0:00:02 > 0:00:04Previously on The Celebrity Apprentice, after four tasks...
0:00:04 > 0:00:08- Hot dogs for charity!- All right, cut. We got it.- Badabing, badaboom.
0:00:08 > 0:00:11We pulled it out of the bag. It's a knockout.
0:00:11 > 0:00:14- ..the men of Hydra were undefeated. - Hydra!
0:00:14 > 0:00:18Even moving Gene Simmons to Empresario didn't help the women's team.
0:00:18 > 0:00:20Hydra, you win. Gene, you're fired.
0:00:20 > 0:00:24Then, last week, with Tito away at a fight...
0:00:24 > 0:00:28Empresario, you have one last chance.
0:00:28 > 0:00:33The teams were tasked with designing an awareness campaign for Crocs.
0:00:33 > 0:00:36- Wear them. Share them.- Piers hatched a plan to spy on the women...
0:00:36 > 0:00:39Vinny, I have an idea for you. You are my Luca Brasi.
0:00:39 > 0:00:42- ..by faking an argument with Vinny and firing him.- Vinny!- What?!
0:00:42 > 0:00:45- Get out of here! - I'm tired of your- BLEEP.
0:00:45 > 0:00:47Get out! Get out.
0:00:47 > 0:00:52- That arrogant English bastard just chased me out of the- BLEEP- boardroom.
0:00:52 > 0:00:55- Feeling sorry for Vinny... - Vinny?- What?- Work for us.
0:00:55 > 0:00:59..the women took the bait and accepted him as a new team member.
0:00:59 > 0:01:03We have to have a buzz statement. SolesUnited. Share the love.
0:01:03 > 0:01:06- What's that?- Share the love. - Share the love.
0:01:06 > 0:01:10- As Vinny fulfilled his spy duties... - Share the love.- Share the love.
0:01:10 > 0:01:14- That's what they're doing.- Stephen had a problem with the plan...
0:01:14 > 0:01:17- It's not right.- ..while Vinny had a crisis of his own.
0:01:17 > 0:01:20I started to say to myself, "Why am I doing this?"
0:01:20 > 0:01:24Piers made a decision to make me be a rat. But it's over. I flipped.
0:01:24 > 0:01:28- They know everything.- And the women took action.- Put Vinny on the phone.
0:01:28 > 0:01:31- Vinny?- Yes? - We no longer need your services.
0:01:31 > 0:01:36- In the boardroom, Vinny revealed the truth.- I did want the women to win.
0:01:36 > 0:01:40- Absolutely amazing. - And Piers' attempted sabotage backfired, putting him at risk.
0:01:40 > 0:01:44Empresario, they picked you as the winner, so congratulations.
0:01:44 > 0:01:46With the men's first loss,
0:01:46 > 0:01:50Piers waged a personal attack on Stephen's character...
0:01:50 > 0:01:52This is a guy who is a rank hypocrite.
0:01:52 > 0:01:55- It's not the truth, Mr Trump. - ..and Stephen took it to heart.
0:01:55 > 0:01:59I'd rather have less success and a better name than anything else.
0:01:59 > 0:02:01But it was Vinny who had had enough.
0:02:01 > 0:02:06Mr Trump, I'm going to end this up right now. Let's just let me resign.
0:02:06 > 0:02:08I accept your resignation.
0:02:25 > 0:02:28- Hey.- This is different.
0:02:28 > 0:02:30- So, shoe's on the other foot. - Hello, ladies.
0:02:30 > 0:02:35- Piers, we know how much you like to drink, so help yourself to the liquor.- I'm fine, actually.
0:02:35 > 0:02:38Now, Lennox, I'm glad to know that you're just as dirty
0:02:38 > 0:02:39as the rest of your team-mates.
0:02:39 > 0:02:42He's aligned himself with the likes of you.
0:02:42 > 0:02:47- We don't take moral lectures from you!- That takes him down a level. - You're a celebrity wannabe.
0:02:47 > 0:02:52- At least he's done something.- You're a never-been, so that's the worst. - You don't know anything about me.
0:02:52 > 0:02:55I edited two of the world's biggest newspapers for 12 years.
0:02:55 > 0:02:58Never-was. The worst offence of them all.
0:02:58 > 0:03:01I just think Omarosa's ego writes cheques her body can't cash.
0:03:01 > 0:03:05The girl's a loser, you know? She lost the first season of Apprentice.
0:03:05 > 0:03:09'She's renowned around America as a disgusting little wastrel.
0:03:09 > 0:03:11'She's just a pointless waste of space.'
0:03:11 > 0:03:14- Piers, don't start. You're in- my- war room.
0:03:14 > 0:03:18- Now you "work at the White House". - You're in my war room.- As what? A cleaner?
0:03:18 > 0:03:20- Ooh.- Piers, welcome to our war room.
0:03:20 > 0:03:22Welcome.
0:03:28 > 0:03:32I've got better things to do than this. Good luck, girls. Well done.
0:03:33 > 0:03:38- Piers, I can't work with you. - This is about you not wanting the word "hypocrite" in the show, right?
0:03:40 > 0:03:45It's ridiculous, mate. Pathetic. Just to let you know, guys, I think Mr Baldwin's resigning as well.
0:03:45 > 0:03:49- What? Why is he resigning?- Oh, because I called him a hypocrite.
0:03:49 > 0:03:54- He said he had nothing to do with it. - I said, "You start that game in there, I'll call you a hypocrite."
0:03:54 > 0:03:56Now he wants to leave the show.
0:03:58 > 0:03:59I can't work with Piers.
0:03:59 > 0:04:01I was impacted by what happened in the boardroom,
0:04:01 > 0:04:05so it's best that I sit down and have a meeting with Mr Trump to discuss it.
0:04:05 > 0:04:08Mr Trump, I have Stephen Baldwin to see you.
0:04:08 > 0:04:10Let him come in.
0:04:15 > 0:04:19Come in, Stephen. Sit down right here, please.
0:04:22 > 0:04:23So, what's going on?
0:04:23 > 0:04:30At this point, working with Piers is just not a possibility.
0:04:30 > 0:04:35- Don't tell me you want to quit. - Well, if I may, respectfully, sir. - Don't go home a loser. I don't care.
0:04:35 > 0:04:38It doesn't affect me. It affects you.
0:04:38 > 0:04:42I was resigning for the same reasons as Vinny.
0:04:42 > 0:04:44No, no. Vinny didn't resign for the same reason.
