I'm Being Punked by a Jackson

0:00:02 > 0:00:05Last week on All-Star Celebrity Apprentice, the teams jetted out

0:00:05 > 0:00:07of New York City on board Mr Trump's personal aeroplane.

0:00:07 > 0:00:11For your task this week, both teams will create a photo experience

0:00:11 > 0:00:13promoting Universal Orlando Resort.

0:00:13 > 0:00:15On team Power,

0:00:15 > 0:00:18project manager Omarosa pushed the envelope with an ambitious plan.

0:00:18 > 0:00:19This is what we looking at.

0:00:19 > 0:00:21Three distinct walls, three different spaces.

0:00:21 > 0:00:25That's way too much to do in a short, short amount of time.

0:00:25 > 0:00:29But on Plan B, project manager Dee Snider decided to keep it simple.

0:00:29 > 0:00:30Every time we do any task,

0:00:30 > 0:00:32they say, "You didn't use your celebrity enough."

0:00:32 > 0:00:35I would love to have cut-outs of all six of us.

0:00:35 > 0:00:37On the day of the presentation,

0:00:37 > 0:00:39team Power was feeling the wrath of Omarosa.

0:00:39 > 0:00:42I've never seen the web shooter in a movie.

0:00:42 > 0:00:43I'm trying to make it authentic.

0:00:43 > 0:00:46If you say something negative to her, the venom comes out.

0:00:46 > 0:00:48In the boardroom, tensions rose on Plan B.

0:00:48 > 0:00:52Gary is very dear, he's a lot of fun, but he's very distracting.

0:00:52 > 0:00:54When was I distracting?

0:00:54 > 0:00:56Are you now unhappy with Marilu?

0:00:56 > 0:00:59No, I just understand what she is and where she's coming from.

0:00:59 > 0:01:02And when the results were announced, an emotional Omarosa broke down.

0:01:02 > 0:01:06You won 40,000 in honour of Michael.

0:01:06 > 0:01:08I just miss him so much.

0:01:08 > 0:01:11But not everyone on her team was buying it.

0:01:11 > 0:01:15I truly believe that she's using this as a card

0:01:15 > 0:01:19to manipulate herself through the game and soar to the top.

0:01:19 > 0:01:21That right there was like an Oscar-winner right here.

0:01:21 > 0:01:24Back in the boardroom, Dee Snider fell on his sword.

0:01:24 > 0:01:27As the person who ultimately made the decision to use that concept,

0:01:27 > 0:01:30I feel that I am the marked man.

0:01:30 > 0:01:31Dee, you're fired.

0:01:38 > 0:01:42- Congratulations.- You did fabulous.

0:01:42 > 0:01:45That was just too much, that moment.

0:01:45 > 0:01:48- When she was crying, there was no tears coming out.- I was trying to

0:01:48 > 0:01:51- look around me to see that. - That's why I was going like that.

0:01:51 > 0:01:53- Cheers.- To Michael.- To Michael.

0:01:53 > 0:01:54Aw.

0:01:54 > 0:01:56She recovers quickly.

0:01:56 > 0:01:59Omarosa might be the best actress here.

0:01:59 > 0:02:01We all saw her performance in the boardroom.

0:02:01 > 0:02:05I've never seen tearless cry scenes.

0:02:05 > 0:02:07Sucks to say it, but it seemed like she was faking it.

0:02:07 > 0:02:10So who's coming back in the door? Who do you think?

0:02:10 > 0:02:13I think he's going to get rid of Dee because it was Dee's idea.

0:02:13 > 0:02:14I mean, it has to be the project manager.

0:02:14 > 0:02:16I don't want to see Dee got.

0:02:16 > 0:02:17I don't want to see Dee go either.

0:02:17 > 0:02:20Somebody's back. Gary came back.

0:02:20 > 0:02:21I told y'all.

0:02:21 > 0:02:25In the boardroom, I knew that I'd hurt Gary's feelings,

0:02:25 > 0:02:27it's just that I'm a real straight shooter,

0:02:27 > 0:02:31and I can't be the first person who has said these things about him.

0:02:31 > 0:02:32I know you're mad. I know.

0:02:32 > 0:02:34Sometimes you're distracting.

0:02:34 > 0:02:36You know that.

0:02:37 > 0:02:40But all I'm saying is that, you know, sometimes

0:02:40 > 0:02:43the noises, and the stuff, and the personal space and stuff,

0:02:43 > 0:02:45it's sometimes very distracting.

0:02:45 > 0:02:46That's all.

0:02:46 > 0:02:50I mean, you have the biggest heart in the world.

0:02:50 > 0:02:52- I know that about you. - You do?- You do.

0:02:52 > 0:02:54You have a great, huge, big heart.

0:02:54 > 0:02:57I know. I've healed a lot of people in many ways.

0:02:57 > 0:02:59- You've what?- Healed.

0:02:59 > 0:03:00Oh, healed, yeah.

0:03:00 > 0:03:04And that's what happens when you go to the supernatural and spiritual

0:03:04 > 0:03:07realm and you get injected with love from angels.

0:03:07 > 0:03:10- Right.- And I have angelic love in my heart that I give to everyone.

0:03:10 > 0:03:12Right.

0:03:12 > 0:03:14- I'm sure.- 'The water's under the bridge.'

0:03:14 > 0:03:17Everything's fine. I'm an angel in an earth suit.

0:03:18 > 0:03:21I tried to talk her into going to Texas with me to ride a horse

0:03:21 > 0:03:24backwards but she vetoed that.

0:03:26 > 0:03:28I'm kidding, I'm kidding!

0:04:44 > 0:04:46- Hello.- Hello.

0:04:46 > 0:04:50My charity is called the Sue Duncan Children's Center,

0:04:50 > 0:04:52which is on the south side of Chicago,

0:04:52 > 0:04:54and Sue Duncan is a wonderful woman

0:04:54 > 0:04:56who actually mentored my late fiance,

0:04:56 > 0:04:58Michael Clarke Duncan.

0:04:58 > 0:05:00Well, Serenity is one of the students who was in our programme.

0:05:00 > 0:05:02She's an 11th grader.

0:05:02 > 0:05:05Honestly, I don't think I would be where I am now if it wasn't for

0:05:05 > 0:05:09Sue Duncan and her family. I've recently received 32 on ACT.

0:05:09 > 0:05:12Oh, wow. I'm so proud of you and Michael left the centre

0:05:12 > 0:05:14to go on to do big things,

0:05:14 > 0:05:18including getting nominated for an Oscar, and I expect

0:05:18 > 0:05:20really big things from you.

0:05:20 > 0:05:23Kids at the programme actually made a poster for you.

0:05:25 > 0:05:26Oh, there's my baby.

0:05:28 > 0:05:30And a bunch of the little kids signed their names.

0:05:30 > 0:05:32Look at my honey.

0:05:38 > 0:05:40'It just means so much to me.'

0:05:41 > 0:05:44To be able to honour his legacy.

0:05:44 > 0:05:48Michael was my biggest cheerleader and he would be so excited,

0:05:48 > 0:05:50especially for the kids.

0:05:52 > 0:05:53Sorry.

0:05:53 > 0:05:57I wanted to just have you all come and see the work that we're doing,

0:05:57 > 0:05:59and I have just a gift for you.

0:05:59 > 0:06:0340,000 for the Sue Duncan Children's Center.

0:06:03 > 0:06:06- Wow. Wow. Wow.- This is for you all.

0:06:06 > 0:06:08This is going to go a long way.

0:06:08 > 0:06:09We've operated on much less.

0:06:09 > 0:06:13The centre meant a lot to Michael and it means the world to me

0:06:13 > 0:06:16to be playing and continue to just honour his legacy.

0:06:16 > 0:06:18- Thank you.- All right, thank you for coming.

0:06:34 > 0:06:37- Good morning. - ALL:- Good morning, Mr Trump.

0:06:37 > 0:06:43We're standing in the Paley Center for Media, a really beautiful place,

0:06:43 > 0:06:45and, by the way, Trace, welcome back.

0:06:45 > 0:06:48- Thank you, sir.- You'll be working with Crystal Light,

0:06:48 > 0:06:52a really great company, they've been with us before.

0:06:52 > 0:06:54They've made a lot of money with The Apprentice.

0:06:54 > 0:06:57A lot. Tiffany, tell us about the task.

0:06:57 > 0:06:58Thank you, Donald.

0:06:58 > 0:07:02It's time to rethink your drink with the zero calorie,

0:07:02 > 0:07:06customisable flavour of new Crystal Light Liquid.

0:07:06 > 0:07:10You will be helping us launch this product by writing,

0:07:10 > 0:07:12directing and acting

0:07:12 > 0:07:16in a five-minute mini soap opera that dramatises

0:07:16 > 0:07:17Crystal Light Liquid.

0:07:17 > 0:07:20We'll be judging your Crystal Light soap opera and determining

0:07:20 > 0:07:24the winner based on the following criteria - audience reaction,

0:07:24 > 0:07:27creativity, execution and brand messaging.

0:07:27 > 0:07:30To help you out, soap opera legends Jack Wagner

0:07:30 > 0:07:33and Susan Lucci will each be assigned to one of your teams

0:07:33 > 0:07:36to consult with and star in your scenes.

0:07:36 > 0:07:40Performing a soap opera for a live audience,

0:07:40 > 0:07:42that's a natural for many of you,

0:07:42 > 0:07:45and probably not for others.

0:07:45 > 0:07:48My advisers today are Ivanka, and our winner...

0:07:48 > 0:07:51Boy, you were a real winner, huh?

0:07:51 > 0:07:54- Yes, sir.- Great winner of Celebrity Apprentice, Arsenio Hall.

0:07:54 > 0:07:57He's gone on to very big things, including getting his own show.

0:07:57 > 0:07:58Come here.

0:07:58 > 0:08:01He's going to do great with his show, by the way.

0:08:01 > 0:08:02Don't leave me hanging, DT, thank you.

0:08:02 > 0:08:04He's going to do great. OK.

0:08:04 > 0:08:07Select your project managers.

0:08:08 > 0:08:11- You're the natural.- I know I'm the natural, but we need a director.

0:08:11 > 0:08:13I am served best as an actor.

0:08:13 > 0:08:16- Somebody's got to step up.- I'll do the Project managing, I'll do it.

0:08:16 > 0:08:19You guys are going to work... We're all going to work together.

0:08:19 > 0:08:21- I'm your director.- OK.- Don't worry.

0:08:21 > 0:08:23- Are you guys done over there? - Come on. I think you should do it.

0:08:23 > 0:08:25- OK.- I would take it.

0:08:25 > 0:08:27- I would, but I think you... - I'm cool.

0:08:27 > 0:08:29- OK. Whatever.- Dennis, who's your project manager?

0:08:29 > 0:08:32- La Toya.- La Toya, very good.

0:08:32 > 0:08:33- It's me.- Penn?

0:08:33 > 0:08:35I think it's Stephen Baldwin, sir.

0:08:35 > 0:08:36Stephen. OK.

0:08:36 > 0:08:40The project manager of the winning team

0:08:40 > 0:08:43will receive 20,000 for his or her charity.

0:08:43 > 0:08:45Not bad.

0:08:45 > 0:08:47And Crystal Light would like to add

0:08:47 > 0:08:49- 30,000 to that donation. - Wow, great.

0:08:49 > 0:08:54That's great. So 50,000 to the project manager's charity

0:08:54 > 0:08:56of the winning team. The losing team,

0:08:56 > 0:09:00somebody on that team will be fired, and it's never pleasant.

0:09:00 > 0:09:03- OK?- 'This is an acting challenge'

0:09:03 > 0:09:05and Plan B's got a soap star,

0:09:05 > 0:09:09they've got Gary Busey, Marilu Henner, who is on everything,

0:09:09 > 0:09:11and they've got Stephen Baldwin, who is part of, like,

0:09:11 > 0:09:13Hollywood royalty, pretty much.

0:09:13 > 0:09:16And then on our side, we have a former NBA player

0:09:16 > 0:09:18who married himself and wore a wedding dress,

0:09:18 > 0:09:20we've got Brandy, who was on Baywatch.

0:09:20 > 0:09:21She was awesome in the slow motion scenes.

0:09:21 > 0:09:22Incredible.

0:09:22 > 0:09:26MUSIC: Baywatch Theme

0:09:26 > 0:09:29So I'm a little bit worried. Little bit.

0:09:29 > 0:09:32Go out, do a great job, have fun.

0:09:38 > 0:09:39STEPHEN: OK.

0:09:39 > 0:09:42Plan B in the house.

0:09:42 > 0:09:46- Yeah.- I'd like everyone to read the dossier for themselves,

0:09:46 > 0:09:48if you don't mind.

0:09:48 > 0:09:52My strategy for being a project manager this time around

0:09:52 > 0:09:56will entail being far more dominant.

0:09:56 > 0:09:59And by the way, when the Crystal Light executives

0:09:59 > 0:10:02show up, I'd like to mediate the conversation.

0:10:02 > 0:10:05'So I'm looking forward to being like a real'

0:10:05 > 0:10:09just kind of Gordon Gekko ruthless psycho.

0:10:09 > 0:10:11All rolled into one.

0:10:13 > 0:10:16Hello. How are you?

0:10:16 > 0:10:17- Stephen.- Adam.- Hey, Adam, nice to see you.

0:10:17 > 0:10:19- Tiffany.- Hey, Tiffany, how are you doing?

0:10:19 > 0:10:21- I love your dress.- Thank you.

0:10:21 > 0:10:24What is two or three of the key points of what needs to be

0:10:24 > 0:10:28communicated in the messaging in regard to the branding?

0:10:28 > 0:10:30It's got to be on brand, which Tiffany can talk about,

0:10:30 > 0:10:32and then it's got to introduce the product in a way

0:10:32 > 0:10:33that makes people want to try it.

0:10:33 > 0:10:36So Crystal Light is a vibrant brand.

0:10:36 > 0:10:39We're optimistic, we're light-hearted.

0:10:39 > 0:10:40That's who Crystal Light is.

0:10:40 > 0:10:44And so Crystal Light Liquid is a line extension of that trademark.

0:10:44 > 0:10:49It's really all about this idea of zero calorie flavour customisation.

0:10:49 > 0:10:51That sounds to be very important.

0:10:51 > 0:10:53I work in marketing myself.

0:10:53 > 0:10:55A lot of people don't know that.

0:10:56 > 0:10:58'Stephen Baldwin is really funny.'

0:10:58 > 0:11:02He does seem to think that everyone around him

0:11:02 > 0:11:04is breathtakingly stupid.

0:11:04 > 0:11:08So I get a glass of water and I squeeze as much of it in, or not,

0:11:08 > 0:11:10so is that what you're saying?

0:11:10 > 0:11:11- Yes.- Thank you.

0:11:11 > 0:11:13Well, thank you all for your...

0:11:13 > 0:11:15- Good luck, guys. Thank you very much.- Have a good day.

0:11:15 > 0:11:17- You too. - 'I think Stephen is sweet'

0:11:17 > 0:11:18and passionate.

0:11:18 > 0:11:20And those are two really good qualities.

0:11:20 > 0:11:23Doesn't stop me from making fun of him.

0:11:26 > 0:11:29Lil Jon, I'd like for you to be the director.

0:11:29 > 0:11:31- Of course.- I'd like very much for...

0:11:31 > 0:11:33- Where's Dennis?- He's right there.

0:11:33 > 0:11:35I do have concerns about Dennis

0:11:35 > 0:11:36being on the team,

0:11:36 > 0:11:39and the concerns are will he be there, will he show up?

0:11:39 > 0:11:42I don't know. That remains to be seen.

