0:00:02 > 0:00:05Previously on The Celebrity Apprentice.
0:00:05 > 0:00:09The teams were tasked with creating an ad for Dial to appear in Redbook magazine.
0:00:09 > 0:00:14You're creating a photo that supports both of our core values.
0:00:14 > 0:00:19On Empresario, project manager Tito Ortiz let Stephen Baldwin take charge.
0:00:19 > 0:00:22I think that that's a little edgy, and I'd rather play it safe.
0:00:22 > 0:00:25Meanwhile, on Hydra, Carol Alt took the reigns.
0:00:25 > 0:00:27I think we keep it very sexy.
0:00:27 > 0:00:30And decided on a more risque approach.
0:00:30 > 0:00:34They've got Omarosa, and we've got Carol Alt. Not a fair fight, really, is it?
0:00:34 > 0:00:38- In the boardroom: - Piers, what do you think of the ad? - I love Trace, but I don't think...
0:00:38 > 0:00:42- Do you think Omarosa would've been better than Trace? - In a graveyard scene.
0:00:42 > 0:00:45The battle between Piers and Omarosa was reignited.
0:00:45 > 0:00:48- Omarosa, what do you think of their ad? - The biting is a bit edgy for me.
0:00:48 > 0:00:49It's nibbling.
0:00:49 > 0:00:52Hydra's choice to use racy photos paid off.
0:00:52 > 0:00:56The executives thought the ad was fantastic.
0:00:56 > 0:00:57The winner is Hydra.
0:00:57 > 0:00:59And Mr Trump put Trace on the spot.
0:00:59 > 0:01:01If you were me, who would you fire?
0:01:01 > 0:01:05I would have to say Tito was responsible because he did let Stephen take charge.
0:01:05 > 0:01:08Leaving Tito to take the fall.
0:01:08 > 0:01:12As much as it pains me, Tito, you're fired.
0:01:22 > 0:01:24Oh! That was a good, powerful win.
0:01:24 > 0:01:28Three blokes go through that door now, I'm going partying.
0:01:28 > 0:01:31Are we getting company?
0:01:31 > 0:01:32Oh, Trace.
0:01:34 > 0:01:35Omarosa!
0:01:35 > 0:01:36And Stephen.
0:01:36 > 0:01:38Ooh! You back in here?
0:01:38 > 0:01:41Tito was fired, which I was surprised about.
0:01:41 > 0:01:46There was a gilt-edge opportunity to nail Omarosa.
0:01:46 > 0:01:49You knifed Tito straight in the back.
0:01:49 > 0:01:53You took out your big lasso and you carved him up, man!
0:01:53 > 0:01:55I didn't knife him.
0:01:55 > 0:01:56'I call 'em like I see 'em.'
0:01:56 > 0:02:00I didn't stab Tito in the back like Piers says.
0:02:00 > 0:02:04Tito quit being project manager and let Stephen do it.
0:02:04 > 0:02:10I'm not going to be vindictive or mean-spirited in any kind of way, unlike other people.
0:02:10 > 0:02:12'I'm not staying long. I don't want to be around him.
0:02:12 > 0:02:14'Piers is a loose cannon'
0:02:14 > 0:02:20and there's a lot of tension. I knew it was my time to step up and kick that British mutt's ass.
0:03:47 > 0:03:48Wow!
0:03:51 > 0:03:53That is amazing.
0:03:56 > 0:03:57Wow!
0:04:00 > 0:04:03'We went up to Donald Trump's apartment'
0:04:03 > 0:04:04to get the next task.
0:04:04 > 0:04:06The view is spectacular, for sure.
0:04:06 > 0:04:10The decor is impeccable, and Donald Trump walked in with his family.
0:04:10 > 0:04:13That was a portrait in itself.
0:04:17 > 0:04:19- Good morning.- Morning.
0:04:19 > 0:04:21We're standing in my apartment at Trump Tower.
0:04:21 > 0:04:25Some people consider it to be the greatest apartment in the world.
0:04:25 > 0:04:29I would never, ever say that myself, but it's certainly a nice apartment.
0:04:29 > 0:04:34And to my left is Melania, and this is Barron. Barron, say hello to the group.
0:04:34 > 0:04:39- Hi!- And Barron, hopefully, some day, will be a great entrepreneur.
0:04:39 > 0:04:41Melania, what do you think?
0:04:41 > 0:04:44Well, little Trump, what do you want to do when you grow up?
0:04:44 > 0:04:47- Business.- Business man!
0:04:47 > 0:04:51- That's right! Like your daddy. - That is pretty amazing, actually.
0:04:51 > 0:04:57- Daddy's a business man, and what is Daddy building?- House.- House.
0:04:57 > 0:05:00He's doing well. Just 18 months old and he's doing really well,
0:05:00 > 0:05:04so hopefully he'll do well like Ivanka has done and like Don has done.
0:05:04 > 0:05:10Now, so far we've raised 630,000 for charity. That's a lot.
0:05:10 > 0:05:13A lot more's going to be raised over the next couple of weeks.
0:05:13 > 0:05:15I love art. I collect art.
0:05:15 > 0:05:22You are going to be working on a really exciting art project at the Moti Hasson Gallery,
0:05:22 > 0:05:25one of the top galleries in New York.
0:05:25 > 0:05:28You'll be working with Moti Hasson.
0:05:28 > 0:05:31He will give each team various artists for you to choose.
0:05:31 > 0:05:35You'll choose your artist, and tonight, you'll sell your art.
0:05:35 > 0:05:39You'll price it. You'll do whatever it takes to sell that art.
0:05:39 > 0:05:41There is a minimum price for the art.
0:05:41 > 0:05:45What you sell above that goes to the winning project manager's charity.
0:05:45 > 0:05:48And the team that makes the most profit will win.
0:05:48 > 0:05:52Now, I'd like you to choose your project managers right now.
0:05:52 > 0:05:54I'll do the project manager. Is that OK?
0:05:54 > 0:05:59- It's you, right?- Yes. - Looks like you have your manager. Who's your project manager?
0:05:59 > 0:06:00I'm going to be project manager.
0:06:00 > 0:06:04This was the task that I got fired on last season, so I have something to prove.
0:06:04 > 0:06:08That's true. That's true. Very risky to be project manager. Who's your project manager?
0:06:08 > 0:06:09I'm going to be.
0:06:09 > 0:06:11Piers is project manager?
0:06:11 > 0:06:13Yeah. You don't win by not taking risks.
