39 > 0:27:41What?
0:27:41 > 0:27:43What am I supposed to do? "Tell me before."
0:27:43 > 0:27:47- Her hair's not as red as we thought it was.- She had blonde hair.
0:27:47 > 0:27:52- Yes, she had blonde hair. I want red. This is red.- Yeah.- Yes.
0:27:55 > 0:27:57No. No.
0:27:57 > 0:27:59No.
0:28:00 > 0:28:03When you're in charge, people are supposed to know.
0:28:03 > 0:28:06Right now, Teresa thinks that she's the project manager
0:28:06 > 0:28:08and, in title, she is.
0:28:08 > 0:28:11But Teresa doesn't realise Aubrey and I are controlling this.
0:28:11 > 0:28:14Should she try these on cos they're still setting up
0:28:14 > 0:28:17and we'll see which one we like better?
0:28:17 > 0:28:20I think the base tone is better than the see-through, for sure.
0:28:29 > 0:28:30We can do a hairdryer shot now.
0:28:30 > 0:28:33Do you have a ladder? I'll climb up there.
0:28:33 > 0:28:35I had two models who were almost ready in hair and make-up,
0:28:35 > 0:28:40so I really needed Lisa to show up with the wardrobe
0:28:40 > 0:28:41but we were running out of time,
0:28:41 > 0:28:43so I decided to start moving.
0:28:46 > 0:28:49Let's just do a few of them straight down.
0:28:51 > 0:28:54- Here she comes. Hello. - We got beautiful stuff.- Good.
0:28:54 > 0:28:56Let me help you out.
0:28:56 > 0:28:59'Lisa finally arrives with the clothes from Lord & Taylor'
0:28:59 > 0:29:02and we quickly as possible dress one of our models
0:29:02 > 0:29:03and put her in front of the camera.
0:29:03 > 0:29:07- We got to roll cos we're running out of time to do this.- OK.
0:29:07 > 0:29:09All right, you work it.
0:29:11 > 0:29:13Let's pop in there and see what we got.
0:29:18 > 0:29:20- That's smart. It's cute.- OK.
0:29:23 > 0:29:25'I've been in front of the camera a little bit,
0:29:25 > 0:29:30'simply because of the job I do, but I've not been behind the camera,'
0:29:30 > 0:29:32so it was a neat experience for me.
0:29:32 > 0:29:34Let's hit her with the fan just lightly.
0:29:34 > 0:29:38I was making sure we had the shots that we needed.
0:29:38 > 0:29:41Lisa, however, did nothing to help.
0:29:42 > 0:29:45- Can we get that light on her hair too?- Absolutely.
0:29:46 > 0:29:50Anyone who walked into the room and watched us for five minutes
0:29:50 > 0:29:52would have had no idea who the project manager was.
0:29:54 > 0:29:57- Hey!- How are you? - You look great, all casual.
0:29:57 > 0:30:00I usually go casual, actually. I only put a tie on for the boardroom.
0:30:00 > 0:30:01Do you want to sit down?
0:30:01 > 0:30:04- I can't even tell you how pleasant this is.- Talk to me about it.
0:30:04 > 0:30:07What I thought about this hairdryer, when he comes in,
0:30:07 > 0:30:10I'm like, "Oh, wow, it's no big deal",
0:30:10 > 0:30:13and then he showed us there's so much beneath the surface,
0:30:13 > 0:30:15so we decided to go with different types of women
0:30:15 > 0:30:18and show what's beneath the surface of THEM,
0:30:18 > 0:30:20just like there is beneath the surface of this dryer.
0:30:20 > 0:30:22So, I think it's a great parallel.
0:30:22 > 0:30:25'I think their concept's pretty interesting
0:30:25 > 0:30:26'but, at the same time, it's deep,
0:30:26 > 0:30:30'so I don't know how you get that to translate well into a print ad.
0:30:30 > 0:30:33'If you miss the message, if you miss the point,'
0:30:33 > 0:30:35it's going to be a really bad situation.
0:30:35 > 0:30:40- We are so winning this, it's unbelievable, right, Clay?- Hello?
0:30:40 > 0:30:43I'm picking out the pictures of women!
0:30:43 > 0:30:46What could possibly go wrong there?!
0:30:46 > 0:30:48THEY LAUGH
0:30:56 > 0:30:58Didn't you get a black bodysuit or no?
0:30:58 > 0:31:00She has to wear something underneath it.
0:31:00 > 0:31:04- We might be able to do something. Come here. Might- BLEEP- her outfit.
0:31:04 > 0:31:10OK. What if we...? What if we do this? Look.
0:31:10 > 0:31:13'Aubrey was sitting there with her boobs hanging out.
0:31:13 > 0:31:16'Like, literally, they were out.'
0:31:16 > 0:31:20- Tuck in the arms. - Yeah, I will. OK, come on.
0:31:20 > 0:31:22Do you have any morals? What are you doing?
0:31:22 > 0:31:28You look good! I would hold it like this. Yeah.
0:31:28 > 0:31:31Our slogan is "Be at peace with the future of your hair",
0:31:31 > 0:31:34so we wanted our models to be in yoga positions
0:31:34 > 0:31:37to really get our theme across.
0:31:37 > 0:31:40Perfect. Just like that. Beautiful. Oh!
0:31:40 > 0:31:44With her mouth a little open like that, it'll look good.
0:31:44 > 0:31:46I have to say I'm a big fan of photography
0:31:46 > 0:31:50and I love taking photos of my daughters so, of course,
0:31:50 > 0:31:53when I look at a photo, I see what looks good and what doesn't.
0:31:53 > 0:31:58Right, there, right there. You got it! Awesome! Beautiful!
0:31:58 > 0:32:01I was critiquing what was appealing to my eye and what wasn't.
0:32:01 > 0:32:05Whoa! That was good. Oh, that was a good one!
0:32:05 > 0:32:08Keep going, cos there's a few more.
0:32:08 > 0:32:12- I could totally see my ad in Elle magazine.- You know what, guys?
0:32:12 > 0:32:14We should try to get as tight a shot as we can
0:32:14 > 0:32:16cos he told me I have pretty eyes.
0:32:16 > 0:32:18'I've been in Elle before,'
0:32:18 > 0:32:20I do have to say that,
0:32:20 > 0:32:23but I was always on the worst-dressed list, so...
0:32:23 > 0:32:25I'm definitely getting my revenge today
0:32:25 > 0:32:29by being their redheaded bombshell. Take that, Elle magazine!
0:32:30 > 0:32:34- You look really good.- I'll just give you a bunch of different things.
0:32:39 > 0:32:42I think you should cover that open part of her boobs.
0:32:42 > 0:32:47- So, go down a little lower on the dryer.- Yeah.- Good. There you go.
0:32:47 > 0:32:50- That's sexy. Nice.- I like that. - That looks good.
0:32:50 > 0:32:53Keep going. She's into it.
0:32:55 > 0:32:57'I just look so good as a hair model.'
0:32:57 > 0:33:02My hair looks so fierce. It's just undeniable. Hello!
0:33:02 > 0:33:03Come here, you want to look at them?
0:33:03 > 0:33:06- See, that looks good. - I like that. You marked it?
0:33:06 > 0:33:10'Aubrey looks amazing. Her hair looked incredible
0:33:10 > 0:33:12'and I really worked hard on this.
0:33:12 > 0:33:14'But there's only five people left in the competition'
0:33:14 > 0:33:17and you have to be contributing every week
0:33:17 > 0:33:19and Arsenio's not doing that.
0:33:19 > 0:33:22- I like that.- That looks better, even. I like that.
0:33:29 > 0:33:32- Morning.- Good morning.
0:33:33 > 0:33:35Hello.
0:33:35 > 0:33:37I'm very confident
0:33:37 > 0:33:40Aubrey and I will be able to nail this but I'm worried.
0:33:40 > 0:33:43Usually we can put Teresa in a place where she'll feel safe,
0:33:43 > 0:33:48but she's the project manager. She has to be the captain.
0:33:49 > 0:33:51Hi, how are you?
0:33:51 > 0:33:54Ladies and gentlemen, we'd like to introduce the latest addition
0:33:54 > 0:34:00to the CHI family of innovation hair care technologies, the CHI Touch.
0:34:03 > 0:34:09The CHI Touch slices in half... the traditional drying period,
0:34:09 > 0:34:11leaving you with more time and more shine.
0:34:11 > 0:34:15It's lightweight helps reduce the risk...
0:34:15 > 0:34:19It's lightweight and helps reduce the risk of carpal tunnel syndrome,
0:34:19 > 0:34:23thus cementing the CHI Touch place
0:34:23 > 0:34:27as a hallmark for respon... responsible beauty.
0:34:27 > 0:34:30The CHI Touch reminds you, be at p...
0:34:30 > 0:34:33be at peace with the future of your hair.
0:34:35 > 0:34:37Thank you so much for joining us today.
0:34:37 > 0:34:39I just wanted to start off by saying, Farouk,
0:34:39 > 0:34:41- thank you for this product. - Thank you.
0:34:41 > 0:34:43A lot of the words you used yesterday
0:34:43 > 0:34:46were combined around peace and future,
0:34:46 > 0:34:50so we wanted to embody both of those messages within our slogan -
0:34:50 > 0:34:54"Be at peace with the future of your hair".