0:04:44 > 0:04:48- Whether you like it or not, Vinny got beaten up by Piers.- But, Mr Trump...
0:04:48 > 0:04:51And I've been beaten up by Piers.
0:04:51 > 0:04:54Then go to the other side and beat him.
0:04:54 > 0:04:57I could put you on Empresario, if you think it's important.
0:04:57 > 0:05:00I think that's a lot better. Then you can kick his ass.
0:05:00 > 0:05:03- You ever hear, "Think big, kick ass," right?- Let's go.- You like that?
0:05:03 > 0:05:05- I can do that in a second. - I like it, too.
0:05:05 > 0:05:09- I'll put you on the other side. - Excellent.- OK. See you tomorrow.
0:05:09 > 0:05:11- Thank you.- Get 'em!- Good. - Thank you. Go get 'em!
0:05:21 > 0:05:26- I just had to have a meeting with Mr Trump.- What happened?
0:05:26 > 0:05:29I told Mr Trump I no longer wanted to continue working with Piers.
0:05:29 > 0:05:33The resolve that Mr Trump has suggested is that I become
0:05:33 > 0:05:37a member of Empresario, which I have accepted.
0:05:39 > 0:05:40'Stephen was moved to Empresario,'
0:05:40 > 0:05:44and I did not really agree with that decision.
0:05:44 > 0:05:46I didn't think that was very fair to the rest of us.
0:05:46 > 0:05:51If I'm on your team and you tell me to make you coffee and shut up, I'm more than happy to do that.
0:05:51 > 0:05:54- What?!- I don't care. - This is pathetic.- That is mad.
0:05:54 > 0:05:59- Pathetic, mate. Absolutely pathetic. - That's mental, man. That's mental.
0:05:59 > 0:06:02People aren't going to fall for this, Mr Baldwin.
0:06:02 > 0:06:06I was so disappointed to hear that, coming from a man.
0:06:06 > 0:06:10He wants to move to the girls' team to make coffee? I didn't have respect for him for that.
0:06:10 > 0:06:14If it falls to me and you, mate, we can win this on our own. Don't worry about it.
0:06:14 > 0:06:17Stephen Baldwin trying to resign from the show
0:06:17 > 0:06:20and then squirm his way back into the ladies' team? Pitiful.
0:06:20 > 0:06:23In one fell swoop, he's told Donald Trump two things -
0:06:23 > 0:06:27he's a quitter who tried to resign, and he's a disloyal little rat.
0:06:27 > 0:06:30So, I have a previous engagement.
0:06:30 > 0:06:34I actually will not be involved in the next task.
0:06:34 > 0:06:37- I have to speak at a church. - Stephen, are you kidding me?
0:06:37 > 0:06:41- Let me finish, please.- No, I won't. You're in our war room now.
0:06:41 > 0:06:46We get forced to take you on our team. You have all of this drama with your team, and you're telling me
0:06:46 > 0:06:49on the first day of your new job, you won't even be there?
0:06:49 > 0:06:52Correct.
0:07:26 > 0:07:31- Good morning.- Good morning. - Tito, they missed you.
0:07:31 > 0:07:35You left, your team lost, and you wouldn't believe what happened.
0:07:35 > 0:07:38You know Vinny quit, and everybody was shocked to see it.
0:07:38 > 0:07:41And he thought Piers was the absolute worst.
0:07:41 > 0:07:43We have a little problem.
0:07:43 > 0:07:47Stephen is not with us this morning.
0:07:47 > 0:07:51He will come back. But I've decided to put him on the ladies' team.
0:07:51 > 0:07:56- Now, what do you think of that? - Mr Trump, we respectfully decline your offer
0:07:56 > 0:07:58to send Stephen over to our team.
0:07:59 > 0:08:04All right. I'm the boss. Stephen is going to be on Empresario. That's it.
0:08:04 > 0:08:09OK. As you can see, Donald and one of my most trusted associates,
0:08:09 > 0:08:11George Ross, will be my eyes and ears.
0:08:11 > 0:08:13They'll be watching your every move.
0:08:13 > 0:08:16Vera Wang is a friend of mine.
0:08:16 > 0:08:21She's also one of this country's - and in fact the world's - great designers.
0:08:21 > 0:08:25Bob Sherman is the president of Serta. They make mattresses.
0:08:25 > 0:08:29Vera Wang designed a Serta mattress.
0:08:29 > 0:08:31Vera, what is the task?
0:08:31 > 0:08:38The task today is to create a living window featuring my mattresses,
0:08:38 > 0:08:43and you'll be judged by myself and Bob on three things -
0:08:43 > 0:08:49creativity, brand imaging, and entertainment value.
0:08:49 > 0:08:53When she said we have to create a living window
0:08:53 > 0:08:55to promote Vera Wang anything,
0:08:55 > 0:09:00I immediately thought, "Well, we are completely screwed".
0:09:00 > 0:09:04- Vera, you did that so well. - Oh, please.
0:09:04 > 0:09:07I should have had another cocktail.
0:09:07 > 0:09:11OK, everybody understands? Everybody knows what you're doing?
0:09:11 > 0:09:1520,000 goes to the Project Manager of the winning team
0:09:15 > 0:09:17for their favourite charity.
0:09:17 > 0:09:22Go downstairs to the war room. Pick your Project Managers. Go. Good luck.
0:09:34 > 0:09:38Ladies, are you all opposed to me serving as PM on this project?
0:09:38 > 0:09:40- Not at all.- Perfect.- Go for it.
0:09:40 > 0:09:43'The task this week is to create a living window display,
0:09:43 > 0:09:46'and so I decided to step up as Project Manager.
0:09:46 > 0:09:50'And this was my opportunity to raise some cash for my charity,
0:09:50 > 0:09:52'Positive Vibrations.'
0:09:52 > 0:09:54It's a programme for at-risk youth
0:09:54 > 0:09:57who really need someone to believe in them.
0:09:57 > 0:10:01Carol will be Creative Director. She'll also manage talent - this is your area more than anyone.
0:10:01 > 0:10:05- You're going to do marketing as well as accounting.- OK.
0:10:05 > 0:10:10- Marilu, you're so great dealing with construction crews and managing it. That's where I want to go.- Perfect.
0:10:10 > 0:10:14I just had a brilliant, brilliant idea.
0:10:14 > 0:10:18The perfect marriage. Serta and Vera Wang.
0:10:18 > 0:10:23We utilise her trademark - wedding gowns, and that's what drives her.
