Job Interview

0:00:05 > 0:00:07It's coming down to the wire, as only two weeks remain

0:00:07 > 0:00:11in the fight to become the Celebrity Apprentice.

0:00:11 > 0:00:12I had colon cancer

0:00:12 > 0:00:16'and then decided that I needed to give something back.'

0:00:16 > 0:00:17Ohh!

0:00:17 > 0:00:19So far, the game has brought some together...

0:00:19 > 0:00:20How did Summer do?

0:00:20 > 0:00:24I cannot tell you how inspired I was by these people.

0:00:24 > 0:00:26You really love these people, don't you?

0:00:26 > 0:00:28..and torn others apart.

0:00:28 > 0:00:29You don't like Curtis very much.

0:00:29 > 0:00:30Not a lot.

0:00:30 > 0:00:31Why?

0:00:31 > 0:00:33He's just too smug for me.

0:00:33 > 0:00:35I do agree with Sharon.

0:00:35 > 0:00:38I look at him and I'm like, "I want to punch you!"

0:00:38 > 0:00:41And at times, the pressure has been too much to take.

0:00:43 > 0:00:47Sharon's been sick, and she missed my entire task.

0:00:47 > 0:00:50It takes a lot of wear and tear on you, and I was totally exhausted.

0:00:50 > 0:00:52Darryl, do you want to be fired?

0:00:52 > 0:00:53Yes.

0:00:53 > 0:00:55All right. Darryl, you're fired.

0:00:55 > 0:00:58So far, eight celebrities have been fired.

0:00:58 > 0:01:00You're fired! You're fired! You're fired.

0:01:00 > 0:01:02And only six remain.

0:01:02 > 0:01:06Last week, the remaining celebrities were tasked with refurbishing

0:01:06 > 0:01:07a corporate apartment.

0:01:07 > 0:01:09You're going to paint it, you're going to furnish it,

0:01:09 > 0:01:11you're going to make it look beautiful.

0:01:11 > 0:01:14And Mr Trump mixed up the teams again,

0:01:14 > 0:01:17sending Curtis Stone into enemy territory.

0:01:17 > 0:01:19- Oh, no!- Curtis, get over there. - Oh, please!

0:01:19 > 0:01:21Bret, you're going to the other team.

0:01:21 > 0:01:22'Pretty boy Curtis...'

0:01:22 > 0:01:25I thought he was smug from the beginning.

0:01:25 > 0:01:29On Tenacity, reluctant project manager Holly Robinson Peete

0:01:29 > 0:01:31went for an exotic theme...

0:01:31 > 0:01:33This is looking really good in here, you guys.

0:01:33 > 0:01:38..And tasked Cyndi to add her Lauper touch to the celebrity-themed room.

0:01:38 > 0:01:40You say you want red, then pick a red.

0:01:40 > 0:01:42I thought Cyndi would be perfect for this.

0:01:42 > 0:01:43On Rock Solid,

0:01:43 > 0:01:47project manager Sharon Osbourne went with a contemporary look.

0:01:47 > 0:01:50This is a good bed. It's got storage underneath.

0:01:50 > 0:01:51'I wanted modern because...'

0:01:51 > 0:01:53it's non-offensive.

0:01:53 > 0:01:57At the presentation, the judges were wowed by Cyndi's celebrity room...

0:01:57 > 0:02:00- Nice with the patent leather.- Yes.

0:02:00 > 0:02:02..and loved Sharon's modern approach.

0:02:02 > 0:02:05We wanted to keep it clean lines.

0:02:05 > 0:02:06But in the end,

0:02:06 > 0:02:10it was Sharon's overall makeover that put her on top.

0:02:10 > 0:02:12They thought Rock Solid was fantastic.

0:02:12 > 0:02:14Oh! Dear God!

0:02:14 > 0:02:16In the hot seat, Holly turned on Cyndi.

0:02:16 > 0:02:20Should I fire Cyndi or should I fire you, Holly?

0:02:20 > 0:02:22I think you've got to fire Cyndi.

0:02:22 > 0:02:24But when Mr Trump gave Cyndi an out...

0:02:24 > 0:02:26You came up with the best room of everybody.

0:02:26 > 0:02:29No! She said, "Paint the room red."

0:02:29 > 0:02:31Wait, you're saying that SHE said to paint it red?

0:02:31 > 0:02:33She said she wanted a red room.

0:02:33 > 0:02:35..Cyndi made a tactical error.

0:02:35 > 0:02:39Why did you bring up the fact that it was Holly's idea?

0:02:39 > 0:02:40Because it was true!

0:02:40 > 0:02:42OK. Cyndi, you're fired.

0:03:02 > 0:03:04All right. Who do you say?

