:00:09. > :00:22.British Academy Television Awards, coming to you from
:00:23. > :00:38.# Well, I had me a boy, turned him into a man.
:00:39. > :00:40.# I showed him all the things that he didn't understand.
:00:41. > :00:45.# Now, there's one in California who's been cursing my name.
:00:46. > :00:47.# 'Cause I found me a better lover in the UK.
:00:48. > :00:57.# One, two, three, they gonna run back to me.
:00:58. > :01:00.# 'Cause I'm the best baby that they never gotta keep.
:01:01. > :01:03.# One, two, three, they gonna run back to me.
:01:04. > :01:07.# They always wanna come, but they never wanna leave.
:01:08. > :01:11.# Ex's and the oh, oh, oh's they haunt me.
:01:12. > :01:17.# Like gho-o-osts they want me to make 'em all.
:01:18. > :01:45.Welcome to the Baftas. Welcome to the Baftas. Enjoyed.
:01:46. > :01:50.# So the hearts keep breaking, and the heads just roll.
:01:51. > :01:55.# You know that's how the story goes.
:01:56. > :01:58.# One, two, three, they gonna run back to me.
:01:59. > :02:01.# 'Cause I'm the best baby that they never gotta keep.
:02:02. > :02:05.# One, two, three, they gonna run back to me.
:02:06. > :02:08.# They always wanna come, but they never wanna leave.
:02:09. > :02:13.# Ex's and the oh, oh, oh's they haunt me.
:02:14. > :02:18.# Like gho-o-osts they want me to make 'em all.
:02:19. > :02:27.# My ex's and the oh, oh, oh's they haunt me.
:02:28. > :02:32.# Like gho-o-osts they want me to make 'em all.
:02:33. > :02:54.So excited for tonight. Cannot wait to get in there. Fingers crossed for
:02:55. > :02:58.Britain's Got Talent. I am so excited. I feel a win coming on.
:02:59. > :03:00.# One, two, three, they gonna run back to me.
:03:01. > :03:02.# Climbing over mountains and a-sailing over seas.
:03:03. > :03:05.# One, two, three, they gonna run back to me.
:03:06. > :03:07.# They always wanna come, but they never wanna leave.
:03:08. > :03:10.# My ex's and the oh, oh, oh's they haunt me.
:03:11. > :03:13.# Like gho-o-osts they want me to make 'em all.
:03:14. > :03:21.# Ex's and the oh, oh, oh's they haunt me.
:03:22. > :03:26.# Like gho-o-osts they want me to make 'em all.
:03:27. > :03:56.CHEERING Thank you! Let's start the Bafta
:03:57. > :03:59.awards 2016! Ladies and gentlemen, please welcome your host this
:04:00. > :03:59.evening, the I business Graham Norton!
:04:00. > :04:13.CHEERING Thank you, thank you. Too
:04:14. > :04:28.kind. Good evening, everybody! British Academy Television Awards,
:04:29. > :04:34.coming to you from Thanks for joining us for one of the
:04:35. > :04:40.most star-studded TV events I'd like to tell you my name,
:04:41. > :04:46.but thanks to my super injunction, you'll just have
:04:47. > :04:53.to check on Twitter. LAUGHTER
:04:54. > :04:57.Well done to all our glamorous people for surviving the red carpet.
:04:58. > :05:02.Well done to all our glamorous It was hot! This theatre smells like
:05:03. > :05:08.the inside of a minicab! You know the form, we are here up once again
:05:09. > :05:23.on the Southbank celebrating. A few Then they get a cab or eight said
:05:24. > :05:34.eco-bike. That is what they are called, isn't it?
:05:35. > :05:37.Now after recent awards ceremonies I want to assure you that no one is
:05:38. > :05:40.going to be judged on the way they're dressed here tonight.
:05:41. > :05:42.Because that is the job of tomorrow's Mail Online.
:05:43. > :05:45.We learnt a lot from our amazing dramas this year.
:05:46. > :05:49.And never, EVER, cheat on Suranne Jones.
:05:50. > :05:54.Yes, one of the biggest hits of the year was Doctor Foster.
:05:55. > :05:57.it was fantastic! CHEERING
:05:58. > :05:59.Wow, no wonder Doctor Foster was so angry.
:06:00. > :06:02.Her husband was cheating on her and the government
:06:03. > :06:08.is trying to make her work weekends.
:06:09. > :06:17.We must mention The Night Manager, wasn't it good?
:06:18. > :06:21.There is Tom all squeaky clean in the front row.
:06:22. > :06:24.Thanks to his fantastic performance in The Night Manager,
:06:25. > :06:26.poor Donald Trump was relegated to only the second
:06:27. > :06:34.I haven't seen that many people desperate
:06:35. > :06:36.to flee Austria to escape death since
:06:37. > :06:50.They are just jokes, I am reading them aloud.
:06:51. > :06:52.Sadly many of the contestants on The Jump
:06:53. > :06:53.had accidents and were taken to hospital.
:06:54. > :06:56.Poor Sid Owen is looking at two years off work,
:06:57. > :07:08.I really enjoyed the BBC's brilliant Car Share.
:07:09. > :07:12.My favourite bit was when Matt le Blanc
:07:13. > :07:15.It was probably the biggest U-turn of the year.
:07:16. > :07:17.Unless you count Simon Cowell going, "Erm...
:07:18. > :07:21.does anyone still have Dermot's number?"
:07:22. > :07:30.Well done! CHEERING
:07:31. > :07:32.I'm not saying the writing was on the wall for
:07:33. > :07:35.Caroline Flack but you could get better odds of Anne Boleyn returning
:07:36. > :07:46.Nostalgia is back and the BBC is reviving sitcoms
:07:47. > :07:49.like Are You Being Served and Porridge.
:07:50. > :07:51.Which is weird because the BBC don't usually like having
:07:52. > :08:10.things that happened in the '70s dragged up again.
:08:11. > :08:17.Let's get started because the sooner we begin the sooner we can have a
:08:18. > :08:22.couple of drinks or as they say in the theatre world, some technical
:08:23. > :08:26.difficulties. We are here to celebrate excellence, keep up. Here
:08:27. > :08:33.is a little reminder of just how good British television really is.
:08:34. > :08:37.I have loved you since I was a little girl. And I want you to be my
:08:38. > :08:58.husband. # sun in the sky, you know how I
:08:59. > :09:08.feel, it's a new dawn, it's a new day, it's a new life for me... Come
:09:09. > :09:09.on then, do your worst. These are live pictures from inside the
:09:10. > :09:58.capsule. Pitch is right, I am a wolf tonight.
:09:59. > :10:03.I would like to exit at this point. That is wholly unexpected. BBC Three
:10:04. > :10:19.is not closing, it is moving to the Internet.
:10:20. > :10:53.Aren't we brilliant?! We are great! It is impressive, isn't it?
:10:54. > :10:58.If this were The Apprentice, it's time to find out who's going up
:10:59. > :11:00.The Shard to learn to salsa dance and who's going
:11:01. > :11:06.And to say we're starting on a high is an understatement.
:11:07. > :11:09.To present it, are two stars that can sing, dance and act.
:11:10. > :11:13.Please welcome, from the upcoming animated film Trolls,
:11:14. > :11:15.the fantastic Anna Kendrick
:11:16. > :11:21.and the incredible Justin Timberlake.
:11:22. > :11:54.Who is reading Justin? You can do it. It is not that exciting any
:11:55. > :12:03.more, to be honest! Mum! Thank you. It's such a great honour to be
:12:04. > :12:07.here at the Baftas to present the first award of the night
:12:08. > :12:18.for Drama Series. British drama has always set the bar
:12:19. > :12:25.for everyone else to follow, so naturally, they asked to Americans
:12:26. > :12:34.to present it. That is right, two Americans, never seen any of these
:12:35. > :12:44.shows! Let's take a look at these wonderful nominees.
:12:45. > :12:52.The gentlemen are to be tried together. You are to be judged by
:12:53. > :12:58.your peers. You have no witnesses. When you wear at liberty, madam,
:12:59. > :13:01.your ladies were intimidated by you, forced to lie for you. Now they are
:13:02. > :13:14.emboldened. I am sure they are. If the Panthers are back then I need
:13:15. > :13:22.my diamond specialist to be capable of tracking them. Take it as a
:13:23. > :13:27.compliment. The fact is, you are simply too good.
:13:28. > :13:41.I am sad because I want to be like you, mouse, small and ferry and
:13:42. > :13:50.warm, then we could flyaway together. Then he said... I will
:13:51. > :13:55.take over now. No, I want her to do it. Reading is money's job. But she
:13:56. > :14:14.does not rush. Now, if you feel like you can't go
:14:15. > :14:16.on, because all of your hope is gone! And your world around is
:14:17. > :15:07.crumbling down... Thank you on behalf of all of us who
:15:08. > :15:12.worked on Wolf Hall. In a week when John Whittingdale described the loss
:15:13. > :15:15.of the BBC as a tempting prospect, I would like to say some words in
:15:16. > :15:23.defence of that organisation full. I think most people would agree that
:15:24. > :15:31.the BBC's main job is to speak I think most people would agree that
:15:32. > :15:34.to power. To report to the British public without fear or favour, no
:15:35. > :15:34.matter how unpalatable that might be to
:15:35. > :15:48.matter how unpalatable that might be Government. It is your BBC.
