:00:00. > :00:20.This programme/film contains scenes of Repetitive Flashing Images
:00:21. > :00:28.Ladies and gentlemen, welcome to the Virgin TV British Academy Television
:00:29. > :00:33.Awards 2017 from the Royal Festival Hall!
:00:34. > :00:43.Welcome to the Baftas! That the weird thing, seeing lots of famous
:00:44. > :00:48.people in 3-D animated, so slightly than Madame Tussaud's.
:00:49. > :00:52.It's great, it's lovely all these people have shown up. I think it
:00:53. > :01:06.might even be about to rain. I step out and then it all comes
:01:07. > :01:11.down. Honestly, me, Joanna Lumley, Holly Willoughby ran for cover over
:01:12. > :01:17.here. If this blew away, all the talent would be gone.
:01:18. > :01:31.I'm feeling freezing cold and wet. Other than that I'm feeling great.
:01:32. > :02:18.Ladies and gentlemen, welcome to the Baftas. Let's have it large. Two
:02:19. > :02:25.pairs. Aces and jacks. Full house, kings and trees. Oh dear, do you
:02:26. > :02:32.want me to take off my jacket or my trousers? You know the rules, one
:02:33. > :02:40.item of clothing. Your deal. OK. Enter! I, Sue. All OK for tonight?
:02:41. > :02:46.Have you come to help Sue with her script? I'm not a script writer but
:02:47. > :02:47.I did once white Ed Balls in eight weeks and it went viral. Excuse
:02:48. > :03:00.me... Service white Ed Balls Tweet. OK, sure... OK, I'm sorry.
:03:01. > :03:07.Something's come up, I'm going to have to... Go. See you later. I knew
:03:08. > :03:21.it! I thought it was Gary Lineker. Ladies and gentlemen please welcome
:03:22. > :03:29.your host for this evening, the fabulous Sue Perkins!
:03:30. > :03:40.Hello everyone! Hello you beauties, hello! APPLAUSE
:03:41. > :03:50.CHEERING Hello everyone, and due at home.
:03:51. > :03:54.Good evening and welcome to the virgin British TV Academy Awards. My
:03:55. > :03:59.name is Sue Perkins but you might know me best as... And Sue. I know
:04:00. > :04:10.what you're thinking, not another woman hosting an awards show! When
:04:11. > :04:15.will it end? APPLAUSE To be honest I find it a little like
:04:16. > :04:21.Haley 's Comet, just a little less frequent. Whatever happens tonight I
:04:22. > :04:29.promise to deliver you a strong and stable Baftas. LAUGHTER
:04:30. > :04:32.And what a lovely set, all those awards, Olivia Colman is looking on
:04:33. > :04:38.thinking, that reminds me of my downstairs loo. I'm going to be
:04:39. > :04:45.serious for one second. Each of those faces represent a celebrity
:04:46. > :04:49.who didn't make it back from this series of Dubai. Lovely to be here
:04:50. > :04:55.of course. At the Royal Festival Hall. As the Queen calls it, one's
:04:56. > :05:01.iPod. It is usually a place of culture and refinement but that will
:05:02. > :05:09.change now Mary Berry is in. All right, Bez? There she is, to
:05:10. > :05:14.Thierry. Give her a couple of White drums, shall be pressed up against
:05:15. > :05:17.one of the casualty hunks. Nothing less than a senior registrar mind
:05:18. > :05:23.you, because she's got class, that lady. What a pleasure to be in the
:05:24. > :05:27.same room as some of the most hard-working people in the country.
:05:28. > :05:30.Obviously not us. We are just as the animals congratulating ourselves for
:05:31. > :05:37.figuring out how the food hatch works. I'm talking about the public
:05:38. > :05:43.up there. Hello, everyone! The woman in the front row has just realised
:05:44. > :05:49.this isn't an opera. That was last night, love. Absolutely livid. Who
:05:50. > :05:56.else is in the crowd tonight? Thandie Newton is in the crowd. The
:05:57. > :06:00.wonderful Thandie Newton. Of course we learned so much from the
:06:01. > :06:04.brilliant Line Of Duty. Trust no one. The police have the right to be
:06:05. > :06:07.questioned by an officer one rank superior. And never ever tell your
:06:08. > :06:16.wife that her wrist stinks. Don't do it. Night manager was an
:06:17. > :06:24.incredible show, wasn't it? Incredible. Not nominated, but it
:06:25. > :06:27.was an incredible show. I loved it. I learned recently with democracy
:06:28. > :06:33.you don't always get what you so passionately want. I'm not allowed
:06:34. > :06:37.to say any more than that. But I'm going to anyway... How the hell did
:06:38. > :06:42.Italy not win Eurovision last night?! They had a gorilla dancing
:06:43. > :06:46.to a house beat for goodness' sake. I tell you who is nominated for
:06:47. > :06:56.Night Manager, the wonderful Tom Hollander. APPLAUSE
:06:57. > :07:02.Who would have thought that Hugh Laurie could do such a convincing
:07:03. > :07:05.British accent? Drama is going from strength to strength. How amazing
:07:06. > :07:12.work Vicky McClure and Morgan Christie in the replacement? A show
:07:13. > :07:17.about how stressful it can be when someone takes over your job.
:07:18. > :07:30.I mean... I really couldn't relate to it. Genuinely hand on heart, the
:07:31. > :07:34.best of luck to the new Bake Off team. They need it, they are about
:07:35. > :07:42.to find out what Mel and I left for them in the groundsheet. Great to
:07:43. > :07:46.see Anton du Beke here. -- great to see Ant and Dec. Doing what they do
:07:47. > :07:51.best, ruining the entertainment category for all the other nominees.
:07:52. > :07:57.Big shout out for strictly, who just had a monumental year. It would have
:07:58. > :08:01.thought watching Ed Balls ride a woman's phase around the stage to
:08:02. > :08:07.Gangnam Style would be the most normal thing to happen in politics
:08:08. > :08:11.all year. Of course rather sadly Len Goodman has left the show to spend
:08:12. > :08:18.more time with his family, especially his wife, who's he says
:08:19. > :08:19.is a... Seven! Top gear was back. My favourite episode was the one where
:08:20. > :08:30.Joey gets everyone fired. Apparently you can get a knock down
:08:31. > :08:37.version of it on Amazon, amazing what you can order online when
:08:38. > :08:39.you're drunk. Play "Grand tour". And tell my personal information to
:08:40. > :08:47.unspecified third parties and don't worry about paying tax. But you
:08:48. > :08:54.still use me, don't you come Sue? Yet, but walk into a shop is so hard
:08:55. > :08:58.now. Sue, can I confirm your 4:30pm hot stone massage with Professor
:08:59. > :09:02.Mary Beard? Stop! Rather than be telling you what a fantastic year
:09:03. > :09:06.this has been for telly why don't I just show you? To be or not to be,
:09:07. > :09:10.that is the question. Shakespeare made up words,
:09:11. > :09:11.didn't he? My stuff is actually
:09:12. > :09:13.really funny. # Ain't got an honest feeling
:09:14. > :09:20.in my bones... # But what I felt,
:09:21. > :09:31.it can't be helped no more... # Bless my soul,
:09:32. > :09:49.that's the way it is... # What's hot as hell,
:09:50. > :10:14.the same won't leave you cold This is what we are
:10:15. > :10:16.fighting for. # But walkin' a fine line might
:10:17. > :10:23.not lead to home... # Bless my soul,
:10:24. > :10:50.that's the way it is... The British people have made a
:10:51. > :10:52.very clear decision I think I'm going to treat
:10:53. > :11:28.myself to a ruff. APPLAUSE
:11:29. > :11:32.An embarrassment of skill and excellence there. Right, let's crack
:11:33. > :11:36.on before someone tells the format to Channel 4. LAUGHTER
:11:37. > :11:41.First of all tonight, the award for best drama series. Now I love a good
:11:42. > :11:47.drama. My favourite one of this year was when ITV moved the news. To
:11:48. > :11:48.present it Bake Off of Britain's loveliest lovelies, the brilliant
:11:49. > :12:05.Bean and Anna Friel! Toomer good evening, it's a great
:12:06. > :12:11.honour to be here to present the first award of the night for drama
:12:12. > :12:15.series. What a privilege to be here on such a momentous occasion. Sean
:12:16. > :12:21.we should probably get on with the nominations in case you get called
:12:22. > :12:29.off, darling. -- killed off. Very funny. I didn't write it. Neither
:12:30. > :12:31.did I. We just have to say it. The nominations...
:12:32. > :13:05.You take your time, I'll just, just stand here, OK?
:13:06. > :13:11.I'll just listen or I'll talk, whichever you prefer,
:13:12. > :13:28.Your grace, I request permission to join Prince
:13:29. > :13:39.If one quarter of them come back tomorrow I'll thank God.
:13:40. > :13:43.That's why I'm asking to be with them.
:13:44. > :13:56.With a face like that you should be on the front of a ship.
:13:57. > :14:05.A bottle of the finest rum from Jamaica.