0:10:23 > 0:10:29Vera Wang, of course, is obviously about weddings and bridalwear.
0:10:29 > 0:10:32'So, we decided on a theme - the perfect marriage.'
0:10:32 > 0:10:37- I would love you in a wedding dress. - Oh, my gosh.- Let's do that. - We can also use Stephen.
0:10:37 > 0:10:42At first, I was confused about Stephen moving over to our team.
0:10:42 > 0:10:44'Once the decision was taken out of our hands,'
0:10:44 > 0:10:48we realised Mr Trump didn't want to lose Stephen, so then we accepted him.
0:10:48 > 0:10:54- He could carry you in or something? - But she's taller than he is. - But that's OK. He'll be laying down.
0:10:59 > 0:11:03No creative ideas yet until we find out all the information we can.
0:11:03 > 0:11:07I'm Project Manager, and my charity is the Muhammad Ali Center.
0:11:07 > 0:11:10It's really close to Muhammad Ali.
0:11:10 > 0:11:14He's done so much for people around the world, and this charity means so much to him.
0:11:14 > 0:11:18Ah, Vera Wang. What has she done in the past?
0:11:18 > 0:11:21Her company was built around bridal stuff.
0:11:21 > 0:11:24But she has now branched out beyond the core bridal,
0:11:24 > 0:11:29- so we need to get out of her whether she sees it as a bridal thing.- Right. - Or is this a more general thing?
0:11:29 > 0:11:31None of us really know much about Vera Wang.
0:11:31 > 0:11:35None of us are particularly in touch with our romantic, sensitive,
0:11:35 > 0:11:40feminine sides, particularly not Tito Ortiz and Lennox Lewis, whose idea of sensitivity
0:11:40 > 0:11:43is beating the hell out of Mike Tyson on a quiet Monday.
0:11:43 > 0:11:46You know, I think we need to think feminine here, guys,
0:11:46 > 0:11:48which is not going to be easy for us.
0:11:57 > 0:12:03- Hello.- How are you? - Good to see you.- Hello.
0:12:03 > 0:12:09'Our task is to prepare a living window for Vera Wang and Serta,'
0:12:09 > 0:12:13so we're selling the mattress that's been designed by Vera Wang.
0:12:13 > 0:12:17A really interesting challenge, actually.
0:12:17 > 0:12:21In terms of this particular challenge, should we be really thinking bridal here?
0:12:21 > 0:12:27Certainly, my brand has grown to be symbolic of much more than only bridal.
0:12:27 > 0:12:31Very interested by the fusion of Serta with Vera Wang.
0:12:31 > 0:12:35The majority of the people that buy a mattress are women, and what it really affords us to do
0:12:35 > 0:12:41is to offer an outstanding product but then add Vera's name to it,
0:12:41 > 0:12:45- which is recognised for comfort and style.- And romance!
0:12:45 > 0:12:48- And romance. I always have to throw that in.- Question.- Yes?
0:12:48 > 0:12:51- What do you do for entertainment? - I love watching TV.
0:12:51 > 0:12:56I love reading. I spend most of my free time on my bed.
0:12:56 > 0:13:00'In listening to Vera Wang and listening to Bob,'
0:13:00 > 0:13:05we all got the vision that she wanted to do something different.
0:13:05 > 0:13:07Do you have any ideas?
0:13:07 > 0:13:11Just a few things I wrote down that she said "romance"
0:13:11 > 0:13:15and then Serta's slogan, "The world's best mattress." So, I'm thinking...
0:13:15 > 0:13:20"The world's greatest romance deserves the world's best mattress."
0:13:20 > 0:13:22"Vera Wang by Serta."
0:13:22 > 0:13:28- I like that.- One of the great romances in history where the woman was the strong one,
0:13:28 > 0:13:30Cleopatra, Mark Antony.
0:13:30 > 0:13:31- I love it.- I love it, too.
0:13:31 > 0:13:35Trace Adkins, who's come up with all the great ideas, actually, for us.
0:13:35 > 0:13:39He said, "Look, this is about romance. We should go back in time."
0:13:39 > 0:13:42- 'And I really like it. Good old Trace again.'- I like it. - I like that.
0:13:52 > 0:13:53- Hello, Vera.- Hi. Hi. How are you guys?
0:13:53 > 0:13:58We're very interested in utilising one of your wedding dresses.
0:13:58 > 0:14:01- Well, I'd love that.- But you have lingerie as well.- I do.
0:14:01 > 0:14:07- I have lingerie.- And we want to tap in to all of these wonderful things. - Absolutely.
0:14:07 > 0:14:10In order of importance - brand messaging, creativity,
0:14:10 > 0:14:12and entertainment, how would you order those three?
0:14:12 > 0:14:17I would say the most important thing is always creativity,
0:14:17 > 0:14:21because without creativity and thinking out of the box,
0:14:21 > 0:14:25there's no way to attract clients.
0:14:25 > 0:14:29- We are so looking forward to this. - We really are.- Thank you.- Great.
0:14:29 > 0:14:31Thank you so much.
0:14:33 > 0:14:34Yeah, that's the figure.
0:14:34 > 0:14:39- This is the size that you gave me. 5'x3'.- Um, OK.- Where's the skirt?
0:14:39 > 0:14:42Gentlemen, gentlemen.
0:14:42 > 0:14:45You see, for this part of it, anybody that wants to say something,
0:14:45 > 0:14:49- just go like that. - Am I allowed to say something to attract your attention to my hand?
0:14:49 > 0:14:53- Yes, you are.- OK. What do I say? - Say, "Permission to speak."- Right.
0:14:53 > 0:14:57- Permission to speak, Project Manager.- Speak. - Are you going to keep this up?
0:14:57 > 0:15:01- Absolutely.- It sounds ridiculous. - No, it doesn't. It's working.
0:15:01 > 0:15:04- It's working for us.- Well, it's working for you.- Yes, it is.
0:15:04 > 0:15:05- All right.- Yes, sir?
0:15:07 > 0:15:12'Lennox, having been a very good fun, cheeky chappy,
0:15:12 > 0:15:14'smart guy who'd been everyone's buddy,'
0:15:14 > 0:15:19the moment he became Project Manager, turned into a monster.
0:15:19 > 0:15:22- What else do you have in the room, just to be curious? - Uh, nothing, just that.
0:15:22 > 0:15:26- Are we going to have a TV or not? - I just want to vote on this.
