:00:42. > :00:47.This is my boardroom. This is my money. The product sucks. You
:00:47. > :00:57.screwed it up. Who's the waste of space? You're fired. You're fired.
:00:57. > :01:03.
:01:03. > :01:06.APPLAUSE Good evening. Welcome to The
:01:06. > :01:09.Apprentice: You're Fired. It's week eight in Lord Sugar's search for
:01:09. > :01:14.his business partner. Half the candidates have gone. Tonight we
:01:14. > :01:18.cast an eye over the rest left in the fight for the investment. If
:01:18. > :01:23.you watched last week, you've seen strategy, strategy, strategy was
:01:23. > :01:28.the way to succeed in business. This week's Catchphrase was more
:01:28. > :01:32.honest about what is most important. The only time I saw Tom was in deep
:01:33. > :01:35.trouble was when he lost Pure Evil. The loss of Pure Evil was a big
:01:36. > :01:40.mistake. Lovely, thank you Pure Evil and I'll see you tomorrow,
:01:40. > :01:46.take care. There you go, Pure Evil, that's all you need to win the
:01:46. > :01:50.apprentice. As ever, we had a potent mix of people on the panel,
:01:50. > :01:52.gallery owner Lawrence Alkin, comedian Sarah Millican and
:01:52. > :02:00.financial guru Alvin Hall, welcome to You're Fired.
:02:00. > :02:03.APPLAUSE Tonight's task of selling urban art
:02:03. > :02:07.led to one candidate being given the brush off.
:02:07. > :02:11.Laura, you think you're a good sales person. You're certainly a
:02:11. > :02:15.very good talker. I am. certainly not totally convinced
:02:15. > :02:22.that you should remain in the process. Laura, you're fired.
:02:22. > :02:32.Take care. Please welcome Laura Hogg.
:02:32. > :02:44.
:02:44. > :02:50.How are you? There's two things that immediately there, he went,
:02:50. > :02:54.you're certainly a good talker and you went "yeah". And then take care.
:02:54. > :02:58.No-one has ever said "Take care now. Safe home, you people look after
:02:58. > :03:03.yourselves on the way home." I know it's just a situation where you
:03:03. > :03:08.think oh, yeah, didn't know what to say. It's important. Take care now,
:03:09. > :03:14.bye now. Like your aunt leaving now, don't be a stranger. I know.
:03:14. > :03:19.think it was going to happen? think so, yeah. You see it all over
:03:19. > :03:23.my face. I'd lost that bit of oomph in the boardroom. I knew I was
:03:23. > :03:30.vulnerable. Yeah, I'm sure we'll talk about, it I didn't dot sales.
:03:30. > :03:33.That's the thing. Let's remind ourselves what happened. Reading
:03:33. > :03:40.some of the applications here, Laura claims sales is her best
:03:40. > :03:46.skill. Yes. How are you doing? Enjoying it. Good stuff. How are
:03:46. > :03:49.you getting on? Are you enjoying it? Yes, thank you. Good stuff.