0:03:04 > 0:03:06He's going to fire Holly.

0:03:06 > 0:03:08He can't let her go.

0:03:08 > 0:03:10She's a ferocious competitor.

0:03:10 > 0:03:12- I think Cyndi.- Do you?- Yeah.

0:03:12 > 0:03:14I think he fired Cyndi.

0:03:14 > 0:03:16Someone's about to come through.

0:03:18 > 0:03:20- Yes!- Yay!- Yes!

0:03:20 > 0:03:22SHE LAUGHS

0:03:22 > 0:03:24'I hated that Cyndi had to go...'

0:03:24 > 0:03:27but I felt she was sort of a loose cannon for a while now.

0:03:27 > 0:03:30- Who did I fight to paint that room red?- You said, "Red."

0:03:30 > 0:03:32She did not want to paint it red.

0:03:32 > 0:03:34She's like, "She has to have a red room!"

0:03:34 > 0:03:36And so they said, "Hold on, wait a second.

0:03:36 > 0:03:40- "I thought the red room was all your idea!"- Oh no!

0:03:40 > 0:03:42'So I felt bad that I had to be so...'

0:03:42 > 0:03:44brutally honest in the boardroom about Cyndi.

0:03:44 > 0:03:46'But in the end, I was sad to see Cyndi go,'

0:03:46 > 0:03:48but I felt it was the right decision.

0:03:48 > 0:03:50- I just got 40 grand!- Yes, you did!

0:03:50 > 0:03:51I know!

0:03:53 > 0:03:54Oww-oww!

0:03:56 > 0:03:58My favourite bra ever!

0:04:01 > 0:04:04'Sharon was letting loose. We might have started off a little rocky,

0:04:04 > 0:04:07'but I've really grown to connect with Sharon.'

0:04:07 > 0:04:09And she's so passionate about her charity.

0:04:09 > 0:04:12So I wanted to see her in the finals.

0:04:12 > 0:04:15- Whatever pills you're on, Sharon, I want some!- Oh, my God!

0:04:18 > 0:04:20PHONE RINGS

0:04:20 > 0:04:22'Me and Sharon were celebrating.'

0:04:22 > 0:04:24We were partying. We're like, "Woo! We made it!"

0:04:24 > 0:04:27'The next thing you know, it got silent.'

0:04:27 > 0:04:28Hello?

0:04:28 > 0:04:29Hi, yes.

0:04:29 > 0:04:32We need you all to head back into the boardroom now.

0:04:32 > 0:04:34OK. We will all come back directional.

0:04:34 > 0:04:37Oh, that's not good for me. So folks...

0:04:37 > 0:04:39Cheers, Holly! Cheers!

0:04:39 > 0:04:40'Donald Trump threw me for a loop.'

0:04:40 > 0:04:43It was strange, man. I didn't know what he was going to do.

0:04:43 > 0:04:45Somebody's going.

0:04:45 > 0:04:49Oh, jeez, Curtis! You're always in the bath! Don't do a deuce, Curtis!

0:04:49 > 0:04:52- You nutter!- What do you think? - I think somebody's going.- Yeah.

0:04:52 > 0:04:53No deucing us!

0:04:53 > 0:04:55I absolutely think somebody's going.

0:04:55 > 0:04:57- Nooo!- Yup.

0:04:57 > 0:04:59Ugh! Stress.

0:04:59 > 0:05:00All right. We're all going back in.

0:05:07 > 0:05:11# Money, money, money, money

0:05:11 > 0:05:12# Money

0:05:12 > 0:05:15# Money, money, money, money

0:05:15 > 0:05:16# Money

0:05:16 > 0:05:19# Some people got to have it

0:05:22 > 0:05:25# Some people really need it

0:05:25 > 0:05:26# Listen to me, y'all

0:05:26 > 0:05:29# Do things, do things, do things

0:05:29 > 0:05:31# Bad things with it

0:05:34 > 0:05:35# Dollar bills, y'all

0:05:35 > 0:05:40# For that lean, old, mean

0:05:40 > 0:05:42# Mean green

0:05:42 > 0:05:45# Almighty dollar, money

0:05:45 > 0:05:47# I know that money

0:05:48 > 0:05:49# Give me a nickel

0:05:49 > 0:05:52# Brother, can you spare a dime?

0:05:54 > 0:05:58# Money can drive some people Out of their minds

0:06:01 > 0:06:02# No good, no good

0:06:02 > 0:06:03# Money

0:06:03 > 0:06:05# Money, money, money, money

0:06:07 > 0:06:08# Money. #

0:06:29 > 0:06:31Congratulations. You're the final five.

0:06:31 > 0:06:33That really is a great achievement.

