Getting Medieval

0:00:02 > 0:00:03This season on the Celebrity Apprentice,

0:00:03 > 0:00:0518 of the most well-known stars in the business

0:00:05 > 0:00:07descended on New York City.

0:00:07 > 0:00:11Master illusionist and Vegas superstar:

0:00:11 > 0:00:14Pop icon:

0:00:14 > 0:00:17Comedian and internet trailblazer:

0:00:17 > 0:00:19I lost my virginity in a Regal.

0:00:19 > 0:00:22Miss Universe:

0:00:22 > 0:00:25Late night legend:

0:00:25 > 0:00:26HE BARKS

0:00:26 > 0:00:30Movie star and Grammy Award winner:

0:00:30 > 0:00:34Rock star and Twisted Sister frontman:

0:00:34 > 0:00:39The funniest woman in America, the queen of mean:

0:00:39 > 0:00:41You're fired. You're fired.

0:00:41 > 0:00:44Star of American Chopper:

0:00:44 > 0:00:48International actress and philanthropist:

0:00:48 > 0:00:52Best-selling author and First Daughter of the Mob:

0:00:52 > 0:00:55Firing you is going to be very scary for me, Victoria.

0:00:55 > 0:00:58IndyCar legend:

0:00:58 > 0:01:02The original supermodel:

0:01:02 > 0:01:05American Idol superstar:

0:01:05 > 0:01:07I have been a runner-up before so I'm going to make sure

0:01:07 > 0:01:10- it doesn't happen again. - Pop star:

0:01:10 > 0:01:13The Incredible Hulk:

0:01:13 > 0:01:17New Jersey's favourite Housewife:

0:01:17 > 0:01:21And television icon, Star Trek's:

0:01:21 > 0:01:23Live long and prosper!

0:01:23 > 0:01:26Last week, Mr Trump got down to business,

0:01:26 > 0:01:28giving the celebrities their first task.

0:01:28 > 0:01:31You are going to be running a delicatessen.

0:01:31 > 0:01:35The winning team makes the most money in sales and tips.

0:01:35 > 0:01:38On the women's team, everyone wanted their voices to be heard.

0:01:38 > 0:01:40You guys, I have an idea. Guys.

0:01:40 > 0:01:44This was eight people at once doing, like, "Rah-rah-rah-rah-rah!"

0:01:44 > 0:01:46But Patricia Velasquez rose above the chatter

0:01:46 > 0:01:50and stepped up as the women's first project manager.

0:01:50 > 0:01:53On the men's team, project manager Paul Teutul Sr put everything

0:01:53 > 0:01:57on the line, promising to bring in the lion's share of the fundraising.

0:01:57 > 0:01:59- Half a mil. - What'd you say?

0:01:59 > 0:02:03On the day of the sales, the women's team was a member down.

0:02:03 > 0:02:04Was everybody downstairs?

0:02:04 > 0:02:06Victoria's not there which doesn't surprise me

0:02:06 > 0:02:09cos she doesn't want anyone telling her what to do.

0:02:09 > 0:02:11Both teams attracted a crowd.

0:02:11 > 0:02:12What is going on out here?

0:02:12 > 0:02:15But the women couldn't keep up with demand.

0:02:15 > 0:02:16Oh, my God, look at the crowd.

0:02:16 > 0:02:19And Debbie Gibson blamed Cheryl Tiegs.

0:02:19 > 0:02:22Cheryl, we need to keep moving. Anything. Keep moving.

0:02:22 > 0:02:26In the boardroom, Paul's big donor sealed the men's victory.

0:02:26 > 0:02:32- The men's team raised a total of 367,120.- Yeah!

0:02:32 > 0:02:33SHE MOUTHS

0:02:33 > 0:02:37Left to face Mr Trump, the women turned on each other.

0:02:37 > 0:02:41I did feel like Cheryl didn't move as quick as everybody else.

0:02:41 > 0:02:44Victoria was an hour late for the task day.

0:02:44 > 0:02:47She was on her phone with personal business.

0:02:47 > 0:02:49I would check in to my children, as any mother would.

0:02:49 > 0:02:53But in the end Mr trump questioned Cheryl's stamina.

0:02:53 > 0:02:57Do you feel you have the energy to go on and just kick ass?

0:02:57 > 0:03:00I don't know if this is right for me, to be honest with you.

0:03:00 > 0:03:02Cheryl, you're fired.

0:03:10 > 0:03:13Who do you guys think's going to go?

0:03:13 > 0:03:15- Hm, I think it's going to be Cheryl. - Cheryl.

0:03:15 > 0:03:18She just was not as quick as everybody else.

0:03:18 > 0:03:21I think Victoria could also step up her game.

0:03:21 > 0:03:24She knows everyone's onto her a little bit.

0:03:24 > 0:03:27But you know what else, Debbie Gibson? You're very nice

0:03:27 > 0:03:28but this whole thing about,

0:03:28 > 0:03:31"I didn't make personal calls, only to my kids."

0:03:31 > 0:03:33You know what? Don't make 'em to your kids during the day.

0:03:33 > 0:03:35Yeah.

0:03:36 > 0:03:37Here we are.

0:03:39 > 0:03:42Oh, don't worry cos now I know who all y'all are.

0:03:42 > 0:03:45- LAUGHTER - It's on, baby.

0:03:45 > 0:03:47This girl and I, it's on.

0:03:47 > 0:03:49When Victoria walked back in the room

0:03:49 > 0:03:51I was a little scared at first,

0:03:51 > 0:03:52if I'm going to be totally real with you.

0:03:52 > 0:03:55Cos I said that she did some phone calls, etc,

0:03:55 > 0:03:56and did some other things wrong.

0:03:56 > 0:03:58You all better watch out.

0:03:58 > 0:04:01So, I gotta say a little prayer and hope Victoria won't kill me

0:04:01 > 0:04:02in my sleep.

0:04:05 > 0:04:07That's fine, it's on, don't worry about it, it's on.

0:04:07 > 0:04:11- I just thought it was because... - It was a gang-up.- No, no, no.

0:04:11 > 0:04:15- Oh, please.- I didn't gang up. - It doesn't bother me.

0:04:15 > 0:04:18Believe me. Moving forward it's dog eat dog, it's take no prisoners.

0:04:18 > 0:04:22Women are different like that cos every last one of yous are bitches.

0:04:22 > 0:04:24- You're behaving like bitches. - No, not at all.

0:04:24 > 0:04:27- He asked me...- You're good people but you're behaving like bitches

0:04:27 > 0:04:29when it comes down to it and that's not good.

0:04:29 > 0:04:32We're not banding together. We're not. It's going to be tough.

0:04:32 > 0:04:35The road... Down the road is going to be real tough.

0:04:35 > 0:04:38When you come through something like this you know you have to

0:04:38 > 0:04:41watch your back and it's not about friendship,

0:04:41 > 0:04:42it's got nothing to do with friendship.

0:04:42 > 0:04:46Women will turn on you quicker than a jack rabbit.

0:04:46 > 0:04:51OK, no problem. No, in fact, bring it on. Bring it on, I'm ready.

0:04:55 > 0:04:59# Money, money, money, money

0:04:59 > 0:05:00# Money!

0:05:00 > 0:05:03# Money, money, money, money

0:05:04 > 0:05:05# Money! #

0:05:11 > 0:05:14- BOY:- Well...he's floating away.

0:05:14 > 0:05:17- Besides, it started trying to flap its wings.- Oh, he did?

0:05:17 > 0:05:19I'm the mother of an 11-year-old son

0:05:19 > 0:05:20with ALL leukaemia

0:05:20 > 0:05:23and he's getting his wish granted today.

0:05:23 > 0:05:25You see the leaves, how pretty they are?

0:05:25 > 0:05:27- Yeah.- Gorgeous.

0:05:27 > 0:05:30What are we looking at over here?

0:05:30 > 0:05:34- Is your name Gabriel?- Yeah. - My name's Paul.- Hi, Paul.

0:05:34 > 0:05:36'I'm here to meet Gabriel. He's from California

0:05:36 > 0:05:38'and he wanted to see New York'

0:05:38 > 0:05:40and I am going to be presenting him

0:05:40 > 0:05:42a cheque for the Make-A-Wish foundation.

0:05:42 > 0:05:45So, I have an envelope here.

0:05:45 > 0:05:49I was able to raise money for the Make-A-Wish foundation

0:05:49 > 0:05:51and we have a cheque here

0:05:51 > 0:05:53and I'm very proud of this.

0:05:53 > 0:05:57- It's for 495,000.- Wow!

0:05:57 > 0:05:59And this money gives the opportunity

0:05:59 > 0:06:02for more kids to make their wish also.

0:06:02 > 0:06:04Thank you.

0:06:04 > 0:06:06That foundation and the kids really touched my heart.

0:06:06 > 0:06:08What do they got here?

0:06:08 > 0:06:10'And it was an honour for me'

0:06:10 > 0:06:12to hand them the cheque for half a million dollars.

0:06:12 > 0:06:14'That's a wish come true.'

0:06:14 > 0:06:17- There he is right here. See him right here?- Yeah, I see him.

0:06:17 > 0:06:20I would like all the people that get to have a Make-A-Wish

0:06:20 > 0:06:25to have a fun time because they had to go through all this hard stuff

0:06:25 > 0:06:26that I would do.

0:06:26 > 0:06:28They deserve to have a wish, too.

0:06:45 > 0:06:47FANFARE

0:06:52 > 0:06:55- Good morning. - ALL: Good morning.

0:06:55 > 0:06:59Medieval Times, 40 years, great entertainment - jousting,

0:06:59 > 0:07:03knights, all sorts of incredible things.

0:07:03 > 0:07:07They've entertained so many millions of people over the years.

0:07:07 > 0:07:09Really something exciting.

0:07:09 > 0:07:14You will be creating a show for Medieval Times.

0:07:14 > 0:07:17But first of all, you know the gentleman on my left.

0:07:17 > 0:07:19He is a great, great guy.

0:07:19 > 0:07:22James Lipton.

0:07:22 > 0:07:26I've wanted to be in his show for years, Inside The Actors Studio.

0:07:26 > 0:07:28James, it's great to have you. Do you have anything to say?

0:07:28 > 0:07:32Well, you may be wondering why I qualify as an advisor?

0:07:32 > 0:07:35It's because I happen to be a knight.

0:07:35 > 0:07:37That's what this barrette signifies,

0:07:37 > 0:07:39that I'm a Chevalier de l'Ordre des Arts et des Lettres.

0:07:39 > 0:07:43I am a knight of the Republic of France.

0:07:43 > 0:07:46As a matter of fact, this is my suit of armour.

0:07:46 > 0:07:49And my horse is outside.

0:07:49 > 0:07:53So if any of you would care to joust...

0:07:53 > 0:07:54the gauntlet has been thrown.

0:07:54 > 0:07:58I would pay money to see James Lipton stuffed into that

0:07:58 > 0:08:01suit of armour. Top dollar.

0:08:01 > 0:08:03Don, explain exactly what is the task.

0:08:03 > 0:08:07You'll be putting on a 12 to 15-minute show for Medieval Times.

0:08:07 > 0:08:10You'll be judged on your creativity and overall presentation

0:08:10 > 0:08:14and entertainment value by audience votes, so it's in their hands.

0:08:14 > 0:08:17All right, who is your project manager? Please pick.

0:08:20 > 0:08:24- The historical diverse knowledge you have of this era...- Sure!

0:08:24 > 0:08:26I think you're the...

0:08:30 > 0:08:31Men's Team, who is your project manager?

0:08:31 > 0:08:34- I believe it's me, Mr Trump. - Penn.

0:08:34 > 0:08:38I believe I was the best choice because I'm the only one who is...

0:08:38 > 0:08:40HE LAUGHS

0:08:40 > 0:08:43..who is from show business of that kind,

0:08:43 > 0:08:46and doing a show is something I've done before.

0:08:46 > 0:08:49OK, ladies, who is your project manager?

0:08:49 > 0:08:51- Lisa.- Lisa.

0:08:51 > 0:08:52- Lisa!- Yeah!

0:08:52 > 0:08:55I'm on stage an hour and a half a night all by myself.

0:08:55 > 0:08:59I can do a freaking medieval show with a horse and a sword

0:08:59 > 0:09:01and seven other broads.

0:09:01 > 0:09:03So, you ever hear of Lady Godiva?

0:09:03 > 0:09:05She rode nude through the streets.

0:09:05 > 0:09:07HE LAUGHS

0:09:07 > 0:09:09I'll be honest, Dayana, if you did

0:09:09 > 0:09:13- I don't think the men would even do the chore, right?- No chance.

0:09:13 > 0:09:16I will threaten to ride nude for money!

0:09:16 > 0:09:19- It'll work. - That'd be a good story.- Nice.

0:09:19 > 0:09:22Mr Trump mentioned, "Would you get naked?"

0:09:22 > 0:09:24And Dayana said, "Yes, I would."

0:09:24 > 0:09:25He spoon-fed that to her.

0:09:25 > 0:09:27She gotta do it.

0:09:27 > 0:09:29Now, Adam will not be with us.

0:09:29 > 0:09:33He's agreed to host a wedding at his house in California.

0:09:33 > 0:09:36Every once in a while things like this do happen.

0:09:36 > 0:09:41The winning team is going to be getting 20,000 for your charity

0:09:41 > 0:09:46and we're contributing another, through Medieval Times, 20,000.

0:09:46 > 0:09:49So it's 40,000 to the winning project manager.

0:09:49 > 0:09:52As always, the losing team will join me in the boardroom

0:09:52 > 0:09:56and some celebrity, I'm sorry to say, will be fired.

0:09:56 > 0:10:00Let's see what you can do. Showbiz. Good luck, everybody.

0:10:05 > 0:10:08OK, listen. Guys, can you all hear us?

0:10:08 > 0:10:10Yeah, we're listening.

0:10:10 > 0:10:12I think it's a really good idea to be contemporary,

0:10:12 > 0:10:16instead of taking some old story like King Lear.

0:10:16 > 0:10:19- I agree. You know what I instantly thought...- OK. OK, you know what?

0:10:19 > 0:10:22..possible to do a rock thing.

0:10:22 > 0:10:25First of all, this is to everybody - I love you all, you're all great

0:10:25 > 0:10:30but there's going to be no interrupting this task.

0:10:30 > 0:10:31Lisa has a short fuse.

0:10:31 > 0:10:34She's tough. I wouldn't want to be on her bad side.

0:10:34 > 0:10:37I had a sentence and a half out and I was already interrupted.

0:10:37 > 0:10:40I'm so sorry. It's very hard without the visual.

0:10:40 > 0:10:42I thought you had completed the thought.

0:10:42 > 0:10:44- Let's just really be conscious of that.- Great.

0:10:44 > 0:10:48OK, Lisa, I had the idea of trying to be able to entertain that much people

0:10:48 > 0:10:52- and all ages.- Dayana, hold on. - Just let Lisa finish.

0:10:52 > 0:10:55How about when somebody's done with their thought you can say,

0:10:55 > 0:10:57"I'm done." That way we know.

0:10:57 > 0:11:01We do have to make sure that we have something creative and original -

0:11:01 > 0:11:06for everyone, 12-year-old kids and adults. But Lisa is not listening.

0:11:06 > 0:11:07OK, here's the deal.

0:11:07 > 0:11:11Let's take something very current and spoof it in a medieval way.

0:11:11 > 0:11:15And what's more current and what's more New Jersey than taking

0:11:15 > 0:11:18The Real Housewives concept, doing Real Housewives Of Camelot?

