:00:16. > :00:20.Hello. I'm Dara O'Briain. Welcome to the festival haul. We are here
:00:20. > :00:28.for the Arqiva British Academy Television Awards. Welcome to the
:00:28. > :00:38.BAFTAs. Who needs Cannes, when you have the South Bank? This is better
:00:38. > :00:43.
:00:44. > :00:48.For tonight only, London's royal festival haul is awash with stars
:00:48. > :00:58.ready to -- Royal Festival Hall is awash with stars ready to celebrate
:00:58. > :01:05.
:01:06. > :01:15.The world's press is on hand to capture the stars in their red
:01:15. > :01:21.carpet outfits, or in this case Union Jack finery.
:01:21. > :01:31.The fans are out in force, to meet and greet their TV idles and the
:01:31. > :01:39.
:01:39. > :01:42.stars have come suitably dressed It's the most hotly anticipated
:01:42. > :01:52.awards night in television and you are in prime position to catch all
:01:52. > :02:00.
:02:01. > :02:04.So, ladies and gentlemen, please take your seats for the British
:02:04. > :02:14.Academy Television Awards. Ladies and gentlemen, please welcome your
:02:14. > :02:20.
:02:20. > :02:25.host for the evening, Dara O'Briain. Thank you very much. Thank you very
:02:25. > :02:32.much, ladies and gentlemen. Hello and welcome to the Arqiva British
:02:32. > :02:37.Academy Television Awards. One of the few presenters available
:02:37. > :02:41.who is as vast and spaishous as the venue itself -- spacious as the
:02:41. > :02:48.venue itself. I am here while Graham Norton returns from the
:02:48. > :02:53.Eurovision. The BBC is taking his all, you love The Voice, so if you
:02:53. > :02:58.miss Graham, just turn your chair around and I will sound exactly the
:02:58. > :03:03.same! Tonight's mission is to celebrate the very best of British
:03:03. > :03:06.television. I lie - it's not celebrating the very best. It is
:03:06. > :03:11.celebrating the second best in British television talent, because
:03:11. > :03:17.the best is a dog which can walk on its hind legs. Thanks to Pudsey,
:03:17. > :03:24.every single person in this room has moved down one rung.
:03:24. > :03:27.Even you Cumberbatch, even you Harris!
:03:27. > :03:32.And why shouldn't we use dogs instead of people in entertainment?
:03:32. > :03:38.When you look into their big dopey, trusting eyes and pat them on the
:03:38. > :03:43.head and say "I'm sorry, there isn't going to be another series of
:03:43. > :03:47.The Only Way Is Essex." You just know a dog would get it faster!
:03:47. > :03:53.Of course, the man who brought us Pudsey, Simon Cowell, isn't with us
:03:53. > :04:02.tonight. As we look at the award we're
:04:03. > :04:08.handing out today, its unnatural bronzed face... LAUGHTER
:04:08. > :04:13.APPLAUSE I have two more to do! Unchanging with time and devoid of
:04:14. > :04:19.normal human emotion... It's like he's always with us! We're here to
:04:20. > :04:24.celebrate an incredible year. The surprises were the Great British
:04:24. > :04:28.Bake Off and the continued rise in popularity in Scandinavian crime
:04:28. > :04:34.drama. If anyone here has a script about
:04:34. > :04:39.someone being brutly killed, whilst demonstrating how to make a Danish
:04:39. > :04:44.peacetry, they are sitting on a -- pastry they are sitting on a gold
:04:44. > :04:48.mind. We have lined up Sandi Toksvig to host. Another surprise
:04:48. > :04:53.has been The Young Apprentice, which has shown it is OK for TV to
:04:53. > :04:57.exploit young people, so long as you film yourself not paying them.
:04:57. > :05:01.We have seen great performances from some of the biggest stars.
:05:01. > :05:06.Most have done their best work appearing at the Leveson Inquiry. A
:05:07. > :05:11.gig's a gig! If you are going to put a show
:05:11. > :05:18.together for Hugh Grant, do you like Levitan or Love Actually. It
:05:18. > :05:22.has not all been perfect - ITV got into trouble with Ofcom, when a
:05:22. > :05:25.documentary about the IRA used footage from a video game. The bit
:05:25. > :05:28.that gave it away was when a member from the IRA said, the most
:05:28. > :05:34.difficult thing about being in the IRA is putting the angry bird into
:05:34. > :05:39.the ka pa put! -- catapult.
:05:39. > :05:42.We are running to a tight schedule. We've had to make extra space to
:05:42. > :05:47.allow Adele to finish the acceptance speech she started at
:05:47. > :05:50.the BRITS! I didn't expebgtd that to be the
:05:50. > :05:55.response, to be -- expect that to be the response, to be honest. That
:05:55. > :06:04.is a subtle hint to the people who may be winning awards to keep your
:06:04. > :06:11.speeches relatively short. Make them like a vajazzleed bikini line,
:06:11. > :06:16.sparkling, but within tight perimeters.
:06:17. > :06:21.In essence then, this is how the show will work. For each category,
:06:21. > :06:25.I will announce some famous people on to the stage. We will show a VT
:06:25. > :06:31.of the nominees in action. Then the presenters will announce the winner
:06:31. > :06:41.and John Terry will come up and collect the award.
:06:41. > :06:48.
:06:48. > :06:53.APPLAUSE I seen him back stage. He's wearing
:06:53. > :07:03.a Sherlock's uniform. The last 12 months has been a blistering year
:07:03. > :07:11.
:07:11. > :07:17.in television. Here is a lock back You're a good looking little one,
:07:17. > :07:22.aren't you? Health and safety will say you
:07:22. > :07:32.cannot sky dive out of a plane in a wedding dress. There's only one way
:07:32. > :07:36.
:07:36. > :07:41.No-one has ever done a backflip in the cube before. We are glad you
:07:41. > :07:51.have joined us for our first morning here in our new studio in
:07:51. > :07:56.
:07:56. > :08:00.Salford. There is so much potential in you.
:08:00. > :08:03.You still need to get it right and this place is what can do it for
:08:03. > :08:12.you. Will you do me the honour of becoming my wife?
:08:12. > :08:16.Yes! I'm scared.
:08:16. > :08:23.She understands me in a way you lot don't. This is the day he finds out
:08:23. > :08:27.who I am. I'm John.... I'm Edward. I know what I'm doing. Somebody has
:08:27. > :08:32.been beating very hard. The News of the World never opened with a word
:08:32. > :08:40.about me - I would be delighted. This is getting fun, haven't it?
:08:40. > :08:44.The The word of the X Factor is... Well done!
:08:44. > :08:54.I have no idea what's going on though.
:08:54. > :09:09.
:09:09. > :09:15.Oh! I'm gone. Post me my BAFTA!. Our first award is the BAFTA for a
:09:15. > :09:20.Drama Series. To present it a couple of actors, Upstairs
:09:20. > :09:27.Downstairs and Silent Witness, her, would have been left with gaping
:09:27. > :09:37.holes in the shape of Emilia Fox and BAFTA nominee, Dominic West.
:09:37. > :09:45.
:09:45. > :09:50.That's quite an introduction, thank you. I am not sure about the gaping
:09:50. > :09:58.hole line! What do you mean? It is tricky having your name said in the
:09:58. > :10:03.same breath as "gaping hole." LAUGHTER
:10:04. > :10:08.Well, ladies and gentlemen, it's been another vintage year for
:10:08. > :10:13.British television drama series. The nominees are not only some of
:10:13. > :10:23.the most original and captivating dramas. I forgot to bring my
:10:23. > :10:26.
:10:26. > :10:36.glasses! You can say this next bit. The box-
:10:36. > :10:40.
:10:40. > :10:46.sets made ideal presents for those Let's take a look!
:10:46. > :10:56.D Misfits. What's all this about a car? He says he's tapped in the
:10:56. > :11:12.
:11:12. > :11:16.Come on now. Nobody told me we were If either one of you ever, ever
:11:16. > :11:21.lets me down over this, I will come after you and I will kill both of
:11:21. > :11:27.you. I will get away with it because I know how. I'm really
:11:27. > :11:37.sorry, Jill. Good! The Fades.
:11:37. > :12:13.
:12:13. > :12:23.Who'd have thought I could have been Dominic West's understudy. And
:12:23. > :12:41.
:12:41. > :12:47.the BAFTA goes to The Fades. Oh, wow, this is just such a thrill
:12:47. > :12:52.and an honour. The Fades was such a great pleasure for us to work on.
:12:52. > :12:59.It was a passion project, every member of the crew, when we read
:12:59. > :13:04.the scripts. I think the two people we have to thank are Kate and Ben
:13:04. > :13:11.Stevenson, from BBC Drama for encouraging us to take as many
:13:11. > :13:18.risks as we could. A few member of our cast would like to mention our
:13:18. > :13:23.two directors. I am amazed and shocked. This is ridiculous! I wore
:13:23. > :13:31.my lucky socks. The people I want to thank are the script team that
:13:31. > :13:36.supported me through the whole thing, this is amazing. We are so
:13:36. > :13:46.delighted. It is slightly ridiculous. I am shaking. Wicked.