:03:49. > :03:56.test the water, let them have a lock around. Before you know it,
:03:56. > :04:00.Adam's on them. I could do that for 180. I cannot take away anything
:04:00. > :04:05.from Adam. He did a fantastic job. You'll probably admit that a lot of
:04:05. > :04:13.it was blagging. I wouldn't say I blagged it. You reckon he was
:04:13. > :04:21.blagging? He sold �2,280 worth, you sold �700. Yes, I can't pin point
:04:21. > :04:26.what went wrong. Maybe you're not a good businessperson. Harsh. It's a
:04:26. > :04:29.bit cruel. I looked at the sales process -- sales figures and you
:04:29. > :04:33.were always second or third. This one you were fourth. You opened
:04:33. > :04:36.yourself up to coming into the boardroom. I did. Why was it so
:04:36. > :04:40.difficult to sell that night? if I'm honest with you, I did not
:04:40. > :04:44.work smart on the night. It was very much like schmoozing the
:04:44. > :04:48.customer. I was going around dooz a bit of schmoozing. By the time I
:04:48. > :04:51.was getting round to it again, I would see somebody taking the money
:04:51. > :04:55.and putting up the sold sign. It would be like oh, it's happened
:04:55. > :04:59.again. It kept happening. I didn't work smart. I was leaving people
:04:59. > :05:05.too long. As the night went on, my confidence was dipping. I knew I
:05:05. > :05:09.was behind on sales. I knew that could be a problem. Were you
:05:09. > :05:13.conscious of this thing, I can push, but I can't push. There's a limit
:05:13. > :05:17.to how well I can... I think so. It's a very personal thing, art. I
:05:17. > :05:23.thought I can't make somebody take this. So I'll suss it out. I'll put
:05:23. > :05:27.out the feelers and you know, it's a practice you have to I think
:05:27. > :05:34.about. I wasn't comfortable with forcing it on people. It's bridal
:05:35. > :05:43.wear thaw normally sell. Yes. main part of sales is perfecting
:05:43. > :05:48.the "oh" face, which presumably you only have to find 40 times a day
:05:48. > :05:58."That is lovely on you." You can't really do that with art "That
:05:58. > :06:05.painting on you... I'm going to cry." Yeah. No, I actually am quite
:06:05. > :06:09.honest with my brides. Really? Are you? That's so mean.
:06:09. > :06:14.Just lie. Do you think you walk in that shop and it's all you. Yeah,
:06:14. > :06:18.it's a special day regardless. I'd hate if somebody was honest with me.
:06:18. > :06:23.I don't give a toss what anybody else thinks. I just want to be told
:06:23. > :06:27.I look like a Princess. We do that. I'm fine. I usually have my little
:06:27. > :06:31.boy in the shop who tells people they look like Cinderella. That
:06:31. > :06:35.usually works. Really? That is fantastic. You should have taken
:06:35. > :06:41.him along to the art place. I like the big monster. Lawrence, the
:06:41. > :06:45.selling of art is a difficult, it's not a simple challenge to engage
:06:45. > :06:49.people without forcing it down their throat. From what I saw in
:06:49. > :06:54.the clips, she was going up to people, they weren't looking at art
:06:54. > :06:57.and saying "Are you having a good time, enjoying yourself?" To me,
:06:57. > :07:01.selling art is very difficult, it's body language, how you approach
:07:01. > :07:07.people. You have to make sure that people are interested before you go
:07:07. > :07:12.and engage them. Don't try to close before they even look at something.
:07:12. > :07:16.The awkward thing, you collect art, buy art. Yes, all the time. That's
:07:16. > :07:21.the key, you look all the time. It's not like customer walks on the
:07:21. > :07:27.lot and he wants to buy some art. A lot of the time you're just looking.
:07:28. > :07:32.But you also want to be seduced. I don't need Laura to ask me how am I
:07:32. > :07:39.enjoying this party. I want her to say "What do you think of this
:07:39. > :07:42.work? What attracts you to this? If you like this, come over to this."
:07:42. > :07:45.It's part of the seduction. You didn't do that. It didn't take
:07:45. > :07:52.great advantage of your skill set. You didn't connect well with it at
:07:52. > :07:57.all. It was like you were on holiday in Spain. Was it just a
:07:57. > :08:02.tough night? People were arriving randomly into this thing. That's it.
:08:02. > :08:05.The sales happened very quickly. Within the first 20 minutes we
:08:05. > :08:10.probably did half our sales, seriously. People were in, they
:08:10. > :08:15.spotted it, they were done and dusted. Again, I think that was
:08:15. > :08:22.something that I wasn't aware was going to happen. Again, just didn't
:08:22. > :08:25.click onto the right people at the right moment. There's always the
:08:25. > :08:31.sort of feeding frenzy because they want the best things. They know
:08:31. > :08:36.what they want. They come in and buy. The rest of it is "How are you
:08:36. > :08:42.darling? Do you like this piece? I have more in the back I could show
:08:42. > :08:46.you? No. This artist doesn't thrill you? No. Can I put it in a clip
:08:46. > :08:51.frame, that's what I want to know. No darling. Would you take it out
:08:51. > :08:56.of the frame it was in and reframe it in a clip frame? Yeah, then I
:08:56. > :09:00.could just buy the print. I wouldn't have to buy the frame.