0:11:18 > 0:11:21I am one of the stars from The Real Housewives Of New Jersey

0:11:21 > 0:11:23and right now one of the hottest shows

0:11:23 > 0:11:26on TV is the New Jersey Housewives

0:11:26 > 0:11:29so she wanted to make that our theme.

0:11:29 > 0:11:32I was honoured because it is about the show that I'm on.

0:11:32 > 0:11:35- What if the knight we're all fighting over is Trump?- Yes.

0:11:35 > 0:11:39Oh, my God, I will dress as Donald Trump, if you want to.

0:11:39 > 0:11:40Work the hair.

0:11:40 > 0:11:43- We'll kick those frickin' fire-breathing- BLEEP- in the nuts.

0:11:43 > 0:11:47- Well said!- 'We'll talk to you in a few minutes, OK?'- Bye-bye.- Bye.

0:11:47 > 0:11:51What could be interesting, this Snooki character came forward...

0:11:51 > 0:11:53And we go, "Wrong show, bitch."

0:11:53 > 0:11:55The poor housewives end up killing each other

0:11:55 > 0:11:58and then Snooki's sitting there and she goes,

0:11:58 > 0:12:00"Guess it's just you and me."

0:12:02 > 0:12:04FANFARE

0:12:19 > 0:12:21- You guys got it figured out? - We got it pretty figured out.

0:12:21 > 0:12:23We got some good jokes.

0:12:23 > 0:12:26The task this week is to do a 15-minute show

0:12:26 > 0:12:28at Medieval Times.

0:12:28 > 0:12:31The team that creates the most original,

0:12:31 > 0:12:36creative and entertaining show, as determined by audience vote, wins.

0:12:36 > 0:12:39- Hello.- Good morning.- How are you? - Good, how are you?

0:12:39 > 0:12:42Leigh Cordner. I'm the creative director for Medieval Times.

0:12:42 > 0:12:46I made available the best fight choreographers, horse trainers,

0:12:46 > 0:12:48sound and light technicians

0:12:48 > 0:12:51and knights that the organisation has to offer.

0:12:51 > 0:12:55They're going to be standing by to assist you with fight choreography,

0:12:55 > 0:12:57working and handling the horses,

0:12:57 > 0:13:00- weapons, along with the rest of the team.- OK.

0:13:00 > 0:13:04Medieval Times is like being transported back to times

0:13:04 > 0:13:06when there were horses and jousting and kings.

0:13:06 > 0:13:10It's a wonderful production in sand in an arena.

0:13:10 > 0:13:15I've been to Medieval Times more than I've been to LA strip clubs.

0:13:15 > 0:13:17That's a lot!

0:13:18 > 0:13:21The key to the success of the show for the last 28 years is action

0:13:21 > 0:13:23and excitement.

0:13:23 > 0:13:27What we like to do is recreate a moment in history with a nod to,

0:13:27 > 0:13:29let's say, modern technology.

0:13:29 > 0:13:30I have a question.

0:13:32 > 0:13:34They come with their kids, correct?

0:13:34 > 0:13:36Yes. They do. They come with their kids.

0:13:36 > 0:13:40Children are very visual and our show is very visual.

0:13:40 > 0:13:42When the all-ages thing came up I was kind of psyched

0:13:42 > 0:13:46cos I wanted to prove to the world myself - cos I'm a dirty comic -

0:13:46 > 0:13:50I want to do a whole show that doesn't have a curse in it.

0:13:50 > 0:13:52Pleasure meeting you. Good luck.

0:13:52 > 0:13:54Just in my mind I took it as a personal challenge -

0:13:54 > 0:13:58let's make this thing clean but also funny, which is clearly possible.

0:13:58 > 0:14:01Welcome to whatever, Real Housewives Of Camelot.

0:14:01 > 0:14:04We bring out one housewife at a time.

0:14:04 > 0:14:08Our concept is The Unreal Housewives Of Camelot.

0:14:08 > 0:14:11All of us are playing housewives and we're vying for the affection

0:14:11 > 0:14:15and attention of "the greatest man in all the land" Mr Trump.

0:14:15 > 0:14:18Opens. She's Donald Trump. She comes out on the horse, grandiose.

0:14:18 > 0:14:21She gives everyone the set-up of our show which is

0:14:21 > 0:14:22The Real Housewives Of Camelot.

0:14:22 > 0:14:25We set it up - boardroom, Donald Trump-style -

0:14:25 > 0:14:27but with the setting of the Housewives.

0:14:27 > 0:14:31- So then the girls...- I'm sorry, it's so hard, we're frustrated.

0:14:31 > 0:14:34We're going to do something like that involving the housewives

0:14:34 > 0:14:36and fighting for love...

0:14:39 > 0:14:42The Housewives is the biggest show on TV.

0:14:42 > 0:14:45It has almost five million viewers.

0:14:45 > 0:14:48- Let me finish. - Let's hear this, guys.

0:14:48 > 0:14:51Concept. No side conversations. Let her get it out.

0:14:51 > 0:14:53- I might answer your question, just...- OK.

0:14:53 > 0:14:56OK, so over there in this corner, here is Teresa, du-du-du-du-du,

0:14:56 > 0:14:58however you want to remix the names, whatever.

0:14:58 > 0:15:02'Aubrey was definitely second in command on this task.'

0:15:02 > 0:15:06Lisa seemed to defer to her almost a little too much.

0:15:06 > 0:15:10So if this is the audience we're playing to, you'd have the table,

0:15:10 > 0:15:12we like the table cos Teresa can flip it, she's famous for that.

0:15:12 > 0:15:15Dayana, because he had suggested the nude thing,

0:15:15 > 0:15:18if we put you in a nude body suit, you're going to be the girl

0:15:18 > 0:15:21on the horse that's always the presentation of the new scene.

0:15:21 > 0:15:24Are you OK wearing a nude body suit with flowers here and here?

0:15:24 > 0:15:26- Don't worry.- Awesome!

0:15:26 > 0:15:29I'll do whatever my project manager assigns me to do

0:15:29 > 0:15:32and if my project manager decides that wearing a nude body suit

0:15:32 > 0:15:34is a good idea...

0:15:36 > 0:15:38..I'll do it.

0:15:38 > 0:15:40Tia's a really good actress and so is Patricia.

0:15:40 > 0:15:43I should be the whore, she should be the queen.

0:15:43 > 0:15:45I think Tia seems more of a whore.

0:15:45 > 0:15:47LAUGHTER

0:15:47 > 0:15:51I handed out the sexy roles, the glamorous roles, first.

0:15:51 > 0:15:55Victoria would be reserved for the hardest job cos you need

0:15:55 > 0:15:59a real tough-ass to run lights and sound.

0:15:59 > 0:16:02What is Victoria going to do?

0:16:02 > 0:16:06Victoria, she could be a stage director cos she's really tough

0:16:06 > 0:16:09- and she'll say to that guy... - Victoria should be queen!

0:16:09 > 0:16:10She should be queen.

0:16:10 > 0:16:13Why don't you just put me in the closet? Put me in the closet.

0:16:13 > 0:16:15'Lisa turned to me and said,'

0:16:15 > 0:16:18"I'm giving you one of the most important tasks

0:16:18 > 0:16:19"as creative director."

0:16:19 > 0:16:22- And I remember thinking to myself, bull- BLEEP.

0:16:22 > 0:16:24- Bull- BLEEP.

0:16:24 > 0:16:27I think everybody had a role except for me. I was left out of it.

0:16:30 > 0:16:33This is the way it'll go, in very broad strokes.

0:16:33 > 0:16:37It will go, you coming out alone...

0:16:37 > 0:16:40- On a horse.- With maybe some other horses around you.

0:16:40 > 0:16:42Then battle between you two.

0:16:42 > 0:16:45'The creative is essentially melodrama.'

0:16:45 > 0:16:48Two men are fighting for the hand of the same woman.

0:16:48 > 0:16:50Maiden enters.

0:16:50 > 0:16:53Veil over the face. Hair down and all out.

0:16:53 > 0:16:56My eyes look pretty good when they're all made up.

0:16:56 > 0:17:00We got Dee Snider in drag and when the boy sees her up close

0:17:00 > 0:17:02he decides instead to kill himself -

0:17:02 > 0:17:03big and loud and fun.

0:17:03 > 0:17:05I have... Listen to me.

0:17:05 > 0:17:09I have a bike that has a saddle on it that's all white mesh.

0:17:09 > 0:17:14- It's fitting to the tee.- Perfect. - It's fitting to the tee.

0:17:14 > 0:17:16Perfect use of a motorcycle - it's very Medieval Times!

0:17:16 > 0:17:19What I'm trying to do is underline where celebrities are.

0:17:19 > 0:17:23I want every Clay Aiken fan to be thrilled about seeing Clay,

0:17:23 > 0:17:25so we're having him sing.

0:17:25 > 0:17:28I want every Star Trek fan to love seeing George.

0:17:28 > 0:17:33I want every Arsenio fan to love seeing Arsenio.

0:17:33 > 0:17:35- I'm just going to do this. - OK.

0:17:35 > 0:17:37I'm even uncomfortable with this position.

0:17:37 > 0:17:39Arsenio and I will host.

0:17:39 > 0:17:43Arsenio has a kind, generous nature.

0:17:43 > 0:17:45He's very easy to work with.

0:17:45 > 0:17:48It's very easy to look good when you're talking to Arsenio.

0:17:48 > 0:17:51Can we put it on hold and possibly think of something else?

0:17:51 > 0:17:52LAUGHTER

0:17:54 > 0:17:55Hey, how you doing?

0:17:55 > 0:17:57I'm very well. And yourself?

0:17:57 > 0:17:59- Oops.- Nice to meet you. I'm Erin.

0:17:59 > 0:18:01OK, so what do we get to work with?

0:18:01 > 0:18:03You basically have access to this rack here.

0:18:03 > 0:18:05Once we decided on the idea

0:18:05 > 0:18:07we got to go into the costume room

0:18:07 > 0:18:09and there's no girl on Earth that doesn't like to play dress-up.

0:18:09 > 0:18:12- That one's good for Teresa. - Oh, that's great.- This is perfect.

0:18:12 > 0:18:14Patricia and Tia,

0:18:14 > 0:18:17do either one of you feel strongly about which one plays the queen?

0:18:17 > 0:18:21- I don't care. - Then you should have more royal...

0:18:21 > 0:18:25OVERLAPPING CHATTER

0:18:25 > 0:18:27- Patricia... - She needs a cape.

0:18:27 > 0:18:30I need to eat lunch is what I need to do before I pass out.

0:18:30 > 0:18:34I was like, "Are you kidding me? Did we not talk about this?"

0:18:34 > 0:18:36Patricia... OVERLAPPING CHATTER

0:18:36 > 0:18:38You want something that dangles off the horse

0:18:38 > 0:18:41- cos it looks really pretty. - We're going to put this together.

0:18:41 > 0:18:46I'm not here to teach you how to not be an interrupting pain in my ass.

0:18:46 > 0:18:48- God, you- BLEEP- guys, seriously.

0:18:49 > 0:18:51It's like I say a sentence

0:18:51 > 0:18:55and you THEN break into other conversations.

0:18:57 > 0:18:58Don't do it!

0:18:58 > 0:19:00You're asking me if you want me to...

0:19:00 > 0:19:02No, it's not just you! Come on!

0:19:02 > 0:19:04How old are we?!

0:19:05 > 0:19:07'Lisa lost it.'

0:19:07 > 0:19:09It became like a school class - "You stop, you shut up.

0:19:09 > 0:19:12"This is how I manage." I'm sorry, that's not the way to treat people.

0:19:12 > 0:19:15She was running the show like a tyrant will do.

0:19:15 > 0:19:16So can we do this?

0:19:22 > 0:19:26FANFARE

0:19:26 > 0:19:31Remember, Clay, it was just last year in 1042...

0:19:31 > 0:19:33He should have won but he did not win.

0:19:33 > 0:19:36You may remember Ruben Sandwich of Studdard.

0:19:36 > 0:19:39LAUGHTER

0:19:39 > 0:19:42Hello, how are you, sir?

0:19:42 > 0:19:45- Gentlemen.- 'Out of the corner of my eye I say James Lipton.'

0:19:45 > 0:19:47James was great because I love James because I watch him on TV

0:19:47 > 0:19:49all the time. He's like an icon.

0:19:49 > 0:19:52I want to know why I was never invited to The Actors Studio.

0:19:52 > 0:19:53LAUGHTER

0:19:53 > 0:19:56An oversight!

0:19:56 > 0:19:57It was Medieval Times and

0:19:57 > 0:20:02James definitely gives off that sort of Shakespearian vibe.

0:20:02 > 0:20:04- MIMICKING GEORGE:- Oh, I'm going into my George Takei.

0:20:04 > 0:20:08- How's it going?- Really well. We're going to have a joust in the middle.

0:20:08 > 0:20:09Those two are battling each other.

0:20:09 > 0:20:12- He will win the hand of the fair maiden.- Really?

0:20:12 > 0:20:15And we've got a little cross-dressing going on, too,

0:20:15 > 0:20:17so it's going to be exciting.

0:20:17 > 0:20:20They are using a lot of comedy.

0:20:20 > 0:20:24The risk is of being not funny when you want to be funny.

0:20:24 > 0:20:25'We'll see how they do.'

0:20:27 > 0:20:30So then we can just cross it and, like, grr!

0:20:30 > 0:20:33- Go round to the right. And go round to the left.- OK.

0:20:33 > 0:20:36We have Teresa, the table-flipping housewife.

0:20:36 > 0:20:39Keeping in mind that it is the audience that votes

0:20:39 > 0:20:40who is the winner.

0:20:40 > 0:20:43We are giving the people what they want. We're in New Jersey

0:20:43 > 0:20:45and what's bigger than The Real Housewives Of New Jersey?

0:20:45 > 0:20:48It's just going to bring the house down. We're playing to the crowd.

0:20:48 > 0:20:52- I'm pressing charges. - I'm pressing charges!

0:20:52 > 0:20:54Cos that's what she did, she pressed charges.

0:20:54 > 0:20:56Yeah. I'll see you in court.

0:20:56 > 0:20:59I'll see you in court!

0:20:59 > 0:21:00I'll see you in court!

0:21:00 > 0:21:03I'm actually performing with real actresses

0:21:03 > 0:21:06so I really learned a lot and it was an amazing experience.

0:21:06 > 0:21:08What should I say when you're saying that?

0:21:08 > 0:21:10Bring it on, wench!

0:21:10 > 0:21:12Oh, yeah. That's what I'll say.

0:21:12 > 0:21:14Bring it on, wench!

0:21:14 > 0:21:18I had to actually learn lines and it's not something I'm used to.

0:21:18 > 0:21:21Like, on my show it's a reality TV show, you know,

0:21:21 > 0:21:23I don't need to learn lines.

0:21:23 > 0:21:26One of us pulls out, like, a chicken cutlet or something.

0:21:26 > 0:21:27"I knew those weren't real!"

0:21:28 > 0:21:32Or you could dig in and go, "Oh, those are real."

0:21:32 > 0:21:34They're real, right?

0:21:34 > 0:21:36Yeah, they're real. They're real.

0:21:36 > 0:21:39She pulled something off of me, I pull something off her.

0:21:39 > 0:21:41They're implants...

0:21:41 > 0:21:45- "Spotlight on Trump figure," right?- Yeah.

0:21:45 > 0:21:48We're trying to write the beats of the script down and write dialogue

0:21:48 > 0:21:50- and Don Jr shows up. - Hello, ladies.

0:21:50 > 0:21:53Maybe he can answer our question.

0:21:53 > 0:21:56- Oh, yeah.- Is your father going to get offended

0:21:56 > 0:22:00by me impersonating him in a wig?

