A Knight on Broadway

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0:00:03 > 0:00:05Tonight on The Celebrity Apprentice...

0:00:05 > 0:00:10I've issued a challenge to 14 of the world's most successful celebrities

0:00:10 > 0:00:17to prove they have what it takes to make it big in my world.

0:00:17 > 0:00:2114 celebrities, 14 egos

0:00:21 > 0:00:24and more drama than even they can handle.

0:00:24 > 0:00:27- Gone are their agents. - Where's the producer?

0:00:27 > 0:00:29- Gone are their assistants. - Help me lock this up.

0:00:29 > 0:00:31Step up, ladies and gentlemen.

0:00:31 > 0:00:35This time, the battle is to raise money for their favourite charity.

0:00:35 > 0:00:41- I present this cheque to you.- Are you kidding? 50,000?- Oh, my gosh.

0:00:41 > 0:00:45And last week, after the women's two devastating defeats,

0:00:45 > 0:00:47Mr Trump surprised them with a new leader.

0:00:47 > 0:00:52Here's an option for you, Gene, you go to Empresario as the project manager.

0:00:52 > 0:00:54- Can you do it?- Uh-oh.

0:00:54 > 0:00:58This is your chance, Gene, you're going to be with women.

0:00:58 > 0:01:00- Yes.- Good.

0:01:00 > 0:01:02I must tell you, you're the devil.

0:01:02 > 0:01:05Next, the teams were assigned a task for Kodak.

0:01:05 > 0:01:08We want you to create an experience we can take worldwide.

0:01:08 > 0:01:11Gene decided to skip the client meeting...

0:01:11 > 0:01:14The army should not go to meet with an executive.

0:01:14 > 0:01:16..sending Nely and Carol in his place.

0:01:16 > 0:01:19- 14.99 for one inkjet cartridge. - I didn't even know you guys made a printer.

0:01:19 > 0:01:23OK, the kiosks... I'm sorry, do you want to ask some questions?

0:01:23 > 0:01:28Nely went in there and she did speak a lot.

0:01:28 > 0:01:30- Meanwhile...- Whoa!

0:01:30 > 0:01:33Team Hydra was having even bigger problems.

0:01:33 > 0:01:35All of our art work was lost.

0:01:35 > 0:01:37All you've done is wreck the entire project.

0:01:37 > 0:01:40- Is that what you're going to tell Mr Trump?- Just calm down.

0:01:40 > 0:01:43- But despite a disaster...- Pulled it out of the bag. It's a knockout.

0:01:43 > 0:01:47Tito Ortiz led the men to their third straight win.

0:01:47 > 0:01:49I congratulate all of you.

0:01:49 > 0:01:51And Nely came under heavy fire.

0:01:51 > 0:01:54You were at the meeting with the executives.

0:01:54 > 0:01:57They did not like you spoke so much and wouldn't listen.

0:01:57 > 0:02:01Even with the addition of Gene, Empresario lost for the third time in a row.

0:02:01 > 0:02:05My friend, Gene, two people - you'll bring them back to the boardroom.

0:02:05 > 0:02:06- Omarosa.- Who else?

0:02:06 > 0:02:09- Miss Finch.- No kidding.- Jeez...

0:02:09 > 0:02:11Gene took Nely out of the firing line.

0:02:11 > 0:02:14- He's just committed suicide! - He's in trouble.

0:02:14 > 0:02:17I could see if you brought back Nely, but you brought two people

0:02:17 > 0:02:19that I practically told you not to bring back.

0:02:19 > 0:02:22What the hell do I do? I have no choice.

0:02:22 > 0:02:24Gene, you're fired.

0:02:35 > 0:02:39- Nely, if you'd been in the board room now. He wanted to fire you. - I know that.

0:02:39 > 0:02:43- You were going!- He might punish Gene for not bringing you back.

0:02:45 > 0:02:46No!

0:02:48 > 0:02:52- He fired both of them. - What?- He fired both.- No!

0:02:52 > 0:02:54He fired both of them?

0:02:55 > 0:02:56No.

0:02:58 > 0:03:01Gene's gone. Gene's gone, baby.

0:03:01 > 0:03:03Gene saved Nely and killed himself.

0:03:03 > 0:03:05'Gene got fired and took a bullet for me.'

0:03:05 > 0:03:08I had no idea he respected me that much.

0:03:09 > 0:03:14Frankly... Maybe Donald Trump doesn't like me, but Gene Simmons certainly does.

0:03:14 > 0:03:16- You're kidding me.- My god.

0:03:16 > 0:03:20'I was quite relieved Gene went for one reason - I'm in this to win.'

0:03:20 > 0:03:23Winning is not everything. It's the only thing.

0:03:23 > 0:03:25Otherwise, why be here?

0:03:25 > 0:03:28This confused me - why did he pick you? What did you do wrong?

0:03:28 > 0:03:31I mean, how can I compete with these business women? But I will.

0:03:31 > 0:03:36We have to win. Our backs are against the wall. We're 0-3.

0:03:36 > 0:03:38I can't remember ever losing three times in a row.

0:03:38 > 0:03:41'We cannot lose another team-mate.'

0:03:46 > 0:03:50# Money, money, money, money

0:03:50 > 0:03:52# Money

0:03:52 > 0:03:55# Money, money, money, money

0:03:55 > 0:03:57# Money

0:03:57 > 0:04:00# Some people got to have it

0:04:00 > 0:04:01# Yeah, yeah!

0:04:01 > 0:04:06# Some people really need it, listen to me, yo

0:04:06 > 0:04:10# Do things, do things, do things, bad things with it

0:04:13 > 0:04:15# Dollar bills, y'all, come on

0:04:15 > 0:04:18# Bad things

0:04:20 > 0:04:22# Mean green

0:04:22 > 0:04:24# All mighty dime

0:04:24 > 0:04:27# You know that money

0:04:29 > 0:04:30# Give me a nickel

0:04:30 > 0:04:33# Brother can you spare a dime?

0:04:33 > 0:04:38# Money can drive some people out of their minds

0:04:40 > 0:04:43# No good, no good, money!

0:04:43 > 0:04:47# Money, money, money, money

0:04:47 > 0:04:48# Money. #

0:04:55 > 0:04:58Even though I'm working as hard as I can with The Apprentice,

0:04:58 > 0:05:02I still get time to get in the gym as much as possible.

0:05:02 > 0:05:06The organisation I'm playing for is St Jude's Children's Research Hospital.

0:05:06 > 0:05:08There's people coming down from St Jude.

0:05:08 > 0:05:11Hopefully the donation I give them puts a smile on their face.

0:05:13 > 0:05:17There's a lot of families out there who have kids who are sick

0:05:17 > 0:05:19and they need medical attention, medical help.