0:06:13 > 0:06:16'As soon as I knew Omarosa was going to be PM,'
0:06:16 > 0:06:18I decided this was time to go head-to-head,
0:06:18 > 0:06:20'fight to the finish.'
0:06:23 > 0:06:27Now, we're coming down to the final stretch.
0:06:27 > 0:06:30It's going to be very interesting, very exciting.
0:06:30 > 0:06:34Good luck. Sell a lot of art tonight. Make a lot of money.
0:06:34 > 0:06:37The winning team wins. The losing team, somebody will be fired. Have fun.
0:06:37 > 0:06:41- Thank you.- Go ahead.- Thanks. - Good luck.
0:06:59 > 0:07:04We have to really kill that other team over there.
0:07:04 > 0:07:07- OK.- Now, is there...
0:07:07 > 0:07:09some secrets to the trade, in terms of displaying the art?
0:07:09 > 0:07:13If you're saying we could throw a dart at the wall
0:07:13 > 0:07:16with any of these names and hit a winner, then that's great,
0:07:16 > 0:07:19but there has to be some technique.
0:07:19 > 0:07:22You're trying to place artwork into great collections.
0:07:22 > 0:07:25Follow your heart.
0:07:25 > 0:07:29Whoever appeals to you the most is who you should go with.
0:07:29 > 0:07:33That's my advice to you. That's what I do, and it always works, so...
0:07:33 > 0:07:38- I'm gonna follow my heart. I hope it doesn't lead me into the boardroom with Mr Trump.- Right.
0:07:38 > 0:07:42'Well, it's not hard for me, if I was just going on my personal taste.'
0:07:42 > 0:07:48There are only a couple of them that I even...get, you know?
0:07:48 > 0:07:50The rest of it's that abstract,
0:07:50 > 0:07:53three-year-old threw up on a canvas kind of stuff.
0:07:53 > 0:07:55I don't like that stuff.
0:07:55 > 0:08:01I would imagine that Piers, in his way of thinking,
0:08:01 > 0:08:04is gonna go for the most expensive person.
0:08:05 > 0:08:10He would be more interested in selling four 25,000 pieces.
0:08:10 > 0:08:13And he has the contacts to do that, yeah?
0:08:13 > 0:08:15- I don't know. - I know he does.
0:08:18 > 0:08:21Oh, hi, there. How are you? Piers Morgan. Good to see you.
0:08:21 > 0:08:22Moti Hasson.
0:08:22 > 0:08:25'None of us really have any kind of'
0:08:25 > 0:08:27real experience in artwork,
0:08:27 > 0:08:29'so we had a lot of questions.'
0:08:29 > 0:08:32Well, from these artists, you have literally five different artists.
0:08:32 > 0:08:37You have four who are painters, and Shirley Shor,
0:08:37 > 0:08:39who is a new media artist.
0:08:39 > 0:08:41With all these artists' works of art,
0:08:41 > 0:08:44there wouldn't be a space issue, where we couldn't hang them?
0:08:44 > 0:08:48All of the new media stuff, you don't have just six pieces.
0:08:48 > 0:08:53You have editions, so each work of art can be sold a few times.
0:08:54 > 0:08:56Oh, wait a minute.
0:08:56 > 0:09:00So you're saying you might have more than one piece, so if you sell one you can sell more?
0:09:00 > 0:09:04Of the same. Only with her, only with the new media artist.
0:09:04 > 0:09:06- So that's important.- That is.
0:09:06 > 0:09:11'What we found out with Shirley Shor, which was so interesting,'
0:09:11 > 0:09:14she actually was the number one in terms of volume.
0:09:14 > 0:09:19What I need you to do now is very quickly count up exactly how many pieces we now have.
0:09:19 > 0:09:2120 pieces of Shirley Shor.
0:09:21 > 0:09:25We have three at 12,000, seven at 20,000...
0:09:25 > 0:09:26Yeah.
0:09:26 > 0:09:29..and ten at 2,500.
0:09:29 > 0:09:31That adds up to 20, correct?
0:09:31 > 0:09:33OK. I think we should go for her.
0:09:33 > 0:09:34We definitely want her.
0:09:34 > 0:09:37'As soon as I realised there were 20 pieces, not six,'
0:09:37 > 0:09:41I backed the fact that Omarosa would not be able to work that out,
0:09:41 > 0:09:43and wouldn't think of Shirley Shor as an option.
0:09:43 > 0:09:46- What do you think? - OK. Let's go for Shirley Shor.
0:09:46 > 0:09:49I want you all to flip through this really quickly
0:09:49 > 0:09:53and write down your first, second, and third choice, OK?
0:09:53 > 0:09:56- So, there's my one, two, three. - OK.
0:09:56 > 0:09:58Is this jibing with anybody else?
0:09:58 > 0:10:01- Yeah. - We're all on the same page.
0:10:01 > 0:10:06'Interestingly, we all had, you know, David Kramer as our first choice.
0:10:06 > 0:10:08'He had more pieces at a lower price point.'
0:10:08 > 0:10:12And it was to our advantage to have a low minimum and set it higher.
0:10:12 > 0:10:16Who is the biggest pimps you know?
0:10:16 > 0:10:19I've just called four of the biggest ballers in New York.
0:10:19 > 0:10:22- OK.- And all they have to do is come through.- OK.
0:10:30 > 0:10:34- 'Hello?'- I know you're busy, and I'm sorry to bother you with this.
0:10:34 > 0:10:38We're selling art tonight at an art gallery in New York.
0:10:38 > 0:10:41When it came to choosing our artist, we chose David Kramer.
0:10:41 > 0:10:44'Do you know what the price range of the art is?'
0:10:44 > 0:10:46Between two and five thousand.
0:10:46 > 0:10:48'Could you choose an artist with a lower price?'
0:10:48 > 0:10:51The price point on it was going to be very challenging.
0:10:51 > 0:10:53I'm pounding on the phone here,
0:10:53 > 0:10:58trying to get some folks to come down and buy a piece of art from Stevie B tonight.
0:10:58 > 0:11:02'The test was really gonna be more about, relationship-wise,'
0:11:02 > 0:11:04who we could get down to buy the work.
0:11:04 > 0:11:05'I'll see you all later.'
0:11:05 > 0:11:07You're the best. See you.
0:11:07 > 0:11:13We are doing a fundraising event with a lot of the profit going to charity tonight.
0:11:13 > 0:11:17And the kind of range I was thinking is 10,000.
0:11:17 > 0:11:22'When it came to raising money for people to come down there and buy some art,'
0:11:22 > 0:11:25Piers had people on the line already.