:14:06. > :14:19.First place I ever caught gonorrhoea.
:14:20. > :14:50.All right. And the Bafta goes to... Happy Valley! APPLAUSE
:14:51. > :15:15.Thank you everyone. Thank you to an incredible cast, some of which are
:15:16. > :15:22.here tonight and thank you to Sally Wayne White -- Wainwright for
:15:23. > :15:23.excellent scripts, excellent direction, and leading us all. Thank
:15:24. > :15:36.you. CHEERING AND APPLAUSE
:15:37. > :15:51.Next we come to the award for Best entertainment performance and to
:15:52. > :15:55.presented Samantha from six The City, the fantastic Kim Cattrall!
:15:56. > :16:14.CHEERING AND APPLAUSE Hello. Are you done? You couldn't
:16:15. > :16:19.have hoped to find a more eclectic group of performers than in this
:16:20. > :16:23.category. But what they do have in common is limitless talent,
:16:24. > :16:27.boundless charisma and a desperate wish for me to get the hell on with
:16:28. > :16:33.it and announce the winner. Let's take a look...
:16:34. > :16:35.Graham Norton, The Graham Norton Show.
:16:36. > :16:36.Stella McCartney has designed the speedos.
:16:37. > :16:39.Sadly, she ran out of material, money and interest.
:16:40. > :16:47.Now, they sent us a pair of the speedos and
:16:48. > :16:53.Those are the ones I was wearing yesterday.
:16:54. > :17:00.Michael McIntyre, Michael McIntyre's Big Show.
:17:01. > :17:15.And you are wearing a comedy wig, is that correct?
:17:16. > :17:30.Claudia Winkleman, Strictly Come Dancing.
:17:31. > :17:35.Very well done, you must have been so happy with those
:17:36. > :17:40.I've got such an incredible teacher who gets the
:17:41. > :17:43.He's quite a hard task master though, isn't he?
:17:44. > :17:50.The perfect strumpet impersonation, what
:17:51. > :17:52.we did this afternoon, we put his mouth...
:17:53. > :18:04.Especially won't be when you read the rest of
:18:05. > :18:07.I am looking forward to you finishing this sentence.
:18:08. > :18:11.We put Donald Trump's words into the mouth
:18:12. > :18:33.And the Bafta is awarded to Michael McIntyre!
:18:34. > :19:06.CHEERING AND APPLAUSE Hi! Everybody says they don't expect
:19:07. > :19:10.it, but I'm here and I'm dressed up in everything but I didn't, I
:19:11. > :19:17.genuinely didn't! This is so fun. In fact, we've never met. Wow. You give
:19:18. > :19:26.me Baftas, we should meet more often, this is wonderful. I need to
:19:27. > :19:29.thank Dan and Hugey Bear and the BBC's Charlotte, and everyone up
:19:30. > :19:37.there, because you are having fun. And of course, Danny, you are
:19:38. > :19:40.amazing. And most of all my beautiful and wonderful wife and my
:19:41. > :19:45.kids at home, were told I wouldn't win. Daddy won! Thank you so much,
:19:46. > :19:55.thank you everyone. CHEERING AND APPLAUSE
:19:56. > :20:09.Next, an award given in honour of Hue, special factual. Please welcome
:20:10. > :20:19.the doctor and his new sidekick, Pearl Mackie and Charlie Heaton.
:20:20. > :20:29.Hello. The term National Treasure gets thrown around far too easily
:20:30. > :20:34.these days. In my opinion there are only a handful of people that truly
:20:35. > :20:38.deserve that tag. It's impossible to imagine three more iconic figures
:20:39. > :20:39.than those deserving of that label than those featured in this
:20:40. > :20:46.category. I lost my dad when he was put
:20:47. > :20:59.to butchering by his stepmother And my father was such
:21:00. > :21:04.a gentle soul, but he never had
:21:05. > :21:06.a good word for his stepmother. And she was always
:21:07. > :21:08.known in the family "Get off that stool
:21:09. > :21:13.or I'll kick you off." In the oceans and on land,
:21:14. > :21:18.living creatures of many kinds have harnessed the power of light
:21:19. > :21:20.in extraordinary ways. To mate, to lie, even to hide
:21:21. > :21:35.under a cloak of light. Well, when I was a kid, yeah,
:21:36. > :21:41.had a few slaps at school, I never thought, "Oh, you know what,
:21:42. > :21:45.I must get better at this." But there must be
:21:46. > :21:50.a reason why a lot of men and women in the north-east
:21:51. > :21:57.need to be tough. They don't need to be,
:21:58. > :22:10.The problem is there's deep water between them.
:22:11. > :22:11.So what should any red-blooded sloth do?
:22:12. > :22:39.And the Bafta goes to... Planet Earth II!
:22:40. > :23:35.Thank you everyone. CHEERING To win this award, hello out there.
:23:36. > :23:38.To win this award, an incredibly large and dedicated team. It is
:23:39. > :23:42.great to win this series because this honour all their hard work.
:23:43. > :23:46.Making this series not only took a lot of teamwork, it also took a lot
:23:47. > :23:58.of hard work and also a little bit of luck. That luck, sorry! That
:23:59. > :24:02.like, Liz was the person who brought the extraordinary snake sequence
:24:03. > :24:12.back. Justin the amazing sequence of the bears and the leopards in
:24:13. > :24:15.Mumbai. But we knew, we knew this sequence, this series was going to
:24:16. > :24:22.work when we had the luck to get David Attenborough two miles above
:24:23. > :24:26.the surface of the planet without killing him, which would not be good
:24:27. > :24:29.for the CV. It was the only day for two months where the sun shone and
:24:30. > :24:33.the wind didn't blow, so it was only date we could do it. I think the
:24:34. > :24:40.gods were smiling on us. A lot of thanks to BBC One, Worldwide an
:24:41. > :24:46.amazing team around the world. Thank you. Thank you.
:24:47. > :24:59.CHEERING AND APPLAUSE And now, female in a comedy. It
:25:00. > :25:05.always sounds to scientific. This year the movie of Ab Fab hit the
:25:06. > :25:10.screens showing is possible for women over the age of 25 to find
:25:11. > :25:14.decent roles that are as long as they write themselves! The same goes
:25:15. > :25:19.for you Mrs Brown, power to you, sister! To present the awards we
:25:20. > :25:20.didn't even need to show him the money, it's the gorgeous Cuba
:25:21. > :25:40.Gooding Jr! Hello again. I have to tell you, I
:25:41. > :25:47.argued with Peter, I said, they are only going to see from here up,
:25:48. > :25:56.nobody would see them. I've put my glasses on because I'm blind. I
:25:57. > :26:03.can't do a transvestite joke now, I'm BAFTA winner, keep going! The
:26:04. > :26:09.nominees for female performance in a comedy programme are...
:26:10. > :26:14.The only thing harder than having to tell your super
:26:15. > :26:16.high-powered, perfect, anorexic, rich super-sister that
:26:17. > :26:22.you've run out of money is having to ask to bail you out.
:26:23. > :26:36.Can't do it, I can't do it, I can't do it.
:26:37. > :26:41.When you teach a kid Shakespeare, do their
:26:42. > :26:51.I think you're talking about iambic pentameter.
:26:52. > :27:06.I mean, I don't need to tell you, but your father is
:27:07. > :27:15.I'm so lucky, I will be touched until the day I
:27:16. > :27:35.I think it's just sandwiches, crisps,
:27:36. > :27:44.I'll have a ham sandwich and half a sausage roll.
:27:45. > :27:46.You can help yourself, Maureen, it's a buffet.
:27:47. > :27:52.I don't know, Reg, it's just a normal buffet.
:27:53. > :28:16.And the Bafta goes to... Moonlight! LAUGHTER
:28:17. > :28:22.CHEERING AND APPLAUSE I'm sorry, I'm sorry.
:28:23. > :28:29.You're like, that's the last time a negroe will, and present the award!
:28:30. > :28:56.Phoebe Waller-Bridge! CHEERING AND APPLAUSE
:28:57. > :29:12.Thank you. Tried to get as many kisses from you as I could then! Oh
:29:13. > :29:16.my God! Thank you all so much for this, this is so incredible. I
:29:17. > :29:23.promised myself I wouldn't say anything rude but I have been wet
:29:24. > :29:27.dreaming about getting a Bafta my whole life. So many amazing people
:29:28. > :29:32.to thank for this. Obviously it came from a woman show that wouldn't have
:29:33. > :29:39.happened with my -- without my theatre company. And Vicky Jones, my
:29:40. > :29:43.best friend, and two Brothers pictures he said, for god sake, make
:29:44. > :29:47.what you want to make and not many people say that. And the BBC said
:29:48. > :29:55.that and Amazon said that. Thank you all for being so incredible. For Tim
:29:56. > :29:59.to kicking yourself. Thank you so much, incredible, incredible man.