0:06:33 > 0:06:36You've handled pressure, you've raised a lot of money for

0:06:36 > 0:06:37your charities.

0:06:37 > 0:06:42So, really, you are to be congratulated. Great job.

0:06:43 > 0:06:47That being said, I'm going to fire somebody right now.

0:06:50 > 0:06:54And the remaining four will be interviewed by Joan Rivers,

0:06:54 > 0:06:58my Celebrity Apprentice, and Bill Rancic, who was my number one

0:06:58 > 0:07:00Apprentice from the first show.

0:07:00 > 0:07:02Then, I'm going to fire two more people.

0:07:04 > 0:07:07So, we're going to end up then, after tonight,

0:07:07 > 0:07:09with two people who will

0:07:09 > 0:07:13go head-to-head in the final task to become the Celebrity Apprentice.

0:07:15 > 0:07:17All right. We want to start talking right now.

0:07:17 > 0:07:19Holly, why shouldn't I fire you?

0:07:21 > 0:07:24Because I'm focused, I'm dedicated, I'm committed to this.

0:07:24 > 0:07:27I've been in every task, and I've put in a lot of sweat equity

0:07:27 > 0:07:30for all of the other project managers I've worked for.

0:07:30 > 0:07:33Bret, why should I not fire you?

0:07:33 > 0:07:37You shouldn't fire me because I work hard, I'm bringing everything I got.

0:07:37 > 0:07:40I'm extremely passionate. I am diabetic, I live with it.

0:07:40 > 0:07:41And my charity chose me.

0:07:45 > 0:07:47Curtis, you're the most low-key of the group.

0:07:47 > 0:07:49Why shouldn't you be fired?

0:07:50 > 0:07:52Cos I'm a natural leader, Mr Trump.

0:07:52 > 0:07:55I travelled when I was 21-years-old and started working

0:07:55 > 0:07:57in a restaurant for a guy that... I loved his work.

0:07:57 > 0:08:00- A few years later, I was running his empire.- Why are you smirking, Maria?

0:08:00 > 0:08:03- Because I think we all... - You're just like, "Give me a break!"

0:08:03 > 0:08:06I think we all started very young, fighting for our dream.

0:08:06 > 0:08:10So that's the only reason why I smirked when he said, "21."

0:08:10 > 0:08:13I started modelling when I was 15.

0:08:13 > 0:08:15Maria, should you be fired?

0:08:15 > 0:08:18No, not at all. I'm not afraid of getting my hands dirty.

0:08:18 > 0:08:20I'm not afraid of putting the work in, lifting stuff,

0:08:20 > 0:08:23calling out and reaching out to my contacts.

0:08:23 > 0:08:26And there are some people that I still expect a little dough from.

0:08:26 > 0:08:30So I would like to, you know, put a little pressure on them as well.

0:08:30 > 0:08:32So I just want to keep fighting.

0:08:35 > 0:08:37- Who's our weakest player, Holly? - Weakest?

0:08:37 > 0:08:40At the table, right now. Who's our weakest player?

0:08:46 > 0:08:48Umm...

0:08:48 > 0:08:52I'd only say Maria because Maria, I think, is the player

0:08:52 > 0:08:56- that comes from the least purest place sometimes.- What does that mean?

0:08:56 > 0:08:58- I mean that sometimes... - That's a hell of a statement!

0:08:58 > 0:09:01- I know! I went a long way to get... - What does that mean?

0:09:01 > 0:09:02Wow! OK.

0:09:02 > 0:09:04- I'm just saying that sometimes... - Maria, that's a biggie!

0:09:04 > 0:09:07No, no. I'm just saying that sometimes, I've seen in the boardroom

0:09:07 > 0:09:08Maria stick up for herself

0:09:08 > 0:09:11at the expense of someone else, just to do it.

0:09:11 > 0:09:13Just to say it, without any provocation or anything.

0:09:13 > 0:09:14So I think that's a weakness.

0:09:14 > 0:09:17Does that make her weak or does she have a survival instinct

0:09:17 > 0:09:19- that maybe other people lack? - In my eyes, it's a weakness.

0:09:19 > 0:09:22In my eyes, there are other ways you can do it with integrity.

0:09:22 > 0:09:23Maria, respond to that, please.

0:09:23 > 0:09:25I never say anything that isn't supported.

0:09:25 > 0:09:27There is support between everything I say.

0:09:27 > 0:09:30What do you think of Holly?

0:09:30 > 0:09:31Um...

0:09:31 > 0:09:35I think she's had a rough... a rough life as a mother.

0:09:35 > 0:09:38And I completely understand where she comes from in a lot of ways,

0:09:38 > 0:09:40because of the fact she does have an autistic child.