0:05:19 > 0:05:22That's what St Jude's Children's Research Hospital is about.

0:05:22 > 0:05:26- This is Elizabeth.- Hi, how are you? - Good.

0:05:26 > 0:05:29- I'm Tito.- Hi.- Nice to meet you. - You too.

0:05:29 > 0:05:34'Elizabeth suffers from what is known as brittle bone disease.

0:05:34 > 0:05:37'Up to the age of one, if you touched her, a bone would break.'

0:05:37 > 0:05:41They said she'd only live to maybe see three. Now she's nine years old.

0:05:41 > 0:05:44Thanks to St Jude, it's nice to see her walking around.

0:05:44 > 0:05:47'It's good to see she had a big smile on her face.'

0:05:47 > 0:05:52This is a cheque from Celebrity Apprentice to St Jude.

0:05:52 > 0:05:53And this is for you.

0:05:53 > 0:05:57- She's got a little picture for you to say thank you.- Awesome.

0:05:58 > 0:06:00That is so cute.

0:06:00 > 0:06:03Thank you so much. I appreciate it.

0:06:03 > 0:06:06Honestly. That is very cute.

0:06:06 > 0:06:09Just for that instant when she handed me the drawing she gave me,

0:06:09 > 0:06:12it put a big smile on my face, knowing I made her very happy.

0:06:12 > 0:06:16That means the world to me. That's why I'm working so hard on Apprentice.

0:06:16 > 0:06:17Thank you.

0:06:38 > 0:06:40- Good morning. - ALL: Morning.

0:06:40 > 0:06:42On my left is a great friend of mine,

0:06:42 > 0:06:45the finest promoter I've ever known, Vince McMahon.

0:06:45 > 0:06:51We did Wrestlemania together. The loser got his head shaved.

0:06:51 > 0:06:52Unfortunately...

0:06:53 > 0:06:56..Vince had his head shaved.

0:06:56 > 0:06:59I couldn't let that happen. This is a great character.

0:06:59 > 0:07:02I can see already he's looking at Tito and looking at Lennox.

0:07:02 > 0:07:07He wants to set something up because that's his natural inclination.

0:07:07 > 0:07:11On my right is Ivanka. They will be my eyes and ears.

0:07:11 > 0:07:19Now, you are going to be selling tickets to eight very successful Broadway plays.

0:07:19 > 0:07:21Each team will have their project manager

0:07:21 > 0:07:26and one other person negotiate four of the eight plays they get to sell.

0:07:26 > 0:07:29The team that makes the most money wins.

0:07:29 > 0:07:31Vinnie, weren't you on Broadway?

0:07:31 > 0:07:32I'm going to be in Chicago.

0:07:32 > 0:07:36What does that mean? You're going to be in Chicago, the play?

0:07:36 > 0:07:39I'm going to play Chicago.

0:07:39 > 0:07:42I thought you meant you're leaving for Chicago. I thought, "What's going on?"

0:07:42 > 0:07:46- Hydra, who is your project manager?- Vinnie, Vinnie.

0:07:46 > 0:07:48Are you cool with that?

0:07:48 > 0:07:51- I do know about Broadway. - It seems natural, Vinnie.

0:07:51 > 0:07:53OK.

0:07:53 > 0:07:55Empresario, who is your project manager?

0:07:55 > 0:07:58- I am.- Our Broadway star.

0:07:58 > 0:08:01- Marilu, you've been on Broadway. - Six times.

0:08:01 > 0:08:06A portion of money will go to Broadway's favourite charity,

0:08:06 > 0:08:08The Fund For Public Schools.

0:08:08 > 0:08:13The rest will go to the charity of the winning project manager.

0:08:13 > 0:08:15'We lost three in a row, unheard of on The Apprentice.'

0:08:15 > 0:08:18This win is so important to us. It's beyond big for me.

0:08:18 > 0:08:20You have only two hours to sell tickets.

0:08:20 > 0:08:25We'll see you tonight in the boardroom. Somebody will be fired.

0:08:25 > 0:08:27OK. Go.

0:08:33 > 0:08:37Since I'm going to be the project manager of this Broadway task,

0:08:37 > 0:08:41- I want Omarosa to be the negotiator. I think she'll be strong.- I accept.

0:08:41 > 0:08:47Is there any way to find out who makes the most proceeds on Broadway out of these shows?

0:08:47 > 0:08:48'This is so up my alley.

0:08:48 > 0:08:52'I feel really confident. I know how this works on Broadway.'

0:08:52 > 0:08:56I better concentrate on four shows I have connections with

0:08:56 > 0:08:59the producers and I could get other star power to help me.

0:08:59 > 0:09:04If you were responsible for selling tickets, which of the eight shows would you take?

0:09:04 > 0:09:07What better project manager than Marilu? It's her element.

0:09:07 > 0:09:11'We're excited and thrilled to have her on our side, leading this task.'

0:09:14 > 0:09:18What I would like to do first is have Piers read us the rules.

0:09:18 > 0:09:20- Can I ask one question?- Yeah.

0:09:20 > 0:09:23- Here's my slow down to go fast... - Speeches are wasting time, right?

0:09:23 > 0:09:25If you start speaking over everyone later...

0:09:25 > 0:09:29- Coming from you, that's the most... - I would like to hear the rules.

0:09:29 > 0:09:32Can I have another copy of the rules, please?

0:09:32 > 0:09:35I thought you wanted to calm down.

0:09:35 > 0:09:37He wants his own copy. Let him have his own copy.

0:09:37 > 0:09:39- We're not fighting. - I'm not the problem.

0:09:39 > 0:09:42Every day is like an ego trip.

0:09:42 > 0:09:45Everyone's egos explode at the same time.

0:09:45 > 0:09:48- That's another one of your problems. - What's that?- Sssh!

0:09:48 > 0:09:52- Wait! My lack of patience? - Tito, tell him to stop it.

0:09:52 > 0:09:54I won't be a bouncer in this thing.

0:09:54 > 0:09:56'I just let them go at it.'

0:09:56 > 0:09:59Just let them beat the hell out of each other.

0:09:59 > 0:10:01- I'm giving up. - You give up!

0:10:04 > 0:10:07- Let's learn from Gene. Let's use our black book.- Absolutely.

0:10:07 > 0:10:09'Mr Trump gave us a task.'

0:10:09 > 0:10:12We had to raise money by selling Broadway tickets.

0:10:12 > 0:10:16'But first we had to go in and negotiate our top four picks.'

0:10:16 > 0:10:18These would be our top four choices.

0:10:18 > 0:10:21- Chicago.- One.

0:10:21 > 0:10:22- Spring Awakening.- Two.

0:10:22 > 0:10:24- Hairspray.- Hairspray, yes.

0:10:24 > 0:10:27Anybody have a feeling for this?

