0:00:02 > 0:00:04Last time on All-Star Celebrity Apprentice, teams were tasked
0:00:04 > 0:00:07with designing a luxury suite in Brooklyn's Barclays centre.
0:00:07 > 0:00:11- Go, do a beautiful job, have fun. - OK, thank you.
0:00:11 > 0:00:14On Plan B, Penn Jillette dug deep into his rolodex
0:00:14 > 0:00:16for project manager Lisa Rinna.
0:00:16 > 0:00:18- I will get Lisa Lampanelli. - I like that idea.
0:00:18 > 0:00:21- You want Teller? - Yes, I want 'em all.
0:00:21 > 0:00:23Penn has connections up the wazoo.
0:00:23 > 0:00:26While on Team Power, project manager
0:00:26 > 0:00:29Marilu Henner was consumed with the detail.
0:00:29 > 0:00:32- The hell are you getting? - I'm getting a mirror.- OK.- I am.
0:00:32 > 0:00:33Where you going to put a mirror at?
0:00:33 > 0:00:35I'm going to put a mirror in here, I want one.
0:00:35 > 0:00:39- You guys...- No, I got you, that's why I'm trying to keep you on track.
0:00:39 > 0:00:40And Trace Adkins was at his wits' end.
0:00:40 > 0:00:42Dude has seven more hours here!
0:00:42 > 0:00:45Can't do this any more!
0:00:45 > 0:00:48I feel like the substitute teacher who has the detention class.
0:00:48 > 0:00:52Penn's big guns showed up for the party, and Plan B was a success...
0:00:52 > 0:00:56Teller's east-Indian needle mystery!
0:00:56 > 0:00:59..while Team Power played chess...
0:00:59 > 0:01:03You know, what is better and more royal for a king than a chess game?
0:01:03 > 0:01:07You don't normally see that at a hot, happening party.
0:01:07 > 0:01:11..ensuring Lisa's second win as project manager.
0:01:11 > 0:01:12Lisa, you're going to be very happy.
0:01:12 > 0:01:14Your team did a far better job.
0:01:14 > 0:01:16- Yes!- That's 100,000 for St Jude.
0:01:16 > 0:01:20Left in the hot seat, Trace had to defend himself.
0:01:20 > 0:01:23You should fire Trace. He was very curmudgeon-y.
0:01:23 > 0:01:25He dropped out three tasks ago.
0:01:25 > 0:01:26Trace...what's wrong with him?
0:01:26 > 0:01:29Funny, they've used my ideas on the last three tasks.
0:01:29 > 0:01:31But his time wasn't up yet.
0:01:31 > 0:01:32They didn't like the suite,
0:01:32 > 0:01:35they didn't like the chess, and you're the project manager.
0:01:35 > 0:01:36Marilu, you're fired.
0:01:38 > 0:01:41Now, the final four will have to battle each other,
0:01:41 > 0:01:46because tonight, two will be left standing to face their final task.
0:01:57 > 0:01:58Oh, my gosh.
0:01:58 > 0:01:59Here's lookin' at you, kid.
0:01:59 > 0:02:01Here's lookin' at you, kid.
0:02:03 > 0:02:05We have made it as far as two people
0:02:05 > 0:02:08ever have without a negative word about the other.
0:02:09 > 0:02:11I hear Trace's voice, so it's Marilu.
0:02:13 > 0:02:16- The final four, huh? - That's it.- Congratulations.
0:02:16 > 0:02:18Congratulations. Congratulations, Trace.
0:02:19 > 0:02:22- Congratulations.- I don't feel like I should be congratulated.
0:02:24 > 0:02:25I made the final four.
0:02:25 > 0:02:27Congratulations.
0:02:27 > 0:02:33'To be with Trace Adkins, Penn Jillette and Lil Jon,'
0:02:33 > 0:02:36I am proud. I think it's cool as can be.
0:02:36 > 0:02:41Whoa, Marilu... She threw me under the bus, didn't she?
0:02:41 > 0:02:42- Yeah.- "Fire him!"- Did she?
0:02:42 > 0:02:44Yeah, she said, who do you think you should...?
0:02:44 > 0:02:46Who do you, who would you fire? She said Trace.
0:02:46 > 0:02:50- I'm a curmudgeon!- She also said crabby. Curmudgeon I understood,
0:02:50 > 0:02:51crabby I went, "What is he, six?"
0:02:51 > 0:02:55'I've been called a lot worse than a curmudgeon,
0:02:55 > 0:02:57'but I'll say this.'
0:02:57 > 0:03:00I didn't come up here to just dick around, I came up here to win.
0:03:00 > 0:03:02PHONE RINGS
0:03:02 > 0:03:04- Uh-oh, that's Mr Trump. - Yes? Should I answer it?
0:03:04 > 0:03:06BLEEP.
0:03:10 > 0:03:14- Hello.- 'Mr Trump would like you all back in the boardroom right away.'
0:03:15 > 0:03:18All right, we'll be right there.
0:03:18 > 0:03:22Boys, Mr Trump would like to see us back in the boardroom.
0:03:22 > 0:03:25You never want to go back in the boardroom on the same night!
0:03:25 > 0:03:26Let's go.
0:03:26 > 0:03:29And we just went, "Uh-oh, now what?"
0:03:34 > 0:03:37# Money, money, money, money
0:03:38 > 0:03:39# Money!
0:03:39 > 0:03:41# Money, money, money, money
0:03:43 > 0:03:44# Money!
0:03:44 > 0:03:47# Some people got to have it
0:03:47 > 0:03:49# Yeah
0:03:49 > 0:03:52# Some people really need it
0:03:52 > 0:03:54# Listen to me, y'all
0:03:54 > 0:03:58# Do things, do things, do things, bad things, baby
0:04:01 > 0:04:03# Dollar bills, y'all
0:04:03 > 0:04:04# Come on
0:04:04 > 0:04:08# That mean, old lean
0:04:08 > 0:04:09# Mean green
0:04:09 > 0:04:12# Almighty dollar!
0:04:12 > 0:04:15# I know that money
0:04:15 > 0:04:20# Give me a nickel, brother, can you spare a dime?
0:04:20 > 0:04:28# Money can drive some people out of their minds
0:04:28 > 0:04:30# No good, no good
0:04:30 > 0:04:31# Money!
0:04:31 > 0:04:33# Money, money, money, money
0:04:34 > 0:04:36# Money! #
0:05:02 > 0:05:06Congratulations, you're the final four. You've done an amazing job.
0:05:06 > 0:05:09- Thank you.- There are no losers in this room.
0:05:09 > 0:05:13Unfortunately, two of you will be fired.
0:05:15 > 0:05:18Trace, why should you be in the finals?
0:05:18 > 0:05:21Well, I believe there is a final task,
0:05:21 > 0:05:25which, in a lot of years has been a fundraising task.
0:05:25 > 0:05:29I brought two six-guns with me to this gunfight
0:05:29 > 0:05:31and I may have fired five rounds.
0:05:33 > 0:05:35What does that mean, exactly? You have to explain that.
0:05:35 > 0:05:36I got some bullets left.
0:05:36 > 0:05:39And you were the highest fundraiser
0:05:39 > 0:05:41of anyone who sits in this room today.
0:05:41 > 0:05:43Yes.
0:05:44 > 0:05:46It's very impressive.
0:05:46 > 0:05:48How did you do as project manager, Trace?
0:05:48 > 0:05:50I won twice.
0:05:51 > 0:05:53I think that...
0:05:53 > 0:05:54How did you do overall?
0:05:54 > 0:05:59Well, I was doing pretty dang good till I got over here on Power,
0:05:59 > 0:06:01and then, uh, not so great.
0:06:02 > 0:06:04You did five and five.
0:06:06 > 0:06:09Lil Jon, why should you be in the finals?
0:06:09 > 0:06:12Oh, because I'm a strong player,
0:06:12 > 0:06:14I'm an excellent leader,
0:06:14 > 0:06:15very creative,
0:06:15 > 0:06:18excellent at marketing, branding,
0:06:18 > 0:06:23and just, I'm really good at every aspect
0:06:23 > 0:06:27- of this game.- I agree, but you had a very bad record.
0:06:27 > 0:06:28- Right?- That's not totally my fault.- Well...
0:06:28 > 0:06:30- I had one and one...- You were in
0:06:30 > 0:06:32a bad team, but you did have a bad record.
0:06:32 > 0:06:36- Right.- And as project manager you lost and won.- Yes.
0:06:36 > 0:06:38I did.
0:06:38 > 0:06:40- I mean, I'm pretty strong...- Should you remain in the room?
0:06:40 > 0:06:42Definitely should remain in the room.
0:06:46 > 0:06:49So, Lisa, why should you be in the final two?
0:06:49 > 0:06:53Well, I believe I am the second highest earner
0:06:53 > 0:06:56- at 505,000.- Correct.
0:06:56 > 0:07:03And...I believe that I have fought hard and I am a great leader
0:07:03 > 0:07:06and I have proven myself this time around.
0:07:06 > 0:07:09I'm creative and I'm a fighter,
0:07:09 > 0:07:12and I didn't give up, I came back here and I fought
0:07:12 > 0:07:15and I'm sitting in this final four,
0:07:15 > 0:07:17and I believe I deserve to be in the final two.
0:07:17 > 0:07:19I am the second-highest earner.
0:07:21 > 0:07:24Mr Trump, I think it is interesting to note that
0:07:24 > 0:07:27although project managers Trace and Lisa
0:07:27 > 0:07:29brought in the most money,
0:07:29 > 0:07:32that I was their second when I wasn't project manager,
0:07:32 > 0:07:34and, um,
0:07:34 > 0:07:36I, uh...
0:07:36 > 0:07:40I think that matters, that matters somewhat, too.
0:07:40 > 0:07:41OK, fine.
0:07:41 > 0:07:43And why should you be in the finals?
0:07:43 > 0:07:45I don't think anyone handles pressure better than I do.
0:07:45 > 0:07:48In my career with Teller,
0:07:48 > 0:07:50we deal with, uh,
0:07:50 > 0:07:53quite literally life-and-death situations
0:07:53 > 0:07:56and I would, um, ask you
0:07:56 > 0:07:59not to confuse, uh,
0:07:59 > 0:08:02self-control and self-restraint with a lack of passion.
0:08:02 > 0:08:05I want to do this as much as anyone, or more,
0:08:05 > 0:08:09and I also think that being able to control one's self
0:08:09 > 0:08:15is the first step, and I haven't had any conflict with anyone.
0:08:15 > 0:08:17I think I've had some very good ideas,
0:08:17 > 0:08:19and it seems like when it's tick-tock
0:08:19 > 0:08:22and down to the last second, I don't tremble.
0:08:24 > 0:08:26OK.
0:08:26 > 0:08:27Trace...
0:08:28 > 0:08:30..Lil Jon...
0:08:30 > 0:08:32Lisa...
0:08:32 > 0:08:33Penn...
0:08:33 > 0:08:37you're the best of the best, and that's been a smart bunch.
0:08:38 > 0:08:40But we're far from over.
0:08:40 > 0:08:45And what I'm going to do right now is fire one person from each team.
0:08:50 > 0:08:53You've all done a fantastic job,
0:08:53 > 0:08:56and remember, there are no losers in this room.
0:08:58 > 0:09:01- Ivanka?- I guess I'd be curious to hear from each of you
0:09:01 > 0:09:05what you did differently this season relative to
0:09:05 > 0:09:07the first one and how it worked for you.
0:09:07 > 0:09:09- I mean, Lisa... - Especially you, Lisa!
0:09:09 > 0:09:13- But it is interesting.- She made the greatest comeback by far.
0:09:13 > 0:09:15Everyone else has done well, but she really made a comeback.
0:09:15 > 0:09:17I'm sure everyone learns something,
0:09:17 > 0:09:19- especially watching themselves. - It's a great question.
0:09:19 > 0:09:23- I love that question. - Great question. Well, for me, uh,
0:09:23 > 0:09:25I'm a different person than I was two years go,
0:09:25 > 0:09:27I would say.
0:09:27 > 0:09:31And I, I had to leave my fear at home.
0:09:31 > 0:09:32I had to come here fearless.
0:09:32 > 0:09:35- And I think that's probably...- Were you nervous coming the second time?
0:09:37 > 0:09:39I was... I didn't want to come,
0:09:39 > 0:09:42but I knew it was something that I needed to do.
0:09:42 > 0:09:45- For myself...- Because you had a bad experience the first time.
0:09:45 > 0:09:47I had a really bad experience, and it scarred me.
0:09:47 > 0:09:48- Was that hard on you?- Yeah, it was.
0:09:48 > 0:09:51- It was very hard.- You're fully recovered.- Well, I am now!
0:09:51 > 0:09:53- You're a patient who has fully recovered.- I am now.
0:09:53 > 0:09:56- A lot different, right?- A lot different.- Oh, I see,
0:09:56 > 0:10:01- so that had a big impact, being so early out.- Yes, it did, actually.
0:10:01 > 0:10:04- More than I realised. - I can understand that.
0:10:04 > 0:10:05Did you take heat?
0:10:07 > 0:10:10- Yes, I did.- Not from your husband, though.- No, of course not.
0:10:10 > 0:10:12But, yeah, of course I took heat.
0:10:12 > 0:10:13You did. Yeah, I can understand.
0:10:13 > 0:10:15- I did.- Well, you won't be taking heat any longer.
0:10:15 > 0:10:19How do you respond to that question, Penn? Ivanka's question.
0:10:21 > 0:10:24You know, no-one has more experience collaborating than I do.
0:10:24 > 0:10:2738 years working with Teller.
0:10:27 > 0:10:31And I came in last time with so much experience
0:10:31 > 0:10:33working in a group
0:10:33 > 0:10:36and so little experience working with different people.
0:10:36 > 0:10:40And I came in treating everyone like they were Teller.
0:10:40 > 0:10:45And, uh, although, to me, that felt like respect,
0:10:45 > 0:10:50it was also a little bit brusque and a little bit aggressive.
0:10:50 > 0:10:54And this time I tried to keep the same amount of respect
0:10:54 > 0:10:59but just not be quite as domineering. I mean, uh,
0:10:59 > 0:11:03after 38 years, Teller and I can say anything to each other.
0:11:03 > 0:11:07Four words in one idea, we can say, "That's no good",
0:11:07 > 0:11:11and the other one understands everything, it's been a long time.
0:11:11 > 0:11:12And now I realise this time,
0:11:12 > 0:11:14I didn't change much,
0:11:14 > 0:11:17except I tried to remember that everybody hadn't been
0:11:17 > 0:11:18working with me for 38 years.
0:11:20 > 0:11:22Lil Jon, respond to that question.
0:11:22 > 0:11:27Um, I think this time I'm motivated for more personal reasons.