:13:46. > :13:58.
:13:58. > :14:03.Awesome! OK the BAFTA now for a situation
:14:03. > :14:13.comedy. Please welcome two men who have done many things together -
:14:13. > :14:24.
:14:24. > :14:30.shared baths, maybe had the This is the first time we've been
:14:30. > :14:36.on stage together. Yeah, after your behaviour back
:14:36. > :14:46.stage, my darling, it will probably be the last. Get on with it.
:14:46. > :14:54.
:14:54. > :15:01.nominations for Best Situation What's going on. She might be
:15:01. > :15:10.having an overdose. Is she breathing? She must be. She keeps
:15:10. > :15:20.saying "Oh, my God." Relax. I know the recovery position. Do you want
:15:20. > :15:34.
:15:34. > :15:39.Drink that and I'll get you some You are not in the bathroom, are
:15:39. > :15:44.you? The bathroom? No, I'm in the living room.
:15:44. > :15:54.What's that sound? What sound? toilet sound. You aren't like on
:15:54. > :16:06.
:16:06. > :16:16.the loo, are you? Of course, I'm Come on. Come on, Adam. Come on.
:16:16. > :16:55.
:16:55. > :17:01.Mrs Brown's Boys. CHEERING AND APPLAUSE
:17:01. > :17:11.Brendan O'Carroll, Stephen McCrum, Ben Kellett and Martin Delany.
:17:11. > :17:23.
:17:23. > :17:28.CHEERING AND APPLAUSE Thank you.
:17:28. > :17:33.We're a bit pleased! LAUGHTER
:17:33. > :17:40.We brought the family. Thank you so much. This is a - this is amazing.
:17:40. > :17:50.All we wanted to do was make people laugh and it seems to be working. I
:17:50. > :17:56.
:17:56. > :18:05.want to thank Stephen McCrum. He walked into a theatre in Glasgow
:18:05. > :18:12.four years ago on a rainy October night and saw his work and said
:18:12. > :18:22.said "that's comedy." Thank you so much.
:18:22. > :18:30.
:18:30. > :18:34.CHEERING AND APPLAUSE The luck of the Irish there! Now
:18:34. > :18:44.the international BAFTA, but he is Irish so we've just given one
:18:44. > :18:45.
:18:45. > :18:55.international BAFTA out already! Here to announce the nomination of
:18:55. > :19:15.
:19:15. > :19:19.this one, and for his roles in White Heat. Let's hear it for Vicky
:19:19. > :19:28.McClure and Sam Clafin. nominees have been the sort of show
:19:28. > :19:33.that is make you glad you have a massive TV in your living room.
:19:33. > :19:43.So you see the outstanding performances. And it makes it
:19:43. > :20:13.
:20:13. > :20:23.easier to read all those subtitles! On the day before his 40th birthday,
:20:23. > :20:23.
:20:23. > :20:33.with one thing in mind, Connie. For a moment, he was infuriated in the
:20:33. > :21:00.
:21:00. > :21:07.memory of her, but then he made his Nobody can get in. You have me in,
:21:07. > :21:17.but in general. Why are you wearing that sweater with 95 degrees on?
:21:17. > :21:23.
:21:23. > :21:28.is my Christmas sweater. APPLAUSE
:21:28. > :21:38.And the BAFTA goes to Borgen. I can't pronounce these names, but
:21:38. > :21:45.
:21:45. > :21:54.congratulations! CHEERING AND APPLAUSE
:21:54. > :22:02.Congratulations. This was very, very unexpected. My
:22:02. > :22:07.name is Adam Price. I am the show runner of Borgen. I'm standing here
:22:07. > :22:17.with some incredibly talented people. The most beautiful and
:22:17. > :22:17.
:22:17. > :22:27.sexiest Prime Minister I have ever laid my eyes on! Our first and
:22:27. > :22:31.
:22:31. > :22:41.wonderful, director of the show and my great friend and co-writer of
:22:41. > :22:42.
:22:42. > :22:45.the show. APPLAUSE
:22:45. > :22:51.There are some people we want to thank. We would like to thank the
:22:51. > :22:54.BAFTA jury for this great, great honour. We must thank our great
:22:54. > :23:03.colleagues at The Killing for paving the way for Danish
:23:03. > :23:08.television drama. We thank Danish broadcasting for
:23:08. > :23:18.believing in this show. We thank the BBC Four and Arrow Films for
:23:18. > :23:20.
:23:20. > :23:27.bringing the show to the UK. We must thank the producer of Borgen
:23:27. > :23:33.and the cast, crew and wonderful directors of the show. This is
:23:33. > :23:43.really all of your achievement. This belongs to you. Thank you so
:23:43. > :23:52.
:23:52. > :23:55.much. APPLAUSE
:23:55. > :23:58.Here we are at the award for Supporting Actress. To present it a
:23:58. > :24:03.man whose own recent series saw him travelling around Britain in a
:24:03. > :24:10.small boat, and sharing his trials and tribulations with the viewer.
:24:10. > :24:20.Boy that idea is getting pretty old now!
:24:20. > :24:24.
:24:24. > :24:26.Please welcome one of our finest TV and film actors, Timothy Spall.
:24:26. > :24:36.APPLAUSE This is very nice. You are lovely,
:24:36. > :24:42.
:24:42. > :24:43.aren't you? You are so lovely! Anyway...
:24:43. > :24:46.LAUGHTER Everybody is lovely. The actresses
:24:46. > :24:49.nominated for this award each prove that just because you're not
:24:49. > :24:59.playing the lead role doesn't necessarily mean you can't shine as
:24:59. > :25:14.
:25:14. > :25:19.brightly - or perhaps shine even I had this fan once, I treated him
:25:19. > :25:27.like a dog. He was useless at seduction. He married someone else
:25:27. > :25:37.and then I realised it wasn't him Who are you anyway? She is heng us,
:25:37. > :25:37.
:25:37. > :25:47.Mr West. She has no right touching my
:25:47. > :25:54.Did you hear the doctor? It is a brand-new baby and a splendid
:25:54. > :26:01.chance for you. We are here to help and doctors can help most of all.
:26:01. > :26:11.I'm making a show of myself. Not at all. Now, let us start by letting
:26:11. > :26:31.
:26:31. > :26:40.Hello. It is Aunt Violet. APPLAUSE
:26:40. > :26:48.Right they are all brilliant. I have never done this before. The
:26:48. > :26:58.winner of the, mm, sorry, it is Monica Dolan.
:26:58. > :27:21.
:27:21. > :27:27.Oh thank you so much to BAFTA. It was a very special group of
:27:27. > :27:35.people and I feel really privileged to have been part of it. Thanks to
:27:35. > :27:45.many thanks to Julie and ger articled who -- ger ald. Thanks to
:27:45. > :27:49.
:27:49. > :27:54.Jeff Pope, obviously lovely Lisa GillChris. With a piece like this,
:27:54. > :28:04.a large part of the performance depends on the accuracy of your
:28:04. > :28:09.appearance. So I would like to say special thanks to Janice Horsefield,
:28:09. > :28:17.and Stephen Noble and my mum for keeping all her national health
:28:17. > :28:24.glasses since the 80s. Thanks to every actor who worked on this, for
:28:24. > :28:30.for creating the best working environment. I am fort nant to have
:28:30. > :28:36.the lucky to have the best neighbours and my sister for her
:28:36. > :28:40.particular support. She was very wise and kind. Twelve young women
:28:40. > :28:45.and girls that we know of, were lost in the Cromwell Street murders
:28:45. > :28:49.and some of them were taken from their families and some of them
:28:49. > :28:53.were in and out of care and I think the thing that affected me most
:28:53. > :29:00.working on this was not the appalling violence actually, it was
:29:00. > :29:05.the fact that some of those women, some of them, were never reported
:29:05. > :29:10.missing and it seems that some of them, no one noticed that they had
:29:10. > :29:20.gone for 20 years and I would like to live in a world where everyone
:29:20. > :29:30.
:29:30. > :29:32.is missed. Thank you. APPLAUSE
:29:32. > :29:42.Still to come the BAFTA for Entertainment Programme; and the
:29:42. > :29:43.
:29:43. > :29:46.awards for both Female and Male Performance in a Comedy Programme.
:29:47. > :29:51.But first let's get right on to the next award for Soap and Continuing
:29:51. > :29:58.Drama. To present this is a woman who as a co-host of the One Show
:29:59. > :30:08.has shown there is nothing, not a single subject in the world, big or
:30:09. > :30:14.
:30:14. > :30:24.small, badger grooming anyone? Please welcome Alex Jones and Bruno
:30:24. > :30:32.