0:22:00 > 0:22:01No.

0:22:01 > 0:22:05I think the boardroom may get tense but ultimately who wins is

0:22:05 > 0:22:07still determined by the people in the audience.

0:22:07 > 0:22:10- OK.- You win them, even if it is too far, you can't get fired for it.

0:22:10 > 0:22:13- That's true.- Do you want to hear what we're doing?- Let's hear it.

0:22:13 > 0:22:16We're having the housewives compete for Donald's love

0:22:16 > 0:22:18and it's going to be a fight to the end of who wins Donald.

0:22:18 > 0:22:22We have tons of comedy. We're including the elements of Jersey.

0:22:22 > 0:22:25we're playing to a more pop-culture, modern idea

0:22:25 > 0:22:27- but still including the medieval time.- OK.

0:22:27 > 0:22:30'I think the women's concept's actually great. I think to utilise'

0:22:30 > 0:22:32one of the Real Housewives here at Medieval Times in New Jersey

0:22:32 > 0:22:35is sort of a no-brainer. But I think people also show up

0:22:35 > 0:22:38to Medieval Times for some action. If they can combine the right mix

0:22:38 > 0:22:41of the two of those things, they got a pretty good formula going.

0:22:41 > 0:22:45- So, where's Victoria?- At the store, shopping with Dayana. We figure

0:22:45 > 0:22:48they both look like they like to spend money. Get them outta here.

0:22:48 > 0:22:50There's a little tension, perhaps, with Victoria?

0:22:50 > 0:22:55- I assigned actors and performers to play the women in the show.- Yeah.

0:22:55 > 0:22:57Well, PS, the most important job is stage manager,

0:22:57 > 0:22:59and she doesn't get how important that is.

0:22:59 > 0:23:02There was definitely some tension from Lisa with her and Victoria.

0:23:02 > 0:23:05It's always going to be tough to get along with Victoria.

0:23:05 > 0:23:07That's a very strong personality. Lisa got a strong personality.

0:23:07 > 0:23:10It's going to be an interesting clash eventually.

0:23:10 > 0:23:12I have no freakin' patience, so I just go,

0:23:12 > 0:23:14"Shopping, for these broads, is much better."

0:23:16 > 0:23:20We've got three different size swords, and they're real.

0:23:20 > 0:23:22Before we could actually get down to business, we met with

0:23:22 > 0:23:25stunt coordinators that teach you sword fighting for the performance.

0:23:25 > 0:23:27Yah!

0:23:27 > 0:23:29- Yah! - Be careful.

0:23:29 > 0:23:31Pay attention.

0:23:31 > 0:23:34With Lou Ferrigno, what you see is what you get.

0:23:34 > 0:23:36He's the Hulk, former Mr Universe.

0:23:36 > 0:23:42In this task, Lou immediately saw that this is Medieval Times.

0:23:42 > 0:23:45There were gladiators. There were fighters. There were knights.

0:23:45 > 0:23:49They were powerful men. And he exemplifies the powerful man.

0:23:49 > 0:23:51- En garde.- Yah!

0:23:51 > 0:23:53Swing level.

0:23:53 > 0:23:55- He scares me, this- BLEEP- guy.

0:23:55 > 0:23:58I'm going to go after him because, you know, this is a fight.

0:23:58 > 0:24:00And we're two macho men.

0:24:00 > 0:24:01- Yah!- OK,- BLEEP!

0:24:01 > 0:24:05And I want to give a good performance. Like David and Goliath.

0:24:05 > 0:24:08- Do it slow.- That's not slow. What the- BLEEP?

0:24:08 > 0:24:10LAUGHTER

0:24:14 > 0:24:16Wait a minute.

0:24:16 > 0:24:20No, listen to me. I go one, two, three, four. I'm charging.

0:24:20 > 0:24:23And then you can back up three steps.

0:24:23 > 0:24:26There's more involved in this production than just the fight.

0:24:26 > 0:24:30We needed to do other things and Lou wanted to continue practising.

0:24:30 > 0:24:32I think Lou would have practised that damn fight for all day.

0:24:32 > 0:24:34Now step back.

0:24:36 > 0:24:38They get another one in a minute.

0:24:40 > 0:24:42We gotta go now.

0:24:42 > 0:24:46Sometimes it's difficult to pull Lou out of the narrow scope

0:24:46 > 0:24:49that he's looking at and to have him look at the fact

0:24:49 > 0:24:52that everybody else has something that's important going on.

0:24:52 > 0:24:53SWORD CLANGS

0:24:54 > 0:24:58- En garde.- Strike. Up and over to the right.

0:24:58 > 0:24:59Strike.

0:24:59 > 0:25:00Strike to the head. Good.

0:25:00 > 0:25:02Whoa.

0:25:02 > 0:25:05Lisa, Victoria's our director, so maybe she could help you direct us

0:25:05 > 0:25:08and everything with who should be doing what. We'd like to have

0:25:08 > 0:25:12- Victoria come forward.- Really, my strong point is not directing.

0:25:12 > 0:25:16- OK, so, why don't...- I just feel like I won't do you a good service.

0:25:16 > 0:25:18No, we should take direction from you,

0:25:18 > 0:25:20- and you could just... You want to try it?- What you want to do is...

0:25:20 > 0:25:23Listen, if Victoria doesn't think it's her strong point, fine.

0:25:23 > 0:25:26Learn how to fight. You too, Tia, then we'll figure that out later.

0:25:26 > 0:25:28But let's not waste these guys' time, OK?

0:25:28 > 0:25:32For me, you know, I welcome learning new things throughout this process,

0:25:32 > 0:25:35so I would have thought maybe Victoria would have been intrigued

0:25:35 > 0:25:41by having to kind of learn, on the spot, the stage-direction role,

0:25:41 > 0:25:43but she didn't really take to it.

0:25:43 > 0:25:45Strike to your opponent's head.

0:25:45 > 0:25:48- Good.- Victoria has her Louis Vuitton bag while she's fighting.

0:25:48 > 0:25:50- Are you- BLEEP- kidding me?

0:25:53 > 0:25:57Victoria had her Louis Vuitton purse slung around her shoulder.

0:25:57 > 0:25:59Now, I appreciate a messenger bag.

0:25:59 > 0:26:03I wear a messenger bag all the time to cover up my left love handle.

0:26:03 > 0:26:06But if there's any clear indication that you're not in the game,

0:26:06 > 0:26:09it's carrying your purse while you're carrying a sword.

0:26:09 > 0:26:11So I'm like, well, maybe she can help me

0:26:11 > 0:26:14look up stuff or write things or something.

0:26:14 > 0:26:19Do you want to start writing and I'll look up the Shakespearean...

0:26:19 > 0:26:21- Lingo.- ..slang.- Yeah, if Word will come up.

0:26:24 > 0:26:27No, it's not "mid-evil." You've gotta spell it right.

0:26:27 > 0:26:30'I look over and she's typing into one of the computers'

0:26:30 > 0:26:33"mid" M-I-D,

0:26:33 > 0:26:36dash "evil." E-V-I-L.

0:26:36 > 0:26:39It's "medieval."

0:26:39 > 0:26:40Spell it like it on the paper.

0:26:42 > 0:26:44Basically, Victoria's wasting my time.

0:26:44 > 0:26:47She can't even handle a simple task like using a computer.

0:26:47 > 0:26:50The freaking stationery of Medieval Times is sitting right there

0:26:50 > 0:26:53and you can't frickin' copy it. Bitch?

0:27:02 > 0:27:05"This season on The Unreal Housewives Of Camelot,

0:27:05 > 0:27:08"four ladies shall compete for the love of one man,

0:27:08 > 0:27:13"yea, the most powerful man in all the kingdom - Sir Donald of Trump."

0:27:13 > 0:27:16'I pretty much did not sleep last night.'

0:27:16 > 0:27:20I wanted to be a part of this play. I wanted what everybody else got.

0:27:20 > 0:27:24You have eight women, and you have one person that's given

0:27:24 > 0:27:27absolutely nothing - no speaking parts, no roles,

0:27:27 > 0:27:29no tasks, no nothing.

0:27:29 > 0:27:32And I called Lisa this morning and said,

0:27:32 > 0:27:36"You know what? Maybe I should go speak to Mr Trump

0:27:36 > 0:27:41"and ask to play on the men's team. Maybe then I will be acknowledged,

0:27:41 > 0:27:45"won't be invisible, and won't be put in the closet."

0:27:45 > 0:27:49Um, Victoria, you're, like, the most important person today, because if

0:27:49 > 0:27:50we F up our sound and lights...

0:27:50 > 0:27:53Believe me, the guys aren't going to, with Penn in charge.

0:27:53 > 0:27:55- So you're the man today.- OK.

0:27:55 > 0:27:58'Victoria said she was going to walk out and join the men's team'

0:27:58 > 0:27:59cos she was hurt.

0:27:59 > 0:28:02That's still a girl thing, and we're not allowed to be girls in here.

0:28:02 > 0:28:05But I said, "You know what? I got to make this Victoria

0:28:05 > 0:28:07"be gangster in that booth up there with that lighting guy

0:28:07 > 0:28:10"and make it work." Yesterday might have not been a heavy day for you,

0:28:10 > 0:28:13- but today's going to be really heavy.- OK.

0:28:16 > 0:28:18- What's up, brother? - Good to see you, brother.

0:28:18 > 0:28:22- This guy's the Hulk.- How you been? - How you doing, man?- I'm Dee.

0:28:22 > 0:28:24'When we arrived at Medieval Times,'

0:28:24 > 0:28:28we went out to check out Paul Sr's really killer chopper.

0:28:28 > 0:28:30Oh, man.

0:28:30 > 0:28:33- Yeah! - Good lord.

0:28:33 > 0:28:36You only see the back tyre, which is a 300. It's like this big,

0:28:36 > 0:28:39but already you're just like, "Man, this is a cool motorcycle."

0:28:39 > 0:28:42ENGINE STARTS

0:28:42 > 0:28:45The bike had a medieval theme with swords,

0:28:45 > 0:28:49it had axes on it, had chainmail exhaust pipes.

0:28:49 > 0:28:52Even the paint job was done like scales on a dragon.

0:28:52 > 0:28:56It was so perfectly designed for Medieval Times.

0:28:56 > 0:28:59The audience is going to get into this.

0:28:59 > 0:29:00Have a nice day.

0:29:03 > 0:29:05If we're at 8 to 13

0:29:05 > 0:29:08I'll do two with Arsenio.

0:29:08 > 0:29:11If we're lower than eight I'll do... Oh, my goodness.

0:29:11 > 0:29:12Gentlemen.

0:29:12 > 0:29:14Wow.

0:29:14 > 0:29:17- You look perfect. - I am staying in character.

0:29:17 > 0:29:19Good, please.

0:29:19 > 0:29:22- You're going to stay in it all day? - I want to get used to it. The train.

0:29:22 > 0:29:25George loved that costume.

0:29:25 > 0:29:27He wore that costume like a five-year-old

0:29:27 > 0:29:30with a Halloween costume they didn't ever want to take off.

0:29:30 > 0:29:33Oh, we've got two hours.

0:29:33 > 0:29:36The whole idea of a dress rehearsal

0:29:36 > 0:29:39is to be able to handle your costume.

0:29:39 > 0:29:44And so I think we should all be in our costume, and particularly Dee.

0:29:44 > 0:29:49He's riding side-saddle. I hope that that doesn't throw him.

0:29:49 > 0:29:52Should we call you Sir George the rest of the day?

0:29:52 > 0:29:54You may call me that all the time.

0:29:54 > 0:29:56LAUGHTER

0:29:58 > 0:30:00Letteth the games begin!

0:30:02 > 0:30:04Cue smoke.

0:30:04 > 0:30:06Cue light on upper throne.

0:30:06 > 0:30:07Up there.

0:30:07 > 0:30:09We get into the dress rehearsal.

0:30:09 > 0:30:12Victoria took over for a couple run-throughs, and I'm, like,

0:30:12 > 0:30:14pretty confident.

0:30:15 > 0:30:18I mean, I'm never confident in anybody.

0:30:18 > 0:30:20I always think people are going to fall through.

0:30:20 > 0:30:22- Lisa?- Yes.- One question.

0:30:22 > 0:30:25When you move down from that throne up above and you're coming down...

0:30:25 > 0:30:27It's on page...

0:30:27 > 0:30:31- I have it. I think I have it, as you say...- Page three.

0:30:31 > 0:30:33- "Mr Trump..."- Do you see it?

0:30:33 > 0:30:35Is it where Mr Trump walks to the throne, stands on...

0:30:35 > 0:30:38That's out, obviously. Um...

0:30:40 > 0:30:42Do you guys have a current script?

0:30:42 > 0:30:44That's what we're trying to figure out here.

0:30:44 > 0:30:47The page should start, "This damsel has a song in her heart."

0:30:47 > 0:30:49No, we don't have a current script. This is the one...

0:30:49 > 0:30:52We don't have the current script. Where did that one come from?

0:30:53 > 0:30:56Oh, my God. How do you print out the wrong one from the printer?

0:30:56 > 0:30:59I don't get it. 'I don't like mistakes.'

0:30:59 > 0:31:01God forbid those lights don't come on when they're supposed to

0:31:01 > 0:31:03or the trumpets don't sound.

0:31:03 > 0:31:07And I'm thinking I really should be the stage director, but I can't.

0:31:11 > 0:31:14How much time do we got right now in the arena?

0:31:14 > 0:31:20- We have, I believe, 50 minutes. - OK. We should go right now.

0:31:20 > 0:31:22- Well, the guy has to programme the stuff in.- Let me say something.

0:31:22 > 0:31:25I was talking right now, and I wanted to say we should go right now

0:31:25 > 0:31:29and just run with it, guys. Lines, lights, and music without us here.

0:31:29 > 0:31:32OK, what I was saying is we can't do that because they have to programme

0:31:32 > 0:31:33everything right now.

0:31:33 > 0:31:37- They asked us for ten minutes. - Then we won't have time to do that.

0:31:37 > 0:31:41'I consider myself a creative person, and Aubrey and Lisa,'

0:31:41 > 0:31:43they are not giving me a chance to either

0:31:43 > 0:31:47have an opinion, be listened, or do anything else.

0:31:47 > 0:31:51And I keep trying to get involved, but they keep pushing me back.

0:31:51 > 0:31:55So I'm just going to do my thing on my horse and look pretty,

0:31:55 > 0:31:58cos that's all they want me to do, and that'll be it.

0:31:58 > 0:32:01- If- BLEEP- Dayana doesn't stop complaining about every- BLEEP

0:32:01 > 0:32:03- thing... I can't- BLEEP- take her.

0:32:03 > 0:32:05Guess what you're good at.

0:32:05 > 0:32:07Sitting and looking good. That's it.

0:32:11 > 0:32:15Oh! Oh! Oh!

0:32:15 > 0:32:16- Is that great!- God!

0:32:16 > 0:32:20- You're aggressive, you're really aggressive.- Darth Vader.

0:32:21 > 0:32:23I don't like that joke.

0:32:23 > 0:32:26Going into the dress rehearsal, I feel very confident.

0:32:26 > 0:32:28I think the audience is going to like how we look.

0:32:28 > 0:32:31I just can't wait, because I love performing.

0:32:31 > 0:32:34Yeah, check one, two. One, two check.

0:32:34 > 0:32:35- Is this- BLEEP- thing on?

0:32:35 > 0:32:39Dee is used to wearing female clothes, professionally,

0:32:39 > 0:32:40as Twisted Sister.