0:11:27 > 0:11:32- Why?- My mother had a stroke due to diabetes
0:11:32 > 0:11:35and I didn't even know she was still suffering with her diabetes.
0:11:35 > 0:11:37I just remembered her having the diabetes
0:11:37 > 0:11:38when I was younger and I thought
0:11:38 > 0:11:41it went in remission. And a couple of weeks
0:11:41 > 0:11:43before I'm supposed to come and do the show
0:11:43 > 0:11:46she had a stroke and, due to complications,
0:11:46 > 0:11:48like, it affected her recovery.
0:11:48 > 0:11:54Like, she still isn't able to speak and she's not conscious, really.
0:11:55 > 0:11:57So, I mean, I came, you know...
0:11:57 > 0:11:59People don't know how bad diabetes can be.
0:11:59 > 0:12:01Yeah, it's really bad.
0:12:01 > 0:12:03- People just don't understand how bad.- I came back,
0:12:03 > 0:12:09you know, I'm fighting for my mom, so I have a personal push, you know,
0:12:09 > 0:12:10this time, you know,
0:12:10 > 0:12:12I just have more personal motivation.
0:12:15 > 0:12:17Trace, how would you respond to Ivanka's question?
0:12:18 > 0:12:21I don't think I dramatically played the game any differently
0:12:21 > 0:12:24than I played it the first season I was on here.
0:12:24 > 0:12:27You know, I came in, I said I want to be project manager
0:12:27 > 0:12:28on the first task,
0:12:28 > 0:12:30and that's the way I started the game
0:12:30 > 0:12:33and that's the way I've played it. I brought my A game to every task,
0:12:33 > 0:12:36I've come up with the best ideas I could come up with,
0:12:36 > 0:12:39but at the same time I never got sucked into any of the drama.
0:12:39 > 0:12:42I kept my integrity. You know...
0:12:42 > 0:12:45Honestly, I'd say that's true for everybody here.
0:12:45 > 0:12:50I think you've all done amazingly and you've all kept your integrity.
0:12:50 > 0:12:51Thank you.
0:12:53 > 0:12:55Lil Jon, who would you fire?
0:12:56 > 0:12:58Lisa or Penn?
0:12:58 > 0:13:01Everybody here deserves to be here right now.
0:13:01 > 0:13:03That's true, I agree. That's why they're here.
0:13:03 > 0:13:05- Um...- Who would you fire?
0:13:05 > 0:13:06I guess...
0:13:06 > 0:13:09I've seen Penn do a lot and I think in the last task,
0:13:09 > 0:13:12I wasn't in the room, so I don't know, I might be wrong,
0:13:12 > 0:13:14but it seems like Penn took over the last task.
0:13:14 > 0:13:18- He did very well. - So it seems like Lisa
0:13:18 > 0:13:20might be the one I would go with,
0:13:20 > 0:13:22because I just haven't seen her really just step out there
0:13:22 > 0:13:25and do something, like, step up to be project manager or whatever.
0:13:27 > 0:13:30Trace, who would you fire from that team?
0:13:30 > 0:13:31Hm.
0:13:32 > 0:13:34Uh, it would be...
0:13:37 > 0:13:41- ..Lisa, I would say.- Why? Why?
0:13:41 > 0:13:44Just going forward, I'm looking at the last task
0:13:44 > 0:13:48and I think you ought to have...
0:13:48 > 0:13:50the two big guns going at it.
0:13:50 > 0:13:54And, uh, if I was really just wanting to win
0:13:54 > 0:13:56the game at all costs,
0:13:56 > 0:13:59I'd say, you know, let me go up against Lisa.
0:13:59 > 0:14:00But I want it to be a great show,
0:14:00 > 0:14:04I want it to be fireworks. I want to go against Penn.
0:14:06 > 0:14:08Lil Jon, do you think Penn is stronger than Lisa?
0:14:10 > 0:14:12I don't really know their team like that,
0:14:12 > 0:14:14but, I mean, from what it appears to me,
0:14:14 > 0:14:16I think Penn is definitely super-strong.
0:14:16 > 0:14:20But Lisa is very strong, too, I mean, to do, to stay this long
0:14:20 > 0:14:23after what she went through the last time,
0:14:23 > 0:14:25I've been commending her every day.
0:14:25 > 0:14:26I've been very impressed with her, too,
0:14:26 > 0:14:28the times I've got to work with her.
0:14:28 > 0:14:30- Thank you.- I'm impressed with her, too.
0:14:30 > 0:14:33- Your husband's going to be so proud of you, Lisa.- I know.
0:14:33 > 0:14:35Boy, did you make a great decision.
0:14:35 > 0:14:37You probably walked around for two years like a loser, right?
0:14:37 > 0:14:40You made such a great decision.
0:14:40 > 0:14:43No, is that true? Did you make a good decision coming back?
0:14:43 > 0:14:44I made a great decision.
0:14:44 > 0:14:47I made an excellent decision coming back,
0:14:47 > 0:14:49and it wasn't an easy one, but I'm really glad I made it.
0:14:49 > 0:14:51Hey, Lisa, I have a question for you.
0:14:51 > 0:14:53Jon sort of alluded to it a little but, he said,
0:14:53 > 0:14:56"Hey, I saw Penn sort of be the star the last time", even though
0:14:56 > 0:14:59you were project manager. I mean, it sounded a little bit like he was
0:14:59 > 0:15:01saying maybe you were riding on Penn's coat-tails.
0:15:01 > 0:15:03What do you have to say to that? How do you answer that?
0:15:03 > 0:15:05This is going to be a differentiator going forward.
0:15:05 > 0:15:06I don't believe that to be true.
0:15:06 > 0:15:08I believe we worked as a team, a very strong team.
0:15:08 > 0:15:10So I disagree with that.
0:15:10 > 0:15:11Forgive me for speaking up,
0:15:11 > 0:15:14but she was project manager and acted that way.
0:15:14 > 0:15:17I think I helped her an awful lot,
0:15:17 > 0:15:22and I think it's undeniable that I worked as hard as I could
0:15:22 > 0:15:25in every task regardless of who was project manager,
0:15:25 > 0:15:28but she was the leader, she was not riding on my coat-tails.
0:15:30 > 0:15:33Now, Lisa, you know that I've been your biggest booster.
0:15:33 > 0:15:35I've been your biggest fan.
0:15:35 > 0:15:38- Other than your husband, there's no bigger fan.- Thank you.
0:15:38 > 0:15:41And I think you've done an amazing job, and you certainly are
0:15:41 > 0:15:44the comeback player of the decade as far as
0:15:44 > 0:15:47Celebrity Apprentice or Apprentice is concerned.
0:15:47 > 0:15:50But Penn has really been the star so far,
0:15:50 > 0:15:53and I really do want to see him in the final.
0:15:53 > 0:15:55Lisa, you're fired.
0:15:59 > 0:16:01And congratulations, great job.
0:16:01 > 0:16:03- Thank you.- Thank you very much. - Thank you.- I'm so sorry, Lisa.
0:16:03 > 0:16:06- Aw, it's OK, baby. Thank you very much.- DONALD JR:- Well done, Lisa.
0:16:06 > 0:16:08- You really did a great job. - Thank you so much.
0:16:08 > 0:16:10Congratulations.
0:16:10 > 0:16:12- This has been awesome.- Thank you.
0:16:12 > 0:16:15And don't forget, you've won 505,000 for your charity...
0:16:15 > 0:16:18- Thank you.- ..so you can be very, very proud.
0:16:18 > 0:16:19- I am so proud.- Thank you.
0:16:19 > 0:16:21- Great job, Lisa.- Thank you so much.
0:16:21 > 0:16:23- Love you.- Love you.
0:16:24 > 0:16:26I came so far.
0:16:27 > 0:16:32To me it was such a win-win...win, win, win situation
0:16:32 > 0:16:36in so many ways. And just the message that it puts out,
0:16:36 > 0:16:40I think, to everyone. Not to give up, ever.
0:16:40 > 0:16:44I mean, look at how far you can come if you set your mind to it.
0:16:51 > 0:16:54- OK, so, Penn, congratulations. - Well thank you.
0:16:56 > 0:16:59Trace, Lil Jon,
0:16:59 > 0:17:03one of you will be fired.
0:17:13 > 0:17:16Penn, who would you fire on the other team?
0:17:17 > 0:17:20It would be Lil Jon. He's the only one I've not worked with,
0:17:20 > 0:17:22So I don't have enough information,
0:17:22 > 0:17:24and from ignorance I would go with Lil Jon.
0:17:24 > 0:17:25What about Trace?
0:17:25 > 0:17:28Uh, Trace, from the beginning, from the first day I met him,
0:17:28 > 0:17:32I thought he was the strongest, he was fabulous.
0:17:32 > 0:17:35But Lil Jon I've never worked with, so it's an unfair answer.
0:17:35 > 0:17:40So, Trace, after admitting that you checked out for three weeks,
0:17:40 > 0:17:41and you sort of did,
0:17:41 > 0:17:44why should I choose you to be in the finals?
0:17:44 > 0:17:47Marilu said I checked out, I didn't say I checked out,
0:17:47 > 0:17:50I just said I wasn't in love with the ideas I'd come up with.
0:17:50 > 0:17:53And I wasn't, I mean, it's not for lack of trying,
0:17:53 > 0:17:54I just haven't hit home runs.
0:17:54 > 0:17:56Should they have used your ideas?
0:17:56 > 0:17:58Did they make a mistake in not using your ideas?
0:17:58 > 0:18:00They did use my ideas.
0:18:00 > 0:18:03They used my ideas on every task for the last four tasks,
0:18:03 > 0:18:05they were always my ideas.
0:18:05 > 0:18:07I just didn't think they were the best ones
0:18:07 > 0:18:09I'd ever come up with, and that happens sometimes.
0:18:09 > 0:18:11And tomorrow, maybe it'll be better,
0:18:11 > 0:18:13you know, but you don't give up just because...
0:18:13 > 0:18:14Why should I keep you over Lil Jon?
0:18:17 > 0:18:19Well, uh...
0:18:20 > 0:18:23..I just think that, going forward,
0:18:23 > 0:18:27that I'm going to bring big guns to the last show, that's all I know.
0:18:27 > 0:18:29I'm going to go out on that stage and put
0:18:29 > 0:18:31a boot in somebody's ass.
0:18:31 > 0:18:34That's what I've been playing towards the whole time.
0:18:35 > 0:18:39Lil Jon, that's a very good answer. How do you respond to that?
0:18:39 > 0:18:41I'm similar, like, um,
0:18:41 > 0:18:44I look at myself as, when I'm put under pressure,
0:18:44 > 0:18:47I can change direction if I need to and adjust
0:18:47 > 0:18:52and adapt to the situation and roll with the punches
0:18:52 > 0:18:54and still complete the task.
0:18:54 > 0:18:57I feel I'm very strong, very intelligent, underestimated...
0:18:57 > 0:19:00- And...- I don't think you're underestimated any more,
0:19:00 > 0:19:02to be honest with you.
0:19:02 > 0:19:05I think maybe in the first season, you may have been, years ago,
0:19:05 > 0:19:06but you've proven yourself to me,
0:19:06 > 0:19:09you've proven yourself to a lot of people.
0:19:09 > 0:19:12- Thank you.- You're a smart guy, you've done an amazing job.
0:19:12 > 0:19:14So we're going to have a big task next week.
0:19:14 > 0:19:16Do you think you're going to bring in money,
0:19:16 > 0:19:18do you think you're going to bring in star power?
0:19:18 > 0:19:22- I can bring in money, I can bring in star power.- Who would the star power be that you'd bring in?
0:19:22 > 0:19:24I don't know, it depends on what kind of task it is.
0:19:24 > 0:19:26You have to kind of cater the celebrity
0:19:26 > 0:19:28to the task that you're dealt.
0:19:28 > 0:19:31Well, a lot of the victory is going to be who you bring in.
0:19:31 > 0:19:34One of the reasons your team lost last time is because
0:19:34 > 0:19:37- it wasn't the same as what Penn was able to bring in.- Right.
0:19:37 > 0:19:38- You understand that.- Yeah.
0:19:38 > 0:19:43I'm going to do everything in my power to bring celebrities
0:19:43 > 0:19:45to whatever the event is.
0:19:45 > 0:19:47I got some bullets left in my gun, too.
0:19:48 > 0:19:50Who would you bring in, star power?
0:19:50 > 0:19:52Who do you think you'd be able to bring in, Trace?
0:19:52 > 0:19:55- Everybody I could, I mean...- They all want to be on the show.
0:19:55 > 0:19:56I have all their phone numbers.
0:19:56 > 0:19:59The good news is, it's easy. They all want to be on the show,
0:19:59 > 0:20:01so in that sense it's really very easy.
0:20:01 > 0:20:04Trace, you seem a little bit quiet, a little but more subdued.
0:20:04 > 0:20:07You get the opportunity to talk about who you'd be bringing in,
0:20:07 > 0:20:10isn't now the time to really impress?
0:20:10 > 0:20:12I know everybody that's a star in Nashville.
0:20:12 > 0:20:17I know 'em all. So I'll bring as many of em as I can possibly get.
0:20:17 > 0:20:20I'm not going to limit myself or I'm not going to...
0:20:22 > 0:20:24..make too grandiose a promise.
0:20:24 > 0:20:28So, Lil Jon, what's Trace's biggest weakness?
0:20:28 > 0:20:31I think Trace's weakness is
0:20:31 > 0:20:33sometimes he's a little distant from the team.
0:20:33 > 0:20:36Like, he doesn't show a lot of his weaknesses.
0:20:36 > 0:20:38- If he has 'em, he doesn't show 'em all.- OK.
0:20:38 > 0:20:40- That's good.- But I'm not scared of anyone.- I know you're not.
0:20:40 > 0:20:42- I can go up against anyone. - I can see that.
0:20:42 > 0:20:44I can, I can bet on that.
0:20:44 > 0:20:47Trace, what do you think of what Lil Jon just said about you?
0:20:48 > 0:20:51He's correct. He can't find my weakness.
0:20:53 > 0:20:57You sort of said that, Lil Jon. It's OK, it's a complement.
0:20:57 > 0:21:01What about Lil Jon, what's his weakness, Trace?
0:21:01 > 0:21:04I just don't know if, going forward, he'll bring in the names.
0:21:04 > 0:21:06I don't know, I mean,
0:21:06 > 0:21:09it's not always as easy to get 'em here as you think it is.
0:21:09 > 0:21:11That's interesting.
0:21:14 > 0:21:17Penn, I guess I'd like to hear from you. You can't probably speak to
0:21:17 > 0:21:21Lil Jon as quite as easily, but knowing you're friends with Trace,
0:21:21 > 0:21:23what do you see as his biggest weakness?