0:34:56 > 0:35:00- Farouk, you like that one? That one's me.- Looks lovely.
0:35:00 > 0:35:04We also, on every single ad, have our slogan, the product title
0:35:04 > 0:35:07and we've put the side products in the ads.
0:35:07 > 0:35:08This is our final stand-alone ad.
0:35:08 > 0:35:11We wanted the model to embody serenity
0:35:11 > 0:35:13but we also wanted to show the future
0:35:13 > 0:35:16of the beautiful hair that you can create. Thank you.
0:35:16 > 0:35:19- Beautiful.- Thank you. - How many of you have experienced
0:35:19 > 0:35:21being around somebody drying their hair?
0:35:21 > 0:35:25Here's what you hear. Zzhh, zzhh.
0:35:25 > 0:35:28This is what my girlfriend hears during that.
0:35:28 > 0:35:30- HE MOUTHS - We do that on purpose, Arsenio.
0:35:30 > 0:35:33I can imagine! But this dryer is so much quieter.
0:35:33 > 0:35:36When I turned it on, I was shocked at how quiet it is.
0:35:36 > 0:35:41Be at peace with the future of your hair. The CHI Touch.
0:35:42 > 0:35:44And that's our presentation.
0:35:47 > 0:35:50Arsenio and I did a great job with the presentation.
0:35:50 > 0:35:52Thank you. 'But I saved the day.
0:35:52 > 0:35:54'I brought in all the wardrobe, all the models,
0:35:54 > 0:35:58'I came up with the concept and I also wrote the presentation.'
0:35:58 > 0:36:01So, if we lose, Teresa should go home.
0:36:03 > 0:36:06'I'm really not nervous at this presentation.
0:36:06 > 0:36:07'We had prepared enough'
0:36:07 > 0:36:09and we're confident in this ad.
0:36:09 > 0:36:12- Hello.- Hello.- Thank you so much for having us here today.
0:36:12 > 0:36:16We are so thrilled to present our ad campaign for the CHI Touch.
0:36:16 > 0:36:18Initially, our thoughts were,
0:36:18 > 0:36:21"Wow, it's going to be beautiful, sleek on the outside."
0:36:21 > 0:36:24But then we realised there is way more to this hairdryer
0:36:24 > 0:36:27than meets the eye and who does that happen most to is women,
0:36:27 > 0:36:29your potential customer and the Elle reader.
0:36:29 > 0:36:33So, we came up with an ad campaign to marry both of these ideas
0:36:33 > 0:36:36and call it "More than just a new pretty face".
0:36:36 > 0:36:40And what we're really excited about is we see this ad campaign
0:36:40 > 0:36:44as having potential to go on and focus on different types of women,
0:36:44 > 0:36:47so if you look on the back of your pamphlet, you'll see our tomboy.
0:36:47 > 0:36:50"I know I look like a tomboy, but when no-one's around,
0:36:50 > 0:36:53"I put on my high heels and dance to my favourite pop star.
0:36:53 > 0:36:55"Trust me, my hips don't lie either."
0:36:55 > 0:36:58It says in the copy, "I'm also the world's first touch screen dryer".
0:36:58 > 0:37:02We wanted to focus on that because that's a huge selling point.
0:37:02 > 0:37:04We believe that we've married the two missions together
0:37:04 > 0:37:07and we hope you agree. Thank you very much.
0:37:07 > 0:37:09Thank you again for having us. Thank you.
0:37:09 > 0:37:12'I totally think we won. If Teresa won over me,'
0:37:12 > 0:37:15blow my fricking brains out cos it's time to hang it up.
0:37:18 > 0:37:23So, let's talk about Teresa's team.
0:37:23 > 0:37:28The blow dryer is there, but there's not enough information.
0:37:28 > 0:37:29That's true.
0:37:29 > 0:37:33The print doesn't give features and benefits of the blow dryer.
0:37:33 > 0:37:35As you know, this is a visual medium.
0:37:35 > 0:37:37We're trying to communicate something
0:37:37 > 0:37:41- and I think these are definitely the stronger images.- What do you think?
0:37:41 > 0:37:44I kind of got blown away with the presentation. That was great.
0:37:44 > 0:37:48- I like Arsenio, you know. - He's a natural.- He is funny.
0:37:48 > 0:37:51- Yeah, for a guy with no hair, he did a great job.- Right.
0:37:51 > 0:37:54I felt that Teresa was a little nervous but that's understandable.
0:37:54 > 0:37:58- You're the client.- I felt she lacked the passion about it.
0:37:58 > 0:38:02OK, now let's talk about Lisa's team.
0:38:02 > 0:38:06I think they did good. Very good presentation.
0:38:06 > 0:38:10Not as passionate, but they understood the message
0:38:10 > 0:38:16and they specified the features of the hairdryer - quiet, less time.
0:38:16 > 0:38:19They did features and benefits. John?
0:38:19 > 0:38:22This is something that would be done in the '70s or '80s.
0:38:22 > 0:38:25The pictures are a little dated.
0:38:25 > 0:38:28That said, I do appreciate that they're trying to pay attention
0:38:28 > 0:38:30to MY audience and I love that they defined
0:38:30 > 0:38:34- these four different fashion girls. - So, it's close.- It's close.
0:38:34 > 0:38:37- We have a hard decision to make. - It is a hard decision.
0:38:37 > 0:38:39Let's go and talk about it a little bit more
0:38:39 > 0:38:43- and present our opinion to Mr Trump. - OK.
0:39:07 > 0:39:11- Teresa.- Yes.- Did Lisa play you for a fool?
0:39:11 > 0:39:13- LISA LAUGHS - Ooh.- Not at all.
0:39:13 > 0:39:15So, what happened, Teresa?
0:39:15 > 0:39:18A person from each team had to go out and negotiate the models.
0:39:18 > 0:39:22- Did she outsmart you? - She THINKS she outsmarted me.
0:39:23 > 0:39:26- What do you think, Lisa? - There was one red-haired girl
0:39:26 > 0:39:28and I was, like, we're going to fight for it.
0:39:28 > 0:39:30There's nothing dirty about negotiating.
0:39:30 > 0:39:32If you've ever negotiated a house,
0:39:32 > 0:39:35- you don't put your cards on the table.- And you won the fight?
0:39:35 > 0:39:37If she wanted the model, she had to pay a price,
0:39:37 > 0:39:40which was to take a potentially bad model also.
0:39:40 > 0:39:43I'm no stupid idiot. I'm not going to fricking give away the house!
0:39:43 > 0:39:45How do you feel about that, Teresa?
0:39:45 > 0:39:47I feel really confident because, if anything,
0:39:47 > 0:39:50she just made me work even harder and I feel great about our models.
0:39:52 > 0:39:54Teresa, what do you think of Lisa?
0:39:54 > 0:39:57I really liked her but she played dirty
0:39:57 > 0:39:59and she played dirty like the dirty mouth that she has.
0:39:59 > 0:40:02You can get ahead by being honest and being respectful
0:40:02 > 0:40:05and I know that's what I am and I know that's what she's not.
0:40:05 > 0:40:07What do you think about that, Lisa?
0:40:07 > 0:40:10The "honest" and "respectful", in quotes, that Teresa displays
0:40:10 > 0:40:13and has through the past 13 weeks is questionable,
0:40:13 > 0:40:15just like everyone else here. We all have our tactics,
0:40:15 > 0:40:18we all have our ways of doing business.
0:40:18 > 0:40:20We wanted that lady and it was hilarious...
0:40:20 > 0:40:22And I ended up getting her, right?
0:40:22 > 0:40:24And you ended up stuck with a guy with a crew cut
0:40:24 > 0:40:29- for a hair blowing ad.- We didn't use him.- Of course you didn't use him!
0:40:29 > 0:40:31I knew Aubrey, by the way,
0:40:31 > 0:40:35- would come up with resources to call models.- Oh, Lisa.
0:40:35 > 0:40:39Put it this way, it was a fun little moment. To me, it was an amusement.
0:40:39 > 0:40:42Come on, it was easy! Someone goes, "I want this chick that bad",
0:40:42 > 0:40:44I'm, like, "Well, so do I."
0:40:44 > 0:40:48- Do you think Teresa should be in the final two?- No!
0:40:48 > 0:40:51- You don't think so?- No!- Why?
0:40:51 > 0:40:55I just think there are four other people here that deserve it more.
0:40:57 > 0:41:00Aubrey, what did you think of Lisa's tactics?
0:41:02 > 0:41:04This is difficult cos I love both of these women,
0:41:04 > 0:41:10but Lisa is sharp, smart and has the ability to get what she wants.
0:41:10 > 0:41:15- I do too.- I know. I'm not done. Relax.
0:41:15 > 0:41:17And I think that...
0:41:19 > 0:41:23..when you're negotiating... Teresa had folded too early.
0:41:23 > 0:41:24Because I was project manager
0:41:24 > 0:41:26You never fold until you get what you want.
0:41:26 > 0:41:29But for going to the finals - you're talking about a big deal,
0:41:29 > 0:41:32millions of people watching - for going to the finals...
0:41:32 > 0:41:34For going to the finals, you get what you want.
0:41:34 > 0:41:36You're not going to be Celebrity Apprentice unless you want it.
0:41:36 > 0:41:40Who do you think would be better in the finals - Teresa or Lisa?