:09:00. > :09:05.Clip frames are really cheap and if you smash them you can replace them
:09:05. > :09:09.easily. I'm sorry if I'm being practical about art. I apologise.
:09:09. > :09:14.Lord Sugar said no-one was out of his comfort zone more than Adam.
:09:14. > :09:18.Within 48 hours he went from philistine to fine art connoisseur.
:09:18. > :09:22.One of the questions we was asked today was which medium does he use.
:09:22. > :09:29.A medium to me is used o contact the other side. Am I getting it? I
:09:29. > :09:33.got it. I wasn't certain the Adam dude completely knew what he was
:09:33. > :09:37.talking about. It's the same, but it isn't the same. There's no need
:09:37. > :09:42.to dress yourself up as an arty farty. Although there's two of
:09:43. > :09:44.something, they're not always the same. Say that again? It was one of
:09:44. > :09:54.them relationships that everything's right but it's gone
:09:54. > :09:59.wrong. They're not always the same, that was my interpretation. Right.
:09:59. > :10:05.Tom said no-one knows banksy's it ti -- identity. It's like the Stig
:10:05. > :10:15.isn't he. You know what I mean? looking for the Turner Prize then,
:10:15. > :10:16.
:10:16. > :10:20.no. More like the turnip prize then. APPLAUSE
:10:20. > :10:25.You've worked with banksy haven't you? I've sold a lot of banky.
:10:25. > :10:31.you met banksy? I believe I have at time but not knowing it. I think
:10:31. > :10:35.it's the line, taking apart the whole Banksy myth in one sentence,
:10:36. > :10:39.you mean like the Stig. Oh, yeah that's all that is. He was cutting
:10:39. > :10:43.the deals though, that's the important thing. He did very well
:10:43. > :10:46.in a one night sale, if I had a sale and nothing was going and hi
:10:46. > :10:51.no commitment to the artist, at the end of the night I'd probably be
:10:51. > :10:55.selling like him to clear it. could be a career for him, you
:10:55. > :10:59.bring him in at the end of the night. Yeah that's great. Like the
:10:59. > :11:03.terminator, just clear the room of art. All this art, oh, yeah, gone
:11:03. > :11:09.in ten minutes. Walk away now and don't ask any questions, the walls
:11:09. > :11:13.will be cleared. Sales, he does throw himself into these things.
:11:13. > :11:17.Yeah, he does. You'd only buy from him one time. If he had something
:11:17. > :11:22.you really want and it was a bargain price, you'd buy and say
:11:22. > :11:26.boy, I got one over on him. Otherwise you'd never come back for
:11:26. > :11:29.a second time. But his skill set has shown the ability to expand
:11:29. > :11:33.incredibly over the past eight programmes. He's done really well
:11:33. > :11:38.showing different sides of him. I would never believe he that ability.
:11:38. > :11:44.It is astonishing. He has comfort zones, he has no comfort zones at
:11:44. > :11:49.all. He likes people. Constantly outside comfort zones. He was
:11:49. > :11:56.knocking them down by 50% I was half expecting a bag of oranges
:11:56. > :12:01.going in as well. He is still working on the stuff from the
:12:01. > :12:05.previous week's task that he could sell. You do want somebody, you can
:12:05. > :12:09.make your impression of it, you don't need somebody telling you
:12:09. > :12:14.what the painting is about. Yes you do. You want somebody to reaffirm
:12:14. > :12:18.that what you think is good. you just want somebody to go "What
:12:18. > :12:22.you're thinking right now, you're right." I couldn't put it better
:12:22. > :12:25.than what you're thinking right now. You and this painting belong
:12:25. > :12:35.together. And I assume you would be in touch with a medium when you
:12:35. > :12:35.