:15:49. > :15:52.CHEERS AND APPLAUSE In many ways, our broadcasting, the
:15:53. > :15:55.BBC and Channel 4, which they are also attempting to eadvice rate, is
:15:56. > :16:03.the envy of the world and we should stand up and fight for it, not let
:16:04. > :16:06.it go by default. -- evicerate. And if we don't, blink and
:16:07. > :16:10.it go by default. -- evicerate. be gone. There will be no more Wolf
:16:11. > :16:14.Halls, no more award-winning Disspachs documentaries on Channel
:16:15. > :16:16.Halls, no more award-winning 4, a broadcasting landscape where
:16:17. > :16:18.the only determinant as it whether something gets made is whether it is
:16:19. > :16:27.likely to line the pock ets of something gets made is whether it is
:16:28. > :16:31.shareholders. No, no! It's time for us to stand up and say no to
:16:32. > :16:32.shareholders. No, no! It's time for dangerous nonsense. Thank you very
:16:33. > :16:32.much. CHEERING AND
:16:33. > :16:58.APPLAUSE Oh, what a great start to the show?
:16:59. > :17:26.A standing ovation. Hay, that's go. On to the Entertainment
:17:27. > :17:28.Programme Award now. And here to present it,
:17:29. > :17:31.is a man so tall it costs ?25 From Cuckoo and Man Down it's
:17:32. > :17:56.the hilarious, Greg Davies. Good evening. I'm so sorry about
:17:57. > :18:05.Justin, ladies and gentlemen. He has not aged well. But, thankfully, I'm
:18:06. > :18:08.here to bring back the sexy to the Baftas.
:18:09. > :18:22.APPLAUSE Ladies and gentlemen, when I was a
:18:23. > :18:27.young man, I heard what I thought was a wild animal in my parent's
:18:28. > :18:32.garden. On investigation, I discovered it was actually my mother
:18:33. > :18:36.guzzling from the outside tap at the back of our house, having zentedly
:18:37. > :18:40.drank petrol. -- accidentally drank petrol.
:18:41. > :18:46.It was one of the most entertaining things I have ever seen. I think you
:18:47. > :18:50.know the point I'm making. Entertainment can take many forms.
:18:51. > :19:13.APPLAUSE Jenny is on stage now singing. I
:19:14. > :19:23.think the other Adeles have finally twigged.
:19:24. > :19:31.A I'm getting a bit teary. This is so lovely.
:19:32. > :19:35.# You ain't seen nothing yet...#
:19:36. > :19:55.Oh my God! Watch her head. Oh my God.
:19:56. > :20:09.We need an actor to carry on the rest of the interview. Get me an
:20:10. > :20:16.actor to carry on the interview. How big? At least Star Wars level.
:20:17. > :20:22.Sorry, mate, mate, you haven't been on Star Wars, have you? Yes, I was.
:20:23. > :21:28.Oh my goodness. We are genuinely shocked. We were talking earlier, we
:21:29. > :21:31.both probably thought Adele At The BBC had won because it was
:21:32. > :21:36.brilliant. In fact my daughter said - no offence mum, but you have no
:21:37. > :21:43.chance. This is the most incredible honour. We have never won a Bafta
:21:44. > :21:49.before. This is our first Bafta. APPLAUSE It honestly means the world
:21:50. > :21:58.to all of us. So thank you so much to everybody at Bafta. I'm
:21:59. > :22:01.regretting the three Tequilas. Thank you to our wonderful producers.
:22:02. > :22:06.Louise Rainbow is an extraordinary woman. Thank you to the judges and
:22:07. > :22:11.our amazing dancers. I won't speak any more. We cannot believe it. We
:22:12. > :22:16.are going out for five days after this. Come on. We are going to
:22:17. > :22:20.celebrate. We have an amazing production team
:22:21. > :22:23.and fantastic celebrities who have entrusted us with their reputation
:22:24. > :22:27.over the years. Thank you to them. I would like to thapg our bosses, Joe
:22:28. > :22:31.Wallace and Katie Taylor who are brilliant and there for us. I would
:22:32. > :22:36.like to say this show doesn't belong to us, it belongs to our viewers and
:22:37. > :22:40.they are the most loyal, dedicated, demanding and passionate viewers any
:22:41. > :22:42.show could wish for. I would like to dedicate this Bafta to them. Thank
:22:43. > :22:49.you Bafta. Next up is Female in a Comedy,
:22:50. > :23:02.and to present it is Looks, talent, and if he wants
:23:03. > :23:06.them, the phone numbers Please welcome, the
:23:07. > :23:29.incredible Idris Elba. Good evening. I have lost my voice,
:23:30. > :23:31.bear with me, OK. I'm not drunk, I promise.
:23:32. > :23:34.I am so pleased to have been asked to present the
:23:35. > :23:38.I have so much respect for all four of the hugely talented
:23:39. > :23:43.Honestly, I just can't imagine what it must
:23:44. > :23:46.feel like to have a job where
:23:47. > :23:58.Mind you, I thought I was pretty funny in The Jungle Book. Here are
:23:59. > :24:11.the nominees: I got jumped today. My mum doesn't
:24:12. > :24:19.want to see me any more. I couldn't hang on to a mum friend. It is not
:24:20. > :24:22.like she is all that, she said I should hang out with them. Every one
:24:23. > :24:26.is probably more interesting in me. Rob? What? What I just said.
:24:27. > :24:37.Peter Kaye's Car Share. How did your date go? He wasn't Japanese.
:24:38. > :24:44.Furious, I have learned the language as well. Where were he from?
:24:45. > :24:48.Rochdale. His name wasn't Simon. What made you think he was? He
:24:49. > :24:58.shortened it to Si. Why the oriental. His user name was
:24:59. > :25:13.Jap's Eye. Miranda Heart - Miranda. Just twist your stick. Just twist
:25:14. > :25:24.your stick. Twist your stick. Oh. Will you twist your stick. Michaela
:25:25. > :25:29.coal, Chewing Gum. -- Michaela Coel. We are Christian. We are going to
:25:30. > :25:34.get married anyway. You might as well show me now that you want me.
:25:35. > :25:38.God won't care. Just a little thing. I'm going to give you one little
:25:39. > :25:40.kiss. One little kiss. I'm coming towards you, just one kiss. Please.
:25:41. > :26:27.Ow, man. Thank you, thank you very much.
:26:28. > :26:33.would like to pay my respects to Victoria Wood with this in my hand.
:26:34. > :26:41.APPLAUSE I would also like to thank people
:26:42. > :26:46.who told me I was funny and helped enhance that and if there is anyone
:26:47. > :26:49.out there who looks like me or feels out of place trying to get into
:26:50. > :26:54.performing and all this stuff, I would say - you are beautiful,
:26:55. > :26:57.embrace it, you are intejet, embrace it. You are powerful, embrace it.
:26:58. > :27:04.Thank you. APPLAUSE
:27:05. > :27:12.Aw, congratulations and Idris is -- you are intelligent,
:27:13. > :27:16.Aw, congratulations and Idris is looking for volunteers to help him
:27:17. > :27:22.find his voice. Now our next category
:27:23. > :27:43.is the International award From Sweden and France. But hay, if
:27:44. > :27:50.they'll sweep up at the Baftas. And here to present
:27:51. > :27:52.it is a fantastic actor from the brilliant Penny Dreadful,
:27:53. > :27:54.please welcome Josh Hartnett. The advent of on demand
:27:55. > :27:56.services has not only given us previously
:27:57. > :27:58.unimaginable access to wonderful new shows
:27:59. > :27:59.from around the world but it also allows us
:28:00. > :28:07.to watch them in one I watched great British Bake Off
:28:08. > :28:16.Creme De La Creme. I'm not kidding. Let's take a look at this year's
:28:17. > :28:24.four nominated shows: OK, Jonny will take you through the
:28:25. > :28:30.research. Of Castro? No, of you. The skeletons in my closet? Yes. That's
:28:31. > :28:37.a lot of skeletons. Have you ever seen the Matrix. Yes. Remember when
:28:38. > :28:41.they show Keanu a red pill and a blue one and if he takes the red he
:28:42. > :28:46.will go down the rabbit hole? Yes This is the red pill.
:28:47. > :29:16.Pablo was making a killing in the smuggling business, cigarettes,
:29:17. > :29:24.alcohol, marijuana, you name it. He at the time Pablo owned half the
:29:25. > :29:25.police in the area but he was Columbia's version of the FBI. They
:29:26. > :29:39.didn't play by the same rules. Is she cordial? No, she is the
:29:40. > :29:44.filing cabinet with a hairdo. She hated me when I was male, and you
:29:45. > :29:46.know, when she was little she used to accuse me of wearing her clothes.
:29:47. > :30:34.Did you? Of course I did. You should hold it. No, you hold it.
