:00:09. > :00:14.Tonight, live from London's Theatre Royal, Dewery lane, we welcome you
:00:15. > :00:23.to the Arqiva British Academy Television Awards.
:00:24. > :00:28.-- Dury Lane. This is where the magic happens. The
:00:29. > :00:33.most exciting night of the year in British television. How does it feel
:00:34. > :00:38.to be at the BAFTA snoos very exciting You get to put your tux on.
:00:39. > :00:43.Hang out with people off the TV. It is a great night. I love the BAFTAs.
:00:44. > :00:48.I love British television, cinema it all. I love being here with these
:00:49. > :00:51.amazing people. The biggest stars of the small screen are gathering on
:00:52. > :01:01.the most fashionable walkway in town. I just love seeing everybody
:01:02. > :01:06.in their best clothes. It's going to be a night to remember, as we
:01:07. > :01:14.celebrate 2014's greatest it much V moments. I'm so over-excited. I will
:01:15. > :01:20.give the answer, it is Breaking Bad. Fantastic. I have loved this year,
:01:21. > :01:30.Gogglebox. I'm excited it is up for an award. But who will walk away
:01:31. > :01:40.with a coveted BAFTA? Is it wonkey, my dickie bow? Let's go to the
:01:41. > :01:42.BAFTAs. Ladies and gentlemen, welcome to the British Academy
:01:43. > :01:49.television awards. Here is your host for this evening - but who is it
:01:50. > :01:54.going to be? Sir Brousse Forsyth? It's not you.
:01:55. > :01:59.# Mary Berry - it's not you.
:02:00. > :02:07.# Graham Norton - it might be you.
:02:08. > :02:14.Dynamo - well, you already know, it's not you. Does he? Ant and Dec -
:02:15. > :02:18.it might be you. So, it's between Graham and Ant and
:02:19. > :02:43.Dec. The result is in - the host is... Graham.
:02:44. > :02:48.Hello, good evening and welcome to Arqiva British Academy Television
:02:49. > :02:55.Awards. Coming to you tonight from London aess famous Theatre Royal --
:02:56. > :02:59.London's famous Theatre Royal, Drury Lane. Did that opening mean I have
:03:00. > :03:04.lost? I don't feel like a loser, I feel like a winner. I get to host
:03:05. > :03:08.TV's most glamorous night of the year. Look what is in front of me.
:03:09. > :03:13.It is a sea of talented nominees. Good luck everyone. I wish everyone
:03:14. > :03:15.could win. But, hey, if you get beaten, at least it wasn't in a lift
:03:16. > :03:32.by your wife's centre. She wanted chips.
:03:33. > :03:37.Anyway, and upstairs my starlets, starlets, starlets, upstairs, real
:03:38. > :03:47.people. Lots of them. They are right there. I know! I know, look at them.
:03:48. > :03:52.People with oyster cards who live in rented accommodation.
:03:53. > :03:56.They are looking at you now. If you turn around you can look at them
:03:57. > :04:02.looking at you. It is like Gogglebox live.
:04:03. > :04:06.This year, what a great year. So many wonderful TV moments. One of my
:04:07. > :04:11.personal favourites was, of course in Educating Yorkshire. Everyone
:04:12. > :04:15.loved it. I know. Where Mr Burton helped Musharaf to
:04:16. > :04:20.overcome his stammer. I think Musharaf is here tonight. Are you?
:04:21. > :04:23.There he is. Hello, Sir. Lovely to you you here.
:04:24. > :04:32.Are you going to the party afterwards? Yeah - why not. Hey,
:04:33. > :04:37.they are only A-levels. Like anyone else here has one? !
:04:38. > :04:42.Actually, Musharaf, a bit of advice for you. At the party, just telling
:04:43. > :04:47.you, you will see actresses. You will see young actresses in
:04:48. > :04:52.revealing gowns. And you will think, Musharaf, that those young actresses
:04:53. > :05:00.will make you happy. They won't make you happy.
:05:01. > :05:06.They will make you sad. And possibly itchy!
:05:07. > :05:13.I a parentally in the next series of Educating Yorkshire, Mr Burton
:05:14. > :05:18.continues to help people with speech difficulties. He is starting with
:05:19. > :05:25.the cast of Jamaica inn. Stop it. I do not blame the cast. I
:05:26. > :05:34.blame the TV engineers. They are so stupid and incompe... (sound dips)
:05:35. > :05:39.I'm back. So many changes in TV. Gary and
:05:40. > :05:43.Nicole have left X Factor. I more one will be sad that Gary Barlow
:05:44. > :05:50.won't be going back to the show. But, that's the thing about Gary,
:05:51. > :05:55.just not very good with returns! Cute, I thought that was good. So
:05:56. > :06:00.even Gary is watching this going - actually that's funny. In fact loads
:06:01. > :06:05.of people have moved on. Kylie left The Voice. Sir Brousse has left
:06:06. > :06:17.Strictly and all the viewers have left Good Morning Britain. -- Bruce.
:06:18. > :06:23.If you cared, you'd watch it. BBC Three has been axed? What no. I
:06:24. > :06:28.stand corrected. It has not been axed. It is going to live on the
:06:29. > :06:30.internet which I'm sure is the media equivalent of parents telling the
:06:31. > :06:40.kids that the dog has gone to live on a big farm.
:06:41. > :06:47.They are over there, yes, they are great. Talking of standing in the
:06:48. > :06:51.wilderness. Bear Grylls show has been accused of fakery. I don't
:06:52. > :06:56.understand why, apparently branches of nan does occur naturally in the
:06:57. > :07:00.wild. I'm so distracted by all the famous faces here. It is such a
:07:01. > :07:05.starry crowd. And, you know, not all out on bail. We took some pictures
:07:06. > :07:09.out on the red carpet. I'm not sure why. I think it is nice it see it is
:07:10. > :07:12.sunny outside. It helps the audience at home remember it is a night-time
:07:13. > :07:15.event. There on the screens, possibly for
:07:16. > :07:20.the last time altogether is the cast of Strictly. Aw.
:07:21. > :07:29.Altogether. Give them a round of applause.
:07:30. > :07:35.Just to check... Just to check, Sir Brousse. The BBC haven't tried to --
:07:36. > :07:40.Sir bruce, the BBC haven't tried to cut costs by telling you this is
:07:41. > :07:46.your retirement party, have they? Star of Breaking Bad Aaron Paul is
:07:47. > :07:49.here. CHEERS
:07:50. > :07:56.I know. There he is. Putting the Met into
:07:57. > :08:00.method acting. -- the meth. We are honoured. All the Dragons are out
:08:01. > :08:05.this evening. Look at that. Dragons smiling.
:08:06. > :08:11.Apparently this is the moment we were told Hilary Du Vey had gone
:08:12. > :08:15.bankrupt. Very sad. Simon Cowell couldn't make
:08:16. > :08:20.it this evening. I know, it is a shame. After his recent West End
:08:21. > :08:24.musical, it would be mice for him to see what a -- it would be nice for
:08:25. > :08:28.him to see what a full theatre looks like. Just see. Listen, we are
:08:29. > :08:31.getting to the moment where I'm going to declare winners. I don't
:08:32. > :08:36.know. The quality of the nominated shows is so high, I don't know how
:08:37. > :08:40.the judges decided. I imagine in some categories it was a question of
:08:41. > :08:50.eeny meeny miney mo, catch a tiger by its toe.
:08:51. > :08:55.Is that, that hard? It's not hard. So, as I like to say before having
:08:56. > :09:03.sex - the sooner we start, the sooner we finish.
:09:04. > :09:06.So, let's get on with the awards. We begin with a brief reminder of what
:09:07. > :09:14.we are celebrating tonight. I've missed this.
:09:15. > :09:33.Oh, lovely. I missed your little face.
:09:34. > :09:38.I am so cross with you. It kept be because of your beard. It's
:09:39. > :09:44.gorgeous. You were a very trivial man. Are you always this stuck up?
:09:45. > :09:49.This is going to be like, the best party ever. Force I love this job so
:09:50. > :09:54.much. The first sight of Prince George,
:09:55. > :09:59.just a day old. I would like to find love.
:10:00. > :10:13.I'll always love you, Elizabeth. I love you.
:10:14. > :10:18.# I'm saying goodbye # Say something I'm giving up on you
:10:19. > :10:21.# I want to thank you today for
:10:22. > :10:27.letting me speak in front of all of you.
:10:28. > :10:33.I'm emotional now. I don't know what is going to happen for the rest of
:10:34. > :10:37.the night. I have something to tell you. I have no idea what that was
:10:38. > :10:42.about. I think we got away with it. The show must go on. Shall we start
:10:43. > :10:46.dishing out some medals? The waiting is over.
:10:47. > :10:53.There are winners and there are losers.
:10:54. > :11:08.Fantastic. OK. On to the first award of the
:11:09. > :11:11.evening, which is for the much sought-after, Entertainment
:11:12. > :11:15.Programme. Given in honour of Lew Grade. To present it a much
:11:16. > :11:18.sought-after actress. Please welcome the fantastic, double BAFTA winning,
:11:19. > :11:34.Olivia Coleman, everybody. Hello.
:11:35. > :11:37.Thank you. It's great to be here. I'm delighted and honoured to have
:11:38. > :11:42.been asked to present the very first award of the evening. Mainly because
:11:43. > :11:45.it means I can be home and in bed by 9.30pm.
:11:46. > :11:54.I'm joking. I'm going out on the lash.
:11:55. > :11:58.Right. Four great shows have been nominated. Their remit was to
:11:59. > :12:13.entertain. They didn't disappoint. Let's look at them.
