:00:00. > :00:14.Now on BBC News it's time for a special programme featuring
:00:15. > :00:25.the highlights of the 2017 Bafta TV awards ceremony
:00:26. > :00:40.CHEERING AND APPLAUSE. Good evening and welcome to the British
:00:41. > :00:44.television awards. Now, it is current affairs and single
:00:45. > :00:49.documentaries. Nobody tell my Latvian grandmother she will try to
:00:50. > :00:54.set it up with another single documentary! Stacey Dooley. Tonight
:00:55. > :01:08.'s wonderful nominees are... What the Reagan administration were
:01:09. > :01:15.doing was a blurring of fact and fiction but it was part of a broader
:01:16. > :01:23.programme. The president advisers had given us a name, they called it
:01:24. > :01:30.perception management. The police just standing there. I mean, why
:01:31. > :01:34.would you just stand there. So I went up to one of the police and I
:01:35. > :01:46.said, what is going on? He looked straight at me. How many? How many?
:01:47. > :01:52.And he started sobbing. In the last year, around one in 12 have reported
:01:53. > :02:02.domestic abuse. But an average level and drop 50 incidents before calling
:02:03. > :02:09.for help. They will only call emergency when there is a threat to
:02:10. > :02:16.life. I hate the fact that he thinks that because he has an illness he
:02:17. > :02:24.was less worthy to be able to live. I felt very strongly that he is not
:02:25. > :02:39.a burden. And the impact that goes to... Hillsboro! I know I did not
:02:40. > :02:45.expect to win either. This was a film embargoed in the UK for two
:02:46. > :02:53.years while the inquest went on and it was broadcast exactly year ago on
:02:54. > :02:59.BBC Two while the Baftas was on BBC One. Thank you to obviously Bafta
:03:00. > :03:10.and to Charlotte Moore on BBC who commissioned this five or so years
:03:11. > :03:13.ago. To the company courageous in commissioning a complex documentary
:03:14. > :03:18.but allowing us the freedom to go and make the film we wanted to make.
:03:19. > :03:26.I got practically all our production team here. My production manager is
:03:27. > :03:38.feeding her newborn baby. This is really about the horror and
:03:39. > :03:49.injustice of the incident. Feels great and, he has worked so
:03:50. > :04:04.tirelessly. -- the direct stop diligently. CHEERING AND APPLAUSE.
:04:05. > :04:15.It was several months before he was involved in the shooting incident.
:04:16. > :04:22.It did not surprise me. I think you could have put 100 other officers in
:04:23. > :04:28.the same situation and you would not have had the same outcome. It is
:04:29. > :04:36.highly unusual for an officer to shoot and kill to an armed people. I
:04:37. > :04:42.have not heard of that before. Since we informed G4S of our evidence,
:04:43. > :04:50.they have suspended seven custody officers. Gareth, who unnecessarily
:04:51. > :04:58.restrained really. Duty operation manager crease, who choked him. And
:04:59. > :05:31.team leaders Matthew and Anthony who were bullying him. -- Chris.
:05:32. > :05:49.The bill is passed! It was one of those moments that reminds you of
:05:50. > :05:57.why you got in the fight in the first place. Teenage prison abuse
:05:58. > :06:09.expose, Panorama. APPLAUSE
:06:10. > :06:18.Thank you. Standing next to me, indisputably the bravest producer in
:06:19. > :06:22.TV and Robert who spent months undercover in a juvenile prison,
:06:23. > :06:31.exposing the abuse of children some as young as 14. What he did was
:06:32. > :06:37.extraordinary. Thank you. Forgive me, I do work in current affairs so
:06:38. > :06:44.let me just say this, there are 1000 children in England and Wales right
:06:45. > :06:51.now. Those are a thousand children, some had extraordinary potential,
:06:52. > :06:56.too often, they are off the list, they are forgotten. I want to thank
:06:57. > :07:01.Bafta and Bafta members remember in children who committed crimes. We
:07:02. > :07:10.thank you and we except this award on their behalf tonight. Next up,
:07:11. > :07:16.single drama and having had quite a lot of those myself, it is something
:07:17. > :07:26.I can really relate to. Jessica Raine. The unflinching subject
:07:27. > :07:31.matter of each of those nominated in this category is a true testament to
:07:32. > :07:34.the skill, professionalism and above all courage of everyone involved in
:07:35. > :07:48.making them. I felt, in a way, like I had a duty
:07:49. > :07:54.to succeed not just for me but for my friends as well. The children in
:07:55. > :08:13.that class never got the chance to be what they hoped. Or to even try.
