And Then There Were Two

0:00:02 > 0:00:03Previously on The Celebrity Apprentice,

0:00:03 > 0:00:06the final five were tasked with creating a print ad campaign

0:00:06 > 0:00:08for the new Chi Touch hairdryer.

0:00:08 > 0:00:10Good luck.

0:00:10 > 0:00:13On Team Forte, project manager Lisa Lampanelli

0:00:13 > 0:00:15and Clay Aiken felt confident.

0:00:15 > 0:00:17We are so winning this, right, Clay?

0:00:17 > 0:00:20- Uh, hello?! - THEY LAUGH

0:00:20 > 0:00:22And at the presentations, they were hot...

0:00:22 > 0:00:24World's first touch-screen dryer,

0:00:24 > 0:00:26we think that's obviously a huge selling point.

0:00:26 > 0:00:27..but Teresa was not.

0:00:27 > 0:00:31It's lightweight, helps reduce the risk...

0:00:31 > 0:00:33It-It's lightweight and helps reduce the risk

0:00:33 > 0:00:34of carpal tunnel...syndrome.

0:00:36 > 0:00:38And she paid for it in the boardroom.

0:00:38 > 0:00:40Teresa, you were the project manager.

0:00:40 > 0:00:43You weren't great with respect to the presentation.

0:00:43 > 0:00:45Teresa, you're fired.

0:00:46 > 0:00:49But the evening was just getting started.

0:00:49 > 0:00:52OK, folks. Mr Trump wants us back in the boardroom immediately.

0:00:52 > 0:00:53Are you kidding me?

0:00:53 > 0:00:57Congratulations. You've made it to the final four.

0:00:57 > 0:00:58In the final four interviews,

0:00:58 > 0:01:02Marlee Matlin questioned Arsenio Hall's character.

0:01:02 > 0:01:04How did you get along with everybody?

0:01:04 > 0:01:08I fought with Aubrey O'Day. I called her a couple of names.

0:01:08 > 0:01:12And Lisa's history of emotional outbursts put her at risk.

0:01:12 > 0:01:14You can lose your temper, you said.

0:01:14 > 0:01:17You've cried in the boardroom. Is there crying in the boardroom?

0:01:17 > 0:01:20John Rich thought Clay should've pushed harder.

0:01:20 > 0:01:23There's been 13 tasks, but you've been project manager twice.

0:01:23 > 0:01:26- Well, I think everyone... - I was project manager four times.

0:01:26 > 0:01:28And he questioned Aubrey's sincerity.

0:01:28 > 0:01:31I've never looked at a day of this in a manipulative,

0:01:31 > 0:01:33conniving or strategised way.

0:01:33 > 0:01:34All right.

0:01:34 > 0:01:38Back in the boardroom, Mr Trump made his first tough decision.

0:01:38 > 0:01:42Lisa, they felt that you weren't in control of your emotions.

0:01:42 > 0:01:44Lisa, you're fired.

0:01:45 > 0:01:51Now, after 13 gruelling weeks, three are left awaiting their fate.

0:01:51 > 0:01:55Arsenio's subtle but effective leadership has earned him two wins.

0:01:55 > 0:01:56I love to hear the executives

0:01:56 > 0:01:58sometimes before I start locking in on stuff.

0:01:58 > 0:02:01'You can't ask someone to do something for you'

0:02:01 > 0:02:04and then shut down their creative input.

0:02:04 > 0:02:07'These are people who are here on this show

0:02:07 > 0:02:09'because they're successful, creative entertainers.'

0:02:09 > 0:02:11I got to let that out.

0:02:11 > 0:02:13Clay has shown backbone throughout the competition.

0:02:13 > 0:02:16If it can work, then let's work to make it work

0:02:16 > 0:02:18instead of working to tear it down.

0:02:18 > 0:02:20I think standing up for yourself is important

0:02:20 > 0:02:21in this kind of setting.

0:02:21 > 0:02:23I'm not a doormat.

0:02:23 > 0:02:26And Aubrey has been a creative force week after week.

0:02:26 > 0:02:30Opens. She's Donald Trump. She comes out on a horse, grandiose.

0:02:30 > 0:02:33Boardroom, Donald Trump style but with the setting of the housewives.

0:02:33 > 0:02:36'Whether you love me or hate me, the reality is'

0:02:36 > 0:02:38I run circles around most people here.

0:02:38 > 0:02:43Now one more celebrity will be fired and the two finalists will face off

0:02:43 > 0:02:46to become the next celebrity apprentice.

0:02:51 > 0:02:54# Money, money, money, money

0:02:54 > 0:02:56# Money!

0:02:56 > 0:02:59# Money, money, money, money

0:02:59 > 0:03:01# Money!

0:03:01 > 0:03:04# Some people got to have it

0:03:04 > 0:03:06# Ye-eah

0:03:06 > 0:03:09# Some people really need it

0:03:09 > 0:03:11# Hey, listen to me, y'all

0:03:11 > 0:03:15# Do things, do things, do things Bad things with it

0:03:18 > 0:03:20# Dollar bills, y'all Come on

0:03:20 > 0:03:24# That mean, oh, mean

0:03:24 > 0:03:27# Mean green

0:03:27 > 0:03:29# Almighty dollar now

0:03:29 > 0:03:32# You know that money

0:03:33 > 0:03:38# Give me a nickel, brother Can you spare a dime?

0:03:38 > 0:03:43# Money can drive some people out of their minds

0:03:43 > 0:03:45# Money, money, money

0:03:45 > 0:03:46# No good, no good

0:03:46 > 0:03:48# Money!

0:03:48 > 0:03:51# Money, money, money, money

0:03:51 > 0:03:52# Money! #

0:04:00 > 0:04:05There are no losers in this room, that I can tell you.

0:04:05 > 0:04:08Started off with 18 truly...

0:04:08 > 0:04:11I mean, of the 18, every one of them was terrific.

0:04:11 > 0:04:13And I think every one of them comes out terrifically,

0:04:13 > 0:04:16but this is what we end up with.

0:04:16 > 0:04:20So, Clay, give me a reason why I should have you in the finals?

0:04:20 > 0:04:24I think that in addition to being a very hard worker,

0:04:24 > 0:04:27every single week since we've been in here,

0:04:27 > 0:04:28someone on our team,

0:04:28 > 0:04:30whether it be on this team or the other team,

0:04:30 > 0:04:33has considered me to be the strongest player on the team,

0:04:33 > 0:04:37and in those weeks, I have been a part of the winning team

0:04:37 > 0:04:38about 70% of the time.

0:04:38 > 0:04:42So, being the strongest player on the team that has won the most,

0:04:42 > 0:04:44I think puts me right up there at the top.

0:04:44 > 0:04:46Why did John Rich consider you

0:04:46 > 0:04:50to be possibly a follower and not a leader?

0:04:50 > 0:04:52I really don't understand why he would.

0:04:52 > 0:04:54I believe that I was the first male

0:04:54 > 0:04:57in the entire show to actually step to someone and tell them

0:04:57 > 0:04:59that I was unpleased with what they were doing,

0:04:59 > 0:05:03and I did not stand down when Penn and I got into

0:05:03 > 0:05:05a little bit of an altercation.

0:05:05 > 0:05:06OK.

0:05:06 > 0:05:10Why, Aubrey, should I have you and keep you

0:05:10 > 0:05:13and bring you into the finals as opposed to Arsenio or Clay?

0:05:15 > 0:05:19I feel like I'm the strongest player here.

0:05:19 > 0:05:21I'm the ultimate underdog. I've seized every moment.

0:05:21 > 0:05:25I have treated every task not as something to subtly get by

0:05:25 > 0:05:27but to perform my best at.

0:05:27 > 0:05:29I've treated every day like it is my last day here,

0:05:29 > 0:05:33and I have made the most and done the most in all of the tasks.

0:05:33 > 0:05:35And you have some quick mouthpiece.

0:05:35 > 0:05:39- Thank you.- That we have to say, right, Arsenio?- Absolutely.

0:05:40 > 0:05:44- So, Arsenio, boy, did you take heat for that language of yours.- Yeah.

0:05:44 > 0:05:46You took a lot of heat.

0:05:46 > 0:05:49But I did what I think a man has to do,

0:05:49 > 0:05:52and that's apologise and own what he's done and try to be forgiven.

0:05:52 > 0:05:55Don't you hate it when somebody does something and a sort of say, like,

0:05:55 > 0:05:57"Oh, you know, I made a mistake."

0:05:57 > 0:06:00I watch these politicians, they make a mistake and then they grovel

0:06:00 > 0:06:02and they, "Oh, I'm so sorry."

0:06:02 > 0:06:05You know, it is what it is. Does that make sense to you, Clay?

0:06:05 > 0:06:08Of course. You know, if you say something, you own up to it,

0:06:08 > 0:06:09and I think Arsenio did that.

0:06:09 > 0:06:12In this case, it was appropriate you apologised.

0:06:12 > 0:06:13Yeah, I'm not running for office.

0:06:13 > 0:06:17- I wanted to deal... - Thank goodness...right?

0:06:17 > 0:06:19I think you'd do well, by the way. Go ahead.

0:06:19 > 0:06:21You know, a politician sometimes has to apologise

0:06:21 > 0:06:26whether he believes it or not because he is in the public eye

0:06:26 > 0:06:28and being voted for by people.

0:06:28 > 0:06:34I apologised because even though I'll stand by why I was angry,

0:06:34 > 0:06:37the language that I chose was inappropriate.

0:06:37 > 0:06:40OK. I think you're right. It was inappropriate.

0:06:42 > 0:06:45So, tell me, Arsenio, why should you be a finalist?

0:06:49 > 0:06:54I should be a finalist because I'm a tireless worker

0:06:54 > 0:07:00and I think if I got the Donald Trump stamp of approval,

0:07:00 > 0:07:03I would spend the rest of my life trying to make you proud

0:07:03 > 0:07:05and let you know that you did the right thing.

0:07:10 > 0:07:12So, Aubrey, let me ask you this.

0:07:12 > 0:07:17Marlee Matlin and John Rich felt that you are a good chess player

0:07:17 > 0:07:22but a very inexperienced chess player and very transparent.

0:07:23 > 0:07:25How do you feel about that?

0:07:26 > 0:07:29I think that my performance here has shown otherwise.

0:07:29 > 0:07:33I think that I'm very honest that I'm not a developed person.

0:07:33 > 0:07:36- I don't think anyone here is. - Well, you're very young.

0:07:36 > 0:07:38Absolutely. And I'm comfortable not being developed.

0:07:38 > 0:07:40In fact, I hope I die undeveloped

0:07:40 > 0:07:43because I think that you never can have a day where you don't learn.

0:07:43 > 0:07:44You know the way I look at it?

0:07:44 > 0:07:47You have great beauty and great intelligence,

0:07:47 > 0:07:50but I do have to listen to them, right?

0:07:50 > 0:07:51You understand that, Aubrey.

0:07:51 > 0:07:54- I think you should listen to yourself.- Well, I do.

0:07:54 > 0:07:56I mean, I do, but you always take in and you take in,

0:07:56 > 0:07:59and you put it up here and then you make your decision, ultimately,

0:07:59 > 0:08:01and you are transparent,

0:08:01 > 0:08:05but I just think you're going to have a fantastic career.

0:08:05 > 0:08:07Aubrey, you're fired.

0:08:12 > 0:08:15- Thank you for this opportunity. - Great job. Great job.

0:08:15 > 0:08:16Thank you very much.

0:08:28 > 0:08:31- 'Whoever called me transparent, - BLEEP- them.

0:08:31 > 0:08:34'I think of all the words I could be called,'

0:08:34 > 0:08:36and many are true - transparent isn't the word.

0:08:36 > 0:08:39There's nothing see-through about me.

0:08:39 > 0:08:40I'm somebody that stands in your face

0:08:40 > 0:08:44and is so bright and shines so big that you're either intimidated,

0:08:44 > 0:08:48'you're annoyed or you're...'

0:08:48 > 0:08:50in love.

0:08:57 > 0:08:59- Congratulations.- I am so happy.

0:08:59 > 0:09:02You're finalists. Can you believe this?

0:09:02 > 0:09:04All these weeks, all of this turmoil,

0:09:04 > 0:09:06all of this work and you're finalists.

0:09:06 > 0:09:08I'm having a little deja vu.

0:09:08 > 0:09:10And this is...

0:09:10 > 0:09:12I am not that heavy!

0:09:12 > 0:09:14And you think this is tougher than American Idol.

0:09:14 > 0:09:17It is so much tougher than American Idol, sir.

0:09:17 > 0:09:19So much tougher. But I'm going to win this one.

0:09:19 > 0:09:21I congratulate the two of you.

0:09:21 > 0:09:23Look at this man here. He's very...

0:09:23 > 0:09:25- You're happy, aren't you, huh? - I am so happy.

0:09:25 > 0:09:27And you're happy because you have a chance

0:09:27 > 0:09:29to win a tremendous amount for your charity.

0:09:29 > 0:09:32Now, in addition to what you've already won,

0:09:32 > 0:09:35tomorrow for your final task,

0:09:35 > 0:09:38we're going to meet at Lincoln Centre

0:09:38 > 0:09:39where it all began.

0:09:39 > 0:09:43Now, I'm going to give you what I want you to do

0:09:43 > 0:09:46and it's going to be tough, but it's going to be amazing.

0:09:46 > 0:09:50And the winner is going to be the happiest person in the world,

0:09:50 > 0:09:52and you know what?

0:09:52 > 0:09:53The loser's got to be very proud,

0:09:53 > 0:09:56because there are no losers in this room.

0:09:56 > 0:09:58So, I congratulate you, Arsenio.

0:09:58 > 0:10:00I congratulate you, Clay.

0:10:00 > 0:10:03- Thank you, sir.- I'll see you tomorrow morning at Lincoln Centre.

0:10:03 > 0:10:06Thank you for this experience, no matter what happens. Thank you, sir.

0:10:06 > 0:10:07Go ahead.

0:10:16 > 0:10:18- THEY LAUGH - You might want to rephrase that.- Oh!

0:10:18 > 0:10:20Can we come back?

0:10:21 > 0:10:24It's a colloquialism that was misunderstood, I think.

0:10:24 > 0:10:26Oh, no!

0:10:30 > 0:10:32- We're here, man. - Congratulations. Yes, we are.

0:10:32 > 0:10:36- We started in a little corner in a room.- Right?

0:10:36 > 0:10:39- And you said, "Hi." - THEY LAUGH

0:10:39 > 0:10:41Oh, my God!

0:10:41 > 0:10:44'There is no feeling like this.'

0:10:44 > 0:10:46This is so cool,

0:10:46 > 0:10:48and I'm in a competition with someone I respect.

0:10:48 > 0:10:50'That's an important part of it too.'

0:10:50 > 0:10:52I'd like a low five.

0:10:52 > 0:10:55Bam, baby!

0:10:55 > 0:10:57- We are here.- Woo!- We're here.

0:10:57 > 0:10:59'I sort of hoped that'

0:10:59 > 0:11:01Arsenio and I would be in the final two together.

0:11:01 > 0:11:02I have a lot of respect for him.

0:11:02 > 0:11:04'It's going to be a shame to have to beat him.'

0:11:04 > 0:11:06You know what? It is a little bit of deja vu for me.

0:11:06 > 0:11:09- Yeah. - And this time I ain't going to lose.

0:11:09 > 0:11:12I got news for you, my brother.

0:11:12 > 0:11:14'You know, I've been known as Clay Aiken,

0:11:14 > 0:11:17'American Idol runner-up, for years now,'

0:11:17 > 0:11:19so I'm going to work even harder this time

0:11:19 > 0:11:21to make sure it doesn't happen again.

0:11:21 > 0:11:22Here's to the people we love,

0:11:22 > 0:11:25- Mr Trump and this wonderful journey we've had.- Yes.

0:11:25 > 0:11:28- God bless you.- You too. - And have a good task.

0:11:30 > 0:11:33'I'm going to give this everything I've got.'

0:11:33 > 0:11:34Clay is a tough opponent. I got to beat him.

0:11:34 > 0:11:37I got to get that money for the Magic Johnson Foundation,

0:11:37 > 0:11:40'and I'm going to leave it on the floor, as the ballplayers say.

0:11:40 > 0:11:41'I'm going to leave it out there.'

0:11:41 > 0:11:43I'm coming for you, man.

0:11:43 > 0:11:47There's something about the way both of us played the game.