0:21:23 > 0:21:27Uh, I think that Trace's...
0:21:30 > 0:21:34..biggest weakness is, uh, he,
0:21:34 > 0:21:36he occasionally fades.
0:21:36 > 0:21:41He is the smartest, he is the best player, he understands the game,
0:21:41 > 0:21:44but occasionally he will pull back a little bit.
0:21:44 > 0:21:48I don't know if that's strategy, I don't know if that's, uh...
0:21:48 > 0:21:50emotional.
0:21:50 > 0:21:54So I would say that that's the only weakness I saw and...
0:21:54 > 0:21:56He has really good ideas.
0:21:56 > 0:21:58He's really smart.
0:21:58 > 0:22:00He really knows what's going on.
0:22:00 > 0:22:02Lil Jon, how do I get over the fact
0:22:02 > 0:22:05that you lost as project manager?
0:22:05 > 0:22:08- Now, Trace was 2-0, he won both times as project manager...- Right.
0:22:08 > 0:22:11..and as project manager you lost and won.
0:22:11 > 0:22:15- Yes.- And you won 40,000,
0:22:15 > 0:22:18he won 710,000, so that's a big difference.
0:22:18 > 0:22:22- Well, I mean, he went first, he went first...- And he had a better team.
0:22:22 > 0:22:24And he had a better team, he picked his team.
0:22:24 > 0:22:27- By the way, which is a great tribute to him.- Right.
0:22:27 > 0:22:29- He picked his team.- Um...
0:22:29 > 0:22:32- I brought in...- Would you give him credit for picking that team,
0:22:32 > 0:22:34which was a good team, that I took him away from his own team?
0:22:34 > 0:22:36Yeah, I definitely can give him credit.
0:22:36 > 0:22:39Would you give yourself credit for that, Trace?
0:22:39 > 0:22:43The man that's left in here is the guy that I picked first.
0:22:43 > 0:22:45Because I knew that he and I together
0:22:45 > 0:22:49were going to be formidable. Unstoppable.
0:22:53 > 0:22:55Lil Jon, how do I get over the fact
0:22:55 > 0:22:58that he raised more money than anybody?
0:22:58 > 0:23:00That he had a great record,
0:23:00 > 0:23:03that he had a fantastic project manager record, undefeated,
0:23:03 > 0:23:04and you WERE defeated?
0:23:04 > 0:23:07- It's tough, right?- I mean, I've still been a tough player.
0:23:07 > 0:23:10You can't judge me on my team.
0:23:10 > 0:23:11If you're a superstar on a losing team,
0:23:11 > 0:23:13you can't do nothing about that
0:23:13 > 0:23:16- till they give you a good supporting cast.- That could be true.
0:23:18 > 0:23:19I agree. Ivanka, go ahead.
0:23:21 > 0:23:23- I think this is very difficult. - Very tough.
0:23:23 > 0:23:26- I think that...- Very tough. - ..you're both incredibly intelligent
0:23:26 > 0:23:29and couldn't be more different in terms of style.
0:23:29 > 0:23:31Yet you're both highly creative.
0:23:31 > 0:23:36So, I think you bring a lot of the same skillset to the table
0:23:36 > 0:23:39but you do so in a totally different way.
0:23:41 > 0:23:42I agree!
0:23:42 > 0:23:46Well, what I'm going to do is very tough for me, I'll be honest.
0:23:46 > 0:23:48Because I think you're both outstanding.
0:23:48 > 0:23:51I think Penn is outstanding, but I think you're both outstanding.
0:23:52 > 0:23:54And...
0:23:54 > 0:23:57we have to never lose sight of the fact
0:23:57 > 0:24:01that the Celebrity Apprentice/Apprentice,
0:24:01 > 0:24:03which is one of the most successful shows on television,
0:24:03 > 0:24:05has great credibility,
0:24:05 > 0:24:09and it is about winning, and it is about record.
0:24:10 > 0:24:13And his record HAS been better than your record.
0:24:13 > 0:24:15What I'm going to do is, because I believe so much
0:24:15 > 0:24:17in what you're doing for diabetes,
0:24:17 > 0:24:21I'm going to give you an extra 20,000.
0:24:21 > 0:24:25- I think you are absolutely fantastic, Lil Jon.- Thank you.
0:24:25 > 0:24:26But you're fired.
0:24:31 > 0:24:35- Thank you.- You did a fantastic job, thank you.- Congratulations, bro.
0:24:35 > 0:24:36- Thank you.- Congratulations.
0:24:38 > 0:24:39Well done, Jon.
0:24:49 > 0:24:50Good guy.
0:24:50 > 0:24:52- He's a good man.- Great guy.
0:24:52 > 0:24:53I wish I'd gotten to work with him.
0:24:56 > 0:24:58I would have loved to have been in the final two,
0:24:58 > 0:25:01I want to go in there and kick the boardroom table over,
0:25:01 > 0:25:03because I'm supposed to be in the final two.
0:25:03 > 0:25:05But, you know what? I played a great game
0:25:05 > 0:25:07and I stepped up when needed, so,
0:25:07 > 0:25:09you can tweet Mr Trump right now and tell him
0:25:09 > 0:25:11I should have been in the final two. Why don't y'all do that?
0:25:14 > 0:25:17Congratulations, you've done a fantastic job.
0:25:17 > 0:25:21You're in the finals of Celebrity Apprentice All-Star.
0:25:21 > 0:25:25You really competed against some very talented, wonderful people,
0:25:25 > 0:25:27but some really talented people.
0:25:27 > 0:25:28Smart people.
0:25:28 > 0:25:31You're going to win a lot of money for your charity.
0:25:31 > 0:25:35250,000 at least. That's big money.
0:25:35 > 0:25:37And it could be substantially more than that.
0:25:37 > 0:25:40So, good luck, go back to your suite.
0:25:40 > 0:25:44I'll see you tomorrow morning at the Trump building at 40 Wall Street.
0:25:44 > 0:25:45We're going to have some fun.
0:25:45 > 0:25:49- All right.- Thank you.- Thank you so much.- Great going.- Well done, guys.
0:25:50 > 0:25:53We're going to fight here first? No, you go ahead.
0:25:56 > 0:25:59This is probably the biggest final you've ever had.
0:25:59 > 0:26:00- Oh, by far.- By a lot!
0:26:00 > 0:26:03200lb and about six inches!
0:26:03 > 0:26:06- Good.- Let's go, baby.- Let's do it.
0:26:06 > 0:26:08The biggest finalists there are, it's true.
0:26:08 > 0:26:10I hate to say I told you so.
0:26:10 > 0:26:12PENN LAUGHS
0:26:12 > 0:26:14You love to say I told you so.
0:26:16 > 0:26:19Ah.
0:26:19 > 0:26:21This is the way I wanted it from day one,
0:26:21 > 0:26:23A lot of champagne and two non-drinkers, huh?
0:26:23 > 0:26:25Yes, how about that?
0:26:25 > 0:26:28I wanted to go up against Penn.
0:26:28 > 0:26:31That's the reason I picked him first to be on my team, because I knew
0:26:31 > 0:26:36that he and I together could make it all the way to the end of this game.
0:26:36 > 0:26:38Apple cider.
0:26:38 > 0:26:40Uh, I sure hope the best man doesn't win!
0:26:44 > 0:26:45To the finals.
0:26:45 > 0:26:49I respect Trace, I consider now, after this, Trace a friend,
0:26:49 > 0:26:53but I will be the All-Star Celebrity Apprentice.
0:26:53 > 0:26:58Not just the Celebrity Apprentice, the All-Star Celebrity Apprentice!
0:26:58 > 0:26:59Moi.
0:26:59 > 0:27:02It's just like we're two old men, sitting on the porch.
0:27:02 > 0:27:03PENN LAUGHS
0:27:03 > 0:27:06'I'm going to the matts on this one.'
0:27:06 > 0:27:08I'm going to bring everybody I can bring.
0:27:08 > 0:27:12If I can everybody in Hollywood to this son of a bitch, I'd bring 'em!
0:27:12 > 0:27:15Time to find some celebrities and some money.
0:27:15 > 0:27:16Good luck.
0:27:16 > 0:27:19There's no saving anything for tomorrow here.
0:27:19 > 0:27:21I mean, this is it.
0:27:46 > 0:27:50- Good morning.- Good morning.- Good morning. Oh, excuse me one second.
0:27:51 > 0:27:53- Ah, very good.- I wanted you to remember that the good guy
0:27:53 > 0:27:55will be in the white hat.
0:27:55 > 0:27:57Very good. What do you think of that, huh?
0:27:57 > 0:27:58I like it. All right.
0:27:58 > 0:28:02Penn, Trace, great job.
0:28:02 > 0:28:05Fired 12 people, smart people, talented people,
0:28:05 > 0:28:07you're left.
0:28:07 > 0:28:10Somebody's going to be the All-Star Celebrity Apprentice.
0:28:10 > 0:28:12How do you feel about it, Penn?
0:28:12 > 0:28:14I feel great, I'm having a great time,
0:28:14 > 0:28:17and I couldn't have a better person to play with or against
0:28:17 > 0:28:18than Trace, he's wonderful.
0:28:18 > 0:28:20OK, now,
0:28:20 > 0:28:23we're standing in one of the greatest buildings in New York.
0:28:23 > 0:28:27It's called the Trump Building at 40 Wall Street.
0:28:27 > 0:28:32One of my favourite tenants happens to be Duane Reade.
0:28:32 > 0:28:37Duane Reade is owned by Walgreens, a fantastic company, a hot company,
0:28:37 > 0:28:40and with me today from Walgreens...
0:28:40 > 0:28:43- Joe?- Continuing its rich tradition of innovation,
0:28:43 > 0:28:46Walgreens introduced Delish ice cream last year.
0:28:46 > 0:28:49For your last and most challenging task,
0:28:49 > 0:28:51you are going to create a unique flavour
0:28:51 > 0:28:52of Walgreens Delish ice cream
0:28:52 > 0:28:54which will be sold in over 8,000 Walgreens
0:28:54 > 0:28:57and Duane Reade locations nationwide.
0:28:57 > 0:28:58Oh, boy!
0:28:58 > 0:29:01When I heard we were tasked with coming up with
0:29:01 > 0:29:03a new flavour of ice cream,
0:29:03 > 0:29:05I thought, "Penn eats a lot of ice cream".
0:29:05 > 0:29:07Advantage Penn.
0:29:08 > 0:29:10In addition to creating the new flavour,
0:29:10 > 0:29:12you will design the packaging, you will create a promotional video
0:29:12 > 0:29:17and you will also sell up to 50 tickets for a VIP event
0:29:17 > 0:29:18that you will be hosting.
0:29:19 > 0:29:22My advisors are Ivanka and the great Joan Rivers.
0:29:22 > 0:29:25Now, Joan, you've won, you're a great winner.
0:29:25 > 0:29:28If they win, one of them will, how are they going to feel?
0:29:28 > 0:29:30For the rest of your life, people will say,
0:29:30 > 0:29:33"I saw you and I wanted you to win on Celebrity Apprentice."
0:29:33 > 0:29:36What it does for your charity,
0:29:36 > 0:29:39you can't even feel it except in your heart, it's amazing.
0:29:39 > 0:29:41It's just wonderful.
0:29:41 > 0:29:42Ivanka?
0:29:42 > 0:29:45You'll be judged based on the following criteria.
0:29:45 > 0:29:46Your ice cream's flavour,
0:29:46 > 0:29:49brand messaging and creativity of
0:29:49 > 0:29:52both the video and the product packaging,
0:29:52 > 0:29:56overall presentation and additional money raised through ticket sales.
0:29:57 > 0:30:00OK. I think you're going to need some helpers.
0:30:00 > 0:30:01Let's bring 'em up!
0:30:05 > 0:30:09- Nice hat!- Thank you!- Is this good versus evil?- Good versus evil.
0:30:10 > 0:30:11S'up, bro?
0:30:13 > 0:30:17You're coming over here? I'm very glad to see that!
0:30:17 > 0:30:19I'm great, thank you.
0:30:19 > 0:30:21All right. I've picked your teams.
0:30:21 > 0:30:26Trace, you've got Lil Jon, Gary and Marilu.
0:30:26 > 0:30:29Penn, you've got Lisa, La Toya and Dennis.
0:30:29 > 0:30:31How do you feel about your team?
0:30:31 > 0:30:33I haven't worked with Dennis and La Toya,
0:30:33 > 0:30:35so I'm thrilled to try that,
0:30:35 > 0:30:37and I am SO, so glad I've got Lisa.
0:30:37 > 0:30:40I can see that. That's why I gave Lisa to you.
0:30:40 > 0:30:42Thank you. That's very kind of you.
0:30:42 > 0:30:44That's all I worried about all last night.
0:30:44 > 0:30:46- Trace, how do you feel about your team?- Feel good about it.
0:30:46 > 0:30:49I've worked with Jon enough, and of course Marilu.
0:30:49 > 0:30:52If we're going to have some kind of an event,
0:30:52 > 0:30:55I've got the event goddess with me.
0:30:55 > 0:30:59And then Gary, what can you say, you know, he's a legend.
0:30:59 > 0:31:01Gary's doing great.
0:31:01 > 0:31:02I picked the teams because
0:31:02 > 0:31:05I really think they are going to be incredible,
0:31:05 > 0:31:08and you have all done an amazing job.
0:31:08 > 0:31:10There are no losers in this line,
0:31:10 > 0:31:13that I can tell you. OK, the winner
0:31:13 > 0:31:18is going to win 250,000 for your charity.
0:31:18 > 0:31:20All right? Go get em.
0:31:32 > 0:31:35OK, so this is our station.
0:31:35 > 0:31:37These are all ingredients that we get to play with.
0:31:37 > 0:31:38We can start with a base. You know,
0:31:38 > 0:31:40a base like vanilla, chocolate, peanut butter.
0:31:40 > 0:31:42What flavour you thinking of, homie?
0:31:42 > 0:31:45What's your flavour?
0:31:45 > 0:31:48'This is the real deal. We are tasked with'
0:31:48 > 0:31:50coming up with an ice cream flavour
0:31:50 > 0:31:54and then we make a 60-second commercial about it...
0:31:54 > 0:31:56- Jon, you're going to direct the video.- Really?!
0:31:56 > 0:31:59'..and then we have to have an event'
0:31:59 > 0:32:02to present this new ice cream flavour to the public.
0:32:02 > 0:32:05We all need to start trying to determine
0:32:05 > 0:32:07how many tickets we're each going to need.
0:32:07 > 0:32:10Each ticket has to go for as much as we can get.
0:32:10 > 0:32:11Right.
0:32:11 > 0:32:13I'm going to sell mine from anywhere
0:32:13 > 0:32:17from 5,000 to a quarter of a million dollars apiece.