:30:32. > :30:40.Good evening. Look! Sherlock hopls and Dr Who in the same room. Focus!
:30:40. > :30:46.Now, all the nominees for Soap and Continuing Drama are great examples
:30:46. > :30:55.of this ever popular genre. What? Just like that, you are saying they
:30:55. > :30:59.are all equally as good? equally brilliant. Your insight,
:30:59. > :31:06.your objectivity, your feedback? What am I working with here? Come
:31:06. > :31:10.on, I know you are young and have much to learn. You cannot say they
:31:10. > :31:20.are all simply brilliant! I can and I will. Now shut up.
:31:20. > :31:38.
:31:38. > :31:41.Here are the equally brilliant Get out.
:31:41. > :31:51.I'm DCMalone. Your partner rang us this evening, claiming you had
:31:51. > :32:01.I picked up the child allowance. Went to court, paid the fines and
:32:01. > :32:14.
:32:14. > :32:21.did the shop. Who is this? It's the Look at it! I am familiar with my
:32:21. > :32:29.own tumour. I believe I can fix you. I am sure you'd like nothing more
:32:29. > :32:39.than to take a knife to me. That will not wait around while you make
:32:39. > :32:53.
:32:53. > :33:03.Tan! Tan - what you done? Get off APPLAUSE
:33:03. > :33:41.
:33:41. > :33:46.And the BAFTA goes to... Coronation Thank you very much. I would like
:33:46. > :33:52.to thank the Academy for this very worthy award. Of course, I am very
:33:52. > :33:57.pleased to accept it on behalf of our producer, for the work he did
:33:57. > :34:02.for the 50th anniversary. That was last year. I want to say who well
:34:02. > :34:06.you sustained everything and kept me going. It is a team effort. On
:34:06. > :34:11.behalf of the whole team of Coronation Street, writers,
:34:11. > :34:15.producers, cast, wardrobe, make-up and everybody, thank you very much.
:34:15. > :34:24.And here's the man responsible for it. Thank you. I just wanted to say
:34:25. > :34:30.thank you very much to Peter Finchaam. To Steve November, and
:34:30. > :34:35.others who did such tremendous support. This is for a magnificent
:34:35. > :34:39.cast, crew, bunch of writers who produce two hours of drama every
:34:39. > :34:49.week, which is not easy. Thank you. We are very pleased to take this
:34:49. > :34:52.
:34:52. > :34:59.back. Thank you. We move on to the award for sport
:34:59. > :35:04.and live events. The Olympics could be in this category next year and
:35:04. > :35:11.how well it is going. It the first nation which has let the torch go
:35:12. > :35:21.out before the Games have started. It is probably punishment for
:35:22. > :35:22.
:35:22. > :35:32.carrying it through the wettest drought in history. We have two
:35:32. > :35:33.
:35:33. > :35:37.Olympic gold medallists - Dame kelly Holmes and Jonathan Edwards.
:35:37. > :35:41.Thank you. There are some events and not just sporting ones that
:35:41. > :35:48.bring millions of people together in one shared experience. There's
:35:48. > :35:58.often no better place than to watch them unfold on live television. And
:35:58. > :36:28.
:36:28. > :36:32.All black -- all Blacks, upping the pressure.
:36:33. > :36:42.Runs towards the line and scores. There's one point in it. Finally,
:36:43. > :37:09.
:37:09. > :37:16.finally! Black once again turns to He's trying to get on his wheels.
:37:16. > :37:26.He'll never be as fast as Cavendish. This will Hezbollah third win. Try
:37:26. > :37:27.
:37:27. > :37:37.as they might, he gets... He is special very, very special.
:37:37. > :37:37.
:37:37. > :38:19.Apology for the loss of subtitles for 42 seconds
:38:19. > :38:25.And the BAFTA is awarded to the Well, it does feel very good to
:38:25. > :38:34.accept this award on behalf of a huge and talented team, lead very
:38:34. > :38:41.Ellie by Nick. Directed brilliantly by Clare Popplewell. A big team,
:38:41. > :38:47.studio, make-up, production behind all of that. And the added bonus,
:38:47. > :38:50.on the day of having a huge British television audience with us. It
:38:50. > :39:00.feels very good. Thank you to BAFTA. Thank you very
:39:00. > :39:14.
:39:14. > :39:23.The next is for Best Supporting Actor.
:39:23. > :39:28.Handing it over, an actor who played Cherie Blair not once, but
:39:28. > :39:38.twice. Please welcome Helen McCrory.
:39:38. > :39:40.
:39:40. > :39:49.APPLAUSE Good evening. It's an honour to be
:39:49. > :39:53.here tonight to present the award for Best Supporting Actor. He's
:39:53. > :40:00.probably better than being the lead actor, in fact.
:40:00. > :40:03.You have less promotion to do, never need to go to the gym and you
:40:03. > :40:13.have fewer and better lines to learn. So the nominations for this
:40:13. > :40:23.
:40:23. > :40:33.Tell your husband to contact no-one but his father. Get him to tell
:40:33. > :40:42.
:40:42. > :40:52.Peter I will kill your baby unless There are terror cells - they all
:40:52. > :41:30.
:41:31. > :41:40.My son's not well. OK, I think we're done now.
:41:41. > :41:42.
:41:42. > :41:52.I was a soldier. I killed people. You were a doctor. I had bad days!
:41:52. > :41:53.
:41:53. > :42:03.And the 2012 BAFTA for Best Supporting Actor goes to Andrew
:42:03. > :42:17.
:42:17. > :42:23.Scott. Thank you BAFTA.
:42:23. > :42:27.First of all, I would like to congratulate the other incredible
:42:27. > :42:32.actors in the category, Stephen Rea, Joseph Mawle and of course Mr
:42:32. > :42:40.Martin Freeman. He is a brilliant actor and
:42:40. > :42:47.colleague and human being. I'd like to thank Paul and oh Toby,
:42:47. > :42:54.our directors this year and Stephen Thompson and our brilliant crew and
:42:54. > :43:00.Kate Rose James, for an amazing cast, which has been led by the
:43:00. > :43:04.exceptionally talented Mr Benedict Cumberbatch.
:43:04. > :43:11.Who I feel so proud to have acted opposite. I would like to thank my
:43:11. > :43:17.mum and dad. And Sarah and Hannah and Stephen
:43:17. > :43:23.and lind da King and her -- Linda King and all her team. My friends
:43:24. > :43:33.and family will be screaming at the television. I would like to thank
:43:34. > :43:37.
:43:37. > :43:42.Sue and Elaine Cameron and Stephen Moffat. I was very grateful to be
:43:42. > :43:52.asked to play the part and I am totally thrilled. Thank you so much.
:43:52. > :44:01.
:44:01. > :44:07.Our next award, well it's a big one - it's Entertainment Performance.
:44:07. > :44:14.It is a category so important that those nominated can say "I am a
:44:14. > :44:24.master in my field." Please welcome an international actress who has
:44:24. > :44:29.
:44:29. > :44:38.been from Australian soap to be working in Gray's An natta mi.
:44:38. > :44:48.Anatomy. Hello. Please welcome ladies and
:44:48. > :44:53.gentlemen. It is a great honour to present this award. These are the
:44:53. > :45:03.best performers today. Let's look at Dara O'Briain and three others
:45:03. > :45:05.
:45:05. > :45:11.who could cruelly steal his award The eurozone crisis got worse this
:45:11. > :45:21.week. I have no idea what's going on. You
:45:21. > :45:21.
:45:22. > :45:29.go, "Oh, no." Honestly, people are saying Italy could be faced with a
:45:29. > :45:39.Greek-style double-dip. It sound It is good fun this kite surfing.
:45:39. > :45:52.
:45:53. > :45:58.How long had you had that jacket? don't even remember the jacket.
:45:58. > :46:08.Really? Because you had it a while. Oh no.
:46:08. > :46:10.
:46:10. > :46:20.No, I bought this at an auction, I do not think there is a show that
:46:20. > :46:33.
:46:33. > :46:41.goes out with signing. I have no And the BAFTA is awarding...
:46:41. > :46:46.unbelievable. Graham Norton. The Graham Norton
:46:46. > :46:51.Show. Sorry! Unfortunately, Graham cannot be
:46:51. > :46:57.here tonight as he has been hosting the Eurovision Song Contest, don't
:46:57. > :47:07.laugh! Solicitor we will ensure he -- so we will ensure he gets this.
:47:07. > :47:20.
:47:20. > :47:23.I will put it in your dressing room. APPLAUSE
:47:23. > :47:25.I can't - I can't begrudge Graham Norton, he spent the last 24 hours
:47:25. > :47:30.comforting Engelbert Humperdinck. He is carrying his own cross at the
:47:30. > :47:37.moment! Gold, gold, you would never know how good my speech was going
:47:37. > :47:40.to be! Now the BAFTA for Reality and
:47:40. > :47:45.Constructed Factual, television's exciting new no man's land between
:47:45. > :47:47.unbelievable fact and all too believable fantasy. To present it,
:47:47. > :47:57.a stunning actress who fled the hallowed street of Wetherfield for
:47:57. > :47:58.
