0:00:02 > 0:00:03Previously on The Apprentice...
0:00:03 > 0:00:06You're going to be creating your own pedicab tour of New York.
0:00:06 > 0:00:08..at the pedicab license test,
0:00:08 > 0:00:10project manager Kelly rode into trouble...
0:00:10 > 0:00:13- It's going where it wants to go, not where I want it to go.- Ah!
0:00:13 > 0:00:15It turns by itself!
0:00:15 > 0:00:19Kelly and Mahsa, I'm just afraid to let you out on the streets.
0:00:19 > 0:00:22It does put us at a disadvantage cos we're short two riders.
0:00:22 > 0:00:24..and the men had problems of their own.
0:00:24 > 0:00:27Your royal chariot awaits thee...thou...thy.
0:00:27 > 0:00:30- Roman chariot tour tomorrow. - Ha, ha, ha, ha, ha!
0:00:30 > 0:00:33Every time I got close to making a sale,
0:00:33 > 0:00:35- David's screaming like an idiot.- Ha, ha!
0:00:35 > 0:00:36When it came time to sell,
0:00:36 > 0:00:39project manager Anand pedalled hard...
0:00:39 > 0:00:42All right, so it's 50 dollars a head, and for the young one, 30 dollars.
0:00:42 > 0:00:45..while the women had a hard time finding customers.
0:00:45 > 0:00:46Free tour today.
0:00:46 > 0:00:48It's a numbers game, Kelly. Don't worry.
0:00:48 > 0:00:50Stephanie was in charge of finding the location,
0:00:50 > 0:00:52and she was also in charge of sales,
0:00:52 > 0:00:54and neither of those two really played out for us today.
0:00:54 > 0:00:56This sucks.
0:00:56 > 0:00:57But when sales picked up...
0:00:57 > 0:00:59- All right! Very nice!- Awesome!
0:00:59 > 0:01:00..Mahsa spoke up.
0:01:00 > 0:01:02Who's your best salesperson?
0:01:02 > 0:01:05- I think Poppy is... - I just sold four people.
0:01:05 > 0:01:07Mahsa is extremely overbearing.
0:01:07 > 0:01:10In the boardroom, Clint made a plea.
0:01:10 > 0:01:13Dave is the most classless, schizophrenic human
0:01:13 > 0:01:15I have ever met in my life.
0:01:15 > 0:01:17We've nicknamed David "the virus."
0:01:17 > 0:01:21Win, lose, or draw tonight, sir, I beg you, rid us of this plague.
0:01:21 > 0:01:23But when the money was counted...
0:01:23 > 0:01:24Men, congratulations.
0:01:24 > 0:01:26..David was spared,
0:01:26 > 0:01:28and the women were left to face Mr Trump.
0:01:28 > 0:01:30We lost this task because of location.
0:01:30 > 0:01:31And ultimately, Stephanie
0:01:31 > 0:01:34- was tasked to find the location. - Why would she task location
0:01:34 > 0:01:36and sales to one person?
0:01:36 > 0:01:39And Liza sealed Kelly's fate.
0:01:39 > 0:01:41Liza, who would you fire, Kelly or Stephanie?
0:01:41 > 0:01:44In this task, I would actually fire Kelly.
0:01:44 > 0:01:47You failed the test. You failed the task!
0:01:47 > 0:01:49Kelly, you're fired.
0:01:50 > 0:01:51SIREN WAILS
0:01:53 > 0:01:57It was a group decision to go to Wall Street.
0:01:57 > 0:01:58There's the men with the money.
0:01:58 > 0:02:00Obviously, we should have gone to Rockefeller Center.
0:02:00 > 0:02:02We all went with our very own eyes.
0:02:02 > 0:02:04We knew all the tourists were there.
0:02:04 > 0:02:06And the decision was made, was it not?
0:02:06 > 0:02:08I don't think anybody's arguing with you, Mahsa.
0:02:08 > 0:02:09You're arguing with yourself, hon.
0:02:09 > 0:02:11No, I'm not arguing with myself. I'm telling them the story.
0:02:11 > 0:02:12'I don't respect Mahsa.
0:02:12 > 0:02:15'I think she's a terrible team player.
0:02:15 > 0:02:16'I'm sick of hearing her talk.'
0:02:16 > 0:02:19She doesn't have anything interesting to say, so shut up.
0:02:19 > 0:02:21So, who's coming back in, ladies?
0:02:21 > 0:02:24I want Stephanie and Kelly to come back 100%.
0:02:24 > 0:02:26Do you guys get along with Liza?
0:02:26 > 0:02:28She's incompetent, honestly.
0:02:28 > 0:02:30I can't believe how much... Here they come.
0:02:30 > 0:02:31Here we go.
0:02:31 > 0:02:33All right, here's Stephanie and...
0:02:33 > 0:02:34That was obvious.
0:02:34 > 0:02:35I got rid of both of them.
0:02:35 > 0:02:37MAHSA GASPS
0:02:37 > 0:02:39- ALL:- Oh! Oh, wow.
0:02:39 > 0:02:41Welcome back.
0:02:41 > 0:02:42Congrats, Liza.
0:02:42 > 0:02:44What happened in there?
0:02:44 > 0:02:46I tell you this is the last time that's going to happen.
0:02:46 > 0:02:48No-one's tasking me sales and marketing and location.
0:02:48 > 0:02:50Why is one person tasked everything?
0:02:50 > 0:02:52It's time for me to back down, cos that's not happening again.
0:02:52 > 0:02:54'Can you believe those bitches'
0:02:54 > 0:02:58had the audacity to take my ass into the boardroom?
0:02:58 > 0:03:01'I've been carrying the whole team of schleps
0:03:01 > 0:03:03'the whole way here.'
0:03:03 > 0:03:05I can't tell you how pissed I am.
0:03:05 > 0:03:08We had 12 sales today and Liza sold nothing.
0:03:08 > 0:03:11Stephanie was responsible for about half of those sales.
0:03:11 > 0:03:12I'll tell you who sold.
0:03:12 > 0:03:14You guys want to know the numbers of who sold?
0:03:14 > 0:03:16Cos I know exactly who sold what.
0:03:16 > 0:03:18- I'd love to hear the numbers.- Why would you even tell him that?
0:03:18 > 0:03:19What benefit does that give our team?
0:03:19 > 0:03:21Because I want to show that Stephanie is very strong,
0:03:21 > 0:03:23- and she was responsible... - We've all been praising Stephanie
0:03:23 > 0:03:25the entire time she was in the boardroom, Mahsa.
0:03:25 > 0:03:27- Anyways, it doesn't matter.- So what?
0:03:27 > 0:03:29No, it does matter. It does matter in this situation.
0:03:29 > 0:03:31- Why would you give that to them? - Let's not give them our advantages.
0:03:31 > 0:03:33- Yeah, why would you do it? Just shut the- BLEEP- up.
0:03:33 > 0:03:36- Did you tell me to shut the- BLEEP- up? You shut the- BLEEP- up.
0:03:36 > 0:03:39- Did you tell ME to shut the- BLEEP - up?- WE need to shut the- BLEEP- up.
0:03:39 > 0:03:42- Is that what I said? We all need to. - Did you tell me to shut the- BLEEP- up?
0:03:42 > 0:03:43Rawr.
0:03:43 > 0:03:45Brandy, your passive-aggressiveness,
0:03:45 > 0:03:47you were the one that said that we were going too far.
0:03:47 > 0:03:49- You were so negative.- I backed you as a project manager
0:03:49 > 0:03:50when I shouldn't have, because I told you that I would.
0:03:50 > 0:03:52I've been backing you this whole time.
0:03:52 > 0:03:53- Brandy, you said that we should... - You backed me?
0:03:53 > 0:03:56We can have this not in front of the boys.
0:03:56 > 0:03:57You said that we were going too far,
0:03:57 > 0:03:59and we lost because we didn't go far enough, so...
0:03:59 > 0:04:02We lost because you're a terrible director.
0:04:02 > 0:04:05'Brandy is very smart at the game,
0:04:05 > 0:04:07'and I think Brandy is trying to get rid of me
0:04:07 > 0:04:08'in this competition.
0:04:08 > 0:04:10'But I'm ready for a fight.'
0:04:10 > 0:04:13These people are not my friends, none of them.
0:04:13 > 0:04:15'There is no-one you can trust.'
0:04:22 > 0:04:25# Money, money, money, money
0:04:25 > 0:04:27# Money!