:30:00. > :30:02.And Lydia for being the whole time my husband, who has been so
:30:03. > :30:08.supportive. And most of all, I want to say thank you to my mother, who
:30:09. > :30:14.said to me, darling you can be what ever you want to be as long as your
:30:15. > :30:15.outrageous! APPLAUSE Thank you for that, thank you,
:30:16. > :30:33.mummy. Next up we have the award for a
:30:34. > :30:38.miniseries. I like my miniseries like my relationships... Dramatic,
:30:39. > :30:51.intense and with Gillian Anderson in them. Ed Westwick and, from Poldark,
:30:52. > :31:00.the amazing Eleanor Tomlinson. APPLAUSE
:31:01. > :31:08.In my opinion, each one of the miniseries nominated tonight is so
:31:09. > :31:12.exceptional they would all be worthy winners. Agreed, in fact they are
:31:13. > :31:13.all good enough to get a full series, let's take a look at the
:31:14. > :31:16.nominations. I'll have the baby
:31:17. > :32:09.and tell Trevor it's his. Because I will claim
:32:10. > :32:14.any child that is mine. So I'll ask him for a
:32:15. > :32:16.divorce, then, tonight. Divorce would mean my banishment
:32:17. > :32:18.from the Baptist community. It's not going to be cheap,
:32:19. > :32:33.this, you know that? Well, we spend whatever it takes
:32:34. > :32:36.to get you off, don't we? I know I've not treated
:32:37. > :32:45.you well at times, And the Bafta goes to... National
:32:46. > :33:51.Treasure! Thank you very, very much. We
:33:52. > :34:00.realised trying to tell this story how much responsibility we had to
:34:01. > :34:07.try and get it right, and do justice to the people whose stories are
:34:08. > :34:17.involved in our story. Everyone on this stage and everyone at Channel 4
:34:18. > :34:23.worked extremely hard to do that. So thank you to Mark, George, John,
:34:24. > :34:29.Toby, George, thank you to peers and Beth at Channel 4. Thank you to our
:34:30. > :34:36.amazing cast to I can't believe I got to work with. Robbie Coltrane,
:34:37. > :34:45.Andrew Rice broke, Julie Walters. But mainly we want to say... It
:34:46. > :34:49.interesting tonight there seem to have been a lot of people on stage
:34:50. > :34:58.talking about untold stories. And this is for the people whose stories
:34:59. > :35:03.haven't been told. For those who were brave enough to come forward.
:35:04. > :35:06.And those whose scars were too deep to do so. So thank you very much.
:35:07. > :35:23.APPLAUSE Now it's time for a special award,
:35:24. > :35:28.even more special than the ones we've just had. To present it, a man
:35:29. > :35:35.who is no stranger to a weird weekend, though neither am I, I
:35:36. > :35:36.enjoyed one in Rhyl with Angela Lansbury. Please welcome the
:35:37. > :35:54.wonderful Louis Theroux. It's my huge honour to be asked to
:35:55. > :35:59.present the Bafta special award this evening. As editor and founder of
:36:00. > :36:04.the BBC story Phil Strand, Nick Fraser can only be described as a
:36:05. > :36:09.titan of documentary making. Over more than two decades Nick has
:36:10. > :36:13.overseen more than 340 films. That how won an incredible four Oscars,
:36:14. > :36:19.five Baftas and three International Emmy awards. Storyville is known
:36:20. > :36:22.around the world as a haven for intelligent, bold, above all,
:36:23. > :36:26.creative film-making, giving support to the best and brightest in the
:36:27. > :36:33.documentary world. Since Storyville Nick's vision of finding funding for
:36:34. > :36:36.amazing films has continued with the creation of a company where he still
:36:37. > :36:38.takes risks and speaks his mind. Let's have a look at some of his
:36:39. > :36:39.wonderful work. In 1995, journalist Nick Fraser
:36:40. > :36:51.joined the BBC to pursue his passion We've probably all seen performing
:36:52. > :36:52.chimpanzees on television or in circuses, but this is no ordinary
:36:53. > :37:10.chimp. The Storyville series became a key
:37:11. > :37:17.outlet for showcasing the best in international documentaries. With
:37:18. > :37:21.Nick supporting many aspiring film-makers, both as producer and by
:37:22. > :37:25.securing funds to get project of the ground and onto our screens.
:37:26. > :37:27.Under Nick's editorship, Storyville grew at a
:37:28. > :37:30.rapid pace, from broadcasting 6-8 documentaries a year to 40 at its
:37:31. > :37:36.Now, I'm going to see if I can take this rope off.
:37:37. > :37:39.It may take me a while, but I'll see how fast I can
:37:40. > :37:45.There have now been more than 600 films, and with
:37:46. > :37:47.Nick's support, some have gone on to win awards,
:37:48. > :37:49.including both a BAFTA and an Oscar for the brilliant Man
:37:50. > :37:53.This is probably, I don't know, probably the end of my life,
:37:54. > :37:57.And on the other hand something that I could not
:37:58. > :38:07.Never afraid to tackle difficult subjects, Nick has worked tirelessly
:38:08. > :38:08.to bring fascinating, eye opening, often
:38:09. > :38:09.controversial subjects to a
:38:10. > :38:13.Giving a voice to those who might otherwise be left
:38:14. > :38:37.APPLAUSE .
:38:38. > :38:43.It's hard to imagine a more inspirational, more worthy winner of
:38:44. > :38:47.the Bafta special award. I have to tell you, Nick recently had a
:38:48. > :38:51.stroke, but he is recovering well, and I'm delighted to say he is here
:38:52. > :38:55.tonight. You'll be accompanied on stage by his daughter, Isabel.
:38:56. > :39:09.Ladies and gentlemen, please welcome Nick Fraser and Isabel.
:39:10. > :39:29.I want to start off by saying documentaries really matter. They
:39:30. > :39:34.do. He would miss them if they were gone. I spent my career cheerleading
:39:35. > :39:37.for documentaries, raising money for them, struggling to get them on the
:39:38. > :39:41.air, nurturing talented producers and directors. The irony is that to
:39:42. > :39:46.begin with I never really liked documentaries. But I became
:39:47. > :39:49.interested in them out of a hunch, that they were about to become
:39:50. > :39:54.important and that I should try and stick some sort of claiming a field.
:39:55. > :39:59.When I started Storyville at the BBC about 20 years ago, docs were and
:40:00. > :40:05.afterthought, underfunded, neglected, derided for being too
:40:06. > :40:09.arty, too left. I wanted to make them into something people love.
:40:10. > :40:13.During that time we've shown more than 600 films and I've watched
:40:14. > :40:18.thousands of them. I've experienced this all with the BBC through good
:40:19. > :40:21.and bad. Since then, they've come into their own as an artform,
:40:22. > :40:27.becoming one of the means by which we connect to the contemporary
:40:28. > :40:31.world. Making sense of it. Don't get me wrong, docs are still
:40:32. > :40:35.underfunded, but there is a growing hunger for them, particularly among
:40:36. > :40:37.young people. Across the world, people are getting inspired, picking
:40:38. > :40:43.up a camera and shooting the world around them. Like the best
:40:44. > :40:47.journalism, like films for that matter, they represent the vision of
:40:48. > :40:51.the world of their directors, producers and reporters. All we need
:40:52. > :40:56.to do is find the talent and find a way of bringing that out of other
:40:57. > :41:00.people. My life has been spoiled by docs, I cannot deal with most
:41:01. > :41:05.fictional representations any more. Because reality seems to
:41:06. > :41:08.interesting. Docs are now the equivalent of rock and roll as
:41:09. > :41:10.celebrities queue up to the executive producers on films.
:41:11. > :41:17.They've realised film can speak truth to the powerful. And people
:41:18. > :41:21.will listen. These films should be championed by broadcasters, putting
:41:22. > :41:25.them on front and centre. The audience numbers prove people really
:41:26. > :41:30.do watch them. We should be more proud of these films. As I always
:41:31. > :41:36.say, the best stories are always true. I want to say thank you to the
:41:37. > :41:41.Academy, for this award. To Louis for the introduction. To the BBC and
:41:42. > :41:44.to my family. And thank you to all the film-makers I've worked with
:41:45. > :41:45.over the years. We've made some amazing films. Let's continue to
:41:46. > :41:48.make many more. APPLAUSE
:41:49. > :42:22.CHEERING The next award is for Best male in
:42:23. > :42:26.comedy. The award that asks that tedious age-old question, are men
:42:27. > :42:33.funny? LAUGHTER APPLAUSE
:42:34. > :42:35.Here to present it double Bafta award winner and breakthrough Brit,
:42:36. > :42:53.the wonderful Michaela Coel! I am delighted to be presenting the
:42:54. > :42:58.mail in comedy award. I'm no expert but I've heard it takes balls to win
:42:59. > :43:02.this one. Let's take a look at the brilliant nominees...
:43:03. > :43:04.Those poems are about a platonic hierarchical relationship.
:43:05. > :43:07.Why does everybody presume that just because
:43:08. > :43:13.I write 126 love poems to an attractive boy I must be some
:43:14. > :43:27.Do the candidates agree that the monarchy provides
:43:28. > :43:29.valuable checks and balances in our democracy?