:47:58. > :48:08.the bright-lights of Harley Street and Scott and Bailey. Please
:48:08. > :48:08.
:48:08. > :48:14.welcome, Tom Ellis and Suranne Jones. Slightly awkward, Dara,
:48:14. > :48:19.sorry. Slightly regretting the Suede suit
:48:19. > :48:22.because Graham would have been wearing one of those.
:48:22. > :48:24.The next award is for Reality and Constructed Factual - neither
:48:24. > :48:29.straight documentary, nor scripted drama. These are the shows which
:48:29. > :48:39.had the nation talking, tweeting and begging for more. Here is a
:48:39. > :48:39.
:48:39. > :48:45.It is not fun for everyone, is it? Are you having fun?
:48:45. > :48:55.No, I'm not. Or is it just an American thing? Do they have fun
:48:55. > :48:56.
:48:56. > :49:06.better than us? Are you coming round? Having some fun. I don't
:49:06. > :49:08.
:49:08. > :49:14.It is disastrous. I think it is funky. It is sick, babe.
:49:14. > :49:24.I like this one. I like that one. Is that a girl's jacket? Originally,
:49:24. > :49:24.
:49:24. > :49:30.Midday, flowers for the curtain call. Remember we made these for
:49:30. > :49:33.�40 and the minimum profit is �80. Gentlemen, these are your ladies
:49:33. > :49:36.bouquets. Great.
:49:36. > :49:46.Thank you very much. Pleasure doing business with you.
:49:46. > :49:48.
:49:48. > :49:53.Why on on earth would you want someone to do a skydive on their
:49:53. > :49:59.wedding day? Have you not always wanted to do a skydive? Not on my
:49:59. > :50:08.wedding day. Not on my wedding day. Was that amazing? It was amazing
:50:08. > :50:18.and I want to do it again! APPLAUSE
:50:18. > :50:18.
:50:18. > :51:11.Apology for the loss of subtitles for 42 seconds
:51:11. > :51:15.And the BAFTA goes to... The Young Good. I feel a bit of a fool here
:51:15. > :51:20.this evening standing here with the most prestigious award you could
:51:20. > :51:26.get in television because in the audience we have people that have
:51:26. > :51:32.spent the whole of their lives in TV, either acting in it, producing
:51:32. > :51:37.it, directing it, commissioning it and then there is me a businessman
:51:37. > :51:47.that has come along and is standing here with this great award so I can
:51:47. > :51:57.
:51:57. > :51:58.appreciate how some of you maybe feeling.
:51:58. > :52:01.LAUGHTER And to those people I can say,
:52:01. > :52:11."Bleenin hard luck." In the 80s, I monopolise the computer industry, I
:52:11. > :52:17.
:52:17. > :52:20.didn't ask Apple to come along! LAUGHTER
:52:20. > :52:24.But look, the real heroes here, Michelle Kurland has been the boss
:52:24. > :52:25.of The Apprentice, the senior and the junior.
:52:26. > :52:30.APPLAUSE I have never seen anybody work as
:52:30. > :52:36.hard as her quite frankly. And I can't of course, forget my
:52:36. > :52:40.colleague, Nick Hewer, and Karren that has stood by me throughout the
:52:40. > :52:47.episodes over the years. They are very, very good. They get things
:52:47. > :52:55.wrong occasionally, but what can we do? And all the rest of the team at
:52:55. > :53:05.what is now known as Boundless once known as Talk Back Thames and the
:53:05. > :53:10.
:53:10. > :53:12.BBC. Thank you, BAFTA, for this great award.
:53:12. > :53:18.APPLAUSE Well done to them and thank you,
:53:19. > :53:28.Tom and Suranne. Now it's time to remember those members of our
:53:29. > :53:31.
:53:31. > :53:33.profession and industry whom sadly we have lost this past year.
:53:33. > :53:38.Irreplaceable as friends, colleagues, peers and betters, they
:53:38. > :53:45.are, and will always be greatly missed. My idea of happiness is to
:53:45. > :53:55.sit in a hot garden all day knowing the person I love will come home to
:53:55. > :54:04.
:54:04. > :54:14.Evening. Here we have another word and Frank
:54:14. > :54:26.
:54:26. > :54:30.I like that riding a horse through the newsroom when they are not
:54:30. > :54:40.looking is a wild idea. If you have any wild ideas of your own that you
:54:40. > :54:50.
:54:50. > :54:58.Hissle while you work. Your name will also go on the list. What is
:54:58. > :55:04.Well, I have just been thinking, I hope I look as good as you when I'm
:55:04. > :55:09.your age Well, think harder and perhaps you
:55:09. > :55:18.will remember if you are. I arrest you for kidnap, ago
:55:18. > :55:28.gravated -- ago -- aggravated assault and manslaughter
:55:28. > :55:54.
:55:54. > :56:01.Listen, just one more thing. I know you don't agree, but at least I've
:56:01. > :56:06.convinced my sue per my superiors that Jennifer was murdered. It is
:56:06. > :56:16.funny, isn't it? But after a while, it doesn't seem real. You don't
:56:16. > :56:55.
:56:55. > :57:05.think if you reached up to touch it, The Specialist Factual Award is
:57:05. > :57:24.
:57:24. > :57:34.given to honour of Huw Wheldon. The Please welcome Kayvan Novak and
:57:34. > :57:35.
:57:35. > :57:41.Sofie Grabol. Good evening. Hello. LAUGHTER
:57:41. > :57:44.Don't worry about it. Good evening. I said that. The nominations for -
:57:44. > :57:49.shush. Back a bit. Back a bit. LAUGHTER
:57:49. > :57:55.Thank you. The nominations for Special Factual are programmes that
:57:55. > :58:05.are entertaining, but also are so informative that you can enjoy them
:58:05. > :58:08.
:58:08. > :58:11.completely without guilt. LAUGHTER
:58:11. > :58:14.Sorry, I thought it was subtitled. It is not. These programmes
:58:14. > :58:20.contained some of the most stunning images that television viewers have
:58:20. > :58:24.seen. They are all painstakingly researched, lovingly put together
:58:24. > :58:28.and they can only exist because of the incredible passion of the
:58:28. > :58:38.people who make them. Very good.
:58:38. > :58:42.
:58:42. > :58:47.British Masters. The early years, when new challenges, new
:58:47. > :58:57.technologies, and new conflicts shattered all our certainties, they
:58:57. > :58:58.
:58:58. > :59:08.taught us how to survive in the No bird is more at home in water
:59:08. > :59:13.
:59:13. > :59:23.Penguins are found only in the Southern Hemisphere, they can't fly,
:59:23. > :59:24.
:59:24. > :59:31.but they don't need to. There are no polar bears here.
:59:31. > :59:39.This is mummification, but in a new An ordinary man makes possible an
:59:39. > :59:46.extraordinary experiment. Alan, from Torquay, will be
:59:46. > :59:53.mummified like an Egyptian king of This film is about the stuff that
:59:53. > :00:03.makes us and where it all came from. Because understanding our own
:00:03. > :00:17.
:00:17. > :00:27.origins means understanding the And the BAFTA goes to - ah, this is
:00:27. > :00:59.
:00:59. > :01:09.APPLAUSE I've got a bit of a girl crush.
:01:09. > :01:10.
:01:10. > :01:19.Relax! Well, thank you BAFTA. Thank you so
:01:19. > :01:25.much to Channel 4. What's going on? I would really love to thank
:01:25. > :01:29.Stephen and Maxime and the team behind this experiment. It was very
:01:29. > :01:35.brave of them to let the glare of the camera in on such a sensitive
:01:35. > :01:39.experiment. We would not be standing here if it wasn't for Alan
:01:39. > :01:43.Bilis, the taxi driver from Torquay, who volunteered from this and let
:01:43. > :01:50.us all into his lives at an incredibly difficult time and his
:01:50. > :01:53.wife, Jan, who had to hand her body over to me in the hospital, with no
:01:53. > :01:58.certainty of what was going to happen. I am hugely grateful to
:01:58. > :02:03.them. I really wanted them to be here. They have sent a message to
:02:03. > :02:07.say that most of all, Alan wanted to be remembered by his
:02:07. > :02:17.grandchildren. So, tonight his wish is fulfilled. Thank you very much.
:02:17. > :02:28.
:02:28. > :02:38.We come thousand to the Special Award presented in honour of Dennis
:02:38. > :02:40.
:02:40. > :02:45.Potter. We have two fantastic actors. I am
:02:45. > :02:55.more a beef-cake man myself. Please welcome Matt Smith and Benedict
:02:55. > :03:05.