:12:35. > :12:38.said that. You read my mind. you enjoying Adam? I wasn't so keen
:12:38. > :12:43.on the meatball episode. He let himself down with a lot of value
:12:43. > :12:47.tins of things. He didn't seem to know what quality food was. He
:12:47. > :12:51.didn't care whether it was good quality or not. He let himself down
:12:51. > :12:55.that week. He picked up this week. I was surprised that he could turn
:12:55. > :13:00.his hand to this. I didn't think he would be able to. I was impressed.
:13:00. > :13:05.We want to get you onto who should have and who you were competing
:13:05. > :13:11.against. Tom has been sure footed, winning in week four, but he nearly
:13:11. > :13:20.came acropper this week. We didn't get Pure Evil. Why didn't you get
:13:20. > :13:24.Pure Evil? I'm a big fan of space invader, banksy, the West Coast...
:13:24. > :13:30.Lecturing somebody and telling them how clever you are, winds people up
:13:30. > :13:33.a bit. Is that Pure Evil? I'm going to sterling. I think he's mental
:13:33. > :13:43.for going with them. What did do you then? I decided to roll the
:13:43. > :13:45.
:13:45. > :13:49.dice and go with James. They were so big. People have got
:13:49. > :13:54.big wallets and even bigger front rooms. If we sell one piece, we can
:13:54. > :14:01.win it. You sold none of his stuff. The loss of Pure Evil and the
:14:01. > :14:11.choosing of James, two massive, big flaws.
:14:11. > :14:11.
:14:11. > :14:17.APPLAUSE Should you have spoken up about
:14:17. > :14:21.going with James Jessop? The issue was we were getting a bit blinded
:14:21. > :14:25.by what we were selling, a bit greedy. I think we were thinking if
:14:25. > :14:31.we managed to sell one, we'll absolutely yeah romp home with the
:14:31. > :14:36.win. Yeah, that just wasn't the right decision. I don't know what
:14:36. > :14:42.it is, me and Tom didn't seem to have an issue with the size of them.
:14:42. > :14:45.You saw that Adam and Jade when they saw them were like "what".
:14:45. > :14:52.put that on your chimney-breast for example, where would you put your
:14:52. > :14:58.clock? How about on your wrist. yeah. They should have put a clock
:14:58. > :15:02.in one, that would have been better. A tea maker as well? Oh, that would
:15:02. > :15:07.be lovely. How functional should it have been, a monster with a gap for
:15:07. > :15:11.your telly? Now you're talking. the problem with picking something
:15:11. > :15:14.like that, it's a one-night sale and a one-night sale you're
:15:14. > :15:20.unlikely to find the serious collector. He's not urban art in
:15:20. > :15:25.the way others are. No he's not. Also, on one night you're not going
:15:25. > :15:31.to sell a big piece like that. It's highly unlikely. Did Tom came
:15:31. > :15:36.across as a tiny bit arrogant at times. More than a little arrogant.
:15:36. > :15:39.He went beyond that little boy going "I know that artist." He gave
:15:39. > :15:43.a litany of everybody he knew. As an artist you're thinking, he
:15:43. > :15:47.doesn't care about me, he cares about himself. You wonder if that
:15:47. > :15:53.thing will trip him up later on. He's a little ahead of himself for
:15:53. > :15:58.a 23-year-old. The way to deal with an artist, presumably, but as
:15:58. > :16:03.performance really, if we met somebody and said you're a comic, I
:16:03. > :16:08.know comedy, and listed other comics, you'd go - screw you. There
:16:08. > :16:12.is literally one comic I wanted to hear you talk about and it is me.
:16:12. > :16:18.Do you think it's the same? Somebody came up to me after a gig
:16:18. > :16:21.and said you know who else I like you and Bernard Man. Really? Now I
:16:21. > :16:27.don't even like me any more, now that you've compared me to Bernard
:16:27. > :16:36.Manning. We always like to reveal unseen footage on this show. Thank
:16:36. > :16:41.you for this. I used to be a magician. Really?