0:11:42 > 0:11:44Omarosa, stage manager.

0:11:44 > 0:11:45I want to be in it.

0:11:45 > 0:11:47Well, you could possibly be in it, too.

0:11:47 > 0:11:49I did tonnes of soaps, so...

0:11:49 > 0:11:51- OK.- Does the stage manager not act?

0:11:51 > 0:11:54- Because I want to. - I would like to see you in it.

0:11:54 > 0:11:57Before you cast, why don't we come up with a script before you decide

0:11:57 > 0:11:59- who's going to be in it? - Well, yeah, I thought of that.

0:11:59 > 0:12:02It's odd to cast for something that we haven't written yet.

0:12:02 > 0:12:03- That's true.- Yes.

0:12:03 > 0:12:06Our project manager, even before we knew

0:12:06 > 0:12:08what the script would be,

0:12:08 > 0:12:10had decided that I was going to be

0:12:10 > 0:12:13relegated to some menial task

0:12:13 > 0:12:18and not acting, and I had to let her know that I had soap experience,

0:12:18 > 0:12:22in fact I was featured on the cover of Soap Opera Digest. Yay me!

0:12:22 > 0:12:24Let's come together really quickly.

0:12:24 > 0:12:25Let's come up with just the story.

0:12:25 > 0:12:29- Once we have the story...- Yeah, but I think we should consider...

0:12:29 > 0:12:31I think that we should use housewives.

0:12:31 > 0:12:32This whole housewife thing is big.

0:12:32 > 0:12:35It's hot, and they all do the same thing.

0:12:35 > 0:12:38They flip tables, they smack each other, they throw water.

0:12:38 > 0:12:40They are like human soap operas.

0:12:40 > 0:12:42And so I just want to consider building on that.

0:12:42 > 0:12:45- So now we have to think of... - The best thing to do is work on

0:12:45 > 0:12:47trying to see which of the Housewives we can get.

0:12:47 > 0:12:50'Omarosa tries to make your life miserable

0:12:50 > 0:12:52'if things don't go her way.'

0:12:52 > 0:12:54Always just starting trouble.

0:12:54 > 0:12:55I tried to ignore her,

0:12:55 > 0:12:57but she would not allow me to because she kept

0:12:57 > 0:12:59interrupting and kept interrupting.

0:12:59 > 0:13:01Who specifically is working on the script?

0:13:01 > 0:13:03Who's working on set design?

0:13:03 > 0:13:06Let us do the story first and then the set design will come second.

0:13:06 > 0:13:10You may think because you feel that I'm soft-spoken that you can take

0:13:10 > 0:13:12advantage of me. It's not going to happen.

0:13:12 > 0:13:13Not this time.

0:13:26 > 0:13:29I think right now what we're doing is we're just overthinking things

0:13:29 > 0:13:31and just rushing through it.

0:13:31 > 0:13:35We should relax and take our time and just put something together.

0:13:35 > 0:13:38This week, we have to perform a soap opera

0:13:38 > 0:13:40for Crystal Light Liquid.

0:13:40 > 0:13:42Our flavours were strawberry,

0:13:42 > 0:13:44lemonade and mango passion fruit.

0:13:44 > 0:13:45It's so tough.

0:13:47 > 0:13:49'The creative was a bit shaky.'

0:13:49 > 0:13:55The idea of the Housewives thing really wasn't coming through.

0:13:55 > 0:13:57That was Omarosa's one idea.

0:13:57 > 0:13:59We were having a really hard time

0:13:59 > 0:14:02trying to come up with a great concept.

0:14:02 > 0:14:03If we have Jack Waggoner,

0:14:03 > 0:14:07he walks in and she goes, "Are you my father?"

0:14:07 > 0:14:10- Dun-dun-DUN!- Right. - DRAMATIC TONES

0:14:10 > 0:14:13I've got my cues. I'm good.

0:14:13 > 0:14:16So think of ridiculous lines that they say from soaps.

0:14:16 > 0:14:17The Jack dude is older, right?

0:14:17 > 0:14:19He tells Brandy he's her dad,

0:14:19 > 0:14:23and then he also tells Brandy

0:14:23 > 0:14:27he had an affair with a black woman and this is her sister.

0:14:27 > 0:14:29You guys being sisters is funny as hell.

0:14:29 > 0:14:31Yeah, but that's impossible.

0:14:33 > 0:14:37OK. So now we have a framework, so are we all excited now?

0:14:37 > 0:14:38We feel a little bit more optimistic?

0:14:38 > 0:14:40Yeah, I feel better about it.

0:14:40 > 0:14:41It took a little time to get our

0:14:41 > 0:14:43concept going, but we got it now.

0:14:43 > 0:14:45We're going to turn this into a soap opera

0:14:45 > 0:14:47by using certain lines that you find

0:14:47 > 0:14:49in most of your major soap operas.

0:14:49 > 0:14:50Dun-dun-DUN!

0:14:50 > 0:14:52We're going big, we're going over the top.

0:14:52 > 0:14:55Maybe we can even tell the audience at the beginning,

0:14:55 > 0:14:56every time you hear...

0:14:56 > 0:14:58Dun-dun-DUN!

0:14:58 > 0:15:01- BOTH:- You must take a drink of Crystal Light.

0:15:01 > 0:15:03That's pushing the product all the way.

0:15:03 > 0:15:07'Brandy and myself came up with the idea of putting the audience to

0:15:07 > 0:15:09'participate. It's all about them'

0:15:09 > 0:15:13feeling like they are part of the actual soap opera.

0:15:13 > 0:15:15We will definitely win if we do that.

0:15:15 > 0:15:18- That's so cute.- Everybody, thank you.- Play the music, Jon.

0:15:24 > 0:15:26- HE BELCHES - Excuse me.

0:15:26 > 0:15:32A few of the things to stress in the writing of our story are

0:15:32 > 0:15:35flavour customisation.

0:15:35 > 0:15:37How do we write that in there?

0:15:37 > 0:15:44Going to the one liquid, let's use romance as a code word for drama.

0:15:44 > 0:15:47We are going to represent... Today, we have...

0:15:47 > 0:15:50Crystal Light Liquid will be playing the part of romance.

0:15:50 > 0:15:52Absolutely.

0:15:52 > 0:15:56Maybe you go further and everything is adjustable.

0:15:56 > 0:15:57You go like this and say,

0:15:57 > 0:15:59"Let's watch to see with this much passion,"

0:15:59 > 0:16:00and then you come in and go,

0:16:00 > 0:16:03"Hello. How are you? Very nice to meet you."

0:16:03 > 0:16:05And then you go, "Let's try it with this!"

0:16:09 > 0:16:12And they come in and just instantly start making out.

0:16:12 > 0:16:14And I don't care who makes out with whom.

0:16:14 > 0:16:16I want to make out with Susan Lucci.

0:16:16 > 0:16:19I would say Trace and Gary for making out.

0:16:19 > 0:16:22Well, you're not, that's the good news.

0:16:22 > 0:16:24Bow-chicka-bow-bow!

0:16:24 > 0:16:26You're good, Penn.

0:16:26 > 0:16:28Sure enough, Penn Jillette comes

0:16:28 > 0:16:30along with a very cool concept.

0:16:30 > 0:16:33You customise your own Crystal Light.

0:16:33 > 0:16:35That will bring down the house.

0:16:35 > 0:16:38'Absolutely brilliant.

0:16:38 > 0:16:39'Now, the executives from Crystal Light say,'

0:16:39 > 0:16:42"The idea of doing that and referencing romance

0:16:42 > 0:16:45"was something that we totally disagreed with,"

0:16:45 > 0:16:48you'll be seeing Penn back in the boardroom with me.

0:16:50 > 0:16:51We're doing good, guys.

0:16:53 > 0:16:55They're hosting almost like a cocktail party.

0:16:55 > 0:16:58It's going to be a living room scene, so that makes it easier,

0:16:58 > 0:16:59so we got that kind of stuff.

0:16:59 > 0:17:02Clothes are at the same time as the props.

0:17:02 > 0:17:06So do you want me and Dennis to get the props?

0:17:06 > 0:17:10- Yes.- Can I go with them since y'all are going to stay and write?

0:17:10 > 0:17:13No, cos you're going to be helping us write.

0:17:13 > 0:17:15You already have the concept.

0:17:15 > 0:17:17Why do you need me to stay and write?

0:17:17 > 0:17:20Because they're working together as a team, as a group,

0:17:20 > 0:17:22and I want you to stay here to write.

0:17:22 > 0:17:24Those two are going shopping, not you.

0:17:24 > 0:17:27I like the little bass in your voice, La Toya.

0:17:27 > 0:17:29# Beat it! #

0:17:29 > 0:17:31No, I just don't want anybody trying to run over me

0:17:31 > 0:17:33- so that I have to tell her what to do.- No, no, no, bull.

0:17:33 > 0:17:35This is a team effort.

0:17:35 > 0:17:36We're all working together.

0:17:36 > 0:17:40- I'm just offering my help. - Please be quiet.

0:17:42 > 0:17:44Oh, no, no. You're not going to tell me to be quiet.

0:17:44 > 0:17:47- I'm talking. I want you to be quiet. - You're going to be respectful.

0:17:47 > 0:17:49You can say whatever you want, but you're not going to disrespect me.

0:17:49 > 0:17:51Let's get that straight.

0:17:51 > 0:17:54Don't ever tell me to be quiet, La Toya. You will be respectful.

0:17:54 > 0:17:58- You're project manager, but you're not going to disrespect me. - I am always respectful.

0:17:58 > 0:18:01Who is the most disrespectful person sitting in this room right now?

0:18:01 > 0:18:03- You tell me. - You're being disrespectful.

0:18:03 > 0:18:06- That's not good leadership. - I'm asking you a question. - Look up good leadership.

0:18:06 > 0:18:08Being disrespectful is not good leadership.

0:18:08 > 0:18:10Look it up and take notes.

0:18:10 > 0:18:12I am not going to let you run over me.

0:18:12 > 0:18:14Being disrespectful will never work for me.

0:18:14 > 0:18:15It was crazy when La Toya

0:18:15 > 0:18:17stood up and put her hand

0:18:17 > 0:18:20on her hip and cocked her neck.

0:18:20 > 0:18:24When a black woman does that, you know you got problems.

0:18:24 > 0:18:27- I will take you down... - I don't disrespect you.

0:18:27 > 0:18:29- ..if you disrespect me. - What kind of lady is that,

0:18:29 > 0:18:32- that would take me down?- What kind of lady would tell you to be quiet?

0:18:32 > 0:18:34I'm a grown woman. I run a company.

0:18:34 > 0:18:36I run half of the West Coast for OK! magazine.

0:18:36 > 0:18:38You're not going to talk to me like I'm four years old.

0:18:38 > 0:18:40Guys, she runs a company and half of the West Coast.

0:18:40 > 0:18:43- OK, then I think a leader... - They know that.- A leader motivates.

0:18:43 > 0:18:44You're demotivating your team now.

0:18:44 > 0:18:46Get control of your team.

0:18:46 > 0:18:48Get control of your team.

0:18:48 > 0:18:49It escalated even more

0:18:49 > 0:18:53because Omarosa stood up as well

0:18:53 > 0:18:56and cocked her neck and put her hand on her hip,

0:18:56 > 0:19:00and we were all just sitting there quiet, like, "Wow."

0:19:00 > 0:19:03- I am not your staff. - Omarosa.- Get it straight.

0:19:03 > 0:19:05- It's always the same. - I am not your staff.

0:19:05 > 0:19:06It is always the same.

0:19:06 > 0:19:08Cos you'll never take me down.

0:19:08 > 0:19:10Can we start working on the script and get that done?

0:19:10 > 0:19:13Thank you. Next time you fix your mouth, telling me to be quiet,

0:19:13 > 0:19:14you will think again.

0:19:14 > 0:19:16Maybe it's better just to separate.

0:19:16 > 0:19:19That's some thinking. It's probably better to get her out of here.

0:19:19 > 0:19:20You better think strategically, Boo,

0:19:20 > 0:19:23cos you are on the wrong side of Omarosa today.

0:19:23 > 0:19:26When we go in the boardroom, girl, don't you worry.

0:19:26 > 0:19:28- Let's wait until we go there. - Let's do it.- OK.

0:19:28 > 0:19:30- Now you be quiet. - You're such a lovely person.

0:19:30 > 0:19:31Think about it. Oh, my God.

0:19:31 > 0:19:33Try to be a leader.

0:19:33 > 0:19:34OK, great.

0:19:34 > 0:19:37'La Toya really just checked Omarosa.'

0:19:37 > 0:19:38It was nice.

0:19:38 > 0:19:41You know when you see the bully that bullied some of your friends,

0:19:41 > 0:19:43but then they got knocked the hell out?

0:19:43 > 0:19:44It was kind of like that.

0:19:44 > 0:19:46All right, let's roll.

0:19:46 > 0:19:48I think La Toya knows that the rest of us have her back.

0:19:48 > 0:19:51- RECITES:- That evil witch better not step foot in my house.

0:19:55 > 0:19:59Omarosa's fiance passed away not long ago.

0:19:59 > 0:20:03He had a heart attack. I'm sure she gave it to him.

0:20:03 > 0:20:05Oh, my God, I'm being punked by a Jackson.

0:20:14 > 0:20:16Our project manager gave me absolutely no instruction.

0:20:16 > 0:20:18She just sent me out.

0:20:18 > 0:20:20She kicked me out of the room.

0:20:20 > 0:20:22So after the fireworks,

0:20:22 > 0:20:24Claudia and I went off to go,

0:20:24 > 0:20:27and we had very important things to do.

0:20:27 > 0:20:29Hey, Lil Jon, it's Omarosa.

0:20:29 > 0:20:32- 'Hello.'- Hi. Can you ask our project manager to send us

0:20:32 > 0:20:36a list of specific things that she wants for the scene?

0:20:36 > 0:20:38We had to dash off to Lord & Taylor

0:20:38 > 0:20:40to choose the costumes and the dresses

0:20:40 > 0:20:43that would be utilised in our soap opera.

0:20:43 > 0:20:46240. That's Dynasty all day long.

0:20:46 > 0:20:48OK, let's check with our project manager.

0:20:48 > 0:20:50That's 240.

0:20:50 > 0:20:54Let me just ring our project manager for some direction, shall we?

0:20:54 > 0:20:57- 'Hello?'- Yes, can you hear us?

0:20:57 > 0:21:00- 'Yes.'- OK.- We are in the store and we're trying to get direction.

0:21:00 > 0:21:03Does she want long or short for her dresses?

0:21:03 > 0:21:05It's a cocktail. Get them long.

0:21:05 > 0:21:07Can we get a direction on sizes?

0:21:07 > 0:21:11You know, Omarosa, whatever size you are, get your size and then...

0:21:11 > 0:21:13OK, I'm going to send you two gowns right now.

0:21:13 > 0:21:15OK, you can get...

0:21:15 > 0:21:19Here comes the picture right now to your phone.

0:21:19 > 0:21:21- OK, bye-bye.- You see. We got direction.

0:21:22 > 0:21:25And sometimes that's all you need.

0:21:25 > 0:21:28Omarosa called for direction on every single decision.

0:21:28 > 0:21:30I see there's a method to her madness.

0:21:30 > 0:21:32She's doing it because

0:21:32 > 0:21:35if the fault lies with anything that we purchased,

0:21:35 > 0:21:39she can always say, "Well, La Toya, you approved this."

0:21:39 > 0:21:41This way none of the responsibility will fall on her.

0:21:41 > 0:21:43We just need a little more direction.

0:21:43 > 0:21:44We're having a problem with sizes.