0:41:41 > 0:41:43Hmm...
0:41:43 > 0:41:45I said, from the very beginning,
0:41:45 > 0:41:48that I have a respect for Lisa's brain
0:41:48 > 0:41:51and I've had it from the very beginning.
0:41:51 > 0:41:53But yet, Teresa's your project manager.
0:41:53 > 0:41:54I know and Teresa knows I love her
0:41:54 > 0:41:57and I've always been honest about her strengths and she has many.
0:41:57 > 0:41:59I love them both for different reasons.
0:42:02 > 0:42:06- Arsenio. How are you, Arsenio?- I was trying to become invisible, sir.
0:42:06 > 0:42:09I know. So, what did you think of your project manager?
0:42:12 > 0:42:17This is about hair and I saw a picture of a guy
0:42:17 > 0:42:21and under it, another picture of a guy, and I know it's a hair thing,
0:42:21 > 0:42:24so I'm, like, "Uh-oh", but at the same time, I thinking
0:42:24 > 0:42:29- I've got two gorgeous women, one who Farouk had complimented...- Right.
0:42:29 > 0:42:34..early in the day, another who equally, follicly speaking,
0:42:34 > 0:42:37- is blessed.- Yeah.- So, I'm like, "We're going to be fine.
0:42:37 > 0:42:40"I can always put my angels in it."
0:42:40 > 0:42:43- But you still weren't happy. - No, I wouldn't lie to you, sir.
0:42:43 > 0:42:47I was unhappy because we didn't get what we wanted
0:42:47 > 0:42:49and this show is about manoeuvring your way to your goal.
0:42:49 > 0:42:52And Aubrey might have been the only one more upset.
0:42:52 > 0:42:54I just wanted to fix the problem.
0:42:54 > 0:42:56You walked in right as Teresa had walked in,
0:42:56 > 0:42:58so there was a problem at hand.
0:42:58 > 0:43:01I don't care about being upset about problems, I care about fixing them.
0:43:01 > 0:43:03There is no time for emotion in business.
0:43:03 > 0:43:07- I got on the phone, fixed it, moving on.- Were you a model?- Yes.
0:43:07 > 0:43:10- And you did very well as a model, I understand.- Thank you.
0:43:11 > 0:43:13Clay, who was your model?
0:43:13 > 0:43:17We used four models that Lisa was able to negotiate for us.
0:43:19 > 0:43:22I'd like to see... Do me a favour, Don, Eric.
0:43:22 > 0:43:25Let me have those ads and we'll send them across the table.
0:43:25 > 0:43:27OK, here you go.
0:43:28 > 0:43:33Thank you. Study that up, let me know what you think.
0:43:33 > 0:43:35Arsenio, take a look at it.
0:43:40 > 0:43:42What do you think, Arsenio?
0:43:44 > 0:43:46- They're drastically different. - Very different.
0:43:48 > 0:43:51I like ours. That seems like a self-contained pamphlet.
0:43:51 > 0:43:54That seems like a four-page layout for Elle.
0:43:56 > 0:43:59- Lisa, what do you think? - I think they're great.
0:43:59 > 0:44:02I think Aubrey looks better than that redhead they got.
0:44:02 > 0:44:06She should be a model. Are you kidding me? That's beautiful.
0:44:06 > 0:44:08They're beautiful. There's nothing to say.
0:44:08 > 0:44:10Clay, which ad do you like better?
0:44:10 > 0:44:12I don't know that it's an ad for a hairdryer
0:44:12 > 0:44:16because I don't see anything saying that. I see them holding it.
0:44:16 > 0:44:18I'm not sure what they're advertising.
0:44:18 > 0:44:21- Do you think he's right? - No, not at all.
0:44:23 > 0:44:26Eric, what did Farouk and Robbie from Elle magazine
0:44:26 > 0:44:28think of Teresa's team?
0:44:28 > 0:44:31Teresa, they thought your team had a lot of passion
0:44:31 > 0:44:34and they thought it was convincing and well done overall.
0:44:34 > 0:44:36Arsenio, they thought you were great, funny.
0:44:36 > 0:44:38They loved how a guy with no hair
0:44:38 > 0:44:41knows all the details of a hairdryer, all the technicalities.
0:44:41 > 0:44:44The negatives - and there was a very big one -
0:44:44 > 0:44:48they didn't think your ad spoke to the features of the hairdryer.
0:44:48 > 0:44:51It's so revolutionary, there are so many different features.
0:44:51 > 0:44:54That was just missed.
0:44:54 > 0:44:57They also didn't think the photos or the ads or the models
0:44:57 > 0:45:00or the way they were dressed were really Elle.
0:45:00 > 0:45:04Lastly, Teresa, they just thought you were awkward
0:45:04 > 0:45:07- during the presentation, that you didn't look relaxed.- Uh-oh.
0:45:07 > 0:45:10- I don't speak in...- Trouble... Trouble in paradise.
0:45:10 > 0:45:14It didn't really work and it was a very big negative for them.
0:45:14 > 0:45:18- Why is that?- I feel like I was great doing everything else,
0:45:18 > 0:45:22but speaking-wise, I get a little nervous.
0:45:24 > 0:45:27Don, what did the executives think of Lisa's team?
0:45:27 > 0:45:30They thought the ad pitch had a lot of information,
0:45:30 > 0:45:32so that was a positive. They liked that you had
0:45:32 > 0:45:34a bit more towards the advertorial side of things.
0:45:34 > 0:45:37The presentation and the print ads were all explained well.
0:45:37 > 0:45:41Featuring the dryer was highlighted a bit better than the other team's.
0:45:41 > 0:45:43You did a great job of paying attention
0:45:43 > 0:45:45to both the Elle and the CHI audience,
0:45:45 > 0:45:48which was critical for them, and they really liked the back cover,
0:45:48 > 0:45:51especially the tomboy look cos it was a bit different.
0:45:51 > 0:45:54The negatives were that the clothing was a bit dated,
0:45:54 > 0:45:57not really styled to their typical standard
0:45:57 > 0:45:59and that the presentation lacked a bit of passion.
0:45:59 > 0:46:02- Who chose the clothing? - It was myself and a model.
0:46:02 > 0:46:04You know you could be fired for that, Lisa?
0:46:06 > 0:46:09When I saw you yesterday, you and Clay were working really as a team.
0:46:09 > 0:46:11There wasn't a distinct project manager,
0:46:11 > 0:46:15yet you chose to be project manager. Who's going home if your team loses?
0:46:15 > 0:46:19I guess we both have to come in here and extol our own virtues
0:46:19 > 0:46:22and then see who Mr Trump feels is better suited to stay.
0:46:22 > 0:46:23What do you think the answer is?
0:46:23 > 0:46:26Well, I'd be an idiot if I didn't say myself.
0:46:28 > 0:46:30Clay, if your team lost, who do you think should be fired?
0:46:30 > 0:46:33I don't disagree with what Lisa said.
0:46:33 > 0:46:36Obviously, she would say she should stay and I would say I should stay
0:46:36 > 0:46:38and if we were in the situation,
0:46:38 > 0:46:42we'd both have to extol our virtues, as she said,
0:46:42 > 0:46:44- or we could arm wrestle. - Oh, I'll win!
0:46:44 > 0:46:47Who was in charge of creative, you or Lisa?
0:46:47 > 0:46:50We both took on different creative roles.
0:46:50 > 0:46:52The photography, I was in charge of.
0:46:52 > 0:46:55She was in charge of the concept, in large part.
0:46:55 > 0:46:58She did pick the clothes. We really did work together as a team.
0:46:58 > 0:47:01Interesting, cos picking the clothes was one of the big negatives.
0:47:03 > 0:47:08Teresa, if your team loses, you're project manager. Who would you fire?
0:47:08 > 0:47:11Um, I feel like Aubrey and I brought a lot to the table.
0:47:11 > 0:47:14I feel like Arsenio - and I love him -
0:47:14 > 0:47:19I feel like he didn't bring as much as we did, so Arsenio.
0:47:19 > 0:47:22OK, I understand that. Do you want to hear who won?
0:47:22 > 0:47:25- Yes, sir. - Would you like to hear?- Yes, sir.
0:47:27 > 0:47:31Well, the executives thought both teams did a very nice job.
0:47:35 > 0:47:38But they did feel strongly...
0:47:39 > 0:47:41..that Lisa's team won.
0:47:44 > 0:47:46So, Lisa, congratulations.
0:47:46 > 0:47:4950,000 plus another 50,000 from Farouk -
0:47:49 > 0:47:53that's 100,000 for your charity. Not bad!
0:47:53 > 0:47:56- Congratulations, Lisa. - Thank you.- What is the charity?
0:47:56 > 0:48:00- Gay Men's Health Crisis, here in the city.- That's fantastic.
0:48:00 > 0:48:03- Thank you so much.- Congratulations. Go back to your suite.
0:48:03 > 0:48:07You can watch, if you'd like. It's going to be rather brutal.
0:48:07 > 0:48:09- Good luck, you guys. - Congratulations.- Thank you, Lisa.
0:48:12 > 0:48:15You three just sit here. Somebody will be fired.
0:48:23 > 0:48:26Where's the candy and the chocolate? What the F?
0:48:26 > 0:48:29'This is so unbelievable.'