0:15:26 > 0:15:29- Well, no. I've got a better idea.- Yes?
0:15:29 > 0:15:32- Permission to speak?- Yes, sir. - You're the Project Manager.
0:15:32 > 0:15:34- You've heard all the arguments. - Right.- Your call.- OK.
0:15:34 > 0:15:36So, what I want to do is have a vote.
0:15:36 > 0:15:41- What do you say, Tito?- Um...on what?
0:15:41 > 0:15:46- Whether we use modern stuff or not. - Whether we use modern stuff or not. - Yeah.- Then we should have the TV.
0:15:48 > 0:15:52OK, I'm having a vote. Who wants TV? Put up their hands.
0:15:52 > 0:15:56- Are you going to run everything by a vote?- Yes, because we're a team.
0:15:56 > 0:16:00- That's not leadership. That's just having a vote on everything.- Right. Democratic.
0:16:00 > 0:16:04- There's no point in having a bunch of votes.- Do you want a TV in there?
0:16:04 > 0:16:07- Can I clarify something?- No, you can't.- Permission to speak.- No.
0:16:07 > 0:16:09- Can we have a vote whether I can speak?- No. No.
0:16:09 > 0:16:14- Tito, what are you saying? TV, yes, or no?- Permission to speak?- No.
0:16:14 > 0:16:20- Don't want to hear from you.- Right, but when can I speak again?- When you have something to add.- I do.
0:16:20 > 0:16:26- You do?- Yes.- What?- I don't like what you're doing.- Uh, uh, uh, uh!
0:16:26 > 0:16:28Don't want to hear anything. Talk to the hand.
0:16:28 > 0:16:33'Piers kind of felt like he's in school because he's not used to holding up his hand any more.
0:16:33 > 0:16:35'He's just used to blurting out.'
0:16:35 > 0:16:38So, anybody that wants to argue with me has to talk to the hand.
0:16:38 > 0:16:42You have to make a call about whether you like it stencilled on.
0:16:42 > 0:16:47- Or do you want to vote on that?- I actually want to vote on that, yes.
0:16:48 > 0:16:51'Lennox Lewis has put it to a vote in which he won't participate.'
0:16:51 > 0:16:54When it comes to any decision, he goes, "I want a vote."
0:16:54 > 0:17:00- Would you like to start the voting? - Yes, I would.- What would you like? - I would like to hear from Trace.
0:17:00 > 0:17:03- What do you think we should do? - Unbelievable!
0:17:09 > 0:17:10We'll have a curtain here
0:17:10 > 0:17:14- if possible. We're not sure if we need it or not.- Right.
0:17:14 > 0:17:16If we needed something to close or open.
0:17:16 > 0:17:20- And there's a wall here - the same thing on that side.- Yes.- OK, great.
0:17:20 > 0:17:24- My question...- What about a curtain here, and what about the hook?
0:17:24 > 0:17:28I don't know about windows. Do you have to have this? Does it have to be a box, a ceiling?
0:17:28 > 0:17:32Marilu goes off to do construction, which she's done on multiple tasks,
0:17:32 > 0:17:35and she is very scattered, and she's very all over the place.
0:17:35 > 0:17:38What I want to do is hang... I want a white wall,
0:17:38 > 0:17:40but I want the curtains a little bit in front
0:17:40 > 0:17:42so that if we had lighting that could be...
0:17:42 > 0:17:46- Right now...- Yes?- ..the walls will be sitting on top of this platform.
0:17:46 > 0:17:50OK, is there any way to...
0:17:50 > 0:17:54not have them sit on top of this platform, but be recessed, like...
0:17:54 > 0:17:57'Marilu was just unable to communicate clearly what we were trying to do.
0:17:57 > 0:18:01'We're not progressing. We don't even have our construction materials yet.'
0:18:01 > 0:18:03I'm a bit nervous right now.
0:18:13 > 0:18:17Are you going to be able to put walls up on the ends for us?
0:18:17 > 0:18:21- Yeah.- We can have walls here, either side, with an entrance door?
0:18:21 > 0:18:26'The task is actually setting up a living window display for Vera Wang
0:18:26 > 0:18:29'by Serta, and Cleopatra was a big thing for us'
0:18:29 > 0:18:34because that's the ultimate romance in history.
0:18:38 > 0:18:40We have to start staging.
0:18:40 > 0:18:43It'd be nice to have Stephen Baldwin. Is he coming?
0:18:43 > 0:18:45He said he'd be here at six o'clock.
0:18:45 > 0:18:48'Everybody is working their fingers to the bone,'
0:18:48 > 0:18:52and the only person that's missing on my team is Stephen Baldwin.
0:18:52 > 0:18:57- This is the wedding situation half. - Uh-huh.- And this is the threshold.
0:18:57 > 0:19:00This is the front of the window. The bride and groom will come in,
0:19:00 > 0:19:04they're very excited, he carries her over the threshold...
0:19:04 > 0:19:06She looks at him. He scoops her up.
0:19:06 > 0:19:09She turns around like this. Then he, like, blindfolds her.
0:19:09 > 0:19:14She's stepped out of her gown, and she has the little underwear on.
0:19:14 > 0:19:17- This is, like, burlesque. - SHE LAUGHS
0:19:17 > 0:19:20This is a little edgy for me.
0:19:20 > 0:19:23My biggest concerns are keeping Marilu intact,
0:19:23 > 0:19:26not going too big with the vignette or with the performances,
0:19:26 > 0:19:29keeping it simple and nailing home the point.
0:19:29 > 0:19:32Let's stay on the surface of wedding and romance,
0:19:32 > 0:19:37- but I don't want to kill your creativity. - No, no, no. I'm... That's OK.
0:19:37 > 0:19:41- It was a creative team decision. - We're trying to figure out how to do a reveal of this bed.
0:19:41 > 0:19:43Please, for the rest of the night, I cannot take...
0:19:43 > 0:19:46If you saw it from my view, you'd know.
0:19:46 > 0:19:49'I love Marilu, but she's just all over the place.'
0:19:49 > 0:19:51That energy, I have to hone in.
0:19:51 > 0:19:55I think we have to figure out who's just in charge of set-dressing this puppy.
0:19:55 > 0:19:59- And, frankly, I don't care if Marilu does the set-dressing.- I care.
0:19:59 > 0:20:03'Nely was a former head of Telemundo. I'm expecting her'
0:20:03 > 0:20:06to be more informative.
0:20:12 > 0:20:13'On my team, I trust Omarosa.'