:03:05. > :03:11.Good evening. Well, ladies and gentlemen, with a title as
:03:11. > :03:19.tantalising as a Special Award, the person we are here to celebrate and
:03:19. > :03:25.Lord and praise: He is someone very special. He is grumpy and his
:03:25. > :03:34.scripts are late, because when they arrive, boom, they are brilliant.
:03:34. > :03:39.When they asked to do this the condition was he would have to
:03:39. > :03:44.recite - but from anyone in a read- through with the man known as the
:03:44. > :03:51.Moffinator, you know that is a walk in the park. Is that an impression?
:03:51. > :03:59.Yes. It was. The man is a word machine. He is Holmes. He has the
:03:59. > :04:03.heart of the doctor, well one at least. He his work spans 20 years.
:04:04. > :04:08.His name is a by-word for entertainment.
:04:08. > :04:14.He has more words than he has hair - which is a lot. He is fond of red
:04:14. > :04:24.wine. He doesn't know who the Beatles were. He is love a loving
:04:24. > :04:28.
:04:28. > :04:34.husband to the equally talented, but more beautiful wife Sue Virtue.
:04:34. > :04:44.What can I embarrass him about. Me and the Hoff, but Scottish and pale.
:04:44. > :04:48.
:04:48. > :04:58.He is a bad, but funny dancer. He has a wonderful way of being can
:04:58. > :05:02.tan -- cantankerous. Without any delay - let's look at the master at
:05:02. > :05:10.work. Don't turn your back. Don't look
:05:10. > :05:15.away and don't blink. From the ground-bressing -- ground
:05:15. > :05:20.skaf breaking Press Gang to Sherlock, Steven Moffat has been
:05:20. > :05:27.writing shows for 20 years. He has delighted audiences since day one.
:05:27. > :05:33.I happen to like comedy drama. I happen to like not being
:05:33. > :05:38.categorised. I think it is perfectly acceptable that humour is
:05:38. > :05:42.a part of life. Tell me - why on earth would you want me to sit on
:05:42. > :05:49.one of these? If you pressed it firmly against your bottom, it
:05:49. > :05:55.might stop you talking. Where, generally speaking are a
:05:55. > :06:02.man's brains located at the time of conception?
:06:02. > :06:10.Now there is an idea. Drugs can kill you. What a headline. Next
:06:10. > :06:19.week, high it's bad to fall off tall buildings!
:06:19. > :06:28.He owes his programme Press Gang to his father. Has anyone told you
:06:28. > :06:33.have a wonderful vocab. He has funny characters, about funny
:06:33. > :06:40.relationships, Chalk and Coupling. The truth, for once, don't tell a
:06:40. > :06:45.stupid lie. I've got a wooden leg. In 2005,
:06:45. > :06:55.Stephen realised a life-long ambition, joining the writing team
:06:55. > :07:01.of the new-look Dr Who. Don't you get tired of doctor? Nine centuries,
:07:01. > :07:07.in I am coping. Trust a time traveller. Something big is coming.
:07:07. > :07:12.The pair brought Sherlock hopls into the 21st century. -- Holmes
:07:12. > :07:16.into the 21st century. It is going to safe the world. I don't know how
:07:16. > :07:21.it can be true. When a fictional character starts to keep secrets
:07:21. > :07:27.from the writer, that is when that character becomes real. You have to
:07:27. > :07:37.admit, that is sexy. How do you get to be so clever? Give reasons for
:07:37. > :07:47.
:07:47. > :07:53.people not to turn off. Ladies and gentlemen, it gives us
:07:53. > :07:58.great pleasure to announce the winner of this year's BAFTA for
:07:58. > :08:08.Special Award goes to Mr Steven Moffat.
:08:08. > :08:34.
:08:34. > :08:39.Sherlock Holmes and Dr Who, giving me an award - that is brilliant.
:08:39. > :08:42.That's all I need to say. When I was first told about this, I start
:08:42. > :08:45.getting interviews because it was announced a short while ago. The
:08:45. > :08:50.first interview I got, the interviewer asked me the best
:08:50. > :08:56.question about this award. He said, wouldn't you rather win a proper
:08:56. > :09:01.BAFTA? To which I entirely failed to reply,
:09:01. > :09:07.no, this is, when I got that letter simply the proudest letter. When I
:09:08. > :09:12.got that letter, I showed it to my son. I couldn't make out that
:09:13. > :09:19.Dennis Potter and me were on the same page. It's a proper, big award.
:09:19. > :09:28.I'm a real writer. I am so inadequate to this award. There are
:09:28. > :09:34.more than the usual number of people to skip. Sandra Hasteing,
:09:34. > :09:42.Ben Stevenson. On Dr Who it was Pearce and Beth, who carried me
:09:42. > :09:48.through the first two years. The thankless task has passed to
:09:48. > :09:52.Skinner. I can memtion my brilliant friend
:09:52. > :10:01.and brilliant collaborator, and in the words of Doyle himself, the
:10:01. > :10:10.best and wiseest man I have ever known, Mark Gettis.
:10:10. > :10:17.APPLAUSE In many ways the least sung, but
:10:17. > :10:23.most deserving hero of Sherlock, the woman, the producer, Sue Virtue,
:10:23. > :10:33.the best and wiseest woman I have ever married.
:10:33. > :10:39.
:10:39. > :10:49.APPLAUSE Thank you all. Thank you BAFTA for
:10:49. > :10:53.
:10:53. > :10:59.APPLAUSE Still to come, we will find out who
:10:59. > :11:05.will carry off the BAFTA for Leading Actor and Leading Actor.
:11:05. > :11:11.And the Fellowship. We go towards the BAFTA for Mini Series. A man
:11:11. > :11:20.who is a BAFTA winner and a decent dapbt of William the Conqueror.
:11:20. > :11:22.With me in the heart of many men, maybe not when dressed as a nun in
:11:22. > :11:32.Call the Midwife, please welcome Jenny Agutter and Alexander
:11:32. > :11:38.
:11:38. > :11:48.Armstrong. This is very exciting. I am so
:11:48. > :11:55.delighted to be here. It's wonderful. It's very posh and
:11:55. > :12:05.lovely to be standing next to one of my all-time favourite actors -
:12:05. > :12:08.
:12:08. > :12:17.definitely my favourite Agutter. Jenny, a great honour. Thank you,
:12:17. > :12:22.Alister. I loved you in Death in Paradise. Yes, that's Ben Miller.
:12:22. > :12:32.I'm the pointless one. Don't be so hard on yourself. You could get
:12:32. > :12:33.
:12:33. > :12:40.better with age. Some do. Now, read your lines and :
:12:40. > :12:50.nominations in this category are all from strong series, brilliantly
:12:50. > :12:58.
:12:58. > :13:08.written and superbly acted. Let's You have to come to hospital with
:13:08. > :13:14.
:13:15. > :13:24.It's Lol. She's took an overdose. You might want to wander over there
:13:25. > :13:30.
:13:30. > :13:40.too, Janet. Ja why Old time's sake. What's so -- Why old time's sake?
:13:40. > :13:43.
:13:43. > :13:53.It's cool this time. If you want to be doing business,
:13:53. > :14:00.
:14:00. > :14:05.What a pleasure to see you again and so soon. I have brought you
:14:05. > :14:15.something. Really? Something I forgot to give you last time.
:14:15. > :14:16.
:14:16. > :14:24.spoil me. And the BAFTA goes to This is
:14:24. > :14:34.England '88. Shane Meadows, Jack Thorne, Mark
:14:34. > :15:03.
:15:03. > :15:10.Thank you. Overwhelmed. Some amazing competition. We're going to
:15:10. > :15:16.wake-up with hair tomorrow! Anyway, I would like to thank
:15:17. > :15:26.everyone involved. Especially Channel 4, the best executives ever.
:15:27. > :15:42.
:15:42. > :15:43.I hand you over to Shane. He has put so much into this. Thank you.
:15:43. > :15:46.APPLAUSE I swear somebody told me who deal
:15:46. > :15:48.with the publicity when you come into events, if nobody takes your
:15:48. > :15:53.photograph, you can get pierced because you're not going win
:15:53. > :15:59.anything. I didn't get a palaroid or a fan or anything. They brought
:15:59. > :16:04.us in here and I didn't get drunk. This is incredibly special. I have
:16:04. > :16:11.my film family and my real family and where this is England, we get a
:16:11. > :16:16.summer holiday once a year or every few years and it is like going back
:16:16. > :16:23.to school and I go back to my wife who gets the dreg of a human being
:16:23. > :16:33.and I want to thank them. I love you all, very, very much. Thank you
:16:33. > :16:46.
:16:46. > :16:47.so much. APPLAUSE
:16:47. > :16:57.The next category is for Entertainment Programme. Her
:16:57. > :17:07.character Becky jetted off to a new life in Barbados. Katherine Kelly
:17:07. > :17:14.