0:11:25 > 0:11:28- 'It's Sarah.'- Hi, Sarah, how are you? - 'Fine. I have Gordon here.'
0:11:28 > 0:11:30Gordon Ramsay. Excellent.
0:11:31 > 0:11:32Gordon, how are you?
0:11:34 > 0:11:37Can you try not to swear too much in this brief conversation?
0:11:37 > 0:11:40I know it's almost a disease, but if you could keep it straight.
0:11:43 > 0:11:47'The key to winning a task like this is you've got to have a great contact book.'
0:11:47 > 0:11:50Yeah, I can't say too much about it, other than I want your money.
0:11:50 > 0:11:54'I have no problem ringing up famous friends and asking for money,'
0:11:54 > 0:11:57and they expect me to ring them and badger them for money.
0:11:57 > 0:11:59I've been doing it all my life. I'm very good at it.
0:11:59 > 0:12:03I can't thank you enough. I really appreciate it. Bye. Bye-bye.
0:12:03 > 0:12:06'Now is the time where I don't just want to beat Omarosa,'
0:12:06 > 0:12:09I want to pulverise her so badly that she's not only fired,
0:12:09 > 0:12:12but probably never work on television again.
0:12:12 > 0:12:14This wasn't business. This was personal.
0:12:16 > 0:12:18OK, team, listen up.
0:12:18 > 0:12:22Steve, I want you to pull up, as quickly as you possibly can, everything you can.
0:12:22 > 0:12:25- Print the form. - OK, so stop calling connections?
0:12:25 > 0:12:29- I'm gonna have you stop so that we can inform ourselves about the artist.- OK.
0:12:29 > 0:12:33Steve Baldwin knew nothing about art, so I put him on research.
0:12:33 > 0:12:35He had to do the background for the artist.
0:12:35 > 0:12:39You can call and work the Internet at the same time, right?
0:12:39 > 0:12:42- Uh, not really, to be honest with you.- You can't multi-task?
0:12:42 > 0:12:44Is that what you're telling me?
0:12:44 > 0:12:48Well, I can't read and talk to somebody at the same time. No, I can't do that.
0:12:48 > 0:12:51It's funny, cos I'm doing OK.
0:12:51 > 0:12:53Can you give it a try, maybe?
0:12:53 > 0:12:58I can make the calls, but then if somebody asks me about a piece of artwork tonight,
0:12:58 > 0:13:01which would you rather I know better?
0:13:01 > 0:13:05I'd rather you do both. At this level in the game, you got to multi-task.
0:13:05 > 0:13:09I think that Omarosa likes to spin things a little bit.
0:13:09 > 0:13:13She plays the game a certain way. And she was trying to set me up.
0:13:22 > 0:13:23- How are you?- Good. Good.
0:13:23 > 0:13:26You have chosen Shirley Shor as yours.
0:13:26 > 0:13:31And we will be using the North Gallery and the West Gallery.
0:13:31 > 0:13:34It's right next door.
0:13:34 > 0:13:36And will they be in here, then?
0:13:36 > 0:13:37They will be in there.
0:13:41 > 0:13:45It depended on the work that was chosen. So, again, you have two galleries. Use them.
0:13:45 > 0:13:49- Bit of a disadvantage by having two rooms?- Not at all.
0:13:49 > 0:13:51When we seen the space we had to work with, you know,
0:13:51 > 0:13:56I was a little bit concerned because we were in the back room and Empresario's in the first room.
0:13:56 > 0:13:58How do we draw people into this room?
0:14:05 > 0:14:08If you need room...
0:14:08 > 0:14:10Uh, excuse me. This is our room.
0:14:12 > 0:14:13That's your room.
0:14:13 > 0:14:16David Kramer's in the next room.
0:14:16 > 0:14:20This is what I'm thinking. We don't want them to flow into that other room.
0:14:20 > 0:14:21Question.
0:14:21 > 0:14:27We want them to walk in and boom, boom, boom, cos they've got to find their way to their room.
0:14:27 > 0:14:28OK.
0:14:35 > 0:14:38We are hosting an art exhibition this evening,
0:14:38 > 0:14:41and I'm the project manager, so my neck is on the line.
0:14:46 > 0:14:48- PIERS:- Stephen Baldwin, yet again,
0:14:48 > 0:14:51was spending most of his time in the morning peering around doorways,
0:14:51 > 0:14:55listening in on my conversations, and, frankly, cheating.
0:14:55 > 0:14:58I have no problem with Stephen Baldwin cheating.
0:14:58 > 0:15:01I just wish he'd admit it and stop pretending he's from a different moral base to me.
0:15:01 > 0:15:06They can go round the back, right? They can actually walk out and round the back.
0:15:06 > 0:15:09- If I have to go to the bathroom? - Yes, mate. Sorry. Team Hydra rule.
0:15:09 > 0:15:11With respect, this is our gallery, right?
0:15:11 > 0:15:15- Not yours, so if you want to go to the bathroom, go. - Are you kidding me?- No!
0:15:15 > 0:15:17Every time Stephen holds his hands up
0:15:17 > 0:15:21and says, "I can't get involved in this unethical behaviour,"
0:15:21 > 0:15:23he seems to be the main perpetrator.
0:15:23 > 0:15:25It's called spying, all right?
0:15:25 > 0:15:28And I don't like it, and I respond with severe violence.
0:15:28 > 0:15:32- The next step is, I'm gonna hit you. - You're gonna hit me? For going to the restroom?
0:15:32 > 0:15:35- For spying on us. - I have to go to the restroom.
0:15:35 > 0:15:39No, you don't. You can go another way. Go out the back, round the corner. All right?
0:15:39 > 0:15:41'Piers threatened to hit me cos he thought'
0:15:41 > 0:15:45I was intruding in their space and trying to steal their ideas.
0:15:45 > 0:15:48And, man, he's really nuts.
0:15:48 > 0:15:50See ya.
0:15:58 > 0:16:00We have 50 minutes only.
0:16:00 > 0:16:01And we need our stuff up.
0:16:01 > 0:16:04- They've prepped it? - What's happening?
0:16:04 > 0:16:07This will be up in five minutes, max.
0:16:07 > 0:16:11Let's go. Let's go. Time's counting down. We only have half an hour to hang the art.
0:16:11 > 0:16:14We need to get as much in as possible.
0:16:14 > 0:16:16Time management is important.
0:16:16 > 0:16:21I want you put you at the front, hooking people in to our side. Bring them straight in here.
0:16:21 > 0:16:25- You'll be up the front. Direct them straight in to Shirley Shor.- Sure.
0:16:25 > 0:16:28And remember, we sell four or five of those, that's it.