0:48:29 > 0:48:32100 grand for my charity,
0:48:32 > 0:48:35the Gay Men's Health Crisis. Do you know how much money that will be,
0:48:35 > 0:48:37after I take my cut? It is so great!
0:48:37 > 0:48:41- Clay, great job. - You too. Let's watch this.- OK.
0:48:43 > 0:48:45- Teresa, what happened?- I don't know.
0:48:45 > 0:48:50I mean... We did everything that the executives said.
0:48:50 > 0:48:54- Are you disappointed?- Yes! - Are you shocked?- Shocked! Beyond.
0:48:54 > 0:48:58Because, like Aubrey said, when I look through magazines,
0:48:58 > 0:49:03especially Elle, I look at Elle for fashion.
0:49:03 > 0:49:05I want to see fashion.
0:49:05 > 0:49:11When I looked at their brochure - to me, it looked like a brochure -
0:49:11 > 0:49:13I didn't see fashion at all.
0:49:13 > 0:49:17- Like, I mean... Very disappointed. - Arsenio, why did you lose?
0:49:23 > 0:49:26Are you looking for a name or the elements?
0:49:26 > 0:49:30- What's the reason for a loss? A loss is a loss.- Er...
0:49:31 > 0:49:33I'm surprised we lost, though.
0:49:37 > 0:49:39Aubrey, why did you lose?
0:49:41 > 0:49:43We took a risk.
0:49:43 > 0:49:48We did something that was, to us, perceivably Elle magazine.
0:49:48 > 0:49:51Now, everyone perceives magazines differently.
0:49:51 > 0:49:53You could read a business magazine and think one thing,
0:49:53 > 0:49:57someone else can read it and think it's total crap. You never know.
0:49:57 > 0:50:00Teresa, why didn't you give more information about the blow dryer?
0:50:00 > 0:50:02That was one of the problems.
0:50:02 > 0:50:05Well, we did it in our presentation
0:50:05 > 0:50:07and the reason we didn't do it on the ad,
0:50:07 > 0:50:10because, looking at Elle, they don't do that.
0:50:10 > 0:50:14- You know.- So, are you disappointed? - Very.
0:50:14 > 0:50:18Aubrey, did Lisa play Teresa?
0:50:22 > 0:50:25If we had won the negotiation, we would have had the people we wanted.
0:50:25 > 0:50:27What does that mean?
0:50:28 > 0:50:30If we would have won the negotiation,
0:50:30 > 0:50:32we would have ended up with the people we wanted.
0:50:32 > 0:50:35But you didn't get them, so you didn't have the people you wanted.
0:50:35 > 0:50:38I don't like the word "play", cos I didn't hear it
0:50:38 > 0:50:40and I did not understand any of what happened out there
0:50:40 > 0:50:44because I was inside of our war room working, but I will say,
0:50:44 > 0:50:47if we had won, we would have had the people that we wanted to have.
0:50:47 > 0:50:49- Do you agree with that?- No.
0:50:49 > 0:50:51- Did you get the one you wanted or not?- Yes, we did.
0:50:51 > 0:50:53Lisa thinks she outsmarted me. She didn't.
0:50:53 > 0:50:56- Your own team seems to feel the same way.- No, they don't.
0:50:56 > 0:51:00- It's not what I'm getting from Arsenio or Aubrey.- No, we...
0:51:00 > 0:51:03They fixed the problem, but you didn't win the negotiation.
0:51:03 > 0:51:06- I would have fixed the problem too. - Am I wrong here, Arsenio?
0:51:06 > 0:51:08We didn't get what we wanted
0:51:08 > 0:51:10and if the mission was getting what we wanted,
0:51:10 > 0:51:14- we had to regroup cos we failed at that.- We didn't fail though.
0:51:14 > 0:51:18The momentary negotiation that went on did not work out
0:51:18 > 0:51:21in our favour but we're resourceful and we regrouped.
0:51:22 > 0:51:24You can't fight someone who's unarmed.
0:51:24 > 0:51:27That's what the Real Housewives have seen all along.
0:51:27 > 0:51:30You just sit there, you give her rope, she hangs herself.
0:51:30 > 0:51:33- It's like, you're so dumb.- Teresa, who should be fired in your team?
0:51:35 > 0:51:39- Arsenio didn't being too much to the table.- Who should be fired?
0:51:39 > 0:51:43I would say, working-wise, Aubrey and I pretty much...
0:51:43 > 0:51:45So, Arsenio should be fired?
0:51:45 > 0:51:48- Yes, because I feel like he played it safe.- Did you play it safe?
0:51:48 > 0:51:50No, I didn't. As a matter of fact, sir,
0:51:50 > 0:51:56I did some things that my project manager cannot do
0:51:56 > 0:51:59so, without me, certain things don't even get done and I'm offended...
0:51:59 > 0:52:03- Like what?- Do you realise that I shot some of the pictures?
0:52:03 > 0:52:06- He shot the products.- Are you listening to me?- The products.
0:52:06 > 0:52:11OK, I eliminated lighting problems. I'm a photographer.
0:52:11 > 0:52:13I did things you're not capable of doing,
0:52:13 > 0:52:16- so how could you render me...? - The photographers...
0:52:16 > 0:52:18They had a photographer.
0:52:18 > 0:52:21Do you know that Arsenio actually shot some of the photos?
0:52:21 > 0:52:24- No, she doesn't.- Yes. - No, you don't.- He shot...
0:52:24 > 0:52:27But you just said he didn't do anything.
0:52:27 > 0:52:29I just said, he shot the product.
0:52:29 > 0:52:31I was there with him while he was shooting the product.
0:52:31 > 0:52:34- No, you weren't. - The product was simple.
0:52:34 > 0:52:36Arsenio, why were offended by Teresa?
0:52:36 > 0:52:39You said you were offended. That's a strong word to use.
0:52:39 > 0:52:41It's a strong word
0:52:41 > 0:52:45because I don't think Teresa is even qualified to evaluate my work.
0:52:45 > 0:52:48Excuse me, I was the project manager.
0:52:48 > 0:52:50That's a title that WE gave you.
0:52:50 > 0:52:54You can't use that title to shred me.
0:52:54 > 0:52:57- I'm just saying you played it safe on this task.- What would safe be?
0:52:57 > 0:53:01- Aubrey, don't you think he played it safe?- Don't ask Aubrey. Talk to me.
0:53:01 > 0:53:04- What would safe be?- You didn't bring anything to the table.
0:53:06 > 0:53:08Honey, tell me, what did you bring?
0:53:08 > 0:53:10You don't mind being called "Honey", right?
0:53:10 > 0:53:13If you called HER honey, you'd be sued for sexual harassment.
0:53:13 > 0:53:15I'll call my lawyers as soon as I leave the room.
0:53:15 > 0:53:18- You might have to call your lawyer. - So, Arsenio...- Teresa...
0:53:18 > 0:53:20- Tell me what you brought to the table.- Teresa...- Tell me.
0:53:20 > 0:53:22Can I tell you what "safe" is?
0:53:22 > 0:53:26"Safe" is us opting to put information in the presentation
0:53:26 > 0:53:29- and you...- So, why did you tell us to put the information in?
0:53:29 > 0:53:32- The whole sentence would help you. - OK.
0:53:32 > 0:53:35She gave you things that you should say that,
0:53:35 > 0:53:39- because you were uncomfortable with the presentation...- Right.
0:53:39 > 0:53:41..you didn't read them.
0:53:41 > 0:53:42- It could have been done without you. - I...
0:53:42 > 0:53:44Don't throw me under the bus,
0:53:44 > 0:53:47cos I'll back it up and I'll hit you with it.
0:53:49 > 0:53:52- I think Aubrey and I... - You did nothing, Teresa.
0:53:52 > 0:53:56- To walk around, a lot of motion has...- No.- A lot of motion.
0:53:56 > 0:53:59Aubrey and I pretty much ran the task. That's how I felt yesterday.
0:53:59 > 0:54:01You're trying to hitch your wagon to Aubrey
0:54:01 > 0:54:04- cos you don't have one of your own. - I do have my...
0:54:04 > 0:54:05We know hair, fashion...
0:54:05 > 0:54:07Stop saying Aubrey. Tall me what you did.
0:54:07 > 0:54:09Tell me one thing that was an original idea.
0:54:09 > 0:54:13- I know hair, I overlooked the whole thing.- You know what?
0:54:13 > 0:54:18I know hair, I know fashion, I love... I'm into photography.
0:54:18 > 0:54:20What's an f-stop?
0:54:22 > 0:54:24You're not into photography. You're lying to Mr Trump.
0:54:24 > 0:54:27- I love photography, like photos. - You like pictures?
0:54:27 > 0:54:30You like to look at pictures? Is that your defence?
0:54:30 > 0:54:33I like to take pictures of my family. I love to take...
0:54:33 > 0:54:35I can look at a picture and see if it looks good or not.
0:54:35 > 0:54:39- That's what I'm talking about.- You looked at the photos.- I looked...
0:54:39 > 0:54:41What did you contribute to the team?
0:54:41 > 0:54:45- I was part of the creative process from A to Z.- Really? No!- Yes.
0:54:45 > 0:54:48You didn't come up with the slogan. What did you come up with?
0:54:48 > 0:54:50- She came up with the slogan. - Right, correct.
0:54:52 > 0:54:55- My idea was to make it...- You didn't put the presentation together.