:30:35. > :30:45.What an incredible honour, thank you, Bafta. Thank you. This is Joe
:30:46. > :30:54.Lewis, our director of comedy and myself Asian. Bash back my
:30:55. > :31:01.salvation. I just want to thank all of you, Joe Soloway who created this
:31:02. > :31:08.wonderful, wonderful project, and the wonderfully eloquent and
:31:09. > :31:17.dedicated cast. Amazon who said play on, play on, play on. And again to
:31:18. > :31:26.this cast who were so dedicated. Everywhere you look, is genius. This
:31:27. > :31:31.is the series which says, it is OK to change, you will still be loved,
:31:32. > :31:36.go for your authentic self, be who you are, to hell with the
:31:37. > :31:37.consequences, live, love, be free. Thank you so much.
:31:38. > :31:49.CHEERING On to one of my favourite
:31:50. > :31:51.things now - Here to present the award
:31:52. > :31:54.for Male Performance in a Comedy, is one of our
:31:55. > :31:56.finest comedy actresses. I'm so pleased that
:31:57. > :32:15.Bafta has asked me to present this particular award
:32:16. > :32:20.this evening because this category really
:32:21. > :32:27.does represent two of my Let's take a look the four huge
:32:28. > :33:03.talents nominated: I am going to pause this. Don't be
:33:04. > :33:18.daft, you will never make it there and back in time. Watch this.
:33:19. > :33:34.Yes, will, come in. No, come in, come in. That is great, thanks. We
:33:35. > :33:48.missed each other earlier. My path isn't working. Oh, right. I came
:33:49. > :33:52.down to get it. That's nice. Thanks anyway, will.
:33:53. > :34:04.What would your chosen specialised subject be? You have to choose
:34:05. > :34:12.three. I am thinking British birds not including seagulls. Can you do
:34:13. > :34:16.that? I don't know. I can't do the life and career of Linda Lusardi.
:34:17. > :34:32.That is a bit creepy. # when you are all alone and the
:34:33. > :34:49.pretty birds have flown, I'm still free... No, no, no. RAP MUSIC..
:34:50. > :35:40.You all right, love? LAUGHTER
:35:41. > :36:39.Well... Thanks.
:36:40. > :36:51.LAUGHTER APPLAUSE
:36:52. > :36:57.Which surprisingly, isn't going to Ken Livingstone.
:36:58. > :37:00.But here to tell us who it is going to, all the way from
:37:01. > :37:02.Game of Thrones and The Secret, it's the
:37:03. > :37:18.wonderful Rose Leslie and the brilliant James Nesbitt.
:37:19. > :37:37.We are here to present the Bafta for best single drama. These four
:37:38. > :37:43.drummers are -- dramas are brilliant but with new and exciting drama on
:37:44. > :37:47.sky, with prime-time drama on Channel five, it is clear that
:37:48. > :37:53.excellence and diversity is alive and well, across all our channels,
:37:54. > :37:56.commercial and click service. I am echoing Peter Kosminsky here a
:37:57. > :38:01.little bit, but I hope representing people in front of the camera, I
:38:02. > :38:06.think it is true that all of these films, the writers, directors, cast
:38:07. > :38:09.and crew and everyone in this hall, are built to do what they can do
:38:10. > :38:19.because of the BBC. CHEERING
:38:20. > :38:27.Do not strip it away? Did you watch the Hollow Crown last night? Please
:38:28. > :38:44.protect it. And the nominees are... You mustn't tell anyone about this
:38:45. > :38:54.letter, not even Marcus. Of course not. I will be terribly angry with
:38:55. > :38:56.you if you do. I went to be. You see, Leo, you will get us all into
:38:57. > :39:10.the most frightful trouble. Lovely as it was to be inundated
:39:11. > :39:17.with well-wishers, it was the first taste of being like a museum image,
:39:18. > :39:18.roll up, roll up and see the one breasted woman.
:39:19. > :39:40.What did you do with that photo? Nothing yet. Why did you take them,
:39:41. > :39:55.Casey? My parents are judgmental and
:39:56. > :40:03.difficult. Her mother is overemotional, a bit weak and drinks
:40:04. > :40:07.too much. Is that good parenting? Who tested them?
:40:08. > :41:00.Thank you so much. I want to thank Ruth Bailey, the star of the show
:41:01. > :41:06.and Adam Long. Our director and producer and Jack is on the stage
:41:07. > :41:12.for second time, has done brilliant writing and particularly for BBC
:41:13. > :41:22.Three, Damian Kavanagh and Syed Bennett and the BBC for all their
:41:23. > :41:27.support, thank you very much. I am a writer because I cannot speak, but
:41:28. > :41:30.just to say, we are having a wonderful debate about diversity at
:41:31. > :41:34.the moment and trying to distort out the problems in our industry. The
:41:35. > :41:38.sector which seems to get missed out quite a lot of the time is
:41:39. > :41:43.disability and the cuts to access to work are making it very difficult
:41:44. > :41:47.for theatre companies, film companies and TV companies to employ
:41:48. > :41:50.disabled Howland and that is wrong and that has got to change. --
:41:51. > :42:16.disabled talent. Thank you. Past winners include people like
:42:17. > :42:22.French and Saunders, Richard Curtis but this year it is
:42:23. > :42:25.it's going it is to a writing duo who have written some
:42:26. > :42:29.Let's take a look at what makes them such deserving
:42:30. > :42:32.recipients of Bafta's highest accolade.
:42:33. > :42:40.in 1948, teenagers Ray Golden and Alan Simpson met at a sanatorium
:42:41. > :42:54.where they were being treated for the often fatal tuberculosis. -- Ray
:42:55. > :42:59.Galton. After a stint in radio the duo had the good fortune to meet
:43:00. > :43:07.Tony Hancock and planned to write a 30 minute scripted comedy, what we
:43:08. > :43:14.now call a sitcom, resulted in Hancock's Hearth Hour. Oh, shoddy. I
:43:15. > :43:21.wondered where those holes came from? I have been treating them
:43:22. > :43:25.forward worm. It was to become Britain's first long-running sitcom
:43:26. > :43:31.with seven series, paving the way for sitcoms of the future. I did
:43:32. > :43:42.mind giving a reasonable amount, but a pint, that is very nearly an
:43:43. > :43:48.armful! In 1961, Galton and Simpson began writing for the BBC's comedy
:43:49. > :43:52.Playhouse. One of the shows on offer featured the rag and bone men
:43:53. > :43:58.Steptoe and son. This universal Father and son story went on to
:43:59. > :44:05.become a huge long-running hit, watched by 28 million at its peak.
:44:06. > :44:13.Festering fly alone still! What do you want for your tea? Today is
:44:14. > :44:19.Wednesday, I want BBC Two on. I don't. I have the law of contract on
:44:20. > :44:26.my side. I have the knobs on my side. Galton and Simpson wrote for
:44:27. > :44:31.film and TV. In recent years I have been lucky enough to work with them
:44:32. > :44:36.myself, that is why I have got a tie on.
:44:37. > :44:43.Friends all over the world, none in this country!
:44:44. > :44:47.Since the 60s, writers of all shapes and sizes have been inspired by
:44:48. > :44:52.these giants of comedy. Without Ray and Alan, the sitcom might look very
:44:53. > :44:57.different. Galton and Simpson, we thank you. We
:44:58. > :45:00.are very sorry that we cannot be with you tonight and we must
:45:01. > :45:07.apologise that we have had this speech written for us. We cannot
:45:08. > :45:12.afford our prices. Ray and I met in 1948 in a sanatorium, and to this
:45:13. > :45:18.day we complement each other. He helps me up the stairs and I tell
:45:19. > :45:22.him what day it is. We are so glad you have chosen this year for the
:45:23. > :45:27.award because if you waited much longer you might have missed us.
:45:28. > :45:34.There are so many people to thank for this award but unfortunately,
:45:35. > :45:41.most of them are dead. Apart from Tessa who has been here for 50
:45:42. > :45:47.years. We must remember to pay her. 50 years, oh, God. We must thank the
:45:48. > :45:55.person without whom none of this is possible, Ray Galton.
:45:56. > :46:04.It's been a pleasure knowing you all these years. Cheers. Cheers. Thank
:46:05. > :46:05.you very much again. Have a wonderful evening. Cheers.
:46:06. > :46:15.APPLAUSE Huge congratulations to Galton and
:46:16. > :46:19.Simpson. The next award is the
:46:20. > :46:21.Radio Times Audience Award While we see the nominations, we
:46:22. > :46:25.have a very special treat for you. Please welcome to the stage,
:46:26. > :46:33.the amazing - Birdy! # But it's hard to sleep
:46:34. > :46:37.# When your head's not in it # Cause you disappeared
:46:38. > :46:43.# And that's all that's missing # And he's shaped like you,
:46:44. > :46:54.# And I thought I knew him # And it's dark inside,
:46:55. > :46:59.# But the light was in it # This can't be love
:47:00. > :47:05.# If it hurts so much # I will survive
:47:06. > :47:16.# And be the one who's stronger # I will move on
:47:17. > :47:25.# And you should know I mean it # How we danced so close,
:47:26. > :47:41.# I would stand on your feet # Our fading scars,
:47:42. > :48:06.just shooting stars I love my job but do you ever fancy
:48:07. > :48:14.chucking it in and going backpacking. I'm an analogue man in
:48:15. > :48:21.a digital world. Redundant. This was one of the biggest miscarriages of
:48:22. > :48:30.justice I ever saw. Poverty doesn't offend me, nor does aspiration. But
:48:31. > :48:34.you are mistaken if you think greed and expectation are the traits of a
:48:35. > :48:38.gentlemen. You are having an affair, aren't you? It doesn't crumble at
:48:39. > :48:43.all. It holds together. You have worked it too much. Is it
:48:44. > :48:49.overworked. It is overworked. On your march, get, set.