0:11:47 > 0:11:51Well, smart and respectful to people who we worked with.

0:11:51 > 0:11:53'Even though Arsenio and I are friends,

0:11:53 > 0:11:56'I'm very serious about winning this competition.'

0:11:56 > 0:11:57The adrenaline is pumping now.

0:11:57 > 0:12:01We've got one more major task and it is for the whole enchilada,

0:12:01 > 0:12:04'so I have no intention of slowing down.'

0:12:04 > 0:12:07I will sleep when it's all over. Until then, game on.

0:12:41 > 0:12:42Good morning.

0:12:42 > 0:12:46Arsenio, Clay, congratulations.

0:12:46 > 0:12:49- Thank you very much. - It's been a long, hard journey.

0:12:49 > 0:12:53You started with 18 celebrities.

0:12:53 > 0:12:5516 have been fired.

0:12:55 > 0:12:58Two remain.

0:12:58 > 0:13:00Now, we're at Lincoln Centre.

0:13:00 > 0:13:02This is where it all began.

0:13:02 > 0:13:06If you remember, three months ago we stood right here

0:13:06 > 0:13:08and your journey started.

0:13:08 > 0:13:10Who would've thought you would've come so far?

0:13:10 > 0:13:12- Did you think so, Clay? - I think we did, yes, sir.

0:13:12 > 0:13:16- You did? Did you think so? - Deep in my heart, I wanted it bad.

0:13:16 > 0:13:19You do nothing without thinking you're going to win, right?

0:13:19 > 0:13:20- Absolutely.- Clay also.- Agreed.

0:13:20 > 0:13:22So, I want to congratulate both of you.

0:13:22 > 0:13:26You really beat some tremendous people.

0:13:26 > 0:13:29OK, your biggest task is still ahead of you,

0:13:29 > 0:13:32one that will help determine who will become

0:13:32 > 0:13:34the Celebrity Apprentice.

0:13:34 > 0:13:36Ivanka, tell them about it.

0:13:36 > 0:13:40Not surprisingly, this will be your hardest task yet.

0:13:40 > 0:13:41You will have to produce,

0:13:41 > 0:13:45host and sell tickets to a celebrity charity event.

0:13:45 > 0:13:49You're going to be responsible for all aspects of your charity event.

0:13:49 > 0:13:51You're going to sell tickets to raise money for your charity.

0:13:51 > 0:13:55You're going to create a 30-second charity awareness ad

0:13:55 > 0:13:57and you're going to produce a variety show

0:13:57 > 0:13:59to entertain your guests.

0:13:59 > 0:14:02So, if you do a great job with this charity event,

0:14:02 > 0:14:04you can make a lot of money for your charities.

0:14:04 > 0:14:07Once again, what is your charity?

0:14:07 > 0:14:11- The Magic Johnson Foundation, sir. - And we love it. What's your charity?

0:14:11 > 0:14:13I'm playing for the National Inclusion Project.

0:14:13 > 0:14:14Very good.

0:14:14 > 0:14:21OK, now, the entertainment for the variety shows will be you,

0:14:21 > 0:14:23so there's a lot of pressure on you,

0:14:23 > 0:14:26but to take off a little of the pressure,

0:14:26 > 0:14:28I'm going to let you have a little help.

0:14:29 > 0:14:31Celebrities, come on in.

0:14:39 > 0:14:41- Deborah!- Hello!

0:14:41 > 0:14:44- Hello!- Hey. Aubrey, Lisa. Oh, my gosh!

0:14:44 > 0:14:46It just keeps coming.

0:14:46 > 0:14:48- Uh-oh!- Wow!

0:14:48 > 0:14:50- Penn!- Hey!

0:14:50 > 0:14:53Our two-handed rock star.

0:14:53 > 0:14:55Carolla!

0:14:55 > 0:14:57Pretty Paulie!

0:14:57 > 0:14:59Wow. That's some group.

0:14:59 > 0:15:04I have to congratulate all of you. You've done an amazing job.

0:15:04 > 0:15:05What do you think, Clay?

0:15:05 > 0:15:08I think that is an incredible group of people for a variety show.

0:15:08 > 0:15:09What do you think? Good?

0:15:09 > 0:15:11- Ditto.- OK.

0:15:11 > 0:15:15Now, Arsenio, as project manager, you won every time, is that right?

0:15:15 > 0:15:16- Yes, sir.- Good.

0:15:16 > 0:15:18I'm going to give you the first pick.

0:15:21 > 0:15:23- I'll take Adam Corolla.- Oh, Adam.

0:15:23 > 0:15:26Congratulations. That's a great honour.

0:15:26 > 0:15:31I'm like, "Stick with what you know. Keep it simple, brah. Go comedy."

0:15:31 > 0:15:33'So, I say, "Give me Corolla."'

0:15:33 > 0:15:35Clay, you pick.

0:15:37 > 0:15:40- I'm going to take Penn. - OK. Good choice.

0:15:40 > 0:15:43'I do think Penn is someone who has a brilliant mind,'

0:15:43 > 0:15:45but most importantly, I wanted to take Penn

0:15:45 > 0:15:48'because Penn is the one person who I had difficulty working with, and I

0:15:48 > 0:15:49'wanted to show Mr Trump'

0:15:49 > 0:15:51that I can work with anybody.

0:15:51 > 0:15:52Arsenio, go ahead.

0:15:52 > 0:15:56I would like the lovely and very talented Lisa Lampanelli.

0:15:56 > 0:15:58OK, I'm not surprised.

0:15:58 > 0:15:59'I know Clay wants Lisa,

0:15:59 > 0:16:01'so I'm like, "There's only one thing to do."'

0:16:01 > 0:16:06Best comedy mind and best worker on the show.

0:16:06 > 0:16:09- Sister!- Holla!- Clay, go ahead.

0:16:09 > 0:16:11Debbie Gibson.

0:16:11 > 0:16:12Debbie, good.

0:16:12 > 0:16:15After picking Penn, I really turned my focus to music.

0:16:15 > 0:16:18'We were going to focus on singing, in my mind.'

0:16:18 > 0:16:20The resourceful, pretty...

0:16:20 > 0:16:22Paulie senior.

0:16:24 > 0:16:26- Dee Snider, come on down.- Good.

0:16:26 > 0:16:29'Music is my strength, and I really had my fingers crossed'

0:16:29 > 0:16:32that I could get all three of the remaining musicians

0:16:32 > 0:16:33to be on my team.

0:16:37 > 0:16:39This is going to be a very interesting pick.

0:16:39 > 0:16:41Arsenio?

0:16:43 > 0:16:45Ladies and gentlemen...

0:16:46 > 0:16:50..America's most wonderful housewife...

0:16:50 > 0:16:51Teresa.

0:16:51 > 0:16:53Whoa, whoa. Look at you.

0:16:53 > 0:16:55'Teresa over Aubrey?'

0:16:55 > 0:16:58Even a cameraman did this.

0:16:58 > 0:17:01'But I wanted to have a pleasant couple of days,

0:17:01 > 0:17:04'so I took the person who was nice to be around.'

0:17:04 > 0:17:07- I don't think Clay is upset. - I am not upset at all.

0:17:07 > 0:17:09- You shouldn't be upset. - A great musical theme.

0:17:09 > 0:17:10Aubrey, come on down.

0:17:10 > 0:17:12'Of course, both of the last two men standing'

0:17:12 > 0:17:15had to show their true colours and pick me last,

0:17:15 > 0:17:18which means that haters are hating, once again.

0:17:18 > 0:17:21'Now I'm going to have to step up and overcompensate

0:17:21 > 0:17:23'to really prove to them that clearly

0:17:23 > 0:17:25'I should've been picked first.

0:17:25 > 0:17:27'Those mofos will think twice about picking me last.'

0:17:27 > 0:17:32The celebrity apprentice will earn 250,000 for your charity,

0:17:32 > 0:17:36and that's on top of any money you earn from ticket sales

0:17:36 > 0:17:37- to the charity event.- Wow.

0:17:37 > 0:17:42The money you earn and you earn you keep for your charity.

0:17:42 > 0:17:45Not bad. Good luck. Enjoy yourselves.

0:17:45 > 0:17:47Make lots of money for your charities. Thank you.

0:17:57 > 0:17:59- Team Clay, that's us. - Team Clay!- Woohoo! Nice!

0:17:59 > 0:18:02- Ooh, I love what you've done with the place.- Thank you!- Beautiful!

0:18:02 > 0:18:05'Overall, I think for sure I've got the best team.'

0:18:05 > 0:18:09My intention when I found out that we were doing a variety show

0:18:09 > 0:18:10was to pick a team of musicians.

0:18:10 > 0:18:14Before we start, thank you, all of you.

0:18:14 > 0:18:15- Yay!- Thanks for choosing us.

0:18:15 > 0:18:18I want to tell you about my charity cos we don't have a chance

0:18:18 > 0:18:20to talk about it too much, so you get an idea.

0:18:20 > 0:18:22I took time off after high school,

0:18:22 > 0:18:25so I started working with kids with disabilities

0:18:25 > 0:18:26and I fell in love with that

0:18:26 > 0:18:28and I just had a real passion for it.

0:18:28 > 0:18:32National Inclusion Project is an organisation that I helped

0:18:32 > 0:18:34to start right after I finished doing American Idol.

0:18:34 > 0:18:36Socially, it allows these kids to be part of things

0:18:36 > 0:18:38they normally get left out of.

0:18:38 > 0:18:39'It helps to include'

0:18:39 > 0:18:42kids with disabilities into camps

0:18:42 > 0:18:45and afterschool programmes and different extracurricular things

0:18:45 > 0:18:47they wouldn't necessarily

0:18:47 > 0:18:48normally get a chance to be a part of.

0:18:48 > 0:18:50They know they're being left out.

0:18:50 > 0:18:52They know they don't get to go to summer camp.

0:18:52 > 0:18:55They see their peers walk down the hallway, go to the playground

0:18:55 > 0:18:57and they don't get to go with them.

0:18:57 > 0:18:59And it's not fair to them,

0:18:59 > 0:19:02and it's not really fair to the kids who don't have disabilities

0:19:02 > 0:19:06because they don't get to be exposed to a diverse population of people.

0:19:06 > 0:19:09'I've always thought Clay was talented as a professional,

0:19:09 > 0:19:12'but Clay has always bugged me, as a person.'

0:19:12 > 0:19:14And when I hear him talk about his charity,

0:19:14 > 0:19:16I actually like him a little more.

0:19:16 > 0:19:18I mean, I'm starting to see the appeal of Clay,

0:19:18 > 0:19:20and I can't even believe I just said that.

0:19:20 > 0:19:24So, I wanted you to know what it is and why it's important to me,

0:19:24 > 0:19:26and I wanted to thank you all for helping us win,

0:19:26 > 0:19:28- cos I think we're going to do it. - Yay!

0:19:30 > 0:19:33Let me say something I said to Lisa. The percentage of AIDS...

0:19:33 > 0:19:36Like, say for instance, the biggest demographic is minority women.

0:19:36 > 0:19:39I mean, this was created 20 years ago when...

0:19:39 > 0:19:40There's no demographic...

0:19:40 > 0:19:43It was created 20 years ago when Magic got it.

0:19:43 > 0:19:46I can't even put into words how important it is

0:19:46 > 0:19:49to be able to earn things for the Magic Johnson Foundation

0:19:49 > 0:19:52'and the continued opportunity to earn even more.'

0:19:52 > 0:19:54You come here to help people.

0:19:56 > 0:19:58And I've done...

0:19:58 > 0:20:01I've done it, and I'm not finished. I'm not finished.

0:20:01 > 0:20:04- We're selling tickets and that's how we're raising money.- Mm-hm.

0:20:04 > 0:20:05This is what I'm worried about,

0:20:05 > 0:20:08is not having enough tickets because...

0:20:08 > 0:20:11- We only have 75 tickets to sell. - We only have 75.- Yeah, OK, so...

0:20:11 > 0:20:14So, we've all got to make a list of everybody

0:20:14 > 0:20:16and the amount to make sure that...

0:20:16 > 0:20:17Like, some guy with a grand,

0:20:17 > 0:20:19he's not going to get a ticket first.

0:20:19 > 0:20:21'I'm happy with my team.'

0:20:21 > 0:20:23I'm going to create a comedy event.

0:20:23 > 0:20:26'It seems like Clay is doing a music event.

0:20:26 > 0:20:28'You can take five great singers, put them together.

0:20:28 > 0:20:29'It doesn't mean'

0:20:29 > 0:20:30it's going to work,

0:20:30 > 0:20:33so I'm saying that could be a choir from hell.

0:20:33 > 0:20:37I just think what we should do is as we figure out who's sending what,

0:20:37 > 0:20:40we make a full list and those are the people we give tickets to.

0:20:40 > 0:20:43In other words, if Leno sends a check for 10,000,

0:20:43 > 0:20:46we have not written down, we go, "OK, there's one ticket sold."

0:20:46 > 0:20:48'I felt really good being picked by Arsenio'

0:20:48 > 0:20:52only because someone who doesn't have a friendship with me,

0:20:52 > 0:20:55doesn't even know me, that I've had arguments with, is picking me

0:20:55 > 0:20:59'basically because I'm a hard worker, that I'm good.'

0:20:59 > 0:21:01I had an overall idea.

0:21:01 > 0:21:04- We're selling tickets and that's how we're raising money.- Mm-hm.

0:21:04 > 0:21:07What if we presented it to the people

0:21:07 > 0:21:08we're selling the ticket to,

0:21:08 > 0:21:11"You're not buying a ticket for you,

0:21:11 > 0:21:13"you're buying a ticket for a kid"?

0:21:13 > 0:21:15'For me, I didn't want to get fired'

0:21:15 > 0:21:17as early as a got fired,

0:21:17 > 0:21:20and I certainly then didn't want to come back and prove

0:21:20 > 0:21:24'Mr Trump right as to why I got fired, so there was some pressure.'

0:21:24 > 0:21:26And as far as being a first overall pick,

0:21:26 > 0:21:29'I did have this feeling of, like,'

0:21:29 > 0:21:31"I'd like to contribute as much as I can."

0:21:31 > 0:21:34We gear are show toward that audience.

0:21:34 > 0:21:37Like, we do a kids show for...

0:21:37 > 0:21:40But I think the problem is we're not kid-friendly.

0:21:40 > 0:21:43I think we could pull off a kids-related thing.

0:21:43 > 0:21:46'I thought it was a bad idea 'cause it makes no sense,

0:21:46 > 0:21:48'but I think Arsenio has a bit of a people pleaser'

0:21:48 > 0:21:51in him which means he wants everybody happy at his own expense.

0:21:51 > 0:21:54'But I'm like, "If he's not going to keep us on track,'

0:21:54 > 0:21:57"I'm not going to be that chick who's on top of him all the time."

0:21:57 > 0:21:59I just didn't feel it was appropriate that day.

0:21:59 > 0:22:02But I think with the Magic Johnson Foundation,

0:22:02 > 0:22:03it's not just kids.

0:22:03 > 0:22:05If it was Make-A-Wish and you said the same thing,

0:22:05 > 0:22:08I'd be all over it, but I think this way we're playing away

0:22:08 > 0:22:12from the charity's focus and demographic too.

0:22:12 > 0:22:13'I think we all make suggestions'

0:22:13 > 0:22:14that are bad.

0:22:14 > 0:22:17The best of us make more good than bad.

0:22:17 > 0:22:18Adam is a comic

0:22:18 > 0:22:20'and a writer and he's used to pitch meetings.

0:22:20 > 0:22:22'You can't be afraid'

0:22:22 > 0:22:24to have somebody say, "Nah,"

0:22:24 > 0:22:26- 'so I'm Barack in this- BLEEP.

0:22:26 > 0:22:28'I'm the leader,

0:22:28 > 0:22:30'and when you're the leader, you can just say no.'

0:22:30 > 0:22:33I think we're starting out of our wheelhouse if we do this

0:22:33 > 0:22:37and it makes our show less effective as we can be.

0:22:48 > 0:22:50There's a whole bunch of stuff we've got to do here.

0:22:50 > 0:22:53The event itself, the charity awareness ad and this variety show.

0:22:53 > 0:22:54'Our final task is'

0:22:54 > 0:22:57to produce and edit together a charity awareness ad.

0:22:57 > 0:23:01'We have to plan and host a celebrity charity event.'

0:23:01 > 0:23:04- So, we've got to multitask. - We've got to do everything.- Yeah.