0:04:27 > 0:04:30# Money, money, money, money
0:04:30 > 0:04:32# Money! #
0:04:48 > 0:04:50We're standing on the stage
0:04:50 > 0:04:52of the really great Shubert Theatre.
0:04:52 > 0:04:56I've been here recently to see Memphis.
0:04:56 > 0:04:58It's a smash hit on Broadway,
0:04:58 > 0:05:01and, in fact, it just won the Tony Award.
0:05:01 > 0:05:07Now, to put on a Broadway play or musical, you need backers.
0:05:07 > 0:05:10That means you have to go out and find investors,
0:05:10 > 0:05:12and it's one of the truly tough things on Broadway.
0:05:12 > 0:05:16Your task is to produce a backers' audition
0:05:16 > 0:05:20aimed at getting investors to put up money.
0:05:20 > 0:05:23You're going to have a musical. You're going to have a musical.
0:05:23 > 0:05:27You won't have directors. You won't have producers.
0:05:27 > 0:05:28You won't have designers.
0:05:28 > 0:05:32What you will have is a score and a script.
0:05:32 > 0:05:34Ivanka, who will do the judging?
0:05:34 > 0:05:37You will be judged by Broadway investor
0:05:37 > 0:05:39and Memphis producer, John Yonover.
0:05:39 > 0:05:42Joining him will be my father's great friend
0:05:42 > 0:05:44and also a producer, Daryl Roth,
0:05:44 > 0:05:47as well as TV, film, and Broadway star Kristin Chenoweth.
0:05:47 > 0:05:49These are all winners, generally,
0:05:49 > 0:05:52and they really understand Broadway.
0:05:52 > 0:05:54Donnie, what will they be judged on?
0:05:54 > 0:05:56You'll be judged on the marketing materials that you create
0:05:56 > 0:05:57and, of course,
0:05:57 > 0:06:00the overall presentation of your backers' audition.
0:06:00 > 0:06:02All right, women, who is your project manager?
0:06:05 > 0:06:07I'm going to be project manager.
0:06:07 > 0:06:09- Oh, finally.- Finally.
0:06:09 > 0:06:11'I came here to the United States.
0:06:11 > 0:06:13'I earned a scholarship to come and play golf.
0:06:13 > 0:06:15'So I don't know anything about Broadway,'
0:06:15 > 0:06:16but I'm going to step up to be project manager
0:06:16 > 0:06:18and hopefully try to pull the team together
0:06:18 > 0:06:20and make them see that, you know, I can be a leader.
0:06:20 > 0:06:23Men, who is going to be your project manager?
0:06:23 > 0:06:24I am, sir.
0:06:24 > 0:06:26'This is not a high-school musical. This is a business.
0:06:26 > 0:06:28'They're trying to make money off of this show.
0:06:28 > 0:06:31'Having owned multiple companies gives me'
0:06:31 > 0:06:33that entrepreneurial background.
0:06:33 > 0:06:34'So I feel really confident.'
0:06:34 > 0:06:37- Good luck.- Thank you, sir.
0:06:45 > 0:06:47- WOMEN: Hi! RYAN:- Hi, ladies. How you doing?
0:06:47 > 0:06:48So, I'm Ryan Scott Oliver.
0:06:48 > 0:06:51I'm the composer and lyricist of a musical called Darling.
0:06:51 > 0:06:55It's a dark deconstruction of JM Barrie's Peter And Wendy retold.
0:06:55 > 0:06:57- OK.- I think that's the most important thing for you to know.
0:06:57 > 0:07:01It is reset, in our story, into 1929, Boston.
0:07:01 > 0:07:05Thematically, it is not your grandmother's version
0:07:05 > 0:07:07of the boy who won't grow up.
0:07:07 > 0:07:10So, is it...? I've never seen a Broadway show.
0:07:10 > 0:07:14So I'm just trying to imagine what it is.
0:07:14 > 0:07:16People get onstage and then they do a little bit of talking
0:07:16 > 0:07:19and then they jump into a song.
0:07:22 > 0:07:24Is that kind of what it is?
0:07:24 > 0:07:27You mean in the actual show or the backers' audition?
0:07:25 > 0:07:27Well...
0:07:27 > 0:07:29'Doesn't she have a TV?'
0:07:29 > 0:07:31Does she rent, like, Chicago or has she
0:07:31 > 0:07:34ever rented any of these Broadway musicals?
0:07:34 > 0:07:38She has no culture and no depth.
0:07:38 > 0:07:41So, I'm leaving you guys with a script. I don't want you to feel...
0:07:41 > 0:07:43I've given you 60 pieces of information.
0:07:43 > 0:07:46If five of them show up strongly, this is good.
0:07:46 > 0:07:48- Do you know what I mean? All right, guys.- Thank you.
0:07:48 > 0:07:50- Absolutely.- Thank you so much.
0:07:50 > 0:07:52I have a musical background.
0:07:52 > 0:07:54I studied with the Royal Conservatory.
0:07:54 > 0:07:56I'm a musical teacher.
0:07:56 > 0:07:57So that could be instrumental.
0:07:57 > 0:07:59Like, everything he was talking about musically,
0:07:59 > 0:08:01- I know everything he's talking about.- Yeah? OK, OK.
0:08:04 > 0:08:06Oh!
0:08:06 > 0:08:07Very good.
0:08:07 > 0:08:09'I studied with the Royal Conservatory'
0:08:09 > 0:08:11For almost 30 years, people, 30 years.
0:08:11 > 0:08:14I don't care if Poppy listens to Miley Cyrus on her Walkman
0:08:14 > 0:08:15while she works out.
0:08:15 > 0:08:18Like, there is no comparison, zero comparison.
0:08:21 > 0:08:24I studied like my entire life at the Conservatory, like high level.
0:08:24 > 0:08:26- OK, musicals.- Very good.
0:08:26 > 0:08:29'I'm kind of annoyed that Stephanie, in every task,'
0:08:29 > 0:08:33claims to be the strongest at everything.
0:08:33 > 0:08:36'I want her to be able to recognise
0:08:36 > 0:08:38'other people as being strong.'
0:08:38 > 0:08:41Just let me be good at something.
0:08:45 > 0:08:48Hi, Kirsten, I'm Steuart.
0:08:48 > 0:08:50'We had an executive meeting with Kirsten
0:08:50 > 0:08:53'to learn a little bit more about Little Miss Fix-It.'
0:08:53 > 0:08:55And really how we can sell her passion,
0:08:55 > 0:08:57her idea, and her script.
0:08:57 > 0:09:01Little Miss Fix-It is about an 11-year-old named Nan,
0:09:01 > 0:09:05and she meets this 12-year-old boy,
0:09:05 > 0:09:08who is an impressionist painter on a bench.
0:09:08 > 0:09:09And she starts to have all these feelings,
0:09:09 > 0:09:12like, "why is the hair, you know, on my arms standing up?
0:09:12 > 0:09:14"I feel so unorganised," you know?
0:09:14 > 0:09:16"I don't understand this world of love."
0:09:16 > 0:09:18And what they learn, in the end,
0:09:18 > 0:09:20is that they really need to grow up to be a kid.
0:09:20 > 0:09:22This will be fun.
0:09:22 > 0:09:24I'm excited to see what you guys are going to do.
0:09:24 > 0:09:27- Thank you so much. - It's nice to meet you.- Thank you.
0:09:27 > 0:09:28- Good luck with everything. - Take care.
0:09:28 > 0:09:31'The two most important things are the promotional items,
0:09:31 > 0:09:33'the promotional packets, and the actors.'
0:09:33 > 0:09:35I'd love to see you do the commercial side.
0:09:35 > 0:09:37Clint, you're going to be working with a graphic designer, right?
0:09:37 > 0:09:41- I am.- And then I'll work with the theatre side.
0:09:41 > 0:09:43I've got the song list here.
0:09:43 > 0:09:46I've done small plays, auditorium kind of level,
0:09:46 > 0:09:49civic theatre, city, you know, high school.
0:09:49 > 0:09:52Well... 'The one thing about being project manager'
0:09:52 > 0:09:53that drives me crazy is,
0:09:53 > 0:09:56how am I going to micromanage and babysit David?
0:09:56 > 0:09:58'I'm conflicted as to whether David
0:09:58 > 0:10:03'will be the David that we can trust and the creative David.'
0:10:03 > 0:10:04Or he's going to be "the virus".
0:10:04 > 0:10:07You guys ready? We're going to go down the line, listen to some music.