0:32:19 > 0:32:21Hey, Nancy, hi!
0:32:22 > 0:32:24I'm good, did you get my message?
0:32:24 > 0:32:28At the end of this task, the winner is going to receive,
0:32:28 > 0:32:31in addition to what you raised on your own,
0:32:31 > 0:32:34another quarter of a million dollars.
0:32:34 > 0:32:38And if I win, the money goes to the American Red Cross.
0:32:38 > 0:32:41Last year I was out of town when my house burned,
0:32:41 > 0:32:44and the Red Cross was there when I couldn't be there.
0:32:44 > 0:32:48They looked after the, uh,
0:32:48 > 0:32:51the emotional and physical wellbeing of my family
0:32:51 > 0:32:56after a house fire, and I was 2,000 miles away.
0:32:58 > 0:33:01There is no more noble...
0:33:02 > 0:33:05..charity in this country than the American Red Cross.
0:33:05 > 0:33:07It's not even an option.
0:33:07 > 0:33:10- Losing is not even an option in this deal.- I know.
0:33:12 > 0:33:14- Oh, look at this! - Oh, it's a kitchen!
0:33:14 > 0:33:17It's a kitchen! How exciting!
0:33:17 > 0:33:19We're going to be working here, look at all the products.
0:33:19 > 0:33:22Penn, these are the ingredients we're going to be working with.
0:33:22 > 0:33:26It's a whole different kind of feeling on the final task.
0:33:26 > 0:33:28What's your favourite flavour of ice cream, Dennis?
0:33:28 > 0:33:30The typicals.
0:33:30 > 0:33:33I hate to say this, but I'm a chocolate and vanilla guy.
0:33:33 > 0:33:36It's a game up until now, and now for the final task
0:33:36 > 0:33:38it really is about the charity,
0:33:38 > 0:33:41and when I win, that's another quarter million
0:33:41 > 0:33:43that'll go to Opportunity Village,
0:33:43 > 0:33:45and I want to give them that money, I really do.
0:33:45 > 0:33:48I think I can, I have a good shot. I get Vegas.
0:33:48 > 0:33:50Vegas can beat Nashville, right? Sure!
0:33:50 > 0:33:52Can I take a moment with your attention?
0:33:52 > 0:33:54My charity is Opportunity Village.
0:33:54 > 0:33:59- OK.- And in the early '60s, Wayne Newton, Elvis Presley
0:33:59 > 0:34:01and Colonel Parker
0:34:01 > 0:34:05were very concerned about people with intellectual disabilities.
0:34:05 > 0:34:07The idea of Opportunity Village
0:34:07 > 0:34:11was to take these people, and they'd build kitchens
0:34:11 > 0:34:14and they'd build restrooms and teach them
0:34:14 > 0:34:18- to do jobs.- Oh, how sweet.- And they'd go out into society.
0:34:18 > 0:34:22The jobs that you would never take are the jobs they desperately want.
0:34:22 > 0:34:25Penn sat us down and really shared with us
0:34:25 > 0:34:29the genesis of Opportunity Village.
0:34:29 > 0:34:31The fact that Elvis started this
0:34:31 > 0:34:33and that Wayne Newton is a part of it,
0:34:33 > 0:34:35these are, like, icons.
0:34:35 > 0:34:37- It's Elvis' charity, man. - Wow.- That's wonderful.
0:34:37 > 0:34:39Think about every one of those scarves,
0:34:39 > 0:34:43every one of those scarves was made at Opportunity Village.
0:34:43 > 0:34:46They would be sewed by them and Elvis would kiss it
0:34:46 > 0:34:48and it went out to the fans.
0:34:48 > 0:34:50I'm sorry, this makes me cry. I mean,
0:34:50 > 0:34:52the pride of someone who has a job...
0:34:53 > 0:34:57Excuse me. ..working in a kitchen is greater than the pride of
0:34:57 > 0:34:59winning an Academy Award.
0:34:59 > 0:35:01Excuse me, I'm so sorry.
0:35:01 > 0:35:02Don't cry.
0:35:02 > 0:35:04To see him get vulnerable,
0:35:04 > 0:35:07that's what it's all about. That's why we're here.
0:35:07 > 0:35:09I love that, I didn't know that's what it was.
0:35:09 > 0:35:11So that's what Opportunity Village is.
0:35:11 > 0:35:14And...it's Elvis' charity!
0:35:14 > 0:35:16I know!
0:35:16 > 0:35:18And...it's Elvis' charity!
0:35:30 > 0:35:31Trace is going to do down home.
0:35:31 > 0:35:33Yeah, and you gotta go the other way.
0:35:33 > 0:35:37I would really like to tie it in with Vegas and with magic.
0:35:37 > 0:35:40We've got to design an ice cream flavour.
0:35:40 > 0:35:44So the one flavour has to be presented by six o'clock.
0:35:44 > 0:35:47And that's going to be based on what the customers like better.
0:35:47 > 0:35:51Then we have to also make an up to 60-second video
0:35:51 > 0:35:54launching our ice cream flavour.
0:35:54 > 0:35:57What Teller and I are known for, you know, is Vegas.
0:35:57 > 0:36:02I think that in the commercial we're going to use Penn & Teller.
0:36:02 > 0:36:04And four showgirls.
0:36:04 > 0:36:05Shut up!
0:36:05 > 0:36:09We then have to host the whole thing, raising money,
0:36:09 > 0:36:12selling 50 tickets to this ice cream social
0:36:12 > 0:36:13to make as much money as we can.
0:36:13 > 0:36:15It's an ice cream social.
0:36:15 > 0:36:18Ice cream social, Vegas-style.
0:36:18 > 0:36:19Ice cream social, Vegas-style. Excellent.
0:36:19 > 0:36:22Now, uh, door prizes,
0:36:22 > 0:36:24you got any great door prizes?
0:36:24 > 0:36:27I would think, like, a sports door prize?
0:36:27 > 0:36:29- This is where I come in at. - I would think!
0:36:29 > 0:36:31'Trace has a good, solid plan.'
0:36:31 > 0:36:33He's not going to make dirt ice cream.
0:36:33 > 0:36:34He's not going to just plain screw the pooch.
0:36:34 > 0:36:36So there's a lot to do.
0:36:36 > 0:36:38Oh, boy! She's got ice cream!
0:36:38 > 0:36:41Oh, that's some good eatin'.
0:36:41 > 0:36:43- You want a big spoon! - What are you doing?
0:36:44 > 0:36:49We have such a lovely ice cream wizard and her name is Katie,
0:36:49 > 0:36:51and I like the idea that we have a wizard,
0:36:51 > 0:36:54because Penn is all about magic.
0:36:54 > 0:36:56Penn is really passionate about the macadamia nuts.
0:36:56 > 0:36:58- And the caramel.- And the caramel.
0:36:58 > 0:37:02- Butter pecan is really good.- I love that!- But I'm thinking Sin City.
0:37:02 > 0:37:03Yeah, yeah, I like that.
0:37:03 > 0:37:06We get to do two flavours, then you get to pick one.
0:37:06 > 0:37:09Sin City, buttery, pecan...
0:37:09 > 0:37:10is one of them.
0:37:10 > 0:37:13This is Sin City without a gamble.
0:37:13 > 0:37:15- That's good.- 'But the second flavour of ice cream,
0:37:15 > 0:37:17'we're struggling with it.'
0:37:17 > 0:37:18Vegas Magic Gold.
0:37:18 > 0:37:22We have a little chocolate piece that looks like a turtle.
0:37:22 > 0:37:26Oh, they're cute, look at... They're like little baby turtles!
0:37:26 > 0:37:27They are!
0:37:27 > 0:37:30- And it's filled with caramel. - Caramel chocolate in vanilla?
0:37:30 > 0:37:36Chocolate makes a difference. It's vanilla base, chocolate swirl...
0:37:36 > 0:37:38- Or revel.- ..and Turtle pieces. - And Turtle pieces.
0:37:38 > 0:37:39Is that the one with the swirl?
0:37:39 > 0:37:42Cos we could name it Vegas Magic Swirtle!
0:37:42 > 0:37:44- Swirtle!- Swirtle!
0:37:44 > 0:37:46What a cute idea!
0:37:46 > 0:37:47We could name it Vegas Magic Swirtle!
0:37:47 > 0:37:49It's the one with the swirl!
0:37:49 > 0:37:51- Swirtle!- Swirtle!- Swirtle!
0:37:51 > 0:37:54- Swirtle, it's a swirtle! - You are a genius!
0:37:54 > 0:37:57- Swirtle!- Swirtle!
0:37:57 > 0:37:59When La Toya said "swirtle",
0:37:59 > 0:38:01which was the swirl of the chocolate,
0:38:01 > 0:38:04with the -rtle of the turtle, I was thrilled to pieces.
0:38:04 > 0:38:06I think that might be my new favourite word.
0:38:06 > 0:38:08Swirtle!
0:38:08 > 0:38:11I think we all do our happy dance.
0:38:11 > 0:38:13Dennis, can you play our little happy dance?
0:38:13 > 0:38:15- No.- No!
0:38:16 > 0:38:19We had two things going on, but with magic swirtle I felt
0:38:19 > 0:38:23the groove, I felt the needle go...and just fall right in there.
0:38:23 > 0:38:24I'm loving the swirtle.
0:38:24 > 0:38:28What if we get to our taste test and people go, "I hate this"?
0:38:28 > 0:38:29We kill ourselves.
0:38:29 > 0:38:30LAUGHTER
0:38:35 > 0:38:39Let's just go all, just as decadent as we can be.
0:38:39 > 0:38:42We've got peanut butter, the chocolate, the caramel,
0:38:42 > 0:38:45the strawberry, peanut butter, uh, buttercream...
0:38:45 > 0:38:50'We had our dedicated ice cream wizard, Logan.'
0:38:50 > 0:38:53Logan was there to help us develop
0:38:53 > 0:38:55the flavour that we wanted to do.
0:38:55 > 0:38:57If we're going to go dairy, let's go dairy.
0:38:57 > 0:38:59Load it up with that buttercream.
0:38:59 > 0:39:02- It's butter fat.- Yeah, you could do buttercream...- Just put fat in it.
0:39:03 > 0:39:07They said we gotta choose two options for the flavour.
0:39:07 > 0:39:10'We have to create two different ice cream flavours'
0:39:10 > 0:39:13and then we're going to let the public try 'em out
0:39:13 > 0:39:15later in the day. Whichever one the public picks
0:39:15 > 0:39:17is the one we'll go with.
0:39:17 > 0:39:20You know those maple nut candies?
0:39:20 > 0:39:23- Yup.- That's my favourite candy.
0:39:23 > 0:39:26- OK.- What about red velvet?- Yup. - You've got red velvet stuff?
0:39:26 > 0:39:28We've got red velvet background flavour,
0:39:28 > 0:39:30we've got red velvet caramel, so we can really build you
0:39:30 > 0:39:33- a lot of red velvet.- I like red velvet cake.- Awesome.
0:39:33 > 0:39:35Yeah, let's do that. We do red velvet
0:39:35 > 0:39:38- and we do maple nut, blah, blah, blah.- OK.
0:39:38 > 0:39:41'We've come down to two of my own personal favourite things.
0:39:41 > 0:39:44'I like red velvet cake.'
0:39:44 > 0:39:46- What is that? - That's your red velvet.
0:39:46 > 0:39:48Red velvet, look.
0:39:48 > 0:39:52And my favourite candy is maple nut candy,
0:39:52 > 0:39:53so we went with those two things.
0:39:53 > 0:39:55I haven't tasted ice cream like this, ever.
0:39:58 > 0:40:01I had a little, teeny, tiny, tiny little
0:40:01 > 0:40:04minuscule scoop just to be able to taste to it.
0:40:04 > 0:40:06Gary had his own pint, Gary, he was
0:40:06 > 0:40:09our champion taste-tester on our team.
0:40:09 > 0:40:11May the spoon be with you!
0:40:11 > 0:40:15Especially when you have Delish ice cream.
0:40:17 > 0:40:20# Maple Macadamia, Maple Macadamia
0:40:20 > 0:40:23# Maple Macadamia, get one today! #
0:40:23 > 0:40:26Gary was definitely on a sugar rush for a while.
0:40:26 > 0:40:27Woo!
0:40:29 > 0:40:31But what comes up must come down.
0:40:31 > 0:40:33- Um... - SNORING
0:40:33 > 0:40:36I just put elephant tranquiliser in Gary's ice cream sample.
0:40:38 > 0:40:42I'm going to the pet store tonight and getting a shocking collar.
0:40:42 > 0:40:43For Gary.
0:40:53 > 0:40:55Well, I don't know what you agree on,
0:40:55 > 0:40:57- cos it seems really good to me.- Woo!
0:40:57 > 0:40:59Final task is a whopper!
0:40:59 > 0:41:02I need tickets given out to where?
0:41:02 > 0:41:05It's heavily celebrity-driven.
0:41:05 > 0:41:09You get 50 tickets to sell for however much you want.
0:41:09 > 0:41:12- You have people, Lisa?- OK, oh, my God, it rang.
0:41:12 > 0:41:14You have exactly what we need.
0:41:14 > 0:41:17So, we gotta get a lot of celebrities, a lot of people here.
0:41:17 > 0:41:19Thinking about my jersey and a Derek Jeter jersey.
0:41:19 > 0:41:22And we've got to get ka-ching ka-ching.
0:41:22 > 0:41:26OK, so, what we want to do is, we want to see our images.
0:41:26 > 0:41:28I can't look at these right now, but I'll call Wayne Newton,
0:41:28 > 0:41:31that should not be too long of a call.
0:41:31 > 0:41:32'As far as money is concerned,'
0:41:32 > 0:41:34Trace can cast a very wide net.
0:41:34 > 0:41:37- 'Hello.'- Hello, can I speak to Wayne Newton, please?
0:41:37 > 0:41:39This is Penn, Penn Jillette of Penn & Teller.
0:41:39 > 0:41:42'I'm not wishing I'm going to win, I'm not hoping I'm going to win,'
0:41:42 > 0:41:45I am working as hard as I can so I will win
0:41:45 > 0:41:49250,000 to a charity that is close to my heart.
0:41:50 > 0:41:52Wonderful. I am here with
0:41:52 > 0:41:54Lisa Rinna, La Toya Jackson
0:41:54 > 0:41:57and Dennis Rodman, I think all of whom you know.
0:41:59 > 0:42:00- ALL:- Hi, Wayne!
0:42:00 > 0:42:02I am a finalist for Opportunity Village, which, of course,
0:42:02 > 0:42:04is your charity,
0:42:04 > 0:42:08and if you would come and deliver a big cheque from Caesars
0:42:08 > 0:42:11and try some ice cream and give, you know, Mr Las Vegas
0:42:11 > 0:42:14a little run in New York City. Can you do that for us Monday?