0:23:04 > 0:23:05'At that celebrity charity event,

0:23:05 > 0:23:10'we have to direct, produce and star in a variety show,

0:23:10 > 0:23:11'and on top of all'

0:23:11 > 0:23:14of that we have to sell tickets to our event

0:23:14 > 0:23:16and raise as much money as possible.

0:23:16 > 0:23:21We might be best to sort of split into some groups.

0:23:21 > 0:23:25Aubrey, are you cool with planning and decorating for the event?

0:23:25 > 0:23:26Sure.

0:23:26 > 0:23:28Penn might be really creative

0:23:28 > 0:23:31in helping out with an idea for the PSA.

0:23:31 > 0:23:32Yeah.

0:23:32 > 0:23:36'There are three big projects going on and we only had two days,'

0:23:36 > 0:23:39but I was able to delegate different people to do different things.

0:23:39 > 0:23:42'Penn and Dee working on the charity awareness ad,

0:23:42 > 0:23:45'Aubrey actually planning and decorating the event'

0:23:45 > 0:23:48and Debbie is working on the variety show and the music.

0:23:48 > 0:23:51What about Grease? Everyone loves a Grease sing-along, Summer Nights.

0:23:51 > 0:23:53- Listen, I like that one. Sure. - Don't Go Breaking My Heart?

0:23:53 > 0:23:55That may be better.

0:23:55 > 0:23:57Everybody is really pitching in to make it come together,

0:23:57 > 0:24:01'but I need to have some control over things a little bit,

0:24:01 > 0:24:03'because there's nobody I can blame but myself.'

0:24:03 > 0:24:06We need to come up with a...with our concept

0:24:06 > 0:24:07for the event.

0:24:10 > 0:24:11So, if it's "Let's All Play",

0:24:11 > 0:24:17do we theme the party in kind of a carnivaly-type fun,

0:24:17 > 0:24:19to feel like you're walking into an environment

0:24:19 > 0:24:21where you can play and be free?

0:24:21 > 0:24:23We could easily go with that for a party.

0:24:23 > 0:24:25'I came up with the theme of our party'

0:24:25 > 0:24:27and the carnival aspect

0:24:27 > 0:24:30'of uniting people through fun and activity.'

0:24:30 > 0:24:32Maybe even within the event, the party,

0:24:32 > 0:24:34we could showcase some of the games,

0:24:34 > 0:24:37cos we have a game's manual specifically written...

0:24:37 > 0:24:38Oh, you've got some games?

0:24:38 > 0:24:41We have a game's manual specifically written to be inclusive.

0:24:41 > 0:24:43- They're carnival-type games. - Actual carnival games, right.

0:24:43 > 0:24:47'You want to specifically tailor everything back to the charity,'

0:24:47 > 0:24:51and I'm a details girl, so every single element of every single booth

0:24:51 > 0:24:55is going to lead our audience back to the National Inclusion Project.

0:24:55 > 0:24:58I can do all of that. I mean, I can easily get it done.

0:24:58 > 0:25:01Clay's ass is on the line and more importantly for me,

0:25:01 > 0:25:03'I really think that Arsenio's dirt,

0:25:03 > 0:25:06'so I'm really hoping that Clay wins.'

0:25:09 > 0:25:13We want to make it funny, right? I mean, not just respectful.

0:25:13 > 0:25:16I wouldn't say funny. I would say at least upbeat, at least positive.

0:25:16 > 0:25:18'Arsenio needed to make a charity awareness ad'

0:25:18 > 0:25:20for the Magic Johnson Foundation,

0:25:20 > 0:25:24and I wanted to come up with something interesting.

0:25:24 > 0:25:28The emphasis is kind of that a lot of people have moved on.

0:25:28 > 0:25:31Like, they feel like this is yesterday's project.

0:25:31 > 0:25:35There's a shelf life for the urgency we had when Magic Johnson came out.

0:25:35 > 0:25:37These things are boring, normally,

0:25:37 > 0:25:39and they just tug at the heartstrings,

0:25:39 > 0:25:42and I felt like we needed some entertainment.

0:25:42 > 0:25:45I mean, we could go, like, an '80s vibe.

0:25:45 > 0:25:47- You know, Arsenio, big afro.- Mm-hm.

0:25:47 > 0:25:49You know, this '80s outfit,

0:25:49 > 0:25:52this representation of all that was...

0:25:52 > 0:25:54Basically, your concept is,

0:25:54 > 0:25:56- "This is done, but AIDS is still here."- Right.

0:25:56 > 0:25:58And "We're all smart enough to get rid of this..."

0:25:58 > 0:25:59- You know?- Yeah, yeah.

0:25:59 > 0:26:01All right, so, do we like the idea

0:26:01 > 0:26:05of trying to get Magic to do the spot, right?

0:26:05 > 0:26:06Yeah.

0:26:06 > 0:26:11I can have guys from my studio just go to where he is

0:26:11 > 0:26:14and film him with my equipment.

0:26:14 > 0:26:17They could just send it back to us at our facility

0:26:17 > 0:26:19and then we can edit it here.

0:26:19 > 0:26:21'If I can get Magic to get up early'

0:26:21 > 0:26:23and shoot something on the West Coast

0:26:23 > 0:26:27and I get it uploaded to the East Coast,

0:26:27 > 0:26:28I can make this thing happen,

0:26:28 > 0:26:29'but I'm going to need Magic.'

0:26:29 > 0:26:31- OVER PHONE:- 'Hello?'

0:26:31 > 0:26:32Hey, Lon. This is Arsenio.

0:26:32 > 0:26:36I'm wondering where Magic is this weekend.

0:26:36 > 0:26:39'Saturday I think he's back in LA. He should be.'

0:26:39 > 0:26:43Adam Corolla has a crew on the West Coast. Really simple.

0:26:43 > 0:26:49We need, like, Earvin just to make 20 seconds of comment

0:26:49 > 0:26:51about the Magic Johnson Foundation.

0:26:51 > 0:26:54'I think he'll do it. I think we can probably get it done.'

0:26:54 > 0:26:57'Having Magic Johnson'

0:26:57 > 0:27:01talk about the Magic Johnson Foundation

0:27:01 > 0:27:03for me is a home run...

0:27:03 > 0:27:05or three-point shot.

0:27:05 > 0:27:09- 'We'll get this done for you, Arsenio.'- Perfect. Perfect.

0:27:09 > 0:27:11'Thank you, gentlemen. Have a great afternoon.'

0:27:11 > 0:27:13- Thank you.- Thank you, K-dawg. That's a...

0:27:13 > 0:27:15- That's a biggie.- Yeah.

0:27:15 > 0:27:18'We did get Magic Johnson for his charity awareness ad,

0:27:18 > 0:27:22'and on one hand I was like, "Oh, thank you, Mr Johnson,"

0:27:22 > 0:27:23'and then I realise,'

0:27:23 > 0:27:27"Well, it's his charity and it's his money."

0:27:27 > 0:27:32'Like, you should be sending over a fruit basket to Arsenio'

0:27:32 > 0:27:36in suitcase with, you know, a bunch of weed in it.

0:27:36 > 0:27:37So, ten seconds.

0:27:37 > 0:27:41- "La-la-la-da, ladies and gentlemen I'll let the man tell you."- Exactly.

0:27:41 > 0:27:44- Right.- No-look pass to Magic Johnson.- Right.

0:27:44 > 0:27:48'My charity awareness piece is going to start with humour.'

0:27:48 > 0:27:51I'm going to figure out this comedy part upfront

0:27:51 > 0:27:53'and then I'll have Magic give them the facts

0:27:53 > 0:27:55'and the important stuff.'

0:27:55 > 0:27:57Oh, could even have a fun thing where you throw a basketball...

0:27:57 > 0:28:00- And he catches it on the other end. - Yeah.- I love that.

0:28:00 > 0:28:02God, you're good, Adam Corolla.

0:28:02 > 0:28:06'At first I was a little insecure about Adam, but now he seemed'

0:28:06 > 0:28:07to make sense perfectly,

0:28:07 > 0:28:09'so I was like, "This guy is all right."'

0:28:09 > 0:28:13I've got the end line, which is something like,

0:28:13 > 0:28:15"I want to thank Arsenio

0:28:15 > 0:28:17"not only for the charity but for paving the way

0:28:17 > 0:28:19"for all the great black late-night talk show hosts.

0:28:19 > 0:28:22- "Wait a minute." - THEY LAUGH

0:28:22 > 0:28:23Throw the ball back at you.

0:28:23 > 0:28:26And while I'm thinking about the joke, bam. It's like, "Hey!"

0:28:26 > 0:28:29'I'm going to try to bring humour to everything.'

0:28:29 > 0:28:33I have gotten a laugh at a funeral, you know.

0:28:33 > 0:28:34'That's just who I am.

0:28:34 > 0:28:36'But the message is going to be there.'

0:28:36 > 0:28:40I'm just going to use comedy as a flare to get your attention.

0:28:43 > 0:28:45We need to discuss what concepts might work.

0:28:45 > 0:28:48For the charity awareness ad,

0:28:48 > 0:28:53I've always seen a shot of a child with a disability

0:28:53 > 0:28:57kind of sitting on his or her own and then giving some sort

0:28:57 > 0:29:01of narrative VO that talks about being alone,

0:29:01 > 0:29:05left out, being lonely, and then as the camera pulls out

0:29:05 > 0:29:08you actually see that the kid's not sitting by themselves.

0:29:08 > 0:29:11They're playing with other kids and they're happy.

0:29:11 > 0:29:15It is, to my sensibility, a little bit offensive.

0:29:17 > 0:29:18OK.

0:29:20 > 0:29:22You want to think symbolically at all?

0:29:22 > 0:29:25Not quite so literal?

0:29:25 > 0:29:26Listen, I'd love to think symbolically,

0:29:26 > 0:29:29but I don't have any ideas for it right now.

0:29:29 > 0:29:30If anybody else does...

0:29:30 > 0:29:36'It felt to me artistically the wrong emotion.'

0:29:36 > 0:29:40It was playing on, "Oh, dear, this child has disabilities,"

0:29:40 > 0:29:44'where what I love about the charity is that it's having those children'

0:29:44 > 0:29:47be seen without their disability.

0:29:48 > 0:29:50We have a little bit of...

0:29:50 > 0:29:51We don't have too much time.

0:29:51 > 0:29:54'In picking Penn, I hope I was not wrong.

0:29:54 > 0:29:57'Penn was doing what Penn does.

0:29:57 > 0:30:00'He started shooting things down, and instead of adding to things,

0:30:00 > 0:30:02'Penn just said, "This will not work."'

0:30:02 > 0:30:04"Can you play along with the team here?

0:30:04 > 0:30:06"Can you help us instead of just knocking things down?"

0:30:15 > 0:30:16Jeez.

0:30:22 > 0:30:24Oh, my God. Look at this.

0:30:24 > 0:30:28'Teresa and I decided to take off and pick up some '80s'

0:30:28 > 0:30:29costumes and we left the other guys

0:30:29 > 0:30:31behind in the war room.

0:30:31 > 0:30:33- How you doing?- I'm Adam. - How you doing? I'm Teresa.

0:30:33 > 0:30:35- How are you?- Nice to meet you. - Anything we can help you with?

0:30:35 > 0:30:37We needed costumes to make

0:30:37 > 0:30:41our 30-second public service announcement come to life.

0:30:41 > 0:30:43- I'm going to show you something. - Oh, is this your office?

0:30:43 > 0:30:46Yeah, that's where I take all my conjugal visits, right here.

0:30:46 > 0:30:48Can you open that?

0:30:48 > 0:30:50'The guy who ran the place, much creepier than'

0:30:50 > 0:30:53any of the severed heads he had hanging in the window.

0:30:53 > 0:30:56What is that? There's a giant penis up there.

0:30:56 > 0:30:59I'm curious why you have a huge penis up there.

0:30:59 > 0:31:00Those are works of art. I got this from...

0:31:00 > 0:31:03I'm trying to get him behind bars and he won't go in there cos...

0:31:03 > 0:31:05- I'm not going... - ..because you see that.

0:31:05 > 0:31:07'In his office'

0:31:07 > 0:31:09was some peni.

0:31:09 > 0:31:12Penises. Pretty sure it's peni.

0:31:12 > 0:31:14'I was thoroughly creeped out.'

0:31:14 > 0:31:16- Ew, look at these things. - Oh.

0:31:16 > 0:31:18Hi. How are you?

0:31:18 > 0:31:19Like A Virgin, Madonna.

0:31:19 > 0:31:21- Right.- That's a cool dress.

0:31:21 > 0:31:22- Yeah.- I think that's cool.- OK.

0:31:22 > 0:31:24We also brought out this one.

0:31:24 > 0:31:26Oh, Michael Jackson.

0:31:26 > 0:31:29'Arsenio gets a sort of '80s'

0:31:29 > 0:31:30Thriller kind of a vibe.

0:31:30 > 0:31:31Yeah, this is nice.

0:31:31 > 0:31:34'We got a new wave romantic look for me.'

0:31:34 > 0:31:37And this one is more like Cyndi Lauper.

0:31:37 > 0:31:39You can take that and add it to the jacket.

0:31:39 > 0:31:42That feels pretty good to me. Wigs. Do you guys do wigs?

0:31:42 > 0:31:45I think that one. Yeah.

0:31:45 > 0:31:48Continue with your role-playing fantasies, young couple.

0:31:48 > 0:31:50Go ahead. We won't get in your way.

0:31:50 > 0:31:53Seriously, have you ever been in the penis cage?

0:31:53 > 0:31:54No, I haven't.

0:31:54 > 0:31:56Where do you eat your lunch? Penis cage?

0:31:56 > 0:31:59- No, downstairs in the prop section. I'm a prop's guy.- Oh, my God.

0:31:59 > 0:32:01'I got to work with'

0:32:01 > 0:32:04Adam Corolla for the first time, and he was so...

0:32:04 > 0:32:06He made me pee my pants.

0:32:06 > 0:32:07'He was so funny.'

0:32:07 > 0:32:09- PHONE RINGS - I don't know.

0:32:09 > 0:32:13Abracadabra. This is Analyn. How may I help you?

0:32:13 > 0:32:15'The best thing about life is to be able to laugh'

0:32:15 > 0:32:18and just be happy and enjoy life,

0:32:18 > 0:32:20and you know, hanging out with comedians,

0:32:20 > 0:32:21'what's better than that?'

0:32:21 > 0:32:23Thank you very much, guys. A pleasure meeting you guys.

0:32:23 > 0:32:26- Thank you very much for coming. - See you in hell.

0:32:26 > 0:32:27- Take care, guys.- Thank you.

0:32:30 > 0:32:33Clay, this is 30 seconds. See what do you think of this.

0:32:33 > 0:32:37'I'm doing a lot of work on the awareness ad,

0:32:37 > 0:32:39'and Clay's idea,'

0:32:39 > 0:32:42it didn't snap me at all from the beginning

0:32:42 > 0:32:46because I thought there was an element of wallowing

0:32:46 > 0:32:47in the disability.

0:32:47 > 0:32:55What if we had three children in a circle playing a game

0:32:55 > 0:33:00and pulled out a little bit to have the wheelchair outside there

0:33:00 > 0:33:03without a child in it?

0:33:03 > 0:33:06And did our copy in such a way

0:33:06 > 0:33:10that said, "You can't tell which one of these children has a disability.

0:33:10 > 0:33:12"Neither can they."

0:33:12 > 0:33:13That, I think, is great.

0:33:13 > 0:33:16I'm just trying to solve this pity thing.

0:33:16 > 0:33:18We want compassion without pity.

0:33:18 > 0:33:22The difference between "Here's a child with disabilities"

0:33:22 > 0:33:24and they're playing with other children

0:33:24 > 0:33:26and "Here's a bunch of children playing

0:33:26 > 0:33:29"and we don't care about the disability" is enormous.

0:33:29 > 0:33:32- Penn, that's awesome. - That's great. Thank you.

0:33:32 > 0:33:34Just came up with your conceptual. Thanks.

0:33:34 > 0:33:36'Finally, Penn came through.

0:33:36 > 0:33:38'Penn and I clashed several times in the past,'

0:33:38 > 0:33:40but I have an incredible amount of respect

0:33:40 > 0:33:42for Penn's creativity and mind.

0:33:42 > 0:33:44"When no-one sits on the sidelines,

0:33:44 > 0:33:47"when everyone plays together, everyone has more fun.