:17:14. > :17:17.and Jeremy Piven. Oh it is such a privilege to be
:17:17. > :17:23.here this evening. Are you having a good night? I am having an amazing
:17:23. > :17:27.time. I have been influenced so much by British culture. Katherine
:17:27. > :17:28.is wearing six inch heels. I am not four foot eleven.
:17:28. > :17:31.And you are sporting a lovely peered.
:17:31. > :17:41.Thank you. I pushed it out in three hours!
:17:41. > :17:45.
:17:45. > :17:55.For a show that we're doing together called Mr Mr Mr Selfridge.
:17:55. > :18:17.
:18:17. > :18:21.This is about us... I think maybe In a few minutes we'll discover
:18:21. > :18:26.whether Chris is prepared to assassinate Stephen Fry after being
:18:27. > :18:36.subjected to hypnotic techniques similar to those that Robert
:18:37. > :18:37.
:18:37. > :18:41.Kennedy's assas assassin and others claim were used on them by the CIA.
:18:41. > :18:46.Jamie was back from his Spanish holiday suitably tanned.
:18:46. > :18:56.Do you want want to see my white bits? I don't even want to see your
:18:56. > :18:57.
:18:57. > :19:07.The people who manage to maintain their glasses on their forehead.
:19:07. > :19:17.How cool are these? They have magnificent eyebrow control.
:19:17. > :19:33.
:19:34. > :19:35.Control. "do you want to see the wine list?" "yes, I will."
:19:35. > :19:45.APPLAUSE And the BAFTA for Best
:19:45. > :20:00.
:20:00. > :20:06.Entertainment Programme goes to Goodness me, thank you very much
:20:06. > :20:10.indeed. This is my long-term director here in the black.
:20:11. > :20:15.APPLAUSE My gorgeous fellow, executive. And
:20:15. > :20:19.my co-writer, and this is my lovely team and there will be more at home.
:20:19. > :20:23.Thank you to everybody in the show and to Channel 4 for being
:20:23. > :20:31.amazingly supportive and just a fantastic home for these shows over
:20:31. > :20:33.the years and if I may just briefly dedicate this award to the
:20:34. > :20:41.unwitting subjects of the four experiments without whom I would
:20:41. > :20:48.have nothing to do, so too Chris Coals who assassinated Stephen Fry
:20:48. > :20:58.and Chris Corbitt who was the victim of a cruel game show, to
:20:58. > :21:03.
:21:03. > :21:05.Jodie, who was led to believe he may have killed a man. Thank you.
:21:05. > :21:11.APPLAUSE Our next award is for Female
:21:11. > :21:15.Performance in a Comedy Programme. To present it a funny man, chat
:21:15. > :21:25.shows, voiceovers and films, is there anything this man won't do
:21:25. > :21:29.
:21:29. > :21:32.for money? No, it is it is it is Rob Bryden.
:21:32. > :21:39.Good evening, ladies and gentlemen. I am delighted to be here to
:21:39. > :21:43.present the award for for Female Performance in a Comedy Programme
:21:43. > :21:47.as happens time and time again in this category the nominees are
:21:47. > :21:57.dominated by women! LAUGHTER
:21:57. > :22:06.
:22:06. > :22:09.Go to your room. Go to my room? I'm not going to go
:22:09. > :22:15.to my room. Go to your room.
:22:15. > :22:21.It is not funny. You go to your room? What? But I don't have a room.
:22:21. > :22:31.Exactly. What do you mean? Mum, I'm not going to my room. This is my
:22:31. > :22:32.
:22:32. > :22:37.The dog is fine. You can have trouble without having a dog.
:22:37. > :22:41.Right, yes, good point. You are just here for a bit.
:22:41. > :22:51.Yeah, probably. I have a lot to do, bloody e-mails.
:22:51. > :23:00.Easy, tiger. What do you think you're doing? Sorry, I just thought
:23:00. > :23:10.the curry, buffet, the music... would take more than a �3 chick
:23:10. > :23:13.
:23:13. > :23:23.chicken tikka to get me into bed. Win down the -- wind down the
:23:23. > :23:39.
:23:39. > :23:42.window. Wind down the window. APPLAUSE
:23:42. > :23:47.Well, three of these nominees are about to give the performance of a
:23:47. > :23:52.lifetime! LAUGHTER
:23:52. > :24:02.And I know which ones they are. It is Jennifer Saunders for Absolutely
:24:02. > :24:18.
:24:18. > :24:21.Fabulous. APPLAUSE
:24:22. > :24:27.Well, that was a bit of a shock. Well, thank you for still finding
:24:27. > :24:32.it funny. Female, good. I really wasn't expecting this. So I will
:24:32. > :24:37.make it short and quick. Thank you everyone who works on the show, for
:24:37. > :24:44.Joanna, June, Julia and Jane who put up with a lot of showing off
:24:44. > :24:54.for my part! Hardly bearable and to Mandy our director and to John, the
:24:54. > :25:07.
:25:08. > :25:09.producer and yeah, well, cheers. Thanks a lot.
:25:09. > :25:12.APPLAUSE Now we move on to the only award
:25:12. > :25:22.tonight voted for by the British public, the YouTube Audience Award.
:25:22. > :25:28.
:25:28. > :25:34.We have two people from last year's winning show The Only Way Is Essex.
:25:34. > :25:40.Childs and Derbidge Could easily be the name of a small town
:25:40. > :25:45.auctioneers. In fact they are the surnames of two of the most
:25:45. > :25:53.flamboyant and indeed heavily made up beauticians.
:25:53. > :25:57.Please welcome Amy Child's and Harry Derbridge. It feels so
:25:57. > :26:03.natural... What's that, babe? BAFTAs.
:26:03. > :26:06.It is nice to be at something posh It is sort of quaint, ain't it
:26:06. > :26:11.babes? It is quaint. The sort of thing that you could dress up for,
:26:12. > :26:16.you know what I mean? I mean we haven't dressed up tonight, babe,
:26:16. > :26:26.but we could have? Yeah. Well, if we wanted to. Anyway,
:26:26. > :26:30.
:26:30. > :26:33.It seems that the cubs already see themselves as fearsome hunters, but
:26:33. > :26:43.they are still young enough to accept their mother's discipline.
:26:43. > :26:47.
:26:47. > :26:57.There is no more next week. This is At the end of these two days, just
:26:57. > :26:58.
:26:58. > :27:08.one of these home bakers... Oh god. Will be crowned the Great British
:27:08. > :27:11.
:27:11. > :27:21.We are never playing that again. Why not? Because it is not possible
:27:21. > :27:25.
:27:25. > :27:28.for the victim to have done it What's cricket? It is a game for
:27:28. > :27:37.people fit enough who don't play darts.
:27:37. > :27:47.Is it dangerous? It can because you You have no idea how much I like
:27:47. > :27:48.
:27:48. > :27:58.And today's kids at the very start of adult life. How you do this year
:27:58. > :27:59.
:27:59. > :28:04.will determine what path you take Right, I have just had a look at my
:28:04. > :28:11.so-called room and I would like to call a little house meeting so
:28:11. > :28:21.house meeting. Right, my room, it is squalid. It is small. It's
:28:21. > :28:24.
:28:24. > :28:34.ridiculously small. I mean, is it a APPLAUSE
:28:34. > :28:59.
:28:59. > :29:01.And the award goes to... Celebrity Juice.
:29:01. > :29:11.APPLAUSE Dreams can come true.
:29:11. > :29:13.
:29:13. > :29:18.It is like gabry like Gabriella when she took that patch away. A
:29:18. > :29:24.tongue for an eye. It is not a proper one, it is not gold. I'm
:29:24. > :29:28.chuffed. Thanks to mam and dad, my wife and family and the kids and
:29:28. > :29:33.some of the kids that I don't know that I got, and thanks to me me
:29:33. > :29:39.girlfriend, that's a bit weird, thanks to ITV, thanks to BAFTA. I
:29:39. > :29:49.never knew who BAFTA is. When I say thank you to BAFTA, who is that?
:29:49. > :29:52.
:29:52. > :29:58.Thanks to ITV, thanks to everyone at my at James Grant Management.
:29:58. > :30:03.Thank you To everyone who voted and thank you - no, up here. To watch -
:30:03. > :30:09.- who watched the show every week and watched us mucking around and
:30:09. > :30:14.him talking about boobs and verbally abusing me and you lovely
:30:14. > :30:19.viewers. Thank you to Talk Back and the amazing team.
:30:19. > :30:27.And James Grant as well. I did James Grant. Did I say Moses?
:30:27. > :30:37.Of the religious characters, he was coolest.
:30:37. > :30:46.
:30:46. > :30:51.APPLAUSE Now, time and momentum have
:30:51. > :30:56.propelled us to Male Performance in a Comedy Programme.
:30:56. > :31:06.A lady TV viewers have taken to, she is one of those rare stars who
:31:06. > :31:21.