0:10:27 > 0:10:30- Those are our top four. - OK. Let's start negotiating.

0:10:30 > 0:10:35At 9:30, the negotiator goes into a room and negotiates the shows.

0:10:35 > 0:10:36- I'd like to do it. - You want to do it?

0:10:36 > 0:10:40Stephen is better employed being in here

0:10:40 > 0:10:43hitting high-roller contacts that he has to get money.

0:10:43 > 0:10:46I know and Vinnie knows what shows are the most successful,

0:10:46 > 0:10:49that people know about, et cetera, et cetera.

0:10:49 > 0:10:51I believe what Piers is saying.

0:10:51 > 0:10:54We need to get on the phone and call our rich friends.

0:10:54 > 0:10:58Right. OK. I'm taking Lennox Lewis in with me.

0:11:03 > 0:11:05Oh, my gosh.

0:11:05 > 0:11:08You know what's so great about today's task?

0:11:08 > 0:11:11We're doing something we all love because we're all in show business.

0:11:11 > 0:11:13You're a negotiator?

0:11:13 > 0:11:15- She's my negotiator. - You're the boss today.

0:11:15 > 0:11:19- I'm the boss, baby.- Me and you. - I'm the boss, baby. - Vinnie, the kumbaya's over.

0:11:19 > 0:11:21Let's get down to business.

0:11:21 > 0:11:26- Since we are gentlemen...- Yes. - ..I'm going to say pick two plays.

0:11:26 > 0:11:27- Pick two plays?- Yeah.

0:11:27 > 0:11:31We'll take Spring Awakening and we'll take Hairspray.

0:11:31 > 0:11:33I won't give you that.

0:11:33 > 0:11:37We picked two shows and then he says, "Oh, no. We didn't mean that."

0:11:37 > 0:11:40- I don't want to give you that. - Vinnie, you don't understand.

0:11:40 > 0:11:42According to your decision, we picked first.

0:11:42 > 0:11:46- I said, "Pick two plays." I didn't say I'd give you them. - It's not negotiable.

0:11:46 > 0:11:48Wait a second. I'm happy. I love you.

0:11:48 > 0:11:54Negotiation was like playing Monopoly with three-year-olds. It was like Romper Room.

0:11:54 > 0:11:56- Pick two. We'll be out of here in five minutes.- Calm down.

0:11:56 > 0:11:58Negotiation is not rapid fire.

0:11:58 > 0:12:01It's a slow progression. You'll learn something from me.

0:12:01 > 0:12:04'There's a lot of little bratty things about Omarosa,'

0:12:04 > 0:12:08but if you give her a task, she'll see to it that it's done.

0:12:08 > 0:12:10Look how fast I did what I did.

0:12:10 > 0:12:12What is the deliberation?

0:12:12 > 0:12:14What's taking so long?

0:12:14 > 0:12:16Hello!

0:12:16 > 0:12:17They're so slow. You know what?

0:12:17 > 0:12:20- Know why I fight with my girl? - OK. We'll pick.

0:12:20 > 0:12:24- ..takes so long to put her make-up on.- It has to end.

0:12:24 > 0:12:25OK, thanks, guys. We're happy.

0:12:25 > 0:12:28- See you later.- Vincent, I've never seen you move so fast.

0:12:28 > 0:12:31This is going to be fun, beating you.

0:12:35 > 0:12:39We have Spring Awakening, Hairspray, Curtains and Avenue Q.

0:12:39 > 0:12:41- Perfect.- I got that shows I wanted.

0:12:41 > 0:12:45I knew that Spring Awakening was by far the hottest show.

0:12:45 > 0:12:48I definitely wanted Curtains and Hairspray as well.

0:12:48 > 0:12:50I'm going to start calling the world here.

0:12:50 > 0:12:54I have a major black book like Gene has a major black book.

0:12:54 > 0:12:57And in fact, maybe my black book is even better,

0:12:57 > 0:13:00because I live in the world of Latinos.

0:13:00 > 0:13:03'In the world of successful women.'

0:13:03 > 0:13:06I have no shame about calling anybody. Gene did that for us.

0:13:06 > 0:13:11'It made me realise how much sometimes women were almost a little shy to call people and bother them.'

0:13:11 > 0:13:14I'm very careful about using my Trump cards, as I always say.

0:13:14 > 0:13:18But I'm going to use every Trump card I have on the planet Earth.

0:13:18 > 0:13:22I thought Cushman might want to buy some tickets. Thank you.

0:13:22 > 0:13:26I got 7,500 from a real estate company, Cushman and Wakefield.

0:13:26 > 0:13:28I'm a star.

0:13:28 > 0:13:31Stephen, listen to me. Hit those phones.

0:13:31 > 0:13:34Sell those tickets at the highest possible amount you can.

0:13:34 > 0:13:38- You can't rely on just one aspect of the victory.- OK. Fine.

0:13:38 > 0:13:42You have to be able to sell tickets.

0:13:42 > 0:13:46'The task was so time-sensitive. We didn't have time to make calls.'

0:13:46 > 0:13:48We can make all the plans we want

0:13:48 > 0:13:51for rich individuals to come and buy tickets for high dollars,

0:13:51 > 0:13:56but for me, you've got to sell tickets. That's the bottom line.

0:13:56 > 0:14:00If you are now going to deliberately not hit your high rollers for the money

0:14:00 > 0:14:04as some form of proving me wrong, you are a shallow little man.

0:14:04 > 0:14:07- Boomerang.- What does that mean? - Remember that word.

0:14:07 > 0:14:11- What does it mean? You're putting the blame on me? - One word. That's your new name.

0:14:11 > 0:14:14- Happy to take it, mate.- When you're full of it and spew that stuff out,

0:14:14 > 0:14:16it'll come back and hit you in the face.

0:14:16 > 0:14:20- Boomer.- Happy to take. Happy to take.- Remember that.

0:14:20 > 0:14:23'I think he's trying to keep everybody off balance'

0:14:23 > 0:14:26to become the Apprentice. That's what I want him to know.

0:14:26 > 0:14:30I'm just as smart as he is. I'm not smarter. I'm just as smart.

0:14:30 > 0:14:33- I see right through you. - You see right through me?

0:14:33 > 0:14:34- I see right through me?- BLEEP you.

0:14:38 > 0:14:40Those two guys are like two bitches, man.

0:14:40 > 0:14:43That's why I'd like to split this team up.

0:14:43 > 0:14:48- Piers!- Is there any way he could call in the next... - We have to leave in five minutes.

0:14:48 > 0:14:51The task was to simply sell tickets to Broadway shows

0:14:51 > 0:14:53in the Times Square area.

0:14:53 > 0:14:57Vinnie, Trace and Lennox just went over to go to the location

0:14:57 > 0:15:01and get the ground rolling at the location.