0:16:28 > 0:16:30Do we really want to put these up?
0:16:30 > 0:16:33- I don't think so. - They have the prices on them.
0:16:33 > 0:16:36We don't have time. We've got the price sheets. We should be in control.
0:16:36 > 0:16:40- But I'm... - Stephen, I have a question. - Should we stick these on the wall?
0:16:40 > 0:16:44- They just gave these to us. - Yes, we have to.
0:16:44 > 0:16:46We didn't know anything about art.
0:16:46 > 0:16:50'I think Omarosa claimed to know something about it.'
0:16:50 > 0:16:53I don't know that she actually does.
0:16:53 > 0:16:59- We have the option of putting it up, but it's not a mandatory thing. - I would prefer that you did it.
0:16:59 > 0:17:01How would people know what the price is?
0:17:01 > 0:17:02We'll tell them.
0:17:02 > 0:17:05This is how things are done in the gallery.
0:17:05 > 0:17:07Well, let's set them. Yeah.
0:17:07 > 0:17:08We've got five minutes.
0:17:09 > 0:17:10There's about the middle.
0:17:10 > 0:17:13- Two and two right here. - Let's get 'em up, boss.
0:17:15 > 0:17:19You've got the red dots. Leave them so that you can put them on each label, right?
0:17:19 > 0:17:22They gave us a little strip of paper that had, like, you know,
0:17:22 > 0:17:24six or seven little red dots,
0:17:24 > 0:17:27and you'd peel them off and stick them on when you sold one.
0:17:27 > 0:17:30- Here are the red dots for you. - Thank you very much.
0:17:30 > 0:17:32We appreciate your help. You've been great.
0:17:39 > 0:17:40Almost that time.
0:17:42 > 0:17:44OK.
0:17:46 > 0:17:50It's my neck on the line. This is a team effort, but...
0:17:50 > 0:17:54I don't want to go down for this one.
0:17:56 > 0:17:58- Welcome.- Hello.
0:17:58 > 0:18:00Hi, there. Welcome. Hi. Welcome.
0:18:00 > 0:18:03- Steven Baldwin, nice to meet you. - Hi, Stephen.
0:18:03 > 0:18:06- How are you? Trace Adkins. - Michael.
0:18:06 > 0:18:08- Hello, dear. Nice to meet you. - Hi. Nice to meet you.
0:18:08 > 0:18:12Come on in. David Kramer and the Empresario crew is this way.
0:18:12 > 0:18:13David Kramer is this way.
0:18:13 > 0:18:16OK, Lennox, we need you on the door, mate.
0:18:16 > 0:18:17They're all coming in.
0:18:17 > 0:18:19Push them into our gallery, yeah?
0:18:19 > 0:18:20Welcome.
0:18:20 > 0:18:22Welcome, ladies and gentlemen.
0:18:23 > 0:18:25When people walked in,
0:18:25 > 0:18:28I looked and I realised that nobody was coming over to our side.
0:18:28 > 0:18:29Welcome.
0:18:29 > 0:18:31Welcome, ladies and gentlemen.
0:18:31 > 0:18:33- Oh, you're good. - Welcome.
0:18:33 > 0:18:36Omarosa was at the door, funnelling people towards her side.
0:18:36 > 0:18:37I had to get over there quick.
0:18:47 > 0:18:50Would you like additional information about David Kramer?
0:18:50 > 0:18:52This is just a brief bio about him.
0:18:52 > 0:18:55I'm shopping for art, for my new apartment.
0:18:55 > 0:18:57Oh, are you really?
0:19:00 > 0:19:02I have cash with me. I want to buy something.
0:19:02 > 0:19:05I'm about to cry. Which piece are you gonna select?
0:19:05 > 0:19:08- I like that one. - Oh, that one.
0:19:09 > 0:19:11I do, too.
0:19:12 > 0:19:1528 for this one.
0:19:15 > 0:19:17- Thank you so much!- No worries.
0:19:17 > 0:19:19Mm, thank you.
0:19:19 > 0:19:24- This is fine. I will always think of you when I look at that one. - Appreciate that.- 'Congratulations.'
0:19:24 > 0:19:26I heard you got two sales. Well done, my friend.
0:19:26 > 0:19:28You bet.
0:19:28 > 0:19:30We are working as a team, grinding it out to get it done.
0:19:30 > 0:19:32Everything is coming together.
0:19:32 > 0:19:35And I just called him two hours ago, and I said to him,
0:19:35 > 0:19:39if he could call me some time after 5, but it's now nearly 6.15,
0:19:39 > 0:19:42and I wonder whether you might be able to nudge him.
0:19:42 > 0:19:45My donors haven't turned up yet, but they are coming.
0:19:45 > 0:19:48I've got to be honest with you, I began to get a little twitchy.
0:19:48 > 0:19:50Stand there and look at that.
0:19:50 > 0:19:53Tell me that you don't find it really, unusually exciting.
0:19:53 > 0:19:55It is. It's not even diamonds.
0:19:55 > 0:19:57- Which is what I do. - I know.- That's excited.
0:19:59 > 0:20:05- So, I know you love this.- Yeah. - So what I can do to get you to say yes and to change my life?
0:20:07 > 0:20:11You're the queen of diamonds. Trust me. I'm the king of deals.
0:20:11 > 0:20:15I'm making you a great deal here, and I would love you to make my day.
0:20:18 > 0:20:19Just give me the nod.
0:20:19 > 0:20:22I wouldn't even ask if I really didn't need the help.
0:20:22 > 0:20:24You could just do your bit for charity.
0:20:24 > 0:20:28I've never wanted to beat anyone in my life more than I wanted to beat Omarosa.
0:20:28 > 0:20:30And if she loses very heavily,
0:20:30 > 0:20:35only one thing happens to the losing project manager. You're fired.
0:20:46 > 0:20:49It's really hard not to really want that.
0:20:49 > 0:20:52The challenge for the team tonight is to sell all the pieces.
0:20:52 > 0:20:55I'm the Project Manager. Omarosa's the Project Manager.
0:20:57 > 0:20:58Really?
0:20:58 > 0:21:02That would just change my life. I don't even think you know.
0:21:02 > 0:21:05Come on, Suzy. You know it makes sense.
0:21:07 > 0:21:09So, can I put you down for this one?
0:21:26 > 0:21:28That would be great. Thank you.
0:21:28 > 0:21:31I really appreciate it. Thank you very much. Thank you.
0:21:32 > 0:21:36- How you doing? Thanks for coming. Appreciate it.- Anything.