:31:21. > :31:29.is identified by one name, so So... Hi. I am so delighted to be
:31:29. > :31:39.presented this award, because there is nothing I enjoy more than an
:31:39. > :31:41.
:31:41. > :31:47.exhilarating male performance. Tonight I have been spoilt for
:31:47. > :31:57.choice because of Dara. Take a look at these exhilarating, funny
:31:57. > :32:27.
:32:27. > :32:30.Shoot. Have you seen yourself. is how men walk.
:32:30. > :32:34.What is happening with tonight's activities? I have planned
:32:34. > :32:39.something special. It will be at my house. I should warn you, there may
:32:39. > :32:49.be some nudity. Don't worry, I think you're man
:32:49. > :32:56.
:32:56. > :33:01.enough for it. Get him some new glass, some new
:33:01. > :33:06.hair. A -- glasses. Some new hair. Get a new guy. With the clock, I'll
:33:06. > :33:16.near a clear explanation of how it works. Something Boris can grasp. I
:33:16. > :33:27.
:33:27. > :33:31.Mince pies, mince pies, they cost �2.90 for six. Can you believe
:33:31. > :33:41.that? Mince pies, mince pies, more mince
:33:41. > :33:59.
:33:59. > :34:02.And the BAFTA goes to Darren Boyd. Well done: Thank you. That is
:34:02. > :34:08.ridiculous. Tom Hollander should have won that
:34:08. > :34:14.for that clip alone, because that was hysterical. This is ridiculous,
:34:14. > :34:21.but I'll take it! Hugh and Tom, you know how much of a fan I am of both
:34:21. > :34:25.of you. This is humbling. I have to thank the show for being created
:34:25. > :34:35.and for letting me put one on its feet. Lucy for having the vision to
:34:35. > :34:35.
:34:35. > :34:42.make the show what it is today. Stuart, and Lucy for carving a part
:34:42. > :34:49.in committed programming. Jimmy for at Hat Trick for employing me a lot.
:34:49. > :34:59.And for being an ally. I am not sure about this sing lar
:34:59. > :35:02.
:35:02. > :35:09.performance - Matt, Jude, Dolly, Tom. I am sharing this with you. Hi
:35:09. > :35:15.to my agent. Hi to my mum and dad - I love you. To my wife, Amanda.
:35:15. > :35:25.It's brilliant. Have a great night. Thank you.
:35:25. > :35:28.
:35:28. > :35:38.The next award is for Leading Actress. Here is the man who will
:35:38. > :35:48.play me in the many films they make about my life, Rupert Henry Jones.
:35:48. > :35:54.
:35:54. > :35:58.Good evening. One of the main things that made me
:35:58. > :36:05.want to become an actor and one of the best things about being an
:36:05. > :36:09.actor is actresses. LAUGHTER
:36:09. > :36:19.And these are four phenomenal actresses.
:36:19. > :36:22.
:36:22. > :36:27.You need to tell the police everything. If you have killed and
:36:27. > :36:36.buried other women, they need to know. The girls' families need to
:36:36. > :36:46.know. You say nothing to Mr Ogden or the police. I'm leaving. Please
:36:46. > :36:53.
:36:53. > :37:03.You here drinking my dad's sweet tea, asking about my brother. Don't
:37:03. > :37:08.
:37:08. > :37:13.It was awful the way I spoke to you. It's understandable. You are under
:37:13. > :37:23.a lot of pressure. I need you to know I'm really sorry
:37:23. > :37:28.
:37:28. > :37:34.about that because I didn't - I What did you tell him? I told him
:37:34. > :37:44.that I loved you. How dare he do this! How dare he do
:37:44. > :37:49.
:37:49. > :37:59.APPLAUSE And the BAFTA goes to... Emily
:37:59. > :38:22.
:38:22. > :38:27.Watson. Oh, blimey! I didn't think that
:38:27. > :38:32.would happen. I haven't really thought of what to
:38:32. > :38:36.say, but I suppose what I should say is when I was first told about
:38:36. > :38:41.this programme, I thought I probably shouldn't do it because of
:38:41. > :38:49.the subject matter. Then I read the script.
:38:49. > :38:54.I have to pay tribute to Adrian for his incredibly scrupulous,
:38:54. > :39:01.intelligent, beautiful approach to this dangerous and difficult
:39:01. > :39:06.subject and that goes for all the programme makers, the director, the
:39:06. > :39:11.producers. I have rarely been surrounded by such a company of
:39:11. > :39:19.actors, Dominic - amazing, amazing performance.
:39:19. > :39:22.Wonderful. And Monica and sil ves ta and Robert and an -- Silvesta
:39:22. > :39:28.and Robert and all of you, it was an honour to be in your company.
:39:28. > :39:38.The person I want to thank the most is my husband. And my children and
:39:38. > :39:59.
:39:59. > :40:08.From Leading Actress, we move to Leading Actor. An actress who is
:40:08. > :40:18.mesmerising in whatever she does. My new first choice to play me in
:40:18. > :40:29.
:40:29. > :40:33.I'm delighted to be here to present the BAFTA for Leading Actor.
:40:33. > :40:37.All the nominees have proven their ability to not just perform a role,
:40:37. > :40:47.but to bring it to life. They are among the best of British talent
:40:47. > :40:54.
:40:54. > :41:00.and at the top of their game. Let's Driver is trying to fix his engine.
:41:00. > :41:04.Didn't know that. And the hiker is looking at the sky.
:41:04. > :41:14.Watching the birds. Any moment now, something will
:41:14. > :41:22.
:41:22. > :41:27.happen. What? The hiker's going to You feel the same way. That's
:41:27. > :41:37.completely irrelevant. It's not, you see. You understand how deep my
:41:37. > :41:46.
:41:46. > :41:56.Put your head on my chest. Like we used to. Watch telly.
:41:56. > :41:59.
:41:59. > :42:03.You can't go in there. Did you have me arrested? This is a
:42:03. > :42:08.private meeting. A week ago I was arrested for no reason. Is that
:42:08. > :42:17.down to you? Why would I do that? My father was investigating you
:42:17. > :42:21.when you were a doctor in the 1970s, at GreenLake.
:42:21. > :42:31.-- Green Lake. And the BAFTA is awarded to Dominic
:42:31. > :42:50.
:42:50. > :42:59.West. Even my sister was rooting for
:42:59. > :43:06.Benedict. She is watching now from Spain with eyes full of tears of
:43:06. > :43:09.disappointment. It is an honour to be on a list as the other guys.
:43:09. > :43:15.Also an honour to work with a crew and cast and production team that
:43:15. > :43:25.took on a subject that required incredible sensitivity and judgment
:43:25. > :43:30.
:43:30. > :43:40.and thank you to ITV and all our producers and especially Julian
:43:40. > :43:44.John Garold, our producer and writer. Janet Leech, the
:43:44. > :43:47.Appropriate Adult of the title, when I first met her she said she
:43:47. > :43:54.hoped the film would bring some closure to the misunderstanding of
:43:54. > :43:58.her role in the case and the pain she suffered as a result of it. I
:43:58. > :44:07.hope she has had some closure and at least I hope she feels we
:44:07. > :44:12.honoured the suffering she endured and the suffering of all of the
:44:12. > :44:18.West victims, living and dead. I would also like to thank my agent
:44:18. > :44:28.and my darling wife and kids who brought me back into the light
:44:28. > :44:28.
:44:29. > :44:33.after playing the role. I am slightly wondering, but... The
:44:33. > :44:37.Fred West crimes were essentially about child sexual exploitation and
:44:37. > :44:41.it is a problem that's getting, as we saw recently, is getting a lot
:44:41. > :44:46.worse in this country and the people are trying to do something
:44:46. > :44:53.about it, the NSPCC and Barnardo's, with their campaign, deserve our
:44:53. > :44:57.support because they are not - it's not a subject people want to
:44:57. > :45:02.discuss or raise money for. So I hope one of the functions of drama
:45:02. > :45:08.is to look into the dark side of human nature and its depravity and
:45:08. > :45:12.I hope this film has brought that discussion back out into the open.
:45:12. > :45:17.And that Barnardo's and organisations like that will be
:45:17. > :45:27.supported so we don't get too many more Fred Wests.
:45:27. > :45:30.
:45:30. > :45:40.We have reached, ladies and gentlemen, the final award of the
:45:40. > :45:47.
:45:47. > :45:57.evening. It is the the ultimate acle aid. To To present it, please
:45:57. > :46:10.
:46:10. > :46:11.Just me and this award winner between you and a drink!
:46:11. > :46:14.LAUGHTER The fellowship is the academy's
:46:14. > :46:20.most prestigious award. It is awarded annually to a person who
:46:20. > :46:27.has shown outstanding achievement in their own particular field. This
:46:27. > :46:33.year's fellowship goes to someone who has many fields. Fields and
:46:33. > :46:40.fields of talent. My parents love this man. I love this man. My
:46:40. > :46:48.children love this man. And I know that my children's children will
:46:48. > :46:58.love this man. He is quite simply been a part of all our lives. He is
:46:58. > :47:09.