:48:50. > :48:50.# I will survive # And be the one who's stronger
:48:51. > :49:02.# I will move on # And you should know I mean it
:49:03. > :49:14.# Our human hearts # Forget how strong they are
:49:15. > :49:17.# And they get lost along the way, hey
:49:18. > :49:24.# It's not giving up # It's letting go
:49:25. > :49:31.# I will survive # And be the one who's stronger
:49:32. > :49:48.# I will move on # And you should know I mean it
:49:49. > :49:53.# I will survive # And be the one who's stronger
:49:54. > :50:05.# I will move on # And you should know I mean it
:50:06. > :50:43.the award from last year's winning show, Sherlock,
:50:44. > :51:00.Lovely to be here, it is a great honour.
:51:01. > :51:02.Being lucky enough to have been part of
:51:03. > :51:04.Sherlock's success in winning The Radio Times
:51:05. > :51:06.Award last year, I know just how much winning
:51:07. > :51:09.the public vote is going to mean to one of the
:51:10. > :51:25.Five years ago, Sherlock lost to The Only Way Is Essex. I'm all for the
:51:26. > :51:27.public vote. But, it can be unpredictable. Just ask Pontius
:51:28. > :51:34.Pilate. And what an eclectic variety of
:51:35. > :51:36.wonderful shows they are. Doctor Foster, The Great British
:51:37. > :51:38.Bake Off, Humans, Making A Murderer,
:51:39. > :51:52.Peter Kay's Car Share and CHEERS
:51:53. > :52:04.Ye, all right. And the winner is... Oh, it's poll dark. -- Poldark.
:52:05. > :52:19.Well, it is incredible. Thank you so much. On behalf of the cast and our
:52:20. > :52:21.crew, thank you so much to the fans, first and foremost. You are
:52:22. > :52:26.incredibly supportive and loyal and we wouldn't be anywhere without you,
:52:27. > :52:32.so thank you. BBC and Radio Times thank you so much for all your
:52:33. > :52:40.support and Debbie and Damien and Karen, thank you so much, cheers.
:52:41. > :52:47.I would also like to say the book, the series is based on books by
:52:48. > :52:53.Winston Graham which are brilliant but they have been brought to life,
:52:54. > :52:58.so wonderfully by Debbie Horsfield. We wouldn't be here if it wasn't for
:52:59. > :53:03.her of the Thank you very much to Radio Times and to the audience, of
:53:04. > :53:15.course, it is the best prize to win. APPLAUSE Anyone else? Very good.
:53:16. > :53:18.Congratulations to Poldark. Oh, a man bun at the Baftas. How
:53:19. > :53:48.very modern. This is so exciting. The nominees
:53:49. > :53:53.all this year all have such a wealth of talent and experience with so
:53:54. > :53:57.many unbelievable credits to their names you could be unforgiven for
:53:58. > :53:58.thinking this was a lifetime achievement category, honestly. Take
:53:59. > :54:15.a look. The dresser. You disappointment me.
:54:16. > :54:18.You say self-pity is the worst character. Who have you been working
:54:19. > :54:22.for, the Ministry of Information? Struggle and survival you said.
:54:23. > :54:23.That's all that matter. We are all struggling for survival. Why can't
:54:24. > :54:36.you? Cucumber. I love you. Don't say
:54:37. > :54:40.that. But it is true. It is just a random association. It is a phrase.
:54:41. > :54:44.It goes with your face and this house, that's all and I love you
:54:45. > :54:50.too, if you really want to know. Of course I do. So what? So we should
:54:51. > :54:56.do something. What for? I loved Tony Gibbons once. So what.
:54:57. > :55:07.Unforgotten. I would never have hurt. Jimmy. I loved him. I never
:55:08. > :55:17.would have hurt him. Oh, sorry. I'm so sorry.
:55:18. > :55:27.Anton Lesser. Wolf Hall. All our differences will be forgot but for
:55:28. > :55:32.now, we cannot wish them away. All I have, all I own is the ground I
:55:33. > :55:40.stand upon. That ground is Thomas Moore, if you want it, you must take
:55:41. > :55:46.it. I will not yield it. APPLAUSE
:55:47. > :56:30.I'm rather surprised. I was taken aback a few weeks ago to be
:56:31. > :56:37.introduced on the ITV Good Morning show as "veteran actor." It didn't
:56:38. > :56:41.seem right. I mean it's not so long since that I was Most Promising
:56:42. > :56:50.Newcomer. I thought about it and indeed I was
:56:51. > :56:57.Promising Newcomer, in... 1962. Anyway, better an actor I be and I'm
:56:58. > :57:02.very grateful to ITV and Main Street Productions for the wonderful set of
:57:03. > :57:07.people they found to be in Unforgotten. I'm grateful to Chris
:57:08. > :57:13.Lang for his screenplay and television directors never get any
:57:14. > :57:18.credit. They never get any mention, unlike film directors but Andy
:57:19. > :57:37.Wilson, top man, thank you. APPLAUSE
:57:38. > :57:44.time for the bafflingly entitled, reality and constructed. To present
:57:45. > :57:49.it, from Call the Midwife, it's Helen George and with her a man
:57:50. > :57:53.who's been called many things but tonight I'm going to be with
:57:54. > :57:55.Strictly Judge. It's Craig Revel Horwood.
:57:56. > :58:04.APPLAUSE Once again the Reality
:58:05. > :58:05.and Constructed Factual category has provided us
:58:06. > :58:07.with some of the most watched and most talked
:58:08. > :58:09.about television of the And the shows nominated
:58:10. > :58:12.tonight really do highlight the sheer
:58:13. > :58:14.breadth, originality and creativity of the people
:58:15. > :58:17.who continue to make The Secret Life of 4,
:58:18. > :58:39.5 and 6 Year Olds. Lying depends on a lot of cognitive
:58:40. > :58:43.skills. We often think about it in negative terms but it also requires
:58:44. > :58:54.creativity. You have to generate a good story. Birds and mini beasts. A
:58:55. > :59:00.bird and mini beast. So, a giant bird came and smudged the cake? Yes.
:59:01. > :59:10.I do think she is girlfriend material. Ids no idea there would be
:59:11. > :59:15.somebody, such a good match. Oh, no. What are you oh, noing about. You
:59:16. > :59:20.got awkward. I didn't, it is because I thought about kissing you and then
:59:21. > :59:22.I got awkward. If I move in now, it is going to be embarrassing if you
:59:23. > :59:33.move away. I won't. Two minutes left now Fearne. Stay
:59:34. > :59:40.where you are. Stay where you are. Don't move. It is around my neck. It
:59:41. > :59:45.is going to strangle me, I know T You are absolutely fine. You are
:59:46. > :59:52.absolutely fine. Don't worry. It is around my neck. Yes, everyone can
:59:53. > :00:00.see you. I'm doing a Britney Spears. Gogglebox. Todayrd cardigan bay is
:00:01. > :00:04.home to a huge array of wildlife, there are seals, dolphins, sharks
:00:05. > :00:08.and dolphins. Why is he talking like that, he always shouts - we are
:00:09. > :00:14.going to sea some dolphins and whales, it is going to be epic. I
:00:15. > :00:17.have come here to free dive, a dangerous and sometimes deadly
:00:18. > :00:21.sport. What is free diving? I think it is where he goes down without
:00:22. > :00:34.oxygen. I think it is where you don't have to pay.
:00:35. > :01:14.Oh, my goodness. Thank you, we are really surprised. We are in series
:01:15. > :01:20.five of 24 episodes. We have not won anything at all yet. We probably
:01:21. > :01:23.feel a little bit like Leo did at the Oscars.
:01:24. > :01:27.feel a little bit like Leo did at you thank yous. Especially, thank
:01:28. > :01:31.you, Channel 4, particularly Jay Hunt who has always believed in this
:01:32. > :01:37.series and has allowed us to take it to where we have taken it right now.
:01:38. > :01:49.Our amazing and creative and joyful commissioning team. Thank you. Thank
:01:50. > :01:53.you to our amazing boss Tim Carter at 2020. My incredible team who is
:01:54. > :01:58.just huge and they care deeply about finding matches and people finding
:01:59. > :02:00.love which is brilliant. And thank you to Fred and the restaurant team
:02:01. > :02:06.who we are door. CHEERING
:02:07. > :02:11.-- who we are door. Time for the Supporting
:02:12. > :02:12.Actress award. And here to present it is a man
:02:13. > :02:15.who because of his name, people often ask me
:02:16. > :02:17.if he's any relation. Please welcome, from
:02:18. > :02:21.Happy Valley and Grantchester, I'm sure you will agree,
:02:22. > :02:46.the following four And their respective performances
:02:47. > :03:09.more than demonstrate their The one thing I could say through
:03:10. > :03:12.all the losses come all the missed sports days, or the late nights
:03:13. > :03:16.where my kids needed me and I was sweating to close a case, the one
:03:17. > :03:20.thing I could say is it was worth it but now it is not because he is
:03:21. > :03:35.guilty! He is guilty. What are you doing? You said... No,
:03:36. > :03:42.it was delivered to me. What have you got to do with it? I am his
:03:43. > :03:48.friend. You see that couple over there, you are the puppy.