0:32:40 > 0:32:43But as Lady Dee Dee,

0:32:43 > 0:32:46he actually looked lovely.

0:32:46 > 0:32:47Completely ready, Dee?

0:32:47 > 0:32:50- Completely ready, Penn. - OK, let's go, Michael!

0:32:50 > 0:32:53- Lock and load, rock and roll! - Ready. Go!

0:32:59 > 0:33:02You guys will be up next. The horse comes flying first, though.

0:33:02 > 0:33:06Please welcome the greenest knight of land,

0:33:06 > 0:33:08the good and...

0:33:10 > 0:33:12..incredible...

0:33:12 > 0:33:14Sir Lou of Hulk.

0:33:14 > 0:33:19- George...- Enough of this...- Wait, wait, wait, wait, wait. Wait, wait.

0:33:19 > 0:33:21You understand that that line, "enough of these..."

0:33:21 > 0:33:24I did it there, which I shouldn't. I should have done that here.

0:33:24 > 0:33:27The problem with George not getting his script exactly right

0:33:27 > 0:33:30is that I had written into the script very specific cues

0:33:30 > 0:33:32for the lighting and sound department,

0:33:32 > 0:33:36and they were very reliant on George hitting specific lines.

0:33:36 > 0:33:40And now it is time for the final frontier.

0:33:40 > 0:33:43- Not yet it isn't! It sure isn't. - It is not?- No, it's not.

0:33:43 > 0:33:46- Oh, that's right.- I have a little something I want to do first.

0:33:46 > 0:33:48I jump on your act.

0:33:48 > 0:33:51Yeah. George is not... Yeah.

0:33:51 > 0:33:55- George, you're going to have to follow the script.- I will.

0:33:55 > 0:33:58Even if you have to hold it up, because the lighting...

0:33:58 > 0:33:59It just happened there.

0:33:59 > 0:34:02No, no, no, no. It's happened like four times.

0:34:02 > 0:34:04'I think it was difficult for George to grasp'

0:34:04 > 0:34:08we don't need you to get it perfect right now.

0:34:08 > 0:34:11We need you to hit the marks so everybody else can do something.

0:34:11 > 0:34:14- Are we going again? - We sure are.- Good.

0:34:14 > 0:34:17- Everybody ready right away. - All right, we get the leg over.

0:34:17 > 0:34:20- Fix the cape on the other side, guys.- As soon as George starts

0:34:20 > 0:34:22- talking again, go for it. - And now...- Go, go.

0:34:28 > 0:34:33- At last, at last. And now I'm... - I broke a finger. Aah.

0:34:34 > 0:34:38- You all right?- You OK? - I may have broken a finger.

0:34:38 > 0:34:41# She's broke a nail Oh, how that sucks. #

0:34:41 > 0:34:43No - finger. Finger! Finger!

0:34:43 > 0:34:47- # She broke a finger Damn, that's worse. #- Yep.

0:34:47 > 0:34:50The horse was acting very skittish

0:34:50 > 0:34:52and I lost my balance.

0:34:52 > 0:34:57My finger, as I went down, caught underneath the saddle.

0:34:57 > 0:35:00Is there a first aid? Find him.

0:35:00 > 0:35:02Are we going to get a doctor or something?

0:35:02 > 0:35:04Oh, red shirt right there.

0:35:04 > 0:35:06No, not that one. Ring.

0:35:06 > 0:35:10As I look at my hand, I know my finger's messed up.

0:35:10 > 0:35:13And the EMT's telling me that I need to go to a hospital.

0:35:13 > 0:35:16I don't know what we're going to do cos if I've got to leave,

0:35:16 > 0:35:17we're screwed. It's showtime.

0:35:17 > 0:35:20- Oh,- BLEEP- yeah.

0:35:20 > 0:35:23- You all right, man? - Not really.

0:35:43 > 0:35:46- How's your finger? - Feels... It's numb.

0:35:46 > 0:35:48So I'll go and get it X-rayed.

0:35:48 > 0:35:52'I've never had a broken finger. It was pretty excruciating,'

0:35:52 > 0:35:54but I am not leaving the show.

0:35:54 > 0:35:57I'll worry about it later. I'll go to the hospital later.

0:35:57 > 0:36:00I'm ready to get back in the game, in my dress and tiara.

0:36:00 > 0:36:03I think you look better as a woman than a man.

0:36:03 > 0:36:06If you were on the women's team, you're at least tying a few of them.

0:36:06 > 0:36:09LAUGHTER

0:36:18 > 0:36:20Are we ready? All right. Let's do it.

0:36:27 > 0:36:33My lords, my ladies, welcome to Medieval Times!

0:36:33 > 0:36:35CHEERING

0:36:38 > 0:36:41How you doing? My name is Penn Jillette

0:36:41 > 0:36:44and this is my partner, Arsenio. We are Penn and Arsenio.

0:36:44 > 0:36:48And are you ready to have some fun at Medieval Times, huh?!

0:36:48 > 0:36:50CHEERING

0:36:50 > 0:36:55My partner is used to a silent partner.

0:36:55 > 0:36:58- But he's going to let me ask you this one question.- Tell it! Tell it!

0:36:58 > 0:37:04Art my hounds in the castle here tonight?

0:37:04 > 0:37:05THEY WHOOP

0:37:05 > 0:37:10'This is a cheesy melodrama. 'We stuck with broad comedy.'

0:37:10 > 0:37:13I have children, you know, and a minute and a half is all they want

0:37:13 > 0:37:14to watch of something.

0:37:14 > 0:37:19Light something on fire. Bring out a motorcycle. Now there's horses.

0:37:19 > 0:37:22Big and gross and loud and fast and fun.

0:37:22 > 0:37:24What kind of chapstick do you use?

0:37:24 > 0:37:27I use weapons-grade chap stick.

0:37:27 > 0:37:29LAUGHTER

0:37:29 > 0:37:34- George, take it away! - The good and incredible...

0:37:34 > 0:37:38Sir Lou of Hulk!

0:37:38 > 0:37:40CHEERING

0:37:43 > 0:37:46Even though we struggled throughout the dress rehearsals,

0:37:46 > 0:37:47when we got down to brass tacks,

0:37:47 > 0:37:49George picked up his script and he read from it.

0:37:49 > 0:37:52He said, "I'm going to do it this way so that we don't have

0:37:52 > 0:37:54- "any mess-ups." - His adversary...

0:37:54 > 0:37:59Sir Paul, the Orange County Senior.

0:37:59 > 0:38:02ENGINE ROARS What's that sound?

0:38:02 > 0:38:04What's that sound? That's not a horse!

0:38:09 > 0:38:11That's not a horse!

0:38:15 > 0:38:19Patiently waiting for the battle for her beauteous hand...

0:38:19 > 0:38:21Lady Dee Dee

0:38:21 > 0:38:25of Twisted Godiva.

0:38:25 > 0:38:29Accompanied by her trusty troubadour,

0:38:29 > 0:38:33Clay of Aiken!

0:38:33 > 0:38:35# He-e-e-e-e-e-e-e-y

0:38:35 > 0:38:37# Y-y-y-y-y-yeah, yeah

0:38:37 > 0:38:43# Ye-a-a-a-a-ah! #

0:38:43 > 0:38:47Our show is not supposed to have any real plot.

0:38:47 > 0:38:50We're mostly putting together the fact that it's a celebrity team.

0:38:50 > 0:38:54Whether that is the right choice, I don't know, but I hope that

0:38:54 > 0:38:56if they like us, they'll like us.

0:38:56 > 0:38:58Looks like he's winning! Looks like Lou's winning!

0:38:58 > 0:39:01These are incredible athletes! Look at those guys!

0:39:06 > 0:39:07His sword is down!

0:39:09 > 0:39:12Oh! He threw sand in his eyes! Ah!

0:39:12 > 0:39:16He's cut! He's cut! My guy's cut!

0:39:19 > 0:39:21Sir Lou of Hulk,

0:39:21 > 0:39:23you have won the hand

0:39:23 > 0:39:27of the fairest maiden in all the land.

0:39:31 > 0:39:34'But the old saying, a man has to do what a man has to do.'

0:39:34 > 0:39:38You may now kiss your prize.

0:39:43 > 0:39:45What's happening?!

0:39:45 > 0:39:47- Oh!- Lou has killed himself!

0:39:47 > 0:39:51- He's down! He killed himself! - Oh, my!

0:39:56 > 0:39:58That's Dee Snider from Twisted Sister!

0:39:58 > 0:40:01That's Clay Aiken of American Idol!

0:40:01 > 0:40:04'We took a risk in doing the comedic thing,'

0:40:04 > 0:40:06but I believe and I'm hoping,

0:40:06 > 0:40:08by audience reaction, that it paid off.

0:40:08 > 0:40:12But if we were to lose, I think that that could end up being a problem

0:40:12 > 0:40:16for Penn, because this was very much a Penn Jillette project.

0:40:17 > 0:40:20My name is Penn Jillette! That's Michael Andretti!

0:40:20 > 0:40:23Enjoy the rest of the show! Thank you so much!

0:40:23 > 0:40:26CHEERING

0:40:30 > 0:40:34- OK, everybody get as ready as you can. Get on your horses.- Here we go.

0:40:34 > 0:40:36We were backstage. It was almost showtime.

0:40:36 > 0:40:39And at that point, we were as ready as we were ever going to be.

0:40:41 > 0:40:44All right, guys, you ready? You have your script, right?

0:40:46 > 0:40:48CHEERING

0:40:57 > 0:40:58Lights up.

0:41:04 > 0:41:08While Dayana is led out on a horse, I had to narrate.

0:41:08 > 0:41:11Supposed to wait for the trumpet.

0:41:11 > 0:41:12Big trumpet.

0:41:12 > 0:41:15And I'm waiting for the trumpet.

0:41:19 > 0:41:22And for some reason, like, something's not happening, really.

0:41:22 > 0:41:26So I had to create the trumpet sound in my own head cos it wasn't

0:41:26 > 0:41:28coming from that freakin' sound booth.

0:41:28 > 0:41:30SHE IMITATES FANFARE

0:41:30 > 0:41:32Friends and countrymen,

0:41:32 > 0:41:37I am Sir Donald of Trump, your king!

0:41:37 > 0:41:38CHEERING

0:41:38 > 0:41:42I am here with the most fearsome,

0:41:42 > 0:41:46awe-inspiring creatures on the planet...

0:41:46 > 0:41:51The Unreal Housewives Of Camelot!

0:41:51 > 0:41:54Tonight, one of them shall win

0:41:54 > 0:41:58the most coveted prize on the planet -

0:41:58 > 0:42:02the gift of my love.

0:42:02 > 0:42:06'During the performance itself, I caught a look at Don Jr'

0:42:06 > 0:42:08out of my eye, and he was laughing and having a good time.

0:42:08 > 0:42:11I said, "OK, everything's fine."

0:42:11 > 0:42:13Archduchess Autotune,

0:42:13 > 0:42:17what do you have that could win this competition for my heart?

0:42:17 > 0:42:21# What I do bring is that I sing

0:42:21 > 0:42:24# My voice so fair, it fills the air

0:42:24 > 0:42:28# You have great h-a-a-a-a-air... #

0:42:28 > 0:42:30Silence!

0:42:30 > 0:42:32I can take no more.

0:42:32 > 0:42:36CHEERING

0:42:36 > 0:42:38En garde!

0:42:42 > 0:42:44One thing our team really had going for it is the fact that there are

0:42:44 > 0:42:47a bunch of beautiful women on the team.

0:42:47 > 0:42:48THEY GRUNT

0:42:50 > 0:42:54But I apparently used a little more sex appeal than I intended.

0:42:54 > 0:42:58I may have showed the audience a little more than I wanted to.

0:42:59 > 0:43:00Aah!

0:43:02 > 0:43:04CHEERING

0:43:06 > 0:43:07The show is super corny.

0:43:07 > 0:43:13But Medieval Times audiences love a lot of excitement. They love action.

0:43:13 > 0:43:16They're not going to sit bored when women grab swords and are duelling

0:43:16 > 0:43:20and doing splits and backflips and stuff like that. There's no way.

0:43:20 > 0:43:23Don't call me "honey", honey!

0:43:23 > 0:43:26Is "wench" better? Here we go!

0:43:31 > 0:43:32You sting me!

0:43:39 > 0:43:42I have won the battle. Have I won your heart?

0:43:42 > 0:43:48You have kicked some serious booty. However, you are disqualified.

0:43:48 > 0:43:51- What?! - You're fired!

0:43:51 > 0:43:54- I can't be fired! - You're fired!

0:43:54 > 0:43:57SHE YELLS

0:43:57 > 0:44:00I ended up flipping the table and they loved

0:44:00 > 0:44:02that moment on the Real Housewives Of New Jersey.

0:44:02 > 0:44:06And when I did it I was really, you know, upset and angry,

0:44:06 > 0:44:08and there was, like, a lot of emotions.

0:44:08 > 0:44:11So, you know, I felt like a real actress.

0:44:11 > 0:44:15Alas, I am alone again.

0:44:15 > 0:44:17Wah!

0:44:19 > 0:44:22Oh, no! Jersey!

0:44:22 > 0:44:23All right.

0:44:23 > 0:44:27The character played by Aubrey comes out. It was sort of a spoof

0:44:27 > 0:44:30- on the character from the Jersey Shore.- Oh!

0:44:32 > 0:44:35Bet you guys liked that one, huh?

0:44:35 > 0:44:37It's iconic to have the Housewives,

0:44:37 > 0:44:40iconic to have Jersey Shore references.

0:44:40 > 0:44:42We played to Jersey.

0:44:42 > 0:44:45Donald, you're my knight in shining armour.

0:44:46 > 0:44:49- You're hired! - Yay!

0:44:51 > 0:44:54I'm feeling pretty good about the performance.

0:44:54 > 0:44:56We had a bomb-ass script.

0:44:56 > 0:44:58We had a really cute theme.

0:44:58 > 0:45:02This is going to come down to the overall sentiment of the crowd

0:45:02 > 0:45:04and what theme they liked better.

0:45:04 > 0:45:07They're the ones who have all the say whether we live or die.

0:45:33 > 0:45:37- Hello, Lisa.- Hi.- How did you do? - I think we did really well.

0:45:37 > 0:45:40- The finished product was amazing. - What was the product?

0:45:40 > 0:45:43We did a parody of The Real Housewives, so that was called

0:45:43 > 0:45:47The Unreal Housewives Of Camelot. And we based it upon our own best

0:45:47 > 0:45:49natural resource on our team, little Miss Teresa,

0:45:49 > 0:45:52who is a Real Housewife of New Jersey.

0:45:52 > 0:45:55- That's true. Any nudity? - Absolutely.

0:45:55 > 0:45:59- Who?- Oh, well, come on. Please. Dayana.

0:45:59 > 0:46:02Well, it could be almost anybody on this team.

0:46:02 > 0:46:05Tia wasn't afraid to shake it when she came in on the horse.

0:46:05 > 0:46:08She looked quite good. They all looked fetching, I must say.

0:46:08 > 0:46:11- They really did. They were all gorgeous.- We all showed boobies.

0:46:11 > 0:46:13- Yeah. There were some boobies hanging out.- That sells.

0:46:13 > 0:46:15- It does.- You think you won?

0:46:15 > 0:46:18You know what? I learned last week, never underestimate your opponent.

0:46:18 > 0:46:21Because honestly, who would have thought Paul would have a friend

0:46:21 > 0:46:24with 300 grand? He can't even buy shirt sleeves. So you know what?

0:46:24 > 0:46:26LAUGHTER

0:46:26 > 0:46:29I figure, you know what? You can never say in this business.