:16:41. > :16:44.Yeah, magic, I actually was a runner up in Scottish young
:16:44. > :16:49.magician of the year in 1998. There you go.
:16:49. > :16:51.Well, well. We always remember the 1998 heats of Scottish young
:16:51. > :16:59.magician of the year being a particularly hard fought one.
:16:59. > :17:09.yes. That guy who won in '99 he had no idea how lucky he was. If only
:17:09. > :17:32.
:17:32. > :17:41.we had footage of this and courtesy APPLAUSE
:17:41. > :17:47.Wow. Let us hear what Lord Sugar and your former colleagues had to
:17:47. > :17:51.say about you. This particular task lends itself very closely to what
:17:51. > :17:57.Laura does for a day job. She's got a wedding dress business. She
:17:57. > :18:02.hardly sold anything. Laura went and agreed, I presume, with Tom
:18:02. > :18:06.buying the massive great big paintings for the wall. I felt that
:18:06. > :18:12.my expertise and knowledge took over. She took the back seat. When
:18:12. > :18:17.it came to sales she wasn't as strong. I felt Laura didn't really
:18:17. > :18:21.shine in this task. She does a lot of talking but she doesn't do much
:18:21. > :18:28.delivering. That's the reason why I fired Laura.
:18:28. > :18:33.What is your reaction to that? know, fair enough. All valid points
:18:33. > :18:37.in the sense of the sales suffered, hands up. I do disagree with
:18:37. > :18:42.similar what I do in a day job. I don't sell monstrosities like that.
:18:42. > :18:47.I hope not. What have you learned in general? What we achieved in the
:18:47. > :18:53.task from day one to the day I was fired, what we were doing with such
:18:53. > :18:55.tight time scales and under the level of stress, I've always been a
:18:55. > :19:00.positive thinker, but truly I'm moving forward thinking whatever
:19:00. > :19:05.you put your mind to you can really achieve, you can really get some
:19:05. > :19:08.great results. We're at the halfway point as far as the number of
:19:08. > :19:13.candidates is concerned. Eight have gone and eight remain. We thought
:19:13. > :19:19.it was the ideal moment to assess those who are left and find out who
:19:19. > :19:22.you would like to see becoming Lord Sugar's business partner. These are
:19:22. > :19:26.Sugar's business partner. These are the candidates ready to race. The
:19:26. > :19:30.positions are in at the moment relate to the number of tasks they
:19:30. > :19:34.have won so far. The two that have won the most are Stephen and Nick.
:19:34. > :19:39.And at the back here is Jade on three. I will get your opinion as
:19:39. > :19:42.to how this will work. I will leave Adam for a second. Adam is going on
:19:42. > :19:46.quite an interesting journey I think over the course of this show.
:19:46. > :19:51.I want to see what people feel about that. Gabrielle, currently in
:19:51. > :20:01.about joint fourth at the moment. However, how far do you think she's
:20:01. > :20:04.going to go? Forward. I think she's a good person, but I don't think
:20:05. > :20:11.she has the courage to leave bodies behind her along the way. I'm going
:20:12. > :20:21.to pitch her here as a marker, well here. Happy with that? It's just a
:20:22. > :20:24.
:20:24. > :20:32.marker! Right Jade, where do you think Jade will do? We don't think
:20:32. > :20:42.Jade will do well? Stick her where she was. Jenna, strong candidate?
:20:42. > :20:46.
:20:46. > :20:54.like Jenna. I'm going to pitch her here. Is that right? Here? All
:20:54. > :21:00.right, Nick? Do we think Nick is a favourite? Nick a favourite? It's
:21:00. > :21:08.that Justin Bieber hair cut. For that alone, do we think
:21:08. > :21:12.probably among the front runners? OK grand. Now, Ricky Martin. At the
:21:12. > :21:18.very start of this, I would have pitched him all the way back here.
:21:18. > :21:24.But Ricky's good. He can talk, you know. He won't move forward or back.
:21:24. > :21:27.I think he'll stay where he is. Really? O he's in the middle. He
:21:27. > :21:37.jumps on everybody else's ideas. Even to here maybe? No, back.