:08:14. > :08:20.So... I think that's why. A bigger dreamer and we promise to encourage
:08:21. > :08:24.others to dream big and to walk towards seeing their dreams come
:08:25. > :08:35.true and to inspire others at the forefront will be for Damilola. I
:08:36. > :08:42.will travel far and wide to choose my destiny. I know it is my destiny
:08:43. > :08:55.to defend the world which I hope to achieve in my lifetime. You had a
:08:56. > :09:05.choice. Another boy. I don't mind getting married but what if it was
:09:06. > :09:11.someone else... You have been promised already, that is all that
:09:12. > :09:23.matters. Do you know what people say? We would not be able to give
:09:24. > :09:28.you away! Sorry I am boring you. Defending someone is different to
:09:29. > :09:39.trying to save them. Can I be excused. Come on. It's fine, we have
:09:40. > :09:57.banned each other a very long time. Yet I do not know you at all.
:09:58. > :10:01.Damilola, Our Loved Boy. This is amazing, especially when you think
:10:02. > :10:05.about how strong all those films were. This film was built on the
:10:06. > :10:17.commitment and care of lots of people. At the BBC, in the
:10:18. > :10:23.production, the director, the writer, an amazing cast. A couple of
:10:24. > :10:29.people for whom this was much more than just a film, it was their
:10:30. > :10:48.lives. Would you set forward? CHEERING AND APPLAUSE. This award is
:10:49. > :10:52.for the Taylor family, and of course for Damilola himself.
:10:53. > :11:07.APPLAUSE . And now the International board or
:11:08. > :11:10.as I call it immigrant telly coming over here, the lighting our
:11:11. > :11:25.audiences! Someone has managed to which all
:11:26. > :11:33.this amazing television down to four fabulous nominations. Let's have a
:11:34. > :11:42.look. What we are going to do when I am down here is run some tests. Are
:11:43. > :11:46.you all right? It is a crime scene. Just like the house and the cabin
:11:47. > :11:51.and it is our job to collect everything from a crime scene. Who
:11:52. > :11:56.are we going to find? You in the house. You on her. The knife on
:11:57. > :12:28.news... Are you not a killer. I want to know, I need to know in
:12:29. > :12:36.advance, or what you guys are doing. You hear me? So I can weigh in on
:12:37. > :12:45.it. I will arrange a briefing for you. I am undone. When I want to
:12:46. > :12:54.hear from you I will... Get out of here, Bob.
:12:55. > :13:08.We talked about this. Get dressed. You need to get upstairs before
:13:09. > :13:13.Zadie comes home. He can never know about this, understand? You are very
:13:14. > :13:18.pretty dancer. The people versus OJ Simpson: an
:13:19. > :13:48.American crime story. Wait a minute. I am a boy from the
:13:49. > :13:55.hood who flew over and now I in London on the stage excepting gold.
:13:56. > :13:59.It has been a rollercoaster year for me but I do vessel here representing
:14:00. > :14:04.the filmmaking team. To thank the Bafta organisation. I want to kiss
:14:05. > :14:12.every person in this room. The one true vision that stand out is why we
:14:13. > :14:21.are here representing this because of one man, Brian Murphy. His vision
:14:22. > :14:25.is what brought ours here and I can't say enough about his attention
:14:26. > :14:31.to detail and his finding of the truth. It was the tragedy what
:14:32. > :14:35.happened that day to those two people and I hope we shown a little
:14:36. > :14:45.light on what happened and again we thank you. Thank you very much.
:14:46. > :14:49.And now it is time for best factual series and news coverage where you
:14:50. > :15:06.are. Good evening to you all. To make a
:15:07. > :15:13.successful factual series takes unimaginable levels of ability,
:15:14. > :15:16.stamina, and sacrifice. A total commitment and dedication to the
:15:17. > :15:22.project over weeks, months, and even years will ensure that the story is
:15:23. > :15:32.told and keeps the audience enthralled for and week out. The
:15:33. > :15:40.nominations are: 24 Hours in Hebig at police Custody.