0:46:29 > 0:46:32- That's good.- We're confident but not cocky.- OK, good.

0:46:32 > 0:46:36Victoria, what did you think of Lisa as project manager?

0:46:36 > 0:46:41I think she was on... She's strict.

0:46:41 > 0:46:43She is strict. She is strict.

0:46:43 > 0:46:47- And, um, you know... - Was she a good leader?

0:46:48 > 0:46:51- Yeah. - Did you agree with her ideas?

0:46:51 > 0:46:53Well, it was different because I had different roles...

0:46:53 > 0:46:56- Doesn't sound like a great endorsement.- I know!- No, no, no, no,

0:46:56 > 0:46:59no, no. No, no, not at all. Not at all.

0:46:59 > 0:47:03Um, I had a different role, so it didn't really matter at that point,

0:47:03 > 0:47:06but everybody else seemed to, and she was, you know...

0:47:06 > 0:47:10They all got great vibes from her and it worked. It all gelled.

0:47:10 > 0:47:13Now, there was some tension between you and Lisa early on, Victoria.

0:47:13 > 0:47:16Can you talk a little bit about that and what happened?

0:47:16 > 0:47:18Um...

0:47:22 > 0:47:25Where should we start? Where should we start?

0:47:25 > 0:47:28Well, um, in the beginning of day one, it's rushed,

0:47:28 > 0:47:32it's crazy, and the first thing I did was pick out which women

0:47:32 > 0:47:34should play roles, acting roles.

0:47:34 > 0:47:37And we'd be crazy not to put into the acting roles people who have

0:47:37 > 0:47:39acted and who are serious performers.

0:47:39 > 0:47:44We needed a singer, so that's Debbie. We picked actresses. That's fine.

0:47:44 > 0:47:48And I think Victoria felt pushed aside, even though I literally...

0:47:48 > 0:47:49By Lisa?

0:47:49 > 0:47:52- I literally had chosen her to be stage manager.- Victoria, by Lisa?

0:47:52 > 0:47:56I felt that, like, everybody had a costume and a position

0:47:56 > 0:48:00in that play and out on that stage, and I did not have anything,

0:48:00 > 0:48:02any task, anything to do.

0:48:02 > 0:48:05And I was really hurt. I was disappointed

0:48:05 > 0:48:10cos I felt it wasn't setting a good precedent or atmosphere

0:48:10 > 0:48:11for the other girls.

0:48:11 > 0:48:14I almost felt like it was saying that, you know, I didn't matter.

0:48:14 > 0:48:16So you're not one 100% happy.

0:48:16 > 0:48:19- That's why you gave me the answer you gave me before.- No. Uh, no.

0:48:19 > 0:48:22I think she did a fabulous job. Not at all.

0:48:22 > 0:48:27- We had our, you know...but we're square and...- OK. Fine.

0:48:27 > 0:48:31- So, Teresa, you played a housewife.- Mm-hm.

0:48:31 > 0:48:35Very appropriate, especially in New Jersey. So, how did that work out?

0:48:35 > 0:48:37Um, you know what?

0:48:37 > 0:48:41It was a challenge for me, because I had to play parts that on my show

0:48:41 > 0:48:45when I, you know, what actually happened had, you know,

0:48:45 > 0:48:48a lot of feelings behind it. I was angry. I was upset.

0:48:48 > 0:48:51So, I had to remember those emotions and act on them.

0:48:51 > 0:48:55- Aubrey, how did she do?- She's great. - You like her?- Yes, I love her.

0:48:55 > 0:48:58- She's different than I watched on television.- Mm-hm.

0:48:58 > 0:49:01I see her on the show, and it looks like the real deal, but so far,

0:49:01 > 0:49:04- you're different. - I only attack when I'm attacked.

0:49:04 > 0:49:09- And you do attack when you're attacked.- Yes.- You certainly do.

0:49:10 > 0:49:12- May I say something?- Yes. Go ahead.

0:49:12 > 0:49:15When I was asked to do this, I was very pleased,

0:49:15 > 0:49:18especially when I heard the theme. I was extremely pleased,

0:49:18 > 0:49:21and also because I have considerable affection for Donald.

0:49:21 > 0:49:24But I always thought when I watched the show that this is a kind of

0:49:24 > 0:49:28a playful gig, a show. You know, what you do in your off time

0:49:28 > 0:49:30and that it was a casual - it isn't.

0:49:30 > 0:49:33- No!- There is nothing casual about it.

0:49:33 > 0:49:36And what impressed me most was the conscientiousness,

0:49:36 > 0:49:39the sincerity, and the fervour of all of you. I didn't expect that.

0:49:39 > 0:49:43It was a total surprise. And I must say it made me respect this show

0:49:43 > 0:49:46and it made me respect all of you people. Hats off to all of you.

0:49:46 > 0:49:48- VARIOUS:- Thank you!

0:49:48 > 0:49:51And by the way, I really think that's a great comment, and it's

0:49:51 > 0:49:54appropriate, and I think you've done an amazing job.

0:49:54 > 0:49:56- Thank you.- Thank you.- OK.

0:49:56 > 0:49:59- Dee, are you OK? - Sort of. Yeah.

0:49:59 > 0:50:02- I know you hurt your finger pretty badly.- Yeah.- How is it?

0:50:02 > 0:50:07- Um, it's severely fractured. - It is severely fractured.

0:50:07 > 0:50:10- That's what I heard.- I need to get a pin put in probably on Monday.- Wow.

0:50:10 > 0:50:13- You didn't count on that, huh? - No, I didn't.

0:50:13 > 0:50:16And then if you get fired tonight, that would be even worse.

0:50:16 > 0:50:19Keep that in mind when you're considering that.

0:50:19 > 0:50:21"We got good news and bad news, Dee.

0:50:21 > 0:50:23"Surgery won't be a problem cos you won't be here."

0:50:23 > 0:50:26No, that's called bad news and bad news. So, how is it?

0:50:26 > 0:50:28Was it very painful when it happened?

0:50:28 > 0:50:30Uh, it was pretty surreal when it happened.

0:50:30 > 0:50:32When I came off the horse I looked

0:50:32 > 0:50:37- and my finger was at a 45-degree angle.- Really?- Yeah.

0:50:37 > 0:50:40- So, uh... Did you see this happen, Paul?- No.

0:50:40 > 0:50:43- Did anybody see it happen? - I did.- What did you think, George?

0:50:43 > 0:50:47I was on the platform when Lady Dee Dee came out on her horse,

0:50:47 > 0:50:50- and then suddenly...- Oh.

0:50:50 > 0:50:54..the horse reared and Dee slipped.

0:50:54 > 0:50:56- Was it the horse's fault, would you say?- No, no, no.

0:50:56 > 0:50:59The horse heard something it wasn't familiar with.

0:50:59 > 0:51:02- It was a tambourine.- Oh. Who did that? Who was with the tambourine?

0:51:02 > 0:51:06- That was me. That was me.- He may have to sue you.- The inside job!

0:51:06 > 0:51:10- He may have to sue you.- I bought the tambourine! So I did myself in.

0:51:10 > 0:51:12Of course.

0:51:12 > 0:51:15- So, the horse got spooked. - It got spooked. And they taped it.

0:51:15 > 0:51:18- So, did you perform even though you had a broken finger?- Yeah.- Wow.

0:51:18 > 0:51:20- They just taped it. - That's pretty good.

0:51:20 > 0:51:22- So, that shows courage, Paul, right?- Absolutely.

0:51:22 > 0:51:24So, he had a broken finger, pretty badly.

0:51:24 > 0:51:28- It's fractured, actually, right? - Yeah, it snapped at the base.- Wow.

0:51:28 > 0:51:31- So, they think I may need a pin. - Wow.- Well, I hope you don't.

0:51:31 > 0:51:34Don't listen to the doctor. Just let it heal. All right.

0:51:34 > 0:51:37Paul, how did you like Penn as the project manager?

0:51:40 > 0:51:44- Phenomenal.- Whoa, that's a big statement. Michael?- I totally agree.

0:51:44 > 0:51:46- Why? Why, Michael? - He was a leader.

0:51:46 > 0:51:49I mean, he had control from the moment he took...

0:51:49 > 0:51:50People are respecting this man.

0:51:50 > 0:51:53- They're all respecting him. - He's a great guy.

0:51:53 > 0:51:55He's going to drop his partner pretty soon.

0:51:55 > 0:51:58- You know, he's going to say, like, uh...- It's already been announced in

0:51:58 > 0:52:01- the Vegas papers that we've split up.- No, no, I can see it.

0:52:01 > 0:52:03Lou, what did you think of Penn?

0:52:03 > 0:52:05- What did you think of your project manager?- Excellent.

0:52:05 > 0:52:09Very informative, a good leader. And we gave 110%, whatever he said.

0:52:09 > 0:52:13- And the guy was great.- Who is your star, Lou? Who do you think...

0:52:13 > 0:52:17You have a group of eight great guys, including yourself.

0:52:17 > 0:52:20- Who is your star? - I would say the team was the star.

0:52:20 > 0:52:22Was there any one person that was fabulous?

0:52:22 > 0:52:25- It's hard to say, because... - Really the project manager..

0:52:25 > 0:52:29- He's a renaissance man with so many talents.- Yeah.

0:52:29 > 0:52:32A take-charge guy with great ideas.

0:52:32 > 0:52:34And still, he's humble.

0:52:34 > 0:52:38- Hey, hey, hey, now, wait a minute. Humble?- Humble. Yes.

0:52:38 > 0:52:42- Do you think you're humble?- Uh, I have plenty to be humble about.

0:52:42 > 0:52:45- Did you enjoy being project manager? - Uh, yeah.- Not easy, though, right?

0:52:45 > 0:52:49No, it's not particularly easy, although this is a group that needs

0:52:49 > 0:52:52no strong control.

0:52:52 > 0:52:56You pretty much say something once, and it is done.

0:52:56 > 0:52:58- That'll change. You know that.- OK.

0:52:58 > 0:53:02As you get to know each other and as you start to lose, that will change.

0:53:02 > 0:53:05I can't see the future, but so far it's great.

0:53:05 > 0:53:08All right, well, we'll see what happens. Now, let me ask you this.

0:53:08 > 0:53:11If you lose, who are you going to bring back?

0:53:14 > 0:53:18- I think I respect you enough not to dodge that question.- Go ahead.

0:53:18 > 0:53:22I'll say very quickly that no-one should come back. Everyone was great.

0:53:22 > 0:53:24So you think if you lose you're just going to bring yourself back?

0:53:24 > 0:53:26I do not think so. I'll play by the rules.

0:53:26 > 0:53:28- Cos that would mean you'd get fired.- Yeah, I know.

0:53:28 > 0:53:31- And you don't want to do that. - I'm not going to do that. No.

0:53:31 > 0:53:33OK. So, who would you bring back?

0:53:35 > 0:53:37Uh...

0:53:40 > 0:53:44- ..that would be Mr Ferrigno and Mr Takei.- Ooh. Whoa.

0:53:46 > 0:53:48Lou and George.

0:53:48 > 0:53:50- Yes.- I see. And why is that?

0:53:50 > 0:53:54Because they are such phenomenal actors and such good stars,

0:53:54 > 0:53:57and I'm not sure that every challenge we do will use those features,

0:53:57 > 0:54:00and other people seem to be, uh...

0:54:00 > 0:54:03have talents that I don't know about yet and may be more versatile.

0:54:03 > 0:54:06Lou, what do you think of what Penn said?

0:54:06 > 0:54:08I was a little bit surprised with your name and George's name,

0:54:08 > 0:54:10to be honest. What do you think?

0:54:10 > 0:54:12I think it was unfair he underestimated me

0:54:12 > 0:54:15- because I feel I gave 110%. - He certainly did.

0:54:15 > 0:54:17Wait a minute. And I feel that...

0:54:17 > 0:54:19You see, I came from nothing.

0:54:19 > 0:54:22I killed myself my whole life. There's nothing I can't do.

0:54:22 > 0:54:23And I give 110%.

0:54:23 > 0:54:28- I feel it's an insult to all of us. - It is. It is. I'm sorry about that.

0:54:28 > 0:54:30You can say whatever you want.

0:54:30 > 0:54:34- I will.- You play a power trip on me and everyone. It's a power trip.

0:54:34 > 0:54:37Penn has the impression because we're actors, George and I,

0:54:37 > 0:54:40he doesn't realise that we have better work ethic, and I could

0:54:40 > 0:54:43work twice as hard as he did. But he's wrong when he said

0:54:43 > 0:54:46basically he's favouring the other people because he feels that

0:54:46 > 0:54:48the fact that we don't know enough about business.

0:54:48 > 0:54:51But one thing about myself I learned as I go along, I give 110%

0:54:51 > 0:54:55- as a team effort, and I think you're wrong.- I am.- Yeah.

0:54:55 > 0:54:57- I am wrong.- Yeah.

0:54:57 > 0:54:59It's an impossible choice to make,

0:54:59 > 0:55:02- and I had to make it, and I did say...- So will you take that back?

0:55:02 > 0:55:05I would... I cannot take it back.

0:55:05 > 0:55:08So you wouldn't take it back, so therefore you're not wrong.

0:55:08 > 0:55:11- So you shouldn't say you're wrong. - I, I, I...- Ha!

0:55:11 > 0:55:14He's saying, "I gave up millions of dollars to be abused like this."

0:55:14 > 0:55:16I'm not being abused at all.

0:55:16 > 0:55:17Ha! Clay?

0:55:17 > 0:55:23What he said breaks my heart and he did a perfect job and he...

0:55:23 > 0:55:25I still don't understand. Why did you bring him back?

0:55:25 > 0:55:28Because you ask me who I would bring back if I had to.

0:55:28 > 0:55:29I didn't think I was going to have to.

0:55:29 > 0:55:32I think we have a very good chance of winning this.

0:55:32 > 0:55:36And if we win, I'm sure Lou will be a complete team player.

0:55:36 > 0:55:40- I'm sure he will completely forgive me.- Lou, are you upset with him?

0:55:40 > 0:55:43- Yeah.- Why?- Because he's not giving me a chance and giving George and I

0:55:43 > 0:55:45a chance because he's wrong, because he feels

0:55:45 > 0:55:48that, as actors, like, we're inferior.

0:55:48 > 0:55:49He's a fabulous actor and a fabulous star

0:55:49 > 0:55:52and I enjoyed every moment of it.

0:55:52 > 0:55:54The Incredible Hunk!

0:55:54 > 0:55:56Did you just say "The Incredible Hunk"?

0:55:56 > 0:55:57Yeah, yeah!

0:55:57 > 0:55:58Cos I heard that...

0:55:58 > 0:56:01No, I said, "The Incredible Hulk", all right? Hulk!

0:56:01 > 0:56:03I think you had a Freudian slip there.

0:56:03 > 0:56:05No, but that was such a huge show.

0:56:05 > 0:56:07But there is something beyond the body.

0:56:07 > 0:56:09It had to do with the science, it had to do with the psychology.

0:56:09 > 0:56:12And the truth, that's why I'm sorry for saying this, because I'm honest.

0:56:12 > 0:56:15- I know.- I'll say it right to your face. I'm not one of those guys

0:56:15 > 0:56:18- BLEEP- around pretending everything's all right.- I know.

0:56:18 > 0:56:20You're wrong because, for me, I work twice as hard as you do.

0:56:20 > 0:56:24Lou, you can beat the crap out of him if you want. Are you concerned that he's a big guy?

0:56:24 > 0:56:27- No.- Not too much, right? - I'm not a big guy.

0:56:27 > 0:56:30I'm also a coward, so that makes it a little easier.