0:15:01 > 0:15:03He can call me any time in the next 15 minutes.

0:15:03 > 0:15:07'Tito, Stephen and I stayed in and made some good calls'

0:15:07 > 0:15:09to big players in New York who'd give us big money.

0:15:09 > 0:15:11Richard, how are you?

0:15:11 > 0:15:13'I'm extremely good, thank you.'

0:15:13 > 0:15:17I was very pleased that I had a British contact in New York,

0:15:17 > 0:15:19Richard Branson, head of Virgin.

0:15:19 > 0:15:23I have to start selling tickets to four Broadway shows

0:15:23 > 0:15:26and every dollar we raise will go to charity.

0:15:37 > 0:15:38That's great.

0:15:43 > 0:15:45Thank you, Richard. Bye-bye.

0:15:45 > 0:15:47Ha, ha, ha!

0:15:47 > 0:15:50You and I have to do a Broadway show some day, Piers.

0:15:50 > 0:15:53Mate, we'd be good together. It's creative tension.

0:15:53 > 0:15:57The thing I like about you, we can say the most disgusting things to each other

0:15:57 > 0:15:59and it never seems to really matter.

0:16:01 > 0:16:05I actually looked you in the eye and called you a shallow little man earlier!

0:16:13 > 0:16:16If you want me to bring money, get me a phone.

0:16:16 > 0:16:19I don't know an incredible amount of wealthy people.

0:16:19 > 0:16:20But I know a few.

0:16:20 > 0:16:25I want to call to see if I can get some people to come down and bring some money.

0:16:25 > 0:16:28- Do you have any idea where we're going?- Right here.

0:16:28 > 0:16:31I love Trace. He'll complain, be a little grumpy.

0:16:31 > 0:16:33He's not used to this element, he's from Tennessee.

0:16:33 > 0:16:35I don't know where we're going.

0:16:35 > 0:16:38'We walk together in the streets of New York.'

0:16:38 > 0:16:41I feel like rats on Rizzo sometimes and I'm with the Midnight Cowboy.

0:16:41 > 0:16:43Are you going to go see a play tonight?

0:16:43 > 0:16:46Got your tickets already? Goodbye.

0:16:46 > 0:16:49We're on the corner of 42nd street and 7th avenue.

0:16:49 > 0:16:52Is this our booth? Yeah, this is our booth.

0:16:52 > 0:16:56'We have to sell Broadway tickets in a few hours.'

0:16:56 > 0:17:00That's in and out, brother. Let's see if we

0:17:00 > 0:17:02come through in that short time period.

0:17:05 > 0:17:09- We're here.- We're here. - There it is. Let's go.

0:17:09 > 0:17:11It's very exciting because I'm back on Broadway,

0:17:11 > 0:17:13after being here six times.

0:17:13 > 0:17:16I got in touch with all the producers from the shows,

0:17:16 > 0:17:18and they brought us merchandising.

0:17:18 > 0:17:20We got some volunteers from the different shows.

0:17:20 > 0:17:25We set up our booths with posters and hats and things like that.

0:17:25 > 0:17:28Broadway show tickets, the hottest shows on Broadway.

0:17:28 > 0:17:31- What show are you interested in? - Curtains or Hairspray?

0:17:31 > 0:17:32Curtains.

0:17:32 > 0:17:35Two for Curtains. Here's two more tickets.

0:17:37 > 0:17:41These are very big donors from Cushman-Wakefield, they're in real estate.

0:17:41 > 0:17:43How much can you give me?

0:17:47 > 0:17:48THEY CHEER

0:17:48 > 0:17:52I called Cushman And Wakefield. They really came through for me.

0:17:52 > 0:17:55I hope we're going to beat the guys. I can't take another loss.

0:17:55 > 0:17:58I feel like Donald Trump thinks I'm a loser.

0:17:58 > 0:18:03I refuse to leave the show without proving that I'm a frickin' star!

0:18:03 > 0:18:07OK, everyone! David Hyde Pierce!

0:18:07 > 0:18:10David Hyde Pierce is the Tony award-winning star of Curtains.

0:18:10 > 0:18:14He's an old friend from the Cheers and Taxi days.

0:18:14 > 0:18:17I decided to call in a favour and ask him to come down.

0:18:17 > 0:18:2050 a ticket and anything else you'd like to donate.

0:18:20 > 0:18:24My job was take in the cash and do the tickets.

0:18:24 > 0:18:26They were jobs that nobody wanted.

0:18:26 > 0:18:30Jenny stepped in because Jenny, just like me,

0:18:30 > 0:18:33has been taking the garbage jobs that nobody else wants.

0:18:36 > 0:18:39In my world, you have a boss

0:18:39 > 0:18:42and you have your soldiers. And I like that format.

0:18:42 > 0:18:45Let's get organised. Tito, you got all the money?

0:18:45 > 0:18:48Not that like I like the mafia. I'm saying it works.

0:18:48 > 0:18:52Badda bing, badda boom. I said, "We'll get the megaphone."

0:18:52 > 0:18:55- Boom.- Lennox Lewis, former heavyweight champion of the world.

0:18:55 > 0:18:57They're all under this tent.

0:18:57 > 0:18:59I said to Piers, "If I can get you an outfit

0:18:59 > 0:19:04"and you walk around looking like King Arthur from Spamalot, will you do it?"

0:19:04 > 0:19:05Boom.

0:19:08 > 0:19:11Ladies and gentlemen, Mr King Arthur!

0:19:11 > 0:19:13OK. Ladies, do you like musicals?

0:19:13 > 0:19:17Do you like musicals? Lost the power of speech?

0:19:17 > 0:19:19Hello there. Do you like musicals?

0:19:19 > 0:19:22No, you don't either. Anyone here able to speak at all?

0:19:22 > 0:19:26What I loved most, the New Yorkers who went by,

0:19:26 > 0:19:29looked me in the eye, looked vaguely repulsed and walked off.

0:19:29 > 0:19:32That's New York, bloody rude.

0:19:32 > 0:19:36You don't want to give any money to charity? I understand. Heartless bastards.

0:19:36 > 0:19:40- Piers!- Yes?- Bob Saget.- Hey, how are you?- I'm with Pier Morgan!

0:19:40 > 0:19:44- Nice to see you dressed up in your stuff.- Thank you very much.

0:19:44 > 0:19:46- I'm Piers, nice to see you. - Hi, how are you?

0:19:46 > 0:19:49Is he closing you? Is he closing you?

0:19:49 > 0:19:51It would help me if you bought some tickets now.

0:19:53 > 0:19:56Spamalot? Come forward. Thank you. It's a deal.

0:19:56 > 0:19:58Ivanka? High five, baby!

0:19:58 > 0:20:00I decided to put it out for Ivanka Trump

0:20:00 > 0:20:03and give it the full James Bond charm offensive.