0:33:47 > 0:33:50"The National Inclusion Project - let's all play together."

0:33:50 > 0:33:53- How do you like that? - I do like that.- OK.

0:33:53 > 0:33:55'This concept that Penn came up with'

0:33:55 > 0:33:56really hit the nail on the head

0:33:56 > 0:33:58of what the mission of the organisation is.

0:33:58 > 0:34:02If we could figure out something that I could be part of

0:34:02 > 0:34:05or you could think that I can get involved in, or any...

0:34:05 > 0:34:07You could start calling people for money.

0:34:07 > 0:34:09I'll do that. I can do that.

0:34:09 > 0:34:12'Paul Senior is going to help me raise money.'

0:34:12 > 0:34:13He has friends who are juiced,

0:34:13 > 0:34:15'and he'll get on the phone.'

0:34:15 > 0:34:18Now, if you just need somebody who will work tirelessly,

0:34:18 > 0:34:19'Teresa will.'

0:34:19 > 0:34:21'She'll got on that phone, she'll raise money.'

0:34:21 > 0:34:24- I got 5,000. - Teresa, please thank them from me.

0:34:24 > 0:34:25'I'm like, "Get your phones,'

0:34:25 > 0:34:27"let's start raising some money,"

0:34:27 > 0:34:30cos that's going to be an important element of this.

0:34:30 > 0:34:32'Let's not let that slip through.'

0:34:32 > 0:34:35You can do a sort of Madonna, yeah.

0:34:35 > 0:34:38- Like A Virgin.- Yeah.- Hello. - That's all we need.

0:34:38 > 0:34:39How you doing?

0:34:39 > 0:34:42So, what's a better team name, Unanimous or Arsenio?

0:34:42 > 0:34:45- I like Unanimous. - I like Arsenio better.

0:34:45 > 0:34:48'That fine tall glass of water Ivanka walks in.

0:34:48 > 0:34:50'Whoever her man is, I'm like,'

0:34:50 > 0:34:53"All hail Ivanka's husband."

0:34:53 > 0:34:55'Fine and smart.'

0:34:55 > 0:34:57Lisa, you said that you were very focused

0:34:57 > 0:34:59on the fundraising part, though.

0:34:59 > 0:35:01I was so convinced I was going to be in the damn finals

0:35:01 > 0:35:04that I raised a ton of money and most of it is at my hotel already,

0:35:04 > 0:35:05so that's exciting.

0:35:05 > 0:35:07Now it has to be written out to this charity, but it's so great.

0:35:07 > 0:35:10- So, yeah. I'm really happy. - So, how much have you yourself?

0:35:10 > 0:35:12She had 50 grand before we walked in here.

0:35:12 > 0:35:14- Before we walked in, it was about 50.- Wow.

0:35:14 > 0:35:17I got confirmed so far five just from one person, but...

0:35:17 > 0:35:19'Lisa has 50,000 in the bag already.

0:35:19 > 0:35:22'Teresa has raised another 5,000,'

0:35:22 > 0:35:24so they are early on very actively raising money,

0:35:24 > 0:35:27'which I think it's a great start'

0:35:27 > 0:35:30to what will be an extremely competitive finale.

0:35:30 > 0:35:32We're having fun. It's really cool to have Adam back in the mix.

0:35:32 > 0:35:34I've never worked with Lisa before.

0:35:34 > 0:35:38Teresa and I are falling in love all over again.

0:35:38 > 0:35:39I love it. Good.

0:35:39 > 0:35:43So, what is the idea? Obviously, you have sort of the comedian group.

0:35:43 > 0:35:46The plan is to do a comedy show.

0:35:46 > 0:35:48Probably a lot of stand-up, but a lot of funny.

0:35:48 > 0:35:50The Magic Johnson thing is more important

0:35:50 > 0:35:52probably to the presentation we're putting together.

0:35:52 > 0:35:56And we just got Magic to agree to shoot something on that end,

0:35:56 > 0:35:58and Adam has a crew in LA.

0:35:58 > 0:36:00They're going to go to Magic's house in the morning

0:36:00 > 0:36:01and get his part of it.

0:36:01 > 0:36:03We're going to bring it in and edit it to our part.

0:36:03 > 0:36:05'From the first day he got here,'

0:36:05 > 0:36:08you could just really feel Arsenio's fondness

0:36:08 > 0:36:11'and care for the Magic Johnson Foundation.

0:36:11 > 0:36:12'So, you can tell'

0:36:12 > 0:36:13he's very, very excited

0:36:13 > 0:36:16about incorporating Magic into this actual show,

0:36:16 > 0:36:19'which is fully appropriate and totally fitting.'

0:36:19 > 0:36:22So, what's better - comedy or a musical performance -

0:36:22 > 0:36:24in terms of what people like seeing?

0:36:24 > 0:36:28You can never lose with comedy. Music plays to who it plays to.

0:36:28 > 0:36:30Comedy plays to everyone.

0:36:30 > 0:36:32'Arsenio had a strategy'

0:36:32 > 0:36:34that comedy and laughter

0:36:34 > 0:36:39and fun may be a bit more universal than musical performance,

0:36:39 > 0:36:41'which is a bit subjective,'

0:36:41 > 0:36:43so I think both teams got what they wanted

0:36:43 > 0:36:46and I think both teams, though, as a result

0:36:46 > 0:36:48think they have competitive advantage.

0:36:48 > 0:36:50That's sort of interesting.

0:36:50 > 0:36:53- Let's come up with songs, period, and figure out a duet song.- Mm-hm.

0:36:53 > 0:36:56We're going to have to turn them into medleys somehow, too.

0:36:56 > 0:37:00'Clay basically put me in charge of song selection

0:37:00 > 0:37:03'musical arrangements and medleys for our variety show.'

0:37:03 > 0:37:06That is my forte, so I was very, very happy.

0:37:06 > 0:37:08Here's what we're thinking.

0:37:08 > 0:37:09We'll start with the two of you doing...

0:37:09 > 0:37:13I'm going to come out and do... # Baby love, my baby love... #

0:37:13 > 0:37:15# And all you do is treat me bad

0:37:15 > 0:37:17# You break my heart and...

0:37:17 > 0:37:19- # Make me sad... # - Something really quick.

0:37:19 > 0:37:20# Made me stay away so long. #

0:37:20 > 0:37:21'If you told me'

0:37:21 > 0:37:23that I'd be singing Baby Love

0:37:23 > 0:37:26with Debbie Gibson in the 1980s, I would've punched you in the face.

0:37:26 > 0:37:28And then we need a song for you.

0:37:28 > 0:37:29Oh, we should do a disco.

0:37:32 > 0:37:35- I don't know.- What about a funk thing? Would that work?

0:37:35 > 0:37:36I never sang funk.

0:37:36 > 0:37:38Something that you're comfortable doing, obviously.

0:37:38 > 0:37:41- I've got to think about that one. - Think about it for a minute.

0:37:41 > 0:37:43I don't think you guys want Highway To Hell, do you?

0:37:43 > 0:37:46- Preferably...- Yeah, no. - That's a good one, though.

0:37:46 > 0:37:48'I've got a good idea where this variety show is going,'

0:37:48 > 0:37:52and it's boldly going places I have not gone before

0:37:52 > 0:37:55'and I'm not really crazy about going,'

0:37:55 > 0:37:56but I've done far worse.

0:37:56 > 0:37:57I was wearing a dress earlier.

0:37:57 > 0:37:59- Don't Break My Heart, good.- Mm.

0:37:59 > 0:38:02- Hello, sir.- How are you? - Hi!- Hey. Good to see you.

0:38:02 > 0:38:05Can you sing? Would you like to sing in our show?

0:38:05 > 0:38:08I would make a serious ass of myself if I was to sing.

0:38:08 > 0:38:09Don Junior came to visit,

0:38:09 > 0:38:12'and it's important to impress the Trumps a lot on this task'

0:38:12 > 0:38:14because they are the ones

0:38:14 > 0:38:16who are going to be judging at the end of the day.

0:38:16 > 0:38:19So, it's going well. Listen, I got the stronger team, no doubt.

0:38:19 > 0:38:21Every person on this team is a performer,

0:38:21 > 0:38:23so we're all going to be on stage at some point.

0:38:23 > 0:38:24We're very music heavy.

0:38:24 > 0:38:27We've got Penn, who's also pretty multi-talented.

0:38:27 > 0:38:30- Shall I tell Teller to fly out?- Yes. - Cos we can do cups and balls.

0:38:30 > 0:38:32It's about four minutes.

0:38:32 > 0:38:34So, Teller will be in the variety show with me.

0:38:34 > 0:38:36Let's do a Penn & Teller hunk.

0:38:36 > 0:38:40I will be performing in the variety show and I'm bringing Penn & Teller.

0:38:40 > 0:38:43'It's very important to me to do a Penn & Teller thing'

0:38:43 > 0:38:46because I am a lot better with Teller that I am alone.

0:38:46 > 0:38:48We'll do four-minute cups and balls, OK?

0:38:48 > 0:38:50I'll tie it into whatever...

0:38:50 > 0:38:52- You're going to cup some balls? - Cups and balls.- What?

0:38:52 > 0:38:55- Oh, cups AND balls. - This is very exciting.

0:38:55 > 0:38:58- When he says inclusive, he means inclusive.- Yes, very.

0:38:58 > 0:39:01So, listen, everybody, this is, like I said, an incredible team.

0:39:01 > 0:39:04Dee and Penn are helping out with the PSA part.

0:39:04 > 0:39:06Debbie is working on the music.

0:39:06 > 0:39:08Aubrey is doing a lot of work on the event.

0:39:08 > 0:39:10'I think they have a very strong team.'

0:39:10 > 0:39:12The thing I didn't hear about was raising money.

0:39:12 > 0:39:13'In a task like this,

0:39:13 > 0:39:15'you'd think he'd be calling in a lot of favours,

0:39:15 > 0:39:17'spending a lot of time just doing that.'

0:39:17 > 0:39:19It's one of the big criteria for the task,

0:39:19 > 0:39:21and I didn't see any focus on that as of yet.

0:39:21 > 0:39:25- So, it'll be Baby Love, Heatwave and Sugar Pie, Honey Bunch.- OK.

0:39:33 > 0:39:35If there's any way, Michael,

0:39:35 > 0:39:39that you could help me and the Magic Johnson Foundation,

0:39:39 > 0:39:40I would owe you big time.

0:39:40 > 0:39:44- OVER PHONE:- 'Well, I think we could spring for a 5,000 donation.'

0:39:44 > 0:39:45Oh, that's so cool!

0:39:45 > 0:39:48I've had some nightmarish fundraising attempts

0:39:48 > 0:39:50in the past on this show, so I've got to come through.

0:39:50 > 0:39:53'But we only have a limited amount of time.'

0:39:53 > 0:39:55Leno is coming again.

0:39:55 > 0:39:56I called Eddie Murphy.

0:39:56 > 0:39:59'I called Whoopi Goldberg. I called Chris Rock.'

0:39:59 > 0:40:00I called George Lopez.

0:40:00 > 0:40:03- OVER PHONE:- 'Just happened to speak to Tracy Morgan...'- Right.

0:40:03 > 0:40:06'..and he would love to help you raise money for Magic Johnson.'

0:40:06 > 0:40:07Oh, my God.

0:40:07 > 0:40:10'You know, I'm not sure how my money is comparing to Clay's money,'

0:40:10 > 0:40:14but most of the people I've called are trying to help me

0:40:14 > 0:40:15and that feels really good.

0:40:15 > 0:40:17I was wondering if it was possible

0:40:17 > 0:40:19for someone to get in touch with Seinfeld?

0:40:19 > 0:40:23Magic Johnson charity event. If you get Alec Baldwin, call me back.

0:40:23 > 0:40:26'Everybody's coming through hard. I chose this team for a reason.'

0:40:26 > 0:40:28We're going to be all right.

0:40:28 > 0:40:31Yay! Party!

0:40:33 > 0:40:36Actually, all of our foundation donors already gave a lot,

0:40:36 > 0:40:39so let's take a look at what we might be able to pull in.

0:40:39 > 0:40:42As of this point of the day, I haven't really asked anyone

0:40:42 > 0:40:44to step aside from their task to go

0:40:44 > 0:40:46'and raise money, but I really was going to need'

0:40:46 > 0:40:48everyone to bring in some money

0:40:48 > 0:40:51if we had any chance at all of raising a large number.

0:40:51 > 0:40:54Do you want to check to see if you can be on board and call me back?

0:40:54 > 0:40:58I'm calling you to ask you if you would like to donate to charity.

0:40:58 > 0:41:00We're putting on a celebrity event,

0:41:00 > 0:41:03a celebrity charity event on Sunday evening.

0:41:03 > 0:41:04- OVER PHONE:- 'Oh, OK.'

0:41:04 > 0:41:07The fundraising for this task is pretty frightening to me.

0:41:07 > 0:41:08I have to raise money by Sunday.

0:41:08 > 0:41:10'On top of that,'

0:41:10 > 0:41:14we're competing against Arsenio Hall and the Magic Johnson Foundation.

0:41:14 > 0:41:19'That's two big names already who probably could bring in

0:41:19 > 0:41:20'quite a few big donors,'

0:41:20 > 0:41:22so I'm a little nervous

0:41:22 > 0:41:24that we're not going to come anywhere near

0:41:24 > 0:41:27to whatever Arsenio is able to pull in.

0:41:27 > 0:41:29I have to raise a lot of money for right here at the end.

0:41:29 > 0:41:33- OVER PHONE:- 'Well, listen, this is not a great time.'

0:41:34 > 0:41:35OK, thanks.

0:41:45 > 0:41:50I thought you'd be friends with Oprah and things like that, no?

0:41:50 > 0:41:51My bad.

0:41:51 > 0:41:52'We get in the van,'

0:41:52 > 0:41:54head down to the event space

0:41:54 > 0:41:56and everybody's still making calls trying to raise that money.

0:41:56 > 0:41:58Hey, Jeff.

0:41:58 > 0:42:00- OVER PHONE:- 'What's up, you guys?'

0:42:00 > 0:42:01We need to know if you're friendly

0:42:01 > 0:42:03enough with Charlie Sheen

0:42:03 > 0:42:05to have him maybe come in on Sunday

0:42:05 > 0:42:09and help us with this celebrity gala we're doing for charity.

0:42:14 > 0:42:17No, it's to restart Arsenio Hall's career.

0:42:17 > 0:42:18Ouch! Ouch!

0:42:18 > 0:42:20We don't need Sheen or you, thank you. We're fine.

0:42:20 > 0:42:22We'll do it on our own.

0:42:30 > 0:42:32Is this the stage in here?

0:42:32 > 0:42:33What a piece of real estate.

0:42:33 > 0:42:36'We arrive at this warehouse where Clay and I

0:42:36 > 0:42:40'will have separate parties going on side-by-side.'

0:42:40 > 0:42:42So, this middle area is a performance area.

0:42:42 > 0:42:44Our party is from that light there,

0:42:44 > 0:42:46that first set of lights, back this way.

0:42:46 > 0:42:48'This room I'm looking at,'

0:42:48 > 0:42:49I've got to decorate this place.

0:42:49 > 0:42:51I mean, it's barren. It's a football field.

0:42:51 > 0:42:54'I'm not seeing how it's going to happen quick.'

0:42:54 > 0:42:57We should get high boys that people stand and lean on.

0:42:57 > 0:42:59- Those big tables. - Nice high boy tables.

0:43:01 > 0:43:03- Do you give a lot of parties? You give a lot of parties, right?- Yeah.

0:43:03 > 0:43:07And any ideas you have, cos you guys are probably better than us at...

0:43:07 > 0:43:09And I'll help with the, you know, caterer.

0:43:09 > 0:43:11- We can have the appetisers. - Yeah, totally.

0:43:11 > 0:43:13'I don't give parties,'

0:43:13 > 0:43:14but that's the reason I chose Teresa,

0:43:14 > 0:43:17cos I know she does that, she's a social animal.

0:43:17 > 0:43:18She loves that,

0:43:18 > 0:43:20'and between her and Lisa,'

0:43:20 > 0:43:21I'm going to be all right, I hope.

0:43:21 > 0:43:24The stage is there. It's going to be there.

0:43:24 > 0:43:26So, I think... Hey, buddy. How are you?

0:43:26 > 0:43:29- Hey, dude. What's up, man? - How are you?- Yeah, yeah.