0:09:40 > 0:09:43I think that's a nice statement and probably a true statement.

0:09:43 > 0:09:45- It's a very true statement. - It's tough.

0:09:45 > 0:09:47- Definitely.- The autism thing is a tough thing.

0:09:47 > 0:09:49It's devastating. There's an 80% divorce rate,

0:09:49 > 0:09:50and there's a reason for that.

0:09:50 > 0:09:52- It's rough. - It definitely thickened my skin.

0:09:52 > 0:09:56- I've known so many people, it's just been brutal.- Yeah.- Yeah.

0:09:56 > 0:09:58- So you can understand it?- Of course.

0:10:00 > 0:10:02My Sharon,

0:10:02 > 0:10:04you've all gotten to know each other very well.

0:10:04 > 0:10:05Yeah.

0:10:05 > 0:10:09Who do you think is not the strongest player at this table?

0:10:09 > 0:10:10- In what category?- In every category.

0:10:10 > 0:10:12- In what category? - Overall category. Life.

0:10:12 > 0:10:14- Everything you've done so far. - Substance.

0:10:14 > 0:10:18If you took a blend of all of it, who's the weakest player?

0:10:20 > 0:10:22You know who that person is. You just have to.

0:10:22 > 0:10:23- Honestly, Ivanka... - I can't believe it.

0:10:23 > 0:10:25I honestly can't put anybody on the line.

0:10:25 > 0:10:27Sharon, in your world, in your business as a music

0:10:27 > 0:10:30manager and a talent manager, you'd be able to do this in

0:10:30 > 0:10:32a second and give an answer. I mean, to me, it's almost

0:10:32 > 0:10:34as though there's a lot of weakness coming from you that you

0:10:34 > 0:10:37can't say one of these people is worse than the other.

0:10:37 > 0:10:39- I mean, that's a major problem. - Oh!- BLEEP- it, then! Maria.

0:10:41 > 0:10:44- But is that just arbitrary because I just said that, or is it...- No!

0:10:44 > 0:10:46I mean, what's the logic behind it?

0:10:46 > 0:10:50That's it! That's it! Because she's young. She's so enthusiastic.

0:10:50 > 0:10:51She's so driven.

0:10:51 > 0:10:54- And she's, like... bl-bl-bl-bl! - What do you think of Holly?

0:10:55 > 0:10:57Holly's a toughie because...

0:10:57 > 0:10:59She's tough.

0:10:59 > 0:11:02She's tough because she's good.

0:11:02 > 0:11:05She's good at everything she does.

0:11:05 > 0:11:09And Holly has a heart this big.

0:11:09 > 0:11:13And there is nothing like a mother fighting for your child.

0:11:13 > 0:11:18You're a lioness. She's a lioness. I've had cancer and survived.

0:11:18 > 0:11:20I saw people die beside me.

0:11:21 > 0:11:26But that, to me, still cannot compete with Holly looking at

0:11:26 > 0:11:28her child every day.

0:11:29 > 0:11:32- You cannot compete with that passion. - Can you compete with that?

0:11:32 > 0:11:34- Nobody can. - Will you be able to beat Holly?

0:11:37 > 0:11:39I don't know whether I want to.

0:11:47 > 0:11:49Sharon, you said you didn't want to beat Holly.

0:11:49 > 0:11:51What does that mean, "You didn't want to beat her"?

0:11:51 > 0:11:55No, I said, "I don't know that I do," because being a mother,

0:11:55 > 0:11:58I don't know what I'd do if I had a child that wasn't well.

0:11:58 > 0:12:01I don't know what I would do. It's devastating.

0:12:01 > 0:12:04It's just... It's taken over Holly's life.

0:12:04 > 0:12:09And I don't know whether I would want to take that away from her.

0:12:09 > 0:12:12I don't know whether I have the right to take that away from her.

0:12:14 > 0:12:16But everyone's charity has great merit.

0:12:16 > 0:12:20- It does!- And they each mean something to you differently and personally.

0:12:20 > 0:12:21And as I say, you know...

0:12:21 > 0:12:24And it's amazing what Holly has done to date, but it doesn't mean

0:12:24 > 0:12:26that you shouldn't be fighting for your charity as well.

0:12:26 > 0:12:28And I am. I am. I'm fighting for people.

0:12:28 > 0:12:30As I said, I saw people die.

0:12:31 > 0:12:35And, um, you know, we've all spent a long, long time together here.

0:12:35 > 0:12:37And here you are.

0:12:37 > 0:12:39We all know each other. And here we are.

0:12:39 > 0:12:41- And do I have the right... - It's a long time.