0:20:03 > 0:20:06I think she found me oddly attractive in that chain mail.

0:20:06 > 0:20:08Where they gone? Come back here!

0:20:08 > 0:20:12Step right up, ladies and gentlemen. We have celebrities

0:20:12 > 0:20:16under this tent, selling tickets to Broadway musicals for charity.

0:20:16 > 0:20:18I'm with EMI...

0:20:18 > 0:20:22I called a lady that I met a couple weeks ago in Nashville.

0:20:22 > 0:20:24She works for EMI.

0:20:24 > 0:20:28- So we've actually brought over a cheque for 5,000.- Nice!

0:20:28 > 0:20:31She's a sweetheart. She ran on down here and brought us a cheque.

0:20:31 > 0:20:35What do you want us to give you for 5,000?

0:20:35 > 0:20:38Two tickets for Spamalaot. Oh, that was a loaded question. Yeah.

0:20:38 > 0:20:41- Thank you, love. I appreciate it. - Anything we can do.

0:20:41 > 0:20:44Come on, free, let's go, whoa-oh. One at a time!

0:20:44 > 0:20:46- Where are you guys from? - Austria.

0:20:46 > 0:20:48Austria?

0:20:48 > 0:20:52Do you understand anything I'm saying to you? Very...?

0:20:52 > 0:20:53A little bit?

0:20:53 > 0:20:55Do you want to see a Broadway play?

0:20:58 > 0:20:59OK.

0:20:59 > 0:21:02What we have here is a failure to communicate.

0:21:02 > 0:21:07I've approached a lot of people that don't speak English.

0:21:07 > 0:21:11OK. Go over there and give those people all the money you have.

0:21:11 > 0:21:14Just go dump your purse out over there. OK?

0:21:14 > 0:21:17The British are coming. King Camelot.

0:21:17 > 0:21:19You're embarrassing yourself.

0:21:19 > 0:21:23I know, all right? I know I'm embarrassing myself.

0:21:23 > 0:21:25I am pretty famous in England,

0:21:25 > 0:21:28so every two seconds a Brit would stop me, going, "Oh, my God.

0:21:28 > 0:21:31"It's Piers Morgan! What are you doing here?"

0:21:31 > 0:21:36So I was able to play my native card and persuade them to buy tickets.

0:21:36 > 0:21:39More English people want to help us! It's all about England today!

0:21:42 > 0:21:4450 Broadway tickets!

0:21:44 > 0:21:45Hi.

0:21:47 > 0:21:48Yes.

0:21:55 > 0:21:58Jennie, do you need me to help you?

0:21:58 > 0:22:01Jennie has been vulnerable from day one.

0:22:01 > 0:22:04Everyone sees her as just a sweet girl.

0:22:04 > 0:22:05Not as a leader.

0:22:05 > 0:22:10- Do you want to figure it out and come back? OK.- You have enough tickets?- Yes. Thank you.

0:22:10 > 0:22:14I think the hardest thing for me in this task was being in the tent -

0:22:14 > 0:22:18again not being able to use my assets and show any leadership skills.

0:22:18 > 0:22:20I'm stuck in this booth. I'm hidden once again in a task.

0:22:23 > 0:22:24Hey, hi!

0:22:24 > 0:22:28As soon as I saw Vince McMahon, my first thought was, "He's cute!"

0:22:28 > 0:22:32My second was "Oh, my gosh - he's here to see us." He was getting a sense of where we were.

0:22:32 > 0:22:36So how are you attracting people in, to sell tickets?

0:22:36 > 0:22:38I have not moved from this spot for the last half hour.

0:22:38 > 0:22:42Well, I may have done this. And then that.

0:22:42 > 0:22:45What if we had you on a nice stand somehow,

0:22:45 > 0:22:47two or three feet up in the air?

0:22:47 > 0:22:48You could do that.

0:22:48 > 0:22:50David should be up on a pedestal,

0:22:50 > 0:22:52where everyone would be attracted to him.

0:22:52 > 0:22:55I feel like the women are doing more order-taking

0:22:55 > 0:22:57and again not necessarily attracting

0:22:57 > 0:23:00the audience they need to attract to sell more tickets.

0:23:02 > 0:23:07I called all my friends and I've gotten big, big chunks of money

0:23:07 > 0:23:09from foundations, from friends.

0:23:09 > 0:23:11How much can you give me?

0:23:11 > 0:23:121,000 each.

0:23:12 > 0:23:141,000 each!

0:23:14 > 0:23:16I'm getting in big ticket items.

0:23:16 > 0:23:19Broadway shows for charity!

0:23:19 > 0:23:21We're catching people on their way

0:23:21 > 0:23:25and the shows that sold the most Tickets are Spring Awakening and Avenue Q.

0:23:25 > 0:23:28Spring Awakening tickets!

0:23:28 > 0:23:30I knew that Spring Awakening was,

0:23:30 > 0:23:32by far of the eight shows, the hottest show.

0:23:32 > 0:23:34That was a great show to be selling.

0:23:34 > 0:23:37They're here for my friend, who's in charge of philanthropy.

0:23:37 > 0:23:39This Latina girl, who I've grown up with,

0:23:39 > 0:23:41handles billions in philanthropic money,

0:23:41 > 0:23:43and she just sent two assistants.

0:23:43 > 0:23:46Can we get a cashier's cheque?

0:23:46 > 0:23:49I sent them off to go get a cashier's cheque.

0:23:49 > 0:23:51Please, do whatever it takes, baby.

0:23:53 > 0:23:56We've got a problem. I'm in New York. I spoke to Richard

0:23:56 > 0:23:58and they've pledged some money,

0:23:58 > 0:24:00which two Virgin stewardesses would turn up with...

0:24:00 > 0:24:05Richard Branson rang me earlier and promised me 10,000 from Virgin

0:24:05 > 0:24:08but with minutes to go, the cheque hasn't shown up.

0:24:08 > 0:24:11- So this is the representative from Virgin.- Yes, hello.

0:24:11 > 0:24:15- The girls are coming with the cheque.- They've got eight minutes to get here.

0:24:15 > 0:24:18How far are you exactly?

0:24:18 > 0:24:19They're on 42nd and 3rd.

0:24:19 > 0:24:23The transaction must be made before the deadline or it doesn't count.

0:24:23 > 0:24:25They're on 42nd and 3rd Avenue?!

0:24:25 > 0:24:29No. What did you say? 42nd and 43rd, did you?

0:24:29 > 0:24:3142nd and 3rd.

0:24:31 > 0:24:34- Where's that? - They're on 42nd and 3rd?- Yeah, yeah.

0:24:34 > 0:24:35OK, they got to hurry up.

0:24:35 > 0:24:38I know. They're very close. They're really close.