:43:30. > :43:34.Do forgive me, only I have a cocker spaniel called Rex, who looks
:43:35. > :43:42.Well, we're getting on great now and I think the
:43:43. > :43:45.Alan Partridge speak ball system has demonstrated itself as an innovative
:43:46. > :43:50.LAUGHTER And shows if you give these lads a
:43:51. > :44:05.People ask, what does the G stand for?
:44:06. > :44:20.Smouldering, I mean what woman can resist that?
:44:21. > :44:29.APPLAUSE And the Bafta goes to... Steve
:44:30. > :44:43.Coogan. And, sadly, Steve cannot be here
:44:44. > :44:45.tonight. I will ensure I keep this award and you'll get it for my
:44:46. > :44:59.promise. We come now to the award for the
:45:00. > :45:09.Virgin TV Must See Moments. Who'd have thought Danny Dyer and an
:45:10. > :45:15.Iguana would be in the same category? Although they are related,
:45:16. > :45:20.if you go back far enough. Back a bit further... Bit further. Here to
:45:21. > :45:22.announce the winner, Mr and Mrs ShowBiz no less, Alan Carr and Holly
:45:23. > :45:38.Willoughby. Hello, good evening to you all. The
:45:39. > :45:42.Virgin TV must the moment category is the only award of the night voted
:45:43. > :45:46.for by the public. The nominations of those rare, thrilling and often
:45:47. > :45:49.shocking TV moments the viewers never forget. They should have just
:45:50. > :46:02.waited until tomorrow when no doubt you will be sozzled on This Morning
:46:03. > :46:04.again! I think it cheapens the art. Let's have a look at the nominees,
:46:05. > :46:08.shall we... You wouldn't have entered
:46:09. > :46:40.my flat, would you, A direct descendant
:46:41. > :47:47.from Edward the third? So Danny Dyer's right at the bottom
:47:48. > :47:51.of that scroll and Edward III's at the top
:47:52. > :47:52.of the scroll. # I know you dig the way
:47:53. > :48:37.I sw-sw-switch my style # Now people gather
:48:38. > :48:49.'round Now people jump around # Go, get ur freak
:48:50. > :48:54.# Go, get ur, get ur, get ur, get ur, get ur freak on
:48:55. > :49:13.CHEERING AND APPLAUSE And the winner is...
:49:14. > :49:17.Planet Earth II: Snakes vs Iguana Chase!
:49:18. > :50:13.Blimey, I love those Iguanas! I came to the Baftas nearly 30 years ago
:50:14. > :50:17.for Chance Of Life and haven't been since. I must come again in 30
:50:18. > :50:22.years. We were surprised that this would win because most people
:50:23. > :50:25.watched this, half of the people watched this sequence from behind
:50:26. > :50:27.their sofa and the other half thought it was the most
:50:28. > :50:35.extraordinary thing they had ever seen. I guess those were the people
:50:36. > :50:42.who were shouting at the TV screen run Iguana, run.
:50:43. > :50:47.We'd like to also mention this series owes a lot to some of the
:50:48. > :50:55.other series that have preceded us. The original Planet Earth II and
:50:56. > :50:59.Life, Frozen Planet, Africa, all have contributed to this series.
:51:00. > :51:02.Also I would like to mention lives, where ever she is, who is snake
:51:03. > :51:12.lady! CHEERING AND APPLAUSE
:51:13. > :51:17.It was her that had the wit when she saw that happening that this was the
:51:18. > :51:19.most incredible moment, extraordinary thing she had ever
:51:20. > :51:25.seen. I'm pleased to say we don't have any
:51:26. > :51:28.snakes with us here today. But there is someone who wants to also say
:51:29. > :51:45.thank you very much for voting for us.
:51:46. > :52:00.CHEERING AND APPLAUSE Thank you very much.
:52:01. > :52:05.Onwards now to reality and constructed factual. On one hand
:52:06. > :52:10.this genre takes us to new and exciting places. On the other hand,
:52:11. > :52:14.it created Donald Trump, and now he's playing you're fired with the
:52:15. > :52:24.American Constitution, so frankly the apocalypse is on you guys. Here
:52:25. > :52:30.to present it Ashley by and Scarlett Moffat. -- Aisling Bea. I worry
:52:31. > :52:40.about it, don't worry about it, no one important is here. Aisling,
:52:41. > :52:47.hello. Every year tens of actors die on stage whilst reading the autocue
:52:48. > :52:59.Paul's, it's not as easy as... It looks. Scarlet. Scarlet, it shows
:53:00. > :53:02.how difficult reading lines can be, pause. Pause for dramatic effect.
:53:03. > :53:07.Those in this category don't have to do. Together, here are
:53:08. > :53:11.denominations. That's perfect, high five.
:53:12. > :53:13.My girlfriends have said to me, "Gail, you're a nightmare."
:53:14. > :53:15.He's got brown shoes on, he wasn't good enough.
:53:16. > :53:17.His zip's broken, that means he's poor.
:53:18. > :53:20.They say to me, "You just ditch them, just like that."
:53:21. > :53:40.Not everyone has been converted to the benefits of yoga.
:53:41. > :53:46.I really like a fan, I just love that blowy feeling.
:53:47. > :53:49.And when you fart, it sort of blows it away really quickly,
:53:50. > :54:00.If you are a slightly windy person, like I am...
:54:01. > :54:03.I don't really think about whether I'm a good Muslim or not.
:54:04. > :54:09.There have been moments where I've struggled with my faith
:54:10. > :54:16.According to how a good Muslim is defined, I would very much fall
:54:17. > :54:25.If you think there should be a greater emphasis on your inside...
:54:26. > :54:31.It is kind and considerate of all people.
:54:32. > :54:33...I think I'm doing a pretty decent job.
:54:34. > :54:48.When we only get married and we have a baby.
:54:49. > :54:50.Yeah, that's the only time we're going to kiss.
:54:51. > :55:04.My mum told me, "You can't kiss when you're a child."
:55:05. > :55:15.CHEERING AND APPLAUSE Great life advice, in fairness.
:55:16. > :55:19.The Bafta is awarded to... Muslims Like Us!
:55:20. > :56:00.Hello everyone. I am the series producer. When we started working on
:56:01. > :56:04.Muslims Like Us, the whole objective was to allow audiences to see and
:56:05. > :56:08.hear the conversations that go on in the Muslim community every day. And
:56:09. > :56:11.the only reason we were able to do that is because we had a truly
:56:12. > :56:20.diverse team. From the brave commissioning at the BBC... APPLAUSE
:56:21. > :56:24.To people like the casting producer. We had a team and from the top to
:56:25. > :56:29.the bottom, there were people with knowledge of and who were rooted in
:56:30. > :56:32.the Muslim community. And in an industry that sometimes doesn't
:56:33. > :56:37.quite deliver when it comes to diversity, I think that's a really
:56:38. > :56:43.great thing. Thank you to everyone, to a everyone at the BBC. Would you
:56:44. > :56:49.like to say a few words? I was one of the contributors on
:56:50. > :56:53.Muslims Like Us. There are 1.6 billion Muslims around the world and
:56:54. > :56:58.we knew it was impossible for the ten of us to represent every single
:56:59. > :57:02.one of them. But Muslims Like Us, the message behind it is not
:57:03. > :57:07.confined to one community. Regardless of your race or your
:57:08. > :57:10.religion, we need to write our own narrative and we need to stand up
:57:11. > :57:16.for what we believe in. So thank you, BBC, for being brave enough in
:57:17. > :57:24.the current climate to provide us with that platform. Bafta for
:57:25. > :57:26.supporting our show, and our wonderful family, who despite their
:57:27. > :57:31.stereotypes, have always encouraged me to be a strong woman who has a
:57:32. > :57:32.voice and uses it to make a change. Thank you.
:57:33. > :57:48.CHEERING AND APPLAUSE Just a quick one from me. I was
:57:49. > :57:52.proud to be a part of the programmes that in this day and age still
:57:53. > :57:56.needed to remind people Muslims are not a monolithic set of people. So
:57:57. > :57:57.thank you very much. CHEERING AND APPLAUSE
:57:58. > :58:11.Thank you. Comedy and entertainment now, an
:58:12. > :58:14.area I've often thought about going into myself. Please welcome the
:58:15. > :58:16.catastrophically charming Rob Delaney.
:58:17. > :58:33.CHEERING AND APPLAUSE Hello everybody. I know this look
:58:34. > :58:38.silly. It's for a part in a Snapchat but I'm going to send my wife's
:58:39. > :58:43.personal trainer after the show. LAUGHTER
:58:44. > :58:50.The comedy and comedy entertainment award. Hey, Bafta, why not call it
:58:51. > :59:01.the comedy entertainment award? Save money on the engraving. Shakespeare
:59:02. > :59:03.said brevity is best. Here are the nominees...
:59:04. > :59:15.This will be a victory for real people, a victory
:59:16. > :59:19.for ordinary people, a victory for decent people!