0:43:29 > 0:43:30Carl's the best!

0:43:30 > 0:43:32'Carl from NY Lounge Decor shows up, and Teresa'

0:43:32 > 0:43:34and myself and he start looking

0:43:34 > 0:43:36through their website because they have a billion

0:43:36 > 0:43:38'options there.'

0:43:38 > 0:43:39We want something really nice.

0:43:39 > 0:43:41Well, we have no windows here this time,

0:43:41 > 0:43:44so if we do the up-lighting around the walls, it'll really make it pop.

0:43:44 > 0:43:47'Arsenio really didn't worry about decor.'

0:43:47 > 0:43:48'I don't think'

0:43:48 > 0:43:49he's programmed to think about that stuff.

0:43:49 > 0:43:52I don't think he is that into the details.

0:43:52 > 0:43:54He's into the bigger picture.

0:43:54 > 0:43:57'But since nobody's telling me what to do, I'm like,

0:43:57 > 0:44:00'"Let's cover all bases. Why not? It can't hurt."'

0:44:00 > 0:44:02- Caterer.- OK, yeah. - Yeah, we've got the menus.

0:44:02 > 0:44:05- You know all about the food.- She's a culinary expert.- I know.- Yes.

0:44:05 > 0:44:06'Arsenio put me in charge of a lot.'

0:44:06 > 0:44:08He put me in charge of the catering

0:44:08 > 0:44:11'because, you know, I do have my cookbook, you know,'

0:44:11 > 0:44:13so I was perfect for the job.

0:44:13 > 0:44:14What looks good to you?

0:44:14 > 0:44:16This kind of looks good, the pork loin.

0:44:16 > 0:44:20And the mini lobster rolls.

0:44:20 > 0:44:22- Mm-hm.- How about steak tartar?

0:44:22 > 0:44:26- Yeah, we could go along with that. - That's great, right?- Absolutely.

0:44:26 > 0:44:28All right, I picked it, Arsenio.

0:44:28 > 0:44:31- OK.- Pork.- Mm-hm.

0:44:31 > 0:44:33I picked two fishes.

0:44:33 > 0:44:36There's a heavy Muslim contingency here tomorrow.

0:44:36 > 0:44:38- Really? - SHE LAUGHS

0:44:38 > 0:44:40Sorry. Mike.

0:44:40 > 0:44:41Assalaamu Alaikum.

0:44:41 > 0:44:46- I got chicken or beef...- Yeah. - ..two fishes and a pork.

0:44:46 > 0:44:48I trust you impeccably.

0:44:48 > 0:44:49I think if you pick it,

0:44:49 > 0:44:51- it's better than anything I could do.- OK.

0:44:51 > 0:44:54'I've entrusted something in Teresa and said,'

0:44:54 > 0:44:57"Do it, baby. You have my total trust."

0:44:57 > 0:44:59'But who knows, you know?

0:44:59 > 0:45:00'When you trust people,'

0:45:00 > 0:45:01it can go wrong.

0:45:01 > 0:45:04You know, that's why a lot of people micromanage

0:45:04 > 0:45:07and do everything themselves because there's a philosophy that,

0:45:07 > 0:45:08"If I do it, no-one disappoints me."

0:45:08 > 0:45:12'That's not how I want Team Arsenio to run.'

0:45:12 > 0:45:13Thank you, Teresa.

0:45:17 > 0:45:19Everyone's entering from here.

0:45:19 > 0:45:23Then, as we move in, we're going to see something right here,

0:45:23 > 0:45:26we're going to see something, like, over here,

0:45:26 > 0:45:28and then window here, here, here

0:45:28 > 0:45:31So you can move...kind of like snake through.

0:45:31 > 0:45:32'I'm probably'

0:45:32 > 0:45:35one of the strongest visualisers on this team

0:45:35 > 0:45:37'and I think Clay knows that.

0:45:37 > 0:45:40'And I'm also very disciplined'

0:45:40 > 0:45:42and a perfectionist, and those are qualities that you want

0:45:42 > 0:45:44when someone's planning your party.

0:45:44 > 0:45:47This is what we're going to do. You walk in, you're going to see...

0:45:47 > 0:45:48I'm going to do a black wicker

0:45:48 > 0:45:51so I can break up the red and white colours with a white thing.

0:45:51 > 0:45:53I might get some cute red throw pillows that are clowny.

0:45:53 > 0:45:54So, we have this.

0:45:54 > 0:45:57You'll see the seating in this area, which will feel very outdoorsy.

0:45:57 > 0:45:59I think we should have two stilt-walkers.

0:45:59 > 0:46:01You have a high ceiling. They can fit in here.

0:46:01 > 0:46:03I think it's fabulous to feel something big.

0:46:03 > 0:46:04I really want us in uniform,

0:46:04 > 0:46:06and I could get one of my designer friends

0:46:06 > 0:46:08to do custom circus outfits for everyone.

0:46:08 > 0:46:13- That could be fabulous. - For everyone? Like us?- Yeah.

0:46:14 > 0:46:15We won't have much time to change clothes.

0:46:15 > 0:46:18Let me just think on it cos I'm good at that stuff

0:46:18 > 0:46:19and I have a lot of connections.

0:46:19 > 0:46:22'Aubrey is just as much a pistol as Aubrey has ever been.

0:46:22 > 0:46:23'She's got a lot of great ideas.'

0:46:23 > 0:46:27She goes 100mph with them

0:46:27 > 0:46:31and it's a challenge still, sometimes,

0:46:31 > 0:46:37to pull her back to a place that is...workable.

0:46:37 > 0:46:38I want to do the balloon art

0:46:38 > 0:46:41so you're walking in and you feel something magnificent.

0:46:41 > 0:46:43Now, hold on. Talk to me about these balloons.

0:46:43 > 0:46:47Balloons that we're going to all blow up on our own?

0:46:47 > 0:46:49You could just rent a machine.

0:46:49 > 0:46:52We could rent a machine for 40 bucks. Or I can do it.

0:46:52 > 0:46:54Either way, we need to make sure they have the colouring,

0:46:54 > 0:46:55that everything's established.

0:46:55 > 0:46:58They had little, like, gift things with popcorn on them.

0:46:58 > 0:47:00We can set those on the table.

0:47:00 > 0:47:02You don't want just empty tables, nothing on them.

0:47:02 > 0:47:05OK, slow down just a bit so we get everything here.

0:47:05 > 0:47:07We need...to get the paint.

0:47:07 > 0:47:10What we could do is just pick a base blue that's open

0:47:10 > 0:47:12that keeps the room feeling like you're outside,

0:47:12 > 0:47:14like when you're at The Venetian.

0:47:14 > 0:47:15I don't want to paint the whole room.

0:47:16 > 0:47:20- So...- All we need to really do is get dirty-dog deep.

0:47:20 > 0:47:23Listen, if we all have to call five people that we know,

0:47:23 > 0:47:25- five people could paint that wall in 30 minutes.- Mm-hm.

0:47:25 > 0:47:28So, let's you call five people, I call five people.

0:47:28 > 0:47:30- We'll get this done in an hour. - Wait, wait, wait.

0:47:30 > 0:47:32There's no way we're going to paint the whole room.

0:47:32 > 0:47:34There's no reason to bring five people in.

0:47:34 > 0:47:37There's no point in calling in people to paint these walls.

0:47:37 > 0:47:40It's a disaster waiting to happen. We'll all be a mess.

0:47:40 > 0:47:43We'll have half a wall not painted and we'll look a mess.

0:47:43 > 0:47:45'I felt disrespected'

0:47:45 > 0:47:47when Clay tried checking me.

0:47:47 > 0:47:49I said "tried" because nobody checks me.

0:47:49 > 0:47:52'I do certain things really well and when you ask me to do them,'

0:47:52 > 0:47:54I'm going to do them to their fullest potential

0:47:54 > 0:47:57and I don't want to be questioned. If you ask me to do something,

0:47:57 > 0:48:00I will execute it better than you could have ever dreamed of.

0:48:00 > 0:48:03'Let me execute my vision.'

0:48:03 > 0:48:04- Five people in? No. - My cousin is coming.

0:48:04 > 0:48:07She's a decorative painter. She's calling everyone on her team.

0:48:07 > 0:48:10- She paints murals. - And she's a mural artist?- Right.

0:48:10 > 0:48:12'Aubrey had a vision of painting the walls,'

0:48:12 > 0:48:14and it dawns on me,

0:48:14 > 0:48:17"I have a mural painter in my family - my cousin Christine."

0:48:17 > 0:48:20'So, I decided to ask her if she would be able'

0:48:20 > 0:48:25to come to the table and paint a 77ft wall

0:48:25 > 0:48:29in a matter of hours on a day's notice.

0:48:29 > 0:48:30If we can get some nice murals...

0:48:30 > 0:48:32Yeah, they're going to try to throw down...

0:48:32 > 0:48:35..and she can draw something on a piece of paper

0:48:35 > 0:48:38before she throws it on the wall to let us know what it'll look like...

0:48:38 > 0:48:40- Have her sketch out what it'll look like...- Yeah.

0:48:40 > 0:48:43..cos I don't want her getting here and throwing paint up on the wall

0:48:43 > 0:48:45and it doesn't look good at all.

0:48:45 > 0:48:46Not that I don't trust your cousin,

0:48:46 > 0:48:48but I'd want to see it before it goes on the wall.

0:48:51 > 0:48:52Yeah, absolutely.

0:48:52 > 0:48:54'My cousin, who's a decorative painter,

0:48:54 > 0:48:55'she's coming to do a mural on the wall,'

0:48:55 > 0:48:57and he's like, "I need to see a sketch,"

0:48:57 > 0:48:59as if, like, she's dying to come do this mural.

0:48:59 > 0:49:02'She's hustling to get something together,'

0:49:02 > 0:49:05but at some point, he might just have to trust me

0:49:05 > 0:49:06because I trust her.

0:49:16 > 0:49:18- ON PHONE:- 'Hey, Clay.' - So, what's going on right now?

0:49:18 > 0:49:21'We asked if the caterer was providing plates and things

0:49:21 > 0:49:24'and they're not. They're just doing little bar napkins.'

0:49:24 > 0:49:25'It's the beginning of day two

0:49:25 > 0:49:27'and Dee and Penn and I are in the van'

0:49:27 > 0:49:29headed down to a park in New York City

0:49:29 > 0:49:31to film our charity awareness ad.

0:49:31 > 0:49:33'While we're doing this, there are a lot of errands to be run'

0:49:33 > 0:49:35to pick things up for the party tomorrow,

0:49:35 > 0:49:37and Debbie and Aubrey are handling that.

0:49:37 > 0:49:40'The long story short is the paint thing was an oversight.

0:49:40 > 0:49:42'We had to go physically get it.

0:49:42 > 0:49:44'They can't send it in a cab and I don't want to wait...'

0:49:44 > 0:49:47Listen, the paint is the last thing on my concern list today.

0:49:47 > 0:49:51- If we don't have murals on the wall, I could give half a- BLEEP- less.

0:49:51 > 0:49:53'Well, listen, what the problem was

0:49:53 > 0:49:56'is we had to make an executive decision if we went for it.'

0:49:56 > 0:49:59'My job right now is to really look at the big picture,

0:49:59 > 0:50:02'but I've got to have my hand in everything.'

0:50:02 > 0:50:06And it's tough to have different people throwing tiny minutia at me

0:50:06 > 0:50:07when I'm stressed out already

0:50:07 > 0:50:09'about making sure everything gets done.'

0:50:09 > 0:50:13- Yeah, here's a baseball field. - Oh, good, good, good. Grass. Trees.

0:50:13 > 0:50:14'Our plan'

0:50:14 > 0:50:17was to shoot everything in one general area.

0:50:17 > 0:50:21'We figured, in any field, you've got a space where you could'

0:50:21 > 0:50:23shoot the kids, and then you've got another look somewhere

0:50:23 > 0:50:25'on the field to shoot Clay.'

0:50:25 > 0:50:29Something died right here. Good Lord. Do you smell that?

0:50:30 > 0:50:32New York City.

0:50:32 > 0:50:34'The park that we're supposed to shoot in

0:50:34 > 0:50:36- 'smells like complete- BLEEP.'

0:50:36 > 0:50:38- It smelled like every single pile of dog- BLEEP

0:50:38 > 0:50:40- that has ever been- BLEEP - in New York City

0:50:40 > 0:50:43was loaded up in that one location.

0:50:43 > 0:50:45It's...something.

0:50:45 > 0:50:49Yeah, it is absolutely that. Good God!

0:50:49 > 0:50:51- 'The- BLEEP- smelling park is the least'

0:50:51 > 0:50:52of my problems because

0:50:52 > 0:50:55the train that takes people from Manhattan to Brooklyn

0:50:55 > 0:50:58'is right overhead, so there is no way

0:50:58 > 0:51:01'that we can get any audio in this location.'

0:51:01 > 0:51:03This is clearly not going to be good for audio.

0:51:09 > 0:51:13Oh, this is fly. This'll work. And what a view.

0:51:13 > 0:51:16This is better than Jennifer Beals' apartment

0:51:16 > 0:51:18in Flashdance. TERESA LAUGHS

0:51:18 > 0:51:20'My focus today is to shoot this'

0:51:20 > 0:51:22charity awareness ad for the Magic Johnson Foundation.

0:51:22 > 0:51:26So, we have these colours, so I guess... And that.

0:51:26 > 0:51:30- That jacket looks like one I used to wear.- Shocking.

0:51:30 > 0:51:33'Here is how my charity awareness ad will go.'

0:51:33 > 0:51:37We're going to have all these old school '80s looks,

0:51:37 > 0:51:39'and then I've got to get in there and say, "These clothes,

0:51:39 > 0:51:42'"these styles are gone, but you know what's still here?

0:51:42 > 0:51:44'"AIDS, HIV."'

0:51:44 > 0:51:46"Here's someone that knows a lot more about

0:51:46 > 0:51:49- "the Magic Johnson Foundation than I do."- Right. And then boom.

0:51:49 > 0:51:52'It's a little tricky because Magic Johnson'

0:51:52 > 0:51:53is on the West Coast,

0:51:53 > 0:51:57and I'm having video shot of him and sent here.

0:51:57 > 0:51:59- I'm sending my crew guys.- Yeah.

0:51:59 > 0:52:03- The crew guys are...pretty good... - OK.- ..but they're not comedy guys,

0:52:03 > 0:52:05so I'm going to try to talk them through what we want.

0:52:05 > 0:52:07- And they get it. - 'I've got a great team.'

0:52:07 > 0:52:09I've got Adam.

0:52:09 > 0:52:12Adam doesn't even have a home in LA. He lives in an editing bay.

0:52:12 > 0:52:15'So, I decided that Adam was our director.'

0:52:15 > 0:52:17- How you doing, buddy?- Good, man. I'm Paul. I'm your DP.- Oh, perfect.

0:52:17 > 0:52:19'Our crew comes in and we meet.'

0:52:19 > 0:52:22There's a DP, which is a director of photography.

0:52:22 > 0:52:24'He knows how to get what I want.'

0:52:24 > 0:52:27We're going to all just stand in the same mark.

0:52:27 > 0:52:28You're not going to step into frame?

0:52:28 > 0:52:30It'll be a set frame that you'll be in already?

0:52:30 > 0:52:32'I like that Arsenio'

0:52:32 > 0:52:34let me direct the video.

0:52:34 > 0:52:36'I've done a lot of that.'

0:52:36 > 0:52:39Oh, my God. Look how great Lisa looks.

0:52:39 > 0:52:40I love it, Lisa.

0:52:40 > 0:52:42'I look just, like, totally idiotic'

0:52:42 > 0:52:46and heinous and every adjective in between.

0:52:46 > 0:52:49'But it's for a good cause. Everybody's just like,'

0:52:49 > 0:52:50"Who cares? It's fun."

0:52:50 > 0:52:52ARSENIO LAUGHS That is so cute.

0:52:52 > 0:52:54Arsenio, you're doing the script.

0:52:55 > 0:52:57Do it, man. Do it. Do it.

0:52:57 > 0:52:58'I think Arsenio's doing a great job.

0:52:58 > 0:53:02'He's not micromanaging or sort of overproducing.'

0:53:02 > 0:53:04He's casual. I like that.

0:53:04 > 0:53:07Settle. We're shooting. Action.

0:53:07 > 0:53:10I'm Lisa Lampanelli, and this is me in the '80s.