:03:49. > :04:00.I hate you motorcyclists because you are not safe! And I hate the doctors
:04:01. > :04:11.and nurses at the hospital, especially the Irish one with the
:04:12. > :04:15.knee in breath! And I hate ma'am who is old and I hate dad, I hate him!
:04:16. > :04:26.Stop sitting there and saying you know me, because you don't. If I
:04:27. > :04:30.want to take something to get rid of all the BLEEP I have on my back,
:04:31. > :04:40.then be a mate and let me do it, because that is what I do for you!
:04:41. > :05:24.Oh, gosh! OK! This is England is based on its improvisational skills.
:05:25. > :05:31.You are about to watch my first hand, wish me luck! I have got to
:05:32. > :05:35.thank the main man, Shane Meadows. I would not be standing here if it was
:05:36. > :05:42.not for you picking me up all those ten years ago. He has given me the
:05:43. > :05:47.worst... The best work experience that I could ask for! And the
:05:48. > :05:51.support that you get on set with the cast and crew, I love them all to
:05:52. > :05:58.bits, they are like family to me. I would like to thank Mark Herbert,
:05:59. > :06:03.Becky Rogers and Nicky salt for supporting the onset. Bafta, this is
:06:04. > :06:07.amazing. Thank you very much. This has blown me away. The television
:06:08. > :06:13.workshop, Ian Smith, this is half of yours. I have also got to thank my
:06:14. > :06:18.mum and dad who sat here somewhere. My two brothers, my sister Charlotte
:06:19. > :06:21.and my best friend Claire, they have stuck by me through so much. Thank
:06:22. > :06:33.you, this means the world! CHEERING
:06:34. > :06:35.Comedy and Comedy Entertainment Programme now.
:06:36. > :06:45.And here to present this award are two
:06:46. > :06:49.Comedians who are becoming national treasures.
:06:50. > :07:02.Please welcome, Romesh Ranganathan and Katherine Ryan.
:07:03. > :07:08.We are honoured to be asked to do this award and also grateful to
:07:09. > :07:16.diversity targets! LAUGHTER
:07:17. > :07:20.I do know, because tonight has been a beautiful display of diversity and
:07:21. > :07:27.I feel it is getting hard out there for the white man! What about the
:07:28. > :07:32.white man? Couldn't care less, mate! But I have got something to cheer
:07:33. > :07:43.you up. Have a look at the nominees for best comedy and entertainment
:07:44. > :07:47.programme. MPs are used to getting a rough ride on TV which they also
:07:48. > :07:54.will on this show, because I have to be horrible to all of them. If I
:07:55. > :08:02.called David Cameron boot, I to call Nigel Farage a boot, and Leanne Wood
:08:03. > :08:08.a boot, and Nicola Sturgeon because I am balanced.
:08:09. > :08:19.I once took my trunks off in the communal changing area after missing
:08:20. > :08:31.the sign with my foggy goggles. Where was the swimming pool? It was
:08:32. > :08:36.at a leisure centre. Where was the leisure centre? Next of suing pool.
:08:37. > :08:43.Did anyone see your genitalia? Fire Ayr four people. Which other
:08:44. > :08:50.harmful foodstuff has the government been urged to... Sugar. A tax on
:08:51. > :08:58.sugar would come down on at the city probably. Why does David Cameron not
:08:59. > :09:02.want anything to do with it? Does the people who make sugar support
:09:03. > :09:22.the Conservative Party? Poor Alan, but I did not know it
:09:23. > :09:32.until I was told... What was that? Was it a lamp? I told you not to
:09:33. > :10:27.keep it! And the Bafta goes to... Thank you very much indeed. I would
:10:28. > :10:34.like to say first of all, thank you, I have a wonderful team, Leicester.
:10:35. > :10:37.Thank you very much. I thought I wouldn't do any political stuff this
:10:38. > :10:43.evening, it has already been done, but probably at home it was cut for
:10:44. > :10:49.you. You may have missed it. I would like to say thank you very much to
:10:50. > :10:56.our produces, Mark Barrett, Danny Carter, Joe bunting and the great
:10:57. > :11:01.Richard Wilson who have made the programme consistently what it is. I
:11:02. > :11:08.would also like to thank my code team captain Paul Merton, but there
:11:09. > :11:10.isn't time. And I would also like to thank,
:11:11. > :11:12.isn't time. And I would also like to evening, I would like to thank the
:11:13. > :11:17.BBC who have allowed evening, I would like to thank the
:11:18. > :11:19.For You for a very long time to be rude about governments of all
:11:20. > :11:20.For You for a very long time to be persuasions and none, and their
:11:21. > :11:27.oppositions and indeed rude persuasions and none, and their
:11:28. > :11:30.the BBC itself, which is a provision you are given with public service
:11:31. > :11:32.broadcasting and not on state television. So thank you very much
:11:33. > :11:46.indeed! CHEERING
:11:47. > :11:49.Every year we pause to remember those we've lost.
:11:50. > :11:56.Unfortunately in the last 12 months we've
:11:57. > :11:58.said goodbye to an unprecedented amount of people who
:11:59. > :12:04.So please let's take a moment to pay tribute to some of them now.
:12:05. > :12:14.Let's do it, let's do it, do it to our hearts go boom! This folly is
:12:15. > :12:16.jolly, bent near the backwards on my hostess trolley, let's do it
:12:17. > :12:30.tonight! Identity these questions before I
:12:31. > :12:37.take them out and it is just as well. In a shower you cannot play
:12:38. > :12:44.with your blank. As ever, the people we would like to thank is the people
:12:45. > :12:52.at home. You are the reason that children in the UK continue to hope.
:12:53. > :13:13.My place of worship is the Rovers return.
:13:14. > :13:17.There are too many people getting too well bloody informed, if you ask
:13:18. > :13:37.me. Bloody BBC. A shade too much grenadine. Your
:13:38. > :13:48.recipe, I suppose? Naturally, where I linger I leave my mark.
:13:49. > :13:56.You only take out of life what you put into it, plus a little extra if
:13:57. > :14:04.you find a few mugs. I wish everyone had your sense of humanity, Arthur.
:14:05. > :14:18.Good evening and welcome to Match Of The Day for the start of the 1973-4
:14:19. > :14:22.season. If the ball is empty, you cannot have the cup and the ball, if
:14:23. > :14:24.on the other hand, the ball and the cup together... You are not
:14:25. > :14:42.following this, are you?! Surprise surprise, it is silly here!
:14:43. > :14:50.You are joking! -- it is Cilla Black here.
:14:51. > :15:02.Tonight, we are going to meet among other people a smoking dog called
:15:03. > :15:09.Butch and a smoking butcher. Have you got any of those minutes with a
:15:10. > :15:15.hole in? Oh the mints with a whole and, very good, sir. How big is the
:15:16. > :15:21.whole? I don't want it to be too big. Have you got something to
:15:22. > :15:24.measure it with? Not on me, no. It is good night from me. And it is
:15:25. > :15:34.good night from him. Good night. Our next award is in honour of
:15:35. > :15:46.Huw Weldon. And it's the award for
:15:47. > :15:53.Specialist Factual - or as I like to And here to present
:15:54. > :15:56.it is the broadcasting I am sure you'll agree
:15:57. > :16:15.that the four nominated works in the Specialist Factual
:16:16. > :16:17.Category this year sum up perfectly just how inventive
:16:18. > :16:19.and incredibly varied They range from the arts,
:16:20. > :16:24.architecture and slavery, They are all rich in their subject
:16:25. > :16:33.matter, tone and direction. The little ones may cope with one
:16:34. > :17:14.threat, but what about two? These records transform our image of
:17:15. > :17:19.the slave owner. They reveal that thousands of them lived all over
:17:20. > :17:27.Britain and they show how the profits from slave ownership ran
:17:28. > :17:33.deep into British society. There were the powerful din asties that
:17:34. > :17:37.amassed fortunes by exploiting slave labour in distant lands.
:17:38. > :17:51.Here there were two doors. He asked Rudolf to decide if he wanted to
:17:52. > :17:54.take the plane with the Russian agents of the KGB or wanted to stay
:17:55. > :18:13.in Paris, France. He had to choose. I'm building a house in Essex where
:18:14. > :18:18.I'm from. But it is no ordinary house, it is an ornate, teracotta
:18:19. > :18:23.temple and it is by far the biggest artwork I'll ever get to make.