:59:20. > :59:21.Hi, yeah, sorry, I think there's something wrong with
:59:22. > :59:25.It's showing images and sounds from a universe I don't
:59:26. > :59:31.I mean, you've got a mic in your hands, I
:59:32. > :59:34.feel I should ask you on behalf of all the team,
:59:35. > :59:37.Amazing, it's been a bit of a whirlwind.
:59:38. > :59:41.But great morning for the whole team, so it was fantastic.
:59:42. > :59:43.I love that you've gone, we are knackered, we've done it,
:59:44. > :59:44.we've finished competing, we've won our
:59:45. > :59:48.You know what, let's just go watch The Last
:59:49. > :59:54.I know Josh has got Jonnie Peacock as his crush in this Games.
:59:55. > :00:22.'Tis a consummation devoutly to be wished.
:00:23. > :00:31.Aye, there's the rub, for in that sleep of death,
:00:32. > :00:34.what dreams may come when we have shuffled off this mortal coil must
:00:35. > :01:31.and the Bafta goes to Charlie Brooker's 2016 white! -- Wipe.
:01:32. > :01:41.Blimey, OK, I didn't expect that, this is mildly terrifying. 2016 was
:01:42. > :01:46.a pretty horrible year, I thought, so to receive an award for
:01:47. > :01:52.summarising it is a bit like being commended for doing a really
:01:53. > :01:56.accurate painting of a haemorrhoid. Anyway, I'd like to thank my wife,
:01:57. > :02:05.who puts up with this. This is the team, who make the show. It's a huge
:02:06. > :02:11.team effort, so everybody chips in. And I'd like to thank Shane and Alex
:02:12. > :02:14.at the BBC, everybody here, literally everybody works much
:02:15. > :02:20.harder than I do. And hopefully by the time we get to 2017 Wipe we'll
:02:21. > :02:27.have a less awful year to summarise... This is really awful,
:02:28. > :02:43.you all staring at me, stop judging me, monsters! Thank you very much.
:02:44. > :02:49.Every single year at Bafta we pause and take time to remember friends
:02:50. > :02:53.and colleagues we've sadly lost over the last 12 months. So please let's
:02:54. > :02:56.take a moment to pay tribute to some of them now.
:02:57. > :03:33.Now you can stop gawping, get up and get some clothes on, and
:03:34. > :03:37.See if you can get some breakfast out of
:03:38. > :03:47.her, cos you're not getting none out of me.
:03:48. > :04:02.What is honour compared to a woman's love?
:04:03. > :04:04.Adam, if anyone accepts the invitation on your
:04:05. > :04:15.T-shirt, make it her place, will you?
:04:16. > :04:19.I'm an enforcement agent in section two here.
:04:20. > :04:59.Well, while the weather is waiting to make up its mind, there's plenty
:05:00. > :05:13.of room for summery weather, both today and tomorrow.
:05:14. > :05:44.I meet those in my profession every day.
:05:45. > :05:46.We're going to see those lovely dancers in London.
:05:47. > :06:05.It's going to be in a bowl, not a cup.
:06:06. > :06:08.Have you ever thought of going on a double
:06:09. > :06:10.date, say, for example, with those two girls out
:06:11. > :06:34.APPLAUSE CHEERING
:06:35. > :06:45.APPLAUSE Thank you for that beautiful tribute
:06:46. > :06:54.and a wonderful performance with George Michael's mothers pride. Now
:06:55. > :06:58.it is time for Supporting Actor. Usually Supporting Actor is a job
:06:59. > :07:05.performed by prescription drugs, non-prescription drugs or a very,
:07:06. > :07:06.very tired partner. To present this award, from Doctor Foster, the
:07:07. > :07:22.excellent Suranne Jones! As has been highlighted through the
:07:23. > :07:27.evening, the sheer quality of British drama scene over the past 12
:07:28. > :07:31.months has been nothing short of exceptional. And this is truly
:07:32. > :07:34.exemplified by the dazzling performances of the four supporting
:07:35. > :07:39.actors nominated in this category. And here they are...
:07:40. > :07:53.And indeed, it is the perfect occasion for it, the stage is set
:07:54. > :08:01.LAUGHTER all ready for a grand valediction.
:08:02. > :08:12.The lead actor has forgotten his lines.
:08:13. > :08:14.You need me to make the hard choices for you.
:08:15. > :08:24.The fact is, if we'd not stuck together, AC-12 would be
:08:25. > :08:26.charging the lot of us, not just me.
:08:27. > :08:29.Worth bearing in mind when you've got that nice little
:08:30. > :08:39.One doesn't want to look ill, either.
:08:40. > :08:47.HE STUTTERS ..King is no good for anyone.
:08:48. > :09:08.I tell you what it is, my naughty little greaseball.
:09:09. > :09:15.So why did you or ugly friend of yours just tell me that this
:09:16. > :09:17.beautiful lady couldn't have a lobster sodding salad?
:09:18. > :09:22.HE MOCKS HIS SPEECH Only the lobster salad for pre-orders.
:09:23. > :09:38.MOCKS AGAIN Take your hand off my lobster.
:09:39. > :10:04.And the Bafta goes to... The brilliant Tom Hollander. APPLAUSE
:10:05. > :10:17.Erm... Thank you, thank you very much. This was a really fun job. It
:10:18. > :10:27.was a great part. And it was a lovely team of people and to be
:10:28. > :10:34.given this at the end of it is a very, very lovely feeling. So...
:10:35. > :10:39.Thanks all the people who voted for me, and thank you Jina Jay
:10:40. > :10:45.forecasting me. And the Cornwall family, some of whom are up there,
:10:46. > :10:52.who are very lovely people. And David Farr for writing it. And the
:10:53. > :10:56.team of The Night Manager. The great Susannah beer and Hugh Laurie and
:10:57. > :11:02.Tom Huddlestone and Olivia, you are there somewhere. Anyway it was a
:11:03. > :11:04.very happy time. So thanks all of you, all of them, have a lovely
:11:05. > :11:26.evening. APPLAUSE You're not my real dad! The next
:11:27. > :11:35.award is for soap and continuing drama. Here to present it is the
:11:36. > :11:41.boys of Kurrupt FM, the cast of People Just Do Nothing.
:11:42. > :11:50.Baftas! Make some noise, how you are feeling out there? Djakadam, yeah, I
:11:51. > :11:54.don't really watch soaps, yeah, because my left's a bloody soap
:11:55. > :12:03.drama, loads of chicks trying to honey trap me. It's his brother Ross
:12:04. > :12:08.Kemp, that's why he does the community service stuff with the
:12:09. > :12:17.gangs. I like when Phil went mental and started eating dog food and all
:12:18. > :12:51.that. Everyone's been there. So the nominees are...
:12:52. > :12:56.And the Bafta award nomination award goes... Winner... Winner is...
:12:57. > :13:36.Emmerdale! Hi, I'm sorry it's what Chile not
:13:37. > :13:40.one of the attractive famous people doing this but my wife told me if I
:13:41. > :13:44.didn't do it she'd slap me about a bit. She is more my boss than anyone
:13:45. > :13:50.else. I want to say thank you so much to Bafta, thank you to ITV and
:13:51. > :13:53.particularly Jane Hudson and John Whiston for their support for the
:13:54. > :13:57.show. Thank you to the viewers and fans, your passion is a constant
:13:58. > :14:02.source of inspiration for all of us standing here. I'm accepting this
:14:03. > :14:05.not only on behalf of the people standing on a stage or indeed the
:14:06. > :14:08.amazing cast, crew, writers, editorial team and backroom staff
:14:09. > :14:13.that have worked on a show for the past 12 months, for everybody who
:14:14. > :14:20.has worked on a show for the last 15 or so years we last won one of
:14:21. > :14:36.these. Thanks so much, it means the world to us.
:14:37. > :14:44.Now it's time for some sport. A sentence I never said before. I
:14:45. > :14:46.quite liked it. To present the award, part man part people carrier,
:14:47. > :15:05.David Haye! From Rogerstone banister's historic
:15:06. > :15:09.four-minute mile, Andy Murray's winner Wimbledon and Mo Farah's
:15:10. > :15:14.record-breaking double double last summer, this country has a long and
:15:15. > :15:18.illustrious history of landmark sporting achievements. This iconic
:15:19. > :15:23.moments wouldn't be as burned into the nation's consciousness without
:15:24. > :15:25.emotive and compelling television coverage that captures them. Let's
:15:26. > :15:30.take a look at this year's sporting moments.
:15:31. > :15:34.It is a sensational night of live sporting action here on Channel 4.
:15:35. > :15:39.Ellie Robinson is coming to the final stages and she gets it!
:15:40. > :15:55.And Anthony Watson - they're cheering already.
:15:56. > :16:07.That's what England have been threatening to do.
:16:08. > :16:23.Here comes Usain Bolt and Bolt is going to take it.
:16:24. > :16:28.Back at home, you've got so much support.
:16:29. > :16:31.I know London means a lot to you, Britain means a lot to you,
:16:32. > :16:34.have you got a message for your fans back there?