0:21:44 > 0:21:46She doesn't need more direction. I told her.

0:21:46 > 0:21:50- What we're sending you are the dresses...- That's a lie.

0:21:50 > 0:21:54- 'How much are the dresses?' - They're about 250 apiece.

0:21:54 > 0:21:56That's fine. Get the two dresses.

0:21:56 > 0:21:58- We're done.- 'OK, bye.' - All right, bye-bye.

0:21:58 > 0:22:00OK, bye.

0:22:00 > 0:22:01She said she needed direction.

0:22:01 > 0:22:03You know I just told them what to get,

0:22:03 > 0:22:04and she's saying I won't give her on size.

0:22:04 > 0:22:06You guys heard me tell her the two sizes.

0:22:06 > 0:22:08Oh, yeah. 'Omarosa is a bit...'

0:22:08 > 0:22:12toxic, and it kind of ruins the team unity.

0:22:12 > 0:22:15She sucks the energy out of people.

0:22:15 > 0:22:18What do they call that when you suck the energy out of people?

0:22:20 > 0:22:21Succubus?

0:22:21 > 0:22:23I don't like this game she's playing.

0:22:23 > 0:22:26- You said it a million times, the sizes.- Yeah, it's Omarosa.

0:22:32 > 0:22:34I'm the PM, but as the director,

0:22:34 > 0:22:38I want to understand what my options are.

0:22:38 > 0:22:41So beat one is IT guy, blah blah blah,

0:22:41 > 0:22:44this flavour with a housewife.

0:22:44 > 0:22:47Beat two is cowboy shows up.

0:22:47 > 0:22:50He's the cowboy there to fix the pool.

0:22:50 > 0:22:51I come in a little bit later.

0:22:51 > 0:22:53Gary comes in, and there's some big confrontation?

0:22:53 > 0:22:56- You're having an affair with Trace. - I'm the jealous wife.

0:22:56 > 0:22:58You would obviously be Lisa's husband.

0:22:58 > 0:23:02- Perfect!- Let's go to Vegas.- And I think we have screaming and passion.

0:23:02 > 0:23:06Then last scene is out of a Harlequin romance novel.

0:23:06 > 0:23:08And you making out with Susan Lucci. That's where this is all going!

0:23:08 > 0:23:10It's fantastic. It's great.

0:23:11 > 0:23:13Hi. Hi.

0:23:14 > 0:23:16Look at you, babelicious.

0:23:16 > 0:23:17Hi. Look who's talking.

0:23:17 > 0:23:20- Hi.- Trace Adkins.

0:23:20 > 0:23:21Trace Adkins, how are you?

0:23:21 > 0:23:23- I'm so happy to meet you. - Very nice to meet you.

0:23:23 > 0:23:25'Susan Lucci. Wow.'

0:23:25 > 0:23:28What a sweet, classy lady, man.

0:23:28 > 0:23:31She's everything that you thought she might be.

0:23:31 > 0:23:35When you come out, she's turned into you.

0:23:35 > 0:23:37All of a sudden, Trace comes in, bam,

0:23:37 > 0:23:39like Stella, but it's like Crystal!

0:23:39 > 0:23:42Rips his shirt off so he's naked.

0:23:42 > 0:23:44You guys end up together.

0:23:44 > 0:23:46- That's it.- Are you OK with me picking you up?

0:23:46 > 0:23:48- I won't drop you, I promise. - I bet you won't.

0:23:48 > 0:23:51'I appreciate beauty in any form.'

0:23:51 > 0:23:55Good horse flesh, beautiful mountains, landscapes.

0:23:55 > 0:23:56I think it's amazing.

0:23:56 > 0:23:57And beautiful women.

0:23:57 > 0:24:01I will just gently scoop you up into my arms.

0:24:01 > 0:24:04- SULTRY:- Oh, my big beautiful hunk of a cowboy!

0:24:07 > 0:24:10I want everybody to raise your glass and take a drink...

0:24:10 > 0:24:14- Take a sip.- Right on cue! - There he is!

0:24:14 > 0:24:16- Hey!- Hi, Jack. How are you? I'm La Toya.

0:24:16 > 0:24:18Pleased to meet you. Good to see you.

0:24:18 > 0:24:22Our actor, Jack Wagner, finally comes in.

0:24:22 > 0:24:25- So this is the product? - Yeah, this is the product.

0:24:25 > 0:24:26There you go.

0:24:28 > 0:24:30- Like it?- Really good.- Great.

0:24:30 > 0:24:32How many times do you get to work

0:24:32 > 0:24:33with a soap opera legend?

0:24:33 > 0:24:35He's a cool guy, man.

0:24:35 > 0:24:37I'm glad we actually got Jack.

0:24:38 > 0:24:39I love Jack Wagner.

0:24:39 > 0:24:41We could start rehearsing.

0:24:41 > 0:24:43Yeah. For sure.

0:24:43 > 0:24:44- MENACING:- It's Alexis.

0:24:44 > 0:24:45Then Alexis screams.

0:24:45 > 0:24:48You scream bloody murder, and you faint.

0:24:48 > 0:24:49What's up, y'all?

0:24:50 > 0:24:53We were so delighted when our boardroom adviser,

0:24:53 > 0:24:55Arsenio Hall, stopped by to visit.

0:24:55 > 0:24:56Doing good, baby?

0:24:56 > 0:24:59'So, to get feedback from him as a Celebrity Apprentice

0:24:59 > 0:25:00'winner was outstanding.'

0:25:00 > 0:25:02Let's talk about this thing.

0:25:02 > 0:25:04- You're in charge. - Yes, I'm in charge.

0:25:04 > 0:25:05How's it going?

0:25:05 > 0:25:09It's going good. Our setting is a Crystal Light party.

0:25:09 > 0:25:11Sort of like a cocktail party at home.

0:25:11 > 0:25:13We have all these guests coming over to the house,

0:25:13 > 0:25:18but every time you hear dun-dun-DUN, we all drink our Crystal Light.

0:25:18 > 0:25:22I know your business background, but did you act when you were a kid?

0:25:22 > 0:25:25I've always been into Shakespearean theatre.

0:25:25 > 0:25:29In fact, after The Apprentice, I went on Passion soap opera,

0:25:29 > 0:25:32but I had to fight to be a part of the acting core.

0:25:32 > 0:25:33Here it is, Arsenio. We didn't know.

0:25:33 > 0:25:37We didn't have a script just yet, so how can you appoint certain people

0:25:37 > 0:25:38if you don't have a script just yet?

0:25:41 > 0:25:44That's a rewrite. Thank you.

0:25:44 > 0:25:49Team Power, from the time I walked in the room, I felt tension.

0:25:49 > 0:25:52As a project manager, I'm afraid for La Toya.

0:25:52 > 0:25:54I don't know if she can handle Omarosa.

0:25:54 > 0:25:55Omarosa, what do you think?

0:25:55 > 0:25:57- Conniving witch.- Oh, really?

0:25:57 > 0:25:59- Conniving witch.- You just bought it.

0:25:59 > 0:26:01I thought you were going to play games with me.

0:26:01 > 0:26:03- No, conniving witch. - I've known you 20 years.

0:26:03 > 0:26:05You're a real soft creature.

0:26:05 > 0:26:08I've never heard you use the word conniving for any woman.

0:26:08 > 0:26:09Well, we just got into a big fight.

0:26:09 > 0:26:12I'm not going to allow her to walk over me, because once she does it,

0:26:12 > 0:26:14she thinks she can continue to do it.

0:26:14 > 0:26:17If this doesn't go well,

0:26:17 > 0:26:20who do you have to bring in on the carpet and try by fire?

0:26:20 > 0:26:22I know Omarosa will be one.

0:26:22 > 0:26:24I know it's going to be a fight, but I'll fight back.

0:26:24 > 0:26:27- WHISPERS:- Alexis. - OMAROSA SCREAMS

0:26:35 > 0:26:37Aha!

0:26:37 > 0:26:39This sounds like... I don't want to mess up a good story, but...

0:26:40 > 0:26:43- Excuse me, one moment. - Yes, of course. Please.

0:26:43 > 0:26:45I knew I liked you, Arsenio.

0:26:45 > 0:26:46It's so good to see you.

0:26:46 > 0:26:50Mr Jillette, tell Arsenio what this is about.

0:26:50 > 0:26:55The Crystal Light Liquid, you can decide how much you want to put in,

0:26:55 > 0:26:56a little or a lot.

0:26:56 > 0:27:01So we decided that we would compare the amount of flavour in the water

0:27:01 > 0:27:04to the amount of romance in a soap opera.

0:27:04 > 0:27:08When you think about this format, you want a crescendo to...

0:27:08 > 0:27:10Boom!

0:27:10 > 0:27:12- Yes.- Like the fireworks over at Disneyland.

0:27:12 > 0:27:15So it's an analogy between flavour and romance.

0:27:15 > 0:27:19We want it to just be that over-the-top soap opera thing,

0:27:19 > 0:27:21- and how do you make it fun? - You guys are cruising.

0:27:21 > 0:27:23Good luck, God bless.

0:27:23 > 0:27:26Nice to meet you, ones I don't know, and see you, that I do know.

0:27:26 > 0:27:30Initially, you think happy equals success.

0:27:30 > 0:27:32But Plan B lost last week,

0:27:32 > 0:27:36so happiness doesn't always equal success.

0:27:41 > 0:27:44OK. So should we go with a little bit?

0:27:44 > 0:27:47- Let's try it. - She's going to go on stage.

0:27:47 > 0:27:49At the end of the evening, there was only an hour left to task.

0:27:49 > 0:27:51We're all trying to rehearse

0:27:51 > 0:27:52and get this thing down.

0:27:52 > 0:27:54The doorbell rings.

0:27:54 > 0:27:58Welcome to my Crystal Light Liquid party!

0:27:58 > 0:28:01- Party!- So we'll come in like this.

0:28:01 > 0:28:03What are you doing here?

0:28:03 > 0:28:06- You said you never wanted to see me again.- Yeah.

0:28:08 > 0:28:12We were going along with the task and I got a call from home

0:28:12 > 0:28:16that one of the tabloid news magazines

0:28:16 > 0:28:20was going to air the 911 tape from the night that my honey,

0:28:20 > 0:28:22Michael Clarke Duncan,

0:28:22 > 0:28:25had a fatal heart attack.

0:28:25 > 0:28:29I had to discreetly remove myself to go and deal with this issue.

0:28:31 > 0:28:32Oh, sorry.

0:28:34 > 0:28:35Then leave it there.

0:28:46 > 0:28:48Hey.

0:28:48 > 0:28:50There we are in the middle of rehearsing,

0:28:50 > 0:28:52Omarosa is playing her part - villain -

0:28:52 > 0:28:56and all of a sudden, she decides that, "OK, something came up.

0:28:56 > 0:28:59"I have an emergency. I have to leave."

0:28:59 > 0:29:02She explains to me and I say, "OK, go do what you need to do."

0:29:06 > 0:29:07Shall we?

0:29:07 > 0:29:09Where did she go?

0:29:09 > 0:29:11Are you talking about Omarosa?

0:29:11 > 0:29:15She's got some...issues right now.

0:29:15 > 0:29:17- She went home to the hotel. - What?

0:29:17 > 0:29:20'Omarosa plays a pretty big role in this production.

0:29:20 > 0:29:22'She plays herself, the villain.

0:29:22 > 0:29:24'She fought for that role.'

0:29:24 > 0:29:25What are we going to do now?

0:29:25 > 0:29:28DUN-DUN-DUN!

0:29:32 > 0:29:36Here we are, guys. We have to start right away cos we're short people,

0:29:36 > 0:29:38as you guys all know.

0:29:38 > 0:29:39For our soap opera,

0:29:39 > 0:29:41it's the day of the performance

0:29:41 > 0:29:42and there's no Omarosa.

0:29:42 > 0:29:45So Miss Saboteur is gone.

0:29:45 > 0:29:48- What did you call her? - Miss Saboteur.

0:29:48 > 0:29:49- Is she gone?- She ain't here, so...

0:29:49 > 0:29:51She didn't show up? That makes it even worse.

0:29:51 > 0:29:54That makes it worse on her, not on us.

0:29:54 > 0:29:56Omarosa, she's a gem.

0:29:56 > 0:29:59I think she's going to sabotage this whole deal.

0:29:59 > 0:30:01That's what it looks like.

0:30:01 > 0:30:03Claudia, if she shows up, you're still doing her role.

0:30:03 > 0:30:06She told us no. We all know it.

0:30:06 > 0:30:07Omarosa had the role

0:30:07 > 0:30:09of the evil villain.

0:30:09 > 0:30:11I got to be a villain today?

0:30:11 > 0:30:12I've never been a villain before.

0:30:12 > 0:30:14At the end of the day, she left,

0:30:14 > 0:30:17so Claudia took the ball and decided to do Omarosa's role.

0:30:17 > 0:30:21- I also stole your strawberry lemonade?- Ah!

0:30:22 > 0:30:26- Why wouldn't I? - DUN-DUN-DUN!

0:30:26 > 0:30:29Claudia played a great evil nemesis.

0:30:29 > 0:30:32Crystal Light Liquid passion fruit mango.

0:30:32 > 0:30:34'And because Omarosa wasn't there,'

0:30:34 > 0:30:36we actually had a great time.

0:30:36 > 0:30:39But what brought you a vibrant,

0:30:39 > 0:30:42- light-headed...- Light-hearted!

0:30:42 > 0:30:44It's just a tongue twister!

0:30:45 > 0:30:47'We think it's pretty funny'

0:30:47 > 0:30:49for La Toya to write

0:30:49 > 0:30:51some of her lines on her hand.

0:30:51 > 0:30:54Make sure you look at the crowd too, like...

0:30:54 > 0:30:56'That's the way to nail the name of the product.'

0:30:56 > 0:30:59So you don't have to really stress on it.

0:30:59 > 0:31:02Mango... What is it?

0:31:02 > 0:31:03- Peach lemonade. I- BLEEP- that up.

0:31:03 > 0:31:05Edit that out.

0:31:10 > 0:31:12We're going to rehearse, kids.

0:31:12 > 0:31:16Casual. Let's walk through the blocking and the beats.

0:31:16 > 0:31:18You're the other woman.

0:31:18 > 0:31:20- Baby, I can explain.- Hey!

0:31:20 > 0:31:22So you're the guy that stole my wife.

0:31:27 > 0:31:28Who are you?

0:31:28 > 0:31:30What's there not to love

0:31:30 > 0:31:31about Gary Busey?

0:31:31 > 0:31:32Who are you?

0:31:35 > 0:31:38He's fabulously brilliant.

0:31:38 > 0:31:40Who are you?

0:31:44 > 0:31:48And he's not, you know, so disconnected as everybody thinks.

0:31:48 > 0:31:51He's a nutty professor, but he's smarter than everybody thinks.

0:31:51 > 0:31:52Oh, gosh.

0:31:53 > 0:31:54This...

0:31:56 > 0:31:58'You know what, I'm an actress.

0:31:58 > 0:32:00'You can't imagine the people I've had to make out with.'

0:32:00 > 0:32:02Some great ones.

0:32:02 > 0:32:04Burt Reynolds comes to mind.

0:32:04 > 0:32:06But not Gary Busey.

0:32:06 > 0:32:10Crystal Light Liquid allows you to customise your beverage.

0:32:10 > 0:32:11I felt compelled,

0:32:11 > 0:32:13mostly as the director, not the project manager,

0:32:13 > 0:32:15to just let it flow.

0:32:17 > 0:32:19- That's good.- Stop.

0:32:19 > 0:32:23I need, "Mm! Delicious."