0:54:55 > 0:54:59- Tell me what you did.- I put MY part of MY presentation together
0:54:59 > 0:55:01and MY part of MY presentation was successful.
0:55:01 > 0:55:04- I made it my own because I know who I am.- That's fine.
0:55:04 > 0:55:06You made it your own. I wanted to give them the facts
0:55:06 > 0:55:09and I also gave a pitch...a little bit about myself.
0:55:10 > 0:55:16Aubrey, did Arsenio play it safe, as Teresa's been saying?
0:55:21 > 0:55:23I'm not sure exactly what everybody did
0:55:23 > 0:55:26cos I was being utilised in so many different areas,
0:55:26 > 0:55:29that I didn't have time to overlook what everyone else was doing
0:55:29 > 0:55:32and it wasn't my job, so you'd have to ask them
0:55:32 > 0:55:34what each of them did and I think each of them should say
0:55:34 > 0:55:38what they did cos I can say what I did. Now... Go ahead.
0:55:38 > 0:55:39Go ahead.
0:55:39 > 0:55:43"Safe"...creates an atmosphere
0:55:43 > 0:55:46where, when someone walks in the room,
0:55:46 > 0:55:48they don't know who the task manager is.
0:55:48 > 0:55:53Can I tell you how many people walked in, pizza delivery men
0:55:53 > 0:55:55and people entering the environment for the first time,
0:55:55 > 0:55:59- who either went to me or her or both?- Pizza?
0:55:59 > 0:56:01What does pizza have to do with anything?
0:56:01 > 0:56:03Anyone observing the room...
0:56:05 > 0:56:07- ..didn't understand... - Everyone knew I was project manager.
0:56:07 > 0:56:10Did anyone come to you and ask if you were project manager?
0:56:10 > 0:56:14- They did, yeah.- Did anyone come to you?- Twice.- I doubt it.
0:56:14 > 0:56:17- So, I'm a liar and I'm safe. - Everyone I met...
0:56:17 > 0:56:20Am I a liar and safe?
0:56:20 > 0:56:24Yeah, I'm calling you a liar and safe, yes, because when I went up...
0:56:24 > 0:56:26Teresa, you're not going to be able to run from this
0:56:26 > 0:56:29- by hitching your wagon to hers. - I'm not!
0:56:29 > 0:56:31When we met everyone, I introduced them.
0:56:31 > 0:56:33"Hi, I'm the project manager, I'm Teresa",
0:56:33 > 0:56:35so everyone knew who I was, so...
0:56:35 > 0:56:37Is there a difference between introducing yourself
0:56:37 > 0:56:40as a project manager and actually commanding that presence?
0:56:40 > 0:56:44- I did both. I mean...- There were people in the room who didn't know
0:56:44 > 0:56:48- you were the project manager.- That's your opinion.- It's not an opinion.
0:56:48 > 0:56:51- I'm telling you... - No, that IS your opinion.
0:56:51 > 0:56:56- There are people who walked up to me and then went to her.- Who?
0:56:57 > 0:57:01Teresa, you're the sweetest lady in the world but at this point,
0:57:01 > 0:57:04you may over your head, as the numbers dwindle.
0:57:04 > 0:57:06- You think you are over your head, Teresa?- Not at all.
0:57:06 > 0:57:10Because I didn't know anything about an ad campaign but now I do.
0:57:12 > 0:57:14Aubrey, what's your feeling on that?
0:57:14 > 0:57:17What I can say positively about Teresa
0:57:17 > 0:57:20is she wants everything so bad and she will do anything...
0:57:20 > 0:57:23- She does want it badly. So you want it badly, Aubrey?- D'uh!
0:57:23 > 0:57:26- Huh?- Yes. - LAUGHTER
0:57:26 > 0:57:29- That's evident.- Arsenio, you want it badly, don't you?
0:57:29 > 0:57:31I want it more than I've ever wanted anything in my life.
0:57:34 > 0:57:37You know, as a project manager, you are at a liability.
0:57:37 > 0:57:42- You do understand that.- Yeah, I know that, but I also, you know...
0:57:42 > 0:57:45There was three of us. But really two of us cos, like I said,
0:57:45 > 0:57:48Arsenio didn't bring anything to the table.
0:57:48 > 0:57:50Teresa, in all fairness, you were the project manager,
0:57:50 > 0:57:53you weren't great, with respect to the presentation at all,
0:57:53 > 0:57:56you know that. The executives didn't like it
0:57:56 > 0:57:59and they loved Arsenio and they loved Aubrey.
0:57:59 > 0:58:01Teresa, you're fired.
0:58:06 > 0:58:10- Thank you. - Thank you very much. Good, go.
0:58:28 > 0:58:31Bye. 'I don't think Mr Trump fired the right person,'
0:58:31 > 0:58:34but I'm really proud of myself that I made it this far.
0:58:34 > 0:58:38- Sorry, no offence.- I'm sorry it had to end like this.- That's all right.
0:58:38 > 0:58:41- Good luck, guys.- I'm sorry. - Good luck.- Bye.
0:58:41 > 0:58:45It was an amazing experience and I wanted to prove to people
0:58:45 > 0:58:49that I'm just not a housewife, that there's more to me than that.
0:58:56 > 0:59:00- Bye-bye, Teresa.- Bye. - Bye, Tere.- Bye.
0:59:03 > 0:59:06I hate the boardroom.
0:59:11 > 0:59:12OK.
0:59:15 > 0:59:19Oh, my Lord, please let Arsenio and Aubrey walk in so it's a fair fight.
0:59:19 > 0:59:23- Do you really think there's a chance they're not?- Please, baby Jesus.
0:59:26 > 0:59:29It was stupid! It was stupid!
0:59:29 > 0:59:32You're such a liar. We didn't fall... You bitch!
0:59:32 > 0:59:36- We did it once before, you little bitch!- Ah!
0:59:36 > 0:59:39We already did it to you! Come on, man!
0:59:39 > 0:59:43- You can't joke on us!- You can't joke on us, like we didn't expect this!
0:59:43 > 0:59:47Please! Was it horrible? Was it horrible?
0:59:47 > 0:59:50Yeah, it was real hard because, you know what?
0:59:50 > 0:59:52She's a nice lady, she's a nice lady.
0:59:52 > 0:59:56- You got to watch that- BLEEP- show of hers.- OK, OK.
0:59:57 > 1:00:00'The Teresa I know is a really sweet lady
1:00:00 > 1:00:04'and I hope she understands it's a competition, we all want to win.
1:00:04 > 1:00:07'There's this battle going on'
1:00:07 > 1:00:10that we had to go through. I had to fight for my life
1:00:10 > 1:00:12and I know she was fighting for hers. I hope she gets it.
1:00:12 > 1:00:16I think final four ain't bad for people who started with 18 people.
1:00:16 > 1:00:20- Hands in.- BLEEP.- Everybody,- BLEEP. - On the count of three. Final four!
1:00:20 > 1:00:24- One, two, three. ALL:- Final four! - THEY CHEER
1:00:24 > 1:00:27- That's pretty good though, come on. - PHONE RINGS
1:00:27 > 1:00:28Oh, God, I'll get it.
1:00:33 > 1:00:36- Hello?- Mr Trump would like you all back in the boardroom now.
1:00:36 > 1:00:38OK, thank you.
1:00:38 > 1:00:41OK, folks, Mr Trump wants us back in the boardroom immediately.
1:00:41 > 1:00:44Are you kidding me?
1:00:44 > 1:00:46'This place blows.
1:00:46 > 1:00:48'God forbid we get one day'
1:00:48 > 1:00:51to just revel in this nice little moment.
1:00:54 > 1:00:55Please take a seat.
1:01:03 > 1:01:08Congratulations. You're the best of the best.
1:01:08 > 1:01:14You've made it to the final four. It really is something to be proud of.
1:01:15 > 1:01:20We've never had 18 celebrities - and really smart ones at that -
1:01:20 > 1:01:23- ever, on Celebrity Apprentice.- Yes.
1:01:23 > 1:01:28Now, you're about to do the most important interview of your lives.
1:01:28 > 1:01:33You're going to meet with last year's winner, John Rich,
1:01:33 > 1:01:38and runner-up, Marlee Matlin, an unbelievable woman.
1:01:39 > 1:01:42At the end of the interview, they're going to consult with me,
1:01:42 > 1:01:45they're going to give me their recommendations
1:01:45 > 1:01:47and two people will be fired.
1:01:55 > 1:01:59- Good luck with the interview, do well.- Thank you, sir.
1:02:07 > 1:02:09Marlee and John Rich are going to be responsible
1:02:09 > 1:02:13for advising Mr Trump on who should go home today
1:02:13 > 1:02:15and I'm, like, "Keep it together, man",
1:02:15 > 1:02:19because this interview will break two of us.
1:02:21 > 1:02:22Ooh.
1:02:32 > 1:02:36'I want to win the Celebrity Apprentice gangsta bad.'
1:02:36 > 1:02:39My charity needs that money. I'm sure theirs does too, but too bad.
1:02:39 > 1:02:42Guess who we're focussing on right now? LL.
1:02:47 > 1:02:50The organisation that I'm working for
1:02:50 > 1:02:52is an organisation that I started
1:02:52 > 1:02:54and have worked with for almost a decade now,
1:02:54 > 1:02:58so it makes it even more important to me to win this
1:02:58 > 1:03:00because this organisation is MY charity.