:16:35. > :16:37.I told you guys I was going to do it,
:16:38. > :16:50.All of those moments absolutely magical but there can be only one...
:16:51. > :16:53.And this one is... The Open ladies and gentlemen!
:16:54. > :17:42.CHEERING AND APPLAUSE Wow, thank you so much. This is an
:17:43. > :17:48.incredible thing. After, thank you so much for recognising what we try
:17:49. > :17:54.to do here, which is to make golf entertaining, exciting, engaging,
:17:55. > :18:02.accessible, Farnham. -- fun. Thank you... These are the talented guys
:18:03. > :18:07.behind me, but this is an incredible collaborative effort between
:18:08. > :18:14.organisations, Sky, European tour productions, and of course the Royal
:18:15. > :18:18.and ancient golf club, the R and A. Special thanks to them for their
:18:19. > :18:25.vision, their Ambition and backing sky and European tour productions.
:18:26. > :18:28.Most of all, this award goes to the hundreds, literally hundreds of
:18:29. > :18:35.people behind this. The hard-working production crew on site and the
:18:36. > :18:39.hard-working people behind the scenes at sky map who made this
:18:40. > :18:42.happen. This is for you, thank very much.
:18:43. > :18:59.So nearly there, just two award and my favourite, the swimwear round.
:19:00. > :19:01.Now the awards for Supporting Actress. To present it, everyone's
:19:02. > :19:21.favourite sad dad, Andrew Buchan! Hello. Last week my young nephew
:19:22. > :19:26.came up to me and asked me the question, what is acting? I said,
:19:27. > :19:33.what do you think it is? He said, well, isn't it just people telling
:19:34. > :19:38.stories? I said, yeah, it kind of is, really. Following on from that,
:19:39. > :19:41.here are four incredible actresses, all telling their stories
:19:42. > :19:48.outstandingly well. Wunmi Mosaku, Damilola,
:19:49. > :19:50.Our Loved Boy. Father God, we ask
:19:51. > :19:59.for your strength today. I need for you to stop
:20:00. > :20:17.pestering me, Catherine. Look, you see, this is what it does
:20:18. > :20:22.to you, it makes you selfish, and small-minded, and unpleasant,
:20:23. > :20:24.and that isn't you. People don't need to say things,
:20:25. > :20:31.you can still tell what Just one day, just for one day
:20:32. > :20:36.will you stop going on Nicola Walker,
:20:37. > :20:41.Last Tango in Halifax. I don't think anybody knew
:20:42. > :20:47.what I was going through with him. And a little kid to
:20:48. > :20:52.look after as well. Done it to him, he'd have
:20:53. > :20:58.done it to me one day. Peter is the only one
:20:59. > :21:12.who knows how to... Don't tell me you understand that,
:21:13. > :21:17.you don't know for a minute what it And the Bafta goes to... Wunmi
:21:18. > :22:39.Mosaku! Thank you, Bafta. I wanted to thank
:22:40. > :22:44.my mother, my sister 's, my agent, the BBC, the late Bill Gaskell, all
:22:45. > :22:53.at others who have nurtured me in my career to this point. OK... I did
:22:54. > :22:58.actually write something. Sue and Colin, thank you so much for
:22:59. > :23:11.trusting me and leading us so gently and for the beautiful script. It was
:23:12. > :23:15.an honour to be part of this. It was just incredible. And our team, they
:23:16. > :23:21.worked so hard, especially make up. They were there for an hour and a
:23:22. > :23:28.half every day, ageing us gracefully, hopefully. I just wanted
:23:29. > :23:37.to thank the Dalys for your courage and honesty and for sharing your
:23:38. > :23:45.story and your journey. This is so bittersweet, and I'd like to
:23:46. > :23:47.dedicate this to the memory of Damilola and his mother, Gloria.
:23:48. > :24:10.Thank you so much. Thank you. The next award is the best features.
:24:11. > :24:14.I'd say my best features are my wisdom, sincerity, soaring intellect
:24:15. > :24:15.and above all, my modesty. To present the award, the hilarious
:24:16. > :24:32.Adam Hills! Hello everyone. A tent full of cakes
:24:33. > :24:36.from a weekend in St Petersburg, links to aristocracy and a doctor
:24:37. > :24:39.who doesn't use drugs. All of these were on Michael Jackson's wish list.
:24:40. > :24:45.LAUGHTER They are also the subject... Of each
:24:46. > :24:47.of the brilliant features nominated in this category. Let's take a look
:24:48. > :24:51.at the nominations. It's not looking very baked,
:24:52. > :24:54.but I'm not actually sure what the top of it's meant to look
:24:55. > :24:56.like once it's Well, I put the drawbridge
:24:57. > :25:27.down for you. In the course of a lifetime,
:25:28. > :25:35.a healthy person could I mean this is just
:25:36. > :25:40.a staggering amount of drugs. It's important to say that
:25:41. > :25:43.some of these drugs do They save lives, they
:25:44. > :25:46.make you feel better. And the Bafta goes to... Who Do You
:25:47. > :27:08.Think You Are?! Wow, thank you, thank you so much,
:27:09. > :27:11.Bafta. This is the fourth time Who Do You Think You Are? Has been
:27:12. > :27:17.nominated for a Bafta fostered and it's the first time we've won.
:27:18. > :27:23.APPLAUSE Thank you, thank you. So, yes, our
:27:24. > :27:28.13th series has been lucky for us. I'd just like to say thank you to
:27:29. > :27:34.our brilliant and talented team, especially our researchers and
:27:35. > :27:38.genealogists. They do such a great job and it is their patient
:27:39. > :27:42.detective work that uncovers will be stories on everyone's family trees.
:27:43. > :27:46.I would also like to thank Alex Graham, who started the series in
:27:47. > :27:51.the first place, Leanne and everyone at our company is wall-to-wall. The
:27:52. > :27:55.BBC for all their support, especially Jenny, and I would like
:27:56. > :28:00.to thank all be celebrities, like Danny, who have come on this journey
:28:01. > :28:02.with us and let us route around their family trees. Thank you, thank
:28:03. > :28:25.you very much. CHEERING AND APPLAUSE Danny Dyer, just off to eat a swan,
:28:26. > :28:30.as is his birthright. LAUGHTER The next award is for Scripted
:28:31. > :28:36.Comedy. Some of my favourite comedies started out as a script. A
:28:37. > :28:42.little peep behind the showbiz curtain. To present the award
:28:43. > :28:43.tonight please welcome the extremely talented pair, Jim Sturgis and
:28:44. > :28:59.Charlotte Riley. Given the speedy Scripted Comedy
:29:00. > :29:06.award, you might think Bafta would have helped us out and given us
:29:07. > :29:10.something funny to say. Yes, but they haven't, so... It's probably
:29:11. > :29:15.best we just clap on and have a look at the work of some of the finest
:29:16. > :29:17.exponents of the art. Oh, my God, definitely not,
:29:18. > :29:41.that does nothing for you. Oh God, why are you wearing your
:29:42. > :29:53.coat? Costa yes. Nothing here looked nice so I thought I'd wear what I
:29:54. > :29:56.was wearing anyway. Are you joking? This is why it takes you so long to
:29:57. > :29:58.finish your book, you get bogged down in the details.
:29:59. > :30:01.The slug people not treating you very well, Maurice?
:30:02. > :30:02.They're more like goblins, actually, aren't they?
:30:03. > :30:05.The barricade in your head is an illusion created by you.
:30:06. > :30:12.You need the right tyres, the right fuel. Camping.
:30:13. > :30:14.Would you like me to have a go, darling?
:30:15. > :30:17.I think I'm probably the person most likely to find anything
:30:18. > :30:22.It's just that I can give it a really good whack.
:30:23. > :30:25.Well, if you'd brought the right number of striking tools, then
:30:26. > :30:38.you could have done your own banging on a piece of rock, couldn't you?
:30:39. > :30:42.I present to you our new daughter, fresh out of the joiner. Still warm
:30:43. > :30:44.as well. They had to sedate her
:30:45. > :30:51.because she kept going mental And the Bafta goes to... People Just
:30:52. > :31:49.Do Nothing! In a macro well, this is madness.
:31:50. > :31:53.Shout out everyone... Big up rough cut for helping us do this. This
:31:54. > :31:59.literally came from nothing on you Tube, just a group of mates mucking
:32:00. > :32:05.around with each other. I can't swear... It's fine, it's fine.
:32:06. > :32:12.Coming as well. I want to shout everyone out, thank you very much. I
:32:13. > :32:17.don't know what else to say. Over to ash. He loves it. Sorry for the
:32:18. > :32:24.delay, I had to go in through the KFC kitchens. I've waited ten years
:32:25. > :32:27.to get this award, a use to be appear with Ricky Gervais and the
:32:28. > :32:30.office and they never let me talk. You know when people said they never
:32:31. > :32:36.expected to win it. We did expect to win it. When we saw the nominations
:32:37. > :32:39.we thought there is no way Fleabag's going to win, it's definitely us.