0:42:29 > 0:42:32'I mean, I'm asking an awful lot'
0:42:32 > 0:42:34of Wayne, an awful lot.
0:42:34 > 0:42:37Well, we hope you can make it, man. We'll look forward to seeing you.
0:42:39 > 0:42:42I wasn't confident that Wayne Newton could make it.
0:42:42 > 0:42:47The more famous the Vegas showperson is
0:42:47 > 0:42:50'the less likely they are to be hanging out in New York.'
0:42:50 > 0:42:51Thanks a lot, Wayne.
0:42:51 > 0:42:53- BOTH:- Bye, Wayne!
0:42:55 > 0:42:56- Bye-bye.- Oh, he'll come.
0:43:12 > 0:43:14Team Trace!
0:43:14 > 0:43:16- Hey, hi!- Hello, hello, hello!
0:43:16 > 0:43:18- It smells great.- How you doing?
0:43:18 > 0:43:19Hello, my darling.
0:43:19 > 0:43:22'Joan Rivers. She's a feminine mystery
0:43:22 > 0:43:25'and a feminine magical powerhouse.'
0:43:25 > 0:43:29She fixed her hair up like she came from another galaxy.
0:43:29 > 0:43:32She goes for the jugular when it's necessary.
0:43:32 > 0:43:35That's what I respect about her. She doesn't pull punches.
0:43:35 > 0:43:39- And my darling.- How are you, love?
0:43:39 > 0:43:44This is, oh, look at this, this is why I'm glad I'm not in this team.
0:43:44 > 0:43:45Indulge.
0:43:45 > 0:43:48- Where are you along the line? - We are either going with
0:43:48 > 0:43:51a Maple Macadamia or...
0:43:51 > 0:43:55red velvet is my favourite cake, so we went with the red velvet cupcake.
0:43:55 > 0:44:00They're going to be....civilians tasting this stuff.
0:44:00 > 0:44:01We'll watch their faces.
0:44:01 > 0:44:04We'll just watch their faces and see what kind of reaction we get.
0:44:04 > 0:44:07- There's three distinct parts, kind of here.- Right.
0:44:07 > 0:44:12The product, the video, which means your presentation...
0:44:12 > 0:44:14- Right.- ..and then it's the big party.- Right.
0:44:14 > 0:44:17They probably have a leg up, just because...
0:44:17 > 0:44:19Penn's got the biggest rolodex, ever.
0:44:19 > 0:44:21Penn's got the biggest rolodex I've ever seen.
0:44:21 > 0:44:24So, are you sitting down now and going through your rolodexes
0:44:24 > 0:44:27- and saying...- Yes. - Who do you think you can get?
0:44:27 > 0:44:28We're trying to do that.
0:44:28 > 0:44:30So, who have you called on?
0:44:30 > 0:44:35Tim McGraw turned me down, Blake Shelton. Toby's doing Leno that day,
0:44:35 > 0:44:37so he's turned me down.
0:44:37 > 0:44:39'Any time you're doing a fundraising task'
0:44:39 > 0:44:42you're going to worry whether the donors
0:44:42 > 0:44:44and the celebrities are going to show up,
0:44:44 > 0:44:48'but I think I can probably compete with Penn.'
0:44:48 > 0:44:51I wanted Big Show, the biggest wrestler I know, to come,
0:44:51 > 0:44:53but he's in Spain.
0:44:53 > 0:44:54It's very tough.
0:44:54 > 0:44:55It is tough.
0:44:55 > 0:45:00I think Team Trace doesn't have the star access
0:45:00 > 0:45:02that Penn's team has.
0:45:02 > 0:45:05I mean, country and western, Marilu,
0:45:05 > 0:45:08half of her friends are dead already.
0:45:08 > 0:45:11Gary Busey, I don't think his Christmas card list is gigantic.
0:45:11 > 0:45:15- See you at the party. - Yeah.- Yes, ma'am.- Bye.
0:45:18 > 0:45:20OK, now we really have to do this.
0:45:31 > 0:45:33What are the images we want?
0:45:33 > 0:45:36Las Vegas, top hat, bunny.
0:45:36 > 0:45:38- There's no mystery here.- OK.
0:45:38 > 0:45:44But in the bottom of the container - poof, it's gone.
0:45:44 > 0:45:46Cute!
0:45:46 > 0:45:48- I know I am, but it's also a good idea.- Cute!
0:45:48 > 0:45:51- I know I am but it's also a good idea.- Cute!
0:45:51 > 0:45:55Super-cute. Super-good.
0:45:55 > 0:45:58One of those extra touches that you just go...
0:45:58 > 0:45:59Poof, it's gone!
0:45:59 > 0:46:01Or disappeared or whatever.
0:46:01 > 0:46:04Those are those beautiful creative moments in advertising
0:46:04 > 0:46:07and branding that just might come through you.
0:46:07 > 0:46:08Poof, it's gone.
0:46:08 > 0:46:11THEY LAUGH
0:46:11 > 0:46:14'I think Penn is a genius writer. It just comes through him.'
0:46:14 > 0:46:16He's better than anybody at it.
0:46:17 > 0:46:20- Ta-da.- Hello, Joan!
0:46:20 > 0:46:23So are you all just dying cos of calories?
0:46:23 > 0:46:27Takes more calories than you have just to keep me alive for a day.
0:46:27 > 0:46:29Team Penn.
0:46:29 > 0:46:32I love Joan Rivers. She's been there, she's done it.
0:46:32 > 0:46:37To have the only female that's won Celebrity Apprentice come in
0:46:37 > 0:46:42with her wisdom, I mean, please - Joan knows how to work it
0:46:42 > 0:46:45like nobody's business and I admire her greatly.
0:46:45 > 0:46:47Dennis, you know, is very flamboyant.
0:46:47 > 0:46:49He's like a black Liberace.
0:46:49 > 0:46:51LAUGHTER
0:46:51 > 0:46:56- But we had great times working together.- We sure did. We sure did.
0:46:56 > 0:46:59Dennis, what you see is not what you get.
0:46:59 > 0:47:01- That's right.- Yeah, I know.
0:47:01 > 0:47:05- So, happy, not happy? - Deliriously happy, I think.
0:47:05 > 0:47:08We are doing a Vegas magic theme.
0:47:08 > 0:47:12- Which means? Calories disappear? - Yeah, exactly.- Yeah!
0:47:12 > 0:47:17We have a delicious new vanilla chocolate magic "swirtle" ice cream.
0:47:17 > 0:47:19And swirtle is a combination,
0:47:19 > 0:47:22a little turtle candy with a swirl of chocolate.
0:47:22 > 0:47:25The other one is sin city, then we got Wayne Newton coming in.
0:47:25 > 0:47:29- To the party? - Yes.- That's amazing!
0:47:29 > 0:47:32There is a small problem.
0:47:32 > 0:47:36Wayne Newton said on the phone, "Count on me,"
0:47:36 > 0:47:40BUT he as a parade in Arizona.
0:47:40 > 0:47:41He said, "Count on me..."
0:47:41 > 0:47:44This task, they want celebrities,
0:47:44 > 0:47:47so the wheels are turning and you're going,
0:47:47 > 0:47:50"Wow, is Wayne Newton going to make it?"
0:47:50 > 0:47:54- You just don't know. - I'll probably have, on top of that,
0:47:54 > 0:47:57Debbie Harry, Dick Cavett, a few other friends coming in.
0:47:57 > 0:48:00- You're all friends?- Just like you love all the other comics.
0:48:00 > 0:48:02I love all the other comics(!)
0:48:02 > 0:48:04LAUGHTER
0:48:04 > 0:48:07- So you guys are in very good shape, then?- Yeah, we think so.
0:48:07 > 0:48:09We think so.
0:48:09 > 0:48:13You know, we were originally called Plan B and as you know,
0:48:13 > 0:48:15things always crash and burn and talk to me tomorrow when
0:48:15 > 0:48:17Wayne Newton's fallen through.
0:48:17 > 0:48:22I think Penn's magic, Vegas concept is...brilliant.
0:48:22 > 0:48:25The only negative I saw, really,
0:48:25 > 0:48:29in Penn's group was that we all know celebrities say yes, yes, yes,
0:48:29 > 0:48:31and then suddenly, "Well, I couldn't make it."
0:48:31 > 0:48:35It's wonderful, great, I look forward to the party.
0:48:35 > 0:48:38Yeah, and the ice cream. Which you will eat, what, like a half a spoon?
0:48:38 > 0:48:42Whatever they put in their mouths, I would put in my mouth.
0:48:42 > 0:48:45- And that's your rule for life, isn't it?- That's my rule for life.
0:48:45 > 0:48:47LAUGHTER
0:48:57 > 0:48:58# Let's go
0:48:58 > 0:49:00# Feeling good
0:49:00 > 0:49:01# Don't believe
0:49:01 > 0:49:03# What you would
0:49:03 > 0:49:06# Do if you didn't have the Maple Macadamia Nut
0:49:06 > 0:49:08# Hey, hey... #
0:49:08 > 0:49:10HE SINGS INCOHERENTLY
0:49:10 > 0:49:14OK, Gary, come on, you and I gotta go to the taste test thing.
0:49:14 > 0:49:15OK.
0:49:15 > 0:49:19Trace decided that he and Gary would go to do the taste test.
0:49:19 > 0:49:21Really, really look at their faces.
0:49:21 > 0:49:27- You know?- Yeah. That'll give us a good signal what to do.- Mm-hm.
0:49:27 > 0:49:31So he and Gary went and I said, "Make sure you look at their faces.
0:49:31 > 0:49:33"When somebody tastes the ice cream, make sure you're getting
0:49:33 > 0:49:37"the reaction from the way they're responding to it."
0:49:37 > 0:49:40We're going to Duane Reade,
0:49:40 > 0:49:43we're going to watch them taste our ice cream.
0:49:43 > 0:49:46- OK, we want to watch their faces. - Yeah, and see which one they prefer.
0:49:46 > 0:49:50I'm really good at watching people's faces, no matter what they're doing,
0:49:50 > 0:49:52to get an expression off of that that I can use in
0:49:52 > 0:49:55my improvisational spontaneity creative art.
0:49:56 > 0:49:58- Repeat that.- No.
0:49:58 > 0:50:00GARY LAUGHS
0:50:01 > 0:50:05- SHOUTING:- We have an ice cream tasting contest!
0:50:05 > 0:50:08Right back here in the corner of the store!
0:50:08 > 0:50:12When it came time for us to go to the location and do
0:50:12 > 0:50:14the actual taste test,
0:50:14 > 0:50:16there wasn't even a question in my mind
0:50:16 > 0:50:18I was going to take Gary with me.
0:50:18 > 0:50:22- SHOUTING:- Feel free to come and eat some free ice cream!
0:50:22 > 0:50:25And your face will tell us how you like it!
0:50:25 > 0:50:29- TRACE LAUGHS - OK. Good.
0:50:29 > 0:50:33'I was already fairly certain which one I was going to go with,
0:50:33 > 0:50:35'but I wanted to see'
0:50:35 > 0:50:37the reaction of these people.
0:50:37 > 0:50:39Keep control of yourself. Come on, folks.
0:50:39 > 0:50:43This is Red Velvet and this is Maple Macadamia Nut.
0:50:43 > 0:50:45Isn't that good?
0:50:45 > 0:50:48- I like it.- That's one! - Yummy, creamy.
0:50:48 > 0:50:51When you walk through the streets, tell people how good
0:50:51 > 0:50:53Delish maple ice cream is.
0:50:53 > 0:50:56- Well, they can't have that yet. - Huh?- They can't get that yet.
0:50:56 > 0:50:58- Why can't they?- They just can't.
0:50:58 > 0:51:00- Why?- Cos we just invented it. - Oh, we just invented it.
0:51:00 > 0:51:03- You did not really just invent it. - Yeah, we did, too.- Liars.
0:51:03 > 0:51:06Yeah, we did. Another Maple Macadamia.
0:51:06 > 0:51:10Come on up, those who want a free punch of ice cream!
0:51:10 > 0:51:11Which one do you like?
0:51:11 > 0:51:16- Maple. - See? All right, good.- OK.
0:51:16 > 0:51:18OK, get ready.
0:51:18 > 0:51:19Change.
0:51:21 > 0:51:23- That's pretty good.- Mark down maple!
0:51:23 > 0:51:26- What's your favourite? - I like this one.
0:51:26 > 0:51:28- You like the Red Velvet? - You like Red Velvet.- Mm-hm.
0:51:28 > 0:51:31- She's a Red Velvet fan. - OK. Red Velvet.
0:51:31 > 0:51:34One woman came in, very attractive,
0:51:34 > 0:51:40and she had the honest, authentic look of a Red Velvet queen.
0:51:40 > 0:51:46She liked Red Velvet. Everyone else went for Maple Macadamia.
0:51:46 > 0:51:51It's the Maple Macadamia. 9-1. 9-1 over Red Velvet.
0:51:51 > 0:51:56- Yeah, that's the one we're going with.- OK. All right, bye.
0:51:56 > 0:51:58Yay!
0:51:58 > 0:51:59# Maple Macadamia
0:51:59 > 0:52:02# Maple Macadamia, get one today! #
0:52:05 > 0:52:08I know you're in a hurry but it'll take two seconds just to sample it
0:52:08 > 0:52:11- and tell me what you think. - Let me give it a shot.- OK, great.
0:52:11 > 0:52:13Hold on, sorry, Melissa...
0:52:13 > 0:52:16Oh. Dennis. How we doing?
0:52:16 > 0:52:19Dennis and I went over to Walgreens.
0:52:19 > 0:52:22We want to test the people and see which flavour they prefer -
0:52:22 > 0:52:25Sin City or the Magic Swirtle.
0:52:25 > 0:52:29- Can you tell me what you like about it?- I like the fudge.
0:52:29 > 0:52:31"I love the fudge."
0:52:31 > 0:52:33Would you like to sample some ice cream?
0:52:33 > 0:52:36- Is there a whopper in there? - The swirtle is mixed with chocolate.
0:52:36 > 0:52:38- It's so good.- Right, right?
0:52:38 > 0:52:40Can I just take the whole tub or...?
0:52:40 > 0:52:42Everybody likes the chocolate.
0:52:42 > 0:52:44It's very interesting when people try the ice cream,
0:52:44 > 0:52:46everyone's palate is different.
0:52:46 > 0:52:48- Ice cream... - This one, it's called the swirtle.
0:52:48 > 0:52:51- Did an excellent job making it. - Thank you.
0:52:51 > 0:52:53- It's creamy and delicious. - Look at this guy.
0:52:53 > 0:52:56All the people, everyone loved the Magic Swirtle.
0:52:56 > 0:52:59- Did you make these? - Yes, we did.- Today.