:47:09. > :47:12.a musician. LAUGHTER
:47:12. > :47:14.Songwriter, rockstar, TV presenter, yes and he is an MBE, CBE, junior
:47:14. > :47:18.backstroke champion, overseas icon and national British treasure. Yes,
:47:18. > :47:23.have you worked out who it is yet? It was the accent that gave it away.
:47:23. > :47:28.No, it isted fact that -- it is the fact that it is in the programme.
:47:28. > :47:38.Before we meet this legend that is Rolf Harris. Let's sample a brief
:47:38. > :47:40.
:47:40. > :47:46.Hi Rolf. Congratulations. The way that you have come across to me,
:47:46. > :47:52.man, is you are a person who is just born to entertain people and
:47:52. > :48:02.that's a gift and it is a blessing and those of us over the years who
:48:02. > :48:13.
:48:13. > :48:18.have been entertained by you have # I have been everywhere #
:48:18. > :48:28.Has anyone told you that you look like that guy off TV... Rolf Harris.
:48:28. > :48:34.
:48:34. > :48:39.When I think of Rolf, I think of him as top of the bill all-round
:48:39. > :48:44.family entertainer. He made something that everyone wanted to
:48:44. > :48:47.Have you worked out what it is yet? A dog.
:48:48. > :48:57.Animals. Is sounds like something you would get the vet in for.
:48:58. > :49:13.
:49:13. > :49:18.Rolf Harris has become one of Britain's most loved artists for
:49:18. > :49:25.the stuff he did for children's television through until the
:49:25. > :49:32.incredible portrait he did of the Queen. He is immensely popular and
:49:32. > :49:41.look how much his canvasses are going for.
:49:41. > :49:51.In 2005, he painted The Queen. Can you remember what you paid for
:49:51. > :49:59.
:49:59. > :50:09.it? �50. # When we were two little boys #
:50:09. > :50:16.
:50:16. > :50:17.That was lovely. Give yourselves a nice big clap.
:50:17. > :50:27.APPLAUSE Ladies and gentlemen, what else can
:50:27. > :51:04.
:51:04. > :51:08.you say, but Rolf Harris? Well, well, thank you so much.
:51:09. > :51:15.That's very moving. I have been sitting so long, my legs wouldn't
:51:15. > :51:19.work when I got up to try and get up the stairs. How nice to be
:51:19. > :51:24.presented with this from you, Robert and to have somebody as you
:51:24. > :51:30.know as a friend to present it to you, is just the icing on the cake,
:51:30. > :51:34.thank you very much. Thanks, Dara. I was going to say
:51:34. > :51:44.could you tell what it is yet? No, perhaps I won't!
:51:44. > :51:45.
:51:45. > :51:51.I can't begin to tell you just how humbled I am by being here and in
:51:51. > :51:56.this distinguished company. So many previous recipients of this BAFTA
:51:56. > :52:02.Fellowship, I can't believe it. How amazing it is to discover that what
:52:02. > :52:09.you love doing most can become your career, if you are as lucky as I've
:52:09. > :52:15.been. When I was a kid, my dad told me that his father, that was my
:52:15. > :52:20.granddad, who is a Welsh portrait painter, he said to all his sons,
:52:20. > :52:26.he said, "Don't, whatever you do, do what I do. You will never make a
:52:26. > :52:32.descent living. Get a proper job." Well, you will always be broke.
:52:32. > :52:42.That was his advice. Well, I came over here to study art, I ran out
:52:42. > :52:44.
:52:44. > :52:54.of money instantly, gone. And I did an audition, quite a scary audition,
:52:54. > :52:55.
:52:55. > :53:04.because the chap who was doing the audition was a man called Michael
:53:04. > :53:12.West moor and he had a lady filling stuff and I am from Australia and I
:53:12. > :53:18.am trying to sell an idea for a story about an octopus and a shark
:53:18. > :53:21.which I had written. When you are a kid, you don't know, my only
:53:21. > :53:27.descent selling point was that I could draw quickly when I was
:53:27. > :53:33.talking. I could do the drawings. What did I do, I did all the bloody
:53:33. > :53:41.drawings the night before in a book and he went, "Oh, very good." Could
:53:41. > :53:47.you think out, say a, a five minute story about about six drawings and
:53:47. > :53:56.I said, yes, is this for another audition? And he said no, no, we go
:53:56. > :54:02.to air live on Saturday? I almost only said I only do auditions. He
:54:02. > :54:07.scared the living daylights out of me. My thanks go out to Sir George
:54:07. > :54:11.Martin who recorded all my stuff before The Beatles took him over
:54:11. > :54:21.completely. My thanks to the lovely Lorraine Heggessy who put her job
:54:21. > :54:22.
:54:22. > :54:30.on the line for me with Animal Hospital and to Tina Fletcher, to
:54:30. > :54:37.Danny Cowen, control of the BBC, who now takes care of me, thanks to
:54:37. > :54:42.my brother, Bruce Harris and my manager, thank you all so much and
:54:43. > :54:46.thank you to you, to you the public, you have always been so supportive.
:54:46. > :54:56.It is such a delight and such friends.
:54:56. > :54:58.
:54:58. > :55:04.Thank you. APPLAUSE
:55:04. > :55:07.I've got to say that without you, I would be nowhere. It would never
:55:07. > :55:12.have happened without your reaction to me. You have been so supportive,
:55:12. > :55:19.the general public, just wonderful. Just like friends. But I would like
:55:19. > :55:27.to say a big thanks to my daughter, Bindi and her family and my
:55:27. > :55:36.importantly to my incredible, beautiful wife, my soul mate, Alwin.
:55:36. > :55:46.APPLAUSE I am a very lucky man. Thank you.
:55:46. > :55:51.
:55:51. > :55:58.BAFTA, thank you. Thank you so much. APPLAUSE
:55:59. > :56:06.Ladies and gentlemen, Rolf Harris. APPLAUSE
:56:06. > :56:09.And that is I am afraid, the Arqiva British Academy Television Awards
:56:09. > :56:11.for 2012. Our congratulations to the winners and our special
:56:11. > :56:21.congratulations to those who were nominated, but didn't win because
:56:21. > :56:23.
:56:23. > :56:24.your work was just as good and it is just politics!
:56:24. > :56:28.LAUGHTER From all of us at the Royal
:56:28. > :56:32.Festival Hall and from me, Dara O'Briain, thank you very much.
:56:33. > :56:37.APPLAUSE The awards presented earlier.
:56:37. > :56:39.Is it possible for someone like me or like you to arrange for
:56:39. > :56:49.themselves the death that they want?
:56:49. > :56:59.I would like to thank the BBC for allowing us to tackle this
:56:59. > :57:11.
:57:11. > :57:21.Genuinely, shocked at this. Thank you. There was a television series
:57:21. > :57:25.
:57:25. > :57:27.It is the sort of thing if you are in the room, it can be quite
:57:27. > :57:29.exciting, but... LAUGHTER
:57:29. > :57:32.Watching this at home, I imagine it would be terribly tedious.
:57:32. > :57:38.I would like to thank everybody that worked on the series in front
:57:38. > :57:42.of and behind the camera and to everyone in the BBC and in the
:57:42. > :57:52.broadcasting industry generally who lobbied for us to get another go at
:57:52. > :57:56.it. So thank you very much indeed. There is no hospital here. That has
:57:56. > :58:01.gone. So serious injuries must be flown out with the Japanese defence
:58:01. > :58:11.force. We are grateful to the BAFTA judges,
:58:11. > :58:22.
:58:22. > :58:27.to BAFTA itself and to you and you One of the questions.
:58:27. > :58:35.Thank you very much, this is a huge honour and it is a film of which we
:58:36. > :58:40.13 staff have been suspended from the hospital and patients moved to
:58:40. > :58:46.safety. Tonight, we expose a huge failure at the heart of our system
:58:46. > :58:50.of care. Heavens, we owe this film and this
:58:50. > :59:00.prize to some very brave people. To a psychiatric nurse who risked his
:59:00. > :59:04.career to blow the whistle on Winterbourne View.
:59:04. > :59:07.What has happened? You can't see anything. You can't hear anything
:59:07. > :59:10.because of the helicopter and the helicopter sets off and you are
:59:10. > :59:17.lying there and the dust settles and you are looking around.
:59:17. > :59:22.young soldiers who spoke to us, who gave us their footage, and who
:59:23. > :59:28.allowed us to tell their stories took an enormous risk and this
:59:28. > :59:34.award is for as as much them as it is for us.
:59:34. > :59:39.Paul and Mary will have no idea whose cake is whose.
:59:39. > :59:43.Well. There is a lady that mistook me for the wine waiter and I will