:12:14. > :12:46.EVERYONE GET YOUR PHONES OUT. I WILL NEED YOU ALL TO FOCUS:
:12:47. > :12:55.Pauline's first crucial task is to distract the guard. Have you ever
:12:56. > :13:00.worked for the security team... Giving Rachael cover to flip the
:13:01. > :13:10.optical illusion into place. Are you sure? Have you not got a brother, or
:13:11. > :13:14.a cousin? Beautifully done. It's time forp I'm A Celebrity. Ant
:13:15. > :13:22.and Dec's Saturday night takeaway. Linger, linger, linger. Leave it by
:13:23. > :13:37.the door. He's talking on a banana. The BAFTA is awarded to... Ant and
:13:38. > :14:18.Dec's Saturday night takeaway. Wow. Thank you very much indeed.
:14:19. > :14:22.First award of the night. I'm nerve us why. This is brilliant. Really
:14:23. > :14:27.great. We brought the show back after a four-year break. So even to
:14:28. > :14:31.be nominated for a BAFTA was fantastic, but to win it, listen,
:14:32. > :14:35.thank you very much. Well done, you lot. We have such a brilliant and
:14:36. > :14:40.hard-working crew and production team that work on this show. We do
:14:41. > :14:44.it because we all absolutely love T I'm so chuffed that we have done it,
:14:45. > :14:48.because everybody put everything into it. We work so hard on it. This
:14:49. > :14:53.is a nice big cherry on what is already a fantastic cake - we all
:14:54. > :14:56.love that terrible analogy. They will get better during the evening.
:14:57. > :14:59.Thank you on behalf of everybody who has worked so hard on the show.
:15:00. > :15:07.Thank you so much. We will be back with it next year. Thank you. Have a
:15:08. > :15:14.great year everybody. Have a great night.
:15:15. > :15:30.APPLAUSE Next up is the baf fa for features.
:15:31. > :15:32.-- Bafta for features. Next up is Naomi Campbell and Luke Evans,
:15:33. > :15:47.everyone. Thank you. Thank you ladies and
:15:48. > :15:51.gentlemen. It is a great honour... OK, I start again. Thank you ladies
:15:52. > :16:00.and gentlemen, it is a great hon tore be here to pre-- honour to be
:16:01. > :16:02.here to prevent this award. They are unique and captivating in their own
:16:03. > :16:23.way. Let's look at the nominees. # You're going to improvise...
:16:24. > :16:29.My name is Jeff The Chef # Better than all the rest
:16:30. > :16:35.# I like to sing a song. # Likes to sing a song.
:16:36. > :16:43.I cannot believe you have not pressed a button yet! I don't know
:16:44. > :16:51.what to do! It's that one. Press it! Press it! There you go! Amazing!
:16:52. > :16:56.Where is the theme music? I am impressed now - now that it is
:16:57. > :17:04.horizontal, it is suddenly a roof. What a brilliant thing.
:17:05. > :17:13.He thought he had a sister. He couldn't find a trace of anyone. Did
:17:14. > :17:21.he try and look? For so long to try and find family.
:17:22. > :17:23.Does he want to see me? He's so thrilled. He really wants to see
:17:24. > :17:35.you. What do we need to do? Oh, man, this
:17:36. > :17:46.is terrifying! It's not good, is it? I can't watch this! OK!
:17:47. > :17:53.Slowly! To the plate? Yeah. I love you all! All for one, one for all!
:17:54. > :18:02.APPLAUSE . And the BAFTA goes to Long Lost
:18:03. > :18:40.Family. He trying to chat up Naomi Campbell!
:18:41. > :18:44.I think I can say on behalf of everyone, when we're done, we're
:18:45. > :18:47.lucky enough to be on television. When we're done, we will look back
:18:48. > :18:52.and we will never have worked on a pranl like this in our live --
:18:53. > :18:59.programme like this in our lives. Thank you so much to BAFTA. Thank
:19:00. > :19:07.you to ITV as well to Peter Finchman and to David. A huge thanks to these
:19:08. > :19:15.amazing people who do the searches. And to this team of the most
:19:16. > :19:22.compassionate people who do the most fantastic job. To Sally, to Leanne
:19:23. > :19:30.to Kate and to Duncan as well. And just a quick word, I know Davina
:19:31. > :19:34.wants to emphasise this, but to the inspiring and inspirational people
:19:35. > :19:39.who have tried to let us do justice to their stories and who have
:19:40. > :19:43.inspired others as well. I was going to say thank you for trusting us
:19:44. > :19:48.with your stories. We would not even be a show without you. We really,
:19:49. > :19:53.really appreciate it. Thank you for letting us into your lives and thank
:19:54. > :20:06.you very much to BAFTA. APPLAUSE
:20:07. > :20:15.Of It is like they are a long-lost family. They were sitting together -
:20:16. > :20:19.I don't note what that was about! Soap and continuing drama now, in
:20:20. > :20:24.keeping this I should tell you the nominees and make you wait a week,
:20:25. > :20:30.but I won't. A presenter from The Voice - the other game of Thrones
:20:31. > :20:43.and a TV star and member of the Saturdays - the new Richards and
:20:44. > :20:47.Judy ys. -- Judies.
:20:48. > :20:52.Thank you ladies and gentlemen. It is great to be here to present the
:20:53. > :20:56.award. As a married couple, we love nothing better than a night in, in
:20:57. > :21:00.front of the TV catching one the nation's favourite families. When I
:21:01. > :21:08.am in charge of the remote. Which is never!
:21:09. > :21:17.Please be quiet! Check her pupils.
:21:18. > :21:30.Why is that? She's gone. I need your help.
:21:31. > :21:32.Anything - just tell me! I want him gone.
:21:33. > :21:46.I want him dead. Liar! What was the job? I don't
:21:47. > :21:53.know. He was going to operate on my sister.
:21:54. > :21:59.If we hadn't stopped him he would have circumcised my sister tonight.
:22:00. > :22:09.I treasure every second I have with you. My body, the shell. And this
:22:10. > :22:16.giant, defiant scheme. It's not brave. Selfish!
:22:17. > :22:28.And the BAFTA goes to... Coronation Street production team.
:22:29. > :22:57.Congratulations. My mum and dad are going to be so
:22:58. > :23:01.proud of this. I have dreamt of this moment for years. It is so much
:23:02. > :23:04.better in reality. I could be up here forever because there are
:23:05. > :23:09.hundreds and hundreds of people I need to thank - the crew, the cast,
:23:10. > :23:14.the directors, the writers, editorial. That is kind of the point
:23:15. > :23:18.of Coronation Street - it is never about any individual it is about a
:23:19. > :23:23.team who love the show on top of the game, striving to make the best
:23:24. > :23:26.British drama ever. I would like to thank our audience. Some have been
:23:27. > :23:30.there for 50 years and more. I would like everyone in this room, without
:23:31. > :23:35.our audience, we are not very special at all. So, thank you, and
:23:36. > :23:50.thank you BAFTA. APPLAUSE
:23:51. > :23:59.Exit is marked clearly! Anyone wins - it is that way! We have reefed the
:24:00. > :24:05.award for specialist factual series. Here to present it is a man who has
:24:06. > :24:11.spent too imin the most dangerous place in earth and he left Albert
:24:12. > :24:16.Square and started to make documentaries. Please welcome Ross
:24:17. > :24:21.Kemp, everyone. APPLAUSE
:24:22. > :24:27.Thank you, ladies and gentlemen. The shows nominated in this category
:24:28. > :24:32.today are big in their depth and attention to detail. They are work s
:24:33. > :24:34.works of excellence which have informed and captivated. Let's take
:24:35. > :24:48.a look at them. The Story of the Jews...
:24:49. > :24:54.Since the collapse of the Soviet Union... In this town, 30,000
:24:55. > :25:03.pilgrims visit the grave of one of the most car charismatic every year.
:25:04. > :25:13.13 days after breaking the tarmac in the car park, we were stood right on
:25:14. > :25:20.the stop, staring at a skeleton with a hunch-backed spine. We were shell
:25:21. > :25:24.shocked. The hun hunch back king was supposed to be a Tudor myth.
:25:25. > :25:33.As he got to the end of his speech, he kept saying, tell them about the
:25:34. > :25:39.dream. I watched his demeanour change. I turned to the person next
:25:40. > :25:45.to me and I said, "These people don't know it."
:25:46. > :25:55.There was a lot of fruit on the island. I'll try him with a bit.
:25:56. > :26:00.Come on! What do you make of that?
:26:01. > :26:08.That's a very powerful beak! The winner is David Attenborough's
:26:09. > :26:42.Natural History Museum Alive. Goodness me - I knew I would be so
:26:43. > :26:45.nervous I had to have some notes here. This is the first David
:26:46. > :26:49.Attenborough programme that actually doesn't have animals in - they are
:26:50. > :26:53.added later, so David had to act for the first time.
:26:54. > :26:57.In a very long career, it was complicated because of technology
:26:58. > :27:02.when I started it and I didn't tell Skye this, wasn't all there.
:27:03. > :27:06.I have to say that it is a pretty extraordinary night. David
:27:07. > :27:16.Attenborough has now won in black and white, colour, HD, 3D and now
:27:17. > :27:27.the first winner of a BAFTA award, I believe, in 4K.
:27:28. > :27:33.APPLAUSE Most of us haven't even got 4K yet.
:27:34. > :27:38.When he won his first BAFTA, it was over 50 years ago and I was in my
:27:39. > :27:42.pram, so I didn't watch that night, sadly.
:27:43. > :27:45.Last week, David Attenborough was asked, who was the greatest
:27:46. > :27:56.individual in television that he admired? He said, Huw Wheldon. 30
:27:57. > :28:00.years ago, when I joined the BBC, I had dinner with him.