0:56:30 > 0:56:32Yeah, but I just thought Lou's response was very strong.

0:56:34 > 0:56:39So, tell me, George, what did you think of what Penn said about you?

0:56:39 > 0:56:41- He picked you and Lou. - My sense is different from Lou's.

0:56:41 > 0:56:46- Go ahead.- I, my admiration and respect for Penn

0:56:46 > 0:56:48just grows and grows.

0:56:48 > 0:56:52First of all, he's got a painfully difficult decision to make.

0:56:52 > 0:56:54I agree. Do you think your team won?

0:56:54 > 0:56:57- I am absolutely confident... - Cos then it doesn't matter.

0:56:57 > 0:56:59..this is a hypothetical question you're asking.

0:56:59 > 0:57:01I thought he did as good a job...

0:57:01 > 0:57:03Look, I'm demanding that he give me two.

0:57:03 > 0:57:06So it's not like, "Oh, I'm not going to name them now, Mr Trump",

0:57:06 > 0:57:09because then he probably gets fired, right? So I'm demanding.

0:57:09 > 0:57:11I thought he did as nice a job, Lou, in all fairness,

0:57:11 > 0:57:13as you possibly can do.

0:57:13 > 0:57:17Me, I underlined that neither of them did anything wrong

0:57:17 > 0:57:19and there were no mistakes whatsoever.

0:57:19 > 0:57:21And it was a difficult hypothetical.

0:57:21 > 0:57:24And I do think we'll win, and I hope,

0:57:24 > 0:57:28if and when we win, that they'll be able to forgive me and move on.

0:57:29 > 0:57:36OK. So, Arsenio, if you were me and your team loses, who would you fire?

0:57:36 > 0:57:39- I don't think we're going to lose. - That's OK.

0:57:39 > 0:57:42But if we lose, fire the guy that created it and ran the whole show.

0:57:42 > 0:57:44So you fire the project manager.

0:57:44 > 0:57:47- Yeah, fire Spielberg with the ponytail over there. - LAUGHTER

0:57:47 > 0:57:50- How about we will fire the guy that fell off the horse?- No!

0:57:50 > 0:57:53Fire the guy with the tambourine!

0:57:53 > 0:57:54LAUGHTER

0:57:56 > 0:57:58I just love firing Dee because, look,

0:57:58 > 0:58:01he broke his finger badly and then we fire him.

0:58:01 > 0:58:02It's just a horrible night, right?

0:58:02 > 0:58:05You know, just, it's life. Like that.

0:58:07 > 0:58:13So, Lisa, if your team loses, tell me, who are you going to bring back?

0:58:14 > 0:58:17This is hard, as it always is.

0:58:17 > 0:58:21I'm a little bit on the fence about a couple of people.

0:58:21 > 0:58:24Um, the one definitely going back is Victoria

0:58:24 > 0:58:26because she let her emotions get in the way.

0:58:26 > 0:58:30- She didn't wait for her assignment, which...- Second time in a row.

0:58:30 > 0:58:33Well, it was... To me, I run shows.

0:58:33 > 0:58:35The most important job is stage director.

0:58:35 > 0:58:38So I thought it would be great to grab the toughest

0:58:38 > 0:58:40woman on the team, who could give orders...

0:58:40 > 0:58:42And you think the toughest woman is who?

0:58:42 > 0:58:45- Victoria.- And you still believe she's the toughest woman?

0:58:45 > 0:58:47- Um...- What about Teresa? I've seen her. She's pretty tough.

0:58:47 > 0:58:51Teresa was already in the show. She couldn't be the stage manager.

0:58:51 > 0:58:52Were you happy with Teresa?

0:58:52 > 0:58:54Oh, my God. I loved it. She was phenomenal.

0:58:54 > 0:58:58You're doing very well, Teresa. I'm telling you, your career is over.

0:58:58 > 0:59:05Yeah, so, because of various things, discipline and threats to quit the team etc...

0:59:05 > 0:59:08- OK.- ..I'd bring back Victoria. - Did Victoria threaten the team?

0:59:08 > 0:59:11She didn't threaten the team, she threatened to quit the team.

0:59:11 > 0:59:12And I thought that was inappropriate.

0:59:12 > 0:59:15I asked her to be stage manager and her initial response was,

0:59:15 > 0:59:17"I don't do that well."

0:59:17 > 0:59:20- That's not true.- Were there other people that saw that?

0:59:20 > 0:59:24- Yes, a whole table full of people. - Who's telling the truth?

0:59:24 > 0:59:26Aubrey, you nodded, so...

0:59:26 > 0:59:28Victoria did say that she didn't want to be director.

0:59:28 > 0:59:31And she didn't feel that was where she was best placed.

0:59:31 > 0:59:33I said, "I don't know what to do, if you'll tell me.

0:59:33 > 0:59:35- You look very good tonight, Aubrey. - Thank you.- I have to say.

0:59:35 > 0:59:37Do you mind if I say it here? Is that sexist?

0:59:37 > 0:59:39I finally get a "pretty girl" comment?

0:59:39 > 0:59:40- Yes!- Penn, is that sexist?

0:59:40 > 0:59:43I think, by definition, yes, but not necessarily wrong.

0:59:43 > 0:59:45All right, well, OK.

0:59:45 > 0:59:50So, Lisa, you're not a big fan of Victoria and the job she did, right?

0:59:50 > 0:59:53As far as Victoria is concerned, the fact is,

0:59:53 > 0:59:55I saved the toughest job for her and

0:59:55 > 0:59:59yet she emotionally felt left out, and it's not my job to babysit you.

0:59:59 > 1:00:03It's not my job to be coddling you. I like you as a person.

1:00:03 > 1:00:05We'll hang out after we all leave this place,

1:00:05 > 1:00:07but don't expect me to be your mother.

1:00:07 > 1:00:10Whoa! Tough statement.

1:00:11 > 1:00:16That was very tough. So you say Victoria. Who else?

1:00:16 > 1:00:21- I felt, um, with Dayana, she didn't seem to have...- Dayana?!

1:00:21 > 1:00:23- ..she, as a team player... - Whoa! Dayana?!

1:00:23 > 1:00:26..she didn't seem to have the skill set that it required to do

1:00:26 > 1:00:30- anything in additional to shopping and general tasks.- Whoa!

1:00:30 > 1:00:34It's really funny, because I kept trying to give opinions

1:00:34 > 1:00:38and nobody ever heard me, and I tried to keep my hands

1:00:38 > 1:00:41as busy as possible, but she never allowed me to.

1:00:41 > 1:00:44I was just told to be pretty on a horse.

1:00:46 > 1:00:49- Can I say something?- Go ahead.

1:00:49 > 1:00:51I wanted to say before, you know, you announce,

1:00:51 > 1:00:56and I think, if the other girls can give their opinion also, it was very

1:00:56 > 1:01:01clear for us that, if we were to lose, it was because of the concept.

1:01:01 > 1:01:04- And most of the people... - And who came up with the concept?

1:01:04 > 1:01:06- Two people came with the concept. - Who?

1:01:06 > 1:01:08The project manager and it was Aubrey.

1:01:08 > 1:01:11Oh, Aubrey, you're going to get fired tonight.

1:01:11 > 1:01:15- That's absolutely not true. - I came up with the concept.- You did?

1:01:15 > 1:01:17And if that is the problem with the performance...

1:01:17 > 1:01:21- But, bigger than that, everyone agreed with her.- Excuse me.

1:01:21 > 1:01:24- The second I mentioned the concept...- Fangs coming out!

1:01:24 > 1:01:28..there was a unanimous, "Oh, my God, that's great, using our natural resource of Teresa."

1:01:28 > 1:01:30She loved the idea.

1:01:30 > 1:01:31We never did. We never did.

1:01:31 > 1:01:35When I got there that day, first of all, we had no say in that concept.

1:01:35 > 1:01:38There were only two leaders. And I don't need a mother, by the way.

1:01:38 > 1:01:40I don't need mothering from, certainly not you.

1:01:40 > 1:01:42You did this week.

1:01:43 > 1:01:47Mr Trump, she had a few meltdowns. It was a big nightmare.

1:01:47 > 1:01:51- I did not care...- Meltdown is threatening to quit the team.

1:01:51 > 1:01:53Quitting the team, I said, "Perhaps, I have no task here.

1:01:53 > 1:01:56"I don't belong here. Perhaps I should go play for the men."

1:01:56 > 1:01:59- That's what I said, Lisa, and you know that.- Here's the thing.

1:01:59 > 1:02:02The theme of what's happening here is kind of what's happened in this task.

1:02:02 > 1:02:06If you notice, there's five of us not saying much.

1:02:06 > 1:02:09- What did happen was... - Just one second. One more thing.

1:02:09 > 1:02:12The creative director, by the way, in the end, was not me, Mr Trump.

1:02:12 > 1:02:13It was given to Aubrey, OK?

1:02:13 > 1:02:15It wasn't creative, it was stage.

1:02:15 > 1:02:17It was given to Aubrey, and when I went back there...

1:02:17 > 1:02:19Aubrey, are you two holding hands?

1:02:19 > 1:02:21- Yeah.- Why?

1:02:21 > 1:02:23Because I think, of the two reality stars of this group,

1:02:23 > 1:02:26we are saying the least. I think it's just so catty.

1:02:26 > 1:02:29I hate all the, "Oh, I love you, girl, you're so great."

1:02:29 > 1:02:32Then in the boardroom it's, "She, she, she," and "That, that, that."

1:02:32 > 1:02:34You know I've seen that happen before.

1:02:34 > 1:02:36It's business. You cannot take it emotionally.

1:02:36 > 1:02:38It is business. You always say that it's not personal.

1:02:38 > 1:02:40Here's the tricky part.

1:02:40 > 1:02:42Teresa, you've seen this before, right?

1:02:42 > 1:02:45- Yeah, we've seen it a lot.- Gets worse and worse. Here's the thing.

1:02:45 > 1:02:47- You may have won.- Yeah, this is true. Because we should have.

1:02:47 > 1:02:50Now, the audience was amazing

1:02:50 > 1:02:52and much, much larger than we thought.

1:02:52 > 1:02:57Now, James, how did the men do, and what did you think of the team?

1:02:57 > 1:02:59I thought the men did very well.

1:02:59 > 1:03:01I went home last night and I did what I do for a living -

1:03:01 > 1:03:06- I made some blue cards, and, erm, and I wrote...- That's a lot of notes.

1:03:06 > 1:03:09We could be here for long. No, that's OK.

1:03:09 > 1:03:11What are some of your thoughts, James?

1:03:11 > 1:03:15I thought that the men's show had enormous energy

1:03:15 > 1:03:19and it started with Penn and with Arsenio.

1:03:19 > 1:03:21From the moment they came out, bang, there was

1:03:21 > 1:03:26this energy that was really palpable and I admired that enormously.

1:03:26 > 1:03:31I thought that the men's team played to their strengths and skills.

1:03:31 > 1:03:33Penn ate fire, he juggled, he drove the action.

1:03:33 > 1:03:35Arsenio fed constant comments.

1:03:35 > 1:03:37Clay sang very well.

1:03:37 > 1:03:40George used his classical training beautifully.

1:03:40 > 1:03:44Lou used his physicality very well and then, at the end,

1:03:44 > 1:03:47Penn did something that impressed me very much.

1:03:47 > 1:03:49As you all passed and left the arena,

1:03:49 > 1:03:53Penn identified every one of his cast to that audience,

1:03:53 > 1:03:57who didn't necessarily know everything that was going on.

1:03:57 > 1:04:01I liked that very much and that impressed me. Didn't surprise me.

1:04:01 > 1:04:03- Thank you.- And that, I think, is very important.

1:04:03 > 1:04:07I enjoyed that. I thought that was great.

1:04:07 > 1:04:09OK, so, James, what were the audience comments?

1:04:09 > 1:04:12Audience comments, erm, "Funny and all-round entertaining.

1:04:12 > 1:04:13"The men did a great job casting."

1:04:13 > 1:04:15I agree.

1:04:15 > 1:04:16"The men had great energy

1:04:16 > 1:04:18"and did a great job getting the crowd involved."

1:04:18 > 1:04:20- I couldn't agree more.- OK.

1:04:20 > 1:04:25That's very good. So, how many votes did the men get?

1:04:25 > 1:04:27Well, Donald...

1:04:27 > 1:04:29ladies and gentlemen...

1:04:29 > 1:04:33the men's team received 558 votes.

1:04:35 > 1:04:37That's very good. Good job, fellas.

1:04:37 > 1:04:38Thank you.

1:04:38 > 1:04:40Don, the women's team?

1:04:40 > 1:04:42Well, some of the audience comments...

1:04:42 > 1:04:45primarily, they loved incorporating the New Jersey Housewives.

1:04:45 > 1:04:47They really thought that was incredible.

1:04:47 > 1:04:49They loved seeing Teresa flip the table.

1:04:49 > 1:04:52Actually, one person said that actually made her life complete.

1:04:52 > 1:04:53LAUGHTER

1:04:53 > 1:04:55It's a pretty bold statement.

1:04:55 > 1:04:57- They really liked... - Did you do that, Teresa?

1:04:57 > 1:04:59- Yeah.- You flipped a table?

1:04:59 > 1:05:02- Oh, yeah.- That's very cute. That's cute. I want to see this. Go ahead.

1:05:02 > 1:05:04And the girls looked hot,

1:05:04 > 1:05:07which was very much in the direction that you were channelled.

1:05:07 > 1:05:09I think that's pretty good.

1:05:10 > 1:05:13OK, so it's the moment of truth.

1:05:13 > 1:05:17Don, tell me, how did the women's team do in terms of the votes?

1:05:20 > 1:05:21All in all...

1:05:23 > 1:05:26..they got 363 votes from the audience.

1:05:26 > 1:05:27Which means the men's team wins.

1:05:27 > 1:05:30- Thank you, Mr Trump. - You win 20,000.

1:05:30 > 1:05:33Plus...plus...

1:05:34 > 1:05:38..as you know, Medieval Times is going to match that with another 20.

1:05:38 > 1:05:42- So you win 40,000 for your charity. - Congratulations, man.

1:05:42 > 1:05:43What is your charity?

1:05:43 > 1:05:46My charity is called Opportunity Village.

1:05:46 > 1:05:49And it helps people with intellectual disabilities

1:05:49 > 1:05:50to enter the workforce.

1:05:50 > 1:05:53People with IQs maybe 70 to 90

1:05:53 > 1:05:56and all they want to do is be part of society

1:05:56 > 1:05:58and not be warehoused and not be forgotten.

1:05:58 > 1:06:00OK, great. Fantastic.

1:06:00 > 1:06:02- Again, congratulations, men's team. - Thank you.- Great job.

1:06:02 > 1:06:05OK, go back to your suite. Enjoy it.

1:06:05 > 1:06:08Have a good time. Turn on your television.

1:06:08 > 1:06:10You can watch what happens with the women.

1:06:10 > 1:06:15- Have fun.- Congratulations. Great job. Lou, congratulations.

1:06:15 > 1:06:18- Thank you. Very nice meeting you. - You did a great job.- Thank you.

1:06:18 > 1:06:21- All of you did a great job. - I'm very sorry. I'm very sorry.

1:06:22 > 1:06:26- Survived again. Still winning. - Women, stay here.

1:06:26 > 1:06:28Sadly, one of you will be fired.

1:06:32 > 1:06:35I wasn't sure whether Lou was acting.

1:06:35 > 1:06:37- He was serious. He was serious. - He's honest. Lou...

1:06:37 > 1:06:39- What's the problem? - No, no, no, no, no.

1:06:39 > 1:06:41You know, I got to say something to all of you.