1:03:06 > 1:03:10- Aubrey and Lisa, you can go back for your interviews now.- Thank you.
1:03:10 > 1:03:14- Good luck, guys, enjoy it. - Bye. Have fun.
1:03:14 > 1:03:16- AUBREY:- 'For me, the final four,'
1:03:16 > 1:03:19it's such an accomplishment. At the same time,
1:03:19 > 1:03:23I just want to keep moving on into the finals.
1:03:23 > 1:03:25Time to get that game face on.
1:03:36 > 1:03:38Hello, everybody.
1:03:41 > 1:03:44- Pleasure to see you, sir. - Nice to see you both.
1:03:44 > 1:03:47- INTERPRETER:- Good to see you.- Nice to see you, too, Jack.- Same here.
1:03:47 > 1:03:50So, what impact has being on Celebrity Apprentice
1:03:50 > 1:03:54and doing so well, what has that had on your life?
1:03:54 > 1:03:57I always had an issue, thinking that people thought less of me
1:03:57 > 1:03:58because I was a "country" guy.
1:03:58 > 1:04:01But now, because of winning Celebrity Apprentice,
1:04:01 > 1:04:04I can walk through Manhattan and every block,
1:04:04 > 1:04:07somebody's recognising me and I think what's important to me
1:04:07 > 1:04:10has now become important to a lot of people because of your show.
1:04:10 > 1:04:13- INTERPRETER:- I have to say it's been a great experience.
1:04:13 > 1:04:17The best news, so far, was the fact that, as a result,
1:04:17 > 1:04:21- Starkey was able to raise 7.2 million in one night.- Wow.
1:04:21 > 1:04:25And John was so nice and he sang and I'll be forever grateful for that.
1:04:25 > 1:04:26Where's my 25%?
1:04:26 > 1:04:30- I want 25% immediately. - We'll talk about that later.
1:04:30 > 1:04:33So, tell me, how did you like our contestants?
1:04:33 > 1:04:36Well, I liked them and they're all very different.
1:04:36 > 1:04:39Do you see the kind of talent that I had last year?
1:04:39 > 1:04:42You two were fantastic.
1:04:42 > 1:04:44They didn't raise as much money as we did.
1:04:44 > 1:04:47I'm proud of that, that we've raised so much money between the two of us,
1:04:47 > 1:04:50over 2 million. Thank you for that opportunity.
1:04:50 > 1:04:52We don't get to see you enough to tell you that
1:04:52 > 1:04:54- but thank you very much. - Fantastic.- It's unparalleled.
1:04:54 > 1:04:57OK, let's talk about Aubrey. What do you think?
1:04:57 > 1:05:00- INTERPRETER:- Aubrey is stunningly beautiful,
1:05:00 > 1:05:03she's very intelligent and yet she's so young
1:05:03 > 1:05:07and I like young people who really are passionate about life.
1:05:07 > 1:05:09But I thought she was very nervous.
1:05:09 > 1:05:11When I shook her hand, it was shaking.
1:05:11 > 1:05:15Hi. Nice to meet you. Aubrey. Nice to meet you.
1:05:15 > 1:05:20- INTERPRETER:- Who should be Celebrity Apprentice?- Me.- You?- Yes.
1:05:20 > 1:05:25I'll tell you why. I'm only 27 but I consider myself an old soul.
1:05:25 > 1:05:29I have a lot of energy, I have a lot of creativity
1:05:29 > 1:05:31and I don't like hearing "no".
1:05:31 > 1:05:35- So, a lot of people have come on the show just for the TV time.- Right.
1:05:35 > 1:05:38The charity is sort of an afterthought.
1:05:38 > 1:05:40Tell me what your plans are after this,
1:05:40 > 1:05:41if you are the Celebrity Apprentice.
1:05:41 > 1:05:43I'm involved with a lot of charities.
1:05:43 > 1:05:47I have worked with battered women's shelters, refugee camps,
1:05:47 > 1:05:48children with AIDS in Africa,
1:05:48 > 1:05:50I've worked with Nelson Mandela,
1:05:50 > 1:05:53- with the Dalai Lama, with Fidel Castro...- And this charity -
1:05:53 > 1:05:56what is YOUR connection with this particular charity?
1:05:56 > 1:05:58I wanted to choose a charity that wasn't as big.
1:05:58 > 1:06:01GLSEN is trying to end bullying in schools.
1:06:01 > 1:06:03I would like to travel around and talk to kids
1:06:03 > 1:06:05about MY personal experiences with bullying...
1:06:05 > 1:06:08- It's a big job. Are you prepared for that job?- Absolutely.
1:06:08 > 1:06:11It sounds to me... Are you truly sincere?
1:06:11 > 1:06:13- Is that message really a sincere one?- Absolutely.
1:06:15 > 1:06:18- This is a pretty big deal.- It is. - Going to the final two.
1:06:18 > 1:06:22- I WILL be in the final two.- How much money did you raise this season?
1:06:22 > 1:06:25- For my charity?- Yes. - I raised 50,000.
1:06:25 > 1:06:28And how much did Sean Combs give to that?
1:06:29 > 1:06:32- Zero. But he was asked. - Well, I have a problem with that.
1:06:32 > 1:06:35I have to wonder, someone like yourself,
1:06:35 > 1:06:38who has that kind of Rolodex, why can't you do better than that?
1:06:38 > 1:06:40- Cos to me, it's ALL about the money. - In regards to Diddy,
1:06:40 > 1:06:43I don't know if you know or ever watched Making The Band,
1:06:43 > 1:06:46- but I was fired from that show. - I watched it.
1:06:46 > 1:06:49So, you know, I raised money for other people's charities
1:06:49 > 1:06:52every single time. I have hundreds of thousands of dollars,
1:06:52 > 1:06:55- waiting to go straight to my charity.- Terrible answer.
1:06:55 > 1:06:57Why are hundreds of thousands of dollars
1:06:57 > 1:07:00waiting to go your charity instead of being in your account right now
1:07:00 > 1:07:01and you being the number one fundraiser?
1:07:01 > 1:07:05Because what I bring to the table isn't necessarily a big Rolodex,
1:07:05 > 1:07:07it's actually my mind, my creative energy, my youth,
1:07:07 > 1:07:10my ability to see things in an innovative way
1:07:10 > 1:07:13and I fought for every task like it was MY charity, like it was MY money
1:07:13 > 1:07:16and I've never looked at a day of this in a manipulative, conniving
1:07:16 > 1:07:19or strategized way and I don't think you're going to be able
1:07:19 > 1:07:20to find that with everyone here.
1:07:22 > 1:07:24All right. I think Aubrey's a chess player.
1:07:24 > 1:07:28She's very smart but she's a little transparent in her chess playing.
1:07:28 > 1:07:31I felt like she was playing ME and I just sat down to talk with her.
1:07:31 > 1:07:33- Just a little green.- Yeah. - Little green.
1:07:33 > 1:07:36- INTERPRETER:- Bullying is a big issue and, as a mother of four,
1:07:36 > 1:07:39I understand my children having to go through that
1:07:39 > 1:07:41and talking about that, I identified with her charity.
1:07:41 > 1:07:45- That was really a positive for me. - Clay Aiken. What did you think?
1:07:45 > 1:07:48He's very sweet, he's genuine.
1:07:48 > 1:07:52I understand and have a complete love for his love for his charity,
1:07:52 > 1:07:57but I don't know if he's necessarily a leader or is he a follower?
1:07:57 > 1:07:58I can't really tell.
1:07:58 > 1:08:01Hello, how are you? I'm pretty good.
1:08:01 > 1:08:03Very nice to meet you.
1:08:03 > 1:08:06- Whoo.- INTERPRETER:- I've seen you on American Idol
1:08:06 > 1:08:09and that was a while back
1:08:09 > 1:08:12and being deaf, it doesn't matter, because I hear you're fantastic.
1:08:12 > 1:08:14Trust me, I was wonderful!
1:08:16 > 1:08:18Tell me about your charity, first of all.
1:08:18 > 1:08:21I was a special ed teacher before I did Idol
1:08:21 > 1:08:23and I taught kids with disabilities
1:08:23 > 1:08:25and I'd work a summer camp programme in the summer
1:08:25 > 1:08:28and the kids I worked with in the year wouldn't be allowed to go,
1:08:28 > 1:08:32so after I did Idol, I started an organisation that helps train people
1:08:32 > 1:08:35to include kids with disabilities into those programmes,
1:08:35 > 1:08:37cos kids with disabilities know when they're being left out.
1:08:37 > 1:08:41- How many times were you project manager?- Twice.
1:08:41 > 1:08:44- And how many times did you win? - Once.
1:08:44 > 1:08:46I feel like you're playing the game safely.
1:08:46 > 1:08:48I don't think I've played it safe at all.
1:08:48 > 1:08:52I've been able to get this far without having to make enemies
1:08:52 > 1:08:55and I think that that speaks, somewhat, to my character
1:08:55 > 1:08:59and I think it speaks to the amount of respect I've earnt from folks.
1:09:00 > 1:09:03I hear that you have shocked everybody.
1:09:03 > 1:09:06I take that as an interesting compliment but I guess that meant
1:09:06 > 1:09:09that I'd set a really low standard for myself first.