0:32:23 > 0:32:24OK, we get the idea.

0:32:24 > 0:32:27- I think we have to add a little... - Stop!

0:32:27 > 0:32:29As the director, guys,

0:32:29 > 0:32:34I'm going to give you these beats that I think will amp up the comedy.

0:32:34 > 0:32:36- Is that cool?- Perfect.

0:32:37 > 0:32:39Let's put a lot of flavour in this next one.

0:32:39 > 0:32:41Stop. Yes, Lisa?

0:32:41 > 0:32:44I said use the iced tea this time because this time

0:32:44 > 0:32:46I turn into Susan Lucci.

0:32:46 > 0:32:48- Doesn't matter.- All right.

0:32:48 > 0:32:50- You're fabulous.- OK.

0:32:50 > 0:32:51In business, sometimes making

0:32:51 > 0:32:54a decision is more important than the decision you make.

0:32:54 > 0:32:57And Stephen Baldwin certainly takes that to the nth degree.

0:32:57 > 0:33:00I'm going to try not to stop this now, guys.

0:33:00 > 0:33:02Go ahead, Penn.

0:33:02 > 0:33:03And it's zero calories.

0:33:03 > 0:33:06Stop. I'm going to give Penn another note.

0:33:06 > 0:33:12That kind of aggressive claim of power, I don't take seriously.

0:33:12 > 0:33:16When I get home tonight to my room, I will laugh about it.

0:33:17 > 0:33:19Should we invite Susan to the middle?

0:33:19 > 0:33:22Trace! You're killing me.

0:33:22 > 0:33:25Let's do that again. Everybody back to their positions.

0:33:25 > 0:33:26- Oh, for- BLEEP- sake.

0:33:26 > 0:33:28Stephen's being Stephen,

0:33:28 > 0:33:29he's going to try you.

0:33:29 > 0:33:31He's going to try your patience.

0:33:31 > 0:33:32Stop.

0:33:34 > 0:33:36The iron foreheaded man.

0:33:36 > 0:33:40I'll be so glad when we do this for real so he can't stop this.

0:33:40 > 0:33:41Let's go tech rehearse.

0:33:41 > 0:33:42Come on, guys.

0:33:42 > 0:33:45I think this is so good it's going to be fine.

0:33:45 > 0:33:48He can't mess this up. No way.

0:33:48 > 0:33:51I'm already making adjustments of what we're not going to use.

0:33:51 > 0:33:53- A certain end table, the extra chair. We don't know.- OK.

0:33:54 > 0:33:57I love you to death, but as the stage manager,

0:33:57 > 0:34:01don't speak in a way where you've made a decision that ultimately lies

0:34:01 > 0:34:03- with me.- OK, sure.

0:34:03 > 0:34:06You just said I'm already thinking about what I'm not...

0:34:06 > 0:34:08- OK.- You know what I'm saying? - Yeah, yeah.

0:34:08 > 0:34:12If I decide to leave it all on and y'all have to work it out,

0:34:12 > 0:34:14- that's my decision.- OK, no worries. Absolutely. You're right.

0:34:14 > 0:34:18Stephen, you be nice to Marilu or I'm going to kill you.

0:34:18 > 0:34:21Correct me if I'm wrong. In a Broadway production,

0:34:21 > 0:34:23does the stage manager override the director?

0:34:23 > 0:34:24- No.- OK, just checking.

0:34:24 > 0:34:25OK.

0:34:25 > 0:34:28'Stephen is an actor playing the role of a director.'

0:34:28 > 0:34:32It's, like, OK. And the Emmy goes to...

0:34:32 > 0:34:34Everybody go back to the rehearsal space

0:34:34 > 0:34:36and rehearse from there, please.

0:34:36 > 0:34:39Thank you, Stephen. You're a wonderful director.

0:34:40 > 0:34:41- Let's do it.- Guys, let's go.

0:34:41 > 0:34:44Guys, right after this rehearsal,

0:34:44 > 0:34:45we've got to get to D.

0:34:45 > 0:34:48Dennis, you going to be OK with these light guys?

0:34:48 > 0:34:51- Dennis! I need for you to time it, OK?- All right.

0:34:51 > 0:34:54The minute Claudia walks out, start timing.

0:34:54 > 0:34:58- I haven't- BLEEP- timed anything with a- BLEEP- clock.- Let's do it.

0:34:58 > 0:35:02I see your spies have been spying in my closet.

0:35:02 > 0:35:05Why are you even here, Crystal?

0:35:06 > 0:35:08'So we're rehearsing our performance,

0:35:08 > 0:35:10'and lo and behold,'

0:35:10 > 0:35:13guess who just shows up out of nowhere.

0:35:13 > 0:35:14Omarosa's here.

0:35:14 > 0:35:18The wicked witch of the Midwest.

0:35:18 > 0:35:21She's the fly in my soup.

0:35:21 > 0:35:23She's the dent in my Bentley.

0:35:25 > 0:35:27She's the hair in my iced tea.

0:35:27 > 0:35:30I wasn't going to let you guys down. I had to get here.

0:35:30 > 0:35:32- DENNIS LAUGHS - Got to love it, right?

0:35:32 > 0:35:35She did a great Houdini yesterday and all of a sudden now,

0:35:35 > 0:35:38she popped back up again, out of the blue,

0:35:38 > 0:35:40just before she had to go on stage.

0:35:40 > 0:35:43It's just so predictable, what she does.

0:35:43 > 0:35:44Any more space down there?

0:35:44 > 0:35:47'I knew she would pop up at the last minute to say'

0:35:47 > 0:35:50that she was there. She did it just in time where she didn't have to

0:35:50 > 0:35:52perform the play, because she's afraid.

0:35:52 > 0:35:54She knows the other girls act better than she does.

0:35:54 > 0:35:57Let's face it, Brande's adorable. She's not.

0:36:07 > 0:36:09Are you all ready to have some fun today?

0:36:09 > 0:36:11Yes, indeed.

0:36:11 > 0:36:13Don't drink all of your Crystal Light

0:36:13 > 0:36:16because we have some crowd interaction

0:36:16 > 0:36:18we want you to do during our soap opera.

0:36:18 > 0:36:20Whenever you bring the crowd in

0:36:20 > 0:36:22and you make them interact with you doing a performance,

0:36:22 > 0:36:24they love that.

0:36:24 > 0:36:26And we got the product out to the audience.

0:36:26 > 0:36:29That's what's going to take us over the top.

0:36:31 > 0:36:32Hi, everybody. Welcome.

0:36:32 > 0:36:34Thank you for coming and good morning.

0:36:34 > 0:36:39We would like to present to you our Crystal Light Liquid soap opera.

0:36:39 > 0:36:41So when you hear this sound...

0:36:41 > 0:36:44DUN-DUN-DUN!

0:36:44 > 0:36:47..please take a sip of your Crystal Light Liquid. Now...

0:36:47 > 0:36:49DUN-DUN-DUN!

0:36:51 > 0:36:55Please sit back and enjoy The Days Of Crystal Light Liquid.

0:36:59 > 0:37:03I love customising my Crystal Light Liquid.

0:37:03 > 0:37:06I can put a little bit of my strawberry lemonade

0:37:06 > 0:37:12and a lot of my mango passion fruit.

0:37:12 > 0:37:15- DOORBELL RINGS - Come in!

0:37:15 > 0:37:19Welcome to my Crystal Light Liquid party!

0:37:19 > 0:37:21- SHE GASPS - Father!

0:37:21 > 0:37:23What are you doing here?

0:37:23 > 0:37:27You said you never wanted to see me again.

0:37:27 > 0:37:31And you brought her. DUN-DUN-DUN!

0:37:33 > 0:37:35I could see the executives sitting out in the front row.

0:37:35 > 0:37:37I could see Ivanka and Arsenio,

0:37:37 > 0:37:41and I loved that I saw Arsenio out there with a big smile on his face.

0:37:41 > 0:37:46I'm here because I have something very, very important to tell you.

0:37:46 > 0:37:49DUN-DUN-DUN!

0:37:49 > 0:37:51Did that pregnant man have another baby?

0:37:51 > 0:37:54DUN-DUN-DUN!

0:37:54 > 0:37:57I'm going to tell Crystal...the truth.

0:37:57 > 0:37:59- DOORBELL RINGS - Oh, come in!

0:37:59 > 0:38:02Welcome to my Crystal Light Liquid party!

0:38:02 > 0:38:04SHE GASPS

0:38:05 > 0:38:09DUN-DUN-DUN!

0:38:09 > 0:38:12I see your spies have been spying in my closet.

0:38:13 > 0:38:15Well, I see that your shoes don't match your dress.

0:38:17 > 0:38:18They were on sale.

0:38:21 > 0:38:24A lot has happened since I've last seen you all.

0:38:24 > 0:38:26I've been in a plane crash,

0:38:26 > 0:38:29train crash, boat crash,

0:38:29 > 0:38:32and an angry hairy old lady shot me and I got amnesia.

0:38:32 > 0:38:35SHE GASPS, DUN-DUN-DUN!

0:38:35 > 0:38:42But what brought his light-hearted, vibrant, optimistic memory back?

0:38:44 > 0:38:48It was Crystal Light Liquid Mango Passion Lemonade

0:38:48 > 0:38:54and Crystal Light Strawberry Liquid Lemonade.

0:38:54 > 0:38:57'Oh, my God.

0:38:57 > 0:39:00'Do you know how bad it is for the project manager

0:39:00 > 0:39:02'to get the product name wrong?

0:39:02 > 0:39:04'This is a branding task.'

0:39:04 > 0:39:07If you get nothing else right,

0:39:07 > 0:39:08get the name of the product

0:39:08 > 0:39:10and the flavours correct.

0:39:12 > 0:39:15After years of amnesia, several things came back to me.

0:39:15 > 0:39:19First of all, Crystal, you have a sister.

0:39:19 > 0:39:23THEY GASP, DUN-DUN-DUN!

0:39:23 > 0:39:24A twin sister.

0:39:24 > 0:39:25THEY GASP

0:39:25 > 0:39:27It's Alexis.

0:39:27 > 0:39:29THEY GASP, DUN-DUN-DUN!

0:39:29 > 0:39:30No!

0:39:30 > 0:39:32SHE SCREAMS

0:39:34 > 0:39:35THEY SCREAM

0:39:38 > 0:39:40This production of Days Of Crystal Light Liquid

0:39:40 > 0:39:42was brought to you by Team Power

0:39:42 > 0:39:44and Crystal Light Liquid,

0:39:44 > 0:39:51the zero-calorie, guilt-free drink with fabulous FLA-VOUR!

0:39:51 > 0:39:53I think the audience and the executives,

0:39:53 > 0:39:55I think they loved our performance.

0:39:55 > 0:39:59But the weakest contributor on our team was definitely Omarosa.

0:39:59 > 0:40:01She left whenever she felt like it,

0:40:01 > 0:40:04she came when she felt like it, and all she did when she was there was

0:40:04 > 0:40:06disrupt and distract.

0:40:12 > 0:40:14All right, my stars.

0:40:14 > 0:40:16Let's go rock 'em out.

0:40:16 > 0:40:18We did as much as we possibly could do

0:40:18 > 0:40:20in the amount of time we had to do it.

0:40:20 > 0:40:22And it's performance day.

0:40:22 > 0:40:23Magic is going to happen.

0:40:23 > 0:40:25Here we go. Take your positions, please.

0:40:25 > 0:40:29We get to perform for people and we get to make people laugh and have a

0:40:29 > 0:40:31good time. Like, what's better than that?

0:40:33 > 0:40:38Good morning, and welcome to Crystal Guiding Days Of Our Lights,

0:40:38 > 0:40:39brought to you

0:40:39 > 0:40:45by Crystal Light Liquid Blueberry Raspberry and Iced Tea.

0:40:45 > 0:40:49Crystal Light Liquids allows you to customise your drink,

0:40:49 > 0:40:52decide just how much flavour is in each glass.

0:40:52 > 0:40:55We're going to let the Crystal Light

0:40:55 > 0:40:59represent the amount of romance we have in each scene.

0:40:59 > 0:41:03Let's start off our soap opera a little bit light.

0:41:10 > 0:41:12Mm!

0:41:12 > 0:41:14That is so vibrant and refreshing.

0:41:15 > 0:41:16Oh!

0:41:16 > 0:41:19- KNOCKING - Who's at my door?

0:41:20 > 0:41:22Oh, hello.

0:41:22 > 0:41:24Hello. Are you Crystal?

0:41:24 > 0:41:25I'm supposed to meet Crystal.

0:41:25 > 0:41:26Yes, I'm Crystal.

0:41:26 > 0:41:30I'm here to work on your computer.

0:41:30 > 0:41:34- Oh!- And where is your computer?

0:41:34 > 0:41:36It's in the bedroom.

0:41:38 > 0:41:39So you get the idea.

0:41:39 > 0:41:42I think we need just a little more romance.

0:41:42 > 0:41:44COUNTRY MUSIC

0:41:44 > 0:41:45Howdy, little lady.

0:41:47 > 0:41:49I'm from Cowboy Pool Service.

0:41:49 > 0:41:51I don't have a pool.

0:41:54 > 0:41:57But I sure could use a cowboy pool guy.

0:41:58 > 0:41:59Ivanka is so beautiful,

0:41:59 > 0:42:02but there's one moment when she's just like this.

0:42:03 > 0:42:07- Kind of very stoic and I thought, "Oh,- BLEEP."

0:42:07 > 0:42:10- Tell me more.- No, I think I'll just sing it to you.

0:42:10 > 0:42:11Oh.

0:42:11 > 0:42:16# Crystal, there's a crystal pool of light in your eyes. #

0:42:18 > 0:42:21Hey!

0:42:21 > 0:42:22So you're the other woman!

0:42:22 > 0:42:24- Who are you?- I can explain this.

0:42:24 > 0:42:28Listen to me, you're the guy that stole my wife.

0:42:30 > 0:42:31Who are you?

0:42:34 > 0:42:38Just having Gary Busey walk on stage is a win.

0:42:38 > 0:42:41As a matter of fact, we probably wasted a lot of time writing this.

0:42:41 > 0:42:43We probably should have said Crystal Light Liquid

0:42:43 > 0:42:47and then have Gary run around the stage like a monkey.

0:42:54 > 0:42:57OK, let's kick it.

0:43:01 > 0:43:04Oh, I feel FABULOUS.

0:43:05 > 0:43:11I think I'm going to go change into something even more fabulous.

0:43:13 > 0:43:16SOFT MUSIC PLAYS

0:43:20 > 0:43:21Crystal!

0:43:29 > 0:43:34Oh, my big, beautiful hunk of cowboy!

0:43:36 > 0:43:38The end.

0:43:46 > 0:43:49Everybody gets 20 gold stars.

0:43:49 > 0:43:52Everybody did great. Everybody delivered.

0:43:52 > 0:43:54But unequivocally,

0:43:54 > 0:43:57as the project manager, if we lose,

0:43:57 > 0:43:59all responsibility falls on Penn Jillette.

0:44:01 > 0:44:04That's my story and I'm sticking with it.

0:44:10 > 0:44:13So we saw some pretty interesting sketches.

0:44:13 > 0:44:15What did you think of La Toya's team?

0:44:15 > 0:44:19I thought they were very creative in taking the classic soap opera

0:44:19 > 0:44:21and the drama of a soap opera.

0:44:21 > 0:44:24They really had a lot of energy.

0:44:24 > 0:44:26Brande was very into her role.

0:44:26 > 0:44:30I thought she did a great job of making it engaging and entertaining.

0:44:30 > 0:44:32What about the negatives?