0:10:07 > 0:10:09So, Dave, let's get on food.
0:10:09 > 0:10:13'Like, are you serious? You want me to order food now?
0:10:13 > 0:10:15'It's a chump move'
0:10:15 > 0:10:17to put the creative mind
0:10:17 > 0:10:21on this presentation off into the mode of lunch ordering.
0:10:21 > 0:10:24Hey, um, I'm on 8th.
0:10:24 > 0:10:26Hey, Dave, can you do that outside?
0:10:26 > 0:10:28'Typical three amigos.'
0:10:28 > 0:10:31- I get put in the old- BLEEP- job.
0:10:31 > 0:10:35# When I pick them I see that they've grown suspicious
0:10:35 > 0:10:36# Hey
0:10:36 > 0:10:41# Sure to sweeten up in the stewing pan
0:10:41 > 0:10:46# Just my first original impression of Nan... #
0:10:49 > 0:10:52# Yes, I believe Yes, I believe
0:10:52 > 0:10:54# They can knock us down
0:10:54 > 0:10:56# We can get lost
0:10:56 > 0:11:01# But they'll never drown out our love thoughts... #
0:11:01 > 0:11:04Here's what I'm thinking. Measure 91.
0:11:04 > 0:11:06And it's cool cos it starts with Peter.
0:11:06 > 0:11:08And that's when everyone starts chiming in.
0:11:08 > 0:11:10Our task this week is to produce and present
0:11:10 > 0:11:13a 15-minute backers' audition for a new Broadway musical.
0:11:13 > 0:11:16'You have to take an entire production
0:11:16 > 0:11:18'and shrink it down into a really short time frame
0:11:18 > 0:11:21'as a way of getting investors excited'
0:11:21 > 0:11:25to front some money to put on the production.
0:11:25 > 0:11:29OK, we'll start on page five, When Lily Came, measure 59.
0:11:29 > 0:11:30'We're working on Darling.'
0:11:30 > 0:11:33It's, like, a spin on the Peter And Wendy story.
0:11:33 > 0:11:35'It's about a girl from a very wealthy family,
0:11:35 > 0:11:37'and she falls in love with a young man
0:11:37 > 0:11:39'that she meets from the other side of the tracks.'
0:11:39 > 0:11:40And it's what every girl deals with.
0:11:40 > 0:11:42It's falling in love with the bad guy.
0:11:42 > 0:11:43There you go. OK, all done.
0:11:43 > 0:11:46Let me give the exact thing to the guy on the piano, OK?
0:11:46 > 0:11:47OK.
0:11:47 > 0:11:50Just so you know, in the packet,
0:11:50 > 0:11:52we're going to have bios and then a cast of the characters...
0:11:52 > 0:11:53OK.
0:11:53 > 0:11:55..order of the presentation and then a synopsis.
0:11:55 > 0:11:57Mm-hmm. OK.
0:11:57 > 0:11:58'One of the criteria is promotional items.
0:11:58 > 0:12:01'So we started deciding on what marketing materials'
0:12:01 > 0:12:03we're going to put together, what the take on the show's going to be.
0:12:03 > 0:12:06I almost feel like we should make a big poster.
0:12:06 > 0:12:08The camera is inside the house.
0:12:08 > 0:12:11- Mm-hmm.- And it's looking out, and she's sitting...
0:12:11 > 0:12:12So the window is the one...
0:12:12 > 0:12:16You're the camera. I am Ursula. Window.
0:12:16 > 0:12:18Oh, I see. OK. And that's what I was thinking.
0:12:18 > 0:12:21Yeah, you guys work on your stuff. We'll do this together.
0:12:24 > 0:12:25Yeah.
0:12:25 > 0:12:27I know.
0:12:27 > 0:12:30Hey, guys, what do you want me to do?
0:12:30 > 0:12:32To help with the graphic designer.
0:12:32 > 0:12:36But, um, seeing now as I have a musical background
0:12:36 > 0:12:37and listen to music,
0:12:37 > 0:12:40I don't want to be responsible for all the marketing in this project.
0:12:40 > 0:12:41- And you're not doing all the marketing.- Right.
0:12:41 > 0:12:44I actually think, since I'm going to be the one going with her,
0:12:44 > 0:12:48I can definitely, like be equally helping with her for that time.
0:12:48 > 0:12:50Exactly. Making sure that it's getting done.
0:12:50 > 0:12:52'I run my own business and I have had to learn
0:12:52 > 0:12:54'to work with different kind of personalities,'
0:12:54 > 0:12:56and I already kind of started to feel some tension
0:12:56 > 0:12:59between Stephanie and Mahsa and some of the other girls.
0:12:59 > 0:13:00So I just really thought,
0:13:00 > 0:13:02'we need to get them out so that I could work faster,
0:13:02 > 0:13:04'and I think that was a smart move.'
0:13:04 > 0:13:07What a joke! I'm a musical expert, Mahsa.
0:13:07 > 0:13:09I studied with the Royal Conservatory.
0:13:09 > 0:13:12- Why am I out- BLEEP- printing a flier?
0:13:12 > 0:13:14You know I just picked all the music in like five minutes.
0:13:14 > 0:13:16I do. You did. Credit where credit's due.
0:13:16 > 0:13:19- So are we in it together? - It's time. Yes!- OK.
0:13:22 > 0:13:26# Can't let go So it's looking frizzy
0:13:26 > 0:13:27# Meant to comb it... #
0:13:27 > 0:13:31You know, I came back in after ordering food for everyone,
0:13:31 > 0:13:35'and I caught the tail end of all the musical numbers.
0:13:35 > 0:13:38'It makes me feel unimportant and useless.'
0:13:38 > 0:13:41I think it's going to be really left up to the four of us
0:13:41 > 0:13:43to maybe go in and introduce a scene and say,
0:13:43 > 0:13:46"OK, you know, Nan is very obsessive-compulsive.
0:13:46 > 0:13:48"She wants to fix everything."
0:13:48 > 0:13:50Are we going to be up on stage doing anything or not?
0:13:50 > 0:13:53We've got to figure that out and make that determination.
0:13:53 > 0:13:55I think they should do it themselves.
0:13:55 > 0:13:59'I feel like the actors are our entire presentation.'
0:13:59 > 0:14:00I don't want to put Team Octane,
0:14:00 > 0:14:04who are not thespians by any way, you know,
0:14:04 > 0:14:06in front of great actors.
0:14:06 > 0:14:09I would like to see us involved in what's going on on stage.
0:14:09 > 0:14:11At different times in the performance?
0:14:11 > 0:14:13No, introducing each song, like...
0:14:13 > 0:14:15- I think it looks sloppy as- BLEEP.
0:14:15 > 0:14:16- Well...- I've seen it done.
0:14:16 > 0:14:19Monologuing is the greatest intro because it is innocent,
0:14:19 > 0:14:23it is the character, and you never have the audience disconnect.
0:14:23 > 0:14:25The problem with us is, you're going to have...
0:14:25 > 0:14:27# Impression of Nan... #
0:14:27 > 0:14:28All of a sudden, Steuart's going to come out.
0:14:28 > 0:14:30But what the audience is going to do is go,
0:14:30 > 0:14:32"Oh, I was in the impression of Nan. Who's this guy?"
0:14:32 > 0:14:36As crazy as this sounds, I'm agreeing with David on this.
0:14:36 > 0:14:39You know, and we just flow it, and all of a sudden, boom!
0:14:39 > 0:14:41Here's the song and then...
0:14:41 > 0:14:42# Ba-ba-ba-ba-bah! #
0:14:42 > 0:14:43It's... I think what you do
0:14:43 > 0:14:45is you have connection through the whole thing,
0:14:45 > 0:14:49- and they sit there and go, "I connect with each character." - Totally agree.
0:14:49 > 0:14:51OK, so let's take us out of the picture
0:14:51 > 0:14:52and take a step back.
0:14:55 > 0:14:58- Hey, um, my vision...- Uh-huh.
0:14:58 > 0:15:03..of course, I want Nan first, single, centre stage.
0:15:03 > 0:15:04Are we putting David in charge
0:15:04 > 0:15:07of handling this performance and directing them?
0:15:07 > 0:15:11All right, guys, this is my vision, very 500-foot level right now.
0:15:11 > 0:15:14- You know, it seems like he's got some...- Creative ideas.
0:15:14 > 0:15:16..creative ideas, some musical background,
0:15:16 > 0:15:19so I'll keep him on my side helping me out with that.