:28:01. > :28:06.And I asked him, who was the greatest broadcast broadcaster. He
:28:07. > :28:14.said, David Attenborough. APPLAUSE
:28:15. > :28:20.He said to me at that time, if you ever get to work with David
:28:21. > :28:25.Attenborough, you'd be bloody lucky. I can tell you, I have made nine
:28:26. > :28:34.productions with David and he is incredibly special. Congratulations,
:28:35. > :28:47.David. APPLAUSE
:28:48. > :28:53.Supporting actor time now and here to present it is the star of Line of
:28:54. > :29:11.Duty. Put your hands together now. Hello. Good evening, ladies and
:29:12. > :29:14.gentlemen. On-screen, as in life, support is essential. We all have a
:29:15. > :29:18.tough enough time supporting ourselves, let alone someone else.
:29:19. > :29:23.But the four actors dominated have all done an amazing job bringing
:29:24. > :29:24.these very complex and different characters to life. Let's take a
:29:25. > :29:42.look at them. Anyone we might care for or bring
:29:43. > :29:47.close to us, anyone! They suffer! We lose them.
:29:48. > :29:53.Do you think these facts are not related? That is not how it
:29:54. > :29:59.functions. There's no God stood in judgment. Who talks of God. I take
:30:00. > :30:07.of life, life Mr Reid is offended by you and me.
:30:08. > :30:18.Anglo-Saxon England. That is what it says on your television.
:30:19. > :30:25.Is that what you think you are? It isn't what I remember!
:30:26. > :30:30.It is not what I see now. On All Soul's Day 15 people were
:30:31. > :30:45.executed. Would never harm any. We are the
:30:46. > :30:49.same, mark. No parents should outlive their child.
:30:50. > :31:07.Your boy, he - he was a good boy. There is normally one hole in the
:31:08. > :31:13.wire and all the men go into it. Don't follow me. You have to,
:31:14. > :31:15.mother, you can't run barbed wire. They'll direct all their fire into
:31:16. > :31:25.the funnel and everybody dies. And the BAFTA goes to... The lovely
:31:26. > :32:11.David Bradley. Wow. Thank you BAFTA. Thank you ITV
:32:12. > :32:16.for commissioning the programme. To Kudos for producing it. A wonderful
:32:17. > :32:22.cast and crew for such a memorable time. Especially James and Iros for
:32:23. > :32:26.their brilliant and sensitive direction and for choice for
:32:27. > :32:36.creating a piece of work that seems to have captured the imagination of
:32:37. > :32:40.so many people. I would like to thank Rosanna, George, Jack and
:32:41. > :32:49.Fran, all my family and friends for their love and support. Ruth, Jess
:32:50. > :32:57.and Zoe from United agents. Incidentally, last Christmas Ruth
:32:58. > :33:04.Young sent me, very kindly, a full-size replica of one of these in
:33:05. > :33:11.chocolate. Well, now, finally, I can take it down from the mantelpiece
:33:12. > :33:24.and eat it. This is a great honour. Thank you very much.
:33:25. > :33:35.Very good. Well done. # Fantastic. Coming up, we have Best
:33:36. > :33:39.male and Female in a Comedy as well as the BAFTA special award but now
:33:40. > :33:43.time for comedy and entertainment programme. I happen to know there
:33:44. > :33:48.are some fantastic shows nominated this year in this category. I mean
:33:49. > :33:53.really top notch! There are others that are good, if that's your cup of
:33:54. > :34:01.tea. They are fine, perfectly good. Here to present it from the know
:34:02. > :34:10.nominal US -- from the phenomenal US TV smash, it's Aaron Paul. Wow.
:34:11. > :34:15.Well, good evening. It is great to be here tonight. I'm a genuine fine
:34:16. > :34:22.of British comedy, of course and as such I'm delighted to present the
:34:23. > :34:24.award for Comedy and Comedy Entertainment Programme. Let's look
:34:25. > :34:38.at the nominees: Here he is. We don't get to see him
:34:39. > :34:42.much since he became Prime Minister. I thought I would get him a
:34:43. > :34:46.Bullingdon Club calendar. Maybe he will put me in the cabinet. I wanted
:34:47. > :34:51.to give you this album. Would you give me a sign? George and Borris
:34:52. > :34:53.signed it. Surely you could too. Come on, Dave, we had a bloody good
:34:54. > :35:02.time. It's not that you get familiar with
:35:03. > :35:05.pants and it is a second nature. He is not at ease. This is genuinely
:35:06. > :35:11.one of the lowest moments of my life, by the way. If I had a penny
:35:12. > :35:17.for every time someone said that on this show. Oh, my God.
:35:18. > :35:25.I suppose all you can do now is pray that it is edited sympathetically.
:35:26. > :35:29.I used to play cricket because now I have quit because I was bored and
:35:30. > :35:33.cricket is... I then took up boxing, this didn't go well, I got knocked
:35:34. > :35:39.out by a fat man and said that I fell. My life seemed empty, then you
:35:40. > :35:44.came along, now it's griming with happiness and song. When I meet my
:35:45. > :35:46.heroes from the band One Direction, I imagine it will give me a massive
:35:47. > :36:48.sense of joy and well-being. And the BAFTA goes to... A League of
:36:49. > :36:51.Their Own. Qulr Thank you so much. No-one is more shocked than we are
:36:52. > :36:58.to think that this would be a BAFTA-winning programme. It is
:36:59. > :37:02.something so silly that we all enjoy and on a list with Graham's show and
:37:03. > :37:07.all the other brilliant shows was enough for us. We have an incredible
:37:08. > :37:11.team who work on the show. Murray and Danielle and the brilliant David
:37:12. > :37:17.Taylor and Jim and everyone at home who, in their homes, who work on the
:37:18. > :37:21.show. They really are the core of the show. The heart of the show. I
:37:22. > :37:27.know Jamie Redknapp was desperate to say something, right Jamie. Not
:37:28. > :37:33.really. I'm joking. Of course he does. I would like to thank you for
:37:34. > :37:37.being a real host. It is a real pleasure to work for you. Thank you
:37:38. > :37:53.very much to BAFTA and everybody. Thank you very much, everybody.
:37:54. > :38:01.That was the show I was talking about. Good.
:38:02. > :38:07.I don't need a patronising cheer. Aaron Paul is never coming on the
:38:08. > :38:12.show again! Moving on to the Supporting Actress
:38:13. > :38:19.Award. Here to present it is a man who has had quite a year. He has
:38:20. > :38:23.been Sherlock Holmes sidekick, and found himself in Fargo. Please
:38:24. > :38:37.welcome, Martin Freeman. Thank you very much At that Thanks a
:38:38. > :38:43.lot. I suppose you would call it lime green, I suppose. Just in case
:38:44. > :38:48.you were wondering. Now, the role of Supporting Actress
:38:49. > :38:51.is vital. It says here, in fact there is often a very thin line
:38:52. > :38:56.between being the support and being the lead. I suppose I'm supposed to
:38:57. > :39:03.fine that charming. There is also a very thin line between the actresses
:39:04. > :39:04.nominated tonight who are, frankly, all outstanding, so let's take a
:39:05. > :39:23.look at them: One of those men - oh, God - when I
:39:24. > :39:34.was with him, nothing else mattered. Nothing. They could have dropped a
:39:35. > :39:39.bomb on halle fax and I wouldn't -- on Halifax and I wouldn't have
:39:40. > :39:44.noticed. He hasn't done anything wrong but there are people looking
:39:45. > :39:49.for him. What peel? Immigration. He is not allowed to be here. Not just
:39:50. > :39:52.now. He ran away from this holding place and we fell in love. No-one
:39:53. > :40:04.can know about this. Not just for now. Is that OK, Rachael?
:40:05. > :40:12.You zrnt to choose him either. -- you didn't. He chose me. You must
:40:13. > :40:25.know that. Are you having a nice time? No. I'm
:40:26. > :40:30.sorry I rang and put my foot in it. It's fine. It is forgotten, you
:40:31. > :40:40.didn't know. I love you. I love you. Bye. Bye, bye.
:40:41. > :40:47.Very nice. The BAFTA goes to... Sarah Lancashire for Last Tango in
:40:48. > :41:25.Halifax. Oh, wow, thank you. Oh, God I really
:41:26. > :41:32.wish I'd prepared a speech. Um, I've gone completely blank. Nicola
:41:33. > :41:39.Walker, I love you. This is a huge honour thank you BAFTA. Thank you.
:41:40. > :41:45.And such a privilege to be nominated alongside Claire Rushbrook and
:41:46. > :41:50.Nicola Walker and Shirley Henderson. It is all down to a lot of very,
:41:51. > :41:57.very talented people. Nicky Schindler, Karen Lewis, and Errol
:41:58. > :42:03.Flynn and the most magnificent company of actors.
:42:04. > :42:10.Eric Reed. Nicola Jacobi. If you ever get a chance to kiss her, do,
:42:11. > :42:15.you won't be disappointed. My agent Nick and my family. My extraordinary
:42:16. > :42:20.family. My mum, my husband Pete and all my kids. I'm really sorry if I
:42:21. > :42:31.have missed anybody else out. And thank you.
:42:32. > :42:41.Sarah Lancaster. Next is the award for Reality and
:42:42. > :42:47.Constructed Faggual. It is a big of a mouthful. My next two -- --
:42:48. > :42:59.constructed Factual. It is a bit of a mouthful but my
:43:00. > :43:04.next two guests are used to that. They are fluffy and their bottoms
:43:05. > :43:09.are in no waying soy. It's Mel and Sue. I'll put that out there. I have
:43:10. > :43:14.no idea what Faggual and Reconstructed Reality is. Anyone
:43:15. > :43:23.know? Is it the news? We don't know anything right now. Our blood type
:43:24. > :43:28.is currently Prsecco. -- Prosecco Clinging on. Here are
:43:29. > :43:42.the nominations. Good girl. Michael builds up to the next big
:43:43. > :43:47.step. So, got to think of this question before I say it. I was
:43:48. > :43:52.wondering if you would like to go on another date with me. Yes. I will
:43:53. > :43:58.give you a chance to speak. Yes, I will.