0:44:32 > 0:44:37The focus on brand messaging might have been a little bit confused with

0:44:37 > 0:44:40how many times can I say the name of the product.

0:44:40 > 0:44:43The product wasn't central to the story itself.

0:44:43 > 0:44:45The part where the audience would drink along

0:44:45 > 0:44:46when the music would come up,

0:44:46 > 0:44:48I thought, was a unique device and interesting,

0:44:48 > 0:44:50but it did get a little bit rushed.

0:44:50 > 0:44:53Maybe about 40 less bam-bam-bams.

0:44:53 > 0:44:55I was so full of liquid...

0:44:55 > 0:44:57That's right. I think that's where, from a creativity perspective,

0:44:57 > 0:45:00I marked them high. The ideas and the devices were well thought out,

0:45:00 > 0:45:01but they did become distracting.

0:45:01 > 0:45:03They did become a little bit overbearing.

0:45:03 > 0:45:05How about Stephen's team?

0:45:05 > 0:45:09Stephen's team really only focused on one of the flavours,

0:45:09 > 0:45:12whereas La Toya's team balanced the use of both flavours.

0:45:12 > 0:45:15What do you think was the strongest element

0:45:15 > 0:45:17of Stephen's team's performance?

0:45:17 > 0:45:22They made the Crystal Light Liquid product the centre of the story

0:45:22 > 0:45:24versus a prop in the story.

0:45:24 > 0:45:26Would you all agree that Trace gets an Emmy today?

0:45:26 > 0:45:29- Trace was a slam dunk. - Trace was hilarious.

0:45:29 > 0:45:33Do you feel that they underutilised Susan Lucci?

0:45:33 > 0:45:37I think the way they used her maybe was a little bit confusing to me.

0:45:37 > 0:45:41I wasn't sure if she was supposed to then be Lisa.

0:45:41 > 0:45:44So in terms of the three criteria for this task - creativity,

0:45:44 > 0:45:48brand messaging and execution - who do you think the winner was?

0:45:48 > 0:45:49We believe the winner is...

0:46:12 > 0:46:15- Hello, La Toya.- Hello, Mr Trump.

0:46:15 > 0:46:17You know, if you get fired, I'm not letting you back this time.

0:46:17 > 0:46:19- You do know that?- I know that.

0:46:19 > 0:46:22- You look very, very nice.- Thank you. - So how did the team do?

0:46:22 > 0:46:23I think my team did very well.

0:46:23 > 0:46:24We all did well.

0:46:26 > 0:46:27Who was your star?

0:46:27 > 0:46:30We had, I think, several stars.

0:46:30 > 0:46:32- Who?- Claudia

0:46:32 > 0:46:34and Brande.

0:46:35 > 0:46:36What about Omarosa?

0:46:38 > 0:46:40Omarosa wasn't one of our stars.

0:46:40 > 0:46:43- Was not one of your stars? - Absolutely not.- Why?

0:46:43 > 0:46:46Because Omarosa didn't participate.

0:46:46 > 0:46:48Wow. What happened, Omarosa?

0:46:49 > 0:46:52I had to excuse myself because of a family emergency

0:46:52 > 0:46:54relating to Michael's estate.

0:46:54 > 0:46:55Well, did you help?

0:46:55 > 0:46:58I did. The first day, I went to get props.

0:46:58 > 0:46:59I got costumes.

0:46:59 > 0:47:02- Is that true? Is that true? - I ran around with La Toya.

0:47:02 > 0:47:05- She did get props.- I worked my butt off on the first day.

0:47:05 > 0:47:06She did not work her butt off.

0:47:06 > 0:47:09I don't know what she did when she was out there, but absolutely not.

0:47:09 > 0:47:12How did you get along with Omarosa?

0:47:12 > 0:47:13- I didn't.- Why?

0:47:13 > 0:47:16Because Omarosa tries to control.

0:47:16 > 0:47:18I've never heard that before(!)

0:47:18 > 0:47:20I'm a leader. I am not a good follower.

0:47:20 > 0:47:25- I'm a leader.- Was she a distraction to you during the task?

0:47:25 > 0:47:27She tried to, very much so.

0:47:27 > 0:47:30Omarosa, do you respect La Toya?

0:47:30 > 0:47:31You know, I think so now.

0:47:31 > 0:47:33I was glad when she spoke up.

0:47:33 > 0:47:38My disagreement was sending Dennis out to pick up clothing for women.

0:47:38 > 0:47:40I thought that there should have been another woman to accompany him.

0:47:40 > 0:47:43Dennis was going for props, not clothing.

0:47:43 > 0:47:44He was going for props.

0:47:44 > 0:47:47You don't know the time management, then.

0:47:47 > 0:47:50Because you have to leave the prop house and go to Lord & Taylor.

0:47:50 > 0:47:53That would have left Claudia by herself to choose the wardrobe.

0:47:53 > 0:47:55I just thought another woman should accompany her.

0:47:55 > 0:47:58- Totally not true.- It is true. That's why I wanted to go with her.

0:47:58 > 0:48:01- Why is that untrue?- Because I was sending Claudia and Dennis

0:48:01 > 0:48:05off to go get props. Omarosa decided that she wanted to go get the props.

0:48:05 > 0:48:08- Absolutely.- And we had a little altercation.

0:48:08 > 0:48:10And because of that, I decided,

0:48:10 > 0:48:12"Let's get the negativity out of here

0:48:12 > 0:48:15- "so we can concentrate on..." - What was the negativity?

0:48:15 > 0:48:17The one that's sitting to the right of me.

0:48:17 > 0:48:21I am the one sitting to the right of her, and I'll never apologise for

0:48:21 > 0:48:23allowing the project manager to lead,

0:48:23 > 0:48:25but not leading us to destruction.

0:48:25 > 0:48:28If she's making bad decisions, we shouldn't sit there and let her.

0:48:28 > 0:48:31Mr Trump, I was not making bad decisions. Omarosa tried to control.

0:48:31 > 0:48:33Part of the DNA of this show is choosing leaders.

0:48:33 > 0:48:36When you cast this show ten years ago, you looked for type A, driven,

0:48:36 > 0:48:39- unapologetically ambitious people. - DENNIS:- Here we go.

0:48:39 > 0:48:41And you chose me.

0:48:41 > 0:48:43Mr Trump, if it's not her way, it's no way.

0:48:43 > 0:48:45She wanted it to be her way.

0:48:45 > 0:48:46He doesn't like to listen.

0:48:46 > 0:48:48By the way, excuse me, Arsenio?

0:48:48 > 0:48:50Are you happy that you're on this side of the table?

0:48:50 > 0:48:52Oh, gosh, yes.

0:48:52 > 0:48:54He is the happiest guy in the room right now.

0:48:54 > 0:48:56Yes, Arsenio?

0:48:56 > 0:48:59You mentioned the estate business you were dealing with.

0:48:59 > 0:49:02- Yes.- That's your reason for not performing?

0:49:02 > 0:49:04Well, they were releasing Michael's 911 tape,

0:49:04 > 0:49:06and we had worked so hard to

0:49:06 > 0:49:10make sure that did not become public because unfortunately my fiance was

0:49:10 > 0:49:12- on that call dying. - Did they release the tape?

0:49:12 > 0:49:14They aired it last night.

0:49:14 > 0:49:17- Was it so bad?- It was pretty bad.

0:49:17 > 0:49:20All right. Dennis, what did you think?

0:49:20 > 0:49:24La Toya, Omarosa, what did you think of the team?

0:49:24 > 0:49:26Omarosa trying to play these games all the time.

0:49:26 > 0:49:31It was very difficult to understand why she has to do it, you know?

0:49:31 > 0:49:33Cos she loves to be Omarosa

0:49:33 > 0:49:37- because, you know, she's this real big- BLEEP- star.- BLEEP.

0:49:37 > 0:49:40It was like, "Wow, OK!"

0:49:40 > 0:49:41This is a team. This is a team game.

0:49:41 > 0:49:43Do you think you won, Dennis?

0:49:43 > 0:49:46To me, I think that we had a very, very good concept.

0:49:46 > 0:49:48We went through all the logistics,

0:49:48 > 0:49:52trying to make it really funny and charismatic and stuff like that.

0:49:52 > 0:49:54You felt pretty good about it?

0:49:54 > 0:49:56- Even Lil Jon... - I feel good about you, Dennis.

0:49:56 > 0:50:00That's good. OK. Brande, what do you think of La Toya?

0:50:01 > 0:50:03Oh, I thought she was great.

0:50:03 > 0:50:04I loved her strength.

0:50:04 > 0:50:06She's a very strong woman.

0:50:06 > 0:50:08Just because she's little, don't...

0:50:08 > 0:50:11You know. You can't judge a book by its cover.

0:50:11 > 0:50:14Let me ask you this. Was Omarosa a problem or not really?

0:50:15 > 0:50:18It was a problem. When she left, it was harmonious.

0:50:18 > 0:50:21We were able to create and we had a great time.

0:50:21 > 0:50:22I asked to leave.

0:50:22 > 0:50:25You remember the argument came from me wanting to leave

0:50:25 > 0:50:28and allow the creative process to happen.

0:50:28 > 0:50:30I asked to go to see about the wardrobe.

0:50:30 > 0:50:33Would you have gotten rid of her and said get out of here?

0:50:33 > 0:50:35Did you see that or not really?

0:50:35 > 0:50:36Excuse me. Mr Trump is talking.

0:50:36 > 0:50:38- I'd like to hear him. - I heard him, yes.

0:50:38 > 0:50:40La Toya, supposing she didn't want to go,

0:50:40 > 0:50:41would you have gotten rid of her?

0:50:41 > 0:50:43You would have said, "Do me a favour,

0:50:43 > 0:50:46"go over to that corner and leave us alone?"

0:50:46 > 0:50:48I would have told her, "Go get the props."

0:50:48 > 0:50:51That's quite a statement. I've never actually had anybody say that to me.

0:50:51 > 0:50:54It's a pretty strong statement, Lisa, right? It is.

0:50:54 > 0:50:57Stephen, what do you think of that statement?

0:50:57 > 0:51:01I'm just glad Omarosa's not on my team.

0:51:01 > 0:51:03LAUGHTER

0:51:03 > 0:51:04I probably shouldn't have said that.

0:51:04 > 0:51:07Mm-hm.

0:51:07 > 0:51:08How did you like your team?

0:51:10 > 0:51:13- All stars, across-the-board. - Who was your weak link? Tell me.

0:51:13 > 0:51:15HE SIGHS

0:51:16 > 0:51:18Just in regard to...

0:51:18 > 0:51:20Who was your weak link?

0:51:20 > 0:51:22Gary, just because of his personality.

0:51:22 > 0:51:24He's flamboyant and he bounces around.

0:51:24 > 0:51:26- But did he help?- Across-the-board.

0:51:26 > 0:51:29So you thought he was good, but you would say the weakest player?

0:51:29 > 0:51:31He did terrific.

0:51:31 > 0:51:32How was Lisa?

0:51:33 > 0:51:34Absolutely amazing.

0:51:34 > 0:51:36I heard that. How was Trace?

0:51:37 > 0:51:39- Amazing.- I heard that.

0:51:39 > 0:51:40Trace, I heard you sang at the end

0:51:40 > 0:51:44and these guys were just blown away by your voice. They love your voice.

0:51:44 > 0:51:47I totally enjoyed the performance.

0:51:47 > 0:51:51I remember going into it thinking this team has all the actors.

0:51:51 > 0:51:52That was on my mind. It turned out

0:51:52 > 0:51:55that the unbelievable Emmy performance

0:51:55 > 0:51:56came from a songwriter and a singer.

0:51:56 > 0:51:58He was really good.

0:51:58 > 0:52:00I'm wondering, as a director,

0:52:00 > 0:52:02how much did you have to do with that wonderful performance?

0:52:02 > 0:52:04What did you contribute to that thing?

0:52:04 > 0:52:07People in the audience might not have seen you.

0:52:07 > 0:52:11I think we were very fortunate that Penn came up with an outstanding

0:52:11 > 0:52:13concept, creatively,

0:52:13 > 0:52:15and then we all just rallied around it.

0:52:15 > 0:52:19I felt that was probably more important in the management

0:52:19 > 0:52:23of all these personalities to just kind of let it all flow,

0:52:23 > 0:52:25and that's what happened.

0:52:25 > 0:52:27What about the decision to only use one of the flavours?

0:52:27 > 0:52:30The problem was we were doing an analogy

0:52:30 > 0:52:32between romance and a flavour.

0:52:32 > 0:52:36I thought that doing the graduations from lighter to darker with one

0:52:36 > 0:52:41flavour would be clearer and having the simple analogy of romance to

0:52:41 > 0:52:44blueberry raspberry was simple and clear.

0:52:44 > 0:52:46I can tell you the executives did not like it.

0:52:46 > 0:52:47- Using just one?- Yes.

0:52:47 > 0:52:52- OK.- They loved the analogy and the way you integrated that product was

0:52:52 > 0:52:55- very creative. But they were confused. - But you understand the graduation?

0:52:55 > 0:52:56Yes, I understand the conundrum,

0:52:56 > 0:52:59but they were confused by why you were supposed to be promoting

0:52:59 > 0:53:01two products and really highlighted one.

0:53:01 > 0:53:03That was clearly a problem.

0:53:04 > 0:53:06I didn't have a solution for it.

0:53:07 > 0:53:10Marilu, let me ask you. Who was your weakest player?

0:53:10 > 0:53:12SHE SIGHS

0:53:12 > 0:53:15Oh, everybody's got strengths and specialities.

0:53:15 > 0:53:16Who was your weakest player?

0:53:18 > 0:53:23You know, I have to agree with Stephen that, as far as skill sets,

0:53:23 > 0:53:27in terms of doing things across-the-board, it's Gary.

0:53:29 > 0:53:32Trace, who was your weakest player?

0:53:32 > 0:53:33- Gary.- Why?

0:53:35 > 0:53:37Um...

0:53:37 > 0:53:39Cos he's Gary!

0:53:43 > 0:53:45Gary, go ahead. Go ahead.

0:53:45 > 0:53:47I've been doing this business for 42 years,

0:53:47 > 0:53:49and absolutely adored

0:53:49 > 0:53:53and paid attention 150% to Stephen's direction.

0:53:53 > 0:53:55I did everything he asked me to do...

0:53:56 > 0:54:00..because I feel Stephen and his direction was an innocent champion

0:54:00 > 0:54:03of honesty, and I've been working with many directors,

0:54:03 > 0:54:06- but he was top of the line. - He didn't say you were bad.

0:54:06 > 0:54:07He said he was the weakest player.

0:54:07 > 0:54:09- You are very good, Gary. - I'm not weak.

0:54:09 > 0:54:12Just because of his personality, that's the only reason.

0:54:12 > 0:54:13- That's a fallacy.- Lisa,

0:54:13 > 0:54:16who do you think the weakest player in your team is?

0:54:19 > 0:54:21- Gary.- Why?

0:54:21 > 0:54:23- I love him. I love you. - Why am I weak?

0:54:23 > 0:54:24What did I do that was weak?

0:54:26 > 0:54:28Why does everyone say "I love you" after they just kill someone?

0:54:28 > 0:54:30It drives me crazy.

0:54:30 > 0:54:31OK, but you love him.

0:54:31 > 0:54:33- Good.- Why is he weak?

0:54:35 > 0:54:37He doesn't do as much as all of the others.

0:54:37 > 0:54:39I believe the other players are stronger.

0:54:39 > 0:54:42I did what I was told to do, and that's what I did,

0:54:42 > 0:54:44and I did it fully,

0:54:44 > 0:54:46to my best ability.