0:15:19 > 0:15:22'I let him do his thing. If it doesn't work,'
0:15:22 > 0:15:24100% the blame goes on David.
0:15:24 > 0:15:25- Good.- WOMAN: OK.
0:15:25 > 0:15:27And we begin.
0:15:29 > 0:15:30You know what?
0:15:30 > 0:15:32I don't know that it would be that bad of an idea
0:15:32 > 0:15:34to have sort of a narrator, have some sort of like,
0:15:34 > 0:15:37"Here we are, Ursula in her land of... La-la-la. She's... La-la-la."
0:15:37 > 0:15:41Yeah, I don't want it to come off as though the play is just a musical,
0:15:41 > 0:15:43and then we're just narrating what the musical is.
0:15:43 > 0:15:44But we have to explain it
0:15:44 > 0:15:46to somebody who's never even heard any of this before.
0:15:46 > 0:15:49- You know what I mean?- Yeah. I see what you're saying.
0:15:49 > 0:15:52'At this point, Liza was taking a very hands-off approach.
0:15:52 > 0:15:54'She was letting Brandy and I do our thing,
0:15:54 > 0:15:57'so we decided to use narration'
0:15:57 > 0:16:01in order to really convey the feeling, emotion, and the plot.
0:16:01 > 0:16:03It starts with Peter,
0:16:03 > 0:16:04- but the entire cast...- Yes.
0:16:04 > 0:16:07- ALL:- Hi. - Hello, ladies. How are you?
0:16:07 > 0:16:09- ALL:- Hello, Don. Hi. How are you?
0:16:09 > 0:16:10So, what's going on?
0:16:10 > 0:16:11Um...
0:16:14 > 0:16:17I think it's, like...
0:16:17 > 0:16:24We are planning the sort of delivery of the presentation for tomorrow.
0:16:24 > 0:16:25OK.
0:16:25 > 0:16:27'Brandy shouldn't be taking me through their concept,
0:16:27 > 0:16:30'if Liza was the project manager, at least in front of me.'
0:16:30 > 0:16:32Liza, that's going to come back to bite her.
0:16:32 > 0:16:33She can't hide any more.
0:16:36 > 0:16:39Clint and I have to go meet with the graphic designer.
0:16:39 > 0:16:40- Clint, you ready?- Ready.
0:16:40 > 0:16:42- Let's do it.- Hop out of here. All right, guys.
0:16:42 > 0:16:44Guys, great job.
0:16:44 > 0:16:46David really sprung alive with the actors
0:16:46 > 0:16:48and took charge and took lead.
0:16:48 > 0:16:50So Clint and I are going to work on the promotional items,
0:16:50 > 0:16:53and we're going to make sure that, you know, they're amazing.
0:16:53 > 0:16:54Well, chalkboard could work, because,
0:16:54 > 0:16:56I mean, we're dealing with 11-year-olds.
0:16:56 > 0:16:59Let's do a chalkboard and let's do a playbill.
0:16:59 > 0:17:00That's what I'm thinking.
0:17:00 > 0:17:02# Apple eyes
0:17:02 > 0:17:05# Lightly textured and gold delicious... #
0:17:05 > 0:17:09'Little Miss Fix-It is about an 11-year-old girl'
0:17:09 > 0:17:11going through, you know, the first love,
0:17:11 > 0:17:15'meeting a boy, and becoming totally unorganised.'
0:17:16 > 0:17:20# When I pick them, I see that they've grown suspicious
0:17:20 > 0:17:21# Hey
0:17:21 > 0:17:25# Sure to sweeten up in the stewing pan
0:17:25 > 0:17:32# Just my first original impressions of Nan... #
0:17:32 > 0:17:35- How's it going? - We're having a good time.
0:17:35 > 0:17:37Very good. So, what is going on right now?
0:17:37 > 0:17:38You're just rehearsing...
0:17:38 > 0:17:41- Yep, we're moving into second scene. - Mm-hmm.
0:17:41 > 0:17:44We've already introduced our main characters.
0:17:44 > 0:17:46'I was impressed that David was playing'
0:17:46 > 0:17:48a more vocal, active role.
0:17:48 > 0:17:52'He was ripped apart in last week's boardroom,'
0:17:52 > 0:17:55so I think he feels that he has a lot to prove.
0:17:55 > 0:17:58I'd like Nan to come out and say something about herself -
0:17:58 > 0:18:00- "I'm 11. I like coffee." - Her reflection.
0:18:00 > 0:18:03'Steuart's going to have to step up during the presentation.'
0:18:03 > 0:18:04Otherwise, ultimately, it seems,
0:18:04 > 0:18:06at this point, like it was David's task.
0:18:06 > 0:18:08Do you have this part of the script?
0:18:08 > 0:18:10Let's do a little scene.
0:18:12 > 0:18:14MOBILE PHONE RINGS
0:18:14 > 0:18:15Hello?
0:18:15 > 0:18:17'Hey, it's Stephanie.'
0:18:17 > 0:18:20'OK, so, did you get the e-mail we sent you?'
0:18:20 > 0:18:22- Yeah.- 'Right?'- It's just... It's just so...
0:18:22 > 0:18:24'Is that what we wanted?'
0:18:24 > 0:18:26Well, no, that's not really what we wanted.
0:18:26 > 0:18:29OK, but, Liza, it's not... But, Liza, it's not...
0:18:29 > 0:18:30I want it to be really colourful.
0:18:30 > 0:18:32'I don't want it to be black and white.'
0:18:32 > 0:18:34I still can't believe I'm here doing this.
0:18:34 > 0:18:36'Just think in terms of, um...'
0:18:36 > 0:18:38OK, well, we'll try to do colour,
0:18:38 > 0:18:39but if it looks ridiculous,
0:18:39 > 0:18:41'it might have to be black and white, OK?'
0:18:41 > 0:18:43'We were very clear in our explanations'
0:18:43 > 0:18:46on what we wanted for the graphics, and of course,
0:18:46 > 0:18:47it didn't come through.
0:18:47 > 0:18:49'I definitely think that Stephanie and Mahsa,
0:18:49 > 0:18:51'they're trying to set it up
0:18:51 > 0:18:52'where if the printing doesn't get done well,
0:18:52 > 0:18:54'that I'm the one to fall for it.'
0:18:54 > 0:18:57So if we don't win, I'm in trouble. I'm in big trouble.
0:19:07 > 0:19:09This is what I pretty much have for the introduction,
0:19:09 > 0:19:11Just, "Today, Team Fortitude is proud to produce and present
0:19:11 > 0:19:13"a 15-minute backers' audition
0:19:13 > 0:19:15"for brand-new Broadway musical Darling."
0:19:15 > 0:19:18And then I wasn't sure if maybe we talk
0:19:18 > 0:19:20about what they have in their packet.
0:19:20 > 0:19:22That's fine. Just in the beginning, just simplify it, whatever.
0:19:22 > 0:19:23It appeals to all audiences.
0:19:23 > 0:19:26We hope that you sit back and enjoy the show.
0:19:26 > 0:19:27'It's day two.'
0:19:27 > 0:19:29We're headed over to the Shubert Theatre
0:19:29 > 0:19:31to present our Broadway musical to the judges.
0:19:31 > 0:19:36But Liza still had not completed the three sentences
0:19:36 > 0:19:38that she needed to write to do her introduction.
0:19:38 > 0:19:40I basically sat there
0:19:40 > 0:19:42and I just told her what the three sentences should be.
0:19:42 > 0:19:44That's perfect. Three sentences.
0:19:44 > 0:19:46'That's the problem with Liza.'
0:19:46 > 0:19:48She really can't do much of anything.
0:19:52 > 0:19:55- Yay, there's our printing. - It's here!
0:19:55 > 0:19:57'So, we walk into Shubert Theatre,'
0:19:57 > 0:19:59and our printing materials are there.
0:19:59 > 0:20:00'So, I was kind of worried,
0:20:00 > 0:20:02'cos I had no idea what to expect.'
0:20:02 > 0:20:05OK, moment of truth. Ready?
0:20:08 > 0:20:09It's good.
0:20:09 > 0:20:13Oh, my God, it's perfect. It's perfect.
0:20:13 > 0:20:15You don't like it?
0:20:15 > 0:20:16It's all right.
0:20:16 > 0:20:18I mean, it's the best I guess we could do.
0:20:18 > 0:20:21'When I saw the sign, I was actually really shocked.'