:43:59. > :44:06.You know what, we have a bond. That bond is there, which is great but
:44:07. > :44:12.will it translate on stage in a picture? How are we going to look,
:44:13. > :44:18.the three of us? I've been juicing, so I'm not the fat one.
:44:19. > :44:30.I think it is clever. That's why I'm going to make you an offer. I'm
:44:31. > :44:33.going to offer you all of the money for half of a business that we've
:44:34. > :44:48.yet to create together. What was that song? I'm the walrus.
:44:49. > :44:52.What was it all about? They wrote it when they were high. Drugs. If you
:44:53. > :44:58.were in a dance club and you think you are a walrus and you are an
:44:59. > :45:07.eggman, I think the chances are, you are off your tits on something.
:45:08. > :45:48.This is brilliant. Thank you very much. There's only - well there are
:45:49. > :45:52.lots I want to thank, but it is mainly 12 households out there who
:45:53. > :45:56.have done an amazing job of entertaining us every week. And also
:45:57. > :46:02.proving that television still has the power to make us laugh and cry
:46:03. > :46:10.on occasions. So I would like to thank Leon and June. Chris and stef,
:46:11. > :46:20.Stef and Dawn. The Tappers, the Michaels, the Sadiqis. Bill and
:46:21. > :46:26.Joseph... Lynn, Kate, oh, sorry! Yes, the Moffets and the Reverend
:46:27. > :46:30.Kay and her husband. I would like to take this opportunity to thank my
:46:31. > :46:36.team... They are all watching, clearly! I would like to thank my
:46:37. > :46:42.team and Channel 4, David Glover. I would like to thank Craig and
:46:43. > :46:48.Caroline for being inspirational and so inspirational in more ways than
:46:49. > :46:56.one. Cheers! APPLAUSE
:46:57. > :47:04.Well done! All right, it is time for the situation comedy award. Here to
:47:05. > :47:14.present it from Peep Show and my favourite of all the Mitchells,
:47:15. > :47:20.David Mitchell and with him his boss.
:47:21. > :47:26.APPLAUSE Hi, David! It is great to see you
:47:27. > :47:32.again. Hi. It is lovely to get a chance to chat to you on the way we
:47:33. > :47:37.were doing on Peep Show, looking down the lens of a camera. Yes, this
:47:38. > :47:42.all feels natural. We were right to refuse to acknowledge each other
:47:43. > :47:47.back stage. We were. I am relaxed enough to announce the nominees for
:47:48. > :47:59.Best Situation Comedy. Let's do it. Come on! I know you're in there! Got
:48:00. > :48:01.ya! Where's that gone now? Everybody up!
:48:02. > :48:19.Come on. Oh, no, it's over there! Would you like me to put my
:48:20. > :48:22.underpants on? Can you hear me? Yes. One note from the director. He wants
:48:23. > :48:33.you to pronounce it underpantis. A bit more. A bit less!
:48:34. > :48:55.OK then! You look really lovely. Thanks,
:48:56. > :49:00.Becks. It's really big of you. Help yourself to whisky.
:49:01. > :49:07.We told you that was the internet. Yes. We never told you that it
:49:08. > :49:15.wasn't the internet! No! Well, the thing is, that 's no t
:49:16. > :49:18.the internet! What 's Jen doing with the internet?
:49:19. > :49:35.We're not doing that. Oh! APPLAUSE
:49:36. > :49:41.And the BAFTA goes to Him Her: The Wedding.
:49:42. > :50:22.Hello. Hello, hello. You have to be funny when it is a comedy award, so
:50:23. > :50:30.I won't be. Thank you to Chris, Big Talk, Kent and Allen. I have to
:50:31. > :50:34.thank now the brilliant writer, who is without this script we would not
:50:35. > :50:39.be here. Thank you very much indeed. Well done. Everybody here is
:50:40. > :50:50.brilliant! Thanks! APPLAUSE
:50:51. > :50:58.We have come now to the BAFTA Special Award. Here to tell us more
:50:59. > :51:03.about the worthy winner is a man who has made us laugh and cry in equal
:51:04. > :51:08.measures. Please welcome the brilliant Mr Paul O'Grady.
:51:09. > :51:21.APPLAUSE Evening, ladies and gentlemen. Well,
:51:22. > :51:24.this is a special award, which I thought sounds like something you
:51:25. > :51:29.got at school for good handing.le it's not. It is a -- it's not. It's
:51:30. > :51:33.a pries tig gous award. It is going to a lady for her unique
:51:34. > :51:39.contribution to entertainment over the past 50 years. In 1964, she
:51:40. > :51:47.released a single called Anyone Who Had a Heart. Do you remember it? Do
:51:48. > :51:52.I need Doris Stokes to talk to you! It went to number one and became the
:51:53. > :51:56.biggest hit of the 60s by a female singer. She's done it all. She was
:51:57. > :52:01.the Queen of Saturday night for decades with her own show on BBC.
:52:02. > :52:05.Then, let's not forget blind date and Surprise Surprise. Let's not
:52:06. > :52:10.forget bumping and grinding in front of the Queen, wearing nothing but a
:52:11. > :52:13.string of fairy lights. Ladies and gentlemen, let's look at this lady's
:52:14. > :52:22.work! Hello, number three. What's your
:52:23. > :52:28.name, and where ow dodo you come from? I wanted to be a singer all my
:52:29. > :52:33.life. Do you know who I am? No. You were the youngest female entertainer
:52:34. > :52:40.ever to have your own television service. For 50 years Your Cilla has
:52:41. > :52:46.entertained the nation. # Step inside... Discovered singing
:52:47. > :52:52.by the Beatle's manager. She went to the top of the charts. It was not
:52:53. > :52:57.long before she had her own prime BBC show.
:52:58. > :53:03.Oh, you're marvellous. # Something tells me something's
:53:04. > :53:07.going to happen tonight. In 1984 Cilla dished out the first
:53:08. > :53:12.of her many surprises on the British public. Surprise Surprise. It is
:53:13. > :53:18.Cilla here. Surprise Surprise. Oh, no!
:53:19. > :53:23.Television Cilla Black? Surprise, surprise!
:53:24. > :53:28.Here she is - the sister you haven't seen for 40 years. As well as
:53:29. > :53:41.Surprise Surprise, Cilla hosted Blind Date and dominated three deck
:53:42. > :53:46.-- decades of prime time TV. We've introduced a lot of girls and had a
:53:47. > :53:52.lot of dates. Hello. What bird would you like to
:53:53. > :53:56.be and why? Do you like to dominate men? Get up
:53:57. > :54:03.number two. Get on your knees! I tell you what,
:54:04. > :54:11.darling, let's forget the show! I'm dieing to wear my hat again! It's
:54:12. > :54:20.our Graham. From the moment of truth to Never Mind The Buzcocks, she has
:54:21. > :54:30.never been far from our screens. Don't you love being in control? Do
:54:31. > :54:36.you do tongues? What, here? Lorra, lorra love! Doesn't the time fly
:54:37. > :54:39.when you're enjoying yourself. You're Cilla Black! I know. It is
:54:40. > :54:56.tarrah then, everyone! Personally, I think it is just as
:54:57. > :55:01.well that the Academy are giving her this award, as she said she wanted
:55:02. > :55:05.to kick the bucket at 74. So, we haven't got much time... Quite
:55:06. > :55:11.frankly! Apparently there's a bidding war going on outside amongst
:55:12. > :55:16.undertakers. The road is blocked. You've never seen anything like it!
:55:17. > :55:24.Anyway, ladies and gentlemen, she's been sat there for hours without a
:55:25. > :55:27.drink and she's probably seized up! LAUGHTER
:55:28. > :55:33.She'll never make them stairs - I'm telling you! Never! It will take her
:55:34. > :55:38.half and hour to get up there. Have we got two big lads and a bit of
:55:39. > :55:45.rope. Here she is boys, here she is world - let's hear it for the one
:55:46. > :56:09.and only Cilla Black! APPLAUSE
:56:10. > :56:31.Isn't that wonderful? CHEERING AND APPLAUSE
:56:32. > :56:42.Thank you! Thank you very much indeed!
:56:43. > :56:54.APPLAUSE I can't do this! Can't do this!
:56:55. > :57:00.OK! OK! Well, they told me to keep it short... And do you know what,
:57:01. > :57:09.nobody has said that for a million years! But I would like to say thank
:57:10. > :57:16.you to BAFTA for this special a award. You know, I've led a charmed
:57:17. > :57:24.life. I really have. I have worked with incredible people. People like
:57:25. > :57:30.the late and great Michael Hurl. I started in television in black and
:57:31. > :57:38.white, as you have just seen. I remember him telling me - we were
:57:39. > :57:48.going to do a special show for Her Majesty the Queen and, well, I was
:57:49. > :57:53.knocked out and then he choose the most inappropriate of numbers for
:57:54. > :58:03.me, because I was eight months pregnant and I was really out here.
:58:04. > :58:05.And he choose, Oh Pleasure Man, you've Done It Again. That's not
:58:06. > :58:14.nice! No!
:58:15. > :58:19.Vy say a very big -- I have to say a very big thank you to Paul over
:58:20. > :58:26.there and to Graham Norton for looking after me. I think he's done
:58:27. > :58:31.a splendid job this evening. Me! APPLAUSE
:58:32. > :58:39.I would also like to say, thank you to the viewers. Lastly, thank you to
:58:40. > :58:43.the viewers for making me... CHEERING AND APPLAUSE.
:58:44. > :58:47.For making me feel so welcome and have loved my shows all over the
:58:48. > :58:50.years. Thank you very much. This is for you!