1:09:09 > 1:09:12No, I think it means that everybody, including myself,
1:09:12 > 1:09:15knows you from American Idol, knows you're a nice guy
1:09:15 > 1:09:19and I've got to wonder, when it comes down to the final two,
1:09:19 > 1:09:21is Clay Aiken willing to buck
1:09:21 > 1:09:23everybody's perception of Clay Aiken?
1:09:23 > 1:09:27- Well...- Because second place sucks. - Let me talk, John!
1:09:27 > 1:09:29- Second place sucks. - Trust me, I've been there. I know!
1:09:29 > 1:09:32- Trust me, I know!- You don't want second place again.- No, I don't.
1:09:32 > 1:09:35- But you've played it pretty safe on other levels.- I don't think...
1:09:35 > 1:09:39You have. There's been 13 tasks, you've been project manager twice.
1:09:39 > 1:09:41Why would you not throw your hand up,
1:09:41 > 1:09:45- even when it's uncomfortable, and go after the money?- I threw my hand up!
1:09:45 > 1:09:48You're in a situation where there are a lot of other players.
1:09:48 > 1:09:51- Doesn't matter.- I could have wrestled people to the ground.
1:09:51 > 1:09:54- Yes, you could have.- OK, well, I didn't wrestle people to the ground.
1:09:54 > 1:09:57- Why didn't you? Don't you want the money?- I DO want the money but...
1:09:57 > 1:10:00- Do you think people respect you? - I do, absolutely.
1:10:00 > 1:10:02Do you think they've underestimated you
1:10:02 > 1:10:03and if you went into the final two,
1:10:03 > 1:10:06you could rear up and they see another gear that you have?
1:10:06 > 1:10:08It's not another gear, cos they've seen me do it so far.
1:10:08 > 1:10:11- You've shown the best you've got? - Not the best I have.
1:10:11 > 1:10:13There is more, no doubt,
1:10:13 > 1:10:15but I don't need to use it until I need to use it.
1:10:15 > 1:10:19There's no reason to be looking for a fight. I came here to win.
1:10:19 > 1:10:22- Are you going to win this show? - I absolutely will.
1:10:25 > 1:10:27Clay's been in the spotlight for a long time
1:10:27 > 1:10:29and under scrutiny for a long time.
1:10:29 > 1:10:32That makes you a tough person and I think, to Marlee's point,
1:10:32 > 1:10:35is he a leader or a follower, and why would you hold back ever?
1:10:35 > 1:10:38That's what it takes if you're playing on behalf of a charity.
1:10:38 > 1:10:41You're going for it the entire time, every breath of every waking day
1:10:41 > 1:10:44and when he said he hasn't shown his best yet,
1:10:44 > 1:10:46I had to doubt him for a second.
1:10:46 > 1:10:50OK, Arsenio. What do you think? Good, bad?
1:10:50 > 1:10:54The good about Arsenio is the general energy around this man.
1:10:54 > 1:10:56You feel good around Arsenio Hall.
1:10:56 > 1:10:59But then it seems like he does have this flip side
1:10:59 > 1:11:02to what he's about, that is a bit out of control,
1:11:02 > 1:11:04and I think it's a tough sell.
1:11:04 > 1:11:08But he does have that charisma, he really does.
1:11:08 > 1:11:11- I was a big fan of yours. - Thank you, man.
1:11:11 > 1:11:13- I loved it.- Thank you, brother.
1:11:13 > 1:11:15And I'm curious, how's Arsenio Hall going to win this thing?
1:11:15 > 1:11:19By continuing, until the last moment,
1:11:19 > 1:11:24to give 100%. That's all I can do. Then the decision is on Mr Trump.
1:11:24 > 1:11:27How much money did you raise for your charity?
1:11:27 > 1:11:29It's going to be over 100,000 when I'm finished.
1:11:29 > 1:11:33I'm an Arsenio Hall fan. Love your show, love your energy,
1:11:33 > 1:11:36and yet I raised over 1 million and I'm just an old country boy.
1:11:36 > 1:11:38I have to wonder, someone like yourself,
1:11:38 > 1:11:41why can't you do better than that? It doesn't sound like you tried.
1:11:41 > 1:11:45I'm giving 100% every moment that I'm in the competition.
1:11:45 > 1:11:47You don't look tired to me.
1:11:48 > 1:11:51- INTERPRETER:- Tell me about your charity,
1:11:51 > 1:11:53- your wonderful Magic Johnson charity.- Oh, gosh.
1:11:53 > 1:11:55You know better than anybody,
1:11:55 > 1:11:59we go way, way back to day one of him making his announcement
1:11:59 > 1:12:03and forming the Magic Johnson Foundation, so this year,
1:12:03 > 1:12:06it's 20 years, it's the 20-year anniversary for the organisation.
1:12:06 > 1:12:09That's commendable and you've raised money for the charity
1:12:09 > 1:12:13- and I'm very proud of you. - Thank you.- But yet, it's not easy.
1:12:13 > 1:12:18I want to know, how did you get along with everybody?
1:12:18 > 1:12:23Well, um... I had my day. I had an argument.
1:12:23 > 1:12:26I fought with a young lady named Aubrey O'Day.
1:12:26 > 1:12:31Um, I called her a couple of names.
1:12:31 > 1:12:33- Oops.- Yeah, yeah.
1:12:34 > 1:12:39- I shouldn't.- Do you think something like that is appropriate?
1:12:39 > 1:12:42Not appropriate, but I can't make it go away.
1:12:42 > 1:12:44I can't hit a rewind button.
1:12:44 > 1:12:48I've made mistakes, I will continue to make mistakes in my life.
1:12:48 > 1:12:50All I can do is apologise to you
1:12:50 > 1:12:53and ask for your forgiveness. That I did.
1:12:55 > 1:12:58- I'm a little disappointed.- Yeah.
1:12:59 > 1:13:03- INTERPRETER:- I know Arsenio. He fights for what he believes in,
1:13:03 > 1:13:06he's passionate about his charity as well.
1:13:06 > 1:13:08But I know that you've had flare-ups.
1:13:08 > 1:13:11People get emotional, people lose their temper,
1:13:11 > 1:13:13where there's lack of sleep or they're overworked,
1:13:13 > 1:13:16but it doesn't excuse them. It doesn't excuse them.
1:13:16 > 1:13:18But if you apologise, and I understand
1:13:18 > 1:13:21he was very apologetic and his apology was accepted...
1:13:21 > 1:13:25- He had a bad moment.- He dealt with it as a man would, then it's fine.
1:13:25 > 1:13:29How did you find Lisa, Lisa Lampanelli? How did you find her?
1:13:29 > 1:13:34Lisa was... What's the word? She talks a lot and a lot comes out.
1:13:34 > 1:13:36- Even being deaf,- I- can hear her.
1:13:36 > 1:13:38But she really comes on strong
1:13:38 > 1:13:41and I thought she might have wanted to break the table
1:13:41 > 1:13:43cos she's so passionate about whatever she does
1:13:43 > 1:13:45and, particularly, the show and her work.
1:13:45 > 1:13:47I like the fact that Lisa Lampanelli
1:13:47 > 1:13:49has had such a successful career as a comedienne.
1:13:49 > 1:13:52I know, being a touring musician myself,
1:13:52 > 1:13:54being a touring comic is the same thing.
1:13:54 > 1:13:56You're talking about a tough, tough lady
1:13:56 > 1:13:58and I think, to win Celebrity Apprentice,
1:13:58 > 1:14:01it takes a tremendous amount of toughness.
1:14:01 > 1:14:04- So, how's this been for you? - Fricking insane.
1:14:04 > 1:14:06Is it like what you thought it would be?
1:14:06 > 1:14:09It's a billion times harder, because it's exhausting,
1:14:09 > 1:14:10but every day, it's so weird -
1:14:10 > 1:14:14after three hours' sleep, you'll be energised and go, "OK, I'm winning."
1:14:14 > 1:14:17What will you do if you find yourself in the final two?
1:14:17 > 1:14:19I know you've got it in you onstage
1:14:19 > 1:14:22but I know that onstage and real life are two different things.
1:14:22 > 1:14:24It's not my first time at the rodeo, OK?
1:14:24 > 1:14:27I'd say this - no-one's left standing when LL comes after them.
1:14:27 > 1:14:29- I love that answer. - That's all there is, baby.
1:14:29 > 1:14:34Do you think that you're just DNA tougher than everybody else
1:14:34 > 1:14:37- that's left in this field?- No. - You don't think you're the toughest?
1:14:37 > 1:14:39I'm tough if I have an outlet to vent.
1:14:39 > 1:14:42- Who's tougher than you in this final four?- In THIS final four?
1:14:42 > 1:14:45- Oh, nobody.- So, you're the toughest in the final four?- Hell, yeah.
1:14:45 > 1:14:48- I'll eat them for breakfast. - You're tougher than Aubrey,
1:14:48 > 1:14:52you'll eat Clay for breakfast, you'll eat Arsenio for breakfast?
1:14:52 > 1:14:54Easily. You know what I'm saying, John Rich.
1:14:54 > 1:14:58- I know what you're saying. I'm looking right at you.- You know.
1:14:58 > 1:15:01I'm right here. I'm right here with you.