0:54:46 > 0:54:49If I may, Mr Trump, it's really more of a personality.

0:54:49 > 0:54:51Gary's Gary.

0:54:51 > 0:54:54He likes to have fun, he makes loud noises, he bounces around.

0:54:54 > 0:54:56- I think he's great, OK? - I love him.

0:54:58 > 0:54:59So Stephen, you think you won?

0:55:01 > 0:55:07Yes, I think that without question what we created was...

0:55:09 > 0:55:11It couldn't have been better. It really couldn't.

0:55:11 > 0:55:15And with that being my perception, yes, I think we've won.

0:55:18 > 0:55:19All right.

0:55:19 > 0:55:23Arsenio, what did Adam and Tiffany think of Stephen's team?

0:55:23 > 0:55:27They said the product customisation was central to the story

0:55:27 > 0:55:30and the main character of your scene.

0:55:30 > 0:55:32They were really happy about that.

0:55:33 > 0:55:36They felt that Trace sang beautifully

0:55:36 > 0:55:38and he was hilarious as the pool guy.

0:55:38 > 0:55:41I want to add every other character that you played.

0:55:41 > 0:55:43I'm on your jock, man. You are good.

0:55:43 > 0:55:45I expect her, expect her, I expect him.

0:55:45 > 0:55:48But I didn't know you had those kind of chops, man.

0:55:48 > 0:55:50That's how I roll, bro.

0:55:55 > 0:55:59The negatives. They see you only used one of the products

0:55:59 > 0:56:01you were given and you should have utilised all the resources.

0:56:01 > 0:56:03You should. That was a big problem.

0:56:03 > 0:56:05Yes, sir.

0:56:05 > 0:56:06They also were confused.

0:56:06 > 0:56:09There was a reaction when Susan Lucci walked out,

0:56:09 > 0:56:12and they were confused why you saved her to the end

0:56:12 > 0:56:16and only used her in that short period of time.

0:56:16 > 0:56:19I guess that's a... that's a tough call.

0:56:21 > 0:56:26OK. Ivanka, what do the Crystal Light executives think

0:56:26 > 0:56:27of La Toya's team?

0:56:27 > 0:56:31They liked the cheesy soap opera scene, if you will,

0:56:31 > 0:56:34and they thought you were incredibly creative, La Toya.

0:56:34 > 0:56:37Sometimes that creativity stood in the way of execution.

0:56:37 > 0:56:40It was almost too much going on with the audience drinking.

0:56:40 > 0:56:42So while they liked the participation of the audience

0:56:42 > 0:56:44and the interaction with the brand,

0:56:44 > 0:56:47it almost got a little bit muddled and confusing.

0:56:47 > 0:56:48They love that you used both the products

0:56:48 > 0:56:50because it showed diversity of the line.

0:56:50 > 0:56:55And they thought your and Brande's performances were tremendous

0:56:55 > 0:56:56and very funny.

0:56:56 > 0:56:59The negatives were that it felt rushed.

0:56:59 > 0:57:02Everything was chaotic and frenetic.

0:57:02 > 0:57:06And I really think the biggest concern that they had was while the

0:57:06 > 0:57:08branding was there, it was sort of haphazard.

0:57:08 > 0:57:10And that was part of the storyline.

0:57:10 > 0:57:13Ringing the bell and everyone drinks.

0:57:13 > 0:57:15But it didn't feel as well integrated.

0:57:18 > 0:57:21- Mr Trump?- Yes, go ahead, Arsenio?

0:57:21 > 0:57:23Not to belabour this, but one of the reasons

0:57:23 > 0:57:26I wished Omarosa had stayed...

0:57:26 > 0:57:28The other three ladies were wonderful, they were so funny,

0:57:28 > 0:57:30and it was very effective.

0:57:30 > 0:57:31I wanted to see you with these ladies.

0:57:31 > 0:57:33- I wanted to be up there too. - I saw you rehearse.

0:57:33 > 0:57:38- What happened?- I will never ever choose Apprentice over Michael.

0:57:38 > 0:57:40I will never make that decision.

0:57:40 > 0:57:43And if I have to go and take care of my honey, I will.

0:57:44 > 0:57:47I'm just telling you. I will never apologise for what I had to do.

0:57:47 > 0:57:48I get that. I get that.

0:57:48 > 0:57:52And having to hear the last moments of his life played out

0:57:52 > 0:57:55on national TV, I will never apologise for that, Arsenio.

0:57:55 > 0:57:59As important as this was to you all, I'm never going to apologise for it.

0:57:59 > 0:58:02- Omarosa...- I would go do it again and again, do you understand?

0:58:02 > 0:58:03Then, why didn't you just leave?

0:58:03 > 0:58:05Why did you ask for her permission?

0:58:05 > 0:58:09I talked to her and she said, "I understand, I've been there. Go."

0:58:09 > 0:58:10That's what she said.

0:58:10 > 0:58:12She said, "I have an emergency that I have to attend to,"

0:58:12 > 0:58:14and I said I understand.

0:58:14 > 0:58:15Did she tell you what the emergency was?

0:58:15 > 0:58:17She said it was the 911 call.

0:58:17 > 0:58:21I will never ever choose anybody over Michael.

0:58:21 > 0:58:23Unapologetically.

0:58:23 > 0:58:26And I will take responsibility for that over and over and over again.

0:58:26 > 0:58:31I get that. It's just that something inside me that says in that moment,

0:58:31 > 0:58:33you just leave, you don't ask permission.

0:58:33 > 0:58:34You're a very non-trusting person.

0:58:34 > 0:58:39- Look at you. He's a very cold-hearted guy.- Not cold-hearted.

0:58:39 > 0:58:41Arsenio, I feel like you're going

0:58:41 > 0:58:43down a road I'm not even willing to

0:58:43 > 0:58:46- explore on the show, because it was real.- I knew your man.

0:58:46 > 0:58:48I understand what you're going through.

0:58:48 > 0:58:49I get that.

0:58:49 > 0:58:51But it sounds like you asked her

0:58:51 > 0:58:53if you could leave, and that's disingenuous

0:58:53 > 0:58:54cos you were leaving.

0:58:54 > 0:58:56Oh, I was going to take care of my man.

0:58:56 > 0:58:58Every single time. Every single time, Arsenio.

0:58:58 > 0:59:01- Do you understand?- So this really had to do with the battle between

0:59:01 > 0:59:04- you and La Toya.- I will choose Michael over this show

0:59:04 > 0:59:07- any time.- This wasn't about Michael.- Any time. Any time.

0:59:07 > 0:59:08Unapologetically.

0:59:08 > 0:59:09Do you understand that?

0:59:09 > 0:59:11And if anything else comes up...

0:59:11 > 0:59:14Listen to me so that you understand my love for this man.

0:59:14 > 0:59:16- If something else...- I know.

0:59:16 > 0:59:20But you keep asking me and you don't even know how hard it is to sit here

0:59:20 > 0:59:22- while it's still being played... - Omarosa.

0:59:22 > 0:59:24And I still have to sit here and keep my head up...

0:59:24 > 0:59:25- Omarosa.- ..and keep my chin up.

0:59:25 > 0:59:28- Omarosa.- And I'm doing it with grace, but I will not

0:59:28 > 0:59:31- choose a soap opera over my love. - That's not what I'm asking you.

0:59:31 > 0:59:34- Do you understand? - Can I ask you one more question?

0:59:34 > 0:59:36- Ever, ever.- One more question.- Ever.

0:59:36 > 0:59:39One more question. If the 911 call didn't exist, would you have stayed?

0:59:39 > 0:59:40I would have been right in there.

0:59:40 > 0:59:44I would have been Alexis and I would have played the hell out of that

0:59:44 > 0:59:46role and you know it, because that's what I do.

0:59:49 > 0:59:52I did call her last night and ask her if she is capable of playing the

0:59:52 > 0:59:54role and if she wants to come in.

0:59:54 > 0:59:56And she told me, "Yes, of course I do."

0:59:56 > 0:59:58But then again, I got a phone call from Claudia...

0:59:58 > 1:00:01Omarosa, don't use that. Dennis has been using it all day.

1:00:01 > 1:00:05Don't use it. Omarosa, this could be the end of your life.

1:00:05 > 1:00:10Omarosa... We don't want you to die, Omarosa.

1:00:10 > 1:00:13Don't use it. No, that's very nice of you, Dennis.

1:00:13 > 1:00:16- Has it been used?- No, it hasn't. I just picked it out there.

1:00:16 > 1:00:17- No DNA.- OK.

1:00:18 > 1:00:20Are you ready?

1:00:20 > 1:00:22Let's find out who won.

1:00:22 > 1:00:26Well, I wish that Omarosa stayed, to be honest.

1:00:27 > 1:00:31Because the Crystal Light executives, who are terrific people,

1:00:31 > 1:00:35who I've gotten to know, they really know what they're doing,

1:00:35 > 1:00:38and they felt that Stephen's team wins.

1:00:38 > 1:00:40And maybe if you'd stayed, you would have won,

1:00:40 > 1:00:43but you didn't stay, and I understand why you didn't stay.

1:00:45 > 1:00:46So, Stephen, I want to congratulate you.

1:00:46 > 1:00:49- Thank you, Mr Trump. - I'm going to give you 20,000

1:00:49 > 1:00:52and Crystal Light is adding 30,000,

1:00:52 > 1:00:54so you win 50,000 for your charity.

1:00:54 > 1:00:56What's your charity, Stephen?

1:00:56 > 1:00:59It's my mom's - Carol Baldwin Breast Cancer Research Fund.

1:00:59 > 1:01:02- She's a great woman.- She's amazing.

1:01:02 > 1:01:03- You know, I've met her.- Of course.

1:01:03 > 1:01:06I've helped her, I've contributed to her, but she's a great woman.

1:01:06 > 1:01:09You have been brilliant to my mom and the organisation for many

1:01:09 > 1:01:11years, and I appreciate it.

1:01:11 > 1:01:13All right, congratulations, Stephen.

1:01:13 > 1:01:15Congratulations, team.

1:01:15 > 1:01:16Go out. Go back to your suite.

1:01:16 > 1:01:18You can watch it on television.

1:01:18 > 1:01:20- Do whatever you want.- Enjoy it.

1:01:21 > 1:01:26La Toya, sadly, someone from your team, perhaps you, will be fired.

1:01:32 > 1:01:36- GARY:- It's hard to be disrespected in front of the whole team, dammit.

1:01:45 > 1:01:46Stephen, baby.

1:01:46 > 1:01:48Did a great job, didn't he?

1:01:48 > 1:01:51I just won 50,000 for my mom

1:01:51 > 1:01:52and her organisation,

1:01:52 > 1:01:55the Carol Baldwin Breast Cancer Research Fund.

1:01:55 > 1:01:56Appreciate it. Thanks, all of you.

1:01:56 > 1:01:59I am completely blown away.

1:01:59 > 1:02:00Mr Busey.

1:02:03 > 1:02:04Thank you. GARY SNIFFLES

1:02:04 > 1:02:06Will you shake my hand?

1:02:06 > 1:02:08- What for?- Just, congratulations.

1:02:08 > 1:02:10You called me down.

1:02:10 > 1:02:11That hurt me very much.

1:02:11 > 1:02:13I did everything you asked me to do,

1:02:13 > 1:02:15- on the money. - Did you hear my explanation?

1:02:15 > 1:02:18- It just hurt my heart. - What would you do if you were me in that situation?

1:02:18 > 1:02:20I would say everybody on the team is good.

1:02:20 > 1:02:21It doesn't mean, brother...

1:02:21 > 1:02:23Don't call me brother, please.

1:02:23 > 1:02:25My team that I was with

1:02:25 > 1:02:30said I was weak and unsure, but that's a loser.

1:02:30 > 1:02:31Fighting a losing battle

1:02:31 > 1:02:33because winners do what losers don't want to,

1:02:33 > 1:02:35and I am a winner.

1:02:37 > 1:02:38I'm the director, you know that.

1:02:41 > 1:02:43Just... I don't want...

1:02:43 > 1:02:45Don't get out of control.

1:02:45 > 1:02:47No, I'm not. I'm just hurt very much.

1:02:47 > 1:02:49I know that. I have the utmost respect for you.

1:02:49 > 1:02:53- That just was bad.- Mr Trump put us all in a bad spot, man.

1:02:53 > 1:02:55- That's what he does. - Thank you very much.

1:02:55 > 1:02:57- I appreciate that. - Come on, guys, watch.

1:02:57 > 1:02:59- Please, let's watch. - Is it OK if I sit with you?

1:02:59 > 1:03:01- Oh, we love you, Gary.- Would you stop?- Get your butt over here!

1:03:01 > 1:03:03- Come on.- Stop it.- Don't be a baby. - We love you, Gary.

1:03:03 > 1:03:07- Gary?- It's on, guys, let's watch.

1:03:07 > 1:03:10Dennis, are you happy that you got tattoos?

1:03:10 > 1:03:13If you had it to do again, would you get tattoos or not?

1:03:13 > 1:03:16One of the reason I got tattoos was because I was frustrated.

1:03:16 > 1:03:18You're frustrated that you got tattoos?

1:03:18 > 1:03:20"Lisa, how do you feel about your lips?

1:03:20 > 1:03:23"Are you happy you had them reduced?" "Yes, I am."

1:03:24 > 1:03:26Lil Jon, you would think that...

1:03:26 > 1:03:28I would think Lil Jon would have more tattoos.

1:03:28 > 1:03:31- And, Lil Jon, you don't, and that's cool.- No.

1:03:31 > 1:03:32Is the grille removable?

1:03:32 > 1:03:34- Yes.- So it's not permanent?

1:03:34 > 1:03:36Yeah, I don't want to be 80 with gold teeth.

1:03:36 > 1:03:38Oh, so the grille is actually removable?

1:03:38 > 1:03:39Yes.

1:03:39 > 1:03:41Damn!

1:03:41 > 1:03:43- DENNIS:- 'Where have you been, DT? - I never heard of that.'

1:03:43 > 1:03:45And what do you have to do? Use a little glue to put it up?

1:03:45 > 1:03:48- No, it snaps on.- It's pretty wild.

1:03:48 > 1:03:51I mean, you're sitting there, worried about this,

1:03:51 > 1:03:53- and he's talking about your- BLEEP...

1:03:53 > 1:03:57OK, La Toya, the audience favoured Stephen's team two to one,

1:03:57 > 1:04:00which actually surprised me because I heard great reports

1:04:00 > 1:04:02from Arsenio and from Ivanka.

1:04:02 > 1:04:04How do you respond to that?

1:04:04 > 1:04:08I really, truly thought that we won because we put a lot of energy and a

1:04:08 > 1:04:10lot of effort into it.

1:04:10 > 1:04:13But again, that was part of the ratings.

1:04:13 > 1:04:16So was the fact that Omarosa was not there a distraction to you?

1:04:16 > 1:04:18Do you think that hurt the team?

1:04:18 > 1:04:20- Or not really. - It was very difficult, Mr Trump,

1:04:20 > 1:04:23because we didn't know if she was going to be there or not.

1:04:23 > 1:04:27So of course, Claudia took on that, and I said, "Claudia,

1:04:27 > 1:04:28"prepare yourself and be ready".

1:04:28 > 1:04:31- And did a good job?- She did a fabulous job, she really did.

1:04:31 > 1:04:34I found it very interesting that Omarosa came five minutes,

1:04:34 > 1:04:36not even that, maybe three minutes

1:04:36 > 1:04:39before we were about to go on and perform the act.

1:04:39 > 1:04:42All of a sudden, she got better and she was there.