:58:51. > :59:13.CHEERING AND APPLAUSE Now, obviously tonight is about
:59:14. > :59:17.celebrating brilliance and creativity in television. However,
:59:18. > :59:19.not just the people here, but those friends and colleagues who have
:59:20. > :59:31.sadly left us over the past year. Looking for the blue and the gold!
:59:32. > :59:33.The blue sky and the gold of the dawn and the light in somebody's
:59:34. > :59:58.eyes. It's... Pennies from heaven! You already knew about Hunt and
:59:59. > :00:01.Liddy and talked about both. That is obstruction of justice... Period.
:00:02. > :00:12.That's your conclusion! It is. Sometimes surprise is the best form
:00:13. > :00:33.of attack. I've had the same broom for the last
:00:34. > :00:36.20 years. This old broom has had 17 new heads and 14 new handles in its
:00:37. > :00:56.time! Getting to the President up there
:00:57. > :01:01.can be quitedy. Mainly because everyone who surrounds him is
:01:02. > :01:04.terrified of him. There is no doubt this quiet-spoken man, does generate
:01:05. > :01:23.some considerable fear. On the road to Mandalay, where the
:01:24. > :01:31.fly flying fishes play. Sally Gunnell now, one to go. She
:01:32. > :01:34.goes for it and she gets it right. Gunnell going for gold. She gets the
:01:35. > :01:48.gold. In my judgment, the new tendency for
:01:49. > :01:50.politicians to rely more on their own common sense, is not before its
:01:51. > :02:04.time. Some day soon you are going to have
:02:05. > :02:06.families of your own. If you're lucky, you'll remember the little
:02:07. > :02:23.moments like this. Can I put this into some sort of
:02:24. > :02:27.perspective. When I caught Gerald in '68. He was completely wild. Wild, I
:02:28. > :02:53.was absolutely livid. And we salute all of them.
:02:54. > :03:00.We move on now to Drama Series. Here to present the award is a man who
:03:01. > :03:04.played an FBI profiler with the ability to empathise with psycho
:03:05. > :03:10.paths. A skill also useful in television. From Hannibal, it's Hugh
:03:11. > :03:15.Dancy. Good evening. From the writing, all
:03:16. > :03:22.the way through to the finished product, the cathedral series
:03:23. > :03:25.nominated are all exemplary -- the drama series. They are diverse,
:03:26. > :03:28.covering different issues and time periods, if you have watched them
:03:29. > :03:37.already. Watch them again. Let's take a look at them.
:03:38. > :03:45.It was you in a told them about Big Molly. She has to do her duty. She
:03:46. > :03:52.can't go. While you have still got a farm. Leave him alone. You. Leave
:03:53. > :04:11.him alone. Oh, God, no, no, no.
:04:12. > :04:18.Oh, God. I know him, he lives here. Oh, he is my boy's best friend. Oh,
:04:19. > :04:21.God, does Beth know. Calm down, DS Miller. Shut it off, be
:04:22. > :04:37.professional. We are working a caseful now.
:04:38. > :04:48.Did I set you up? Did I offer you up to those animals? Just say no.
:04:49. > :04:56.We are not done. You are grounded. Not just for today or tomorrow but
:04:57. > :05:00.forever. Stop. You can't do that. I can do that because this is my house
:05:01. > :05:05.and you're living under... It might be your house and I might live under
:05:06. > :05:15.your roof but you're not grounding me. End of.
:05:16. > :05:18.APPLAUSE And the BAFTA goes to...
:05:19. > :05:58.Broadchurch. Oh my God.
:05:59. > :06:02.This is a huge team effort. We are all coming up. I'm Chris, I'm the
:06:03. > :06:06.writing and executive producer. There are a lot of people to thank
:06:07. > :06:12.on this. Thank you behalf ta. It is a big honour to be alongside those
:06:13. > :06:20.nominees. Thank you to Laura, Mackie and Sally Haynes. Peter Finchham.
:06:21. > :06:25.James, our brilliant directors, Richard Stokes, our brilliant
:06:26. > :06:30.producer, Sam Hoyle, a brilliant script executive who helps me plot
:06:31. > :06:37.it out and stops me weeping. Everybody at Kudos and Jane
:06:38. > :06:41.Featherstone who is the most extraordinary executive producer and
:06:42. > :06:49.all the crew including the heads of departments, Kat, Matt, our editors.
:06:50. > :06:55.And Jo Williams and Ray in costume and the greatest cast I could ever
:06:56. > :06:59.hope for, as a writer. And some of whom are here today and obviously
:07:00. > :07:06.the fabulous David Tennant who can't be here as well. And thank you the
:07:07. > :07:10.towns Clevedon, West Bray and Brigg port. Thank you very much. This
:07:11. > :07:23.means a lot to all of us. # thank you. -- thank you.
:07:24. > :07:34.Still to come we have Leading Act tress and Actor awards and the
:07:35. > :07:36.coveted BAFTA fellowship. But now Female Performance in a Comedy
:07:37. > :07:42.programme. Women have been responsible for some of the fine
:07:43. > :07:46.finest performances this year. There is even a rumour one might go on
:07:47. > :07:55.Mock the Week. Seriously. Here to present the award is all-round funny
:07:56. > :07:58.guy. James Corden. Hi. There's four brilliant actresses nominated in
:07:59. > :08:16.this category. Let's take a look at some of their finest work.
:08:17. > :08:27.Oh, sorry, sorry. I don't know what to develop do you want ?5? I don't
:08:28. > :08:37.know. Do you want money? Oh, sorry, sorry. What happened?
:08:38. > :08:45.What time will we knock off? The guests leave after midnight. I check
:08:46. > :08:49.you haven't stolen anything and you can be on your way. We were hoping
:08:50. > :08:53.to go to the Forum for the gongs. If you want to leave at any time you
:08:54. > :09:01.can. But don't bother coming back to work on Monday. OK.
:09:02. > :09:13.Take the ring. Take the ring, Paul. Oh. Don't worry, I always carry a
:09:14. > :09:34.spare. What did I say about jokes? Get on with it.
:09:35. > :09:47.Oh, I'm sorry. Thank you. I feel much better.
:09:48. > :10:23.The BAFTA goes to... Katherine Parkinson.
:10:24. > :10:32.Oh, gosh. Gosh that's heavy. Thanks. Sorry that took so long but there
:10:33. > :10:36.are two of us. Thank you. I'm delighted to win this. Thank you
:10:37. > :10:46.behalf ta. Thank you Richard Bowden and Lindy King and my colleagues,
:10:47. > :10:50.Chris O'Dowd, Richard Ayoade and Matt for allowing me to have the
:10:51. > :10:57.biggest dressing room and I have to thank Graham who has the most...
:10:58. > :11:02.APPLAUSE The most original comic brain. I
:11:03. > :11:05.feel incredibly fortunate to have benefited from his talent for so
:11:06. > :11:10.many years. Thank you Graham. And also to my mum and dad and my
:11:11. > :11:19.wonderful husband Harry, thank you. Thank you so much.
:11:20. > :11:26.Snr on how to the much-anticipated BAFTA for International. We in
:11:27. > :11:30.Britain like our boxsets to be like our builders. Foreign and
:11:31. > :11:34.competitively priced. To present the award is Mr Sell fridge himself,
:11:35. > :11:50.please welcome Jeremy Piven. All right. How are you guys doing?
:11:51. > :11:56.Fantastic. Well done, Sir. Now, I am honoured to present the
:11:57. > :12:02.award for International Television Show or as Ricky Gervais calls House
:12:03. > :12:07.payments. Well he is a man who makes a great deal of money and we
:12:08. > :12:12.celebrate him. The more you giggle, I'll give you guys 20% off at
:12:13. > :12:16.Selfridges. What do you say? For a show to be a big success in its own
:12:17. > :12:22.country is one thing but to transfer to another country and be equally
:12:23. > :12:28.loved by another country takes it to a new level. The shows nominated
:12:29. > :12:29.this evening have done just that and truly deserve to be called global
:12:30. > :12:41.hits. Let's look at them. President-elect. Garrett Walker do I
:12:42. > :12:48.like him? No, do I believe in him? Besides the point. #
:12:49. > :13:19.Say the word. Do you want this? Nothing happens until I hear you say
:13:20. > :14:06.it. I want this. And the BAFTA goes to... I think
:14:07. > :14:27.this will make a lot of people very happy. Breaking Bad.
:14:28. > :14:50.Oh, um... Wow. I have no idea what to say. Um, thank you so much. I
:14:51. > :14:56.mean this is just such an incredible honour. I want to just congratulate
:14:57. > :15:01.the fellow nominees in this category. You guys are all brilliant
:15:02. > :15:09.and I feel so blessed to be in your company. I mean, my God, let's
:15:10. > :15:16.just... Well done. The fact I'm standing on this stage is so crazy
:15:17. > :15:21.to me. Breaking Bad was such an incredible journey in my life and I
:15:22. > :15:26.just want to thank Vince Gilligan who created it. Man, you're
:15:27. > :15:30.brilliant and the rest of our brilliant writers, thank you. Our
:15:31. > :15:43.cast. The family. I love you. Thank you all. Thank you.
:15:44. > :15:55.Well as Beyonce once said, all the single dramas, all the single
:15:56. > :16:01.dramas. Here we have Joe Dempsey and from the cim son field, Oona Chaplin
:16:02. > :16:13.-- Crimson Field, Oona Chaplin. Hello! Wow! So, television has been
:16:14. > :16:19.getting better and better every year. This year we have been blessed
:16:20. > :16:24.with a lot of good single dramas. They have provided us with suspense
:16:25. > :16:34.and incredible story telling. Let's look at the nominees.