0:20:13 > 0:20:16I know that sounds very strange, but I do.
0:20:16 > 0:20:18'When someone is very passionate in their vision,'
0:20:18 > 0:20:20they inspire you to follow them.
0:20:24 > 0:20:28'Omarosa is the kind of Project Manager that's covering her ass.'
0:20:28 > 0:20:31You have to watch your back every second with her,
0:20:31 > 0:20:32cos you can get stabbed.
0:20:32 > 0:20:35'Not just your back - She'll get you from the front, the side,'
0:20:35 > 0:20:39through the temples, whichever way she wants.
0:20:49 > 0:20:52Let's go. What do we need in the morning?
0:20:52 > 0:20:56- Fruit.- No other food?- Champagne. - No other food?
0:20:56 > 0:21:00- Hang on. We haven't decided yet. - You've already had one vote on it.
0:21:00 > 0:21:02'Trace, Tito, and I'
0:21:02 > 0:21:05have certainly picked up on the fact that the only person so far
0:21:05 > 0:21:06who's had no ideas
0:21:06 > 0:21:09is the dictatorial Project Manager,
0:21:09 > 0:21:12so we've all begun to work out what he's doing.
0:21:12 > 0:21:18- Have you taken responsibility of anything yet?- Yes!- What?- You guys. - One decision.
0:21:18 > 0:21:20I've taken responsibility. My decision is our votes.
0:21:20 > 0:21:23You haven't made one decision all day.
0:21:23 > 0:21:26- Hang on, hang on, hang on. - You haven't, mate.- Hang on...
0:21:26 > 0:21:28Lennox has no clear vision of what he needs to do.
0:21:28 > 0:21:31'We just laughed about it all day long. 'We thought it was funny.'
0:21:31 > 0:21:35All you've done is made sure we're all responsible for everything.
0:21:35 > 0:21:39- Why are you trying to divide the team?- No, I'm not. You're the one causing friction.
0:21:39 > 0:21:41Are you making trouble?
0:21:41 > 0:21:44- No.- Are you sure?- As usual, you're asking me a question
0:21:44 > 0:21:46which puts me into some form of responsibility, right?
0:21:46 > 0:21:51We've all worked out your game. It's very clever. It doesn't mean we have to accept it.
0:21:51 > 0:21:55- Now you're starting to sound like Gene Simmons. It ain't workin'. - LENNOX FARTS
0:21:55 > 0:21:58Exactly, and he just broke wind. Did you hear that?
0:21:58 > 0:22:02- Unbelievable!- Lennox, man! Oh, man! - THEY LAUGH
0:22:05 > 0:22:08You know what? That just about sums it up.
0:22:08 > 0:22:12Your Project Managership stinks!
0:22:24 > 0:22:25Oh, hi!
0:22:30 > 0:22:34Just flown in. My first official time together with Empresario.
0:22:34 > 0:22:38'I wasn't able to make the first half of the task because I had to speak at a church.'
0:22:38 > 0:22:42So, this is what we did.
0:22:42 > 0:22:45Our idea was the perfect marriage.
0:22:45 > 0:22:47Marketing-wise, I want to share something with you guys -
0:22:47 > 0:22:50"Together it's new".
0:22:50 > 0:22:55That's something that we could put up behind the bed on the wall that's, like, some phrase.
0:22:55 > 0:22:57You understand?
0:22:57 > 0:23:01'I had a really hard time with Stephen coming back and throwing out ideas.
0:23:01 > 0:23:03'He wanted to change the whole vibe.'
0:23:03 > 0:23:06It's like, "I have a better idea than you guys,
0:23:06 > 0:23:07"I'm here, and tough".
0:23:07 > 0:23:12I'm just trying to, like, take in everything you've done and then...
0:23:12 > 0:23:15pepper it with a little Stevie B.
0:23:15 > 0:23:21I was like, "Stevie B? Dude...! Get out of here".
0:23:33 > 0:23:35We've got half an hour, son.
0:23:35 > 0:23:38- Hey, do you know where a fruit store is?- Fruit?- Fruit.
0:23:38 > 0:23:41- Big house over there, two blocks. - Two blocks?
0:23:41 > 0:23:45Lennox! 'It comes down to our last hour and a half.'
0:23:45 > 0:23:48Me and Lennox got to go get champagne, fruit.
0:23:48 > 0:23:50We got to buy pillows and fabric.
0:23:50 > 0:23:53Thanks, man. Appreciate it. Have a good day.
0:23:54 > 0:23:58'By the time we got back, we got the outfits that the actors will be wearing
0:23:58 > 0:24:02'and making sure the models are looking great, hopefully we're doing the right things'.
0:24:02 > 0:24:03Guys, we have five minutes.
0:24:03 > 0:24:08I can't say that Team Hydra is missing anything. I think they're behind schedule.
0:24:08 > 0:24:12Maybe that will hurt them because they won't be able to do the finishing touches.
0:24:12 > 0:24:15- That's it.- All the flowers? - I can split them apart.
0:24:15 > 0:24:16Split them into two vases.
0:24:16 > 0:24:19- Guys, we have five minutes. - Scissors, I need scissors.
0:24:19 > 0:24:20I need a staple gun.
0:24:20 > 0:24:27'We're guys. When it comes to design and that finicky stuff, women are great at that.
0:24:27 > 0:24:29'So, I was concerned a bit, but, you know,'
0:24:29 > 0:24:31if we go overboard, it's good.
0:24:31 > 0:24:35At least we're better overboard than underboard.
0:24:35 > 0:24:36We're going to start staging.
0:24:36 > 0:24:38It's OK. No. No. Leave it there.
0:24:38 > 0:24:42OK, let's do last looks on the stage. Let me see the actresses. Hair and make-up!
0:24:42 > 0:24:47Can I get a last look at the girls? Ladies and gentlemen, we have five minutes to showtime.
0:24:47 > 0:24:51- Move it back. Ah, perfect! Perfect! - I don't want a hair out of place.
0:24:51 > 0:24:56- Groom is ready. - Listen up! Marilu is directing.
0:24:56 > 0:24:57I want you to listen to Marilu.
0:24:57 > 0:25:02The rest of this team, have fun! Everybody's having so much fun! Oh, it's great!
0:25:09 > 0:25:11Oh, look at this!
0:25:11 > 0:25:14A living tableau!
0:25:14 > 0:25:17The flurry of activity - throw those petals in the air! Ohh!