1:06:41 > 1:06:43- We're a team here.- We are.

1:06:43 > 1:06:45I was insulted that you mentioned my name.

1:06:45 > 1:06:47I worked twice as hard as you. I can work three times as hard as you.

1:06:47 > 1:06:50OK, but the point is respect everyone.

1:06:50 > 1:06:52- I'm a fighter. You underestimate me. - You are.

1:06:52 > 1:06:54- I'll fight to the- BLEEP- death. - Absolutely.

1:06:54 > 1:06:56Having to have a winning team and to do a good show

1:06:56 > 1:06:59and then to have to name two people on that winning team

1:06:59 > 1:07:01is completely heartbreaking.

1:07:01 > 1:07:04I don't appreciate in the future that anybody does that again

1:07:04 > 1:07:05because this is about a team.

1:07:05 > 1:07:08- It's negativity. Got to be positive. - Lou, I just want to say something.

1:07:08 > 1:07:11- I'm just saying how I feel. - Yes, and we respect that.

1:07:11 > 1:07:15But we think that Penn handled it in a gentlemanly and kind way.

1:07:15 > 1:07:19And if he had gone to me, I would have reacted like George did.

1:07:19 > 1:07:22Lou did not deserve to be treated that way.

1:07:22 > 1:07:24And George did not deserve to be treated that way.

1:07:24 > 1:07:28I was playing by the rules, and I did what I thought was best,

1:07:28 > 1:07:29and I have no idea if it was correct.

1:07:29 > 1:07:32- I'm so sorry. And I do respect you. - Right, no problem.

1:07:32 > 1:07:35- Please, please, try to forgive me. - OK. All right.

1:07:35 > 1:07:36Can you forgive me?

1:07:37 > 1:07:40- Yeah.- Thank you. - Hey, guys, let's watch the women.

1:07:43 > 1:07:45Lisa, what happened?

1:07:46 > 1:07:47I don't know.

1:07:47 > 1:07:50I'm just glad to hear we didn't lose because of the concept of the show.

1:07:50 > 1:07:52- Are you surprised?- Um, no.

1:07:52 > 1:07:54It could have gone either way, 50-50.

1:07:54 > 1:07:56And it's unfortunate the way it turned out.

1:07:58 > 1:08:00Don, why do you think they lost?

1:08:00 > 1:08:02Well, I think it was a little bit too one-sided.

1:08:02 > 1:08:04I think you appealed to the men in the crowd,

1:08:04 > 1:08:08but it probably wasn't diverse enough for the audience,

1:08:08 > 1:08:10which was, you know, at least a quarter to half children.

1:08:10 > 1:08:13- Understood.- So I think even the women got it. You know, they...

1:08:13 > 1:08:16- Is that correct, Dayana? - Thank you.

1:08:16 > 1:08:19That's something that I tried to make a statement at the table...

1:08:19 > 1:08:22So they don't appreciate a beautiful woman.

1:08:22 > 1:08:24The four-year-old next to me, he liked the motorcycle.

1:08:24 > 1:08:26He didn't like seeing Dayana on a horse,

1:08:26 > 1:08:28which I thought was a major mistake on his part.

1:08:28 > 1:08:30He'll regret that in the future, but...

1:08:30 > 1:08:34- All right, so, Dayana, you felt you weren't utilised enough.- No.

1:08:34 > 1:08:38- Whose fault is that?- It is totally the project manager's fault.

1:08:38 > 1:08:42I...I gave her more ideas. I gave her tools.

1:08:42 > 1:08:45I kept my hands busy 100% of the time,

1:08:45 > 1:08:46and she herself told me,

1:08:46 > 1:08:49"I don't need you to do this. I don't need you to do that.

1:08:49 > 1:08:50"I don't need you to do this."

1:08:52 > 1:08:53Tia, why are you nodding?

1:08:53 > 1:08:57I... This whole process just...

1:08:57 > 1:08:58This is the worst part of it,

1:08:58 > 1:09:00because I thought we did an amazing job,

1:09:00 > 1:09:03and I think everybody here was involved,

1:09:03 > 1:09:05whether they were given a task or not.

1:09:05 > 1:09:08I mean, Dayana was sewing and gluing

1:09:08 > 1:09:10and buying the bras and spray-painting.

1:09:10 > 1:09:12Patricia did an amazing fight.

1:09:12 > 1:09:15She did double cartwheels. She did a backflip.

1:09:15 > 1:09:17Victoria, although she wasn't given a task initially,

1:09:17 > 1:09:19she went up and she was like,

1:09:19 > 1:09:21"Let me help you go and shop for this stuff."

1:09:21 > 1:09:22Do you think Victoria did a good job?

1:09:22 > 1:09:24Absolutely. I think she sewed everything.

1:09:24 > 1:09:26Because Lisa's not a huge fan...of Victoria.

1:09:26 > 1:09:29- I'm a fan of Victoria. - Not at all. She told me.

1:09:29 > 1:09:31I'm not a fan of missed cues.

1:09:31 > 1:09:33There was an uncomfortable silence

1:09:33 > 1:09:36after the horse came out with Dayana on it.

1:09:36 > 1:09:38That is because I was waiting backstage to announce,

1:09:38 > 1:09:40and there's supposed to be a trumpet flourish.

1:09:40 > 1:09:44Written in bold-face, highlighted, bold, 16-point type -

1:09:44 > 1:09:46"trumpet flourish".

1:09:46 > 1:09:48- It didn't happen. - Aubrey, can you tell the truth?

1:09:48 > 1:09:49Whose fault is that?

1:09:49 > 1:09:51- Oh, it's always my fault. - No, she was given...

1:09:51 > 1:09:54I told her her whole job was the most important job of the whole task.

1:09:54 > 1:09:57Victoria, do you think you should be fired?

1:09:57 > 1:10:01No, because, Donald, I was on my hands and knees the entire day, OK?

1:10:01 > 1:10:03Sewing costumes, doing hair.

1:10:03 > 1:10:08- Don't stand there and tell me that I did nothing.- Everyone did a job.

1:10:08 > 1:10:09What happened was...

1:10:09 > 1:10:11I think Debbie wants to say something.

1:10:11 > 1:10:13- She hasn't been able to speak at all.- Debbie, go ahead.

1:10:13 > 1:10:17I'm going to be really, really candid.

1:10:17 > 1:10:20I think Lisa was slightly overwhelmed cos she took on a lot.

1:10:20 > 1:10:24She didn't realise that Aubrey was very vocal, and again, it's...

1:10:24 > 1:10:26I think it's just a nuance thing with Aubrey.

1:10:26 > 1:10:28She's young and excited.

1:10:28 > 1:10:29But there's a nuance

1:10:29 > 1:10:31to including the team in a little better way.

1:10:31 > 1:10:33She asked me to do everything that I did.

1:10:33 > 1:10:36It's a constructive criticism. It is not an attack.

1:10:36 > 1:10:37I think that several people...

1:10:39 > 1:10:40..their style of doing things...

1:10:40 > 1:10:42Deborah, if you were me, who would you fire?

1:10:42 > 1:10:44Your team lost. If you were me...

1:10:44 > 1:10:46And I was very surprised to see Victoria,

1:10:46 > 1:10:48who I've known for a long time, with the tears.

1:10:48 > 1:10:50I've never seen that from you, Victoria.

1:10:50 > 1:10:52You do have a heart.

1:10:52 > 1:10:54- Oh, yeah, she does. - You do have a heart.

1:10:54 > 1:10:56- Of course she does.- She's amazing. - She's a great woman.

1:10:56 > 1:10:58Why do you take that so hard, though?

1:10:58 > 1:11:00Because...

1:11:04 > 1:11:06This is teamwork.

1:11:06 > 1:11:08This is about teamwork. We're a team.

1:11:08 > 1:11:11I showed up there yesterday morning with the greatest attitude.

1:11:11 > 1:11:14And, Donald, I did whatever it took,

1:11:14 > 1:11:15from shovelling horse manure...

1:11:15 > 1:11:18- Pinning the costumes and everything. - ..anything I could...

1:11:18 > 1:11:20- She did? - She was doing so much yesterday.

1:11:20 > 1:11:23I made them look great and anything they wanted me to do,

1:11:23 > 1:11:26- I would do, and the day before. - Yesterday. Day one, nothing.

1:11:26 > 1:11:28- Donald, she wasn't included the day before.- It's not true.

1:11:28 > 1:11:31She was included by being asked to be stage director.

1:11:31 > 1:11:33- The day before, she did step up. - Excuse me.

1:11:33 > 1:11:36The most fantastic job, the most difficult job.

1:11:36 > 1:11:38When I am out doing my shows on the road,

1:11:38 > 1:11:40I have a guy upstairs, doing what she does,

1:11:40 > 1:11:43that gets paid a lot of money to call those cues...

1:11:43 > 1:11:44- You didn't give that to Aubrey. - Excuse me.

1:11:44 > 1:11:46There were several cues that were missed.

1:11:46 > 1:11:50- Then she got it together... - That screws with the show from the beginning.

1:11:50 > 1:11:54And like I said, it's not the only reason we lost to the men.

1:11:54 > 1:11:56But when there are mistakes,

1:11:56 > 1:11:58it wasn't in the script that was written.

1:11:58 > 1:12:00It was in stuff that was...

1:12:00 > 1:12:04The ball was dropped by several people,

1:12:04 > 1:12:06and that's not OK.

1:12:06 > 1:12:08- Damn, Lisa! - You know James Lipton is like,

1:12:08 > 1:12:10- "What in the hell is this?!" - Oh, my God!

1:12:10 > 1:12:13They don't fight like this on Inside The Actors Studio.

1:12:13 > 1:12:16- He's never seen anything like that. - LAUGHTER

1:12:16 > 1:12:18And, also, Mr Trump, I will tell you honestly,

1:12:18 > 1:12:20I was raised by a really tough Italian mother,

1:12:20 > 1:12:23and my management style isn't for everybody,

1:12:23 > 1:12:25but it gets the job done.

1:12:25 > 1:12:27And you know what? If I don't have time to listen

1:12:27 > 1:12:30to eight women screaming at the same time,

1:12:30 > 1:12:33which is what this group did all last week on Patricia's watch

1:12:33 > 1:12:34and wasn't going to do on mine...

1:12:34 > 1:12:36We were in a costume room at one point.

1:12:36 > 1:12:38There was an outpouring of,

1:12:38 > 1:12:40"Oh, my God, I look good in this, in this!"

1:12:40 > 1:12:43- I'm like, "Calm down."- Not true. - Yes, it is!- No, Lisa.

1:12:43 > 1:12:45- Cursing out your team does not help. - That is not true.

1:12:45 > 1:12:48We went to see the costume person, and we did...

1:12:48 > 1:12:50And no-one would let this woman talk.

1:12:50 > 1:12:53Was everyone screaming, Aubrey, or not?

1:12:55 > 1:12:57- Everyone was very loud in the costume area.- Why?

1:12:57 > 1:13:00Because there's all these beautiful costumes,

1:13:00 > 1:13:03and everybody was excited about trying things on

1:13:03 > 1:13:04and getting their costumes.

1:13:04 > 1:13:07There was a lack of organisation in that room, it was difficult...

1:13:07 > 1:13:09You blame that on your project manager?

1:13:09 > 1:13:12- It should be.- No, everybody's... - I was the one who quieted them down.

1:13:12 > 1:13:15It sounds like you're all guilty of just wanting to look better,

1:13:15 > 1:13:16and it got a little girlie.

1:13:16 > 1:13:20- Well, it has no point in business. - I don't disagree.

1:13:20 > 1:13:23If there was one thing that was done last week,

1:13:23 > 1:13:25I made sure everybody had a task assigned,

1:13:25 > 1:13:28and I made sure everybody was playing to their strengths.

1:13:28 > 1:13:30She was a great project manager. She listened to everybody.

1:13:30 > 1:13:33When I went to visit you yesterday, though...

1:13:33 > 1:13:35- She didn't give us... - ..I didn't get to see Victoria

1:13:35 > 1:13:38and I didn't get to see Dayana, because you guys were out shopping.

1:13:38 > 1:13:42- Mm-hm.- But it seemed like when I was there and talking with you guys and everyone else...

1:13:42 > 1:13:45everyone else had a defined task. They knew what they were doing.

1:13:45 > 1:13:48They got the direction. No-one voiced any complaints.

1:13:48 > 1:13:50- We didn't get direction. - That's not what you told me.

1:13:50 > 1:13:53You were told to practise your sword-fighting,

1:13:53 > 1:13:56- practise your lines... - And we did.- OK, OK, OK.

1:13:58 > 1:14:02- Patricia.- Yes, sir. - Your team lost.- Yes, unfortunately.

1:14:02 > 1:14:04If you were me, who would you fire?

1:14:07 > 1:14:10It's really hard to ask...say this question,

1:14:10 > 1:14:13because I think Lisa is an amazing,

1:14:13 > 1:14:14um...at...at following, but I think...

1:14:14 > 1:14:17- That's usually the kill, Lisa. You know that.- That's OK.

1:14:17 > 1:14:19- No, no...- Good luck. - Not like that.- Go ahead.

1:14:19 > 1:14:24But Lisa has so much talent in the writing and the things,

1:14:24 > 1:14:26and she does one thing that is very important.

1:14:26 > 1:14:28Although she's in the middle of the craziness,

1:14:28 > 1:14:30she's not intentional about it.

1:14:30 > 1:14:32Who would you fire?

1:14:32 > 1:14:34Victoria.

1:14:34 > 1:14:35Oh, Victoria. Meh.

1:14:35 > 1:14:38I thought you were getting all set to do the Lisa thing.

1:14:38 > 1:14:42- You would fire Victoria. - Yes.- OK. Why Victoria?

1:14:42 > 1:14:44Victoria stepped up the second day,

1:14:44 > 1:14:47and I think that she should have come up from the beginning

1:14:47 > 1:14:50and said, "I'm in. We've given me a second chance.

1:14:50 > 1:14:52- "Whatever you want me to do." - OK.

1:14:52 > 1:14:58So, Aubrey, let me ask you this. If you were me, who would you fire?

1:14:58 > 1:15:03I will say the least-utilised woman in this task, and that's Dayana.

1:15:03 > 1:15:05- Man. - I think she's so insecure.

1:15:05 > 1:15:08I don't think she likes being not the prettiest one on the cast.

1:15:08 > 1:15:11Are you saying that Dayana's prettier than Aubrey?

1:15:11 > 1:15:14- I'm saying Victoria's prettier than Aubrey.- Ooh!

1:15:14 > 1:15:16LAUGHTER

1:15:19 > 1:15:25OK, so, Dayana, if you were me, who would you fire?

1:15:25 > 1:15:27Um...

1:15:29 > 1:15:32Lisa, you're amazing, you're a great writer.

1:15:32 > 1:15:34I enjoyed my time with you.

1:15:34 > 1:15:36But, Lisa, you were the project manager.

1:15:38 > 1:15:40- I agree.- We didn't lose because of anything I did, sir.

1:15:40 > 1:15:42And we had no vote in it.

1:15:42 > 1:15:44The concept was complimented by the audience several times.

1:15:44 > 1:15:47We're going to find out. You're going to pick two people.

1:15:47 > 1:15:49- Fantastic.- You'll bring them back to the boardroom.

1:15:49 > 1:15:52Somebody will be fired. Who are the two you're bringing back?

1:15:57 > 1:16:01I will take Victoria and Dayana.

1:16:02 > 1:16:06OK. Everybody, right now, go outside.

1:16:06 > 1:16:07You three, come back in a few minutes.