0:20:21 > 0:20:25I knew what I wanted, and I gave clear directions to the girls.
0:20:25 > 0:20:26But they just didn't do it, you know?
0:20:32 > 0:20:35- Did our printed materials come? - Yeah, look at it, dude.
0:20:37 > 0:20:41- How do they look?- Look at it. You look at it.- Yeah, baby!
0:20:41 > 0:20:44- That's hot.- Oh, it's so nice.
0:20:44 > 0:20:46I like how this turned out, how it's raised above the thing.
0:20:48 > 0:20:49Welcome, ladies and gentlemen,
0:20:49 > 0:20:51to Octane Entertainment's presentation
0:20:51 > 0:20:52of Little Miss Fix-It.
0:20:52 > 0:20:53'I was definitely nervous.
0:20:53 > 0:20:55'You know, you're on this really famous stage.'
0:20:55 > 0:20:59You've got three really, really important people for Broadway
0:20:59 > 0:21:02that are out there - the beautiful Kristin Chenoweth,
0:21:02 > 0:21:05'John Yonover, and Daryl Roth.'
0:21:05 > 0:21:07You've got to put your best foot forward and do a great job.
0:21:07 > 0:21:08Who doesn't remember their first kiss,
0:21:08 > 0:21:11their first love, their first flirt?
0:21:11 > 0:21:12Please enjoy.
0:21:12 > 0:21:14PIANO PLAYS
0:21:19 > 0:21:21- You're sitting on my bench. - No, I'm sitting on my bench.
0:21:21 > 0:21:23Wait. What are you drawing?
0:21:23 > 0:21:24More like whom.
0:21:24 > 0:21:26No, you're going to make my nose all high
0:21:26 > 0:21:28because you have bad perspective.
0:21:28 > 0:21:30Well, then you better be nice.
0:21:32 > 0:21:34# Apple eyes
0:21:34 > 0:21:36# Lightly textured and gold delicious... #
0:21:36 > 0:21:39'This is the best I've seen David.
0:21:39 > 0:21:41'David has some good artistic ideas.
0:21:41 > 0:21:44'He was solely responsible for that production,'
0:21:44 > 0:21:47and David was right on the money, as far as I'm concerned.
0:21:47 > 0:21:48# Yeah! I am totally
0:21:48 > 0:21:51- # Totally, totally, totally - Totally, totally, totally
0:21:51 > 0:21:53- # What, what, what? - Uhhh
0:21:53 > 0:21:55- # What, what, what, what? - Uhhhhnnn
0:21:55 > 0:21:58- # What, what, what? - Unorganised!
0:21:58 > 0:21:59Whoo!
0:21:59 > 0:22:04ALL: # Unorganised!
0:22:04 > 0:22:07# What just happened?
0:22:07 > 0:22:10# Hello!
0:22:10 > 0:22:12# Yes! #
0:22:13 > 0:22:15Thank you.
0:22:15 > 0:22:18Octane Entertainment offers this once-in-a-lifetime opportunity
0:22:18 > 0:22:19to be a part of Little Miss Fix-It
0:22:19 > 0:22:23and invest in the... Invest in the audiences that they'll feel...
0:22:23 > 0:22:25Sorry.
0:22:25 > 0:22:28- David:- 'Steuart ruined our performance.
0:22:28 > 0:22:31'We have professional people in the audience,'
0:22:31 > 0:22:33sitting there, watching. "Uh, uh, uh."
0:22:33 > 0:22:35Bad move.
0:22:35 > 0:22:38Sorry. And the feeling audiences around the world will feel
0:22:38 > 0:22:41When they remember their first kiss. Invest with Octane.
0:22:48 > 0:22:51It's very simple, and it gives us the information.
0:22:51 > 0:22:54They didn't try to do anything too fancy.
0:22:54 > 0:22:55- Yeah.- Yeah.
0:22:55 > 0:22:58Yet it told the story, yeah. And I liked the...
0:22:58 > 0:23:00- Yeah, it just makes a lot of sense, actually.- Yeah.
0:23:00 > 0:23:02- It sets up the mood.- For sure.
0:23:02 > 0:23:04And I like something that tells you where you are,
0:23:04 > 0:23:06- Gives you information about the show.- Right.
0:23:06 > 0:23:07This tells us something.
0:23:07 > 0:23:11You know, I'm an actor, so I'm going to wish that Steuart...
0:23:11 > 0:23:14That he would have been a little bit more excited about his material.
0:23:14 > 0:23:16- Little more enthusiasm. - And a little more prepared.
0:23:16 > 0:23:19You know, you don't stumble. When you're making a presentation
0:23:19 > 0:23:21like this, you know your presentation and you make it.
0:23:21 > 0:23:24That's right. Whole thing is selling the show,
0:23:24 > 0:23:26- and I didn't know that he did that. - I agree with you.
0:23:26 > 0:23:29- I'm looking forward to the next one. - Yeah, let's check it out.
0:23:31 > 0:23:33Hello, everyone. >
0:23:33 > 0:23:35Team Fortitude is proud to present
0:23:35 > 0:23:38a groundbreaking, revolutionary Broadway musical - Darling.
0:23:38 > 0:23:42Sit back, relax, and enjoy the show. Thank you.
0:23:44 > 0:23:46Ursula Morgan, a privileged 16-year-old girl,
0:23:46 > 0:23:49is sitting in the window of her childhood home,
0:23:49 > 0:23:51gazing to the outside world.
0:23:51 > 0:23:54# If I could fly
0:23:54 > 0:23:58# God, I'd fly so far... #
0:23:58 > 0:24:00BRANDY: 'I think that we marketed this show,'
0:24:00 > 0:24:03and I think we did it well. I mean,
0:24:03 > 0:24:05we picked four songs that were so strong,
0:24:05 > 0:24:08and the narrations, you know,
0:24:08 > 0:24:11helped us to make the songs the star of our presentation.
0:24:11 > 0:24:13Ursula is faced with a difficult decision -
0:24:13 > 0:24:16to stay with her first true love, Peter,
0:24:16 > 0:24:18or to keep her child.
0:24:18 > 0:24:22# Clap your hands if you believe in me
0:24:22 > 0:24:25# Do you believe Do you believe, do you believe? #
0:24:25 > 0:24:27# They can knock us down
0:24:27 > 0:24:28# Within their walls
0:24:28 > 0:24:33# But they'll never drown out all our thoughts. #
0:24:33 > 0:24:35Yeah.
0:24:35 > 0:24:37Ooh. Whoo!
0:24:37 > 0:24:39- LIZA: You guys were awesome. - Thank you.
0:24:39 > 0:24:41That was a good presentation, much different,
0:24:41 > 0:24:43- and really very strong.- Yes.
0:24:43 > 0:24:45- I had trouble following it. - Did you?
0:24:45 > 0:24:49I thought the music was fantastic, but the intertwining of the story
0:24:49 > 0:24:52within the music - I thought the pacing was a little tough.
0:24:52 > 0:24:54So maybe the stage directions weren't strong enough.
0:24:54 > 0:24:56I will say that Liza was pleasant.
0:24:56 > 0:24:59I liked her energy, and that sold me.
0:24:59 > 0:25:01And their presentation - it's black, it's simple.
0:25:01 > 0:25:04- Right.- It's to the point. The only thing I need to say about that
0:25:04 > 0:25:07- is there is no information about the producers.- No way to follow up.
0:25:07 > 0:25:10- No way to follow up.- No, but... - Where do I send the cheque?
0:25:10 > 0:25:12It's going to be a tough decision for me.
0:25:12 > 0:25:14- We have two very different products here.- Yeah, we do.
0:25:14 > 0:25:16And it's going to be tough to decide which one.
0:25:38 > 0:25:40Liza, did you like your musical?
0:25:40 > 0:25:42I loved our musical.
0:25:42 > 0:25:45What'd you think, Brandy? Was she a good project manager?
0:25:45 > 0:25:47I think she was actually a very good project manager.
0:25:47 > 0:25:50I think that the only thing that, if I were project manager,
0:25:50 > 0:25:53I would have liked to have seen was a little bit more involvement
0:25:53 > 0:25:55from Stephanie, given her background.
0:25:55 > 0:25:57- You have a musical background, Stephanie?- Yes, sir.
0:25:57 > 0:26:00- So why weren't you more involved? - I told Liza I should be,
0:26:00 > 0:26:03but Liza decided to send me to the printer instead.