:16:35. > :16:44.Have you seen this poppycock, Sir? Yes it may be why the men like it.
:16:45. > :16:49.And they like the ladies. Neither are conducive to winning the war.
:16:50. > :16:52.Really have you seen them? Of course not!
:16:53. > :17:01.Why do you hate her so much? Where do you want me to start. What is it
:17:02. > :17:04.that makes you want to kill us. I want a peaceful Islamic Revolution.
:17:05. > :17:12.Will you allow that? Did I ever hit you? No. No, of
:17:13. > :17:20.course you didn't, but you might have done if I had done this or
:17:21. > :17:24.this! Maybe you would have. You wouldn't...
:17:25. > :17:43.Trust me, you're perfect for it. No-one will be able to resist you. .
:17:44. > :18:10.That's the doctor... Doctor who? And the award goes to... Complicit.
:18:11. > :18:33.The first thing I would like to say is, yes, yes, thank you. Thank you
:18:34. > :18:41.to BAFTA. Torture is a terrible crime. It is an appalling thing. It
:18:42. > :18:46.is even worse when a great democracy like Britain becomes Complicit in
:18:47. > :18:51.acts of torture when people are kidnapped and rendered into the
:18:52. > :18:55.hands of a kind of nightmare dictator like Gaddafi. It is hard to
:18:56. > :19:00.make films like this. It is very hard to make documentaries. It is
:19:01. > :19:07.even harder to make dramas. I am incredibly grateful to everyone on
:19:08. > :19:12.the team, to our director, to our splendid writer, to Monica, who is
:19:13. > :19:19.here with us tonight and to obviously David and to Arshal, in
:19:20. > :19:25.making such a difficult film and bringing these issues and really
:19:26. > :19:31.would like to thank the very brave people that won a small, but not the
:19:32. > :19:35.biggest, but the boldest broadcaster in the world - Channel 4, for
:19:36. > :19:37.commissioning such a splendid film. Please give your hands up for
:19:38. > :19:59.Channel 4. The Channel 4 hamper is that way.
:20:00. > :20:07.Next, to the BAFTA for Male Performance in a Comedy Programme.
:20:08. > :20:16.Two lady who have been up and down so many stairs. It is Laura
:20:17. > :20:27.Carmichael and give give give. -- and Elizabeth McGovern.
:20:28. > :20:34.There's nothing like making a man laugh. Sorry, that's your line,
:20:35. > :20:37.Laura! You go!
:20:38. > :20:47.Let's take a look at the nominations.
:20:48. > :20:57.Some magazines and a DVD. I need you to find them and get rid of them. I
:20:58. > :21:01.cannot bear my mum to look at them. Don't look at them yourself - they
:21:02. > :21:04.are disgusting. Get up! Get in the front. You're driving the rest of
:21:05. > :21:11.the way! It's nothing illegal. It was just
:21:12. > :21:30.bums and stuff. Small or medium! You know what, I've
:21:31. > :21:36.changed my mind. I think I'll have a medium. You don't want a small one?
:21:37. > :21:42.Small is good, it is just as good. Yes, that is what I will - I'll have
:21:43. > :21:56.a small mocha my little man, my good man!
:21:57. > :22:06.Sam? Have it! I have it! I have it! What
:22:07. > :22:29.do you have? The slogan! I'm here on purpose. Yes! I'm
:22:30. > :22:35.interested in women's slacks. I see. I've got a hot ear.
:22:36. > :22:37.I'd like to buy a pair of women's slacks.
:22:38. > :22:43.For me... Not for a woman! And the BAFTA goes to Richard
:22:44. > :23:23.Ayoade. Right, well, I - there's a lot of
:23:24. > :23:29.people. I did not think I would ever have to say I would like to thank
:23:30. > :23:37.the Academy outside of my fan letters to Fame Academy. That's... I
:23:38. > :23:42.would like to thank them for co-defying this error. I am stupid,
:23:43. > :23:47.but not so stupid to think this is to do with me. I was a kind of
:23:48. > :23:53.membrane through which Graham was able to push his amazing brilliance
:23:54. > :23:57.through, with minimal resistance of my own lack of ability to express
:23:58. > :24:06.emotion on my face. So, I hope this serves as an
:24:07. > :24:13.inspiration to other nasal men with no facial expression or emotional
:24:14. > :24:22.range. I would like to thank the cast, Chris and Catherine and Matt,
:24:23. > :24:26.who can act and they were terrific. Chiggy and Clare, Graham, I have
:24:27. > :24:38.dealt with. If I haven't thanked you, it is
:24:39. > :24:46.because they cut it. And crucially, I would like to thank
:24:47. > :24:53.my wife for more than everything. So, I'll leave with less dignity
:24:54. > :25:04.than I came up with! APPLAUSE
:25:05. > :25:16.Romantic! Moving on to Factual Series. Here are two presenters from
:25:17. > :25:19.the One Show. It is Alex Jones and Matt Baker.
:25:20. > :25:27.APPLAUSE Thank you. It is fantastic to be
:25:28. > :25:32.here to present this award. Tonight's nominees cover the NHS,
:25:33. > :25:37.bus drivers, mental health r health and the wonderful mushy pea and his
:25:38. > :25:47.friends over there. Playing the bagpipes and a faint fainting man
:25:48. > :25:53.and it is a one show running order! -- Own Show running order.
:25:54. > :26:01.The nst NHS, it is marvellous. We saw it start. There's not anywhere
:26:02. > :26:04.in the world where you could get this treatment. Think about it, in
:26:05. > :26:08.Manchester, we have every hospital you can think of.
:26:09. > :26:14.You get the funny people. You get the people that like to talk to you.
:26:15. > :26:18.You get the people who want to tell you jokes. That's not fair! People
:26:19. > :26:21.going out for a quiet drink with their friends. They are excited.
:26:22. > :26:35.Some even flirt with you. There's clearly some part of me
:26:36. > :26:41.that's not happening in your life. You know, I think there's more going
:26:42. > :26:46.on in my mind than I'm letting myself know. It feels like there's a
:26:47. > :26:50.murderer in my head that's trying to kill me.
:26:51. > :26:57.Year 11 are about to take their final GCSEs. How do you feel about
:26:58. > :27:04.tomorrow? I am scared of feeling. What is a fact? Something that is
:27:05. > :27:09.true. Why would you use facts in an article. Because you can use it And
:27:10. > :27:15.persuade. If we are writing to persuade, what do we use? Opinions,
:27:16. > :27:18.rhetorical questions, stories and... Is this a classroom or a corridor?
:27:19. > :27:26.It is a corridor, Sir - correct! And the BAFTA is awarded to it is
:27:27. > :28:09.Bedlam. I would just like to say thank you
:28:10. > :28:17.to the Academy, on behalf of all the team here who made Bedlam.
:28:18. > :28:23.Another big thank you to the South London and maudsly, who took a leap
:28:24. > :28:26.of faith for allows us in for the best part of two years and make a
:28:27. > :28:32.programme in collaboration with them, not just going in there, but
:28:33. > :28:39.actually making a series with them. But the biggest thank thanks and I
:28:40. > :28:45.speak for everyone in the team, is to the people who live on a daily
:28:46. > :28:51.basis with mental illness, who were brave enough to allow us to tell
:28:52. > :28:57.their stories. It is tes meant to their brave -- testament to their
:28:58. > :29:01.bravery that we were able to make this series. Thank you to them.
:29:02. > :29:10.Thank you! APPLAUSE
:29:11. > :29:16.OK, now it is time for the radio tiem Radio Times Audience Award. As
:29:17. > :29:23.voted for by the great British public.
:29:24. > :29:31.Fingers crossed! Remember the Olympics lost this.
:29:32. > :29:34.Here to present it from, a show which has taken the world by storm
:29:35. > :29:42.and fire and ice, please welcome, from last year's winners, Game of
:29:43. > :29:57.Thrones. Hello.
:29:58. > :30:01.Whether you perform to one person, to thousands or to millions, you
:30:02. > :30:05.want that audience to love what you do. That's what makes this award so
:30:06. > :30:10.special. It tells you just that, loud and clear.
:30:11. > :30:14.The Game of Thrones cast and crew were thrilled to win this last year.
:30:15. > :30:28.Who have the public voted for this time? Let's look at the nominations.
:30:29. > :30:35.Anyone lose a Fez? Who, how can you be here? More to the point? Why are
:30:36. > :30:40.you here? Good afternoon. I'm looking for the Doctor. Well, you've
:30:41. > :30:52.certainly come to the right place. What happened? I used Howard's
:30:53. > :31:00.custard by error. We were both in the same fridge. I forgot my bowl It
:31:01. > :31:04.is either the most incredible error or the best baking espionage I have
:31:05. > :31:13.ever seen. I'm sorry. If we had a freezer the condensed
:31:14. > :31:20.liquid would cool more quickly because this is an exothemic
:31:21. > :31:26.reaction, giving off heat. Put me into a coma, why don't you?
:31:27. > :31:32.Musharaf has had a severe stammer since childhood. I watched the
:31:33. > :31:37.King's Speech. I makes a list of some music and when he has listened
:31:38. > :31:43.to the music, gets him to do it again. This is my stutter. I have
:31:44. > :31:46.had this problem since the age of five. Broadchurch.
:31:47. > :31:52.Get off the beach. You can't be here. You can't be here. Get off the
:31:53. > :32:07.beach. Get away from here. The winner of the X Factor is...
:32:08. > :32:09.Jonathan, shut up. Nicola, shut up. They are going to drag it out for 20
:32:10. > :32:16.minutes. Sam! The award goes to... Doctor Who: The
:32:17. > :33:19.Day of the Doctor. Wow. God, we're shocked. Honoured.