0:12:41 > 0:12:44- It's a long journey. It's not easy. - It's been a long journey.

0:12:44 > 0:12:46People have no idea how tough this is.

0:12:46 > 0:12:48- No, they don't.- It's a long ride.

0:12:48 > 0:12:50And you should all be very proud of yourselves.

0:12:56 > 0:13:00So, Curtis, who's the weakest player at the table right now?

0:13:00 > 0:13:01Maria is.

0:13:01 > 0:13:04You think Maria? Well, there goes THAT relationship!

0:13:04 > 0:13:07You're just jumping on the bandwagon. That's OK.

0:13:07 > 0:13:10- I'm not jumping on the bandwagon. - You think Maria is?- Absolutely.- Why?

0:13:10 > 0:13:13She made some unfounded comments about me last week in the boardroom.

0:13:13 > 0:13:14And you haven't forgotten it?

0:13:14 > 0:13:17- But so did Sharon!- Of course I haven't forgotten it.

0:13:17 > 0:13:18You don't just forget.

0:13:18 > 0:13:20You don't say, "Oh, gee! Now we're friends. We won a task."

0:13:20 > 0:13:23And it was founded. The reason why I said that you were so arrogant is

0:13:23 > 0:13:27because you came in our dressing room and you took a crap

0:13:27 > 0:13:29and left the stench in the room!

0:13:29 > 0:13:32So that is the whole purpose of why I was upset!

0:13:32 > 0:13:35- That's not exactly true.- It wasn't your room!- That's pretty gross!

0:13:35 > 0:13:37- It wasn't your place to go! - Why is that arrogant, though?

0:13:37 > 0:13:41It was complete... "Oh, like, this is my room, so I can do this

0:13:41 > 0:13:43"wherever I want to!"

0:13:43 > 0:13:46So, I mean, that was the whole thing!

0:13:46 > 0:13:48I mean, it was completely founded.

0:13:48 > 0:13:50- That is so random! - We don't need to go there.

0:13:50 > 0:13:51That is so random.

0:13:51 > 0:13:52We don't need to go there.

0:13:52 > 0:13:56That's a little bit random, don't you think, as Holly would say?

0:13:56 > 0:13:59Isn't that a little bit random, that statement? That's pretty tough.

0:13:59 > 0:14:01I think it's a good depiction of your character.

0:14:01 > 0:14:03It's a little bit below the belt, which, I think...

0:14:03 > 0:14:05That is a little below the belt, Maria.

0:14:05 > 0:14:07That's how you play the game.

0:14:07 > 0:14:09That's a tough one.

0:14:09 > 0:14:10That's a tough one.

0:14:14 > 0:14:18Maria, do you sort of regret having said that?

0:14:18 > 0:14:21He said it was unfounded. It was unfounded. There was a reason.

0:14:21 > 0:14:23Did I say it in the last boardroom? No.

0:14:23 > 0:14:26I just said that I thought it was a little arrogant to come into

0:14:26 > 0:14:28our room and do that. But I...

0:14:28 > 0:14:31- That's a little gross, right? - I don't regret anything.

0:14:31 > 0:14:33Isn't it sort of gross, though, bringing that up?

0:14:35 > 0:14:36That's, like, disgusting.

0:14:38 > 0:14:42This is my boardroom. It's not a locker room.

0:14:42 > 0:14:44Maria, you're fired.

0:14:51 > 0:14:53Thank you for the opportunity.

0:14:54 > 0:14:55Very nice to meet you.

0:15:06 > 0:15:09'This experience that I've had on Celebrity Apprentice...'

0:15:09 > 0:15:12was amazing up until ten minutes of it.

0:15:13 > 0:15:15Ten minutes, that's it.

0:15:15 > 0:15:18'It wasn't even like, "Oh, well, you screwed up a task."'

0:15:18 > 0:15:22It was like, "Oh, I didn't like your comment." Just...

0:15:22 > 0:15:24It's laughable.

0:15:29 > 0:15:30OK.

0:15:30 > 0:15:34Your interviews with Joan and Bill will be very important to me.

0:15:34 > 0:15:37I'll listen carefully to what they say.

0:15:37 > 0:15:39Then I'll make up my mind.

0:15:39 > 0:15:41Two more of you will be fired.

0:15:46 > 0:15:48The four of you wait outside. Thank you very much.

0:15:48 > 0:15:51- Thank you.- Thank you very much.

0:16:00 > 0:16:01It's a great group.

0:16:01 > 0:16:03- It is a great group. - Yeah, a really solid group.

0:16:03 > 0:16:06Glad to see the emotion finally come out of all of them.

0:16:09 > 0:16:11Thank you, Curtis.