0:25:17 > 0:25:20Here comes my friend! My best friend just got married!
0:25:20 > 0:25:26- Look at these girls. They're so fabulous. - That dress, I've got to have it.
0:25:27 > 0:25:30This is so unbelievable. I'm in awe.
0:25:33 > 0:25:36Look at them. Are they gorgeous, or what?
0:25:38 > 0:25:40It's so amazing. Bravo!
0:25:40 > 0:25:44- Thank you, Vera. Thank you. - Amazing.
0:25:44 > 0:25:47- Thank you.- Thank you, guys.
0:25:47 > 0:25:50'Our window is exactly what she wanted.'
0:25:50 > 0:25:55I've won this task, hands down. I'm going to TKO Lennox Lewis.
0:26:00 > 0:26:02- Vera. How are you? - Good morning. How are you?
0:26:02 > 0:26:04Good to see you. Bob, how are you?
0:26:04 > 0:26:08We decided to come up with a slogan for you -
0:26:08 > 0:26:12"The world's great romances deserve the world's best mattresses".
0:26:12 > 0:26:16- Wow!- That is fantastic!
0:26:16 > 0:26:21- Wow!- To illustrate that, what greater romance
0:26:21 > 0:26:25- than Cleopatra and Mark Anthony? - Oh, God, look at her.
0:26:25 > 0:26:30- And down here, we could not resist calling you the Empress of Elegance. - I love that.
0:26:30 > 0:26:34Obviously, the mattress is very prominent. And then we created Cleopatra's lair.
0:26:34 > 0:26:38- Although it's all very period, there's a plasma TV.- I know. I just saw that.
0:26:38 > 0:26:41There's the laptop. There's a mobile phone. There's a camera.
0:26:41 > 0:26:43So, they're leading the modern life,
0:26:43 > 0:26:47and yet it's Cleopatra and Mark Anthony.
0:26:47 > 0:26:49They are one of the world's great pair of romantics.
0:26:49 > 0:26:53- Love "The world's great romances". - Me, too.- Very clever.
0:26:53 > 0:26:57Makes you look at a bed in more than one way.
0:26:57 > 0:27:01- This is beautiful and totally unexpected. Great. - Thank you very much.
0:27:01 > 0:27:02Just incredible.
0:27:04 > 0:27:07'We could tell, especially on Vera's face,'
0:27:07 > 0:27:10she was ecstatic about it. Bob loved it,
0:27:10 > 0:27:13'and that gave me a good feeling.'
0:27:13 > 0:27:15- One, two, three - Hydra! - All right, baby.
0:27:44 > 0:27:49Stephen, how did you find working with these very, very tough, smart, attractive women?
0:27:51 > 0:27:53Well, Mr Trump, it was a blessing for me.
0:27:53 > 0:27:57I just wanted to be in an environment that I thought would be
0:27:57 > 0:28:00- conducive and productive, and it was beyond that.- Better than Piers?
0:28:00 > 0:28:02Oh, there's no comparison.
0:28:02 > 0:28:05What did you think of the team without Stephen?
0:28:05 > 0:28:10Great. We had a winning mentality. We got over the fact that both the New York quitters had left us,
0:28:10 > 0:28:13and we were left with people who wanted to win.
0:28:13 > 0:28:17Piers is just not really socially adept to work with people who are not like him.
0:28:17 > 0:28:20He doesn't have tolerance, so he goes for very personal...
0:28:20 > 0:28:23- But he is very smart. - That's questionable.
0:28:23 > 0:28:29For four ugly blocks to take on some glamorous women and Omarosa in a challenge is not easy.
0:28:29 > 0:28:33And as far as I'm concerned, Mr Trump, this guy is a winner. This guy is a winner.
0:28:33 > 0:28:36He knows he's being fired, so he's trying to redeem himself.
0:28:36 > 0:28:38You're right about the guys,
0:28:38 > 0:28:40so let's leave it at that.
0:28:40 > 0:28:43How was Lennox as a Project Manager, Trace?
0:28:43 > 0:28:46He let everybody speak their piece and voice their opinions
0:28:46 > 0:28:50and come up with ideas, albeit maybe in a strange kind of way.
0:28:50 > 0:28:52Why strange?
0:28:52 > 0:28:57- Well, he wanted everybody to raise their hand, you know, before...- Before speaking?
0:28:57 > 0:29:01Piers, how did you feel about that?
0:29:01 > 0:29:03I felt he was treating me like a little child.
0:29:03 > 0:29:06He needs it because he's always talking over somebody
0:29:06 > 0:29:09or he interrupts people.
0:29:09 > 0:29:13I think it could be good leadership, tough leadership. Tough guy.
0:29:13 > 0:29:16- Do you think you won? - We are pretty confident, actually.
0:29:16 > 0:29:18We asked one specific question of Vera Wang -
0:29:18 > 0:29:21"What is your intention now, moving forward?"
0:29:21 > 0:29:23And they made it very clear to us that, actually,
0:29:23 > 0:29:27they were moving away from bridal stuff into a much wider range
0:29:27 > 0:29:31to appeal to all women based on romance.
0:29:32 > 0:29:35Nely, what did you think of Omarosa as a leader?
0:29:35 > 0:29:36I think Omarosa's a rock star,
0:29:36 > 0:29:39and I think as a team we really gel well together.
0:29:39 > 0:29:43- We finally have our mojo. - Don, what did you think? You went around. What did you think?
0:29:43 > 0:29:46The women definitely went with a more conservative approach.
0:29:46 > 0:29:50They played it safe going with the wedding motif, but, overall, they work well as a team.
0:29:50 > 0:29:55- George, what did you think? - Well, I saw primarily the men, and as soon as I saw the idea,
0:29:55 > 0:29:59I thought it was extremely creative. They were going at a timeless romance,
0:29:59 > 0:30:01Cleopatra and Mark Anthony.
0:30:01 > 0:30:04As far as creativity and as far as entertainment value,
0:30:04 > 0:30:05I thought it was great.
0:30:05 > 0:30:09- But it wasn't as beautiful. - No, it wasn't, but it certainly was eye-catching.
0:30:09 > 0:30:14Vera really liked what both of you did.
0:30:14 > 0:30:16She really understood what you both did.
0:30:16 > 0:30:20And it was very different - very, very different.
0:30:20 > 0:30:24But when we added Vera to the Serta executive...
0:30:26 > 0:30:30..the winner is Hydra.
0:30:30 > 0:30:31You've got to be kidding me.