1:04:42 > 1:04:44I was never sick. I was dealing with the situation.

1:04:44 > 1:04:46- Can I just say something? - Yes, go ahead.

1:04:46 > 1:04:50It's very clear from the comments that how the product was integrated

1:04:50 > 1:04:53was the flaw, here. It wasn't whether or not I was there.

1:04:53 > 1:04:55I could have played Alexis.

1:04:55 > 1:04:56Dennis could have played Alexis.

1:04:56 > 1:04:59It wouldn't have changed the comment which you said,

1:04:59 > 1:05:02which was the integration and the focus of the brand upfront.

1:05:02 > 1:05:07Our project manager wasn't even able to properly explain the different

1:05:07 > 1:05:10flavours. She mixed up the flavours in front of the executives.

1:05:10 > 1:05:12To me, that was a critical error.

1:05:12 > 1:05:13Instead of her taking responsibility...

1:05:13 > 1:05:15Do you know the flavours, Omarosa?

1:05:15 > 1:05:18Absolutely, strawberry lemonade and mango passion fruit,

1:05:18 > 1:05:20and I would not have screwed that up on stage.

1:05:20 > 1:05:23I'm glad that you know that now, because clearly, you didn't.

1:05:23 > 1:05:26But you did that in front of the executives and instead of saying,

1:05:26 > 1:05:28- "You know what..."- Here we go! - "..that was a flaw."

1:05:28 > 1:05:30It means that she didn't have a total grasp on the brand

1:05:30 > 1:05:32if she didn't know the flavours either.

1:05:32 > 1:05:34- Is that true, though? - I knew the flavours very well.

1:05:34 > 1:05:35Well, what happened?

1:05:36 > 1:05:38I think I might have said lemonade incorrectly.

1:05:38 > 1:05:41So why do you bring that up? Did she say something incorrect?

1:05:41 > 1:05:42It was important so you understand.

1:05:42 > 1:05:44She didn't understand the brand as a whole, so it is hard

1:05:44 > 1:05:47- to position...- Yes, I understood. - ..properly if you can't say the flavours.

1:05:47 > 1:05:50I actually didn't feel that you didn't understand the brand.

1:05:50 > 1:05:52So I think that's a mistake to say that.

1:05:52 > 1:05:53I thought you said that

1:05:53 > 1:05:55they didn't have it centre in the overall...

1:05:55 > 1:05:57They felt that the brand was more of a prop.

1:05:57 > 1:06:00- ..as opposed to...- And that the celebrity was centre stage.

1:06:00 > 1:06:03With that said, they thought you understood the brand very well.

1:06:03 > 1:06:06- You just didn't position it correctly.- Right.

1:06:06 > 1:06:09So, Lil Jon, who is your weakest link?

1:06:10 > 1:06:12I mean, I don't think we had a weak link.

1:06:12 > 1:06:15Well, I'll say it like this, everybody contributed.

1:06:15 > 1:06:19Omarosa, she wasn't there in a certain part of time, of course.

1:06:19 > 1:06:21Dennis, I would say...

1:06:21 > 1:06:24Dennis actually contributed a lot, but I would say,

1:06:24 > 1:06:28out of everybody, maybe a little bit less, you know what I'm saying?

1:06:28 > 1:06:30- Why is that? Why? - But he was very important

1:06:30 > 1:06:34cos he comes with a totally different perspective sometimes...

1:06:34 > 1:06:36- That's true. - ..that we don't think about.

1:06:36 > 1:06:38And it's a great point, you know what I mean?

1:06:38 > 1:06:41He helped us tone it back, sometimes,

1:06:41 > 1:06:43because he's just looking at it differently.

1:06:43 > 1:06:45I think he's terrific, OK.

1:06:45 > 1:06:47I think he's terrific.

1:06:47 > 1:06:50- Omarosa.- Yes. - Why did your team lose?

1:06:50 > 1:06:53I think it solely rests on whoever came up with brand messaging because

1:06:53 > 1:06:56- that's what our shortcoming was, am I right?- Who came up with that?

1:06:56 > 1:06:57Brand messaging and execution.

1:06:57 > 1:06:59Who came up with it?

1:06:59 > 1:07:02That would be our project manager, with the team of two other people.

1:07:02 > 1:07:04- Is that true?- Who's brand messaging?

1:07:05 > 1:07:08I think what we displayed in our soap

1:07:08 > 1:07:11was basically the script that was written,

1:07:11 > 1:07:12basically that, with Brande.

1:07:12 > 1:07:14Brand messaging comes from where? It comes from the top.

1:07:14 > 1:07:17If you don't take ownership of brand management, then...

1:07:17 > 1:07:19I'm not saying I'm not taking ownership,

1:07:19 > 1:07:20but I'm saying what happened there.

1:07:20 > 1:07:22Brand messaging came from you.

1:07:22 > 1:07:24Positioning the cart and where it should have been.

1:07:24 > 1:07:26Was brand messaging yours or not?

1:07:26 > 1:07:27I gave clear instructions what to do.

1:07:27 > 1:07:30So you don't even take ownership of brand messaging?

1:07:30 > 1:07:31That's the overall thrust.

1:07:31 > 1:07:34Do you not take responsibility for it?

1:07:34 > 1:07:36Being project manager, yes.

1:07:36 > 1:07:40Don't see Brande and Claudia coming to La Toya's defence so quick!

1:07:40 > 1:07:43- No.- I don't know what it must have been like to be on her team.

1:07:43 > 1:07:45I don't think you would like it much.

1:07:45 > 1:07:47So why are you smiling, Claudia?

1:07:47 > 1:07:49I wasn't smiling. It's more of a grimace.

1:07:49 > 1:07:51I just hate when there's fighting.

1:07:51 > 1:07:52Why are you at The Apprentice?

1:07:52 > 1:07:55Why are you at The Apprentice if things aren't comfortable for you?

1:07:55 > 1:07:57Donald, this is the 13th season. There has been some big blow outs.

1:07:57 > 1:07:58I watched Annie Duke.

1:07:58 > 1:08:00I watched Lisa Lampanelli.

1:08:00 > 1:08:02This is nothing compared to those fights.

1:08:02 > 1:08:05They would have really been uncomfortable in the tough seasons.

1:08:05 > 1:08:06This is a tough season.

1:08:06 > 1:08:08It's All-Stars. You can't have weak players, Mr Trump.

1:08:08 > 1:08:10So is Claudia weak?

1:08:11 > 1:08:14She's weak if she is uncomfortable with a two-minute exchange.

1:08:14 > 1:08:17It's going to go on for the rest of the season. This is episode three.

1:08:17 > 1:08:19- Omarosa... - There is a long way to go.

1:08:19 > 1:08:22- There's a long way...- Aren't you all friends outside of here?

1:08:22 > 1:08:23We are. Why's she throwing me under the bus?

1:08:23 > 1:08:25- I'm not...- Why are you throwing me under the bus?

1:08:25 > 1:08:27No, you should have my back.

1:08:27 > 1:08:30And the fact that you don't, knowing what I went through, that's a shame.

1:08:30 > 1:08:32- Claudia, are you a weak player? - No, I'm not a weak player.

1:08:32 > 1:08:35- She says you're a weak player. - "I'm uncomfortable with fights."

1:08:35 > 1:08:37You shouldn't be here, baby, this is All-Stars.

1:08:37 > 1:08:40- You don't strike me as weak or passive.- I'm not.- So I'm surprised

1:08:40 > 1:08:43by Omarosa saying you don't have the skin for this game.

1:08:43 > 1:08:46- There's going to be disagreements. - I don't think she's uncomfortable.

1:08:46 > 1:08:48I'm throwing you under the bus, with all the trickery you've had

1:08:48 > 1:08:50- that's come to light? - I play the game.

1:08:50 > 1:08:52- Brande, what do you have to say? - I came to win.

1:08:52 > 1:08:54What are you thinking right now, Brande? Right this second?

1:08:54 > 1:08:56She's saying, "Get me out of here."

1:08:56 > 1:08:59I came to win and honour Michael, not to quit. I'm not a quitter.

1:08:59 > 1:09:01Maybe on your 30th episode, you'll win finally.

1:09:01 > 1:09:04I will, because I'm going to stay and fight and I will not apologise

1:09:04 > 1:09:06for staying and fighting.

1:09:06 > 1:09:07Brande, you look so uncomfortable.

1:09:07 > 1:09:10- Look at Brande.- She's uncomfortable now. So she's going to step back.

1:09:10 > 1:09:13- What do you think, Brande? - Well, you know,

1:09:13 > 1:09:15during the creative in the beginning when Omarosa was there

1:09:15 > 1:09:17and we were trying to create,

1:09:17 > 1:09:20I remember specifically asking Omarosa, "Well, what's your ideas?"

1:09:20 > 1:09:22- And didn't I give the good stuff? - She came up with one idea.

1:09:22 > 1:09:23Did she come up with good ideas?

1:09:23 > 1:09:26She came up with one idea and we were all creating

1:09:26 > 1:09:29and brainstorming and she said, "There's my one idea."

1:09:29 > 1:09:33Mr Trump, I was the project manager, correct?

1:09:33 > 1:09:36- Yes.- The project manager is in charge, correct?

1:09:36 > 1:09:38Yes.

1:09:38 > 1:09:40The project manager has the authority.

1:09:40 > 1:09:42You are the ultimate boss of all of us.

1:09:42 > 1:09:44- That is correct. - I am the project manager.

1:09:44 > 1:09:47Can you give me the liberty and the opportunity for the first time

1:09:47 > 1:09:49- to fire somebody on my team? - No.- He's the boss.

1:09:49 > 1:09:51I've given you too much liberty.

1:09:51 > 1:09:54Last time I brought you back, I took tremendous heat.

1:09:54 > 1:09:55I fired her, Dennis.

1:09:55 > 1:09:57She came to my office.

1:09:57 > 1:09:59I had people calling from all over the world.

1:10:00 > 1:10:02And you know what? I took her back.

1:10:02 > 1:10:04So you have a record. You got fired twice.

1:10:04 > 1:10:07- But you took me back... - Now it could be three times.

1:10:07 > 1:10:09Do you not like Omarosa?

1:10:09 > 1:10:12Do you like her? How do you feel about Omarosa?

1:10:12 > 1:10:14You know, I don't know her. I'm getting to know her now.

1:10:14 > 1:10:17- Do you like her?- I don't like what I'm getting to know at all.

1:10:18 > 1:10:23Could I ask you to reiterate what you told me about Omarosa?

1:10:23 > 1:10:26And you can say no, but I think that was telling,

1:10:26 > 1:10:29- and you were being brutally honest. - I was.

1:10:29 > 1:10:33I was. I kind of forgot what it was, did I say...?

1:10:34 > 1:10:36That was one thing you said.

1:10:36 > 1:10:39- Can you say that? - Yes, I can, absolutely.

1:10:39 > 1:10:41- Go ahead.- I told them that I think she's a witch.

1:10:41 > 1:10:43- Oh, my!- And that's what I believe.

1:10:43 > 1:10:45Now we're resorting to name calling.

1:10:45 > 1:10:46But that's what I believe.

1:10:46 > 1:10:48I came to win, Arsenio.

1:10:48 > 1:10:51Every winner of this game has been aggressive, outspoken.

1:10:51 > 1:10:53They have been cut-throat.

1:10:53 > 1:10:55I don't think, really, Arsenio was cut-throat.

1:10:55 > 1:10:56I think he was very smart.

1:10:56 > 1:10:58- He played the game well. - But he did have some fights.

1:10:58 > 1:11:00People liked him. No, people really liked him.

1:11:00 > 1:11:02- I like him.- I bet you're friendly

1:11:02 > 1:11:04- with a lot of the people on the show.- Absolutely.

1:11:04 > 1:11:07If you're smart enough, you don't have to be so cut-throat, cunning.

1:11:07 > 1:11:08You'll win on your own merits.

1:11:08 > 1:11:09He did have a couple of fights.

1:11:09 > 1:11:11That's a pretty good slap at Omarosa.

1:11:11 > 1:11:13She's coming and I'm so surprised.

1:11:13 > 1:11:14But he had a couple of fights, Mr Trump,

1:11:14 > 1:11:16and that didn't derail the whole team.

1:11:16 > 1:11:18He won differently.

1:11:18 > 1:11:19And, can I say something?

1:11:19 > 1:11:20Go ahead.

1:11:20 > 1:11:25Was there an unconscious plot to get rid of Omarosa?

1:11:25 > 1:11:27Obviously, cos they're all piling on.

1:11:27 > 1:11:28You think so, Omarosa?

1:11:28 > 1:11:32- Absolutely.- It was almost like she was discouraged to come.

1:11:32 > 1:11:34No, no, they were telling me, "It's OK."

1:11:34 > 1:11:35She said don't worry about it.

1:11:35 > 1:11:37That's not true.

1:11:37 > 1:11:39We were actually trying to be sympathetic, Omarosa.

1:11:39 > 1:11:41You were all tears, and you were all sad.

1:11:41 > 1:11:44You know, I feel very badly for La Toya, in a certain way.

1:11:44 > 1:11:45I think she's a terrific woman.

1:11:45 > 1:11:47And I really think you want to win this badly.

1:11:47 > 1:11:50- I do.- And you're in trouble, because you're the project manager.

1:11:50 > 1:11:52Absolutely. Absolutely.

1:11:52 > 1:11:54La Toya, pick two people,

1:11:54 > 1:11:55the rest are going home free

1:11:55 > 1:11:57to their beautiful suite in Trump Tower.

1:11:57 > 1:11:58Pick two people.

1:12:02 > 1:12:04I'm going to choose Brande and Dennis.

1:12:04 > 1:12:05What?!

1:12:08 > 1:12:10- Say it again?- Brande and Dennis.

1:12:10 > 1:12:12You're going to pick Brande and Dennis to come back

1:12:12 > 1:12:15- into the boardroom?- Yes.

1:12:15 > 1:12:17- Oh!- Holy- BLEEP!

1:12:17 > 1:12:20- Oh, my God. - She is scared of Omarosa.- Oh, boy.

1:12:22 > 1:12:24OK, I want to go through this again.

1:12:24 > 1:12:26- Hallelujah!- Wait a minute. OK.

1:12:26 > 1:12:30You did hear me say that Brande was specifically called out as being

1:12:30 > 1:12:33- one of the stars, right?- Yeah.

1:12:33 > 1:12:34- I did.- Whoa, whoa, wait.

1:12:34 > 1:12:37Maybe I misunderstood you or something.

1:12:37 > 1:12:38What happened to Omarosa?

1:12:38 > 1:12:40You don't want her to come back into the boardroom?

1:12:40 > 1:12:43No, Omarosa, actually, was my first choice.

1:12:43 > 1:12:45She was my first choice.

1:12:45 > 1:12:46And what happened?

1:12:48 > 1:12:51I'm listening to the lies that she comes up with,

1:12:51 > 1:12:54and I'm listening to my team-mates who are not really telling

1:12:54 > 1:12:55how they truly feel about her.

1:12:55 > 1:12:57But it's not about me.

1:12:57 > 1:12:59- It's about brand reaction. - I'm asking you to pick two people

1:12:59 > 1:13:03to come back into the boardroom. And one of them will be fired.

1:13:03 > 1:13:06And you're picking Dennis and Brande, is that correct?

1:13:06 > 1:13:08- Yes. And the reason why... Can I tell you why?- Whoa, whoa.

1:13:08 > 1:13:11- Oh, thank you God.- This is, perhaps, in the history of

1:13:11 > 1:13:14The Apprentice/ Celebrity Apprentice,

1:13:14 > 1:13:18this could be one of the stranger selections of people to come back

1:13:18 > 1:13:20- into the room.- To my benefit.