0:16:11 > 0:16:13- Wooo!- Wow!

0:16:13 > 0:16:16'At this point, this is all in our hands.'

0:16:16 > 0:16:19So I felt really good about the opportunity to try to sell

0:16:19 > 0:16:21myself to Bill and to Joan.

0:16:21 > 0:16:23Yeah, congratulations, everybody.

0:16:23 > 0:16:24Wow!

0:16:25 > 0:16:28I was like, "What if these interviews go real bad for me?"

0:16:28 > 0:16:30My demise could be a bad interview.

0:16:30 > 0:16:32'And I was feeling pretty beat up.

0:16:32 > 0:16:36He makes a decision, we go back in, and bam!

0:16:37 > 0:16:39Curtis, they're ready for you.

0:16:39 > 0:16:40Oh.

0:16:41 > 0:16:44I guess, in this game, your neck's always on the line.

0:16:44 > 0:16:47'But I'm going to keep focused and play it exactly how I always have.

0:16:47 > 0:16:49'Be very honest and be a straight-shooter.

0:16:49 > 0:16:52'And tell Joan and Bill anything they want to know about.'

0:16:52 > 0:16:54- Go get them, Curtis!- Thanks, guys.

0:17:05 > 0:17:08- Hello, Joan. Hello, Bill. - Good to see you.

0:17:10 > 0:17:12So, Joan, what do you think of this guy?

0:17:12 > 0:17:15You know, before we did Celebrity, we did regular Apprentice.

0:17:15 > 0:17:17- Very smart.- And it became the number one show on television.

0:17:17 > 0:17:19It was a monster! Good man?

0:17:19 > 0:17:20- Very smart.- Yeah.

0:17:20 > 0:17:23So what do you think of our ensemble?

0:17:24 > 0:17:25Great group.

0:17:25 > 0:17:27Tell me about Curtis.

0:17:27 > 0:17:29- Curtis, I think... - Women like him, Joan.

0:17:29 > 0:17:31- Women like him but... - Good-looking guy.

0:17:31 > 0:17:33Yeah, but he's riding on it.

0:17:33 > 0:17:35You've known lots of guys like that over the years?

0:17:35 > 0:17:37Oh, I've known a lot of guys that walk past me like that.

0:17:37 > 0:17:40I think the one thing that you'll be able to identify with Curtis is

0:17:40 > 0:17:42the guy knows how to build a brand.

0:17:42 > 0:17:45And you know better than anyone how important that is.

0:17:45 > 0:17:48I guess my question is, why are you here?

0:17:48 > 0:17:50Bill, I work with Feeding America, and have done for quite a while.

0:17:50 > 0:17:52I'm super passionate about the charity.

0:17:52 > 0:17:56They have food banks, and shelters where they cook for the homeless...

0:17:56 > 0:17:58That's a canned answer. Why should you be here?

0:17:58 > 0:18:00I should be here cos I'm a natural leader. I've done it all my life.

0:18:00 > 0:18:03When you run busy kitchens, you're dealing with chefs from

0:18:03 > 0:18:04all walks of life.

0:18:04 > 0:18:07You know, front-of-house staff and different nationalities.

0:18:07 > 0:18:10You've really got to know how to harness people's energy.

0:18:10 > 0:18:12You've only stepped up as project manager once.

0:18:12 > 0:18:16- And, to me, I've got to say that raises a red flag.- Sure.

0:18:16 > 0:18:18You know, it's a little weak.

0:18:18 > 0:18:21Yup, I understand that. Look, everything I've done, we've won.

0:18:21 > 0:18:23- And then this last one... - Well, you've only done one.

0:18:23 > 0:18:25- Yeah, that's right. - You know, that's going to come up.

0:18:25 > 0:18:29Of course, my goal of being here is to raise money for Feeding America.

0:18:29 > 0:18:33It doesn't hurt to sell some pots and pans and, you know, cookware.

0:18:33 > 0:18:34Of course.

0:18:34 > 0:18:37One of the major reasons that everyone comes onto this show

0:18:37 > 0:18:39is to carry on building their profile, so that they can

0:18:39 > 0:18:41increase their business potential.

0:18:41 > 0:18:43Why should you win?

0:18:43 > 0:18:46I should win because I'm so passionate about Feeding America.

0:18:46 > 0:18:49But never mind the charity. Why should YOU win?

0:18:49 > 0:18:51Because I'm the best leader.

0:18:51 > 0:18:55Why did you defer to Bret so much?

0:18:55 > 0:18:58Um, look, Bret's a real... He takes a long time to make a decision.

0:18:58 > 0:19:01And he sidetracks himself. He gets sidetracked over the sidetrack.