0:24:47 > 0:24:48Where are they?

0:24:48 > 0:24:52I just sent my friends to go get a cashier's cheque.

0:24:56 > 0:24:57Where are they?

0:24:57 > 0:25:00They got two minutes. Two minutes.

0:25:04 > 0:25:06- Oh,- BLEEP!

0:25:11 > 0:25:13- Virgin girls, here.- Over here!

0:25:13 > 0:25:14Come this way...

0:25:14 > 0:25:16This time, the deal was tough.

0:25:16 > 0:25:19The Virgin Atlantic people today almost didn't show up.

0:25:19 > 0:25:21They just barely made it.

0:25:21 > 0:25:24From Richard Branson. 10,000.

0:25:24 > 0:25:27Thank you, ladies. You look lovely.

0:25:27 > 0:25:28It was close.

0:25:28 > 0:25:32We were minutes away from being 10,000 less than we thought.

0:25:32 > 0:25:34That kind of thing makes all the difference.

0:25:34 > 0:25:38We could have been selling tickets all day long and not had a 10,000 moment.

0:25:38 > 0:25:41That was a close one. Your tickets, ladies.

0:25:44 > 0:25:47Get in the cab! Tell the cab to hurry up! Hurry up!

0:25:47 > 0:25:51I need money. Just get your butts over here!

0:25:51 > 0:25:53Where are my Latinas?

0:26:32 > 0:26:36So, Marilu, you think your team finally won, finally?

0:26:36 > 0:26:37I think we won today.

0:26:37 > 0:26:40- You really feel confident? - Very confident.

0:26:40 > 0:26:42What show did you take number one?

0:26:42 > 0:26:44I knew I wanted Spring Awakening number one.

0:26:44 > 0:26:48- And how did that do? - It did very well. Curtains I knew I wanted as well.

0:26:48 > 0:26:50Vinnie, were you happy with your shows?

0:26:50 > 0:26:51Yeah, in the end.

0:26:51 > 0:26:56You don't seem to be as positive as Marilu about the possibility of victory.

0:26:56 > 0:26:59You don't seem to be like, "I'm sure I won."

0:26:59 > 0:27:01You're pretty sure you won?

0:27:01 > 0:27:02I'm pretty sure we won.

0:27:02 > 0:27:05Do you think you could have done better?

0:27:05 > 0:27:07Are you reticent in saying

0:27:07 > 0:27:09you think you won because you could have done better?

0:27:09 > 0:27:13- Or you just don't know? - I think that we probably did the best we could.

0:27:13 > 0:27:15These guys were ticket sellers.

0:27:15 > 0:27:19We had a barker - his name was Stephen Baldwin,

0:27:19 > 0:27:20and Piers dressed up like a knight.

0:27:20 > 0:27:24The reason they all enjoyed it so much was they made me look ridiculous,

0:27:24 > 0:27:26which was fine.

0:27:26 > 0:27:27The bright is the knight.

0:27:27 > 0:27:30- I liked being King Arthur, but... - They liked that, Piers.

0:27:30 > 0:27:34Tito, what do you think? Who did the best job on your team?

0:27:34 > 0:27:38- I would have to give it to Piers, by far.- Oh, really?- Yes.

0:27:38 > 0:27:40He made some great phone calls

0:27:40 > 0:27:43to get some guys to put in big dollar amounts.

0:27:43 > 0:27:45- Who did you call? - Richard Branson.

0:27:45 > 0:27:47Oh, good. Nice guy.

0:27:47 > 0:27:51Yeah, I had a chat with him and he gave us a lot of money. So that was useful.

0:27:51 > 0:27:55- Steven, what did you think? - I think we did great, Mr Trump, across the board.

0:27:55 > 0:27:58I think the only way we've lost, financially,

0:27:58 > 0:28:00is if the girls raised more money.

0:28:00 > 0:28:02We've sold more tickets, unequivocally.

0:28:02 > 0:28:05Who was your Broadway celebrity, Marilu?

0:28:05 > 0:28:09- We brought in David Hyde Pierce and other Curtains cast members. - Did you use them right?

0:28:09 > 0:28:13He was standing there. I introduced him to people in line getting Curtains tickets.

0:28:13 > 0:28:16But he was wearing a baseball cap. He was pretty much hiding

0:28:16 > 0:28:21and sort of at the back of the booth, and didn't have a megaphone like the other guys.

0:28:21 > 0:28:26They were raising hell over there and you guys didn't seem to know how to use your celebrities.

0:28:26 > 0:28:27Hm.

0:28:27 > 0:28:30So the big question now is the level of confidence in the men

0:28:30 > 0:28:33seems to be not as good. So let's find out.

0:28:33 > 0:28:36I will say this, fellas -

0:28:36 > 0:28:39it's time for them to win. Do we agree?

0:28:39 > 0:28:43- It's going to be very, very depressing if you lose again.- Very.

0:28:43 > 0:28:45So, Vince, let me ask you the big question.

0:28:45 > 0:28:48Empresario, how did they do?

0:28:48 > 0:28:49Very impressive.

0:28:49 > 0:28:53- 31,750. Congratulations. - Wow.- Very impressive.

0:28:54 > 0:28:56Ivanka, how did Hydra do?

0:28:59 > 0:29:01Hydra raised...

0:29:01 > 0:29:0333,300.

0:29:03 > 0:29:07- Come on!- Oh, God. - No way.

0:29:07 > 0:29:09You know what? The tickets mattered.

0:29:09 > 0:29:11- We sold... - We sold a lot of tickets too.

0:29:11 > 0:29:13Marilu, are you over-matched?

0:29:13 > 0:29:16Well, we've already been over-matched in terms of star power,

0:29:16 > 0:29:18size, and in terms of black book.

0:29:18 > 0:29:21- You think in terms of star power...? - Oh, definitely.

0:29:21 > 0:29:23Star power played no part in this.

0:29:23 > 0:29:26You were dressed up like a clown.

0:29:26 > 0:29:29I wasn't dressed as a clown. It was King Arthur.

0:29:29 > 0:29:33Let's get this absolutely straight. King Arthur was not a clown.

0:29:33 > 0:29:36You just criticised my man Piers for dressing up like a knight,

0:29:36 > 0:29:38walking Broadway, and called him a clown.

0:29:38 > 0:29:41That's not star power. People didn't even know

0:29:41 > 0:29:44who he was until they saw him. That's being a barker.

0:29:44 > 0:29:47That's going out there and selling tickets.

0:29:47 > 0:29:51It's like the old days when my father used to walk up and down with a sandwich board.

0:29:51 > 0:29:54That's what he did and that's why he is our most valuable player.

0:29:54 > 0:29:56He brought in the high-rollers,

0:29:56 > 0:29:58and then he put on the sandwich board.