:15:41. > :15:43.-- The nominations are: 24 Hours in Police
:15:44. > :16:09.We have a case here, it is murder. Exodus: Our Journey to Europe. This
:16:10. > :16:16.is the story about people who travelled for Europe. I survived
:16:17. > :16:34.Schillings, Isis, Bashar al-Assad, the sea. I survived everything. --
:16:35. > :16:38.shelling. The Prosecutors. We are talking over half ?1 million in
:16:39. > :16:44.cash. The difficulty here is that even though we have 20 sets of CCTV,
:16:45. > :16:49.there is no way to identify anybody on that CCTV footage. What we will
:16:50. > :17:02.say is that it was not me. -- what they will say is that was not me. To
:17:03. > :17:10.be honest, I see myself as a real boy, but they do want to be a real,
:17:11. > :17:16.real boy. I often go to London, where they go down with my
:17:17. > :17:30.situation. Although I just want it now. And the BAFTA goes to Exodus:
:17:31. > :17:39.Our Journey to Europe. That is great. I would just like to quickly
:17:40. > :17:43.thank BAFTA and he became we had making Exodus: Our Journey to
:17:44. > :17:47.Europe. And BBC for being so supportive during the process of
:17:48. > :17:52.this film. But I would like to mainly thank the courage of the
:17:53. > :18:02.contributors to share their stories. I do want to break the rules of
:18:03. > :18:06.little and bring Hassan over here. Ladies and gentlemen, Exodus: Our
:18:07. > :18:14.Journey to Europe was me yesterday. But it is somebody else's today and
:18:15. > :18:19.tomorrow. Since making the documentary, over 10,000 people have
:18:20. > :18:21.died seeking refuge in Europe. These are not just numbers, fax, and
:18:22. > :18:29.statistics. These are husbands, wives, fathers, and children. This
:18:30. > :18:49.goes to them. It goes to the uncle stories. Thank you very much. -- V
:18:50. > :18:53.untold. -- the untold. For a quarter of the century, the Hillsborough
:18:54. > :19:04.football disaster on the 15th of April 1989 has officially been an
:19:05. > :19:16.accident. The only ones who are blamed were the fans. Not any more.
:19:17. > :19:27.Sky News tonight: Aleppo, death of a city. These fighters from the FSA
:19:28. > :19:34.are fighting alongside about a dozen other factions. But only about 8000
:19:35. > :19:40.fighters in total, trying to defend 300,000 trapped. Victoria
:19:41. > :19:50.Derbyshire, footballers abuse. If it did come out, you want people to
:19:51. > :19:54.believe you. If you come out with the accusations, so to speak, would
:19:55. > :20:08.anyone believe you, and would you get the support? Channel 4 news:
:20:09. > :20:20.Brexit - Day one. As dawn broke, it was a different story. And the BAFTA
:20:21. > :20:35.goes to Victoria Darvish: Footballers' Abuse. -- Derbyshire.
:20:36. > :20:42.Hi. I am Victoria. This is the Weezer. She is our editor. And this
:20:43. > :20:53.is Jo from the team. It is so much. This was an interview with four men.
:20:54. > :20:57.-- This is Louisa. They trusted asked enough to talk about their
:20:58. > :21:22.experiences boys, as nine olds and tenure is, going football training.
:21:23. > :21:25.You cannot underestimate the courage that it took them to do that
:21:26. > :21:35.I would like to thank BAFTA and our amazing editor and team, but most of
:21:36. > :21:39.all, I would lie to thank Andy Woodward, Chris Unsworth, Steve
:21:40. > :21:56.Walters, and Jason Dunford. Thank you very much. We moved to the award
:21:57. > :22:01.for Live Event. I live for life. Give me a seven second delay and I
:22:02. > :22:11.promise that I will use it. Please welcome be marvellous Tom Daley. I
:22:12. > :22:22.can tell you for absolutely as Danie of us from must have been nominated
:22:23. > :22:48.to night. That's Pegula. The Queen's 90th Birthday Celebration. Stand Up
:22:49. > :22:53.To Cancer. One in every two of us is going to be diagnosed with cancer
:22:54. > :22:58.here in the UK in our lifetime. That is half of Star City and Hutch. That
:22:59. > :23:08.is quite a few dalmatians. The odds are not good enough. The Centenary
:23:09. > :23:17.of the rattle of the Somme. -- Starsky and Hutch. Dirty white and
:23:18. > :23:23.shall with a hopeless rain, do you ever stop and ask is it all going to
:23:24. > :23:34.happen again. -- Battle of the Somme. Shakespeare Starsky and
:23:35. > :23:57.-- Shakespeare Live. Who are you? A desire, Hamlet, the Dame. And the
:23:58. > :24:09.BAFTA goes to the Queen's 90th Birthday. Thank you very much. This
:24:10. > :24:14.is nice to accept this award! That is very nice indeed! Thank you so
:24:15. > :24:24.much to... All of these guys worked on it. Don't know their names.
:24:25. > :24:28.LAUGHTER. Thank you so much to ITV. Thank you to the huge production
:24:29. > :24:37.team who put this whole thing together. These three, basically. It
:24:38. > :24:47.was an amazing ceremony, an amazing evening. A lovely out. It was all
:24:48. > :24:53.banks to Her Majesty! I suppose. Thank you your Majesty. In fact, we
:24:54. > :25:04.should listen to her. We will take to her. This one is for Europe,
:25:05. > :25:11.ma'am. You can have the BAFTA. I think we have said enough. Enjoy the
:25:12. > :25:15.night. That's go. Thank you for coming and thank you to everyone in
:25:16. > :25:19.this room and thereon at home watching. If you enjoyed this, I am
:25:20. > :25:38.so made up. If you didn't, good night.