0:53:10 > 0:53:12Good. One more a little bit faster.

0:53:12 > 0:53:15I'm Lisa Lampanelli, and this was me in the '80s.

0:53:15 > 0:53:18- Good.- OK? - I think we got it, Lisa.- Yay!

0:53:24 > 0:53:26Penn, we're going to walk down the street.

0:53:26 > 0:53:28We were expecting it to go really easy,

0:53:28 > 0:53:32'and now we've got no place for these kids to play'

0:53:32 > 0:53:35and all we're looking at is blacktop.

0:53:35 > 0:53:38- There's a nice play set over there. - It's locked. It's chained.

0:53:38 > 0:53:40'In New York City, there are not'

0:53:40 > 0:53:42many places where you can go and find grass,

0:53:42 > 0:53:45'and we need grass for this shoot. We have absolutely'

0:53:45 > 0:53:48no time to spare when it comes to putting this ad together.

0:53:48 > 0:53:50Right now, we're so far behind,

0:53:50 > 0:53:52we may have to resort to just going back to the studio,

0:53:52 > 0:53:54which is going to suck ass.

0:53:58 > 0:54:02I think this, done in a studio with a hardwood floor

0:54:02 > 0:54:05with children playing, plays the idea just as well.

0:54:05 > 0:54:07- Let's check the grass first.- OK.

0:54:07 > 0:54:08'I pushed'

0:54:08 > 0:54:11to actually shoot our awareness ad in a studio

0:54:11 > 0:54:12and just be done with it,

0:54:12 > 0:54:16'but Clay wanted it outside, and Clay was very uptight.

0:54:16 > 0:54:18'He has a wartime personality.'

0:54:18 > 0:54:22He appears to me to be happier when there's a little conflict.

0:54:22 > 0:54:26- Adam, hello.- Hey, man.- How are you? I'm Clay. Nice to meet you.

0:54:26 > 0:54:28- Go easy on this hand. I'm Dee. - Hi.- How are you?

0:54:28 > 0:54:30- I'm Penn.- Nice to meet you guys.

0:54:30 > 0:54:32We ran over here because there's so much noise

0:54:32 > 0:54:35over at the other park that doing my,

0:54:35 > 0:54:37you know, single to camera

0:54:37 > 0:54:39was going to be near impossible to get the audio for.

0:54:39 > 0:54:41'While we were walking down the street'

0:54:41 > 0:54:43to see if there's any place at all

0:54:43 > 0:54:46'that we could use, the director of photography actually showed up

0:54:46 > 0:54:47'and we were able to talk to him'

0:54:47 > 0:54:49about our problems

0:54:49 > 0:54:52and kind of see if he could help us brainstorm some locations.

0:54:52 > 0:54:55I'm wondering... Is that a courtyard over there, by that building?

0:54:55 > 0:54:56I don't know if it's a courtyard.

0:54:56 > 0:54:59There's some trees. Show us what you want to look at.

0:54:59 > 0:55:02We're trying to connect Clay to the kids in the park

0:55:02 > 0:55:04in an outdoor, park-like environment.

0:55:04 > 0:55:06- Right, Clay?- Yeah.

0:55:06 > 0:55:07Let's shoot Paul out.

0:55:07 > 0:55:11- Just put it on like a regular wig? - Yeah.- Yeah, yeah.

0:55:11 > 0:55:14Oh, my God!

0:55:14 > 0:55:17- You look like a poodle. - SHE LAUGHS

0:55:17 > 0:55:18'We're at the studio'

0:55:18 > 0:55:20and we're recording our charity awareness ad.

0:55:20 > 0:55:24'We're doing a theme from the '80s - how we looked back in the '80s.'

0:55:24 > 0:55:25Get my agent on the phone.

0:55:25 > 0:55:28And one of you just standing there looking like

0:55:28 > 0:55:30you'd rather be anywhere else in the world than here.

0:55:30 > 0:55:32'I'm happy to play'

0:55:32 > 0:55:34any role to help Arsenio.

0:55:34 > 0:55:37'If I have this image as the toughest guy in the world,

0:55:37 > 0:55:38'or if I could play'

0:55:38 > 0:55:42the dorkiest person in the world and help the team,

0:55:42 > 0:55:43'I'm all about it.'

0:55:43 > 0:55:45And one where you're looking around like,

0:55:45 > 0:55:47"I hope none of my biking buddies see me."

0:55:50 > 0:55:54- Good. It's a wrap.- Thank you, Paul.

0:55:54 > 0:55:57All right, Teresa. Settle!

0:55:57 > 0:55:59'Back in the day, that's how we looked.'

0:55:59 > 0:56:02My hair was high. It was naturally curly and it was huge.

0:56:02 > 0:56:03I didn't even have

0:56:03 > 0:56:05'to tease it that much. That's how big it was.'

0:56:05 > 0:56:06Action.

0:56:06 > 0:56:09I'm Teresa, and this was me in the '80s.

0:56:09 > 0:56:12And now let's just do one that's bigger.

0:56:12 > 0:56:13'I really love Teresa'

0:56:13 > 0:56:15and I like directing her.

0:56:15 > 0:56:18She has a great sort of youthful enthusiasm.

0:56:18 > 0:56:21I'm Teresa, and this was me in the '80s.

0:56:21 > 0:56:24Might be called naivete.

0:56:24 > 0:56:25And I can say that freely

0:56:25 > 0:56:28because she doesn't know what that word means.

0:56:28 > 0:56:31She's at home looking that crap up right now.

0:56:31 > 0:56:34Yeah, now give one where you're not proud of it,

0:56:34 > 0:56:36- but what are you going to do? - All right.- Action.

0:56:36 > 0:56:39I'm Teresa, eh, and this was me in the '80s.

0:56:39 > 0:56:42- I think we're good, Arsenio. - Oh, yeah.- Thanks.- OK.

0:56:42 > 0:56:44'The shoot is going so well.'

0:56:44 > 0:56:46I think Arsenio could be the next Celebrity Apprentice.

0:56:46 > 0:56:50- I'm going to...- It's time for you. - I'm going to get my stuff together.

0:56:50 > 0:56:51'I'm not'

0:56:51 > 0:56:53a manager the way he is.

0:56:53 > 0:56:56I don't just let people do their thing and just be, like, hands-off.

0:56:56 > 0:56:59I'm Adam Carolla, and this was me in the '80s.

0:56:59 > 0:57:01That's funny, man.

0:57:01 > 0:57:02'But maybe that's the touch'

0:57:02 > 0:57:03that was needed for this.

0:57:03 > 0:57:05If he wins, he'll totally deserve it.

0:57:05 > 0:57:07- All right, I think we got it.- Yeah.

0:57:07 > 0:57:09This is going to be a great PSA.

0:57:14 > 0:57:17- We're just trying for it to seem park-ish.- OK.

0:57:17 > 0:57:18Without seeming too New York City-ish.

0:57:18 > 0:57:21Penn, Clay, myself and the DP

0:57:21 > 0:57:24'we're wandering around looking for grass.

0:57:24 > 0:57:25'Anything that would just'

0:57:25 > 0:57:27be aesthetically pleasing

0:57:27 > 0:57:29'for the video shoot.'

0:57:29 > 0:57:32It's sunnier over here and will be even sunnier.

0:57:33 > 0:57:35Well, we don't mind the playground.

0:57:35 > 0:57:37We do mind the bars on the windows.

0:57:37 > 0:57:38'At this point,'

0:57:38 > 0:57:40we're really running out of options,

0:57:40 > 0:57:44'but we notice a baseball field a little bit further down the street.'

0:57:44 > 0:57:46- Hey, I'm Clay Aiken. How are you? - Bob. Pleasure.

0:57:46 > 0:57:50- Nice to meet you, Bob. You guys have a game going on here?- We do.

0:57:50 > 0:57:52- Or is it just a scrimmage of some kind?- It's a game.- A game?

0:57:52 > 0:57:55We were hoping maybe you guys weren't using this for much longer,

0:57:55 > 0:57:57or hoping that it was just a practice

0:57:57 > 0:57:59and we might be able to use your outfield.

0:57:59 > 0:58:01Guys, this is really a distraction.

0:58:01 > 0:58:03- I want to play baseball. - I understand.

0:58:03 > 0:58:06- We're not trying to cause a problem. - Wait a minute. You are...?

0:58:06 > 0:58:08- I'm Clay Aiken. How are you? - Oh, my God!

0:58:08 > 0:58:10- What's your name?- Bill Martino. - Bill, nice to meet you.

0:58:10 > 0:58:13- I voted for you.- I appreciate you trying.- I voted for you.

0:58:13 > 0:58:15- I'm trying to win something else right now.- Oh, my gosh.

0:58:15 > 0:58:18'The coach who runs over is actually pretty excited

0:58:18 > 0:58:21'that it's myself and Dee and Penn.'

0:58:21 > 0:58:23For a second there, I thought, "Wait.

0:58:23 > 0:58:25"We may actually be able to make this thing work."

0:58:30 > 0:58:33- We'll let you do your thing. - Sorry, man!- Sorry about that.

0:58:33 > 0:58:34'At this point,'

0:58:34 > 0:58:36I'm getting very frustrated

0:58:36 > 0:58:38'because we're really cutting it close

0:58:38 > 0:58:40'on the schedule I've set up for the day.

0:58:40 > 0:58:42'Plan A has fallen through, plan B is now falling through,

0:58:42 > 0:58:45'plan C is gone and we're now'

0:58:45 > 0:58:47- at plan F for "we're- BLEEP."

0:58:47 > 0:58:50There's no other grassy area, like, around here.

0:58:50 > 0:58:51We're in New York.

0:58:51 > 0:58:54- There's a shortage of grass and green in general.- Yeah.

0:59:00 > 0:59:02- We can do it right here.- Really?

0:59:02 > 0:59:05If they come down and hassle us, we'll deal with it.

0:59:05 > 0:59:07We set up right here, get our wide shot.

0:59:07 > 0:59:10- If they throw us out, that's fine. - I'm not worried about that.

0:59:10 > 0:59:11'We still wanted'

0:59:11 > 0:59:13to have a grassy place for the kids to play,

0:59:13 > 0:59:16'and Dee and Penn have discovered a small, grassy area'

0:59:16 > 0:59:18just underneath a high-rise

0:59:18 > 0:59:21'Housing Authority project.

0:59:21 > 0:59:23'It is not the most beautiful location,

0:59:23 > 0:59:25'but the director of photography feels like'

0:59:25 > 0:59:28he can shoot this in a way that no-one will even know where it is.

0:59:28 > 0:59:30I'm Clay. What's your name?

0:59:30 > 0:59:32- Sebastian. - Sebastian, nice to meet you.

0:59:32 > 0:59:35- What's your name, darling? - My name is Talia.

0:59:35 > 0:59:36Talia, nice to meet you.

0:59:36 > 0:59:38- I'm Anthony. - Anthony, nice to meet you.

0:59:38 > 0:59:40'Once we found that location,'

0:59:40 > 0:59:42the crew showed up, the actors showed up,

0:59:42 > 0:59:43and we were ready to shoot.

0:59:43 > 0:59:45OK, guys, come over here for a second.

0:59:45 > 0:59:47Guys, come over here with me.

0:59:47 > 0:59:49'For the charity awareness ad, the concept is

0:59:49 > 0:59:52'to have these children playing with a parachute and then make'

0:59:52 > 0:59:54the audience not know which one had a disability.

0:59:54 > 0:59:57'That's really what the National Inclusion Project is about.'

0:59:57 > 0:59:59We're going to shake it

0:59:59 > 1:00:01and you want to get the ball to go off the other side.

1:00:01 > 1:00:02Wait. I'll tell you when.

1:00:02 > 1:00:04You don't want it to come off on your side.

1:00:04 > 1:00:06Are you ready? Go!

1:00:06 > 1:00:08Don't let it come off on your side.

1:00:08 > 1:00:10'As soon as I sat down and started playing'

1:00:10 > 1:00:13with the kids, the stress from earlier in the day

1:00:13 > 1:00:16completely went away, and I had a really nice time.

1:00:16 > 1:00:19When I say three, hold your arms up as high as you can.

1:00:19 > 1:00:21When I say four, let it go.

1:00:21 > 1:00:23- Now, do you let it go when I say three? KIDS:- No!

1:00:23 > 1:00:27- Do you let it go after I say three? KIDS:- Yes!- No.

1:00:27 > 1:00:31Let's practise. One, two, three.

1:00:32 > 1:00:34Four.

1:00:34 > 1:00:35Anthony!

1:00:35 > 1:00:38'Clay has a degree in special ed,'

1:00:38 > 1:00:40and it didn't take two seconds before he was

1:00:40 > 1:00:43'in full teacher mode

1:00:43 > 1:00:45'working with those kids, entertaining those kids.'

1:00:45 > 1:00:47He was amazing.

1:00:47 > 1:00:50Stop. Don't tell people they look like things. That's not nice.

1:00:50 > 1:00:54You're not watching me. I need you to play along and not goof off.

1:00:54 > 1:00:55Talia, none of that.

1:00:55 > 1:00:56'Working with kids'

1:00:56 > 1:00:58can lift your spirits,

1:00:58 > 1:01:01'but trying to shoot this ad together was somewhat chaotic.'

1:01:01 > 1:01:04Laugh, laugh, laugh! Pretend you're having fun.

1:01:08 > 1:01:09OK, stop!

1:01:09 > 1:01:11You look so good, Arsenio.

1:01:11 > 1:01:14Can we frame up a little bit,

1:01:14 > 1:01:16get the basketball out of there?

1:01:16 > 1:01:17'Adam went out with Teresa'

1:01:17 > 1:01:20and bought me a beaded jacket

1:01:20 > 1:01:22'and a Michael Jackson glove and, like,'

1:01:22 > 1:01:24a Rudy Ray Moore Dolomite wig.

1:01:24 > 1:01:26I don't know how that figured into it,

1:01:26 > 1:01:27but that's how my hair looked

1:01:27 > 1:01:29'back then, and I threw it on.'

1:01:29 > 1:01:31And action.

1:01:31 > 1:01:33Hi, I'm Arsenio Hall.

1:01:33 > 1:01:36Fortunately, we got rid of all the fashion and the hair from the '80s,

1:01:36 > 1:01:40but unfortunately, we still have HIV and AIDS.

1:01:40 > 1:01:43Here's a man that knows a lot more about it than I do. Earvin.

1:01:45 > 1:01:47Good. I think we're good, Arsenio.

1:01:47 > 1:01:48'We got everything shot.'

1:01:48 > 1:01:51'As much as this comedy part is important to break the ice,'

1:01:51 > 1:01:53it's very dangerous to do funny things

1:01:53 > 1:01:55when you're talking about serious subjects,

1:01:55 > 1:01:58'but I want to get their attention with humour.'

1:01:58 > 1:01:59You know, make them smile.

1:01:59 > 1:02:02And then I'll have Magic give them the facts,

1:02:02 > 1:02:06'so I need the Magic Johnson stuff from the West Coast to come.'

1:02:06 > 1:02:07Gary.

1:02:08 > 1:02:09All right, so, Gary,

1:02:09 > 1:02:12are you on your way to Mr Johnson's house?

1:02:14 > 1:02:15OK, good.

1:02:15 > 1:02:19So, um, you know what we want.

1:02:19 > 1:02:22We're going to start with a basketball pass to Magic.

1:02:22 > 1:02:25Just make sure that ball comes in from the front

1:02:25 > 1:02:28and, you know, nobody's hands are in it.

1:02:28 > 1:02:31A good, stiff chest pass, OK?

1:02:31 > 1:02:36The one guy who I knew and trusted, who's sort of my creative guy,

1:02:36 > 1:02:39was not able to go on the journey,

1:02:39 > 1:02:42'so that just left me with my technical guys.'

1:02:42 > 1:02:47- From camera right. Right, Arsenio? - I threw it to camera right.

1:02:47 > 1:02:48'We only need ten,'

1:02:48 > 1:02:5012 seconds of Magic Johnson,

1:02:50 > 1:02:53'but there was a lot of pieces to the puzzle.'

1:02:53 > 1:02:57He threw it to camera right, so the guy who's going to catch it

1:02:57 > 1:02:59is going to be on the right side of the camera.

1:02:59 > 1:03:01I mean, the guy who's going to throw it

1:03:01 > 1:03:04is going to be on the right side of the camera.

1:03:04 > 1:03:07The whole ball gag flying in...