:32:40. > :32:43.Thank you Bafta, the people behind me, this is the proudest show of my
:32:44. > :32:45.entire career, I love these guys. If any of you want any drugs, we'll be
:32:46. > :33:07.selling by the bar. Keep it Kurupt! Next up, entertainment programme.
:33:08. > :33:12.This is given in order of Lou Graves. To present the award is the
:33:13. > :33:16.Queen of a dynasty so 80s she ruled it with iron shoulder pads. Please
:33:17. > :33:26.welcome the first Lady of show business, Dame Joan Collins!
:33:27. > :33:41.APPLAUSE CHEERING
:33:42. > :33:48.Thank you. Well, it's absolutely wonderful to be here at the Baftas
:33:49. > :33:52.for their 70th anniversary. And I'm really glad I was asked to present
:33:53. > :33:55.this particular award because like most people I like nothing more than
:33:56. > :34:01.sitting on my sofa on a Saturday night and watching these wonderful
:34:02. > :34:04.shows. So let's take a look at the work of the truly remarkable
:34:05. > :34:08.performers doing what they do best...
:34:09. > :34:11.So Olly , what you been up to, what's happening?
:34:12. > :34:14.I've just been a bit of this, bit of that.
:34:15. > :34:22.I like that old one, when you start with the letter, dear...
:34:23. > :34:27.# Please excuse my writing # Yeah, I love that one.
:34:28. > :34:33.Why didn't you type it or send a text?
:34:34. > :34:39.I'm sorry, can you tell me your name again, sir.
:34:40. > :34:52.I'm not late for a show, my show's called The Late Late Show.
:34:53. > :34:58.If you walk 300 yards round there, my face is on the building.
:34:59. > :36:20.And the Bafta goes to... Ant Dec's Saturday Night Takeaway!
:36:21. > :36:39.Thank you very much. Wow, thank you, I know we said this a lot, we didn't
:36:40. > :36:43.expect this tonight. We've had real success with the show, we love the
:36:44. > :36:47.show, we see the other shows in the category, they are brilliant. We did
:36:48. > :36:51.have a 50% chance of winning tonight with Britain's got talent as well.
:36:52. > :36:57.Thank you to Bafta, to all the viewers who watch the show. These
:36:58. > :37:02.wonderful guys who work with us. I know all of their names. Don't quiz
:37:03. > :37:05.me. They are the most talented and hard-working production team. It
:37:06. > :37:09.overtakes all of our lives for the amount of time we are on air. We
:37:10. > :37:13.already, we've already started on next year's series, started our
:37:14. > :37:17.first meeting is on next year already. But this tonight is really
:37:18. > :37:23.unexpected. What a huge, lovely cherry on top of a cake. Well done,
:37:24. > :37:24.thank you very much. So lovely, have a lovely night everybody, thank you
:37:25. > :37:41.so much. We have made it all the way to
:37:42. > :37:45.Leading Actor. To present it an actor who said she would give her
:37:46. > :37:49.right arm to appear on Line Of Duty, and they took her at her word.
:37:50. > :38:01.Welcome the extraordinary Thandie Newton!
:38:02. > :38:08.Thank you, incredibly gorgeous Sue Perkins. This ceremony tonight makes
:38:09. > :38:17.me so proud to be British. I'm sure you all agree. APPLAUSE
:38:18. > :38:21.So what does it mean to be a great leading man? Someone who leads us
:38:22. > :38:26.into stories, lives and experiences that more often than not change
:38:27. > :38:29.hearts and minds forever. Let's take a look at where these extraordinary
:38:30. > :38:33.actors have been taking us most recently.
:38:34. > :38:37.If Damilola wasn't my son what would you have done to me just now?
:38:38. > :39:02.I am unprepared to respond to these allegations.
:39:03. > :39:05.But I will say that I am fully cooperating with police and
:39:06. > :39:13.Of course, obviously, I would like some privacy at this
:39:14. > :39:24.How could you have done this to our family?
:39:25. > :39:40.I wasn't trying to come I didn't mean to, I was only...
:39:41. > :40:05.No, protector of this damned strumpet.
:40:06. > :40:46.And the Bafta is awarded to Adeel Akhtar for Murdered By My Father!
:40:47. > :40:59.APPLAUSE It's very strange to accept an award
:41:00. > :41:05.when you know you're in front of a long line of people who are... Who
:41:06. > :41:13.helped make this happen. Bruce, the director who guided me through it
:41:14. > :41:18.all. I'm going to go in a minute. Kieran, who I acted opposite. And
:41:19. > :41:26.because of her bold choices, it allowed me to do what I did. --
:41:27. > :41:30.Kiran. Toby the producer. They are all sitting in row K, just getting a
:41:31. > :41:43.visual on them. I I would like to thank my agents. And
:41:44. > :41:51.Jess who works in the office. I had to play a character who isolated
:41:52. > :41:58.himself from the best part of himself because he was scared and
:41:59. > :42:02.that isolation compounded itself and ultimately became destructive and
:42:03. > :42:08.destructive to himself. He lost his compassion and his kindness. I'd
:42:09. > :42:11.like to dedicate this award to my wife and my nine month baby, who
:42:12. > :42:31.remind me to be kind and compassionate you.
:42:32. > :42:37.Leading Actress now, this award represents what so many actresses
:42:38. > :42:48.aspire to. Being paid just under the same amount as their Leading Actor.
:42:49. > :42:59.To present this award, the magnificent Jimmy Nesbitt!
:43:00. > :43:07.Thank you. Great pleasure to be here. Good man, Adeel Funny what you
:43:08. > :43:10.say, Sue, I'm delighted to present the award for Best actress tonight
:43:11. > :43:16.particularly because I'm wearing the badge for ERA full stop the campaign
:43:17. > :43:23.for the equal representation of actresses. For everyone three roles
:43:24. > :43:28.there are three male roles. It's an inequality absorbed by everyone on
:43:29. > :43:34.their screens every day. As the father of two children Bake Off
:43:35. > :43:46.girls, this should change. -- two children, two girls. APPLAUSE
:43:47. > :43:50.Him, in this category, personally I think it's impossible to separate
:43:51. > :43:54.the scintillating performances given by the four leading actresses
:43:55. > :44:00.nominated tonight. If up to me I'd give them all Bafta. If it was up to
:44:01. > :44:01.me give myself the Bafta. But Bafta wouldn't budge. Let's have a look at
:44:02. > :44:05.the nominations. I thought I'd got through to him,
:44:06. > :44:14.I thought he was stepping down. Then he just went limp and this odd
:44:15. > :44:17.look came over his face. I don't know, I don't
:44:18. > :44:41.know, I don't know. You're thinking I should
:44:42. > :45:04.have told someone. In here, we can keep an eye on you,
:45:05. > :45:22.make sure you've got And, yes, there are those who would
:45:23. > :45:36.have preferred me to marry him. Indeed, marriage with him
:45:37. > :45:39.might have been easier. Might have even worked
:45:40. > :45:44.better than ours. But to everyone's regret
:45:45. > :46:07.and frustration, the only person As I said, how do you choose that?
:46:08. > :46:12.The Bafta goes to the magnificent Sarah Lancashire!
:46:13. > :46:53.I can't breathe! We love you!
:46:54. > :47:11.CHEERING AND APPLAUSE OK... Gosh, thank you, Bafta. Thank
:47:12. > :47:22.you to the BBC, Charlotte Moore, to everyone at Red. To the most
:47:23. > :47:26.extraordinary company of actors, and it's a privilege to work alongside
:47:27. > :47:37.each and every one of you. Truly. The brilliant Siobhan Finneran.
:47:38. > :47:46.Shirley Henderson, Jamie Norton, George, Nick. You're all just, your
:47:47. > :47:56.fantastic. Gosh, I even want to thank Nicola Walker and she's not
:47:57. > :48:02.even in it! LAUGHTER And of course, the phenomenally
:48:03. > :48:09.scarily talented Sally Wainwright. APPLAUSE
:48:10. > :48:18.Sally, you are the most brilliant producer, an extraordinary director.
:48:19. > :48:28.An extraordinary writer. I thank God you can't act. LAUGHTER
:48:29. > :48:36.And... And just before I go, can I just say, Claire Foy, you have given
:48:37. > :48:42.me the best ten hours under a duvet that I've ever had. Thank you.
:48:43. > :48:44.APPLAUSE Thank you, Bafta, thank you.
:48:45. > :49:01.CHEERING AND APPLAUSE That's something to put on the CV.
:49:02. > :49:05.Finally we come to the most prestigious award of the evening,
:49:06. > :49:09.and that is the Bafta Fellowship. This has been collected by the great
:49:10. > :49:13.and good of British television and tonight is no exception. Tonight, to
:49:14. > :49:19.present it, a woman whose middle name is comedy, which is an amazing
:49:20. > :49:22.coincidence. Please welcome the legend that is Jennifer Saunders!