1:13:20 > 1:13:21Can I say one quick thing?

1:13:21 > 1:13:24First, before you do that, do you understand this?

1:13:26 > 1:13:27On a certain level, yes.

1:13:27 > 1:13:29OK.

1:13:29 > 1:13:32Could I explain something that I think everyone should always know?

1:13:32 > 1:13:36You never talk unless it's necessary,

1:13:36 > 1:13:38unless there is a message there.

1:13:38 > 1:13:41And I'm wondering if La Toya is paying attention to you.

1:13:45 > 1:13:49Why are you picking Brande to come back?

1:13:49 > 1:13:53I'm picking Brande from what Ivanka had said.

1:13:53 > 1:13:56Mentioning the fact that the product wasn't placed,

1:13:56 > 1:13:58and the product wasn't utilised properly.

1:13:59 > 1:14:01Why are you picking Dennis to come back?

1:14:02 > 1:14:05I chose Dennis simply because Dennis

1:14:05 > 1:14:07wasn't as aggressive as everyone else

1:14:07 > 1:14:09when it came to the work tactics.

1:14:09 > 1:14:12Why are you not picking Omarosa to come back?

1:14:12 > 1:14:14Are you trying to get her to fire me? Cos I'm home free.

1:14:14 > 1:14:16We're just very curious.

1:14:16 > 1:14:18- I'm home free. - Honestly, can I be honest?

1:14:18 > 1:14:22- And your...- I know. - I almost consider you a friend.

1:14:22 > 1:14:25We brought this show to the number one show on television.

1:14:25 > 1:14:28- We did.- Do I like Omarosa? I love Omarosa, OK.

1:14:28 > 1:14:29But I can't believe this.

1:14:32 > 1:14:34Claudia, Omarosa...

1:14:34 > 1:14:37Thank God! Omarosa, I can't believe I'm saying this, Lil' John,

1:14:37 > 1:14:40- go back to your suite at Trump Tower.- Thank you.

1:14:40 > 1:14:42The rest of you, please wait outside.

1:14:42 > 1:14:44You'll come back, somebody will be fired.

1:14:46 > 1:14:49- Very unusual choice, I will say that.- Shocking!

1:14:50 > 1:14:52I'm still incredibly confused.

1:14:52 > 1:14:55Stephen, turn off your TV, now.

1:14:55 > 1:14:58Oh!

1:14:58 > 1:14:59Damn, that was good.

1:14:59 > 1:15:03When Claudia, Lil Jon, when they get in here now,

1:15:03 > 1:15:05they'll tell the truth about what really went on.

1:15:05 > 1:15:08Oh, my, Lord have mercy.

1:15:08 > 1:15:12Another chance to have harmony and...

1:15:12 > 1:15:13He wasn't going to get rid of her.

1:15:13 > 1:15:16Yes, he was! He was, he was gunning for her.

1:15:16 > 1:15:18- He was gunning for her. - He was dying for it.

1:15:29 > 1:15:31I laugh at Omarosa, man, she's just comical.

1:15:31 > 1:15:32- She turned that- BLEEP- on and off.

1:15:32 > 1:15:34She can turn it on a coin.

1:15:34 > 1:15:37When she started doing that little crying bit,

1:15:37 > 1:15:39I saw in his eyes, he had,

1:15:39 > 1:15:40like, a sympathy for her.

1:15:40 > 1:15:42- I said, "He's buying this." - He sees right through that.

1:15:42 > 1:15:45- That's so easy. He don't give a- BLEEP.- Yeah.

1:15:47 > 1:15:49Arsenio, what was that all about?

1:15:49 > 1:15:54I think La Toya is avoiding a boardroom battle with Omarosa,

1:15:54 > 1:15:56because I think she loses that.

1:15:56 > 1:16:00I think it only works in a scenario where there's another party

1:16:00 > 1:16:02that could be fired, other than the project manager.

1:16:02 > 1:16:05In this case, I think it's very hard to make the case that Brande or

1:16:05 > 1:16:08- Dennis should go.- I think it was a very unusual choice.

1:16:08 > 1:16:10'Amanda, bring them in.'

1:16:10 > 1:16:14Yes, Mr Trump. You can all head back into the boardroom now.

1:16:17 > 1:16:18- Thank you.- You're welcome.

1:16:29 > 1:16:30Brande, why are you here?

1:16:30 > 1:16:33You know what, Mr Trump, I honestly have no idea.

1:16:33 > 1:16:35Were you shocked?

1:16:35 > 1:16:38I was extremely shocked.

1:16:38 > 1:16:40- Absolutely.- Didn't you say that Brande was a star?

1:16:40 > 1:16:43At the beginning, you said Brande was like a star, what happened?

1:16:43 > 1:16:46I did say that Brande was a star at the very beginning.

1:16:46 > 1:16:47Why didn't you bring Omarosa back?

1:16:47 > 1:16:49When I heard... Why didn't I bring her back?

1:16:49 > 1:16:50She might have been fired.

1:16:54 > 1:16:55Why didn't you bring her back?

1:16:55 > 1:16:59Honestly, Mr Trump, I did not bring her back because she started the

1:16:59 > 1:17:01sympathy cry, and I thought you were buying it, and I said,

1:17:01 > 1:17:04- "He's not going to get rid of her." - I don't buy it!

1:17:04 > 1:17:06Why do I buy it? It's not a question of buying.

1:17:06 > 1:17:09I mean, she loved the guy, although I did see no tears.

1:17:09 > 1:17:11- Were there tears? - I didn't see tears.

1:17:11 > 1:17:13- They're crocodile tears. - Looked dry to me.

1:17:13 > 1:17:14Dennis, were there tears?

1:17:14 > 1:17:17Oh, jeez. Are you kidding me?

1:17:17 > 1:17:19That's the second time she pulled that crap.

1:17:19 > 1:17:21Second time. You know, you kidding me?

1:17:21 > 1:17:24- Oh, my Lord. - Dennis, you are a piece of work.

1:17:24 > 1:17:25I love you, Dennis.

1:17:27 > 1:17:30Whether there were tears, not tears, it doesn't matter.

1:17:30 > 1:17:32She really deserved to be brought back.

1:17:32 > 1:17:36- I think.- She was a disruptive force, wasn't she?

1:17:36 > 1:17:39Yes, she was. Absolutely, she was.

1:17:39 > 1:17:41I just don't see how I can fire Brande.

1:17:41 > 1:17:44Let's take Brande. At the beginning of the boardroom, you said,

1:17:44 > 1:17:45"She was great, she was one of my stars."

1:17:45 > 1:17:48Maybe you said she was the best. What did she say, Ivanka?

1:17:48 > 1:17:49You said she was a star,

1:17:49 > 1:17:52but I also repeated the fact that the executives thought Brande was a

1:17:52 > 1:17:55star. So it's quite confusing.

1:17:55 > 1:17:58So you said she was a star, everybody said she was a star,

1:17:58 > 1:17:59she shouldn't be here.

1:18:00 > 1:18:03La Toya, were you afraid to bring Omarosa back? Which is OK.

1:18:03 > 1:18:06Where you afraid that you just didn't want to have confrontation?

1:18:06 > 1:18:09- Absolutely not.- Cos she's tough. - Absolutely not.

1:18:09 > 1:18:11- I'm willing to battle her.- I know you're tough too, you're smart.

1:18:11 > 1:18:13I wanted to battle her, Mr Trump.

1:18:13 > 1:18:15By the way, Arsenio has a different take than me.

1:18:15 > 1:18:17He gets it. But I don't get it.

1:18:17 > 1:18:20Explain your take, please.

1:18:20 > 1:18:23At the top of the boardroom, Brande was your hero.

1:18:23 > 1:18:25- Yes.- And at a certain point,

1:18:25 > 1:18:28you decided you didn't want to battle in here with Omarosa,

1:18:28 > 1:18:30so Brande got brought in as a sacrificial lamb.

1:18:30 > 1:18:32No, that's not true.

1:18:32 > 1:18:34That's absolutely not true.

1:18:34 > 1:18:36- So much for your idea. - That's not true.

1:18:36 > 1:18:38Do you agree with that, Brande?

1:18:38 > 1:18:39That's my feeling towards it.

1:18:39 > 1:18:43I think that La Toya must not have seen my season,

1:18:43 > 1:18:45because I am a fighter.

1:18:46 > 1:18:48I've never been so surprised.

1:18:48 > 1:18:50This is our 13th season.

1:18:50 > 1:18:52We've had a tremendous run.

1:18:52 > 1:18:55We continue to do unbelievably well.

1:18:55 > 1:18:57People love this show.

1:18:57 > 1:18:59OK. I don't even like to call it a show.

1:18:59 > 1:19:04It's beyond a show. And I've never been so shocked in my life,

1:19:04 > 1:19:06in terms of bringing back people.

1:19:06 > 1:19:10I truly thought that you were buying her little crying bit here.

1:19:10 > 1:19:11I don't buy anything.

1:19:11 > 1:19:13You know, I'm a real estate developer in New York.

1:19:13 > 1:19:16I'll tell you what, Omarosa's like a piece of cake

1:19:16 > 1:19:18compared to the people I have to deal with.

1:19:18 > 1:19:20- I know that.- I have to deal with people who make Dennis look like

1:19:20 > 1:19:23- the sweetest guy in the world. You know that, Dennis?- Right on.

1:19:23 > 1:19:24So, do you think I'd buy anything?

1:19:24 > 1:19:25I don't buy anything.

1:19:27 > 1:19:30- Mr Trump, could I ask La Toya a question?- Yes, please.- La Toya.

1:19:31 > 1:19:36- You're a good judge of people.- Yes. - And you're a great observer

1:19:36 > 1:19:38of human behaviour.

1:19:38 > 1:19:41Did you look at Mr Trump and think,

1:19:41 > 1:19:45"He doesn't like my decision, he's questioning my thought?"

1:19:45 > 1:19:47Of course, of course. I wanted him to ask me again.

1:19:47 > 1:19:49Who would you like to bring back?

1:19:49 > 1:19:51- Would you have brought her back? - Absolutely.

1:19:51 > 1:19:53- You see, I can't do that. - I know you can't.

1:19:53 > 1:19:55- It's not fair to do that. - I know you can't.

1:19:55 > 1:19:56I thought you were going to ask me.

1:19:56 > 1:19:59A golfer, this is a putt, and they say, "Oh, by the way,

1:19:59 > 1:20:01"you just lost the Masters, take it again." I can't do that.

1:20:01 > 1:20:04I thought you were going to ask me again, and then you stopped.

1:20:04 > 1:20:07- This was shocking, you know was the most shocked, more than me?- Who?

1:20:07 > 1:20:09- Omarosa.- And the most pleased. - Seriously.

1:20:09 > 1:20:11She couldn't believe it, Dennis, is that right?

1:20:11 > 1:20:13She walked out, she couldn't believe it.

1:20:13 > 1:20:16She started praying in her chair. It was unbelievable.

1:20:16 > 1:20:17- Oh, that's an act. - The prayers worked.

1:20:17 > 1:20:20You also know, though, that as project manager,

1:20:20 > 1:20:24the threshold of burden on you is materially higher.

1:20:24 > 1:20:26Because, at the end of the day, the buck does stop with you.

1:20:26 > 1:20:29So when there's not another obvious person to fire...

1:20:30 > 1:20:32..it really ends up being you.

1:20:32 > 1:20:35So, Brande, you've tried to make a case, what about Dennis?

1:20:36 > 1:20:40Dennis, why should you not be fired?

1:20:40 > 1:20:42I think I agree with Arsenio.

1:20:42 > 1:20:46the fact that if La Toya would have brought Omarosa and me back,

1:20:46 > 1:20:48that would have been very, very, very, tough.

1:20:48 > 1:20:51- Very, very tough.- I don't think it would have been tough.

1:20:51 > 1:20:53I think Omarosa probably would have been fired.

1:20:53 > 1:20:55That's what I'm saying. Very, very tough because

1:20:55 > 1:20:58- Omarosa liked to overrun... - So why wouldn't she bring her back?

1:20:58 > 1:21:02I think she was afraid of Omarosa, personally.

1:21:02 > 1:21:04I actually think that's the only reason I can think of.

1:21:04 > 1:21:07- I wasn't afraid of her.- You know, I've heard, in all fairness,

1:21:07 > 1:21:08I've heard Arsenio's take.

1:21:08 > 1:21:11I've heard everybody's take.

1:21:11 > 1:21:14I think you must, down deep, be, like, afraid of her.

1:21:14 > 1:21:17I'm not afraid of her at all. I stood up to her.

1:21:17 > 1:21:19I think you think that also. Do you think that, Dennis?

1:21:19 > 1:21:20You did stand up to her on the task.

1:21:20 > 1:21:22- And I will do it again. - You did stand up to her,

1:21:22 > 1:21:24except when it counted.

1:21:24 > 1:21:26You know, that's like the person that practices well

1:21:26 > 1:21:28and everything's good, and then it counts, they get on stage,

1:21:28 > 1:21:30and they blow it. When it counted is,

1:21:30 > 1:21:32"Who will you bring back to the boardroom?"

1:21:32 > 1:21:34And you brought the wrong people back.

1:21:34 > 1:21:36I truly believed that you were buying it.

1:21:36 > 1:21:37You know what, basically...

1:21:37 > 1:21:39- I don't buy it.- I know.

1:21:39 > 1:21:44So, Dennis, if you were me, who would you fire?

1:21:44 > 1:21:47- HE SCOFFS - Hello!

1:21:47 > 1:21:48- Pretty easy, right?- That's like...

1:21:48 > 1:21:50To me, you know, it's an easy choice,

1:21:50 > 1:21:53- but you know what... - It is a pretty easy choice.

1:21:53 > 1:21:56I hate to do it, La Toya, I mean...

1:21:56 > 1:21:59You made a terrible choice when you didn't bring back Omarosa.

1:21:59 > 1:22:01Cos I think I probably would have fired Omarosa.

1:22:01 > 1:22:03La Toya, you're fired.

1:22:07 > 1:22:10- Thank you, Mr Trump.- Thank you.

1:22:10 > 1:22:12- Thank you.- Thank you very much.

1:22:15 > 1:22:17BRANDE GROANS

1:22:18 > 1:22:20I'm so mad.

1:22:23 > 1:22:24- Dennis.- You don't hate me?

1:22:24 > 1:22:26No, no, I love you.

1:22:26 > 1:22:28- I thought we were going to win this. - I thought he was buying it,

1:22:28 > 1:22:30I'm sorry.

1:22:30 > 1:22:33You guys make sure you get her off, OK?

1:22:33 > 1:22:35We're going to try our best.

1:22:37 > 1:22:40- OK.- Tell your mother I said hi. - I will. Thank you.- All right.- Bye.

1:22:49 > 1:22:52- You did what you had to do. - I had no choice. I had no choice.

1:22:52 > 1:22:56I had a great choice if she brought back Omarosa.

1:22:56 > 1:22:59But I had no choice when she didn't. I couldn't believe it.

1:23:31 > 1:23:34Omarosa is the most evil person I have ever met.

1:23:34 > 1:23:37She's an old, conniving, scheming, cut-throat,

1:23:37 > 1:23:40probably pulled the cord on Michael Duncan Clarke,

1:23:40 > 1:23:44and I thought Mr Trump was falling for that fake cry.

1:23:44 > 1:23:46"Michael, Michael."

1:23:46 > 1:23:50Such a lie. When I met her, I knew she was a snake,

1:23:50 > 1:23:52I should have handled her a little bit differently.

1:23:52 > 1:23:54They will always bite you.