:18:24. > :19:26.Wow. Thank you so much to Bafta and thank you, as everyone said tonight
:19:27. > :19:30.to the BBC where I have spent most of my career, in a company and
:19:31. > :19:34.institution that means a lot to me. Thank you to our partners at
:19:35. > :19:38.University College London whose research was at the heart of the
:19:39. > :19:41.series and they trusted with their research which is a difficult thing
:19:42. > :19:48.for historians to do. I would like to thank my colleagues around me who
:19:49. > :19:54.made this all happen and the commissioners at the BBC. Would like
:19:55. > :19:55.to say thank you to BBC in house History and Business Production. A
:19:56. > :20:03.fantastic team. Thank you. To present it, it's the wonderful
:20:04. > :20:17.Fearne Cotton and everyone's favourite comeback
:20:18. > :20:33.king, Dermot O'Leary. I am so excited to be
:20:34. > :20:43.here tonight presenting this I love my soaps. Well I'm all about
:20:44. > :20:49.continuing drama. Together we have this. Here are the nominees:
:20:50. > :21:00.What was it Lucy said to you that was so bad you had to kill her? I'm
:21:01. > :21:04.not going through every detail. Jane, I don't believe you. It was
:21:05. > :21:14.me, Ian. There was someone else here, wasn't there? You are grasping
:21:15. > :21:17.at straws. He called his mum, didn't he?
:21:18. > :21:28.Reputation, career. . I'm your friend, I hope. I trust you with my
:21:29. > :21:32.life. I was arrested. I sat in a prison cell. I was charged as a
:21:33. > :21:35.criminal. Why? Because people, some people believed I was capable... It
:21:36. > :21:41.was a terrible mistake but you were acquitted. I was acquitted. So what.
:21:42. > :21:52.This stuff sticks. It never goes away. Coronation Street. We can
:21:53. > :21:56.either conjure up thousands of pounds or they have to listen what
:21:57. > :22:01.happens to you if they don't. I'm in the going to be set up in a sting by
:22:02. > :22:05.some cheap slag. I'm taking this family for every penny they've got
:22:06. > :22:11.and then I'm out of here, gone. Do you hear me? I said to you hear me?
:22:12. > :22:46.I can't hear you. Yes. Good. Emmerdale.
:22:47. > :22:56.I don't think you are meant to be laughing at that, Graham. East
:22:57. > :23:28.Enders. I left Easteneders on Friday. I
:23:29. > :23:33.haven't stopped crying. I'm trying not to now. I want to thank
:23:34. > :23:40.Charlotte Moore, Ben Stevenson, Polly Hill and the BBC. Sharon
:23:41. > :23:43.Batten, Alex Lamb, Nicole Fitzpatrick and Sue Mather and
:23:44. > :23:49.everyone at Elstree. The most amazing team who work so hard every
:23:50. > :23:54.day of the week to produce this amazing amazing show. From the
:23:55. > :23:56.make-up girls to Ange on the help desk, everyone works with such love,
:23:57. > :24:18.this is for them, thank you. We must hurry along. If this was
:24:19. > :24:25.Grand cap Will Designs we would be worry we won't get the roof on for
:24:26. > :24:26.winter. Here to present the Features award, the wonderful Katherine
:24:27. > :24:38.Jenkins. -- Grand Designs. I'm so happy to be
:24:39. > :24:41.presenting the award for Features this year in
:24:42. > :24:43.particular because the shows nominated basically consist
:24:44. > :26:18.of my two favourite Thank you. What a thrill. Thank you
:26:19. > :26:24.Bafta. I'm not normally in charge up here but tonight Paul, Mel and Sue
:26:25. > :26:30.have landed me in it. I love them dearly and miss them because we are
:26:31. > :26:38.a real team. It all started with a little bit of baking in a tent. Now
:26:39. > :26:44.we are doing series 7. The programme is all about wonderful amateur
:26:45. > :26:52.bakers creating magical bakes. We have a fantastic crew. Just look at
:26:53. > :27:00.this lot behind me. Editors, cameramen, home economists, and not
:27:01. > :27:05.forgetting make-up. So, thank you Anna Beattie, who created the Bake
:27:06. > :27:09.Off and the BBC for commissioning the show, which we are enormously
:27:10. > :27:16.proud of. APPLAUSE
:27:17. > :27:24.I didn't prepare anything and she totally landed me in it now. You
:27:25. > :27:28.know what, it is an absolute honour to be part of a show that is
:27:29. > :27:33.incredible. It is one of the most amazing things I have ever done and
:27:34. > :27:35.it is the best show ever and I'm totally biassed, obviously. But long
:27:36. > :27:41.may it continue. APPLAUSE Well done, Bake Off. Very
:27:42. > :27:53.good. Next we have the award
:27:54. > :27:55.for Scripted Comedy. And here to present it,
:27:56. > :27:58.is a brilliant comedy actor If you haven't seen it,
:27:59. > :28:27.it's like Ant McPartlin - funny and Hi. Really packing in this diversity
:28:28. > :28:35.thing, huh? Here is another one of us!
:28:36. > :28:41.I'm not trying to be sexy. OK I'm going to read another joke that was
:28:42. > :28:43.written for me. The wonderful thing
:28:44. > :28:46.about great scripted comedy from an acting
:28:47. > :28:48.point of view is that you get to perform lines
:28:49. > :28:51.written by some of the funniest, most talented
:28:52. > :28:52.comedy writers in the Unfortunately, I couldn't
:28:53. > :28:57.afford any of them So anyway, let's take
:28:58. > :29:07.a look at some other incredibly funny people
:29:08. > :29:31.doing what they do Don't look straight ahead. I am.
:29:32. > :29:38.Waiting for the bus. Don't let him in. I'll throw up in your car. You
:29:39. > :29:41.know I can't stand fish. You said you like Sushi. That isn't fish?
:29:42. > :29:52.What is it then? Wrestling. Candice has learning difficulties.
:29:53. > :29:54.It balances it out. I can be best friends with her, I ain't jealous or
:29:55. > :30:11.anything. Cooking is all about confidence. I'm
:30:12. > :30:19.going to be Nigella. That's not even Ainslie, mate. How about some lovely
:30:20. > :30:27.filling lettuce? I'm improvising. Who's pasta is it anyway. People
:30:28. > :30:32.Just Do Nothing. Welcome. BIB. Gold chain. A little taste of how the
:30:33. > :30:39.other half live. What are the main things you need sorted when you have
:30:40. > :30:44.your own club night, yeah, yeah, is the room you need to chill out, get
:30:45. > :30:46.away from all the hectic fans snoochl green roo. It can be any
:30:47. > :31:40.colour. The Bafta goes to... I would just like to say thank you
:31:41. > :31:48.to Peter and two Sian and to Paul. And to Shane now and who has
:31:49. > :31:49.supported us throughout. And to Martin Reilly who put the amazing
:31:50. > :32:12.rig together, and to... I cannot believe you let
:32:13. > :32:16.me do this. Distanced two people in a car talking. He would have thought
:32:17. > :32:23.it in this day and age? We just like making people laugh. At that point,
:32:24. > :32:29.you could laugh. I do want to force you but it is just nice to do
:32:30. > :32:34.comedy. It is a lovely opportunity in this world, today, for people, to
:32:35. > :32:44.make them laugh. That is a simple thing. Time up, it says up there.
:32:45. > :32:51.Time up, BLEEP to you. Lowest common to nominate, thank you very much,
:32:52. > :32:55.everybody, I cannot believe I have been here, it has been an amazing
:32:56. > :32:59.three years, thank you very much. To my family, I love you, thank you,
:33:00. > :33:06.everybody. APPLAUSE
:33:07. > :33:08.It's time for the Entertainment Performance Award now.
:33:09. > :33:11.And here to present it is a woman who possesses one of the
:33:12. > :33:13.most remarkable talents in television.
:33:14. > :33:16.Being able to work with Simon Cowell.
:33:17. > :33:30.Please welcome the fabulous Alesha Dixon.
:33:31. > :33:36.You are very cheeky, Graham. We all know that Simon is a pussycat.
:33:37. > :33:52.Anyway, it is an honour to resent this award. Here are the nominees.
:33:53. > :34:03.He is a very nice guy. He's sort of looks like Papa Smurf. He went into
:34:04. > :34:06.one area where he thought there would be crocodiles. The first thing
:34:07. > :34:12.he did was fall over. That is the guy. I helped him up. If he was
:34:13. > :34:21.being chased by a crocodile, see you later. Leigh Francis. Have you ever
:34:22. > :34:29.done this game before? Of course not. When you hear the klaxon, you
:34:30. > :34:40.commence helicopter in your head. How long is the allotted time? It is
:34:41. > :34:45.allotted. Have you ever been in helicopter? You are not that posh,
:34:46. > :34:53.are you? You said on this programme that the
:34:54. > :34:58.war was the only one fought between two democracies... Have we declared
:34:59. > :35:06.war since this show started? That have been more. Auto pointed this
:35:07. > :35:11.out so we are actively taking points from you today. You had a slightly
:35:12. > :35:18.bad start to the year but now it is terrible.
:35:19. > :35:28.If we had all your names it is like the ultimate Scrabble score. It is
:35:29. > :35:37.good. Clark, who cares? Sensible shoes, who cares?