0:19:01 > 0:19:04So what I'd do with Bret was I'd give him a creative challenge,

0:19:04 > 0:19:07and I'd set him off in that road because that way I got real,

0:19:07 > 0:19:09tangible stuff from Bret.

0:19:09 > 0:19:11And because a lot of these challenges are about

0:19:11 > 0:19:14creativity, he really shone because I think I harnessed his

0:19:14 > 0:19:15energy really well.

0:19:15 > 0:19:17Who did you dislike the most?

0:19:17 > 0:19:19Maria. Maria.

0:19:19 > 0:19:21She'll not be on your Christmas card list?

0:19:21 > 0:19:22She won't be on my Christmas card list!

0:19:22 > 0:19:24What would you serve Maria for dinner?

0:19:24 > 0:19:27Well, first, I'd make Maria use my bathroom because

0:19:27 > 0:19:29I'd like to show her that I have a clean, nice-smelling

0:19:29 > 0:19:30toilet at home!

0:19:30 > 0:19:32- SHE LAUGHS - OK.

0:19:32 > 0:19:35He's very secure in what he does.

0:19:35 > 0:19:38And I'm sure what he does is brilliant. He's also very limited.

0:19:38 > 0:19:41- Yeah, he's a one-trick pony. - You think?

0:19:41 > 0:19:42I'm sure he's a very nice guy.

0:19:42 > 0:19:45But I don't think he's got what it takes.

0:19:45 > 0:19:47What about Sharon, Joan?

0:19:47 > 0:19:49I just think Sharon wants this more,

0:19:49 > 0:19:52probably, than anything she's ever wanted in her life.

0:19:52 > 0:19:54I think she's out of gas.

0:19:54 > 0:19:56I don't think she can go the distance to bring this thing home

0:19:56 > 0:19:59and to deliver a finale.

0:20:00 > 0:20:02- How are you doing? - Oh, really good.- Yeah?

0:20:02 > 0:20:05I hear you've been sick for a good chunk of it.

0:20:05 > 0:20:09- That's been the saga of this whole thing.- That's tough.

0:20:09 > 0:20:12The finale, as you know, is brutal.

0:20:12 > 0:20:15Are you up to the task, and is it fair to the others?

0:20:16 > 0:20:18- Of course I can handle it. - But you've been sick.

0:20:18 > 0:20:20Yeah, but I died and came back to life.

0:20:20 > 0:20:26So if I can handle two years fighting cancer, I can handle this.

0:20:26 > 0:20:29So, that's why you think you should be here now?

0:20:30 > 0:20:34You know, I haven't been able to pull my weight,

0:20:34 > 0:20:36but somehow...

0:20:36 > 0:20:40I don't know if I stayed under the radar or just...

0:20:40 > 0:20:41- I'm here.- You're here.

0:20:41 > 0:20:46- So I can't complain.- But you clearly haven't raised the most money.

0:20:46 > 0:20:50I deserve to be here as much as anyone else.

0:20:50 > 0:20:53Are you a fighter, though, in the competition sense?

0:20:53 > 0:20:54I know you're a fighter...

0:20:54 > 0:20:56In my entire life, nobody has given me anything.

0:20:56 > 0:20:58I've had to fight for everything.

0:20:58 > 0:21:02And I love it because I owe nobody a damn thing.

0:21:04 > 0:21:08You said something in the boardroom that I think is very interesting.

0:21:08 > 0:21:11You said, "I wouldn't want to win over Holly."

0:21:11 > 0:21:16- What if it's you and Holly? - I wouldn't feel, um...

0:21:20 > 0:21:22- It's just that...- Yeah.

0:21:22 > 0:21:25..when she's doing it for her child...

0:21:26 > 0:21:28- ..it just...- No, I get...

0:21:29 > 0:21:31Sweetheart, I get it.

0:21:31 > 0:21:34I never thought that I would be here anyway

0:21:34 > 0:21:37because I thought that I was the big shot that could start a charity

0:21:37 > 0:21:41and it'd be like Elton's, that everybody would want to be throwing

0:21:41 > 0:21:45- money at me, but nobody gives a- BLEEP- about anybody's colon

0:21:45 > 0:21:48cos it's up your arse and nobody cares, it's not sexy.

0:21:49 > 0:21:52I made a deal,

0:21:52 > 0:21:57- that I would give back and I haven't done very- BLEEP- well so far

0:21:57 > 0:22:01and if I can bring attention about this cancer,

0:22:01 > 0:22:03then I've...

0:22:05 > 0:22:09..I've made my part of the deal, you know?

0:22:09 > 0:22:10Right, right.

0:22:10 > 0:22:13I couldn't even think of a colour for a ribbon, Joan.