:21:37. > :21:38.
:21:38. > :21:48.fine. Stephen? BOO APPLAUSE
:21:48. > :21:50.
:21:50. > :21:55.Well! We should have turned this into the mob from week one. Boo, no,
:21:55. > :21:58.back. Tom? CHEERING
:21:59. > :22:03.Would I be safe to say Tom here just to add the tension or even
:22:03. > :22:10.forward? Really, Tom is the favourite of the room? What do you
:22:10. > :22:14.think? When he answers a question, he talks, he ends the sentence and
:22:14. > :22:17.he doesn't come back. He's really good at that. I think that's a
:22:17. > :22:23.benefit. Everybody else overtalks each other. I've left one person
:22:23. > :22:26.out. I have left one person out... He's my black sheep at the moment.
:22:26. > :22:29.Frankly, as long as we keep him out of his comfort zones...
:22:29. > :22:33.LAUGHTER Always out of his comfort zones.
:22:33. > :22:43.Would I say he's looking as if he could do very well in this? Really?
:22:43. > :22:45.
:22:45. > :22:51.As well as Nick? No. There? Still interesting, would I be right in
:22:51. > :22:54.saying those four stand out more than the others? That's the
:22:54. > :23:00.prediction then. Don't you feel Lord Sugar has a special place in
:23:00. > :23:04.his heart for Adam that he identifies with Adam more than
:23:04. > :23:14.anybody else. The market trader. Yes, you can see it. It's a
:23:14. > :23:18.bromance. APPLAUSE
:23:18. > :23:23.That is roughly how the crowd that Is that will work ou. That's how we
:23:23. > :23:25.think the ending will be. You heard think the ending will be. You heard
:23:26. > :23:30.it here first. Gabrielle was the winning project
:23:30. > :23:35.manager this week, but almost blew it when she basically missed an
:23:35. > :23:40.open goal. Do you have any other questions for us? I think that's it.
:23:40. > :23:44.They have missed vital questions, the most vital of all is "What's
:23:44. > :23:54.your budget". Here you find a piece like this for �500, their budget
:23:54. > :23:57.was actually �10,000. That's news to me actually. I just witnessed a
:23:57. > :24:01.master class in how not to treat a corporate client, you invite them
:24:01. > :24:06.to an event. When they turn up, you ignore them. You don't introduce
:24:06. > :24:11.the rest of your team. Would you like a glass of wine or anything?
:24:11. > :24:20.We were hoping for a gin and tonic. I wish. You forget to say goodbye
:24:20. > :24:24.when they are leaving. Did they buy anything in the end? No. Zero?
:24:24. > :24:28.have acted as curator for corporate clients? Yes. How bad was this?
:24:28. > :24:33.budget question was one of the basic questions you have to ask.
:24:33. > :24:38.Find out where they want to put, where they have places they want to
:24:38. > :24:42.put pieces. That's obvious. They were the two obvious questions.
:24:42. > :24:48.was shocking to me, as I was watching that. I could barely not
:24:48. > :24:52.want to grab her and shake her to say, you have the artist in the
:24:52. > :24:56.gallery. Wait till the corporate client comes in and then have the
:24:56. > :24:59.artist do a work with the corporate client there and say, we can do a
:24:59. > :25:04.piece like this for your space and have the client connect with the
:25:04. > :25:09.artist. It was a mindless easy thing to do. I think she was just
:25:09. > :25:14.focused on making everybody happy. Were you shocked? Especially when
:25:14. > :25:18.in the boardroom when she said she didn't ask that question on purpose,
:25:18. > :25:22.it was so obviously back pedalling. No, no, I didn't want to know. I
:25:22. > :25:29.didn't care about them at all. Even I knew that was quite a basic
:25:29. > :25:32.question. And the fact that Stephen went "Oh, that's news to us" As if
:25:32. > :25:36.it was west from him. Don't tell Stephen all this. He should have
:25:36. > :25:40.asked her to ask the question. That's the part that was
:25:40. > :25:43.astonishing. They all stood there and looked like, oh, OK. We got
:25:43. > :25:47.everything that we need. Nobody mentioned the money. Stephen is one
:25:47. > :25:51.for coming up with ideas, like many great artists he's oven
:25:51. > :25:56.misunderstood. How are you? What I want to do is talk to you about an
:25:56. > :26:02.idea I've had. OK. What I was thinking is maybe Nathan does his
:26:02. > :26:10.live art out the back. Nobody actually sees Nathan? What do you
:26:10. > :26:15.think? See you later guys. Take care.