1:03:07 > 1:03:09I know ball gag sounds very homoerotic,

1:03:09 > 1:03:12but in this case, it was literally a ball gag.

1:03:12 > 1:03:16'And we wanted continuity on the ball gag.'

1:03:16 > 1:03:19It's coming from the right side of the camera, right? Yeah.

1:03:19 > 1:03:23You know what? Actually, it'd be the left side.

1:03:23 > 1:03:24Oh, who knows?

1:03:24 > 1:03:28'Camera left or camera right. I don't know. Listen,'

1:03:28 > 1:03:30I've been doing this for, like, 15 years.

1:03:30 > 1:03:33I still can't figure out camera left versus camera right

1:03:33 > 1:03:35or upstage versus downstage.

1:03:35 > 1:03:36I don't know what direction that is.

1:03:36 > 1:03:38Paul, when they throw the ball to Magic,

1:03:38 > 1:03:42what side of the camera should they be on? Camera...?

1:03:42 > 1:03:44The ball should go from...

1:03:44 > 1:03:45Um, it should come in...

1:03:45 > 1:03:48- It should come in from the left. - It comes in frame left

1:03:48 > 1:03:51and it'll leave frame left too.

1:03:51 > 1:03:52Don't disappoint us.

1:03:52 > 1:03:53OK, bye.

1:03:56 > 1:03:58They're with Magic now.

1:04:00 > 1:04:02Half the battle's over.

1:04:02 > 1:04:03'So, Adam and I are going'

1:04:03 > 1:04:05to head over to the editing bay

1:04:05 > 1:04:06'so we can finish this PSA.'

1:04:06 > 1:04:08- So, here's the plan.- Yes.

1:04:08 > 1:04:11We go to editing, you all go fundraise.

1:04:11 > 1:04:14'I want Teresa, Lisa and Paul'

1:04:14 > 1:04:17to go back to the hotel and don't hang up that phone...

1:04:17 > 1:04:19We'll catch you guys later.

1:04:19 > 1:04:21'..and get me money for the Magic Johnson Foundation'

1:04:21 > 1:04:24cos I know Clay is working hard on his phone.

1:04:24 > 1:04:27Thank you. Peace.

1:04:37 > 1:04:39I'm following you, Debbie Gibson.

1:04:39 > 1:04:42'We got to the rehearsal space to arrange all of the music

1:04:42 > 1:04:44'because we have an entire show to put together.'

1:04:44 > 1:04:46Our team is musical,

1:04:46 > 1:04:48'so we're just going to serve it up in the finale'

1:04:48 > 1:04:50and give them a show they'll never forget.

1:04:50 > 1:04:52- There you are. I was coming to find you.- Hi!

1:04:52 > 1:04:55'Sky is my personal musical director when I tour,

1:04:55 > 1:04:57'and I enlisted his help'

1:04:57 > 1:04:59in working on the arrangements for our medleys

1:04:59 > 1:05:01in the variety show today.

1:05:01 > 1:05:02So, we go, "Ladies and gentlemen,

1:05:02 > 1:05:05"welcome to The Whatever and Whatever Show Variety Hour."

1:05:05 > 1:05:07Start with Baby Love.

1:05:07 > 1:05:11# Baby love, my baby love... #

1:05:11 > 1:05:15'The minute the music started to play, it was like'

1:05:15 > 1:05:17I was completely in my element.

1:05:17 > 1:05:19- That could be in the same key, I think.- OK.

1:05:19 > 1:05:20'Ah, this is what I do.'

1:05:20 > 1:05:22I live and breathe music

1:05:22 > 1:05:24'and arranging and parts and choreography

1:05:24 > 1:05:26'and so I just felt at home.'

1:05:26 > 1:05:30# Shake your love Just can't shake your love... #

1:05:30 > 1:05:33'You know, it's been so long since Debbie's been on the show

1:05:33 > 1:05:35'that I just forgot how amazing

1:05:35 > 1:05:38'having to hear Shake Your Love every five minutes really is.'

1:05:38 > 1:05:41# Shake your love I just can't shake your love. #

1:05:41 > 1:05:45She loves to hear her sing probably more than anyone else does.

1:05:45 > 1:05:48- It's Shake Your Love.- Got it. - These are complicated lyrics.

1:05:48 > 1:05:50- Brace yourself. Ready?- OK. - It took me hours to write.

1:05:50 > 1:05:53- "I just can't shake your love." - That rhymes.

1:05:53 > 1:05:54"Shake your love.

1:05:54 > 1:05:58"I just can't shake your love."

1:05:58 > 1:06:00- You sang it for- BLEEP- ever.

1:06:00 > 1:06:01Somebody, kill me.

1:06:01 > 1:06:05- SHE LAUGHS - Oh, my God.

1:06:05 > 1:06:09'It's hard because I want to just take over and get it all done,

1:06:09 > 1:06:11'but at the same time, Debbie is, like,'

1:06:11 > 1:06:13my elder in the music industry,

1:06:13 > 1:06:15so I want to be respectful of her and not step on her toes,

1:06:15 > 1:06:18'even if her area of music isn't really that hot any more.'

1:06:18 > 1:06:22Bringing it back to the greatest musical decade of all time!

1:06:22 > 1:06:26# Shake your love I just can't shake your love. #

1:06:28 > 1:06:31- Hey, hey, hey.- Hey.- How are you?

1:06:31 > 1:06:33- All right. How's it going? Anthony.- Hey, hey, hey.

1:06:33 > 1:06:35'So, we're here at the editing bay.'

1:06:35 > 1:06:38We have the stuff we shot with my funny team

1:06:38 > 1:06:40'and we're waiting for the footage from Magic

1:06:40 > 1:06:41'to come to the East Coast,'

1:06:41 > 1:06:43and then I get to edit it all together.

1:06:43 > 1:06:46It's going to be great cos the stuff we shot here is so good.

1:06:46 > 1:06:48All I need is a little bit of Magic.

1:06:48 > 1:06:51- Let's work our order out. - What do we want to see first?

1:06:51 > 1:06:53I think Lisa's visual image is the...

1:06:53 > 1:06:55- Yes, I would start with Lisa.- OK.

1:06:57 > 1:07:00'I'm Lisa Lampanelli, and this is me in the '80s.'

1:07:00 > 1:07:02- You want this one?- Absolutely.- OK.

1:07:02 > 1:07:05Um, let's go on to Teresa.

1:07:05 > 1:07:08'I think Arsenio and I work well together.'

1:07:08 > 1:07:11Editing the charity awareness ad was pretty good,

1:07:11 > 1:07:12and we had a good editor,

1:07:12 > 1:07:15'and Arsenio, he was trying to raise money

1:07:15 > 1:07:16'while I was doing the direction.'

1:07:16 > 1:07:18And then he'd chime in with a good call

1:07:18 > 1:07:20every five minutes or so and

1:07:20 > 1:07:22'it was copacetic.'

1:07:22 > 1:07:24- I love that.- Mm-hm.

1:07:24 > 1:07:27Sitting here, I've raised another 20,000.

1:07:27 > 1:07:30'While I'm editing, I continue to try to raise money.'

1:07:30 > 1:07:33My close friends come through for me. I mean,

1:07:33 > 1:07:37I've called Leno twice and he never says no.

1:07:37 > 1:07:40'But there are other people who you think might help you,

1:07:40 > 1:07:42'might be your friend - they run from you.'

1:07:42 > 1:07:45But you know what I love about the people who have disappointed me

1:07:45 > 1:07:47in the fundraising element of this?

1:07:47 > 1:07:50- I ain't got to- BLEEP - with them no more.

1:07:50 > 1:07:52'They let me off the hook'

1:07:52 > 1:07:53- for the- BLEEP- friendship that we have.

1:07:53 > 1:07:56I've got some people that I can go back and when they say,

1:07:56 > 1:07:58"Hey, you know, I need you to..."

1:07:58 > 1:08:02- "BLEEP- you.- BLEEP- you." You know? I can do that now

1:08:02 > 1:08:05'cos I am so glad I've been able to flush out who's who.'

1:08:08 > 1:08:11ON TV: 'Can you tell which of these children has a disability?

1:08:11 > 1:08:13'We all want to feel included -

1:08:13 > 1:08:15'children with disabilities, children without disabilities.'

1:08:15 > 1:08:18- Pretty good.- I like that one. The "let's all play together"

1:08:18 > 1:08:20from the one prior to it is my favourite.

1:08:20 > 1:08:22- No, I...- What up?

1:08:22 > 1:08:25- Everything going well? - So well. So well.

1:08:25 > 1:08:28'While Dee and Penn and I are working on the editing,'

1:08:28 > 1:08:30Aubrey and Debbie stop by to take a look at the video.

1:08:30 > 1:08:34- Any luck at all?- This person said no and this person is, like...

1:08:34 > 1:08:36'On top of that, we have to be fundraising,

1:08:36 > 1:08:38'so we have to be making phone calls'

1:08:38 > 1:08:40and raising money and trying to sell these tickets

1:08:40 > 1:08:42for as much money as possible.

1:08:42 > 1:08:46You tell her that I don't want to come in second on another TV show,

1:08:46 > 1:08:48so she needs to make it big.

1:08:48 > 1:08:50I want to take the audio off that first one...

1:08:50 > 1:08:53- Yeah, for the first one. - ..and use that as our template.- OK.

1:08:53 > 1:08:55- So, we'll start laying stuff in, all right?- OK.

1:08:55 > 1:08:59"Can you tell which one of these children has a disability?

1:08:59 > 1:09:01"Neither can they." MUSIC BEGINS TO PLAY

1:09:01 > 1:09:03Ooh, I kind of like that cos it comes in with that

1:09:03 > 1:09:05as soon as I say, "The National inclusion Project."

1:09:05 > 1:09:08OK. Four and 11.

1:09:08 > 1:09:12'Dee has edited many, many different videos in his time,'

1:09:12 > 1:09:15so I handed a lot of that authority over to Dee and Penn.

1:09:15 > 1:09:17Watch this. This is the edit.

1:09:17 > 1:09:20'Can you tell which of these children has a disability?

1:09:20 > 1:09:22'Neither can they. The National Inclusion Project

1:09:22 > 1:09:25'wants to leave the disabilities on the sidelines

1:09:25 > 1:09:26'and let all children play together.

1:09:26 > 1:09:28'I'm Clay Aiken, and we need your help

1:09:28 > 1:09:31'to make it easier for children with disabilities to belong.'

1:09:31 > 1:09:33Should there not be music up the whole first part?

1:09:33 > 1:09:35I like the music up front, if we can keep it quiet.

1:09:35 > 1:09:38I'm telling you, what happens is it hits you and it's like this.

1:09:38 > 1:09:39And it doesn't have that...

1:09:39 > 1:09:42Are you saying, "Should there be music upfront?"

1:09:42 > 1:09:45- Maybe there shouldn't. - There shouldn't? I like it there.

1:09:45 > 1:09:46Listen to the music again.

1:09:46 > 1:09:49'Debbie and I had a disagreement about where the music should be,

1:09:49 > 1:09:50'when it should come in.'

1:09:50 > 1:09:52These decisions sort of have to be mine

1:09:52 > 1:09:53because nobody else is at risk

1:09:53 > 1:09:55for being fired this week except for me.

1:09:55 > 1:09:59It hit me like a Mack truck, and I didn't get any emotional impact yet.

1:09:59 > 1:10:02The children are the music, to me, in the beginning,

1:10:02 > 1:10:04and when you clutter it, it just...

1:10:04 > 1:10:07Yeah, I got your point. I got your point.

1:10:07 > 1:10:08I absolutely do respect Debbie.

1:10:08 > 1:10:11'I did find myself not wanting to argue with her.'

1:10:18 > 1:10:21I like the music up front. Listen to the music again.

1:10:21 > 1:10:23I don't want to listen to the music, I want to just...

1:10:23 > 1:10:27The music is not music. It's just a bit. It's a pad.

1:10:27 > 1:10:29Where would you start the music?

1:10:32 > 1:10:34It's just a pad at the beginning.

1:10:34 > 1:10:35'Debbie is'

1:10:35 > 1:10:38a very strong person, she's got a lot of creative ideas,

1:10:38 > 1:10:40'but this is Clay's task'

1:10:40 > 1:10:44and it's his game to lose right now.

1:10:44 > 1:10:46So, it really, ultimately, comes down to him.

1:10:46 > 1:10:50- I like the pad.- I like the pad. I don't think it's busy.

1:10:50 > 1:10:52- OK, I'll shut up now. - I'm not saying that.- No, no, no.

1:10:52 > 1:10:54I mean, I'll just leave you with that

1:10:54 > 1:10:57and then you do whatever, creatively, you want to do.

1:10:57 > 1:10:58I do want the pad in there.

1:11:00 > 1:11:03- Hello? ON PHONE:- 'Blanche here.'

1:11:03 > 1:11:06Blanche, this is Leslie. How are you?

1:11:06 > 1:11:07I got a phone call from Lisa Lampanelli.

1:11:07 > 1:11:10'She introduced herself as Blanche and me as Leslie

1:11:10 > 1:11:13'from our puppet improv performance a few weeks ago.'

1:11:13 > 1:11:17- 'I have a question for you.' - I have an answer for you.

1:11:17 > 1:11:21OK, you were so nice, Clay Aiken, AKA Blanche.

1:11:21 > 1:11:24'Anyway, you were so fantastic to help me raise so much money

1:11:24 > 1:11:27'for my gay men's health crisis charity

1:11:27 > 1:11:30'that I feel I would like to reserve a ticket

1:11:30 > 1:11:33'in my name to your gala tomorrow

1:11:33 > 1:11:35'and I would like to bring you a cheque.'

1:11:35 > 1:11:38- Holy crap. That's awesome, Lisa. - That's just delightful.

1:11:38 > 1:11:40- That was really nice. - Are you going to send us a cheque?

1:11:40 > 1:11:43- Is that what you're telling me? - 'I'm not going to send it.

1:11:43 > 1:11:46'I'll either bring it or have them bring it for you,

1:11:46 > 1:11:48'so you can expect me at your gala.'

1:11:48 > 1:11:50Oh, we are thrilled. Thank you, Lisa.

1:11:50 > 1:11:51'That was,'

1:11:51 > 1:11:53really, one of the most amazing points

1:11:53 > 1:11:55of this entire competition to me

1:11:55 > 1:11:57'because Lisa's working for Arsenio

1:11:57 > 1:12:00'and she was still going to make a donation to my charity.

1:12:00 > 1:12:02- 'So,- BLEEP- Arsenio.'

1:12:02 > 1:12:04Can you use that?

1:12:04 > 1:12:07I appreciate it. I've had just as much reward working with you,

1:12:07 > 1:12:09- but I'll take your money anyway. - 'You got it, baby.

1:12:09 > 1:12:12- 'I'll see you guys tomorrow. Good luck.'- Thanks. Bye.

1:12:12 > 1:12:14I can send you the address of the location

1:12:14 > 1:12:15and you can bring us a big cheque.

1:12:15 > 1:12:17Clay, so, I got this guy.

1:12:17 > 1:12:20He was like, "Can I give you the number tomorrow?"

1:12:20 > 1:12:22And I said yes, but I was like,

1:12:22 > 1:12:26"We're used to raising, like, 500,000 on this show."

1:12:26 > 1:12:29So, hopefully, could be a big one.

1:12:29 > 1:12:34I mean, he'll definitely not give anything under 10 grand.

1:12:34 > 1:12:36- SHE LAUGHS - Oh, my God.

1:12:36 > 1:12:39Clay Aiken kissed me. I'm a Claymate.

1:12:39 > 1:12:41- Oh, that's funny.- Oh, my God.

1:12:41 > 1:12:43Now we're playing with real money, folks.

1:12:43 > 1:12:45'It's like, "Wow." And I think we not only'

1:12:45 > 1:12:47are running this show pretty smoothly here,

1:12:47 > 1:12:49but we're making money.

1:12:49 > 1:12:54THEY LAUGH

1:12:57 > 1:12:59ON TV: 'Hi, I'm Arsenio Hall.

1:12:59 > 1:13:02'Fortunately, we got rid of the hair and the fashion from the '80s,

1:13:02 > 1:13:06'but unfortunately, we still have HIV and AIDS.'

1:13:06 > 1:13:08'Adam and I are in the editing facility.'

1:13:08 > 1:13:10It looks great. Everybody's funny.