0:52:59 > 0:53:01- A new profession for you?- Yes.
0:53:01 > 0:53:02LAUGHTER
0:53:02 > 0:53:04- I like the swirtle. - You like the swirtle?
0:53:04 > 0:53:07I thought Magic Swirtle was absolutely great and that was
0:53:07 > 0:53:10my choice. I knew it would win everything.
0:53:10 > 0:53:13- So who's the winner? - Who do you think?
0:53:13 > 0:53:14You can see it - the swirtle.
0:53:14 > 0:53:17I should call them and let them know.
0:53:17 > 0:53:19- 'Hello?'- Hi, Penn?
0:53:19 > 0:53:23- Yes.- Basically, everybody loves the swirtle. OK.
0:53:23 > 0:53:25Put a couple on there.
0:53:25 > 0:53:28Everybody loved the swirtle more than the other.
0:53:28 > 0:53:30They loved it for being crunchy and creamy.
0:53:30 > 0:53:33Report back was that people loved the swirtle.
0:53:33 > 0:53:35They were digging the swirtle. They were down with the swirtle.
0:53:35 > 0:53:37They were chillin' with the swirtle.
0:53:37 > 0:53:41The big problem on this is it's a little hard to understand
0:53:41 > 0:53:44- "swirtle" if you don't know "turtle".- I know.
0:53:44 > 0:53:47But, you know, you don't want to eat something you don't know what it is.
0:53:47 > 0:53:50I don't think we have as strong a name as we thought we did.
0:53:50 > 0:53:53- I hope we have really good ice cream and really a lot of money.- Yeah.
0:53:53 > 0:53:55All of a sudden I got really worried
0:53:55 > 0:53:58that swirtle would be too mysterious.
0:53:58 > 0:54:02- Swirtle's cute, but I'm a little... - It is.- It's cute.
0:54:02 > 0:54:05Still felt like that swirtle was hanging out there all pink and naked
0:54:05 > 0:54:08and I didn't want people to be confused.
0:54:08 > 0:54:10What do you think would be stronger?
0:54:13 > 0:54:17If I do think of something stronger right now I'll just kill myself.
0:54:17 > 0:54:21- Don't do that.- I mean, that's... We're stuck with swirtle.
0:54:27 > 0:54:30Have we come up with any names?
0:54:30 > 0:54:34Either "ravishing" or something, or something...Maple Macadamia Medley.
0:54:34 > 0:54:38'I like to think of the final task as the greatest hits task.
0:54:38 > 0:54:40'The first day was the ice cream flavour,
0:54:40 > 0:54:44'the second was the commercial and the third was the party.
0:54:44 > 0:54:46'So we had a lot to do in a very short period of time.
0:54:46 > 0:54:50'And Trace knew Lil Jon was going to deliver on the commercial.'
0:54:50 > 0:54:52It was just, what's the commercial going to be?
0:54:52 > 0:54:54And of course that started with the flavour.
0:54:54 > 0:54:57Maple Macadamia Medley. Or Mashup.
0:54:57 > 0:55:01Maple Macadamia Mashup.
0:55:01 > 0:55:05- That's what you said? - Yeah, Maple Macadamia Mashup.
0:55:05 > 0:55:07That's not bad.
0:55:07 > 0:55:09- Match up?- Mashup is like a mashup,
0:55:09 > 0:55:11it's like, it's two things put together.
0:55:11 > 0:55:13They put two totally different songs together...
0:55:13 > 0:55:16- What about mix and match...? - ..mashing 'em up.
0:55:16 > 0:55:18Mashup - where you take two flavours,
0:55:18 > 0:55:20two songs or whatever and blend them together.
0:55:20 > 0:55:23Or two anything and blend them together.
0:55:23 > 0:55:26It...sounds like potatoes when I hear it.
0:55:26 > 0:55:28It's not. Not to a younger crowd.
0:55:28 > 0:55:32I think Marilu said mashup or Lil Jon said mashup.
0:55:32 > 0:55:35Yeah, that's cool. It's perfect, actually,
0:55:35 > 0:55:40because of social media, the youth element, it's perfect.
0:55:40 > 0:55:44Think it should be you getting filmed on the viral video.
0:55:44 > 0:55:47Like, people will tweet you doing something with the ice cream...
0:55:47 > 0:55:49to the next person. I just think that makes sense.
0:55:49 > 0:55:52Especially after the dog thing.
0:55:54 > 0:55:57I definitely know how to utilise Gary to the fullest.
0:55:57 > 0:56:00When I heard we had to do a video concept, I was like,
0:56:00 > 0:56:01"We gotta use Gary in it."
0:56:01 > 0:56:05What if he's eating a ice cream and he does it - Gary's eating
0:56:05 > 0:56:08the ice cream and he starts to do the Busey dance.
0:56:08 > 0:56:10Because he likes the ice cream so much.
0:56:10 > 0:56:12And then it turns into a craze.
0:56:12 > 0:56:14I can make up the Busey dance.
0:56:14 > 0:56:17It will scare you and make you laugh.
0:56:17 > 0:56:20"Whoa, God, what is that?!"
0:56:20 > 0:56:24It's definitely realistic for him to be doing something crazy,
0:56:24 > 0:56:26and that's a viral video.
0:56:26 > 0:56:29You should start working on some moves.
0:56:31 > 0:56:33Let me go out here.
0:56:40 > 0:56:42I like that.
0:56:44 > 0:56:47We want Gary to do some kind of goofy dance.
0:56:47 > 0:56:51And then all of a sudden it becomes a viral thing that catches on,
0:56:51 > 0:56:54like Gangnam, that kind of thing.
0:56:54 > 0:56:57I want to put him in Speedo, myself.
0:56:57 > 0:56:59Or a thong!
0:56:59 > 0:57:01Oh, don't worry, it's going to come.
0:57:01 > 0:57:03Oh, my goodness.
0:57:03 > 0:57:06What do you say, you want to dance with me?
0:57:06 > 0:57:08Not yet. I don't think you've hit on it yet.
0:57:17 > 0:57:19It's day two of the final task.
0:57:19 > 0:57:23- So this is our room. - Hello, everybody.- Very nice.
0:57:23 > 0:57:26And the task is to design, create an ice cream,
0:57:26 > 0:57:28do all the packaging for the ice cream,
0:57:28 > 0:57:32do a video about the ice cream, and then invite a bunch of people to
0:57:32 > 0:57:36the event to pay ridiculous amounts of money to be around the ice cream.
0:57:36 > 0:57:39- American Atheists coming through. - Good.
0:57:39 > 0:57:42And we made really good ice cream.
0:57:42 > 0:57:46- Where's...?- Here we go. - I like it.
0:57:46 > 0:57:50After I had the name, Vanilla Chocolate Magic Swirtle,
0:57:50 > 0:57:54I was worried people would say, "What is a magic swirtle?"
0:57:54 > 0:57:56So I decided to hang a lantern on that,
0:57:56 > 0:57:59which is what you always do in magic and comedy.
0:57:59 > 0:58:02"What is a swirtle? It's a good, delish, sweet and salty,
0:58:02 > 0:58:04"creamy and crunch, rich Madagascar vanilla ice cream
0:58:04 > 0:58:08"with a sea salt chocolate swirl and chunks of chocolate caramel candy."
0:58:08 > 0:58:12So I put in, "What is a magic swirtle?" as our kind of slogan.
0:58:12 > 0:58:15When you have something you really don't want and you're
0:58:15 > 0:58:18insecure about, you make sure you put it right out in the front
0:58:18 > 0:58:20so no-one else can bust you on it.
0:58:20 > 0:58:21I like it.
0:58:21 > 0:58:23'It's as easy as that.'
0:58:23 > 0:58:27And people will be sucking it down like it were black tar heroin.
0:58:27 > 0:58:29Wow.
0:58:29 > 0:58:31Ah. There's Teller.
0:58:31 > 0:58:34- You're in the right place. - Oh, great.- And show folk.
0:58:34 > 0:58:36The showgirls!
0:58:36 > 0:58:39- How you been?- Great. - Hi, I'm La Toya.
0:58:39 > 0:58:41'The idea of this commercial,
0:58:41 > 0:58:43'which is the magic and the Las Vegas theme'
0:58:43 > 0:58:47with Penn and Teller, his partner, and of course the Vegas showgirls.
0:58:47 > 0:58:49It's all come together as one, as a swirtle.
0:58:49 > 0:58:53What we need to do is get some idea of what your outfits look like.
0:58:53 > 0:58:55Wonderful. Let's take a look.
0:58:55 > 0:58:58Oh, look at you girls! You look beautiful!
0:58:58 > 0:59:00I love it! Oh, my gosh!
0:59:00 > 0:59:05Vegas versus Nashville at just about anything, Vegas wins.
0:59:05 > 0:59:09I hope that Mr trump says, "OK, they're not kidding around!"
0:59:09 > 0:59:11HE LAUGHS
0:59:11 > 0:59:12Cos look at that.
0:59:12 > 0:59:16I'm excited because I've never seen a showgirl close and personal
0:59:16 > 0:59:19and if I was gay, I would have jumped through the roof.
0:59:19 > 0:59:21Really.
0:59:21 > 0:59:23Penn? It's fantastic.
0:59:23 > 0:59:27And on the monitor it's un-BLEEP-believable.
0:59:27 > 0:59:33The visual of having four showgirls with Penn and Teller sold it. 100%.
0:59:33 > 0:59:34This is like a morning TV show.
0:59:34 > 0:59:37LAUGHTER
0:59:40 > 0:59:42This is it, yep.
0:59:42 > 0:59:43Oh, it is. Oh, so, yeah.
0:59:43 > 0:59:47We have a lot to do. I mean, we have very little time to do it in and if
0:59:47 > 0:59:50I was managing I would be getting
0:59:50 > 0:59:52nervous right about now, but...
0:59:52 > 0:59:54You know, a cowboy's in charge.
0:59:54 > 0:59:59So, first set up - couch, grandfather, granddaughter.
0:59:59 > 1:00:02She explains the mashup to him.
1:00:02 > 1:00:04And he goes, "Oh!
1:00:04 > 1:00:07"You mean like combining a new dance and an old dance?"
1:00:07 > 1:00:11And then he goes, "Oh, so mashup is like combining those two things?"
1:00:11 > 1:00:13And then he does it and she goes, "Wait, wait! Stop!"
1:00:13 > 1:00:16She grabs her phone, says, "Do it again!"
1:00:16 > 1:00:18He does it again. That's where it goes viral.
1:00:18 > 1:00:21That's when her friends start picking it up.
1:00:21 > 1:00:23- You feeling me?- Mm-hm.
1:00:23 > 1:00:25Huh? How about that what I just said?
1:00:25 > 1:00:27- That was- BLEEP,- right, huh? Are you feeling me?
1:00:27 > 1:00:30We had a concept but we didn't have the dance,
1:00:30 > 1:00:33which was going to be the important part of the commercial,
1:00:33 > 1:00:36because the dance is what's supposed to be
1:00:36 > 1:00:38so fabulous that it goes viral.
1:00:38 > 1:00:40You should probably go stretch.
1:00:40 > 1:00:43- Yeah.- Go stretch.
1:00:48 > 1:00:51GARY GROANS
1:00:53 > 1:00:55Trace tells Gary at one point,
1:00:55 > 1:00:57"Gary, go ahead on over there
1:00:57 > 1:00:59"and stretch so you can be ready."
1:00:59 > 1:01:03And Gary is on this crazy stretching regimen
1:01:03 > 1:01:06and doing all these stretches and talking to himself.
1:01:06 > 1:01:08Whoosh!
1:01:08 > 1:01:11Sometimes something's so off-the-wall,
1:01:11 > 1:01:13we think of as out of the box.
1:01:13 > 1:01:16Gary just thinks of it as normal.
1:01:16 > 1:01:17OK?
1:01:17 > 1:01:21GARY RAMBLES AND GROANS
1:01:30 > 1:01:37Sometimes, those kinds of ideas can be pure genius,
1:01:37 > 1:01:39and that's how you win.
1:01:39 > 1:01:41HE GROANS
1:01:51 > 1:01:54All right, Jon, that's good. Are we ready to shoot?
1:01:54 > 1:01:56We've got to write the script.
1:01:56 > 1:02:01Trace's task this week is to create a new ice-cream flavour
1:02:01 > 1:02:06for the Walgreens Delish brand.
1:02:06 > 1:02:09The dialogue he does at the top with her
1:02:09 > 1:02:13- is about it.- And that's where we establish the product, too.
1:02:13 > 1:02:18We have only three days to come up with the ice cream,
1:02:18 > 1:02:21shoot a commercial and put on a launch event.
1:02:21 > 1:02:23That's a lot of pressure, people.
1:02:23 > 1:02:25How does your dance look, Jon?
1:02:25 > 1:02:27I think we're still tweaking it.
1:02:27 > 1:02:28Still figuring it out.
1:02:28 > 1:02:33My main duty in this task was to get this video shot and edited,
1:02:33 > 1:02:37because that is one of the main criteria we're getting judged on.
1:02:37 > 1:02:38So I had to really nail it.
1:02:38 > 1:02:41We've got to figure how you can dance with something in your hands.
1:02:41 > 1:02:44Maybe it should be something with your shoulders?
1:02:44 > 1:02:46Elbows. Shoulders or some elbows.
1:02:50 > 1:02:53Can you do this? You're turning up, Gary.
1:02:53 > 1:02:55Mashup was good, because that's what live is.
1:02:55 > 1:02:57Live is a mashup,
1:02:57 > 1:02:58because, in truth, you never know
1:02:58 > 1:03:00where you're going to go.
1:03:00 > 1:03:02Everybody has mashup in them, you know?
1:03:02 > 1:03:06And that's why it'll be a top seller on the show for Walgreens.
1:03:11 > 1:03:14We ought to do something.
1:03:15 > 1:03:17Gary, just going through
1:03:17 > 1:03:19all these different dance moves
1:03:19 > 1:03:21and stuff is pretty classic.
1:03:21 > 1:03:23It's pretty damn funny,
1:03:23 > 1:03:26seeing Gary Busey dancing to a hip-hop beat.
1:03:26 > 1:03:29So I'm going to do the twist, and then I'm going to go...
1:03:33 > 1:03:36That way, you can watch everything in your body.
1:03:36 > 1:03:37What did you do? Did you just fart?
1:03:37 > 1:03:39Did I?!
1:03:39 > 1:03:40That means she did this.
1:03:40 > 1:03:42Mashup, two dances,
1:03:42 > 1:03:44an old dance and a new dance,
1:03:44 > 1:03:47together. Two is tandem.
1:03:47 > 1:03:49Two is powerful.
1:03:49 > 1:03:51Two is one with your God.
1:03:58 > 1:04:00Is Gary awake?