0:30:31 > 0:30:34Congratulations, Hydra.
0:30:34 > 0:30:39Lennox, you'll be getting 20,000 for your favourite charity. What is that going to be?
0:30:39 > 0:30:40The Muhammad Ali Center.
0:30:40 > 0:30:42I love Muhammad Ali.
0:30:42 > 0:30:44OK. Go to the war room.
0:30:44 > 0:30:46Can I just extend, on behalf of Hydra, my commiserations
0:30:46 > 0:30:49to the other team
0:30:49 > 0:30:51and to say to Omarosa...
0:30:51 > 0:30:54well, bad luck. Better luck next time, yeah?
0:30:55 > 0:30:57Tough guy. Tough guy.
0:30:57 > 0:30:59No class at all.
0:30:59 > 0:31:04- Whoo! Sweet, baby.- Love it, baby. - Sweet. Whoo!
0:31:04 > 0:31:06ALL: One, two, three, Hydra!
0:31:09 > 0:31:11Losing is not good.
0:31:23 > 0:31:25So, Omarosa, the slaughter continues.
0:31:25 > 0:31:27I just...I'm shocked.
0:31:27 > 0:31:32- I'm absolutely shocked. - They both thought you did a good job, but they really thought
0:31:32 > 0:31:35- Hydra was fantastic.- I thought you guys could have it wrapped,
0:31:35 > 0:31:37being much more in the fashion world,
0:31:37 > 0:31:41much more elegant, perhaps, than the men, and thinking that way.
0:31:41 > 0:31:43We asked the same questions they asked about
0:31:43 > 0:31:45"This is where you've come from.
0:31:45 > 0:31:48"This is where you are. Where do you see yourself going?"
0:31:48 > 0:31:53And I thought, pretty much, she was saying... You know, she was all about,
0:31:53 > 0:31:56this is her bridal and this is where it came from...
0:31:56 > 0:31:59But you're also dealing with the people from Serta, not just Vera.
0:31:59 > 0:32:03Did you ask both of them, or did you only listen to Vera, because it's a partnership?
0:32:03 > 0:32:07We even put the Serta sheep in the window.
0:32:07 > 0:32:11But the Serta sheep in the window, I think you missed it. Vera is associated with marriage,
0:32:11 > 0:32:12with marriage gowns.
0:32:12 > 0:32:16What's creative about creating a marriage atmosphere?
0:32:16 > 0:32:19- It's not creative.- Right. Yeah. That's what I'm saying, baby.
0:32:19 > 0:32:21Who decided on the concept?
0:32:23 > 0:32:28Omarosa, when I met with you, you did say that it was your choice to go with the wedding concept.
0:32:28 > 0:32:31- It was, and I did sign off on that. - You get that now.
0:32:31 > 0:32:34Thinking about it, it was so standard, so typical,
0:32:34 > 0:32:36that maybe it's not that imaginative.
0:32:36 > 0:32:41The focus was very simple. One was creativity, which had to be different than that,
0:32:41 > 0:32:44and the other one was entertainment value. At this point,
0:32:44 > 0:32:47I didn't see any entertainment value in yours.
0:32:47 > 0:32:51Whereas I look at this point, I see a gladiator on a bed with Cleopatra.
0:32:51 > 0:32:53You stop and say, "Wow, what is that?"
0:32:53 > 0:32:56The other one, you don't, so it has two of the three factors.
0:32:56 > 0:32:59The other one, brand acceptance, I think you got,
0:32:59 > 0:33:03- but you missed two out of three. - Stephen, what would you do if you were me?
0:33:03 > 0:33:06I would base it on a task-by-task basis.
0:33:06 > 0:33:09But the past always enters in, and no matter how good we do
0:33:09 > 0:33:12and no matter how much we want to look at an individual task,
0:33:12 > 0:33:16- the past will always enter my decisions. - I thought the team was great.
0:33:16 > 0:33:18I thought the team worked amazingly.
0:33:18 > 0:33:22From the time I got there until the time we were finished, I think that
0:33:22 > 0:33:27the person whose performance was the most questionable was Marilu.
0:33:27 > 0:33:31- And why is that? - Marilu comes out of theatre.
0:33:31 > 0:33:36As a result, there's a lot of drama and energy, and she talks... And she's sometimes so...
0:33:36 > 0:33:40I haven't seen that much with Marilu. I've heard about it, but I haven't seen it.
0:33:40 > 0:33:45When she gets into the task, when she gets into the trenches, it is full speed. She's spitfire.
0:33:45 > 0:33:50- That's good.- But sometimes trying to communicate when she's in that mode is very difficult.
0:33:50 > 0:33:52You have a very, very tough job,
0:33:52 > 0:33:54because you're bringing back two people.
0:33:54 > 0:33:57I'm sitting here, Mr Trump, not even believing I have to do that.
0:33:57 > 0:34:00But I will tell you, before I have to make that decision,
0:34:00 > 0:34:02that by default, I have to bring Stephen in.
0:34:02 > 0:34:05He did not put in the whole day's work.
0:34:05 > 0:34:08It's not about performance or whatever, cos I didn't have a chance
0:34:08 > 0:34:11to measure his performance, because he came so late.
0:34:11 > 0:34:14In this case, it was because of religion,
0:34:14 > 0:34:16and that's, you know, neither here or there.
0:34:16 > 0:34:21But he didn't have anything to do with the decision that ultimately made you lose.
0:34:21 > 0:34:24You may be like our friend Gene, who kept on going.
0:34:24 > 0:34:27And Nely was the beneficiary of that, in all fairness.
0:34:27 > 0:34:30But, you know, Gene just didn't want to listen.
0:34:30 > 0:34:32I think that bringing Stephen back is a mistake,
0:34:32 > 0:34:34but it's also your decision.
0:34:34 > 0:34:37Can we just skip all of us going out and just sit here
0:34:37 > 0:34:40and stand united, because we worked hard as a unit?
0:34:40 > 0:34:45Can we just stand and face our judgment together as opposed to just two?
0:34:45 > 0:34:47I see you shaking your head, George.
0:34:47 > 0:34:51No. All life is tough decisions. Somebody has to go. Somebody has to stay.
0:34:51 > 0:34:54Who would you pick, Omarosa? Who would you pick to come back?
0:35:00 > 0:35:04I need a moment, and I know I don't have much time,
0:35:04 > 0:35:07- but I'm just asking for a moment. - PIERS: Oh, shut up, you great actress.