0:26:03 > 0:26:05Mahsa, what do you think of Liza?
0:26:05 > 0:26:07I thought she was fine. I think we're all very strong women,
0:26:07 > 0:26:09and I think it's tough for her...
0:26:09 > 0:26:10Liza, you're making progress.
0:26:10 > 0:26:12- Thank you, Mr Trump.- It's not great.
0:26:12 > 0:26:14- No, it's not. - But you're making progress.
0:26:14 > 0:26:16DON: From Mahsa, that's pretty good, though.
0:26:16 > 0:26:20OK, so, let me ask you, Steuart, how did your team do?
0:26:21 > 0:26:26You know, I was extremely happy with how we produced as a team.
0:26:26 > 0:26:27Did David do a good job?
0:26:27 > 0:26:30You know, Mr Trump, I gave David the opportunity to step up
0:26:30 > 0:26:32and be a member of this team.
0:26:32 > 0:26:34Knowing what happened, I mean, that doesn't go away,
0:26:34 > 0:26:37but I think he did a good job to step up
0:26:37 > 0:26:39and take ownership of the task I gave him.
0:26:39 > 0:26:42Clint, would you take back what you said in the preceding weeks
0:26:42 > 0:26:43about David?
0:26:43 > 0:26:45Mr Trump, there's no way I could take that back
0:26:45 > 0:26:47because I believe that the conversation we had
0:26:47 > 0:26:50last board meeting is the reason we had
0:26:50 > 0:26:52David in his element this meeting.
0:26:52 > 0:26:53Do you think he did a good job?
0:26:53 > 0:26:54I think he did a great job.
0:26:54 > 0:26:57That's a big comeback. Good.
0:26:57 > 0:26:58Anand, let me ask you this -
0:26:58 > 0:27:01what did you think of Steuart as project manager?
0:27:01 > 0:27:02I think he did a pretty good job.
0:27:02 > 0:27:06He did stumble on the presentation, from what I've heard.
0:27:06 > 0:27:08- There was... - And stumbled fairly badly.
0:27:08 > 0:27:10There was a minor stumble at the end.
0:27:10 > 0:27:12Well, the judges were not happy with it.
0:27:12 > 0:27:15So what was the stumble, Steuart? How come you stumbled?
0:27:15 > 0:27:19I just... I looked down at my note card and I read the wrong word,
0:27:19 > 0:27:23and just quickly recuperated and kept going and finished strong.
0:27:25 > 0:27:29OK, I'd like to see the promotional materials. Ivanka.
0:27:30 > 0:27:33This is one of the materials created by the men.
0:27:33 > 0:27:36I'd like to show that to the women.
0:27:36 > 0:27:37And, Don, I'd like to show the men
0:27:37 > 0:27:41the women's promotional material.
0:27:47 > 0:27:49I have to tell you, I think the men did a good job.
0:27:49 > 0:27:51- MAHSA: Mm-hmm. ANAND:- Thank you, sir.
0:27:51 > 0:27:53Men, what do you think of their material?
0:27:53 > 0:27:55I don't see how it relates to the play itself.
0:27:55 > 0:27:58And I just don't see the relationship whatsoever.
0:27:58 > 0:28:00- Kind of cheap-looking. - Not very original.
0:28:00 > 0:28:03Who was responsible for your promotional materials?
0:28:03 > 0:28:05The idea of what to put in the packet
0:28:05 > 0:28:07was kind of collaborately done.
0:28:07 > 0:28:10- Cos I don't think it's very good.- I think it might have been because...
0:28:10 > 0:28:14- I guess none of us had... - Whose idea was it?
0:28:14 > 0:28:16It was Mahsa and Stephanie who...
0:28:16 > 0:28:19No, you told us exactly what to put in there, Liza.
0:28:19 > 0:28:21Let me ask you this. I want to invest, right?
0:28:21 > 0:28:23- Right.- I have your material.
0:28:23 > 0:28:26I don't even know how to get in touch with anybody.
0:28:26 > 0:28:28- Exactly.- Now, the men took care of that beautifully.
0:28:28 > 0:28:31You put your cards, you put your phone numbers, you put everything.
0:28:31 > 0:28:33You didn't do that.
0:28:34 > 0:28:38Whose fault is it that I, as an investor, don't know who to call
0:28:38 > 0:28:40about investing in the show?
0:28:40 > 0:28:43Ultimately, the ladies who went to do the graphic design
0:28:43 > 0:28:45- should have seen that... - No. That's incorrect.
0:28:45 > 0:28:47Mr Trump, she said, "Bring these four things
0:28:47 > 0:28:50"to the printer," which were the four pages. And we brought them
0:28:50 > 0:28:53to the printer, and then she said, "E-mail it to me first.
0:28:53 > 0:28:56"I'll approve it, and then you can press 'Go'."
0:28:56 > 0:28:58It was actually very childish.
0:28:58 > 0:29:03THEY ALL TALK OVER EACH OTHER
0:29:03 > 0:29:06Very boring. There's no back side to it, either.
0:29:06 > 0:29:08- ...girl in the window. - Let me ask you this, Liza.
0:29:08 > 0:29:11- Yes, Mr Trump?- If you lose, who would you bring back with you?
0:29:11 > 0:29:13I would definitely bring back Stephanie and Mahsa.
0:29:13 > 0:29:15Which... Which is completely uncalled for.
0:29:15 > 0:29:17- First of all...- Well, not really.
0:29:17 > 0:29:19- Well, sir, actually... - Who bought the portfolio?
0:29:19 > 0:29:21Let me ask you this. I am a music expert.
0:29:21 > 0:29:23I know. And why weren't you the project manager?
0:29:23 > 0:29:27I would have loved to have been, but she wanted to do it cos she hasn't yet.
0:29:27 > 0:29:28- We were all there...- Wait a minute.
0:29:28 > 0:29:31Did you want to be the project manager?
0:29:31 > 0:29:34Well, at the beginning, I thought it was theatre. Had I known it was musical,
0:29:34 > 0:29:37- I definitely would have stepped up. However...- Wait a minute.
0:29:37 > 0:29:40When I made my presentation, all I talked about was musical.
0:29:40 > 0:29:44- Right.- So you knew it was musical. - Well, at this point, though...- Wait a minute. You just said something.
0:29:44 > 0:29:47- You knew it was musical because I said musical.- No, I didn't.
0:29:47 > 0:29:50- That's a lot of crap.- No, I said walking in, I didn't know...
0:29:50 > 0:29:54- Walking in? What does that have to do with it?- OK, well, I wasn't sure what our role or task would be.
0:29:54 > 0:29:56But Liza had not been project manager yet.
0:29:56 > 0:30:00- But you thought it was a play, and it was a musical.- Sir, I can't be project manager every week.
0:30:00 > 0:30:02I was just project manager a week ago.
0:30:02 > 0:30:04At the end of the day, even though she...
0:30:04 > 0:30:07- I like that point better than your last point.- Well, I was going to continue.
0:30:07 > 0:30:10- You should have said that, not lied to me. - Yeah, I was going to continue.
0:30:10 > 0:30:14You lied to me, and you shouldn't have done that. You could have said the second point.
0:30:14 > 0:30:16It's a much better point, believe me.
0:30:18 > 0:30:20OK, are you ready?
0:30:20 > 0:30:22- BOTH:- Yes, sir.
0:30:22 > 0:30:25We have a split decision.
0:30:25 > 0:30:29Daryl Roth loved the men's team.
0:30:30 > 0:30:36Kristin Chenoweth loved the women's team.
0:30:36 > 0:30:38And she thought you did a great job, Liza.
0:30:38 > 0:30:40- Thank you, Mr Trump.- All right?
0:30:40 > 0:30:44John Yonover loved to break the tie.
0:30:45 > 0:30:49The men's team. So I congratulate the men.
0:30:49 > 0:30:50You've really done a great job.
0:30:50 > 0:30:55And, David, an amazing comeback. One of the best I've seen in the history of The Apprentice.
0:30:55 > 0:30:57- Thank you.- So I congratulate you in particular.
0:30:57 > 0:30:59Steuart, good job.
0:30:59 > 0:31:01- Thank you.- And you're going to be seeing a friend of mine,
0:31:01 > 0:31:05Larry Young, the president and CEO of Snapple
0:31:05 > 0:31:08and an amazing businessman.
0:31:08 > 0:31:10So congratulations. Say hello to Larry.
0:31:10 > 0:31:11- Thank you very much.- OK? Good.