1:15:01 > 1:15:04- INTERPRETER:- Tell me what you think your other cast mates
1:15:04 > 1:15:06would say about you if they were asked.
1:15:06 > 1:15:08I have a big mouth, as you know.
1:15:08 > 1:15:12I'm a big personality, larger than life, and I admit that freely.
1:15:12 > 1:15:16I know my failing is that my temper gets the best of me
1:15:16 > 1:15:19but, at the end of the day, I make my apologies and get the job done.
1:15:19 > 1:15:24- I've heard that you're rather emotional.- Definitely.
1:15:24 > 1:15:26I am the Meat Loaf of this year.
1:15:26 > 1:15:31- And so, being that, and bless his heart...- I love him, I love him.
1:15:31 > 1:15:33Being that, you can lose your temper,
1:15:33 > 1:15:36you said you've cried in the boardroom,
1:15:36 > 1:15:39is it appropriate for that type of position?
1:15:39 > 1:15:41Because as Tom Hanks said, there's no crying in baseball.
1:15:41 > 1:15:44- Is there crying in the boardroom? - There is crying in the boardroom.
1:15:44 > 1:15:46I think all the women have, so far.
1:15:46 > 1:15:49There was a lot of personalities, a lot of Type A.
1:15:49 > 1:15:53- What type are you? - Oh, A, B and C, so...
1:15:54 > 1:15:59And it was really hard to try to manage personalities and craziness.
1:15:59 > 1:16:00It was cool as hell, though,
1:16:00 > 1:16:03cos I'm still standing or sitting or whatever I am.
1:16:03 > 1:16:06- INTERPRETER:- I think that I saw that her major weakness
1:16:06 > 1:16:09was the control of her emotions.
1:16:09 > 1:16:12She's passionate. That's what I like about her.
1:16:12 > 1:16:14At the same time, you can't break down,
1:16:14 > 1:16:18you can't confront in the way that you can be called a leader.
1:16:18 > 1:16:21I think one important thing to succeed in this world
1:16:21 > 1:16:24is to make people have an opinion about you one way or the other
1:16:24 > 1:16:26and I think Lisa definitely has that.
1:16:26 > 1:16:29- You either really can't stand her or you really just love her.- Right.
1:16:29 > 1:16:32And it's not something most people are comfortable with
1:16:32 > 1:16:34but I do think that's a strength of hers.
1:16:34 > 1:16:37It's been such an honour having both of you on the show.
1:16:37 > 1:16:41You were winners and I really appreciate your advice.
1:16:41 > 1:16:43I'm going to be digesting that advice
1:16:43 > 1:16:45and we're going to be firing two people
1:16:45 > 1:16:48and two people are going to be where you folks were
1:16:48 > 1:16:50last year at this time.
1:17:10 > 1:17:11Congratulations.
1:17:11 > 1:17:13Fantastic.
1:17:13 > 1:17:16Arsenio, amazing.
1:17:16 > 1:17:18Aubrey, great.
1:17:18 > 1:17:20Lisa, I'm not that surprised.
1:17:20 > 1:17:22Clay, great job.
1:17:22 > 1:17:27Now, John Rich and Marlee Matlin had many, many positive things
1:17:27 > 1:17:29to say about all of you
1:17:29 > 1:17:34and they also had some real negatives so, ultimately,
1:17:34 > 1:17:39in this case, I took their advice, but it's going to be my decision.
1:17:39 > 1:17:43- So, Clay, tell me, how did you do? - I think I did well.
1:17:43 > 1:17:48- I had fun with them.- What was your impression of them?- I liked Marlee.
1:17:48 > 1:17:53I liked them both. Marlee was very sweet. John was tough.
1:17:53 > 1:17:56- I had to spar with him a little bit. - Tough guy?- Yeah, he was very tough.
1:17:56 > 1:17:59- He turned out to be a tough.- He did. He probably learned from you.
1:17:59 > 1:18:01If we sit in front of you week after week,
1:18:01 > 1:18:03there's nobody quite as intimidating,
1:18:03 > 1:18:06- so it made it a little easier. - OK. Good.
1:18:06 > 1:18:11Arsenio, how did you like your interview?
1:18:12 > 1:18:15My interview was good. It was honest
1:18:15 > 1:18:18- and I know they're doing a job for you.- Do you think you did well?
1:18:19 > 1:18:21Yeah, I wasn't sure.
1:18:21 > 1:18:25I thought Mr Rich was possibly trying to make me lose my temper.
1:18:25 > 1:18:27And did you lose your temper?
1:18:28 > 1:18:29OK.
1:18:29 > 1:18:33So, Aubrey, how did you do?
1:18:33 > 1:18:35- Great. - Did you like the interview?- I did.
1:18:35 > 1:18:38They thought you were very nervous. I was surprised to hear that.
1:18:38 > 1:18:41- They said you were very nervous. - Not at all.- Young, beautiful.
1:18:41 > 1:18:43Marlee thought you were totally beautiful
1:18:43 > 1:18:47- but they thought you were very nervous.- Not at all.
1:18:47 > 1:18:50You have a right to be nervous. There's nothing wrong with that,
1:18:50 > 1:18:52but they felt you were a bit on that side.
1:18:54 > 1:19:00- Lisa, they know you, they fear you. - No, no, no! Marlee's tough.
1:19:00 > 1:19:05- I like her.- Marlee's tough, smart and tough, both of them.- Great.
1:19:05 > 1:19:09- How do you feel you did? - Pretty well. I love John Rich.
1:19:09 > 1:19:10I'd never met him before but we bonded.
1:19:10 > 1:19:14- He wanted to make sure I would fight enough.- Really? OK.
1:19:14 > 1:19:19So, give me the reasons why you should be in the finals.
1:19:19 > 1:19:23I believe really strongly that I should win this
1:19:23 > 1:19:28because, every week, all the women or men on my team would say,
1:19:28 > 1:19:31"Lisa did great. She was the star. She was the star."
1:19:31 > 1:19:36But also, I never really folded and went into shifty tactics.
1:19:36 > 1:19:39I always just told you the truth, hoped you'd understand and hoped
1:19:39 > 1:19:43that all would work out, so I really think I could hold my own.
1:19:43 > 1:19:45I really believe I am Celebrity Apprentice.
1:19:45 > 1:19:47I just believe it in my heart.
1:19:50 > 1:19:54Well, Marlee felt you were absolutely fantastic.
1:19:54 > 1:19:58John Rich felt that you were absolutely fantastic.
1:19:58 > 1:20:03But they also felt that you weren't in control of your emotions.
1:20:03 > 1:20:05Do you agree with that?
1:20:05 > 1:20:08I think I'm always in control of them and I know when to use them.
1:20:08 > 1:20:10So, you know what? If I'm going to cry,
1:20:10 > 1:20:13it's something that should be seen.
1:20:13 > 1:20:16- You did have moments when you sort of lost control.- Of course.
1:20:16 > 1:20:18- And you were probably surprised yourself.- No, no.
1:20:18 > 1:20:21Have you had those moments over the last number of years
1:20:21 > 1:20:24- or is it just here?- Come on, I was raised by an Italian mother who...
1:20:24 > 1:20:28- We're emotional in our family. - So do you think they're wrong
1:20:28 > 1:20:30when they say you weren't in control of your emotions?
1:20:30 > 1:20:33Yeah, I do, because I know when it's coming. I know when to use them.
1:20:33 > 1:20:35You know, come on.
1:20:35 > 1:20:38I'm not some kind of weird child who doesn't know
1:20:38 > 1:20:40when to use their emotions and when not to.
1:20:40 > 1:20:42So, if I'm yelling at somebody, it's for a reason
1:20:42 > 1:20:45and if they don't agree that I should use that emotion,
1:20:45 > 1:20:48I get it, that's cool, that's their opinion, but I know when to use it.
1:20:48 > 1:20:51But the fact is, they loved you, they loved your passion.
1:20:51 > 1:20:55They felt the emotional situation was not so good.
1:20:55 > 1:20:59They felt very strongly about it. In this case, I happen to agree.
1:21:00 > 1:21:02Lisa, you're fired.
1:21:07 > 1:21:09- You've done a great job. - I'll miss you guys. I love you.
1:21:09 > 1:21:13- You've done a fantastic job. - Good luck to you. I love you, dude.
1:21:13 > 1:21:16Good luck, Arsenio. Mwah.
1:21:18 > 1:21:20Thank you. Great job.
1:21:27 > 1:21:29'My experience here was really cool,'
1:21:29 > 1:21:33so you're going to miss all you went through cos it was fun.
1:21:33 > 1:21:38- Oh, my God. How you doing, man?- Good.
1:21:38 > 1:21:43But, hey, I was fired by Mr Trump in the most pleasant way possible.
1:21:43 > 1:21:45There was no argument, there was no fight, thank God.
1:21:45 > 1:21:47I have no headaches from it.
1:21:47 > 1:21:50'It was almost like I went out on a really high note.'
1:21:50 > 1:21:51Let's do the walk.
1:21:54 > 1:21:59OK. There are no losers in this room, that I can tell you.
1:21:59 > 1:22:03Started off with 18 truly...
1:22:03 > 1:22:06I mean, of the 18, every one of them was terrific,
1:22:06 > 1:22:08and this is what we end up with.
1:22:12 > 1:22:15But, unfortunately, one more of you will be fired.