:49:23. > :49:40.CHEERING AND APPLAUSE Well, what an extraordinary woman
:49:41. > :49:43.this woman is. And what an extraordinarily varied career she
:49:44. > :49:49.has had. She has, in my opinion, rather selfishly conquered so many
:49:50. > :49:52.aspects and areas of the TV business that there's little left for the
:49:53. > :49:56.rest of us. But I suppose I'm more than anyone should be thankful.
:49:57. > :50:01.Thankful that she never done what she was told. She didn't listen when
:50:02. > :50:05.they told her she'd never be an actress because she started as a
:50:06. > :50:09.model and she should stay in her place. Thankful she didn't listen
:50:10. > :50:13.when told she could only play pretty girlfriend because she was pretty
:50:14. > :50:18.and a girl. And especially thankful she paid no heed to the idea she
:50:19. > :50:23.couldn't do comedy because she was beautiful and velvety voice it and
:50:24. > :50:28.every schoolboy 's pin-up. But, you see, she's never been well-behaved.
:50:29. > :50:35.She is the conform's non-conform. They put her on a desert island in
:50:36. > :50:39.Goal Friday and she refused to bow to hunger and heart-shaped and set
:50:40. > :50:44.about transforming her bra into a pair of Jimmy Choo 's, which led her
:50:45. > :50:53.in turn to become the queen of the travelogue, the Nile, Greece, Japan,
:50:54. > :50:58.the world is now her lobster. Another example of Joanna making
:50:59. > :51:02.something of nothing was back in 1990. I handed her some scrappy
:51:03. > :51:15.lines, an uninformed idea and she alone created Patsy Stone. APPLAUSE
:51:16. > :51:19.A creation that has at least kept me laughing for the last 27 years.
:51:20. > :51:24.Because on top of everything else, she is a comic genius and a
:51:25. > :51:28.brilliant, brilliant clown and a person who never forgets how hard
:51:29. > :51:33.it's been to get where she is. On set, at the beginning of the day,
:51:34. > :51:37.she is already reeling annoyingly said good morning to the crew and
:51:38. > :51:40.had meaningful words with every single supporting artist whilst you
:51:41. > :51:46.are still moaning about the coffee. But I think the best way to sum her
:51:47. > :51:49.up is in her own words... You only have one go at life, which is
:51:50. > :51:53.thrilling. Only you can make yourself what you want to be, don't
:51:54. > :51:59.blame anyone else. You are entitled to fresh air, and that's it. Do the
:52:00. > :52:04.rest yourself. And boy, has she done that. Let's now take a look at some
:52:05. > :52:06.of her best career clippings of her work.
:52:07. > :52:16.Patsy Stone, 39, international symbol and style Guru.
:52:17. > :52:36.Don't move, you man you, cover your body with me.
:52:37. > :52:38.You could snuff out my mind as easy as
:52:39. > :52:50.Oh darling, he's nice, he doesn't seem
:52:51. > :52:59.I'm a rich bitch, I always have been, it's my
:53:00. > :53:05.It's all right, it just tickles a little bit on my top lip.
:53:06. > :53:10.Either you think of me as a 3000 year old
:53:11. > :53:13.sarcophagus or you in fact think that I'm your mother and
:53:14. > :53:20.either way, really, it's just not good.
:53:21. > :53:25.This is a volcanic country, so this springs are hot.
:53:26. > :53:30.That is where my love affair with Greece
:53:31. > :53:41.Stick around if you want to, but this is bedtime for me.
:53:42. > :53:42.Sweeties, darling, can you just leave me
:53:43. > :54:03.A man who can look you in the vagina, but never in the
:54:04. > :54:08.Quite frankly, I was doing it for the viewers.
:54:09. > :54:24.APPLAUSE The Bafta Fellowship this year is
:54:25. > :54:52.awarded to Joanna Lumley! Jennifer, stay with me. Jennifer,
:54:53. > :54:59.Jennifer, stay with me. I can't. Jennifer, Jennifer. I have to go to
:55:00. > :55:05.Sue Jennifer, Jennifer, just stay with me. The thing is I'd sorted out
:55:06. > :55:11.a fantastic speech which started off... Stay with me... Which started
:55:12. > :55:18.off saying how unbelievably honoured I am to get this Fellowship from the
:55:19. > :55:22.Academy. It honestly isn't even something you even dream of. You
:55:23. > :55:27.don't even dream of it, Jimmy, you can't think of it. But then the
:55:28. > :55:32.letter comes. Even looking at that, I realised everything I am... I'm
:55:33. > :55:38.like a piece of cellophane, laid over the industry. I have done
:55:39. > :55:43.nothing. We as actors, we are dragged about in golden carriages,
:55:44. > :55:48.which are laid on tracks over swamps at midnight by men in their
:55:49. > :55:53.underpants. We are lit and furnished with words and costumed and made up.
:55:54. > :55:58.We have stunt performers to make us look better. We have people who
:55:59. > :56:03.drive us, who dressed us. We have people who feed us, caterers are so
:56:04. > :56:08.important. We have always. We arrived and sometimes people say,
:56:09. > :56:13.you are so funny in that. And you say, yes, thanks. LAUGHTER
:56:14. > :56:17.It is all somebody else, and I'm here to say that this is for me,
:56:18. > :56:22.Paradise, because I'm here where I wanted to be. What I meant to say by
:56:23. > :56:27.that is I am in the company that I wish to keep ever since I was young.
:56:28. > :56:33.I wish to be with people who have left race and religion and age and
:56:34. > :56:41.gender and shoe size and things outside the door when they came.
:56:42. > :56:45.People who are in our profession don't have those discriminations. I
:56:46. > :56:49.wanted to be with those people. I wanted to hang out with the boys in
:56:50. > :56:57.the band. I wanted to be part of the sisterhood. I wanted to be in this
:56:58. > :57:03.great circus, in this Fellowship. And now I'm standing here with my
:57:04. > :57:07.gorgeous family, my beloved friends, and I couldn't be happier. So what I
:57:08. > :57:14.really want to say is, Jennifer, you write it, I just do it. I just want
:57:15. > :57:25.to say, actually to you all, you know... So, yah. Thanks a lot!
:57:26. > :57:36.CHEERING AND APPLAUSE Pure class, pure class.
:57:37. > :57:47.And with that brilliant human that is all we have time for this
:57:48. > :57:50.evening. Thanks for coming, thanks to everyone in this room and
:57:51. > :58:00.everyone at home watching. If you have enjoyed it, I am so made up,
:58:01. > :58:05.and if you didn't, I'm Mel, good night. Other awards, presented
:58:06. > :58:11.earlier. The Bafta goes to Hillsborough.
:58:12. > :58:15.I said, what's going on, why are you doing something? I just sort of
:58:16. > :58:20.looked straight ahead of me. I said how many, how many? He started
:58:21. > :58:22.sobbing. This is a story about the horror and injustice of
:58:23. > :58:26.Hillsborough. I would like to pay tribute to all of those who'd shared
:58:27. > :58:34.their testimony, the fans, the families, the survivors, the
:58:35. > :58:41.policeman. Teenage Prison Abuse Exposed. Since being filmed, they
:58:42. > :58:47.have suspended seven custody officers. There are 1000 children in
:58:48. > :58:54.jails in England and Wales right now. Those 1000 children, some of
:58:55. > :59:02.whom are Rob met and some had extraordinary potential. Too often
:59:03. > :59:15.they are off the list, forgotten. And the Bafta goes to... Our Loved
:59:16. > :59:20.Boy. Damilola Was a big dreamer and encouraged others to dream big.
:59:21. > :59:24.There are a couple of people up here with us for whom this was much, much
:59:25. > :59:33.more than just a film. It was their lives. Richard Taylor and 20, would
:59:34. > :59:44.you step forward. I want to dedicate this to the memory of Damilola and
:59:45. > :59:48.Gloria, my late wife. Their people versus OJ Simpson.
:59:49. > :59:55.APPLAUSE I want to know... I need to know in
:59:56. > :59:59.advance what you guys are doing. The one true vision that stands out
:00:00. > :00:05.and shows the true excellence is why we are all here representing this,
:00:06. > :00:12.because of one man, his name is Brian Murphy.
:00:13. > :00:18.Exodus, Our Journey To Europe! This is the story of the migrant
:00:19. > :00:20.crisis. They are not just numbers, facts and statistics, they are
:00:21. > :00:27.husbands and wives, husbands are mothers, and children. This goes to
:00:28. > :00:32.them. Victoria Derbyshire, footballers
:00:33. > :00:35.abuse. If you come out with the sort of
:00:36. > :00:40.accusations, so to speak, would anyone believe you? I would like to
:00:41. > :00:44.thank our amazing editor and team, but most of all I would like to
:00:45. > :00:52.thank Andy Woodward, Chris Unsworth, Steve Walters and Jason Dunford.
:00:53. > :01:03.Thank you very much. The Queen's 90th birthday celebration!
:01:04. > :01:07.# Happy birthday to you #. Thanks to Her Majesty stockbroker
:01:08. > :01:12.Majesty the Queen, I suppose. Thank you, your Majesty. We should
:01:13. > :01:16.probably send that to her. We will take it to her.