:26:15. > :26:22.He said it was way out of the box. It was way, way out of the box and
:26:22. > :26:27.into another box called "crap". It's a trick yiling one. I just
:26:27. > :26:31.think, he was trying, but he really didn't know what he was doing. Any
:26:31. > :26:37.idea that sort of inventive that echoes somebody else must be neat.
:26:37. > :26:41.He was just clueless. How offended would an artist be by that? They
:26:41. > :26:47.would be pretty offended. You might as well have it on the other side
:26:47. > :26:51.of town. You might as well not do it at all. Anybody would be
:26:51. > :26:56.offended, can I take you out to dinner, but I want you behind a
:26:56. > :27:02.wall. It's in the a compliment. you sure you're not just printing
:27:02. > :27:06.these off the internet. The guy is downloading jpegs and put them in
:27:06. > :27:10.clip oort and going oh, yeah he did them back there, you can't see him
:27:10. > :27:14.though. What have you thought of Stephen through the series? To be
:27:14. > :27:21.truthful, I don't like Stephen. There's something about the way he
:27:21. > :27:26.holds his mouth when he starts to talk that puts me completely off.
:27:26. > :27:36.You can tell the half truth is forming. You can see it coming. I
:27:36. > :27:37.
:27:37. > :27:39.just don't trust him. I think he's a wanna bee. I can't see him
:27:39. > :27:42.getting near the final. Hose all mouth. I think he comes up with
:27:42. > :27:46.suggestions because he wants people to listen to them. None of them
:27:46. > :27:51.have been good so far. People are starting to shut down on him I
:27:51. > :27:57.think. To the vote now. Do you think Lord Sugar was right to fire
:27:57. > :28:01.Laura? Yes, on the balance of things yes, he was. Sarah? I didn't
:28:01. > :28:08.think it was fair that Laura's team lost, but given that they did, I
:28:08. > :28:11.think he was right, sorry flower. think you have an amazing ability
:28:11. > :28:15.to learn new information, but you underperformed on this and you
:28:15. > :28:24.should have been fired. Let's turch to the audience here. If you agree
:28:24. > :28:28.with -- let's turn to the audience here. If you agree hold up fired if
:28:28. > :28:32.you disagree hold up hired. Yes that's fired. People have a bad day.
:28:32. > :28:35.Bad day at the office. That's unfortunate. It's a tight
:28:36. > :28:41.competition. We wanted to give you something to remind you of your
:28:41. > :28:45.time here. You know, it might not look like, yeah, it is actually you,
:28:45. > :28:46.but we've gone via a number of different artists to create what we
:28:46. > :28:56.feel is the look that best represents...
:28:56. > :29:02.LAUGHTER I love it.
:29:02. > :29:07.Don't put it up in the bride's changing room. It's a bad vibe.
:29:07. > :29:12.Eight wonderful weeks, here are your highlights. Let's go.
:29:12. > :29:18.So what was I going to say? I've got the sales ability. Please come
:29:18. > :29:24.and take this furniture off of me. I have the presentation skills. I
:29:24. > :29:28.have the work edgic. I'm a go getter, a risk taker. I've got the
:29:28. > :29:33.guts. Is there any way along a bath we could set like a screen. Why has
:29:34. > :29:43.nobody thought of this sooner. Great girl. Loved her as a roommate.
:29:44. > :29:53.Lovely, funny. Woo-hoo. Give me a penny and it's yours. Ladies and
:29:54. > :29:55.