0:21:36 > 0:21:38- Thanks for all your support. - Anything for you.
0:21:38 > 0:21:42I had some people come down that I called, but they haven't bought any artwork yet.
0:21:42 > 0:21:46- Do you like visual art?- I do. - Come on. Let me show you something.
0:21:46 > 0:21:49No, he's busy. He's busy right now. Yeah, don't worry.
0:21:49 > 0:21:50Yes, absolutely.
0:21:50 > 0:21:52- Carol Alt.- My name is Charls.
0:21:52 > 0:21:56- Charls, very nice to meet you. - I'm in the movie business.- Are you?
0:21:58 > 0:22:02- Do you have a price chart? - Yes.- OK.- Be careful.
0:22:02 > 0:22:06One of my people that I invited wandered over to the other side,
0:22:06 > 0:22:09and Carol went and tried to get the guy to buy a piece of art.
0:22:09 > 0:22:13You got it.
0:22:13 > 0:22:14And he did.
0:22:14 > 0:22:19I got to be honest. It's a little disheartening to see them have to stoop to that level. It's sad.
0:22:19 > 0:22:24- I stole one of Stephen's. I almost stole one of Omarosa's. She saw me and took him away.- Great.
0:22:24 > 0:22:28My people on poaching clients is all's fair in love and war.
0:22:28 > 0:22:31If you're stupid enough to let one of your donors turn up
0:22:31 > 0:22:35and then be diverted to our gallery and they buy one of our pictures,
0:22:35 > 0:22:36you're a complete dunderhead.
0:22:36 > 0:22:40- Hi. How are you? Good to see you. - Same here.- Good to see you.
0:22:40 > 0:22:44Piers had some heavy duty donors that showed up.
0:22:44 > 0:22:45Two of the Shangri-La's.
0:22:45 > 0:22:49- How are you paying for that? - I have cash.- Cash. Great.
0:22:51 > 0:22:54It's nice little fiery number for a fiery Gordon Ramsay.
0:22:54 > 0:22:57Hey, thank you very much. Tell Gordon I really appreciate it.
0:22:57 > 0:22:59I've never seen a man with so many connections.
0:22:59 > 0:23:01I'm just happy he's on our side.
0:23:07 > 0:23:08Yeah, mate, that's perfect.
0:23:08 > 0:23:12- He's been very generous.- Absolutely. - I know he couldn't be here.
0:23:12 > 0:23:16He's going to buy the set there of the two.
0:23:16 > 0:23:20I have big donations coming from people that I got. We sold two of those there. We are going great.
0:23:20 > 0:23:24And so, on every level of our strategy, it's working.
0:23:24 > 0:23:27I'm going to congratulate him on the sale.
0:23:27 > 0:23:31This piece sold out immediately, this one sold out immediately,
0:23:31 > 0:23:32and we have one piece of that left.
0:23:35 > 0:23:40We've got two of those, and we've got one of those at the end.
0:23:40 > 0:23:41The others are gone.
0:23:41 > 0:23:43The red dot signified a sale,
0:23:43 > 0:23:46and the reason I like that was I wanted the opposition to be
0:23:46 > 0:23:49wandering around our two galleries, getting more and more terrified.
0:23:49 > 0:23:54- Steve Baldwin. How are you? - Nice to meet you. I'm Alexandra.
0:23:54 > 0:23:59- Hi, Nice to meet you.- Where can we get something to eat?- There's lots of places in Times Square.
0:23:59 > 0:24:02You know what's really good is that funky Asian place on 7th.
0:24:02 > 0:24:05- Oh, it is good.- Yeah. - That's a good place.
0:24:07 > 0:24:12Stephen was not focused and detached himself from the process.
0:24:12 > 0:24:16How'd you do any sales?
0:24:16 > 0:24:20At least I had folks who turned out, who believed in me, who wanted to support me.
0:24:20 > 0:24:22I can't really say the same for Stephen.
0:24:24 > 0:24:26That's it. Last chance.
0:24:26 > 0:24:28All for charity, last chance.
0:24:28 > 0:24:32I'm feeling about as good as a human being could feel.
0:24:32 > 0:24:34It's a personal tragedy for Omarosa.
0:24:34 > 0:24:38I would literally be heading to Brooklyn Bridge now and doing the decent thing.
0:24:38 > 0:24:39Drowning myself.
0:25:12 > 0:25:15- Piers, how'd you like your artist? What did you think?- Loved it.
0:25:15 > 0:25:19Loved the style. Loved the fun, the creativity.
0:25:19 > 0:25:20Really cool stuff.
0:25:20 > 0:25:23- How do you think you did? - I think we won.- You think you won?
0:25:23 > 0:25:26I think we didn't just win. I think we destroyed them.
0:25:26 > 0:25:28Carol, how do you think you did?
0:25:28 > 0:25:30I think we did very well, yes, absolutely.
0:25:30 > 0:25:33- Lennox, you think you did pretty well?- I think we did well.
0:25:33 > 0:25:34Omarosa, how'd you do?
0:25:34 > 0:25:38This was your weakness on The Apprentice previously, wasn't it?
0:25:38 > 0:25:41- How do you think you did?- And it's a repeat, because we only sold,
0:25:41 > 0:25:43I believe, four paintings.
0:25:43 > 0:25:46- You only sold...- At a lower price point, yes.
0:25:46 > 0:25:48- Wow. Only four paintings?- Only four.
0:25:48 > 0:25:52- Two for myself and two for Trace. - And what do you attribute that to?
0:25:52 > 0:25:58- The artist or yourselves? - We'd have to take responsibility. The artist was great.
0:25:58 > 0:26:02You know, you look at Stephen and you look at Trace, they have a lot of contacts. You have contacts.
0:26:02 > 0:26:07Actually, Stephen didn't make a sell, and Trace made a great sell,
0:26:07 > 0:26:09and I made a sell.
0:26:09 > 0:26:11Let me just ask you a question. Ivanka, how did Hydra do?
0:26:11 > 0:26:16- It was 164,000.- Wow!- And that's awesome.- And how many paintings?
0:26:16 > 0:26:21It was 14 out of 20, versus three out of 16.
0:26:21 > 0:26:24- And what was their total number, Don?- Only 7,000.
0:26:24 > 0:26:27Wow. That's a big difference. Whoa.
0:26:29 > 0:26:31You weren't able to get the volume.
0:26:31 > 0:26:34Well, our strategy was selecting artwork that our contacts could buy.
0:26:34 > 0:26:37I...I don't have a contact that could buy a 50,000 painting.
0:26:37 > 0:26:39So, what happened?