:33:20. > :33:23.It is a particularly special award because it's voted for by the
:33:24. > :33:29.viewers at home and obviously that means a huge amount. I just have to
:33:30. > :33:33.say we are really surprised if. If we'd known, I think someone famous
:33:34. > :33:40.would be standing here! Anyway, loads of people to thank, obviously.
:33:41. > :33:49.Amazing producer, Marcus, director Nick. Our brilliant, brilliant cast.
:33:50. > :34:00.Matt Smith, David Tennant. Jenna Coleman, Billy Piper, John Hurt and
:34:01. > :34:04.one person really missing tonight is Steven Moffat. His ideas his
:34:05. > :34:08.imagination supports the show and guides the show. You know we are
:34:09. > :34:14.hugely grateful to him. But also I do think it's worth saying that this
:34:15. > :34:19.show really is for anybody - this award really is for anybody who has
:34:20. > :34:23.had a hand in Doctor Who over the last 50 years. We celebrated the
:34:24. > :34:35.anniversary last year. This is really special. Thank you very much.
:34:36. > :34:47.Steven Moffat! CHEERS Who knew?
:34:48. > :34:51.The BAFTA for Best entertainment Perforance is next. Here is present
:34:52. > :34:56.the award is a sporting hero who wowed us for Sport Relief. The main
:34:57. > :35:01.relief when she was allow allowed to stop. She has brought along her very
:35:02. > :35:07.special personal trainer. Please welcome, Davina McColl.
:35:08. > :35:15.Hi, Graham. Hi everyone. I can't believe me and my new personal
:35:16. > :35:21.trainer. We set off fromp John o' Groats last night. I got here first.
:35:22. > :35:28.It is amazing. Where is he? Come on out. Come on out. Give it up for the
:35:29. > :35:35.double Olympic gold medal winner, Mo Farah, everyone.
:35:36. > :35:44.APPLAUSE Thank you everyone. Do it. Do it.
:35:45. > :35:54.OK. Let's take a look at the nominees.
:35:55. > :36:01.We have shows like Strictly and X Factor, described as emotional
:36:02. > :36:06.rollercoasters. I always thought an emotional roller coaster was when
:36:07. > :36:17.found you couldn't fit in one of the seats? You know! I'll hold your bag.
:36:18. > :36:24.I honestly don't think health and safety goes far enough. I mean, I am
:36:25. > :36:28.a paranoid, neurotic mess. A wreck of a man. I have a constant health
:36:29. > :36:33.and safety officer screening in my head. I can't look at that without
:36:34. > :36:37.imagining you might smash it and grind it into my eye.
:36:38. > :36:44.You and a plastic bag. You were wearing a plastic bag. Were you... I
:36:45. > :36:51.hit some guy. Were you swinging a bat or something Swinging a bat?
:36:52. > :36:53.Anyway, this isn't great? Why don't I stick to the questions on the
:36:54. > :37:17.card. And the BAFTA goes to... Ant and
:37:18. > :37:57.Dec. Thank you very much. Thank you. This
:37:58. > :38:02.is amazing. I'm glad we came now. Two in one night. This is brilliant.
:38:03. > :38:07.I will keep it short. I know you are dying for drinks. We are. You saw
:38:08. > :38:11.the team earlier who produce and make Saturday Night Takeaway. It is
:38:12. > :38:14.them we have to thank. Their hard work makes us look fantastic. It is
:38:15. > :38:17.down to them. So thank you very much Thank you very much to them. Thank
:38:18. > :38:21.you to our management James Grant and to ITV for your continued
:38:22. > :38:27.support. Thank you to BAFTA for the award and thanks to you, well done
:38:28. > :38:33.you. Well done you Not bad. We did all right. Have an amazing evening,
:38:34. > :38:40.everybody. Thank you so much. I'll have this one.
:38:41. > :38:46.A w! Congratulation tops Ant and Dec. I remember at last year's
:38:47. > :38:51.ceremony talking to Olivia Coleman and told me how happy she was when
:38:52. > :38:55.she won two awards. I feel the opposite of that.
:38:56. > :39:03.No? The exciting Leading Actress Award now. Good luck to everyone
:39:04. > :39:08.nominated. I'm sure they are all feeling tense and after last year, a
:39:09. > :39:12.bit annoyed, you are up against Olivia Coleman. That will teach you.
:39:13. > :39:19.Here to present an award is an actor you will recognise from classic
:39:20. > :39:25.films such as injures aic Park and the Hunt for Red October. And most
:39:26. > :39:31.recently. Peaky Blinders. Please welcome Mr Sam Neil.
:39:32. > :39:41.Yes, the Peaky Blinders. I was asked several times on the red carpet if I
:39:42. > :39:48.was upset we had been snubbed? Snubbed by BAFTA. That was the word.
:39:49. > :39:59.I said - not at all wear fine. I was lying. I'm actually crying inside.
:40:00. > :40:11.Underneath this bluff exterior. Anyway, on to the more deserving.
:40:12. > :40:19.There is a curious discrimination that goes on at BAFTA Awards in that
:40:20. > :40:23.the men are segregated from the women and there is a very good
:40:24. > :40:32.reason for that. If we are all lumped together no man would ever
:40:33. > :40:38.win again. I'm one of those men. So, I'm really happy, it is a great
:40:39. > :40:44.pleasure for me to be awarding one of four incredible women, none of
:40:45. > :40:53.whom a man would ever beat. Let's have a look at their work:
:40:54. > :41:01.What are you saying? You leave me no choice but to be indelicate. Furtive
:41:02. > :41:06.and secret meetings with a man... How dare you. I saved my husband
:41:07. > :41:12.from the poison that was killing him. Not you, not God. You deny
:41:13. > :41:23.God's work in the world? I am tired of God.
:41:24. > :41:50.No, not Joe, not Joe, please. It's wrong. I'm not.
:41:51. > :42:09.Let me go. Let me go. SCREAMS Help, help.
:42:10. > :42:18.This is much worse. Do not treat those around us or those who look
:42:19. > :42:23.after us like dirt. That is inexcusable, and you know it.
:42:24. > :42:28.Please, do the right thing now, now. Or I am going to spend the entire
:42:29. > :42:31.final act of this play in full conversation with whoever in the
:42:32. > :42:38.front row wants to join in with me the most.
:42:39. > :43:18.APPLAUSE The BAFTA goes to... Olivia Coleman.
:43:19. > :43:35.Lord. Thank you very much. Sorry. To be nominated alongside those amaze
:43:36. > :43:48.amazing women. Helena I think you are amazing. I'm sorry, not cool.
:43:49. > :43:58.Um, well, I'm so pleased everybody likes Broadchurch. We love it. Thank
:43:59. > :44:03.you for writing it and thank you to everybody in it and David Tennant,
:44:04. > :44:11.standing opposite you, it is just a joy and a treat and watching Andy
:44:12. > :44:18.and Jody and also, can I thank myp friend Merc because she'll laugh.
:44:19. > :44:24.She is a teacher, not an actor. And my mum and dad again and because
:44:25. > :44:27.they are babysitting, again and my husband who is just the best thing
:44:28. > :44:38.in the world. Thank you very much. APPLAUSE
:44:39. > :44:51.Congratulations to Olivia Coleman. All that crying, it is starting to
:44:52. > :44:57.look like showing off, isn't it? ! Look what I can do.
:44:58. > :45:06.Our penultimate award tonight - yes, you heard me - penultimate. Second
:45:07. > :45:15.to last! It is for Leading Actor. Here to
:45:16. > :45:19.present it is last year's Leading Actress winner, the extraordinary,
:45:20. > :45:29.uber talented, Sheridan Smith everyone.
:45:30. > :45:36.Hello. I can't walk and I've got purple hair. Thank you,
:45:37. > :45:40.congratulations owe livia. I'm honoured to be here today to present
:45:41. > :45:44.this award. I know how much the actors nominated will have put in to
:45:45. > :45:48.give the performances they Z playing the lead is an all-consuming
:45:49. > :45:53.experience, it takes over your life and you become that person N this
:45:54. > :45:57.case, with these nominees, we should be glad they made the effort because
:45:58. > :46:04.the results are astonishing. Let's take a look:
:46:05. > :46:14.I wrote thousands of letters. Why didn't you reply to me? I didn't get
:46:15. > :46:20.any letters. I thought you had forgotten about me.
:46:21. > :46:28.Command Commander. They use it as a joke. They think it's funny. They
:46:29. > :46:34.don't know, do they? Afghanistan, you said.
:46:35. > :46:40.I have never criticised her as an actress. She is peerless as an
:46:41. > :46:47.actress. You call that acting out there?
:46:48. > :46:54.Go home! Why are you angry with me? I am not angry with you. I am angry
:46:55. > :47:55.with Sally. This is a bit of a nightmare for me!
:47:56. > :48:04.I'll try not to mumable! I'll try and speak -- mumble. I will try and
:48:05. > :48:08.speak clearly. I would like to thank Darren. Tony, for looking after me
:48:09. > :48:16.and being my friend and writing things, which are beautiful.
:48:17. > :48:20.And I would like to thank Sean Durkin, for taking me through it
:48:21. > :48:28.because it was a little bit difficult at times. Who else do I
:48:29. > :48:34.want to thank? I want to thank Shahim for always being very
:48:35. > :48:39.nurturing, kind and supportive and putting me in front of directors who
:48:40. > :48:46.didn't really want me there. So, that is a help.
:48:47. > :48:53.My agent - connor, who is really nervous at the moment.
:48:54. > :49:37.He said, "If you win, which you won't, don't...
:49:38. > :49:45.to say, you are really lovely and it was a really lovely experience. Who
:49:46. > :49:57.else? Peter Carlton. Got you there! Who else? One more. My dad. Yeah,
:49:58. > :50:03.who brought me up. He's my favourite man in the world.