0:35:07 > 0:35:10Project leader's failed on two out of three counts.
0:35:10 > 0:35:15Omarosa - no creativity, no entertainment. She's got to go!
0:35:15 > 0:35:16Yeah. Yeah.
0:35:16 > 0:35:20OK. I know how to make a decision, Mr Trump.
0:35:20 > 0:35:22Who are you bringing back?
0:35:22 > 0:35:26I am bringing back Marilu...
0:35:26 > 0:35:29- and Nely.- OK. Very good.
0:35:30 > 0:35:33Then, Stephen and Carol, go back. Enjoy yourselves.
0:35:33 > 0:35:36You three, get out also, please.
0:35:36 > 0:35:39You'll come back in a little while. Somebody will be fired.
0:35:48 > 0:35:51- Don, what do you think? - I think it's a tough call.
0:35:51 > 0:35:55- I liked what they were doing when we were there, but, ultimately, they lost.- They did. George?
0:35:55 > 0:36:00I think a good part of it is Nely. As a television producer, she should have been strong enough
0:36:00 > 0:36:04to see that what they were producing is not what was wanted.
0:36:04 > 0:36:09I did the best I could. I can honestly say I did the best I could.
0:36:28 > 0:36:31So, ultimately, why did you decide on these two?
0:36:31 > 0:36:35I just wasn't getting the creative feedback that
0:36:35 > 0:36:39I needed from Nely on this task, and I was very surprised.
0:36:39 > 0:36:43And I decided on Marilu because she was responsible for
0:36:43 > 0:36:46a bit of the creatives, but mostly the vignettes and the performances.
0:36:46 > 0:36:49But, moreover, she served as a weakness on our team,
0:36:49 > 0:36:53in the sense that she was not able to clearly communicate her thoughts.
0:36:53 > 0:36:57In terms of communication, I am considered a great communicator.
0:36:57 > 0:37:01- I was in charge of construction... - But Stephen didn't feel you communicated well,
0:37:01 > 0:37:05and he didn't think of you as a great communicator. Why didn't he?
0:37:05 > 0:37:07- Omarosa, why didn't he? - She doesn't listen.
0:37:07 > 0:37:12It's not necessarily what you're saying, but taking the time to listen when somebody's trying to...
0:37:12 > 0:37:15- You're not the greatest listener in the world.- I've learned lessons.
0:37:15 > 0:37:18That's an interesting statement coming from her.
0:37:18 > 0:37:20- Could be a classic! - Definition of irony!
0:37:20 > 0:37:23Vera Wang is associated with weddings,
0:37:23 > 0:37:28and yet what you did here was not a departure from weddings. She wanted something creative.
0:37:28 > 0:37:33How can you have perfect marriage with weddings as being creative?
0:37:33 > 0:37:36I did turn to my team to guide me. And, as PM,
0:37:36 > 0:37:40- I did not...- Did Nely guide you? Did Marilu guide you?
0:37:40 > 0:37:43I did not get a strong creative feedback from Nely.
0:37:43 > 0:37:47We had... You know, we had these designers,
0:37:47 > 0:37:49and we had this and we had that.
0:37:49 > 0:37:51Maybe I needed more help on the creatives.
0:37:51 > 0:37:55Yeah. Maybe I helped you in a different direction than I should have.
0:37:55 > 0:37:59George had a statement before to me that was interesting. Go ahead, George.
0:37:59 > 0:38:02- You're a television producer. - Mm-hmm.
0:38:02 > 0:38:06Yet you let happen what happened when you could see that this was so far
0:38:06 > 0:38:09off the mark of creativity and entertainment value.
0:38:09 > 0:38:12There was only four of us - we had to pick what each of us could do.
0:38:12 > 0:38:15You see, I have a major problem.
0:38:15 > 0:38:20The one difficulty I have with Nely - maybe I'll make it two difficulties -
0:38:20 > 0:38:26number one, you really have more experience in this than probably even Marilu, wouldn't you say?
0:38:26 > 0:38:29You really have more experience than anybody in this.
0:38:29 > 0:38:34The other is that I believe, at least one of the two times,
0:38:34 > 0:38:39you probably should have been fired, maybe not both, but certainly one.
0:38:39 > 0:38:42I would like to say something. This really isn't about this task.
0:38:42 > 0:38:45I've never come into the boardroom except when I failed.
0:38:45 > 0:38:47When I failed, I told you I would take the bullet.
0:38:47 > 0:38:51- Then you got lucky twice. - Well, no. With all due respect, the first time...
0:38:51 > 0:38:53That doesn't mean you would have been fired.
0:38:53 > 0:38:57- No.- But I think you got lucky twice. - Well, with all due respect, Gene Simmons didn't
0:38:57 > 0:39:02bring me into this boardroom because he thought I was excellent, not because I'm lucky.
0:39:02 > 0:39:05That's very important for me, because you keep bringing it up,
0:39:05 > 0:39:08and I don't know why you haven't gotten over that.
0:39:09 > 0:39:14Gene Simmons made a critical mistake when he didn't bring you into the boardroom.
0:39:14 > 0:39:20- That's my opinion.- But not one of my team members has brought me into the boardroom before.
0:39:20 > 0:39:22I think you have to look at that.
0:39:22 > 0:39:25You have to look at that, and there has to be some justice in that.
0:39:25 > 0:39:30I don't understand why, you know, continually all this keeps coming up when...
0:39:30 > 0:39:34- I feel like I'm so much like you. - Because I always revert to the past.
0:39:34 > 0:39:37You always have to learn from the past.
0:39:37 > 0:39:43- Absolutely.- You know what? It doesn't matter. Nely, you're fired.- OK.
0:39:47 > 0:39:49- Get the hell out of here. - Thank you.
0:39:49 > 0:39:53And, Omarosa, you have to step up, because so far, I'll tell you,
0:39:53 > 0:39:56- you're not... I mean, Piers is killing you.- He is.
0:39:56 > 0:39:59He is killing you, and I'm a little surprised to see it.
0:40:51 > 0:40:55Donald Trump felt like other times other people took the bullet for me,
0:40:55 > 0:40:57this was my turn to take the bullet for other people.
0:40:57 > 0:40:59The charity I was playing for was Count Me In,
0:40:59 > 0:41:05which raises money for women entrepreneurs to start up their own companies. I'm on their board,
0:41:05 > 0:41:08and I will continue to raise money for them.
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0:41:29 > 0:41:31E-mail subtitling@bbc.co.uk