0:26:39 > 0:26:41So they didn't purchase.
0:26:41 > 0:26:45But, Omarosa, you also said that price point was a major factor in this because, in the first task,
0:26:45 > 0:26:47you learned you set the price point too high.
0:26:47 > 0:26:51- Absolutely.- So you went for a lower price point. But even at that price point,
0:26:51 > 0:26:55- you actually only moved three of the 16 paintings, not four. - It's disappointing.
0:26:55 > 0:26:59- Trace, did you know that your team lost?- This was the first time that I came in here knowing
0:26:59 > 0:27:02- that we'd taken a pretty good... - Never a good feeling.
0:27:02 > 0:27:04- ..pretty good scalding. - Never a good feeling.
0:27:04 > 0:27:09Do you know this is the biggest slaughter in the history of The Apprentice?
0:27:09 > 0:27:13We've never had anything like this. I've never seen a slaughter this bad.
0:27:13 > 0:27:16- This was personal.- This was personal? - To me, it was.
0:27:16 > 0:27:21- Not against the team.- They say, never get mad, get even. I made the mistake of getting mad,
0:27:21 > 0:27:25- and today...- You did make a mistake. It was the first time you've lost your cool.
0:27:25 > 0:27:26Yeah, I lost my cool and I don't,
0:27:26 > 0:27:28I'm not proud of the way I behaved.
0:27:28 > 0:27:32So this was personal not in terms of the team, but in terms of Omarosa?
0:27:32 > 0:27:35This competition is called Celebrity Apprentice.
0:27:35 > 0:27:39If you are a genuine celebrity, then you do have the power to pick up the phone
0:27:39 > 0:27:41and get money out of people.
0:27:41 > 0:27:45And I have believed from the start that Omarosa is here by default.
0:27:45 > 0:27:48- I'm here because Mr Trump invited me.- Whatever.
0:27:48 > 0:27:52And if you keep saying that, you're questioning his judgment. And I trust his judgment.
0:27:52 > 0:27:57- No, his judgment is, to quote him directly...- But you're saying, why am I here?
0:27:57 > 0:27:59- With respect... - Why don't you ask him?
0:27:59 > 0:28:02- I'm just quoting. I'm going to quote...- You said it's personal.
0:28:02 > 0:28:06This is the biggest slaughter in the history of The Apprentice.
0:28:06 > 0:28:10I'm going to make a request to you to kill two of them. I want Empresario killed off tonight.
0:28:10 > 0:28:13Today was the biggest beating of the history...
0:28:13 > 0:28:16Omarosa, they have just absolutely decimated your team.
0:28:16 > 0:28:17And you know what?
0:28:17 > 0:28:23- The men have done well, and I've been thinking...- No, it's really not the men, because you have Carol.
0:28:23 > 0:28:27I sold 37,000 in my own, and closed two of Piers' big ones.
0:28:27 > 0:28:30By yourself, did four times what they were able to accomplish.
0:28:30 > 0:28:33When you say two, I'm just curious, who would the second one be?
0:28:33 > 0:28:36- Obviously, you're saying Omarosa, the second...- Well, that's a given.
0:28:36 > 0:28:40- She's just been completely exposed. - So, who else would you suggest I fire?
0:28:40 > 0:28:43Did she say Stephen Baldwin didn't bring in a dollar?
0:28:43 > 0:28:45I mean, this is a fundraising exercise.
0:28:45 > 0:28:47So, I mean, it seems obvious to me.
0:28:47 > 0:28:49Why did you lose so badly, Stephen?
0:28:49 > 0:28:51I had the wrong strategy. Um...
0:28:51 > 0:28:53It was...it was a slaughter.
0:28:53 > 0:28:54Omarosa?
0:28:54 > 0:28:59- Um...it doesn't matter when you win. - Yeah, but I was just curious.
0:28:59 > 0:29:04- If you had any honour, Omarosa, you would stand up...- I'm not making excuses.- ..and leave.
0:29:04 > 0:29:06He wants you to quit. Would you like to?
0:29:06 > 0:29:09- I will never quit over him. - How will you defend yourself?
0:29:09 > 0:29:11One of the things you were relying on is volume sales,
0:29:11 > 0:29:16because of the lower price points, to appeal to the people you were able to call.
0:29:16 > 0:29:20- You didn't process any of those sales.- I'm only as good as my... - Three sales?
0:29:20 > 0:29:22I'm only as good as my sales team...
0:29:22 > 0:29:24It was not your fault? Was it your team's fault?
0:29:24 > 0:29:28I will take responsibility. I should have brought in more sales.
0:29:28 > 0:29:31You said you were as good as your sales team which implies it wasn't your fault,
0:29:31 > 0:29:35- it was your team's fault. - No. We have to take responsibility for this loss.
0:29:35 > 0:29:39I actually object to continuing in using the word "loss" here.
0:29:39 > 0:29:43- This is not a loss. This is... - You are...- This is a catastrophe...
0:29:43 > 0:29:46- You're right. - ..of Biblical proportions.
0:29:46 > 0:29:47First of all, you guys go out.
0:29:47 > 0:29:49Great job. Congratulations.
0:29:49 > 0:29:53Again, you led a team to the greatest victory in Apprentice history.
0:29:53 > 0:29:56- Thank you, Mr Trump.- So, from your standpoint, it's very positive.
0:29:56 > 0:30:00Go out. I'm going to allow you to watch what's going to take place.
0:30:00 > 0:30:02- Thank you so much. - So you go watch.
0:30:02 > 0:30:06- I would have paid more money than we raised to see it. - I know you're going to like it.
0:30:06 > 0:30:08Do we know how much we raised for the charity?
0:30:08 > 0:30:11The amount you raised above the minimum sales price
0:30:11 > 0:30:18- is 51,300 for your charity, which is...?- The Intrepid Fallen Heroes Fund, so I'm thrilled about that.
0:30:18 > 0:30:22You are doing very well for them, not only tonight, but you are doing very well. Congratulations.
0:30:22 > 0:30:25- Go outside. Watch what's going to happen.- Thank you.
0:30:25 > 0:30:28I'm going to enjoy this. Make it nasty, could you?
0:30:31 > 0:30:35Biggest beating in history. Omarosa, see you later.
0:30:47 > 0:30:49Stephen, what do you think?
0:30:50 > 0:30:52You didn't do so well, Stephen. I was a little surprised.
0:30:52 > 0:30:54What's the story with Stephen?
0:30:54 > 0:30:58You know, over the last ten weeks,
0:30:58 > 0:31:04I understand from the men that he has never brought in money for the task, in terms of selling.