:50:04. > :50:11.Who else? My friends, Bob, at the pub.
:50:12. > :50:20.Emma, who is my friend as well - did make-up.
:50:21. > :50:27.Is that it? Yeah! Oh, yeah, really important, really
:50:28. > :50:34.important, a woman called Lesley Hally, who was my drama teacher at
:50:35. > :50:41.school when I was that high. She went to my dad's house and said, I
:50:42. > :50:47.think your boy could be an actor and that was a big deal to my dad, he
:50:48. > :50:51.worked in a shipyard. He didn't want me to be an actor that kind of
:50:52. > :50:55.thing. So she put me on that road, so thank you, Lesley.
:50:56. > :51:21.APPLAUSE I think we have say that award has
:51:22. > :51:27.been fully accepted. And now to our final award of the
:51:28. > :51:31.night - the prestigious Academy Fellowship. Here to tell us more
:51:32. > :51:35.about this much-loved and deserving recipient, it is the wonderful Celia
:51:36. > :51:49.Imrie. . Good evening, ladies and
:51:50. > :51:55.gentlemen. I'm very excited and proud to say that tonight's
:51:56. > :52:02.recipient of the BAFTA Fellowship is my friend. Was my char lady and will
:52:03. > :52:07.go on giving me a delicious agony every time she bends herself in half
:52:08. > :52:15.and tries to take my order for soup and that is just for starters! I
:52:16. > :52:21.first saw her in a pub in Shepherd's Bush, a little theatre upstairs,
:52:22. > :52:26.when she made me cry with laughter, in sketches performed by and written
:52:27. > :52:33.by the brilliant Victoria Wood. Since then we have worked together
:52:34. > :52:37.in a little shop, been to sazsy land and back and taken our clothes off
:52:38. > :52:41.in Yorkshire. I think she's a bit of a magician,
:52:42. > :52:48.because she will always totally surprise you with what she does
:52:49. > :52:54.next. She's always encouraging and is a daily delight and I'm very
:52:55. > :53:00.happy to be one of the lucky few who has had the joy of being around her.
:53:01. > :53:05.Let's take a look at her spectacular career.
:53:06. > :53:14.When you deal with me, Clare, think icon.
:53:15. > :53:24.Hello. How is it treating you? I think sometimes being a widow is
:53:25. > :53:29.God's way... Excuse me. It is important I am served. Excuse me
:53:30. > :53:34.there is a queue. These people have not been served yet. I am making a
:53:35. > :53:39.television programme. I think that ranks higher than the feeding of
:53:40. > :53:44.pensioners. Can you move away, your breath smells. What is the soup of
:53:45. > :53:50.the day, please? I'll just go and find out.
:53:51. > :53:55.People who know me tell me I'm a very serious person. Only it's
:53:56. > :54:03.funny, I never get to do serious parts.
:54:04. > :54:12.The prize is peace for generations to come. I am 28 years old. I
:54:13. > :54:21.married you when I was 17. I was a mother at 18. That is my right! And
:54:22. > :54:28.that is at the route of all -- root of all I believe in. If you put
:54:29. > :54:34.another toe out of line, we'll bring you straight home.
:54:35. > :54:39.Oh, and Jimmy, dear, congratulations.
:54:40. > :54:42.I'm in terrible trouble. You've always been in terrible trouble.
:54:43. > :54:52.You've always driven me around the bend. What thing? Why? A thing to
:54:53. > :54:57.thank God for. You will not be coming here next week? I will be and
:54:58. > :55:10.you'll be getting a haircut. I will not. You want to walk around looking
:55:11. > :55:16.like that. Like what? A Jerry yacht yachtic -- an old hippy. The sun
:55:17. > :55:22.will come out tomorrow. That's chance.
:55:23. > :55:30.Here's to Venus for lust! And here's to Mars for courage.
:55:31. > :55:40.Never love in moderation! Do you have a car? Yes. Drive a big
:55:41. > :55:54.car, do you? Yeah. Thought so! Two soups!
:55:55. > :56:04.The BAFTA Fellowship goes to the one and only Julie Walters.
:56:05. > :56:37.Stop it! I love it! No! Now, come along - sit down,
:56:38. > :56:44.everybody - as you were. Honestly, it's been a long night. Almost as
:56:45. > :56:48.long as my career! Thank you! What an honour. Thank you.
:56:49. > :56:54.Well, I know I have said this lots of times, but when I told my mother
:56:55. > :56:59.that I wanted to be an actress, back in 1969 - it's all right, I'm not
:57:00. > :57:08.going to go through every year of my career. And in 18973... No -- 1973.
:57:09. > :57:12.No, when I told her this, she said, she'll be in the gutter before she's
:57:13. > :57:20.20 and she was right. And what a gutter! And I shared that gutter
:57:21. > :57:24.with some of the most amazing and talented people, without whom I just
:57:25. > :57:28.simply would not have a career. I mean, I can't list them all, because
:57:29. > :57:32.it would take all night and I would be in sheer terror of missing
:57:33. > :57:36.somebody out. Through them, I have learnt so much.
:57:37. > :57:41.And very little of it had anything to do with acting.
:57:42. > :57:47.Now, I have got to tell you this - two or three years ago, someone,
:57:48. > :57:52.saying they were from the Daily Telegraph, rang my agent's office
:57:53. > :57:59.and asked whether it was true that I was retiring. To which my agent
:58:00. > :58:03.replied, "No." Two or three days later, a piece duly appeared in a
:58:04. > :58:07.paper saying I was thinking of retiring. Anyway, two weeks after
:58:08. > :58:14.that, there was a knock on my back door at home. And I wasn't in at the
:58:15. > :58:18.time. My cleaner, Jackie was. She answered the door. He said, standing
:58:19. > :58:24.there was a young lad, who looked about 14. Anyway, he proceeded to
:58:25. > :58:30.tell her he was from the Daily Mail. L.. He looked straight at her and
:58:31. > :58:41.said, we have heard you're retiring. Is it true?
:58:42. > :58:50.To which my agent... Sorry, my clean cleaner: Feudian slip!
:58:51. > :58:55.I've spoilt the punch line. To which my cleaner replied, "Well, it's a
:58:56. > :58:59.bit hard on the knees, but I'm not thinking of going any time yet." Do
:59:00. > :59:03.you know what, had I answered the door on that day, my answer would
:59:04. > :59:09.have been pretty much the same, reelingly. So I say to you know -
:59:10. > :59:17.really. So, I say to you now, it is a bit hard on the knees, but I'm not
:59:18. > :59:20.thinking of going any time yet. And, for your information, my
:59:21. > :59:26.cleaner is a good ten years younger than me and very, very attractive.
:59:27. > :59:30.Anyway, thank you BAFTA. Oh, honestly, you've been so generous to
:59:31. > :59:37.me over the years. I just want to say a big thank you generally to the
:59:38. > :59:43.business for giving me a fantastic 40-year ride. And I never do this...
:59:44. > :59:48.Well, I do at home, but I am going to say thank you to my husband,
:59:49. > :59:50.Grant, for being there for me and for allowing me my dreams.
:59:51. > :00:14.Thank you. Fantastic.
:00:15. > :00:18.Well, last weekend the show wasn't over until the bearded lady sang,
:00:19. > :00:22.but tonight, that's it. That's all from us here at the Arqiva British
:00:23. > :00:31.Television Awards. Congratulations to all the winners and nominees and
:00:32. > :00:33.to you watching at home. The wine is white, the night is good. Good
:00:34. > :00:55.night. The award goes to the Ashes.
:00:56. > :01:00.The umpire has decided he has a clear hotspot and a clear audio. He
:01:01. > :01:06.is out. England have won the match. This is extraordinary. I remember
:01:07. > :01:13.some 30 years or so ago receiving something much smaller than this,
:01:14. > :01:19.called the Ashes. Current Affairs: The BAFTA goes to Syria: Across the
:01:20. > :01:25.Lines. In this valley, neighbour is fighting neighbour.
:01:26. > :01:35.This is really, really amazing. I really did not expect to be standing
:01:36. > :01:41.here. Thanks very much indeed. Anyone any Series. The BAFTA goes
:01:42. > :01:45.to... In the Flesh. Your parents. They are looking forward to seeing
:01:46. > :01:49.you again. Why wouldn't they? Because I'm a zombie. And I kill
:01:50. > :01:56.people. I want to say thank you to you are a
:01:57. > :02:04.amazing writer Dominic Mitchell. Unbelievably, this is his first-ever
:02:05. > :02:14.development for television. Sing Documentary. The BAFTA is
:02:15. > :02:18.awarded to... Scoot Murder Trial. What makes it a different kind of
:02:19. > :02:21.trial? There is a charge of murder but at the same time there is no
:02:22. > :02:27.body. I will thank the people on the stage. My producer, marina Parker.
:02:28. > :02:31.Fantastic editor and Cate barquer who worked on this for years and
:02:32. > :02:36.years to get access to the legal system up in Scotland.
:02:37. > :02:48.# News scam coverage... The BAFTA goes
:02:49. > :02:52.to... ITV News at Ten: Woolwich Attacks. There are strong
:02:53. > :02:57.indications it is a terrorist Ince dented. Tonight we have strong
:02:58. > :03:05.pictures and we look at what it means for the forces here. We are
:03:06. > :03:09.aware this is for the a particularly brutal murder on the streets of
:03:10. > :03:14.London a year ago next week. First and fore foremost our thoughts are
:03:15. > :03:21.with the family of Drummer Lee Rigby. You can watch these awards in
:03:22. > :03:35.full on the BBC News Channel, after the news.
:03:36. > :04:37.Rio de Janeiro, host to this year's World Cup.
:04:38. > :04:42.But this paradise is also a city divided by class
:04:43. > :04:47.Film-maker Julien Temple captures this city of extremes.