0:29:58 > 0:30:00OK. Empresario.

0:30:00 > 0:30:02Why did you lose?

0:30:02 > 0:30:06Two people got their two minutes after they closed us down.

0:30:06 > 0:30:11So, it was over and all of a sudden you had money coming in and you couldn't count it.

0:30:11 > 0:30:15- Who raised it?- Me. - Why didn't you do it earlier?

0:30:15 > 0:30:18I did. People got stuck in the rain and traffic.

0:30:18 > 0:30:23- Mr Branson's cheque turned up with minutes left.- That's good planning.

0:30:23 > 0:30:26That's bad planning. You would have won.

0:30:27 > 0:30:29Vinnie, let me just tell you, you're going to be happy.

0:30:29 > 0:30:33We're giving 50,000 to your charity and the rest is going

0:30:33 > 0:30:37to the Fund For Public Schools, which is another terrific charity.

0:30:37 > 0:30:41Donald, my daughter's stepfather died a year ago, a great Jewish guy,

0:30:41 > 0:30:45brought up my daughter, died from pancreatic cancer.

0:30:45 > 0:30:49He was healthy as Lennox. When he was detected with cancer,

0:30:49 > 0:30:51we lost him at three months.

0:30:51 > 0:30:57The money that you're going to give me goes to the Lustgarten Foundation Pancreatic Cancer

0:30:57 > 0:31:00in Mitchell Burke's name.

0:31:00 > 0:31:04- Thank you very much. - That's very nice. That's very nice.

0:31:04 > 0:31:11- So, Marilu, too bad.- I know. - Fellas, congratulations. Great job, as usual.

0:31:11 > 0:31:17I can put on a tape recorder - "Great job, as usual. You really did well." Get out of here.

0:31:17 > 0:31:19So long. Thank you. Good going, Vinnie.

0:31:22 > 0:31:25- Ladies and gentlemen, I would like to announce... - POP!

0:31:28 > 0:31:33- Stephen, come here, come here. - You did it, bro.- Lennox.

0:31:33 > 0:31:38- We did it, guys.- Come here, brother. - We just barely beat them.

0:31:38 > 0:31:40One, two, three! HYDRA!

0:31:40 > 0:31:44What's going on with you people? I'm a little embarrassed for the women.

0:31:44 > 0:31:47This is four weeks. We're getting used to this.

0:31:47 > 0:31:50We're going to fire somebody - that's the way it has to be.

0:32:01 > 0:32:05We just barely beat 'em! 2,000!

0:32:05 > 0:32:09- Unbelievable! - Who's watching our backs?

0:32:09 > 0:32:12- Amen.- Come on.

0:32:12 > 0:32:17- So, Carol, what happened?- I don't think anything happened. We came within 2,000 of the guys.

0:32:17 > 0:32:21- Why do you think you lost? - We pulled out all the stops.

0:32:21 > 0:32:23Marilu, you were so close.

0:32:23 > 0:32:26I know! I can't believe it. I'm sick to my stomach over this.

0:32:26 > 0:32:32I think the biggest problem with this entire team is that people either

0:32:32 > 0:32:35tend to take a back seat or they overpower.

0:32:35 > 0:32:39It's not like how the guys seem to be, where everybody is 100% all the time

0:32:39 > 0:32:43and feel they can all contribute as much as they can.

0:32:43 > 0:32:49- And they are unbelievable. - I know. They are powerhouses and all know who does what well.

0:32:49 > 0:32:52Omarosa, do you think you're overmatched?

0:32:52 > 0:32:55- I would love to hear you say you are.- No, no, no. I would never say that.

0:32:55 > 0:32:59A lot of the women have just discovered they are businesswomen.

0:32:59 > 0:33:03- Why are the men so much better? - You said something interesting - they are unbelievable.

0:33:03 > 0:33:06As a team, they are unbelievable.

0:33:09 > 0:33:15The guys will do anything. A knight going up and down... a clown suit, or what you guys said.

0:33:15 > 0:33:18- They would do anything to win. - Good job, guys.

0:33:22 > 0:33:23How was Carol doing?

0:33:23 > 0:33:27She was inside and she was the inside person.

0:33:27 > 0:33:33- I was doing the credit cards. - If it were me... I wouldn't have you inside. Outside, OK?- Thank you.

0:33:33 > 0:33:39- Do you agree with him?- Yes.- Who put you inside? I became accountant and that meant I had to...

0:33:39 > 0:33:42- You don't look like an accountant. - No.

0:33:42 > 0:33:46- As long as I did my job well and... - Who put you in that position?

0:33:46 > 0:33:51Carol flies below the radar, Mr Trump, and she has been for the last several weeks.

0:33:51 > 0:33:55When she says "I was an accountant", she offered. It wasn't like, "Oh, I'll make you this."

0:33:55 > 0:33:59No. I was sitting on the couch. Marilu passed the bag, it landed in my lap.

0:33:59 > 0:34:00She flies under the radar.

0:34:00 > 0:34:03If I looked as beautiful as she, I would be in front.

0:34:03 > 0:34:08- Utilise the skills you have to close the deal.- Do you agree, Jennie? You were nodding.

0:34:08 > 0:34:10Do you think Carol flies below the radar?

0:34:10 > 0:34:12I don't...

0:34:12 > 0:34:14Uh...

0:34:14 > 0:34:15Um...

0:34:17 > 0:34:23I don't know. I know we have so much talent and we overthink things.

0:34:23 > 0:34:25I think it's been our fault.

0:34:25 > 0:34:26Omarosa, who should I fire?

0:34:26 > 0:34:29It would be Carol. She is our weakest link.

0:34:29 > 0:34:33- You think so?- She's up and down. There's no consistency.

0:34:33 > 0:34:36One week she's great, the next week she's down.

0:34:36 > 0:34:40- You have to have consistent performance. - I think Omarosa is very weak.

0:34:40 > 0:34:45Within the group, she tries to make people feel insecure and at her level.

0:34:45 > 0:34:48- You feel insecure by yourself. - She attacks all the time.

0:34:48 > 0:34:52Eleanor Roosevelt said, "No-one can make you feel inferior unless you allow them to do so."

0:34:52 > 0:34:56I don't care. This is our group. She's eating it from the inside.

0:34:56 > 0:34:58Our group should advance together -

0:34:58 > 0:35:02look for each other's weaknesses and support them, so we don't get fired.

0:35:02 > 0:35:06- You mean come to your level? - The guys do it so well. - You want me to come to your level?

0:35:06 > 0:35:10- There are weaknesses and they exploit their strengths. - Do you like Omarosa?

0:35:10 > 0:35:12As a businesswoman, I have no respect for her at all.

0:35:12 > 0:35:17The problem with our team is we have really great workers - assistants.