1:04:00 > 1:04:02HE SNORES
1:04:02 > 1:04:04- Marilu?- Yes?
1:04:04 > 1:04:08Can you help me get our actor on the set?
1:04:08 > 1:04:10Yes, I can.
1:04:10 > 1:04:11Gary?
1:04:11 > 1:04:15Mr Busey, can you please come to the set?
1:04:15 > 1:04:17- What?- We're going to have a take, OK?
1:04:17 > 1:04:19- HE COUGHS - Are you OK? Are you OK?
1:04:19 > 1:04:21- Be quick, Gary. - We're ready for your dance.
1:04:21 > 1:04:25- Oh, God...- We're ready for your close-up, Mr DeMille(!)
1:04:25 > 1:04:27Can we get Gary's ice cream ready?
1:04:27 > 1:04:29OK... OK!
1:04:31 > 1:04:33Hi. We're Penn and Teller.
1:04:33 > 1:04:35We're also known as sweet and salty.
1:04:35 > 1:04:37Fresh and creamy...
1:04:37 > 1:04:39It's like cream, sugar...
1:04:39 > 1:04:41I need cue cards.
1:04:41 > 1:04:43- You need cue cards?- Yeah.- OK.
1:04:43 > 1:04:45Yeah. Cos I don't want to memorise this one thing
1:04:45 > 1:04:47- above everything else.- Let's do it.
1:04:47 > 1:04:50I can guarantee you that Trace is doing a great job,
1:04:50 > 1:04:52so I can't screw up.
1:04:52 > 1:04:54Have you seen any pieces of cardboard that could be used
1:04:54 > 1:04:56as cue cards around?
1:04:56 > 1:04:58You don't have any whiteboard, do you?
1:04:58 > 1:05:01I actually called Walgreens the wrong name.
1:05:01 > 1:05:04I'm going to try not make the mistake this time.
1:05:04 > 1:05:07So I decided to write on the back of Walgreens' signs.
1:05:07 > 1:05:08OK.
1:05:08 > 1:05:12Someone has the hardest job in the world doing these cue cards for me.
1:05:12 > 1:05:13- I can do it.- Yeah.
1:05:13 > 1:05:15Penn felt more comfortable
1:05:15 > 1:05:16having cue cards.
1:05:16 > 1:05:18- Can you see it? Is it level? - Uh...no.
1:05:18 > 1:05:21So I then became the cue card girl.
1:05:21 > 1:05:24"Sugar! Madagascar vanilla!"
1:05:24 > 1:05:26You've got to go faster on that one.
1:05:26 > 1:05:28"Do try this at home."
1:05:28 > 1:05:30You were behind me on a lot of them.
1:05:30 > 1:05:32I'm very sorry. Was I behind you?
1:05:32 > 1:05:33- OK.- You don't have the right card.
1:05:33 > 1:05:35I do... I took the wrong one, sorry!
1:05:35 > 1:05:37'I've never held cue cards.'
1:05:37 > 1:05:39There is an art to it.
1:05:39 > 1:05:41The way they write them and hold them.
1:05:41 > 1:05:44- Do you want to do it on the chair? Would it be easier for you?- No.
1:05:44 > 1:05:47Well, what I need is someone next to me to hand off to.
1:05:47 > 1:05:49"We better show you the secret of
1:05:49 > 1:05:53"delicious crunchy vanilla-chocolate Magic Swirtle."
1:05:53 > 1:05:54That was perfect.
1:05:54 > 1:05:57It was challenging, but I got it down.
1:05:57 > 1:05:58That's good. OK.
1:06:02 > 1:06:05The same spot we were talking about.
1:06:07 > 1:06:09Action, Gary.
1:06:09 > 1:06:12Grandpa, I just found this new ice cream.
1:06:12 > 1:06:14It's delish. Try it.
1:06:14 > 1:06:17- "Maple Macadamia Mashup"? What is a mashup?- Hmm...
1:06:17 > 1:06:19And cut!
1:06:19 > 1:06:22The first set-up is where the main part
1:06:22 > 1:06:24of our commercial happens,
1:06:24 > 1:06:27so of course we are going to be there longer.
1:06:30 > 1:06:32OK!
1:06:34 > 1:06:36And we've got to get all the different camera angles
1:06:36 > 1:06:38and, you know, POVs
1:06:38 > 1:06:40and reverses.
1:06:40 > 1:06:43Sometimes you shoot 10, 20 takes.
1:06:48 > 1:06:51So that's pretty tough, especially for Gary.
1:06:51 > 1:06:53Cut!
1:06:53 > 1:06:55You can space out a little bit, cos this is wide.
1:06:55 > 1:06:58- Yeah.- So we've got a wide framing?
1:06:58 > 1:06:59- Yeah.- What size do you have on?
1:06:59 > 1:07:03- I'm shooting at an 8mm... - Thanks very much. That's why.
1:07:03 > 1:07:04So, yeah.
1:07:04 > 1:07:06There are no words to describe Gary Busey.
1:07:06 > 1:07:08He's hilarious and he comes up with
1:07:08 > 1:07:10so many crazy things,
1:07:10 > 1:07:13but when you get him in his right element,
1:07:13 > 1:07:14oh, my gosh, he's a genius.
1:07:14 > 1:07:16- GARY:- I was doing this...
1:07:18 > 1:07:20..and then twist.
1:07:20 > 1:07:23And now I'm thinking this, twist.
1:07:23 > 1:07:24Yeah, that's better. That's better.
1:07:24 > 1:07:27We'll quicken it. That'll give you time to get in there.
1:07:27 > 1:07:30- All right. Are you all ready? - Thank you very much.
1:07:30 > 1:07:32And he threw himself into this whole dance idea,
1:07:32 > 1:07:36and then you really got to see him act as well.
1:07:36 > 1:07:40'It was great to see that brilliance being used.'
1:07:40 > 1:07:41- Lil Jon!- Yes, sir!
1:07:41 > 1:07:44Do we need Rachel holding an ice cream?
1:07:44 > 1:07:46No. Uh...yeah.
1:07:46 > 1:07:48She's got to start from there.
1:07:48 > 1:07:50- You got her dance into frame. - Yeah.
1:07:50 > 1:07:52When he's given an opportunity to shine
1:07:52 > 1:07:56in the things that he does well, he's the brightest star.
1:07:56 > 1:07:57- TRACE:- OK, that's a wrap.
1:07:57 > 1:08:00Ladies and gentlemen, that's a wrap on Gary.
1:08:00 > 1:08:02Great! Whoo!
1:08:02 > 1:08:04Yeah. All right. Thank you, everybody.
1:08:10 > 1:08:12What is a Magic Swirtle?
1:08:12 > 1:08:13Well, let's tell you.
1:08:13 > 1:08:16- We're Penn and Teller, also known as sweet and salty.- Looks good.
1:08:16 > 1:08:18We're working with Walgreens
1:08:18 > 1:08:19to create and launch
1:08:19 > 1:08:21an ice-cream flavour.
1:08:21 > 1:08:23This is, like, the biggest task of all,
1:08:23 > 1:08:27because the commercial is the major part of the judging criteria.
1:08:27 > 1:08:29We have to make sure that we get it right.
1:08:29 > 1:08:31Let's try that again so I know what I'm doing.
1:08:31 > 1:08:33'Teller and I had a pretty good idea.'
1:08:33 > 1:08:35We are going to do a magic trick,
1:08:35 > 1:08:37and the problem was,
1:08:37 > 1:08:39how to turn the ingredients into the finished ice cream.
1:08:39 > 1:08:41It's better if we show you how you make it.
1:08:41 > 1:08:43You start with the freshest ingredients,
1:08:43 > 1:08:45a little bit of cream and a little bit of salted...
1:08:45 > 1:08:47'I said to Teller,
1:08:47 > 1:08:49'we've got to change the ingredients into ice cream.'
1:08:49 > 1:08:51What kind of switch do you want to do?
1:08:51 > 1:08:53We had several choices.
1:08:53 > 1:08:55One was called the duck pan we were going to use,
1:08:55 > 1:08:57one was called the temple screen.
1:08:57 > 1:09:00We decided to do a Slydini lapping version,
1:09:00 > 1:09:02although lapping is never done with liquid,
1:09:02 > 1:09:05because lapping involves dropping stuff into your lap.
1:09:05 > 1:09:07So we may need someone down there to catch.
1:09:07 > 1:09:09We need Dennis. Or somebody.
1:09:09 > 1:09:11Just someone to play the part of Dennis.
1:09:11 > 1:09:14- Come over here, Dennis. - Dennis! Come!
1:09:14 > 1:09:17I thought, well, I don't know sports,
1:09:17 > 1:09:20but I know that Dennis Rodman is able to catch stuff.
1:09:20 > 1:09:22When I show the whole commercial,
1:09:22 > 1:09:24we'll say, "Penn and Teller and the showgirls starred in that.
1:09:24 > 1:09:27"What you probably didn't realise, we also had Dennis Rodman."
1:09:27 > 1:09:29Then we'll tip it at the actual party, too.
1:09:29 > 1:09:32We'll do the whole commercial and then a final after-punch.
1:09:32 > 1:09:33Penn wanted to use me
1:09:33 > 1:09:35in a different kind of way,
1:09:35 > 1:09:36which I didn't really care.
1:09:36 > 1:09:38I wasn't doing anything anyway, so why not get messy?
1:09:38 > 1:09:40You've got to get low.
1:09:40 > 1:09:41- Probably lying down.- Like this?
1:09:41 > 1:09:44Yeah. You're right between their legs, Dennis.
1:09:44 > 1:09:47- We're going to drop this on you. - You're going to drop...- OK?
1:09:47 > 1:09:49Dennis was probably in hog heaven,
1:09:49 > 1:09:51lying on the floor looking up at those showgirls.
1:09:51 > 1:09:53Da-da-da-dum.
1:09:53 > 1:09:55Ba-ba-ba-bum!
1:09:55 > 1:09:56And...
1:09:56 > 1:09:59That's what it's going to look like.
1:09:59 > 1:10:00That was very easy,
1:10:00 > 1:10:02I tell you that real quick!
1:10:02 > 1:10:04And then the magic happens.
1:10:04 > 1:10:06See, Teller has made it appear
1:10:06 > 1:10:09and we will make it disappear.
1:10:09 > 1:10:11- BLEEP. - Can we get a towel for Dennis?
1:10:11 > 1:10:13He needs help?
1:10:13 > 1:10:15Here, I got it.
1:10:15 > 1:10:17Oh, Dennis. Look at you.
1:10:17 > 1:10:19Dennis got ice cream spilled all over him,
1:10:19 > 1:10:21but creaming his pants
1:10:21 > 1:10:23was about the best visual ever.
1:10:23 > 1:10:28You know you have one of the best NBA rebounders catching your...
1:10:28 > 1:10:30THEY LAUGH
1:10:30 > 1:10:31I'm not having a good day, am I?
1:10:34 > 1:10:36- Do you want to shoot me now? - Yeah.- OK.
1:10:36 > 1:10:39Our thing's, like, we're backstage, or something?
1:10:39 > 1:10:42Yeah. We're going to shoot... I know we're losing light.
1:10:42 > 1:10:44Yeah. It's going to be dark in a little while.
1:10:44 > 1:10:45- Oh...- Don't worry about it.
1:10:45 > 1:10:46So it could be night.
1:10:46 > 1:10:48- OK.- Yeah.
1:10:48 > 1:10:49To do what we do,
1:10:49 > 1:10:52it takes some people a week.
1:10:52 > 1:10:55We're doing all of this stuff in five, six hours.
1:10:55 > 1:10:57Coming up with the concept,
1:10:57 > 1:10:59writing the script
1:10:59 > 1:11:00and shooting the commercial,
1:11:00 > 1:11:02and then editing the commercial,
1:11:02 > 1:11:06so we're doing a lot in a short, short, short amount of time,
1:11:06 > 1:11:07with no room for error.
1:11:07 > 1:11:09Camera set?
1:11:09 > 1:11:10Action.
1:11:10 > 1:11:12THEY LAUGH
1:11:14 > 1:11:15- Good.- Great.
1:11:15 > 1:11:17- Now, audio.- Cut!
1:11:17 > 1:11:20I'm going to go ahead and go to the edit studio
1:11:20 > 1:11:23with Gary Busey. Lil Jon's directing,
1:11:23 > 1:11:25and they just keep getting stuff done
1:11:25 > 1:11:28and send it to me, and hopefully I can have it pretty much done
1:11:28 > 1:11:29when they get there.
1:11:29 > 1:11:31You've only got one minute to set this up.
1:11:31 > 1:11:33I don't want this on my waist.
1:11:33 > 1:11:34You're just going to have to put it...
1:11:34 > 1:11:37Cos you won't see it. You're going to be on the couch.
1:11:37 > 1:11:38I don't want it there.
1:11:38 > 1:11:40It pulls funny and it's got a weird kind of thing.
1:11:40 > 1:11:42I want to put it up on my bra.
1:11:42 > 1:11:44Just put it next to the other one.
1:11:44 > 1:11:45Marilu's saying she's trying to make
1:11:45 > 1:11:47all these changes. I'm like,
1:11:47 > 1:11:49"Marilu, no."
1:11:49 > 1:11:52This light has got to fly in in 30 seconds or we're not going to
1:11:52 > 1:11:54use it, like, for real.
1:11:54 > 1:11:55"We've got to shoot this right now
1:11:55 > 1:11:59"so you just get your little ice cream, eat it...
1:11:59 > 1:12:02"and we're rolling the damn camera."
1:12:02 > 1:12:03Three, two, one.
1:12:03 > 1:12:05Roll!
1:12:05 > 1:12:07What is that thing in the lower right-hand corner?
1:12:07 > 1:12:09- That's the, uh...- Oh, I see.
1:12:09 > 1:12:10Do you want me closer?
1:12:10 > 1:12:14- No, let's go over there. - What? Oh, you're going to move.
1:12:14 > 1:12:15Sit in the corner of the couch,
1:12:15 > 1:12:17- like where you was at.- Way back?
1:12:17 > 1:12:19- Yeah.- But I want to be able to get up easily.
1:12:19 > 1:12:22- Don't you want me up? - You don't have to get up.
1:12:22 > 1:12:23I'm not dancing?!
1:12:23 > 1:12:27- Well, I mean, I don't know how we're going to shoot it right there.- OK.
1:12:27 > 1:12:30I'm not about to be stressing over putting a couch
1:12:30 > 1:12:32a little to the right or to the left.
1:12:32 > 1:12:33Put a lamp. Put a lamp right here.
1:12:33 > 1:12:35We didn't have a good lamp.
1:12:35 > 1:12:36I think we're good on the intensity there.
1:12:36 > 1:12:38We have nothing? No lamp?