0:31:11 > 0:31:13- Go to your suite.- Thank you, sir.
0:31:13 > 0:31:14Thank you, sir.
0:31:14 > 0:31:17Nice job, guys.
0:31:17 > 0:31:19Women, stay here. Somebody will be fired.
0:31:26 > 0:31:29So, Poppy, what do you think went wrong?
0:31:29 > 0:31:31I think that the biggest thing
0:31:31 > 0:31:34was not including our contact information.
0:31:34 > 0:31:35That's an oversight.
0:31:35 > 0:31:37- To me, that was the biggest thing. - Yes.
0:31:37 > 0:31:41You do all that work, and then some guy like me...
0:31:41 > 0:31:43I'm dying to invest.
0:31:43 > 0:31:45And guess what happens? I can't find the number.
0:31:45 > 0:31:48The next day, I wake up, and I don't want to even bother.
0:31:48 > 0:31:50Right?
0:31:50 > 0:31:53I don't understand it. What do you think happened, Liza?
0:31:53 > 0:31:56Just to reiterate what Poppy said, I think it was really critical
0:31:56 > 0:31:58to have that contact information.
0:31:58 > 0:32:00But why did none of you think
0:32:00 > 0:32:03of putting the single most important piece of information
0:32:03 > 0:32:05into the packet?
0:32:05 > 0:32:07Mahsa, why?
0:32:07 > 0:32:09Mr Trump, when we went to go do the printing,
0:32:09 > 0:32:12Liza had given us a very exact list
0:32:12 > 0:32:14of what she wanted us to do.
0:32:14 > 0:32:17We tried to execute what she wanted as fast as possible.
0:32:17 > 0:32:22- She, in fact...- Mahsa, why did Kristin like Liza so much?
0:32:22 > 0:32:26I don't know, Mr Trump, because I was the one in the van this morning
0:32:26 > 0:32:30- that wrote her three-sentence presentation.- I'm not asking about you. Everything's about you.
0:32:30 > 0:32:32- BRANDY: It is. Everything. - Thank you.
0:32:32 > 0:32:33THEY TALK OVER EACH OTHER
0:32:33 > 0:32:36I asked you a question about somebody else,
0:32:36 > 0:32:37and you start talking about you.
0:32:37 > 0:32:39- BRANDY: It's such- BLEEP.
0:32:39 > 0:32:41- What is- BLEEP?
0:32:41 > 0:32:44- And I did. She's ready to tell me that I told her to shut the- BLEEP- up last week.
0:32:44 > 0:32:46- MAHSA: She told me to shut the- BLEEP - up last week.
0:32:46 > 0:32:49BRANDY: She is the most classless individual in everything she does.
0:32:49 > 0:32:51- Thank you.- I'm very composed. I treat everybody with respect.
0:32:51 > 0:32:55I am so riled up right now, and it's because she treats everybody like
0:32:55 > 0:32:57it is The Mahsa Show.
0:32:57 > 0:33:01I see it myself. I mean, I'm asking you, "What did she do nice?"
0:33:01 > 0:33:04- And you start talking about yourself.- Because, Mr Trump... - And I can understand how
0:33:04 > 0:33:08Brandy said, "You know, I've had enough." Very interesting the way you did it.
0:33:08 > 0:33:11- I have never said to anyone to shut the- BLEEP- up or anything like that.
0:33:11 > 0:33:13BRANDY: But you point the finger.
0:33:13 > 0:33:14- ANAND:- Oh, the point of the finger.
0:33:14 > 0:33:16She can't focus. She can't focus!
0:33:16 > 0:33:19I told her - use her thumb. It's out. The finger's out.
0:33:19 > 0:33:21BRANDY: It's unfair.
0:33:21 > 0:33:25MAHSA: Can I respond? BRANDY: How long could you take the finger in your face before you snap?
0:33:25 > 0:33:28- It wouldn't last long. - Thank you, sir.- A little longer, maybe, with a woman.
0:33:28 > 0:33:29Thank you.
0:33:29 > 0:33:32MAHSA: I'm a prosecutor, Mr Trump. When we point to defendants...
0:33:32 > 0:33:34We're always pointing in court.
0:33:34 > 0:33:36- DON:- You have to know when to turn that off.
0:33:36 > 0:33:38I'm trying to do that. I've been working on it.
0:33:38 > 0:33:40I've been in the majority of these boardrooms -
0:33:40 > 0:33:44- I've seen you do that repeatedly... - Thank you.- ..where the question is about someone else...
0:33:44 > 0:33:47and you rechannel it to make it a positive about yourself
0:33:47 > 0:33:48and a detriment to everyone else.
0:33:48 > 0:33:49BRANDY: Yes.
0:33:49 > 0:33:53- So, Brandy, let me ask. I've been watching you and I've respected you...- I'm sorry!
0:33:53 > 0:33:57..but what happened to you in the last couple of minutes is sort of interesting.
0:33:57 > 0:33:59You've gone a little bit wild.
0:33:59 > 0:34:01- Because, you know...- What is bringing this out in you?
0:34:01 > 0:34:03Because I think that...
0:34:03 > 0:34:08Unfortunately, our team is being affected by this fragmentation.
0:34:08 > 0:34:10Brandy, what did I do wrong on this task?
0:34:10 > 0:34:12You didn't do anything!
0:34:12 > 0:34:15- When I tried to talk... - That's exactly what you did.
0:34:15 > 0:34:17She told me to be in operations...
0:34:17 > 0:34:20But, you know, Mahsa, you really are abrasive.
0:34:20 > 0:34:21She's so abrasive.
0:34:21 > 0:34:25- You really are abrasive. - Mr Trump, that's my personality. I can't change that...
0:34:25 > 0:34:27It's awful to work with.
0:34:27 > 0:34:28- She's awful?- To work with.
0:34:28 > 0:34:30- She told me to shut the- BLEEP- up.
0:34:30 > 0:34:32Yes. And I would say it again.
0:34:32 > 0:34:34MAHSA: And you know what, Mr Trump? I wouldn't have said that,
0:34:34 > 0:34:36because I never use those kind of words with anyone.
0:34:36 > 0:34:39- POPPY:- You were trying to give our strategy away to the men's team.
0:34:39 > 0:34:41- All right, Mahsa. Hold it. - Can we do the back story?
0:34:41 > 0:34:43Go ahead, Brandy, finish.
0:34:43 > 0:34:45She told the men's team, in the last task,
0:34:45 > 0:34:48how much we made in the task, so the men knew.
0:34:48 > 0:34:50He told them - 320.
0:34:50 > 0:34:52- Now, wait a minute. Did you say that?- Absolutely.
0:34:52 > 0:34:54You mean before we told... Before we came out?
0:34:54 > 0:34:56Before we knew the boardroom, she told...
0:34:56 > 0:35:00- Is that true, Mahsa?- Clint came and told me that they made 1,000,
0:35:00 > 0:35:03- and I told them they won.- Wait a minute. Is that true, Mahsa?- Yes.
0:35:03 > 0:35:05Before I gave the results.
0:35:05 > 0:35:06Clint told me, too, sir.
0:35:06 > 0:35:09She's lying about me! That is a lie!
0:35:09 > 0:35:12I wasn't here last week, but I know it was a sales task,
0:35:12 > 0:35:14and you're telling me that you knew you lost
0:35:14 > 0:35:17and told the men before you ever entered the boardroom?
0:35:17 > 0:35:19I can't believe we're bringing this stuff up.
0:35:19 > 0:35:22No, we need to. That's the context of my comments.
0:35:22 > 0:35:26You altered the whole dynamic of this process by doing that.
0:35:26 > 0:35:29Mr Trump, he did it to me. I didn't know that she was going to...
0:35:29 > 0:35:32- It really isn't being a team player. - BRANDY: That's just the whole point.
0:35:32 > 0:35:34- She sat there and she knew it too. - I did not!
0:35:34 > 0:35:37Poppy, where was I? I was putting my make-up on in the...
0:35:37 > 0:35:41What would you say if Mahsa actually gave that number to the men?
0:35:41 > 0:35:44I was floored. I mean, I was there. I was floored.
0:35:44 > 0:35:46Why would you do that, Mahsa?
0:35:46 > 0:35:48He told me. We're all friends.
0:35:48 > 0:35:50I don't care if... He told you, so you told him.
0:35:50 > 0:35:53"He told me!" Listen to her blaming you now!
0:35:53 > 0:35:54- DAVID: That is bull- BLEEP.