:35:38. > :36:09.And the Bafta goes to leave Francis, Celebrity Juice! -- Leigh Francis.
:36:10. > :36:16.I did quite know what to say. Thank you to my wife for putting up with
:36:17. > :36:17.me being so silly, thank you to television for giving me a job,
:36:18. > :36:34.thank you to ITV for also also given me a job. We are good
:36:35. > :36:38.Incredible, soaps, aren't they? I don't know what to say. I went
:36:39. > :36:40.Incredible, soaps, aren't they? I reveal my real voice because I am
:36:41. > :36:58.actually from France. Thank you very much.
:36:59. > :37:12.That is right, yes, yes, yes. Keep it up. He is good!
:37:13. > :37:18.That had kept me going. I may collapse now. At least I might win
:37:19. > :37:22.an award near the end, but now I haven't. Back in the room, back in
:37:23. > :37:27.the room. Time for Leading Actress now,
:37:28. > :37:29.and here to present it is one of the men
:37:30. > :37:32.who is rumoured to be up for the next James Bond,
:37:33. > :37:34.although now Bill Turnbull Please welcome The Night Manager
:37:35. > :38:04.himself, Tom Hiddleston. Thank you. Hello, ladies and
:38:05. > :38:11.gentlemen. Very happy to be here tonight. Graham, you have won an
:38:12. > :38:15.award in my heart. Bless him. And very happy to manage the night at
:38:16. > :38:20.any time, particularly on the BBC. Thank you.
:38:21. > :38:22.Each of the four roles undertaken by the nominees
:38:23. > :38:24.in this category deal with some of the most harrowing
:38:25. > :38:29.Believe me, performing each one would have
:38:30. > :38:36.taken enormous reserves of ability and fortitude.
:38:37. > :38:42.So, if anyone here deserves one of these and a very large glass
:38:43. > :38:47.it's one of the supremely talented actresses
:38:48. > :39:04.It has taken my independence and our optimism and our hopes and our
:39:05. > :39:06.tentative plans for the future and anything that it hasn't already
:39:07. > :39:17.taken, it one day will. There is so much I want to say to
:39:18. > :39:23.you but now I am here doing it, I don't know where to start. I am
:39:24. > :39:26.Anna, by the way. I am your mum and I love you very much.
:39:27. > :39:45.Are you still there? What does she look like? She is blonde. I cannot
:39:46. > :39:56.see. Take a picture. You can take a picture. Just tell me, you don't
:39:57. > :39:59.believe the stories against me, do you? I know in your heart, you
:40:00. > :40:07.don't? And the Bafta goes to... Suranne
:40:08. > :40:44.Jones! This is such a big moment for May. I
:40:45. > :40:50.have got terrible baby brain. I had a baby a couple of months ago. I
:40:51. > :40:55.cannot remember my own name, no matter anyone else's, so forgive me
:40:56. > :41:00.if I forget someone. You don't get one of these without a brilliant
:41:01. > :41:04.team behind you. Thank you to my husband, Lawrence, Christina
:41:05. > :41:08.Shapland my wonderful agent, and my friends and family for your
:41:09. > :41:19.continued support and backing. To Tom, is on, to JP, to Bruce and to
:41:20. > :41:24.Joel, the directors and DPS macro, who devised a way that I could play
:41:25. > :41:29.Gemma in real-time and also play her in close-up thought, which gave my
:41:30. > :41:36.performance and added dynamic which I would not be able to achieve on my
:41:37. > :41:40.own, and to Mike Bartlett, you are a master of the script, and a jolly
:41:41. > :41:44.nice man to boot. Thank you for this character, and thank you for the BBC
:41:45. > :41:49.for commissioning a relationship drama. I remembered everyone, that
:41:50. > :42:01.is brilliant. Thank you, Bafta, have a great night!
:42:02. > :42:04.So, as they would say on Call the Midwife, "we're
:42:05. > :42:08.Our penultimate award is for Leading Actor
:42:09. > :42:09.and to present it is one of our
:42:10. > :42:28.Please welcome, the incredible Helen McCrory.
:42:29. > :42:33.If proof were ever needed of the sheer quality of
:42:34. > :42:38.British drama this year, then you only need look at
:42:39. > :42:40.the names of the nominated actors in this category.
:42:41. > :42:48.Not only are they some of the finest actors in this country
:42:49. > :42:52.Let's see some of their wonderful work.
:42:53. > :43:06.Is there something you want to tell me? No.
:43:07. > :43:23.I'll never forgive myself for what I have done. Never. And I know you'll
:43:24. > :43:29.never forget. But I promise you, I will spend the rest of my life
:43:30. > :43:40.trying to earn your forgiveness. Mark Rylance. Do you remember I used
:43:41. > :43:44.to compare the king to attend lion. You can pet him but all the time you
:43:45. > :43:47.are thinking to yourself, those claws.
:43:48. > :44:02.Steven Rose could be on his way to his next victim and we won't know
:44:03. > :44:05.who that is. The answer is no. We can discuss it back at the factory.
:44:06. > :44:13.APPLAUSE .
:44:14. > :44:26.The 2016 Bafta for best actor is Mark Rylance.
:44:27. > :44:58.I know to be called the best is really a big compliment but to be
:44:59. > :45:02.separated from the wonderful fellow nominees, it can only be a
:45:03. > :45:06.downgrade, I'm afraid and to be separated from all the other
:45:07. > :45:13.incredible acting tonight, it's a curious double feeling. I've come -
:45:14. > :45:17.I feel kind of speechless because I've come thinking I'll make up
:45:18. > :45:21.something to say during the evening and I have been so distracted by all
:45:22. > :45:26.the wonderful television on the screen, here, I haven't been able to
:45:27. > :45:32.think of something proper to say. You have seen the lion of a director
:45:33. > :45:37.that we had on Wolf Hall. He also is the only director I have ever worked
:45:38. > :45:41.with, who visits every cast member in the make-up tent at 6.00am, every
:45:42. > :45:44.cast member. He knows every cast member's name. If you think a
:45:45. > :45:49.different thought in a take. He comes over and says -- I like that
:45:50. > :45:54.thought. You think - I cannot remember thinking that thought but
:45:55. > :45:59.he notices that. He is a phenomenal director and I was blessed with
:46:00. > :46:02.phenomenal people all around me but I'm struck tonight about the quality
:46:03. > :46:14.of the story telling in this country. I agree with Peter that
:46:15. > :46:18.times are hard but I think whoah to any government or anybody who tries
:46:19. > :46:26.to get between the the British people and the love of a good story,
:46:27. > :46:30.good song, fact, fiction, good sports commentating, newscasters who
:46:31. > :46:36.can hold themselves together as they tell stories of Paris. And people
:46:37. > :46:41.who can cook well. The incredible variety of popular culture in this
:46:42. > :46:47.country. It has really blown my mind tonight. I think whoah to any
:46:48. > :46:51.government or any corporation that tries to get between that.
:46:52. > :47:08.We are a nation of story tellers and we are admired around the world for
:47:09. > :47:12.it and long may that live and long may it be a privilege of the people
:47:13. > :47:21.here, without having to watch commercials. Thanks very much.
:47:22. > :47:31.Congratulations to Mark rileance there.
:47:32. > :47:37.-- Rylance. Our final award of the tonight. Yes, you heard me.
:47:38. > :47:39.Our final award of the night is the Special Award
:47:40. > :47:42.Let's just say, if awards were our children, this
:47:43. > :47:46.And here to present it, from the fantastic drama
:47:47. > :47:57.Undercover, please welcome Adrian Lester.
:47:58. > :48:05.Ladies and gentlemen, the recipient of this year's Special Award has
:48:06. > :48:10.been a regular on our TV screens for the past 40 years and is one of the
:48:11. > :48:15.hardest-working people I know. He got his big break on New Faces as a
:48:16. > :48:23.young comedian and impersonator. I got to see him in action on the
:48:24. > :48:29.kids' TV show, Tiz Waz. He wrote and foamed with Tracey you willman and
:48:30. > :48:33.David Copperfield on Three of a Kind followed by the ground making Lenny
:48:34. > :48:38.Henry show, followed by Chef and hosted the awards. He likes to
:48:39. > :48:44.challenge, made the move into theatre and started by playing the
:48:45. > :48:48.iconic character of all time, the title role in Othello. He set up
:48:49. > :48:53.Comic Relief in response to the famine in Ethiopia. His tenacity and
:48:54. > :48:58.dogged determination has helped this charity raise over ?1 billion.
:48:59. > :49:09.APPLAUSE There wouldn't be a Red Nose Day
:49:10. > :49:14.without him. He has an MA and is now studying for a PhD, so not only is
:49:15. > :49:18.he a Sir, he will soon be a doctor, a deeply compassionate bloke.
:49:19. > :49:22.Endlessly campaigning for equality and fairness, he is now trying to
:49:23. > :49:26.get a diversity clause written into our BBC's charter. If he is
:49:27. > :49:30.successful, it'll mean we can all stop talking about it and just get
:49:31. > :49:33.on with the task of making great work. He is from the West Midlands,
:49:34. > :49:40.he reads graphic novels and sometimes he sleeps in a big purple
:49:41. > :49:51.hotel. Let's take a look at his phenomenal work.