0:31:04 > 0:31:07- Did he not bring in money for this task?- None.
0:31:07 > 0:31:09Oops, she's turning on him immediately.
0:31:09 > 0:31:11She's knifing them already.
0:31:11 > 0:31:13I mean, you've got to hand it to her, haven't you?
0:31:13 > 0:31:16This is what she's good at - knifing people.
0:31:17 > 0:31:19Stephen?
0:31:19 > 0:31:21I had ten or 12 people there.
0:31:21 > 0:31:24- I had one individual that was going to buy...- Did they know who you were?
0:31:24 > 0:31:27- Yes, of course.- You're pretty recognised by people.
0:31:27 > 0:31:33And I had one buyer that actually was scooped up by Carol, so...
0:31:33 > 0:31:36- Fairly scooped up? - No, not at all.- Why?
0:31:36 > 0:31:42Well, because the person mentioned that they were there as a result of my relationship with them, so...
0:31:42 > 0:31:44Well, were they friends of yours?
0:31:44 > 0:31:48- People that...they were friends of friends.- Yet they bought from Carol?
0:31:48 > 0:31:51Because they didn't understand the dynamic of what was happening.
0:31:51 > 0:31:55They understood you wanted to sell them something, and they didn't buy from you.
0:31:55 > 0:31:59Right, they believed that they were still buying it for charity.
0:31:59 > 0:32:02Were you disappointed that your friends bought from other team?
0:32:02 > 0:32:05- Absolutely. - Are they still your friends?
0:32:05 > 0:32:07Huh! I don't think so, maybe.
0:32:07 > 0:32:11Now, Piers said that I should fire two people.
0:32:11 > 0:32:13Do you think he's right? Trace, you may think so
0:32:13 > 0:32:17- cos you're probably one that won't get fired, in all fairness. - I'm not, no.
0:32:17 > 0:32:19What do you think about that, Omarosa?
0:32:19 > 0:32:22I don't think that you should fire two people.
0:32:22 > 0:32:25- I think that you've traditionally... - He had an opinion,
0:32:25 > 0:32:27and the opinion was he had problems with you,
0:32:27 > 0:32:31and he also had some pretty big problems with Stephen,
0:32:31 > 0:32:34although they seem to have worked that problem out, to an extent.
0:32:34 > 0:32:39No, he threatened to "kick your ass" today. Direct quote, is that right?
0:32:39 > 0:32:43- He threatened to hit me today. - He threatened to hit Stephen, so...
0:32:43 > 0:32:46I did say that, yeah. Nothing personal, just business.
0:32:46 > 0:32:50But he said that today, so things aren't all as they appear,
0:32:50 > 0:32:54but, you know, I think that we did what we were capable of doing.
0:32:54 > 0:32:58But when you get an opponent so fired up like Piers was,
0:32:58 > 0:33:02you've got to have a lot of ammunition to combat that,
0:33:02 > 0:33:05- and I didn't have that ammunition. - He was fired up.
0:33:05 > 0:33:07- He was fired up. - And you know why?
0:33:07 > 0:33:10- He was fired up because of you. - Absolutely.- He wanted to kick your ass.
0:33:10 > 0:33:12Absolutely.
0:33:13 > 0:33:15Do you think, in some way,
0:33:15 > 0:33:17looking back, in retrospect,
0:33:17 > 0:33:21you really hurt yourself by engaging in the conflict with Piers?
0:33:21 > 0:33:24When a man calls you a tramp, a bitch, and a whore...
0:33:24 > 0:33:26But you said a few mean things, as well.
0:33:26 > 0:33:30I didn't call her a whore. What is she talking about? Never called her a whore.
0:33:30 > 0:33:35- And what did you call him?- I called him some horrible things that shouldn't be repeated.
0:33:35 > 0:33:37- Yeah.- Horrible things, Mr Trump.
0:33:37 > 0:33:41- Did you believe them?- Well, yeah, because I know some things about him.
0:33:41 > 0:33:46But when somebody's armed with a machine gun, you don't come into the fight with a slingshot.
0:33:46 > 0:33:48So, it is what it is.
0:33:48 > 0:33:52- Yeah, but you armed him, technically.- So what do you know about Piers?
0:33:52 > 0:33:55- I think he's in the closet.- Huh? - I think he's in the closet.
0:33:55 > 0:33:57- I really do.- Unbelievable.
0:33:57 > 0:33:59Piers is wishing he didn't leave the room.
0:33:59 > 0:34:02He asked these guys in every in the first four tasks...
0:34:02 > 0:34:04Yeah, but didn't you call... Excuse me.
0:34:04 > 0:34:08I don't think you know him very well, and you called him a homosexual.
0:34:08 > 0:34:12- Oh, no. Can I...?- There are gay people around, and that's great... - Can I tell you why?
0:34:12 > 0:34:15- But you called him a homosexual. - Can I tell you why?
0:34:15 > 0:34:17- And he says he's not a homosexual. - Can I tell you why?
0:34:17 > 0:34:21He's asked for them to take their shirts off in every single one.
0:34:21 > 0:34:25He asked for Lennox to be naked and hugged up with a Kodak printer.
0:34:25 > 0:34:28Does Piers want to come back here and defend himself?
0:34:28 > 0:34:32- Because you're making some pretty big statements over there. - You asked my opinion.
0:34:32 > 0:34:36- I'm just telling you...- Ask Piers if he wants to defend himself.
0:34:36 > 0:34:37Yeah.
0:34:38 > 0:34:40Tell him I'm on my way.
0:34:56 > 0:34:58I just want to do one thing, Mr Trump.
0:34:58 > 0:35:02- I just want to say, Trace, you're a beautiful cowboy.- What?!
0:35:02 > 0:35:05Thanks very much, everyone.
0:35:05 > 0:35:08LAUGHTER
0:35:08 > 0:35:09Need I say more?
0:35:14 > 0:35:17- I wasn't sure if he was going to hit someone.- Oh, look, the hat comes off.
0:35:17 > 0:35:20I thought was going to hit someone in the head.
0:35:20 > 0:35:23- Trace, nice head of hair.- I actually thought I was going to get hit.
0:35:23 > 0:35:26- I'm glad he gave him a kiss instead. - Oh...
0:35:26 > 0:35:28Oh, my God!
0:35:28 > 0:35:30- Oh, that was too much. - You are too funny.- Too much!
0:35:30 > 0:35:34Well, you may as well fight fire with fire.
0:35:34 > 0:35:36LAUGHTER
0:35:37 > 0:35:42- That was rough! - Trace looks a bit confused.