1:12:38 > 1:12:39Come on, Marilu, let's go!
1:12:39 > 1:12:42We've got ten minutes. Let's shoot. Let's shoot.
1:12:42 > 1:12:44That's good. Let's roll.
1:12:44 > 1:12:48Marilu definitely gets caught up on tiny little details
1:12:48 > 1:12:51that the average person is not going to see.
1:12:51 > 1:12:54And that's a wrap on Marilu, and everybody else in this.
1:12:54 > 1:12:56CHEERING AND APPLAUSE
1:12:59 > 1:13:01Can I see the girls' positions?
1:13:01 > 1:13:02Final looks.
1:13:02 > 1:13:04- Lisa, we look good?- Yeah.
1:13:04 > 1:13:0538 years Penn and Teller
1:13:05 > 1:13:08have been together.
1:13:08 > 1:13:09To watch them work together
1:13:09 > 1:13:10is mesmerising.
1:13:10 > 1:13:12Presto!
1:13:12 > 1:13:14So, to see Penn and Teller together
1:13:14 > 1:13:16is seeing them in their greatness.
1:13:16 > 1:13:18Let's reset and do it once more.
1:13:18 > 1:13:19But now we've got it.
1:13:19 > 1:13:22I need for the girls, just before he says "presto",
1:13:22 > 1:13:24when he gets the ice cream...
1:13:24 > 1:13:26What's the word before your "presto",
1:13:26 > 1:13:28when you have the ice cream?
1:13:28 > 1:13:30Say that line.
1:13:30 > 1:13:32That's when he does the ice cream. T-Tsch!
1:13:32 > 1:13:34Because I need for you guys...
1:13:34 > 1:13:36When they see that, get ready for "presto".
1:13:36 > 1:13:38Yeah, get ready for your cue.
1:13:38 > 1:13:42Dennis and La Toya don't know the whole back tory
1:13:42 > 1:13:43of Penn and Teller,
1:13:43 > 1:13:46and they don't know that Teller doesn't speak.
1:13:46 > 1:13:49Yeah. On "presto", as La Toya said,
1:13:49 > 1:13:52you know, give us a "presto".
1:13:52 > 1:13:55That's the whole thing. He never speaks.
1:13:55 > 1:13:56They had no clue.
1:13:56 > 1:13:58We are done on this set.
1:13:58 > 1:14:02- Thank you all so much. I believe we are going over to edit.- Oh.
1:14:02 > 1:14:04He kills me the way he whispers all the time.
1:14:04 > 1:14:07'I think Teller is so adorable.'
1:14:07 > 1:14:09He reminds me of a little baby
1:14:09 > 1:14:11because he never talks.
1:14:11 > 1:14:12He just wants to...smile.
1:14:12 > 1:14:14Just to be clear,
1:14:14 > 1:14:16if you trust us on the edit,
1:14:16 > 1:14:18you can be done for the day.
1:14:18 > 1:14:20- It's up to you. - Yeah. You're welcome to.
1:14:20 > 1:14:24The decision to let Dennis head home was not a big decision.
1:14:24 > 1:14:27Dennis wants to be dressed rather flamboyantly tomorrow.
1:14:27 > 1:14:30I want to give him some time to do that.
1:14:30 > 1:14:31And I'm thrilled that I did.
1:14:31 > 1:14:33Are you always this quiet, Teller?
1:14:33 > 1:14:36- Teller doesn't speak. - What, he doesn't say a word?- No!
1:14:36 > 1:14:40- I learned that early on. - You did?- Mm-hm.
1:14:40 > 1:14:42That gives Penn more time to speak.
1:14:42 > 1:14:44It does that.
1:14:44 > 1:14:47It's interesting that Teller never speaks
1:14:47 > 1:14:49but Penn talks all the time,
1:14:49 > 1:14:50so I think it's a dynamic
1:14:50 > 1:14:52that works for them.
1:14:52 > 1:14:54After all, it's been 30 years, hasn't it?
1:14:54 > 1:14:55- Dennis is great.- Yeah.
1:14:55 > 1:14:58And then he has that incredible thing where he's able to turn
1:14:58 > 1:15:00into Teller at will.
1:15:00 > 1:15:02THEY LAUGH
1:15:02 > 1:15:03I love how that happened.
1:15:16 > 1:15:17'Cut!'
1:15:17 > 1:15:21A very important part of the project is the editing.
1:15:24 > 1:15:26Me in a task,
1:15:26 > 1:15:31it's automatic, focus on the situation in hand.
1:15:31 > 1:15:33You know I have those little black things that are about that long
1:15:33 > 1:15:35and about that wide, and you go, "Tch!" And he goes,
1:15:35 > 1:15:39"Eee-yee-yee!" and has a little tone on the top,
1:15:39 > 1:15:41and you...
1:15:41 > 1:15:43HE RAMBLES INCOHERENTLY
1:15:43 > 1:15:45No more nose hair.
1:15:45 > 1:15:48It's called scrambled eggs between the ears.
1:15:48 > 1:15:49Man!
1:15:49 > 1:15:52I feel like I can control Gary
1:15:52 > 1:15:55about as good as anybody can control Gary, you know?
1:15:55 > 1:15:57Am I not wanted any more?
1:15:57 > 1:15:59If you're trying to make him do something he don't want to do,
1:15:59 > 1:16:01you're going to have trouble.
1:16:01 > 1:16:04- You want to go?- Well, I'm ready.
1:16:06 > 1:16:08- All right. - Our job was in front of the camera.
1:16:08 > 1:16:10Your job is in the back of the camera.
1:16:10 > 1:16:13- All right.- Trace, God bless you. Love you.
1:16:13 > 1:16:17So, I had pretty much made my mind up that I was going to send
1:16:17 > 1:16:19Gary home for the day.
1:16:19 > 1:16:21- You're an excellent dancer. - Thank you, sir.
1:16:23 > 1:16:25GARY CHUCKLES
1:16:25 > 1:16:29I've got a couple of phone calls that I need to make.
1:16:29 > 1:16:33I'm concentrating on celebrities and donors
1:16:33 > 1:16:35and selling these tickets.
1:16:38 > 1:16:42This is going to be critical for me to get as many celebrities
1:16:42 > 1:16:45and as much money as I possibly can,
1:16:45 > 1:16:47because I'm going up against Penn Jillette,
1:16:47 > 1:16:50and Penn has an extensive Rolodex,
1:16:50 > 1:16:51knows everybody.
1:16:51 > 1:16:54He works for Caesars, for God's sakes.
1:16:54 > 1:16:56PHONE RINGS OUT
1:16:56 > 1:16:59- You know what?- BLEEP- him, man.
1:16:59 > 1:17:02If I don't at least match Penn
1:17:02 > 1:17:05with the amount of money that he raises,
1:17:05 > 1:17:07you know, I could lose again.
1:17:07 > 1:17:10He ain't answering the damn phone.
1:17:15 > 1:17:17Nice to see you again, sir.
1:17:17 > 1:17:18Have you got everything loaded in?
1:17:18 > 1:17:21- Yeah. - We're heading to the edit suite now.
1:17:21 > 1:17:22I feel really good about what we shot.
1:17:22 > 1:17:24The second take of the wide shot,
1:17:24 > 1:17:29I say "cut", and Dennis Rodman stands up.
1:17:29 > 1:17:32'It's good! It's good!'
1:17:32 > 1:17:34That's actually part of the bit.
1:17:34 > 1:17:37Teller was perfect. Lisa was perfect. La Toya was perfect.
1:17:37 > 1:17:40And Dennis was perfect. And I'd done a pretty good job.
1:17:40 > 1:17:41I feel pretty good about it.
1:17:41 > 1:17:44We're not planning on this taking a long time.
1:17:44 > 1:17:46- It's pretty much laid out, won't you say?- Yeah.
1:17:46 > 1:17:48- Oh!- So let's take that take,
1:17:48 > 1:17:50pop in real tight on...
1:17:50 > 1:17:52Your close-up, when you bring it up...
1:17:52 > 1:17:56Yeah. And that's all I really need for close-ups, for sure.
1:17:56 > 1:17:59Her crotch is too much.
1:17:59 > 1:18:00- It- BLEEP- it up.
1:18:00 > 1:18:03I mean, I love a bedazzled crotch more than anyone,
1:18:03 > 1:18:06but I don't think it belongs with Walgreens.
1:18:06 > 1:18:09- That's trouble right there. - It's too prominent.
1:18:09 > 1:18:11Just let me see it for a moment,
1:18:11 > 1:18:13and then do a digital zoom
1:18:13 > 1:18:14and come in tighter on that.
1:18:14 > 1:18:17In order to get a shot of the sugar going in,
1:18:17 > 1:18:22we had two spangled showgirl crotches behind us.
1:18:22 > 1:18:25If you're going to do anything, you show the ice-cream container
1:18:25 > 1:18:28- and that's it.- Let's take that out and call that a bad idea.
1:18:28 > 1:18:30That scene, well, to me, wonderful.
1:18:30 > 1:18:33But maybe not exactly right for Good & Delish.
1:18:38 > 1:18:40This is about to be hilarious.
1:18:40 > 1:18:42Check this out. Look at Gary.
1:18:44 > 1:18:46TRACE GUFFAWS
1:18:49 > 1:18:52Gary had so many good reactions to eating the ice cream,
1:18:52 > 1:18:53I kind of missed that.
1:18:53 > 1:18:56Are you kidding me? This is what they want.
1:18:56 > 1:18:58I always want the best for what we're doing.
1:18:58 > 1:19:01Maybe there's a better take to sell the story.
1:19:01 > 1:19:05I hear you, but we don't have that luxury.
1:19:05 > 1:19:07We should get that good reaction, though.
1:19:07 > 1:19:10Marilu, I hear you but we just don't have time of day for it.
1:19:10 > 1:19:12That's the only thing I'm saying.
1:19:12 > 1:19:15Marilu can get stuck in a groove,
1:19:15 > 1:19:19like an old 33-and-a-third LP record.
1:19:19 > 1:19:21Oh, that's weird. Did you see that?
1:19:21 > 1:19:25And you...and you...and you...
1:19:25 > 1:19:26We need lots of reaction.
1:19:26 > 1:19:30- We've got a lot of stuff to do. - OK. Fine, fine, fine.
1:19:30 > 1:19:33You have to kind of bump the needle a little bit.
1:19:33 > 1:19:35You've got to, "Pssh!", get her on past that.
1:19:35 > 1:19:37I think that music makes it sound creepy.
1:19:37 > 1:19:40Kids today have no idea what that reference means.
1:19:45 > 1:19:48We get to the end of the day, I feel really good
1:19:48 > 1:19:49about the commercial
1:19:49 > 1:19:52because we achieved what we tried to achieve.
1:19:52 > 1:19:55We came up with an entertaining piece.
1:19:55 > 1:19:57THEY LAUGH
1:19:57 > 1:19:59I can't afford to slack off
1:19:59 > 1:20:04because we have to have an event to present this new ice-cream flavour
1:20:04 > 1:20:06to the public.
1:20:06 > 1:20:09You've never seen anybody happier than Gary was to go home
1:20:09 > 1:20:11- a while ago.- Aw.
1:20:11 > 1:20:13- He was ready to go. - When he sees this final product,
1:20:13 > 1:20:16he's going to be like, "This was so worth it."
1:20:16 > 1:20:19Wait till you see him sing Fade Away tomorrow night.
1:20:19 > 1:20:21Um...
1:20:21 > 1:20:24So I decided that using tomorrow night,
1:20:24 > 1:20:27let him sing a Buddy Holly song
1:20:27 > 1:20:31because I want people to just feel like dancing, cos that's our thing.
1:20:31 > 1:20:35He may be just completely uncontrollable at that point.
1:20:35 > 1:20:38I just hope he doesn't die.
1:20:38 > 1:20:40It could be like his...
1:20:40 > 1:20:45- Wow.- Damn, Marilu, what's up with... - Why do you have to go there?
1:20:45 > 1:20:48Why do you have to...you know?
1:20:48 > 1:20:50You could see this, like, blaze of glory.
1:20:50 > 1:20:52'Gary is a brilliant actor,'
1:20:52 > 1:20:53but he's not the kind of person
1:20:53 > 1:20:55that you want to give a lot
1:20:55 > 1:20:56of responsibility to.
1:20:56 > 1:20:58We're ready.
1:20:58 > 1:21:00Because you have no idea how it's going to turn out.
1:21:00 > 1:21:02You did a great job, you guys.
1:21:02 > 1:21:03So good. So, so good.
1:21:03 > 1:21:06This is either going to be crazy good or just crazy.
1:21:06 > 1:21:07All right. Good job.
1:21:07 > 1:21:09- Good luck.- Thank you.
1:21:20 > 1:21:24By the time I grab the goblet, it has to be in one shot.
1:21:26 > 1:21:28'It's good! It's good!'
1:21:30 > 1:21:31And he drank it. That's so cute.
1:21:31 > 1:21:33- Where are we now?- 1.12.
1:21:38 > 1:21:40After we've cut it, it's put together.
1:21:40 > 1:21:41We're timing it.
1:21:41 > 1:21:44Something happened in that timing.
1:21:44 > 1:21:47We're longer than 60 seconds. We're in trouble.
1:21:47 > 1:21:49When it goes to the carton,
1:21:49 > 1:21:51let's come back and take out...
1:21:51 > 1:21:53We might be able to take out a second or two there.
1:21:53 > 1:21:55We've got to cut it,
1:21:55 > 1:21:58but to cut 12 seconds of a product,
1:21:58 > 1:22:00of the shots that you've done?
1:22:00 > 1:22:01Impossible.
1:22:01 > 1:22:041:09:15.
1:22:04 > 1:22:051:09:15?
1:22:05 > 1:22:07OK. We've got to be under 60.
1:22:07 > 1:22:09That's a lot to cut out.
1:22:09 > 1:22:10We were sunk. Terrible.
1:22:10 > 1:22:12We were long, and there was no way
1:22:12 > 1:22:14to do that with little cutting.
1:22:14 > 1:22:18And you have to play the magic kind of in one take.
1:22:18 > 1:22:20When you've got magic,
1:22:20 > 1:22:22if you move the camera this much,
1:22:22 > 1:22:23if you cut once,
1:22:23 > 1:22:27the entire house of cards falls apart.
1:22:27 > 1:22:30So we... Big, big, big, big, big trouble,
1:22:30 > 1:22:33when we're over, trying to go back to a minute.
1:22:33 > 1:22:36I really, really want to win.
1:22:36 > 1:22:38I want to win a real lot,
1:22:38 > 1:22:43but you can't get that idea down to a minute. We're in trouble.
1:22:43 > 1:22:45OK. We can take out...
1:22:45 > 1:22:50We can go to product. We can go to close-up...
1:22:50 > 1:22:52We're done.