1:13:10 > 1:13:12'Now, I've got to trim the fat and condense it

1:13:12 > 1:13:14'cos it's only half of the overall piece,'

1:13:14 > 1:13:16and I'm waiting for the Magic Johnson stuff

1:13:16 > 1:13:18'that's going to be uploaded to me from the West Coast.'

1:13:18 > 1:13:22So, all right, we don't have any Magic Johnson stuff.

1:13:24 > 1:13:27Hello. What's up?

1:13:27 > 1:13:29Cool. All right, thank you.

1:13:30 > 1:13:31Apparently, it's still uploading.

1:13:31 > 1:13:34They're trying to get in touch with whoever's sending it

1:13:34 > 1:13:36to find out, you know, how big the file is,

1:13:36 > 1:13:38how much longer we're looking at.

1:13:38 > 1:13:41I mean, it's academic, right? It's sent?

1:13:41 > 1:13:44- It's still in the process of being sent.- Yeah, it's sending.- Yeah.

1:13:44 > 1:13:47But it's either going to take another four minutes

1:13:47 > 1:13:49- or another 35 minutes. - Yeah.- But either way,

1:13:49 > 1:13:53- we're waiting any way you look at it.- Yeah.- All right.

1:13:53 > 1:13:54Getting comfortable now.

1:13:54 > 1:13:55'Yeah, I had my guys'

1:13:55 > 1:13:59out in LA film the Magic Johnson footage

1:13:59 > 1:14:01'and I've never told Arsenio, but'

1:14:01 > 1:14:04- they're not a professional crew. - HE CHUCKLES

1:14:04 > 1:14:07They're more audio guys. They're a little more podcast-related

1:14:07 > 1:14:08than they are video-related,

1:14:08 > 1:14:10'so I was nervous.

1:14:10 > 1:14:13'I'm the type of person who's wired to feel more pressure

1:14:13 > 1:14:17'if I'm watching someone else's back.'

1:14:17 > 1:14:20'Here's a man who knows a lot about it. Earv.'

1:14:26 > 1:14:29- Hey, Sky. I'm Clay.- Clay, Sky. - Nice to meet you.

1:14:29 > 1:14:31I've heard a lot about you.

1:14:31 > 1:14:33If she likes you, then it must be great.

1:14:33 > 1:14:34'When we get to the studio,'

1:14:34 > 1:14:37Debbie's personal music director is already there.

1:14:37 > 1:14:39They've been working all day.

1:14:39 > 1:14:42'So, I ask Debbie to just run through the medley

1:14:42 > 1:14:45'exactly as they had written it so I could make changes myself.'

1:14:45 > 1:14:48# Baby love My baby love

1:14:48 > 1:14:52# I need you Oh, how I need you

1:14:52 > 1:14:55- # Tell me what you - I do wrong

1:14:55 > 1:14:58# To make you stay away so long

1:14:58 > 1:15:00- # Baby love - Baby!

1:15:00 > 1:15:02# Oh, baby! #

1:15:02 > 1:15:04'It's funny to see Dee, who's this hard-core rocker,'

1:15:04 > 1:15:07singing Baby Love. Kind of amazing. I don't know.

1:15:07 > 1:15:09I think there's a new future

1:15:09 > 1:15:11in romantic music for Dee.

1:15:11 > 1:15:14# I can't offer you proof

1:15:14 > 1:15:18# Of why we should never be apart

1:15:18 > 1:15:19# And that is love... #

1:15:19 > 1:15:23How about that? We could go into his right here.

1:15:23 > 1:15:26I'm not going to make any notes until you've proposed a final thing.

1:15:26 > 1:15:29I don't know. It could go any way. It just depends what you want.

1:15:29 > 1:15:32I know, but I want you to propose it and then I can tell you.

1:15:32 > 1:15:35I don't know enough of the songs to be able to make decisions right now.

1:15:35 > 1:15:36- OK.- So, you propose to me

1:15:36 > 1:15:39- and then I'll tell you if you need to cut or add.- I'll propose.- OK.

1:15:39 > 1:15:42'It was very tough for Debbie to start at the top

1:15:42 > 1:15:45'and run all the way through without stopping and making changes,'

1:15:45 > 1:15:48so it was a struggle for me to get everyone to start

1:15:48 > 1:15:50and continue on through without stopping.

1:15:50 > 1:15:53OK, start from the top of the ending.

1:15:53 > 1:15:56- Clay's got to have it squeaky-clean. - Tell me when you're ready.

1:15:56 > 1:15:58- From the top. - # Why won't you let me shake it? #

1:15:58 > 1:16:01- Tell me when you're ready. From the top.- OK.- OK.

1:16:01 > 1:16:04Clay was still doing his teeth-grinding thing

1:16:04 > 1:16:07'and he was still uptight.

1:16:07 > 1:16:10'Winning Celebrity Apprentice is fiercely important to him

1:16:10 > 1:16:15'and he's driven and that's the mood you would expect him to be in.

1:16:15 > 1:16:17'Although I've worked on projects'

1:16:17 > 1:16:19where I was in control

1:16:19 > 1:16:22and didn't have that mood and it seemed to me

1:16:22 > 1:16:25'that things got done just as quickly and just as well.'

1:16:25 > 1:16:27Just worry about the music right now.

1:16:27 > 1:16:29I could push him out of the way and do Shake Your Love.

1:16:29 > 1:16:30That's not the song,

1:16:30 > 1:16:32- and I only care about the music right now.- OK.

1:16:32 > 1:16:34I want to hear from the first note to the last note.

1:16:34 > 1:16:37- We're just thinking creatively. - I don't want to.

1:16:37 > 1:16:39I want to hear from the first note to the last note.

1:16:39 > 1:16:41- I need to time it.- OK. - We don't have much time.

1:16:41 > 1:16:43All right, but do you want me to do it

1:16:43 > 1:16:44like I just did it last time or not?

1:16:44 > 1:16:48I want you two to work out the music only and not the intro.

1:16:48 > 1:16:50'I was a little frustrated with Clay'

1:16:50 > 1:16:53in terms of the music cos I felt like Clay delegated that to me

1:16:53 > 1:16:57'and then really started taking over. I was feeling'

1:16:57 > 1:16:59pushed aside and confused as to what my role was.

1:16:59 > 1:17:02'It makes me not want to support him.'

1:17:02 > 1:17:04OK, let's start from the top cos then I want to time it.

1:17:10 > 1:17:14I'm just trying to see if my cousin is...coming.

1:17:14 > 1:17:16'So, I put in a call to my cousin'

1:17:16 > 1:17:19Christine who's a decorative mural painter

1:17:19 > 1:17:21'to check on the status of the sketch

1:17:21 > 1:17:23'of what's going to go up on the wall

1:17:23 > 1:17:25'for our carnival-themed event. It is'

1:17:25 > 1:17:28coming together, but it's taking a little longer than she expected.

1:17:28 > 1:17:30My cousin's feverishly working.

1:17:30 > 1:17:32- Mm-hm.- I asked her if she could come.

1:17:32 > 1:17:35She said, honestly, her time is spent better sketching back there.

1:17:35 > 1:17:38If I don't have a sketch tonight, there's nothing on the wall.

1:17:38 > 1:17:42OK, here's the deal, by the way. I didn't, like...

1:17:42 > 1:17:45She wasn't... She moved heaven and earth to do this.

1:17:45 > 1:17:48I said last night that I wanted to see a sketch on paper

1:17:48 > 1:17:51- before she did anything. - I agree. I got you.- OK.- OK.

1:17:51 > 1:17:53'I'm responsible for this room'

1:17:53 > 1:17:55and I've got to make sure I believe

1:17:55 > 1:17:57'in everyone's ability to do something.

1:17:57 > 1:17:59'Obviously, I don't want something

1:17:59 > 1:18:02'that looks like a child went up there with a crayon

1:18:02 > 1:18:03'and just drew something,'

1:18:03 > 1:18:07so paint will not go on the wall unless I've seen some sketches.

1:18:07 > 1:18:11This is where real life and the show collide for me

1:18:11 > 1:18:15because it's a family member that I asked to give up work this weekend

1:18:15 > 1:18:18and to move heaven and earth and she's recruited about 15 people.

1:18:18 > 1:18:20I did tell you last night that I wanted it.

1:18:20 > 1:18:23- It's not like she had...- But you also kind of put her in charge

1:18:23 > 1:18:25- and said, "Make this space great." - You're right. I did.

1:18:25 > 1:18:28But I did say last night, verbatim,

1:18:28 > 1:18:31"I want to see it before she commits to putting it up."

1:18:31 > 1:18:33'Debbie's argument is that her cousin'

1:18:33 > 1:18:35really rearranged her schedule

1:18:35 > 1:18:37to be able to come here and do this for us.

1:18:37 > 1:18:39And while I absolutely appreciate that,

1:18:39 > 1:18:40I sort of don't care.

1:18:40 > 1:18:42Clay, I talked to her today. She's...

1:18:42 > 1:18:44If I don't see it, I don't want to do it.

1:18:44 > 1:18:46- Honest to God. - She's really legitimate.

1:18:46 > 1:18:50I understand, but I am not putting anything on the walls of that room

1:18:50 > 1:18:51unless I've seen what it's going to be.

1:18:51 > 1:18:54'Clay would make an absolute mistake pulling the plug on the mural.

1:18:54 > 1:18:56'When you ask someone to do something'

1:18:56 > 1:18:58and you delegate them a task,

1:18:58 > 1:19:00you have to just trust that they will get it done.

1:19:00 > 1:19:03That's why we were brought back to help the project managers -

1:19:03 > 1:19:05'so that we can take on some of the responsibility

1:19:05 > 1:19:07'that's on their shoulders.'

1:19:07 > 1:19:09- She's pulling the impossible together in 24 hours.- Yeah.

1:19:09 > 1:19:11And I was asked to do it by...

1:19:11 > 1:19:14I'm going to cry right now because I put myself on the line with her

1:19:14 > 1:19:17and she cancelled all kinds of stuff and I...

1:19:17 > 1:19:21- Clay, you have to deal with this. - I've dealt with it.

1:19:21 > 1:19:23'Tomorrow is super important for Clay.

1:19:23 > 1:19:25'I mean, it's the event.'

1:19:25 > 1:19:27At this point, it's really imperative

1:19:27 > 1:19:31'that Clay work well with everybody and get the most out of everybody,'

1:19:31 > 1:19:34but Clay's not going to budge and Debbie is very upset.

1:19:34 > 1:19:36I mean, she's practically in tears. And I understand on her end.

1:19:36 > 1:19:39I said it last night. I've said it 17 times today.

1:19:39 > 1:19:42- And we've tried to make it happen. - Well, that's fine.

1:19:42 > 1:19:44I appreciate that. Listen, I don't...

1:19:44 > 1:19:47I'm not diminishing the fact that you worked on it,

1:19:47 > 1:19:48but I'm not changing my opinion on it.

1:19:48 > 1:19:52I'm not going to paint a wall in a space that I'm being judged on

1:19:52 > 1:19:54if I don't know what's being painted.

1:19:54 > 1:19:56But at some point, there's a trust factor.

1:19:56 > 1:19:59It has nothing to do with me trusting you or trusting Aubrey.

1:19:59 > 1:20:01It's that I've never met this person.

1:20:01 > 1:20:04All right, listen, I'm calling her and seeing what she can get to you.

1:20:04 > 1:20:05I'm not throwing this on you...

1:20:05 > 1:20:07Please don't talk to me like a third-grader.

1:20:07 > 1:20:09I'm not trying to talk to you like that, Debbie.

1:20:09 > 1:20:12I'm doing the call. I'm doing the call.

1:20:12 > 1:20:13'Things definitely got heated'

1:20:13 > 1:20:16over the mural situation and I kind of wanted to curl up in a ball

1:20:16 > 1:20:18'in a corner and cry

1:20:18 > 1:20:20'because I felt like he wasn't trusting'

1:20:20 > 1:20:22my professional opinions.

1:20:22 > 1:20:25He's feeling insecure. It's the 11th hour.

1:20:25 > 1:20:26He's being judged on this space.

1:20:26 > 1:20:28He's nervous about what's being painted.

1:20:28 > 1:20:31- He delegated this to us to do. - I'm not nervous

1:20:31 > 1:20:34cos, at the end of the day, no is all I have to say.

1:20:34 > 1:20:36All right, you know what? I'm having a conversation.

1:20:36 > 1:20:38Don't micromanage my conversation now.

1:20:38 > 1:20:40I can't take that. I really can't.

1:20:42 > 1:20:44'Clay was talking down to me'

1:20:44 > 1:20:45and then he was, on top of that,

1:20:45 > 1:20:48micromanaging the phone call I was making to my cousin.

1:20:48 > 1:20:50'That was the final straw for me.'

1:20:50 > 1:20:52I want to see what she's drawing on the wall.

1:20:52 > 1:20:54That's the only thing that's going to make me convinced

1:20:54 > 1:20:56that she can paint it on the wall.

1:20:56 > 1:20:59'If that's the way the tides are turning at this point,

1:20:59 > 1:21:00'I don't belong here.'

1:21:04 > 1:21:06ON TV: 'Fortunately, we got rid of the hair

1:21:06 > 1:21:08'and the fashion from the '80s.

1:21:08 > 1:21:11'Unfortunately, we still have HIV and AIDS.

1:21:11 > 1:21:15'Here's a man who knows a lot more about it than I do. Earv.'

1:21:15 > 1:21:19Let's... Unless you have that Magic Johnson stuff.

1:21:19 > 1:21:21If that stuff's not in...

1:21:21 > 1:21:23Hey. Any update on that yet?

1:21:25 > 1:21:27OK. All right, thank you.

1:21:28 > 1:21:32- So, the file just finished downloading.- OK.

1:21:32 > 1:21:33'So, we realise that'

1:21:33 > 1:21:36the footage from the West Coast is here. Thank goodness.

1:21:36 > 1:21:38'We're going to look at it.

1:21:38 > 1:21:40'There's an anticipatory delight right now.'

1:21:40 > 1:21:42All right, check this out.

1:21:42 > 1:21:46'Hey, Arsenio. Not a bad pass for a comedian.

1:21:46 > 1:21:50'At the Magic Johnson Foundation, we address the social, health,

1:21:50 > 1:21:54'education and technology needs of minorities across the country.'

1:21:54 > 1:21:57Is that all sideways?

1:21:57 > 1:21:59Cos this is impossible to cut.

1:21:59 > 1:22:01'The Magic footage is in.'

1:22:01 > 1:22:05I'm seeing Magic Johnson deliver information

1:22:05 > 1:22:07about the Magic Johnson Foundation

1:22:07 > 1:22:11'while the camera is focused on his earlobe.'

1:22:11 > 1:22:12They better move that camera.

1:22:14 > 1:22:15'There can only be'

1:22:15 > 1:22:17one reason for it and that's...

1:22:18 > 1:22:21'..that there has been a major miscommunication.'

1:22:21 > 1:22:22Oh, my God.

1:22:22 > 1:22:24When we said, "Camera left," we didn't...

1:22:24 > 1:22:28- We didn't say, "Turn him to the left."- No.

1:22:28 > 1:22:32'Kids on scholarships...'

1:22:32 > 1:22:34'We get the Magic video in and it's crap.

1:22:34 > 1:22:36'It's shot from a weird angle.'

1:22:36 > 1:22:42I'm feeling concerned that my guys let down Arsenio and

1:22:42 > 1:22:45'we weren't going to be able to go back and get another shot at this.

1:22:45 > 1:22:47'It was way too late in the day.'

1:22:47 > 1:22:51I told them I needed a tight... I don't know why it's to the side.

1:22:51 > 1:22:53'Wide' was 'side' over the cellphone?

1:22:53 > 1:22:56HE IMITATES STATIC Can you hear me now?

1:22:56 > 1:22:59- I smell a huge miscommunication.- Yeah.

1:23:01 > 1:23:03'There's nothing more important to the'

1:23:03 > 1:23:06Magic Johnson Foundation charity awareness ad

1:23:06 > 1:23:08than Magic Johnson, as I wrote it.

1:23:08 > 1:23:12- I just had some sweat just go down between my ass cheeks.- Yeah.

1:23:12 > 1:23:13'I was scared to death.

1:23:13 > 1:23:15'I was like, "Adam might have messed this up for me."

1:23:15 > 1:23:18'There is no way I can use this.

1:23:18 > 1:23:20'I'm thinking, "What can I do if this is all I have?"

1:23:20 > 1:23:23'I'm like, "I just lost it all."'