0:35:17 > 0:35:22We don't have great leaders. That's why I'm always like,

0:35:22 > 0:35:26we have good workers but they are not leaders.

0:35:26 > 0:35:30Some leaders are used to being assisted and need those assistants.

0:35:30 > 0:35:33Carol and I have consistently been in that assistant role.

0:35:33 > 0:35:35That's true. The dynamic has worked that way.

0:35:35 > 0:35:39- There is no room. - There is a lot of big voices.

0:35:39 > 0:35:42If we step up, there would be boom, boom, boom.

0:35:43 > 0:35:47Nely, who should be fired?

0:35:48 > 0:35:51Marilu. Marilu shouldn't have been,

0:35:51 > 0:35:55in this case, the project manager because she's a celebrity

0:35:55 > 0:35:59- and we should have been able to use her celebrity... - She's been on Broadway.

0:35:59 > 0:36:02She knows Broadway better than anybody else.

0:36:02 > 0:36:05She should have been, probably. OK, Marilu.

0:36:05 > 0:36:07- You're going to bring back two people.- I know.

0:36:07 > 0:36:11Somebody is going to be fired. Somebody is going to go home.

0:36:11 > 0:36:13Somebody is going to be very unhappy.

0:36:13 > 0:36:15Who are the two people you're bringing back?

0:36:23 > 0:36:27- I'm going to bring back Jennie and Carol.- Jennie and Carol.

0:36:27 > 0:36:28ALL: Whoa!

0:36:30 > 0:36:34- She knows she needs Nely to win. - Yeah.- Yeah - the next time!

0:36:34 > 0:36:37Fascinating to see the dynamic, how it changes.

0:36:37 > 0:36:41Nely stabbed her in the back, but she needs her.

0:36:41 > 0:36:42She will need a drink after that one.

0:36:42 > 0:36:48OK. So, Jennie, Carol, Marilu, you guys go outside.

0:36:48 > 0:36:51See you back in a couple of minutes. Somebody will be fired.

0:37:04 > 0:37:10- Omarosa is...- Totally not with us. - No, but she smells fear and when she does, it gets worse.

0:37:10 > 0:37:13She's a cancer. She's not somebody who works in a group.

0:37:13 > 0:37:17We're supposed to support the group and she's eating us from the inside out.

0:37:17 > 0:37:21We're allowing it - that's the worst part.

0:37:23 > 0:37:25Vince, what do you think?

0:37:25 > 0:37:29I think Jennie doesn't have the same competitive spirit and...

0:37:29 > 0:37:33That she has on the mound, which is unbelievable.

0:37:33 > 0:37:36She doesn't have the enthusiasm,

0:37:36 > 0:37:40when everyone is competitive and is fighting for their life.

0:37:40 > 0:37:45- She doesn't seem to be fighting very hard at all.- Ivanka?

0:37:45 > 0:37:49I think Marilu has to stay if this team has a chance,

0:37:49 > 0:37:51of victory at any point in...

0:37:51 > 0:37:55- You think she's very good.- Well, I think she's their only shot.

0:37:55 > 0:37:58She's smart and she comes up with the big ideas.

0:37:58 > 0:38:00Without her, we can write off next week.

0:38:00 > 0:38:06- OK. Annette, let them come in. - Yes, Mr Trump. You can go on in now.

0:38:13 > 0:38:18- Well, this is sad. - It's very sad because this is an incredible group of women.

0:38:18 > 0:38:24The problem is, because the group has so many different levels of people in terms of energy,

0:38:24 > 0:38:28in terms of how they like to work and in terms for respect for one another,

0:38:28 > 0:38:33it's difficult to find a cohesive way of working. You know I've worked every single task

0:38:33 > 0:38:38- probably wearing too many hats - that's the problem.- Why did you bring Carol and Jennie back?

0:38:38 > 0:38:42We need people who can work together really well.

0:38:42 > 0:38:45- You should have maybe brought Omarosa back.- Well, Omarosa,

0:38:45 > 0:38:47Nely and I work very well together.

0:38:47 > 0:38:52That trio is very, very strong. As strong as any three guys on the team.

0:38:52 > 0:38:56You're basically saying you can afford to lose one of these two.

0:38:56 > 0:38:58I'm basically saying I can afford to lose one.

0:38:58 > 0:39:02Jennie, I know you well from watching you on TV,

0:39:02 > 0:39:06winning Olympics, but you don't seem to have the energy.

0:39:06 > 0:39:12When I watch you on TV, destroying other teams, you have unbelievable vibrance and energy.

0:39:12 > 0:39:16- In the boardroom, you don't seem to have that same energy. - I... I think it's hard.

0:39:16 > 0:39:20I think it's hard when you sit in a room with Omarosa and Nely.

0:39:20 > 0:39:24And it's like boom, boom, boom. It wipes you out.

0:39:24 > 0:39:29- It's tough for you, right?- Yes. - It is tough for you.

0:39:29 > 0:39:32It's a hard to see in such a harsh, nasty environment.

0:39:32 > 0:39:36- I'm not used to that. - You shouldn't get used to it.

0:39:36 > 0:39:40- I don't want to.- Don't get used to it. Stay the way you are.

0:39:40 > 0:39:42I think you are fantastic...

0:39:44 > 0:39:47..but, Jennie, for my purpose, you're fired.

0:39:47 > 0:39:50It's just not your world. You know what? I like your world better.

0:39:50 > 0:39:51This isn't a great world.

0:39:51 > 0:39:55This is a terrible world in many ways and I want to see you

0:39:55 > 0:40:00- win another Olympic gold and he does, more than I do. He's a big fan of yours.- Thank you.

0:40:00 > 0:40:06- So you go. Thank you. Thank you very much.- Thank you. - Thank you.- Thank you, Mr Trump.

0:40:17 > 0:40:19- That was the right call.- Yeah.

0:40:19 > 0:40:22She actually said she can't compete with these people.

0:40:22 > 0:40:25In her own way, she's more competitive than any of them.

0:40:25 > 0:40:29- Individually.- It's interesting. But I think we made the right call.

0:40:29 > 0:40:31- Absolutely.- Definitely.- Good.

0:40:57 > 0:41:01Losing is hard to swallow. It's tough.

0:41:01 > 0:41:04It's heart-wrenching, knowing we were so close.

0:41:04 > 0:41:07I'm sad that I'm leaving my girls, and I'm sad I'm going home.

0:41:07 > 0:41:13I really think I didn't get a chance or opportunity to show my leadership skills.

0:41:13 > 0:41:18It's interesting to see the differences between the Apprentice world and the softball field.

0:41:18 > 0:41:22I look forward to getting back on the playing field and training,

0:41:22 > 0:41:25preparing for the Olympics and being a mom and a wife.

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0:41:32 > 0:41:35E-mail subtitling@bbc.co.uk