1:16:13 > 1:16:16- Well, that wasn't smart, cos she knows Dayana's against her.- Yeah.

1:16:16 > 1:16:18You got one girl that'll kill you with her beauty

1:16:18 > 1:16:21and another one that'll kill you with her family.

1:16:23 > 1:16:27I've never felt more not needed or wanted in my life, ever.

1:16:27 > 1:16:30And what bothers me is that that person

1:16:30 > 1:16:31just can't step up and admit it.

1:16:32 > 1:16:34SHE MOUTHS

1:16:47 > 1:16:50How would you feel if everybody made you part of a show and...?

1:16:50 > 1:16:53- And asked me to be the most important person there?- Oh, God.

1:16:53 > 1:16:55It's the most important role. That you can't see that...

1:16:55 > 1:16:57Check your ego at the door. It's not about you.

1:16:57 > 1:17:01- I did check my ego at the door. - You didn't, you refused to do the work.- Oh, I did.

1:17:01 > 1:17:03I'm not arguing with you, because you're inarguable,

1:17:03 > 1:17:05you have lies made up in your head.

1:17:05 > 1:17:07- Oh, God, please, Lisa. - So enjoy the delusion of your life.

1:17:07 > 1:17:09Yeah.

1:17:10 > 1:17:13- What do you think, Don? - I think it's a tough call.

1:17:13 > 1:17:15I think it's probably between Lisa and Victoria,

1:17:15 > 1:17:17because I don't like when someone effectively quits

1:17:17 > 1:17:19cos they don't like the job they've been assigned.

1:17:19 > 1:17:22At the same time, the project manager still lost the task.

1:17:22 > 1:17:24I think Dayana really has no business being in here.

1:17:24 > 1:17:26Not easy.

1:17:26 > 1:17:28Amanda, bring them back in.

1:17:28 > 1:17:29Yes, sir.

1:17:29 > 1:17:32- Mr Trump is ready for you. - Thanks.

1:17:32 > 1:17:33(Let's go.)

1:17:50 > 1:17:52- So, Lisa, here you sit. - Yeah.

1:17:52 > 1:17:54Why did you bring Victoria back in?

1:17:56 > 1:18:00First of all, asking her to step up to the most important job

1:18:00 > 1:18:02on day one, she refused to do so

1:18:02 > 1:18:04and threatened to walk out on the room.

1:18:04 > 1:18:06- Is that true, Victoria?- Secondly... - No, it's not, Donald.

1:18:06 > 1:18:08Well, we heard it from Aubrey. She agreed.

1:18:08 > 1:18:12What had happened was she told me after I approached her

1:18:12 > 1:18:14and said, "Well, what about me? What task do I have?"

1:18:14 > 1:18:17She said, "I have no time for you. I have no time for this."

1:18:17 > 1:18:20- No, Victoria.- OK. Let me finish, please.- No.- Let me finish.

1:18:20 > 1:18:24- Because the lies are flowing... - Mr Trump...- ..and that is not appropriate in front of Mr Trump.

1:18:24 > 1:18:26Oh, please. You know what happened?

1:18:26 > 1:18:29Your task got away from you, and you want to blame everybody else, Lisa.

1:18:29 > 1:18:32- Everybody else.- No, that's not true. I asked her to do it.

1:18:32 > 1:18:34She said, "I'm not good at that."

1:18:34 > 1:18:38Now, I don't know if you've experienced an employee actually saying to you,

1:18:38 > 1:18:40"No, Mr Trump, I'm not going to do that. I'm not good at it."

1:18:40 > 1:18:42I think your employees know enough to say yes.

1:18:42 > 1:18:45- But did Victoria quit? - No, I did not. No, I did not.

1:18:45 > 1:18:48She said, "I will just go and talk to Mr Trump and join the men's team",

1:18:48 > 1:18:52- and I said, "That's inappropriate." - I said, "I may as well go to the men's team, cos you're

1:18:52 > 1:18:54"putting me in a closet. What is your problem?"

1:18:54 > 1:18:57- That's what I said to her. - Stage director is not a closet.

1:18:57 > 1:18:59That's the most important job, as I know, running shows.

1:18:59 > 1:19:02To add to the list, Mr Trump, I said...

1:19:02 > 1:19:05After she refused to be stage manager,

1:19:05 > 1:19:06She came back, and I said,

1:19:06 > 1:19:09"Why don't you help me look up medieval terminology?"

1:19:09 > 1:19:12So when I wrote the script, it could be in medieval language.

1:19:12 > 1:19:14- And I didn't do it, right? - No, you didn't.

1:19:14 > 1:19:16- You spelled it, as a writer... - I didn't do it?!- Excuse me.

1:19:16 > 1:19:19- I didn't do it? - Yes! Yes!

1:19:19 > 1:19:22You spelled it "M-I-D dash E-V-I-L". Are you a writer?

1:19:22 > 1:19:25- Oh, please. Oh, please. - That was no help to me, sir.

1:19:25 > 1:19:28I apologise. Medieval Times stationery was sitting there.

1:19:28 > 1:19:31And if you can't google a simple phrase... I grabbed the computer from her...

1:19:31 > 1:19:33But you didn't lose for that reason, Lisa.

1:19:33 > 1:19:35- Sir...- You didn't lose for that reason.

1:19:35 > 1:19:37I'm being blamed for underutilising her.

1:19:37 > 1:19:39So I'm explaining why. You know how it is.

1:19:39 > 1:19:42If you have employees who don't do the job, you have to wrest it

1:19:42 > 1:19:45- away from them for time's sake.- So you say Victoria did not do the job?

1:19:45 > 1:19:48She did a terrible job, until day two.

1:19:48 > 1:19:53But then that ended when it was time to call the lights and the sound.

1:19:53 > 1:19:56It's showtime, baby. And those cues were completely off.

1:19:56 > 1:19:58- And that is off-putting to an audience.- Oh, yeah.

1:19:58 > 1:20:01I do this for a living. I don't like shows that don't run perfectly.

1:20:01 > 1:20:06- Why weren't you in there, then? - Because I volunteered to stage direct, and everybody said...

1:20:06 > 1:20:09- I told you I knew nothing about it. - I once again had to impersonate you

1:20:09 > 1:20:11and once again be the joke of the show.

1:20:11 > 1:20:15So I am sorry, sir! And I am sorry to be emotional!

1:20:15 > 1:20:16This is how she lost it twice, OK?

1:20:16 > 1:20:19- Wait, Victoria. You did the same thing earlier.- You did it too!

1:20:19 > 1:20:21Right, but I wasn't leading the girls.

1:20:21 > 1:20:23We didn't lose this task because we had our gimmicks.

1:20:23 > 1:20:25- Everybody panicked. - We lost this task

1:20:25 > 1:20:28because I had somebody who threatened to quit.

1:20:28 > 1:20:31- I have been in the business for 21 years.- You're right.

1:20:31 > 1:20:35- Everything was on me.- And I have never had an employee say, "No".

1:20:35 > 1:20:40And I am sorry I am emotional. I'm sorry I'm loud. But guess what?

1:20:40 > 1:20:43Somehow, in a man's business, I've made it work!

1:20:43 > 1:20:47I'm one of the top three women comedians today.

1:20:47 > 1:20:51And I guarantee you, I go home, I wish them luck.

1:20:51 > 1:20:54If the concept lost us the task or my temper did, God bless.

1:20:54 > 1:20:57I would literally fall on my own sword,

1:20:57 > 1:20:58as they would in Medieval Times.

1:20:58 > 1:21:01But guess what? I wasn't the problem.

1:21:01 > 1:21:03You don't think the concept is to blame?

1:21:03 > 1:21:04No, according to your son...

1:21:04 > 1:21:07Seemed to be one of the big winning points,

1:21:07 > 1:21:08based on the audience.

1:21:08 > 1:21:11Dayana, what happened?

1:21:11 > 1:21:13What happened here...

1:21:13 > 1:21:17Regarding them, the first day, Aubrey was there.

1:21:17 > 1:21:21- I had no... Mr Trump, she did not want me there.- Because she refused to do it.- You did not want me.

1:21:21 > 1:21:25- You said, "Aubrey." I was there. - Mr Trump, I did not refuse to do it.

1:21:25 > 1:21:26- She refused! - I said I am a...

1:21:26 > 1:21:28You said, "I don't want to do it."

1:21:28 > 1:21:31I can swear to you on anything in the world,

1:21:31 > 1:21:34I was given that position late that night

1:21:34 > 1:21:37- at nine o'clock in the car ride home.- I was there at two o'clock on the first day,

1:21:37 > 1:21:39- so only a couple hours after you got the task.- Right.

1:21:39 > 1:21:42- And you weren't there. You had left already.- Right.- I was with Dayana.

1:21:42 > 1:21:45And everyone in the room, all five members of the women's team

1:21:45 > 1:21:47- who are not here right now... - Right.

1:21:47 > 1:21:49..all said that this had already transpired,

1:21:49 > 1:21:51that you tried...Lisa tried to give you that position.

1:21:51 > 1:21:55- You didn't want it.- Right. - You wanted to be an actress.

1:21:57 > 1:22:00Chronologically, please, Don - that was day one, OK?

1:22:00 > 1:22:01- I only... - Well, that's what I'm saying.

1:22:01 > 1:22:04My point is that I heard this, meaning I'm verifying Lisa's story

1:22:04 > 1:22:07- based on five other members of the team...- Day one. Day one.

1:22:07 > 1:22:09..who are not in the room, on day one, which is...

1:22:09 > 1:22:10Day one. Correct.

1:22:10 > 1:22:13- Correct, but that's very early in the task.- James... OK.

1:22:13 > 1:22:15James, what do you have to say?

1:22:15 > 1:22:17I would like to say to you

1:22:17 > 1:22:20that one of the most important words in the English language,

1:22:20 > 1:22:22which we try to instil into our students

1:22:22 > 1:22:25at the Actors Studio drama school, of which I am the founding dean,

1:22:25 > 1:22:27can be expressed in seven syllables.

1:22:27 > 1:22:30I think Lisa possessed it in great abundance.

1:22:32 > 1:22:39P-A-S-S-I-O-N.

1:22:40 > 1:22:43- My hat's off to you for that. I'll tell you that.- Thank you, sir.

1:22:48 > 1:22:52- So what did you just say? - Passion.- Passion.

1:22:52 > 1:22:54I will fight to the death to stay here,

1:22:54 > 1:22:57- and I'm not kidding you. - And so will I.

1:22:57 > 1:22:59If you were me, what would you do?

1:23:00 > 1:23:04First of all, thank God I'm not you -

1:23:04 > 1:23:05with two exceptions.

1:23:05 > 1:23:07I'm a pilot. I'd like your airplane.

1:23:07 > 1:23:09And I'm in television. I'd like some of your ratings.

1:23:09 > 1:23:13But apart from that, I think some of what's being said is important

1:23:13 > 1:23:17and it's emotional, but it may not be the most pertinent thing here.

1:23:17 > 1:23:20But whose fault is that, James, of these three?

1:23:20 > 1:23:23- I have no idea. - It's not Dayana's fault.

1:23:23 > 1:23:24I mean, Dayana's like...

1:23:24 > 1:23:26I think Lisa's mistake was perhaps bringing in Dayana,

1:23:26 > 1:23:29who basically did what we basically told her to do

1:23:29 > 1:23:32at the beginning of the task, which is look beautiful on a horse, so...

1:23:32 > 1:23:33You said that was something...

1:23:33 > 1:23:36Lisa should have actually brought someone who was an advocate.

1:23:36 > 1:23:38Perhaps Aubrey should have been here.

1:23:38 > 1:23:40- She would never do that. - I actually would.

1:23:40 > 1:23:42Victoria, don't presume to talk for me.

1:23:42 > 1:23:43Even against...

1:23:43 > 1:23:45Sadly, Dayana probably shouldn't be here.

1:23:45 > 1:23:47She was underutilised, but I would have loved to hear,

1:23:47 > 1:23:51"I can do this for you," instead of, "What can I do?"

1:23:51 > 1:23:52- Honey, I said... - Wait...no.

1:23:52 > 1:23:55You have to bring up to me what your talent is, and I will say, "You can do that."

1:23:55 > 1:23:58Lisa, you've got to understand on the table, when we were brainstorming,

1:23:58 > 1:24:01most of the team started saying,

1:24:01 > 1:24:04all of those things, I said.

1:24:04 > 1:24:06- So now you're not allowed to tell me...- I know.

1:24:06 > 1:24:09..that you're telling me that I don't have anything else to give.

1:24:09 > 1:24:10Dayana, that's why...

1:24:10 > 1:24:14I was just sticking up for that you did not deserve to be fired

1:24:14 > 1:24:15because you did not do...

1:24:15 > 1:24:19- Dayana, let me ask you a question. - ..anything exceedingly wrong other than explain your talents.

1:24:19 > 1:24:22- Hold it, Lisa. - I'm sorry, sir. I'm sorry.

1:24:22 > 1:24:24Let me ask you a question, Dayana.

1:24:24 > 1:24:26Who do you think has more talent between these two women?

1:24:26 > 1:24:29DAYANA SIGHS

1:24:29 > 1:24:33Talking about two strong women, two very emotional women.

1:24:33 > 1:24:37Going forward, who would you rather see on the team?

1:24:44 > 1:24:48I think Lisa has been shown more and she has stepped up more,

1:24:48 > 1:24:53and she has been trying to be here more than Victoria.

1:24:56 > 1:24:57And you think she has more energy?

1:25:00 > 1:25:01She has more energy.

1:25:04 > 1:25:06I think she's got amazing energy.

1:25:06 > 1:25:07Yeah.

1:25:07 > 1:25:09The way I look at it,

1:25:09 > 1:25:12and it's a very, very complex, difficult situation for me,

1:25:12 > 1:25:14because I like all three of you very much.

1:25:14 > 1:25:19But Dayana said that Lisa is the harder worker.

1:25:19 > 1:25:21And I think you have confirmed that.

1:25:22 > 1:25:25Victoria, you were late with many of the signals

1:25:25 > 1:25:29and many of the events, and it did probably cause the show

1:25:29 > 1:25:31not to go on very smoothly.

1:25:31 > 1:25:34- Would you agree with that? - Yes, sir, I would.

1:25:34 > 1:25:37And the thing I'm most concerned about is

1:25:37 > 1:25:39that there's no question in my mind

1:25:39 > 1:25:42that you said you were thinking about quitting, Victoria,

1:25:42 > 1:25:45which I hate, because I hate even the thought of quitting.

1:25:45 > 1:25:46- I'm not a quitter. - You thought about it.

1:25:46 > 1:25:49You didn't quit. You're never going to quit. But you did think about it.

1:25:49 > 1:25:52And when you add everything all up,

1:25:52 > 1:25:53Victoria, you're fired.

1:25:59 > 1:26:01All right, go ahead. Thank you.

1:26:01 > 1:26:03- Thank you, sir.- Thank you.

1:26:18 > 1:26:20Bye, Victoria.

1:26:20 > 1:26:21Give me a hug.

1:26:37 > 1:26:39Wow, that was very tough.

1:26:39 > 1:26:41I do not envy you.

1:27:15 > 1:27:20What I just witnessed in that boardroom terribly shocked me.

1:27:20 > 1:27:23To make me take full responsibility for my team losing

1:27:23 > 1:27:28was such a laugh, because I had absolutely no task.

1:27:30 > 1:27:34What Lisa said in there was absolute, abject lies.

1:27:34 > 1:27:36So... But you know what?

1:27:36 > 1:27:38My attitude is Lisa has to live with that, not me.

1:27:38 > 1:27:42She may have succeeded now, but it will come back to haunt her.