:49:52. > :50:29.In Oxford Street today a suicidal Japanese fighter pilot crashed his
:50:30. > :50:35.plane - pardon... It must have been terrible having that thing on your
:50:36. > :50:44.face. Ye, it was like - are you OK? #123450 hold him down.
:50:45. > :50:52.Good Morrow. Here we are rummaging around. I'm here with one of the
:50:53. > :50:56.most ferocious of creatures. Do you have any idea of how many skilled
:50:57. > :50:59.man hours over a three-day period have gone into producing this dish
:51:00. > :51:08.and without tasting it, youville called for salt. Oh my God, you are
:51:09. > :51:13.a maniac. Can I have my breakfast? I have been calling room service for
:51:14. > :51:17.ages. Look, it is boring, school is boring. It is meant to be boring,
:51:18. > :51:22.that's why it is called school. If it wasn't, it would be called
:51:23. > :51:28.Chessington World of Adventures. Now it is... Now it is time. For what?
:51:29. > :51:40.The rest of the show. Now a word from our sponsor.
:51:41. > :51:45.We have worked out that injure generosity has feated over 14
:51:46. > :51:49.million lives in the world's poorest communities. I want to say it is the
:51:50. > :51:54.proudest thing in my life and I thank you for every single penny you
:51:55. > :51:59.have given and I hope I can go on with this stuff for a long time to
:52:00. > :52:06.come. All right, well to the Delbert Wilkins show. I'm your host among
:52:07. > :52:14.hosts, Delbert Wilkins. Very nice to be here. Yeah, man.
:52:15. > :52:24.BEATBOXING Fresh. Sno Ziggy, I wish would you
:52:25. > :52:29.stop messing around. Thank you very much. OK. Now we have come to the
:52:30. > :52:34.end of our programmes and it is time for our closing thought. Have we
:52:35. > :52:39.finished yet? I have a lot to do in the garden.
:52:40. > :52:47.APPLAUSE Ladies and gentlemen, the Bafta Special Award goes to a man
:52:48. > :52:54.I'm proud to call a friend. Please make some noise for Sir Lenny Henry.
:52:55. > :53:39.APPLAUSE APPLAUSE
:53:40. > :53:43.Continues Ladies and gentlemen, members of the
:53:44. > :53:47.academy, thank you very much. Bums hitting seats now.
:53:48. > :53:49.I am truly honoured and humbled to be here tonight.
:53:50. > :53:52.I never dreamt that my work would be recognised in this way.
:53:53. > :53:55.So far my career has spanned over four decades and I have had
:53:56. > :53:57.the opportunity to work in everything from comedy
:53:58. > :53:58.to documentaries and children's programmes to drama,
:53:59. > :54:07.Throughout my career I have received support,
:54:08. > :54:10.advice and inspiration from some brilliant people all of whom must
:54:11. > :54:12.really share this award with me, as without them I
:54:13. > :54:22.Because I have been around for so long, I have so many to thank. And
:54:23. > :54:24.the speech would be longer than a BBC renewal. So I'll name just a
:54:25. > :54:27.few. God bless you mum, who'd have
:54:28. > :54:28.thought the whole "flash in the pan" My manager PBJ - who has been
:54:29. > :54:38.so constant and true - "ahh, my boy, throughout my career,
:54:39. > :54:50.Dudley posse, Lockshen gang, My wonderful family -
:54:51. > :54:57.my daughter, my siblings, my lovely partner Lisa and Marcus
:54:58. > :55:00.Ryder and Pat Younge who had my back during the parliamentary
:55:01. > :55:02.sub-committee meeting, said wise Also a special mention
:55:03. > :55:08.to my co-producer at Douglas Road - All the people who've campaigned
:55:09. > :55:15.to increase diversity From the 50 industry stars
:55:16. > :55:19.who signed the open letter calling for ring-fenced money
:55:20. > :55:20.including Idris Elba, Amma Assante, Adrian Lester,
:55:21. > :55:22.Meera Syal, Emma Thompson, Richard Curtis, Russell T Davies
:55:23. > :55:26.and Richard Eyre, to the grassroots campaigners from the TV collective,
:55:27. > :55:28.Act for Change and the Campaign Massive respect to all of these
:55:29. > :55:33.people. Since I was 14, television
:55:34. > :55:43.has been my life. Some Mothers To Have Them. Not the 9
:55:44. > :55:46.owe clock news. The Great British Bake Off. The Real McCoy. Goodness
:55:47. > :55:52.Gracious Me. Who Do You Do. I believe British television
:55:53. > :55:55.is the best in the world. If it feels like I'm banging
:55:56. > :55:57.on about diversity it is because I believe
:55:58. > :56:00.in increasing it so that we truly reflect our fantastic nation -
:56:01. > :56:02.ensuring that all those who hope to work in TV,
:56:03. > :56:11.irrespective of their race, gender, sexuality,
:56:12. > :56:12.class or disability - If we do this, we will make our
:56:13. > :56:18.great industry even greater! I know that everyone in the room
:56:19. > :56:21.tonight shares the same ambition so please let's keep working
:56:22. > :56:23.together to make this a reality! And please, let's put
:56:24. > :56:31.it in the charter! Let's create a coalition of the
:56:32. > :56:44.willing. Thank you so much for this. It means so much. #12k3w4r good
:56:45. > :56:49.night. -- good night. Lenny Henry, everybody.
:56:50. > :56:54.Well, that's your lot. What an evening. Thank you to all our
:56:55. > :56:58.winners and our nearly winners and to you for watching at home. Good
:56:59. > :57:13.night, everybody. Goodbye. Awards presented earlier. Single
:57:14. > :57:20.Documentary: The Bafta goes to... My Son The Jihadi. I said to him, I
:57:21. > :57:25.can't wait to meet Allah. He said I would never, because I'm going to
:57:26. > :57:29.burn in hell. I would like to thank Channel 4 who were wonderful making
:57:30. > :57:34.this fi. Especially our commissioning editors.
:57:35. > :57:45.-- making this film. Current Affairs. Outbreak: The Truth About
:57:46. > :57:49.Ebola. They are too scared to come close The guys in suits, wrestle him
:57:50. > :57:54.to the ground. I will dedicate this award to the very courageous people
:57:55. > :57:58.who fought the outbreaks. The doctors, to the nurses, the
:57:59. > :58:00.volunteers, the survivors... APPLAUSE
:58:01. > :58:11.And the families of the victims. Thank you very much Bafta.
:58:12. > :58:18.Mini Series... This Is England '90. What is going on? I want you to
:58:19. > :58:23.marry me. I want to you marry me. Marry me. This was probably the
:58:24. > :58:25.marry me. I want to you marry me. of This Is England. You
:58:26. > :58:28.marry me. I want to you marry me. dream of how you are going to finish
:58:29. > :58:30.something and this was probably the best, you know the dream that you
:58:31. > :58:35.had - to come to the best, you know the dream that you
:58:36. > :58:45.last chance of ever winning anything for something that you love. Factual
:58:46. > :58:48.Series. The Murder Detectives. What have we got evidencely against him
:58:49. > :58:52.at the moment? We have some people in the community coming forward and
:58:53. > :58:58.saying it is Lucci and he disappears, he goes to America. Not
:58:59. > :59:05.a lot of hard evidence, in my view. I would like to pay tribute to his
:59:06. > :59:16.father, Carlos, and fiancee Shannon and his mother.
:59:17. > :59:23.Mraus News Coverage. Channel 4 News.
:59:24. > :59:28.Paris, Massacre. Blood and roses and the debris of panic. They had gone
:59:29. > :59:34.to a rock concert and ended up running for their lives. No time to
:59:35. > :59:39.think, just to flee as a terrorist sprayed the crowd with gunfire. This
:59:40. > :59:44.BAFTA, we want really for Sayeria. Sarah is one of our most brilliant
:59:45. > :59:51.producers. She cannot be here tonight. She knows why. We know why
:59:52. > :59:58.-- for Sarah. We want to send her all the love in the world. Live
:59:59. > :00:04.Convenient. Bafta goes to... Big Blue Live. I have been watching it
:00:05. > :00:07.for six years... I'm so sorry, I don't believe what I have just
:00:08. > :00:10.heard. Incredible. I have heard word that we have on our helicopter,
:00:11. > :00:15.heard. Incredible. I have heard word blue whale Very special for us and
:00:16. > :00:17.heard. Incredible. I have heard word very fitting today, Sir David
:00:18. > :00:23.Attenborough's 90th birthday. Sport. The Bafta is awarded to...
:00:24. > :00:32.The Ashes. We knew he was special. Sport. The Bafta is awarded to...
:00:33. > :00:37.Just keep an eye on Stokes at fifth slip, diving to his right. Oh, it's
:00:38. > :00:40.lined him. I would like to dedicate this award to the various
:00:41. > :00:44.departments at Sky this award to the various
:00:45. > :00:46.support us. They are the Unsung Heroes. Thank you very much. Have a
:00:47. > :01:55.great night. What business do you have
:01:56. > :01:58.with the Russians, Tommy?