0:35:54 > 0:35:56- CLINT:- That is a bald-faced lie. - STEUART: Go in there!
0:35:56 > 0:35:59Mr Trump, it is true that I told the men that number after...
0:35:59 > 0:36:02- Why would you do that?- It was a lapse in judgment. It was stupid.
0:36:02 > 0:36:04- It's a lapse of judgment. - It was stupid.
0:36:04 > 0:36:07- A lot of other things are a lapse of judgment with you. - It was very stupid,
0:36:07 > 0:36:08but Clint told me, too, sir.
0:36:08 > 0:36:10- STEUART:- She's looking for a scapegoat.
0:36:10 > 0:36:14Of course she is. Why would she throw me under the bus? Let's go nose-to-nose.
0:36:16 > 0:36:18- ANAND:- We'll support you 100%, man. - DAVID: Absolutely.
0:36:18 > 0:36:20- CLINT:- This has to get cleared.
0:36:20 > 0:36:22- TRUMP, MUFFLED:- Mahsa, why would you do that?
0:36:22 > 0:36:25He told me. I'm sorry, Mr Trump. I shouldn't have done it. That was a mistake.
0:36:25 > 0:36:26You shouldn't have done it.
0:36:26 > 0:36:29- AMANDA:- 'Mr Trump, the men are on their way back in.'- Let them in.
0:36:34 > 0:36:35Sit down.
0:36:39 > 0:36:41What's on your mind, Clint?
0:36:41 > 0:36:44Mr Trump, I wanted to come back and clear my name.
0:36:44 > 0:36:48I've got three little boys and a wife to play for here and I am not going to be soiled by...
0:36:48 > 0:36:51- By who, Mahsa?- By Mahsa.- I never lied to you, sir, and I'm not lying to you now...
0:36:51 > 0:36:55Can I say...? Hey, Mahsa, just put your finger down and be quiet for a minute, all right?
0:36:55 > 0:36:58- My finger's not up.- Well, put it in your pockets, because if you point here, I won't be happy.
0:36:58 > 0:37:00Don't get so dramatic. Calm down.
0:37:00 > 0:37:03Mahsa cannot keep her mouth shut.
0:37:03 > 0:37:08In the lobby at the hotel, Mahsa was talking about numbers.
0:37:08 > 0:37:09She even told me particularly.
0:37:09 > 0:37:11But did she tell you the number?
0:37:11 > 0:37:14- Yes, sir, she did.- I did. I told you.- Did you tell them the number?
0:37:14 > 0:37:16- He said, "Over 1,000." - Sir, let me tell you this.
0:37:16 > 0:37:19I knew I made 370 on the task,
0:37:19 > 0:37:21and I was out pedalling most of the time.
0:37:21 > 0:37:22So are you saying you had no idea?
0:37:22 > 0:37:25- I had no idea what we made, sir. - IVANKA: A total fabrication?
0:37:25 > 0:37:29- I'm sorry? - This is a total fabrication? - I'll tell you exactly...
0:37:29 > 0:37:31When Mahsa was talking and said that out loud,
0:37:31 > 0:37:34I said, "Mahsa, you really only made..?"
0:37:34 > 0:37:37That's what you're referring to. I said, "You really only made 360?"
0:37:37 > 0:37:39- 320...- And she said, "Yeah. How much did y'all make?"
0:37:39 > 0:37:42And I said, "Well, I think we made a heck of a lot more than that."
0:37:42 > 0:37:44That's not what he... I can't believe you're lying!
0:37:44 > 0:37:47- Hey, Brandy heard this conversation. - Let me tell Mr Trump what happened.
0:37:47 > 0:37:48Brandy was doing her make-up by the mirror.
0:37:48 > 0:37:50Brandy was absolutely there.
0:37:50 > 0:37:54You just said I was standing right next to you a minute ago, didn't you, sweetheart?
0:37:54 > 0:37:56- I'm not talking about that. - It's all falling down.
0:37:56 > 0:37:58It's not all falling down, Brandy.
0:37:58 > 0:38:00- Hush it.- I'm about as straight a shooter as you get.
0:38:00 > 0:38:02- I try to be honest. - So what are you telling me?
0:38:02 > 0:38:04I'm telling you that I never divulged the number
0:38:04 > 0:38:07that our team made - A, because we didn't know what we made.
0:38:07 > 0:38:11When I heard the number 360, I thought they were just trying to butter us up
0:38:11 > 0:38:13for a big slapping down in the boardroom.
0:38:13 > 0:38:14- It was almost a joke.- It WAS a joke.
0:38:14 > 0:38:16Steuart heard it.
0:38:16 > 0:38:21Clint, I think the fact that you wanted to come back in here to clear your name and risk putting yourself
0:38:21 > 0:38:24- back in the boardroom probably makes a pretty big statement. - I'd rather be fired tonight
0:38:24 > 0:38:27- with clearing my name... - Are you backing Clint, David?
0:38:27 > 0:38:30I do not believe Clint gave a number. We didn't know a number.
0:38:30 > 0:38:31- STEUART:- Mr Trump?- Yes, Steuart?
0:38:31 > 0:38:35- I was with Clint during this entire period, for the most part. - Thank you, Steuart.
0:38:35 > 0:38:36During the conversation?
0:38:36 > 0:38:38- No.- I was in the area.
0:38:38 > 0:38:41- He wasn't with me.- I never once heard Clint give a number,
0:38:41 > 0:38:43- give a specific, give an anything. - "It's well over 1,000."
0:38:43 > 0:38:45Brandy, what do you think?
0:38:45 > 0:38:48I have never raised my voice in this boardroom the way I just did.
0:38:48 > 0:38:50I feel very passionate about this.
0:38:50 > 0:38:54The lying is sort of... It just adds another element to it,
0:38:54 > 0:38:56but the fact of the matter is that she's disloyal.
0:38:56 > 0:38:58You think she's lying?
0:38:59 > 0:39:02- Yes. - I have not lied, Mr Trump. I am not lying now!
0:39:02 > 0:39:04Here we go.
0:39:04 > 0:39:06- MAHSA: He said, "Well over 1,000." - Let me...
0:39:06 > 0:39:07Why would I lie? I am not lying!
0:39:07 > 0:39:12Would you shut your mouth and stop screaming, with my name in vain?
0:39:12 > 0:39:14I'm not lying! You're lying! I am not lying.
0:39:14 > 0:39:17- When we came in here and the number actually... I was stunned. - I am not lying.
0:39:17 > 0:39:21Mahsa, forgetting about who said what... It doesn't matter, OK?
0:39:21 > 0:39:24Wouldn't you say it's disloyal that you gave them the numbers?
0:39:24 > 0:39:28The task was over. It was stupid I gave them the numbers. It wasn't disloyal.
0:39:28 > 0:39:30What do you mean the task was over?
0:39:30 > 0:39:32- The boardroom hadn't started. - Right. That's true.
0:39:32 > 0:39:35Now, whether or not you're allowed to do that,
0:39:35 > 0:39:40that's one thing, but the loyalty to your team is pretty bad, right?
0:39:40 > 0:39:42I don't think it's being disloyal...
0:39:42 > 0:39:44- You think you made a mistake? - I absolutely made a mistake.
0:39:44 > 0:39:45Mahsa, you're fired.
0:39:50 > 0:39:53- Go.- Thank you so much for the opportunity, Mr Trump.- Go, go.
0:39:53 > 0:39:54Everybody, out.
0:40:07 > 0:40:08Hi.
0:40:13 > 0:40:16That's too bad, but that's the way it goes.
0:40:45 > 0:40:50I made a very stupid mistake, and I got fired for it.
0:40:50 > 0:40:52I think if I'd been a little bit quieter,
0:40:52 > 0:40:55then I would have stayed in the game longer
0:40:55 > 0:40:57and would not have made as many enemies.
0:40:57 > 0:40:59I'm very shocked that I'm seeing the inside of this cab tonight.
0:40:59 > 0:41:02I never thought it would happen.
0:41:03 > 0:41:06Rockport presents Next Steps.
0:41:06 > 0:41:08I think The Apprentice has really changed my life.
0:41:08 > 0:41:11It's opened up doors that were always closed.
0:41:11 > 0:41:14My dream is to be an on-camera personality,
0:41:14 > 0:41:15a correspondent, a host.
0:41:15 > 0:41:17It's something that I've been pursuing, and The Apprentice has
0:41:17 > 0:41:20really ignited my passion all the more.