0:35:42 > 0:35:46Well, that was a pretty good defence. Actually, I fully understand what he's done.
0:35:46 > 0:35:49I didn't understand that at all.
0:35:49 > 0:35:51If you think about it, you're going to understand it, Trace.
0:35:54 > 0:35:57I think Trace is a little upset about that. You didn't like that, did you?
0:35:57 > 0:36:01That's the first time I've seen Trace shaken up a little bit.
0:36:01 > 0:36:03- He's a man's man. - Everyone knows he's kidding.
0:36:03 > 0:36:07- He was kidding. All right? - Never kiss a cowboy.
0:36:07 > 0:36:10LAUGHTER
0:36:10 > 0:36:13Anything further to say, Stephen?
0:36:13 > 0:36:18You have a Project Manager that started the day by saying,
0:36:18 > 0:36:20- "I lost at this event." - She did say that.
0:36:20 > 0:36:26you did start off by saying, "Oh, by the way, this was the event I lost two seasons ago."
0:36:26 > 0:36:29- I had full disclosure.- OK.- It wasn't that I was thinking negative.
0:36:29 > 0:36:33- I wanted to turn it around. - When you lose, it sounds doubly bad.
0:36:33 > 0:36:36- I wanted to turn it around... - Stephen, go ahead.
0:36:36 > 0:36:38So, again, continuing with the truth,
0:36:38 > 0:36:41she said that she had lost at this very event in the past.
0:36:41 > 0:36:44So, I don't lie. I'm always telling the truth.
0:36:44 > 0:36:48I never stab anybody in the back. It's not what I believe in my faith.
0:36:48 > 0:36:50I won't do it. I refuse to do it.
0:36:50 > 0:36:55If people start making accusations about who did or didn't do what, it starts with the Project Manager.
0:36:55 > 0:37:00Trace, could you see me firing Stephen over Omarosa?
0:37:00 > 0:37:03Well...
0:37:03 > 0:37:09- Or could you see me firing both? - This is one of those tasks that is just simply a numbers game.
0:37:09 > 0:37:13I mean, because the people that I approached who were loyal patrons,
0:37:13 > 0:37:18or at least I was led to believe that they were patrons of this gallery,
0:37:18 > 0:37:21they didn't have any intention of buying anything.
0:37:21 > 0:37:26They came in there to have a few glasses of wine, stumble around a little bit and look at the stuff
0:37:26 > 0:37:30and make an appearance, and that was about it, and then they'd leave.
0:37:30 > 0:37:33And some of them didn't even bring money with them.
0:37:33 > 0:37:35- But didn't you sell two paintings? - Yes.
0:37:35 > 0:37:39- Were these fans of yours?- Well, yes, the lady did know who I was,
0:37:39 > 0:37:41and she's decorating her apartment here in the city,
0:37:41 > 0:37:45and I called her, and she bought a couple of things.
0:37:45 > 0:37:49And that's all I sold. I was disappointed in my performance today.
0:37:49 > 0:37:53I thought I would be able to bring some more art lovers in.
0:37:53 > 0:37:56But I don't know many of those people, but...
0:37:56 > 0:37:58Don, do you have any opinions?
0:37:58 > 0:38:01It is pretty cut-and-dry in terms of, you know, it's a loss.
0:38:01 > 0:38:04I am disappointed in Stephen. I really thought the New York thing.
0:38:04 > 0:38:07If I was participating in this task, I could call 30 people
0:38:07 > 0:38:11that I could get maybe not to spend a whole you know, 165,000,
0:38:11 > 0:38:15but I could get them to drop five, ten grand each, you know, for a total of something.
0:38:15 > 0:38:18So to only sell 7,000 worth of art is pretty bad.
0:38:18 > 0:38:20So, that's what's disappointing about Stephen.
0:38:20 > 0:38:24Omarosa, you've been a three-time loser as Project Manager.
0:38:24 > 0:38:27So, you know, I don't know what else there is to really say.
0:38:27 > 0:38:29Ivanka?
0:38:29 > 0:38:32I think this is interesting because, Omarosa, you walked in here,
0:38:32 > 0:38:35and from the get-go, you looked so defeated.
0:38:35 > 0:38:39- I wasn't defeated.- You put up a bit of a fight, and hurled names around half-heartedly,
0:38:39 > 0:38:41but I've never seen you like this.
0:38:41 > 0:38:45Not once have you looked at my father and said, "This is why I shouldn't be fired."
0:38:45 > 0:38:49I told him why. I stepped up as the leader from the beginning.
0:38:49 > 0:38:51But how can you say you've stepped up as a leader
0:38:51 > 0:38:55if you've lost three times, with this loss being your last?
0:38:55 > 0:38:57I was taught something very young.
0:38:57 > 0:39:01I may not be the wealthiest woman in the room, I may not be the smartest or the prettiest,
0:39:01 > 0:39:05but no-one will outwork me. And this whole process, I have committed myself to it.
0:39:05 > 0:39:08No, I outworked you, as well, love.
0:39:08 > 0:39:11And you're not the smartest. You're definitely not the prettiest.
0:39:11 > 0:39:14- What was the other thing?- You know, what Ivanka said is a little true.
0:39:14 > 0:39:18It's the first time you've walked into a room where you felt and looked defeated.
0:39:18 > 0:39:22- Omarosa, you're the Project Manager.- Yes.
0:39:22 > 0:39:24You not only lost, you got creamed.
0:39:24 > 0:39:28You know, I've always been a big Omarosa fan, but Omarosa, you're fired.
0:39:28 > 0:39:32- This was not close. - Thank you for bringing me back. - Thank you very much.
0:39:34 > 0:39:35Thank you, Mr Trump.
0:39:44 > 0:39:46Thank you.
0:39:58 > 0:40:01- Well, that was pretty easy, to be honest.- Yeah.
0:40:01 > 0:40:03That one was obvious.
0:40:34 > 0:40:41The charity that I'm playing for is the Tomorrow's Aeronautic Museum's Positive Vibrations Program.
0:40:41 > 0:40:44And it's for a bunch of really great kids.
0:40:44 > 0:40:47I'd like to leave a few words to all the amazing celebrities
0:40:47 > 0:40:50that I had a chance to meet and Piers.
0:40:50 > 0:40:56No man is your friend, no man is your foe, but every man is your teacher.
0:40:57 > 0:40:59Peace!
0:40:59 > 0:41:01Subtitles by Red Bee Media Ltd
0:41:01 > 0:41:03E-mail subtitling@bbc.co.uk