0:22:14 > 0:22:17- Unfortunately, you could.- Anyway...

0:22:17 > 0:22:21Sharon Osbourne didn't take care of her husband's career,

0:22:21 > 0:22:24and her kids' career, and decide she wanted a career

0:22:24 > 0:22:28and got one at her age, by being wishy-washy.

0:22:28 > 0:22:31- That tells you something. - She's a very tough lady.- I agree.

0:22:31 > 0:22:33She's tough and sweet.

0:22:33 > 0:22:36- It's been very tough for her. - It's tough for her.

0:22:38 > 0:22:41How do you think this cast compares to your cast last year?

0:22:41 > 0:22:44- Not as volatile.- Without a doubt.

0:22:44 > 0:22:48They've all been very capable, very smart. Really good players.

0:22:48 > 0:22:50What do you think of Bret?

0:22:50 > 0:22:54I don't know, he's got that fire in his belly, he's got the passion.

0:22:54 > 0:22:55And he was up front.

0:22:55 > 0:22:57He owned up and said, "I made mistakes."

0:22:57 > 0:23:00I like that in someone. I think that says a lot about who they are

0:23:00 > 0:23:01as a person and their character.

0:23:01 > 0:23:04You're in the final four, which I think is a great accomplishment.

0:23:04 > 0:23:07Some of your team-mates may have accused you of being a little

0:23:07 > 0:23:09scattered, not being able to focus.

0:23:09 > 0:23:12Are you going to be able to kind of focus in

0:23:12 > 0:23:15- and hone in on what you need to do? - Absolutely.

0:23:15 > 0:23:17There's one side of me that is completely,

0:23:17 > 0:23:20100% this creative person.

0:23:20 > 0:23:23There's another side of me that is absolutely driven to succeed, right?

0:23:23 > 0:23:27I've been a human pin-cushion with over 250,000 injections

0:23:27 > 0:23:31in my body since I was six years old. That can boil the blood sometimes.

0:23:31 > 0:23:33And I am here for one reason,

0:23:33 > 0:23:36so that somebody else won't have to go through what I go through.

0:23:36 > 0:23:41One of the things Mr Trump's looking for is a leader who's agile,

0:23:41 > 0:23:45and someone who can change up the game plan along the way.

0:23:45 > 0:23:48How have you been agile in this competition?

0:23:48 > 0:23:50I roll with every punch you give me.

0:23:50 > 0:23:52I have lived a life of ups and downs and sideways

0:23:52 > 0:23:57and you've got to roll with the punches and also field the ball.

0:23:57 > 0:24:00The fact that that ball comes at you 18 zillion different ways

0:24:00 > 0:24:04and I've been able to field them all and manage a career for 22 years

0:24:04 > 0:24:07in which I've signed every cheque, I can get it done.

0:24:07 > 0:24:08- So, you don't just show up?- No.

0:24:08 > 0:24:11I've found that the harder I worked, the luckier I got.

0:24:11 > 0:24:16How did you apply what you learnt from the longevity

0:24:16 > 0:24:18in your career into what you just did here?

0:24:18 > 0:24:22My whole entire life has been about two things - about focusing

0:24:22 > 0:24:25and finishing on getting done, taking care of my business

0:24:25 > 0:24:27so I can take care of my passion.

0:24:27 > 0:24:29What were the weaknesses you found out about yourself?

0:24:29 > 0:24:34One of my weaknesses is I live on musician and/or rock-star time.

0:24:34 > 0:24:36- Time was like something you just didn't get?- Yes.

0:24:36 > 0:24:40I've been my own boss since I've been 18, 19 years old,

0:24:40 > 0:24:44for better or worse. But strong. I could occasionally be a little late.

0:24:44 > 0:24:47And it's not because I want to be, I know I need to do this

0:24:47 > 0:24:49but I was running on the first week on one hour's sleep.

0:24:49 > 0:24:52- That's how I started this. - Everyone says how nice you are.

0:24:52 > 0:24:54How nice you are.

0:24:54 > 0:24:56Do you think you can? Don't you have to be a fighter?

0:24:56 > 0:24:59- Don't you have to be tough? - I am extremely tough.

0:24:59 > 0:25:02- How? You haven't shown it yet. - Here's how.

0:25:02 > 0:25:04Don't ever mistake my kindness for weakness.

0:25:04 > 0:25:07I've found in my life, I have gotten way more bees with honey

0:25:07 > 0:25:11than vinegar and I genuinely like people, I'm not a malicious person.

0:25:11 > 0:25:13I want to win because I won,

0:25:13 > 0:25:15not because I threw somebody under the bus.

0:25:15 > 0:25:18Bret, I think, very creative.

0:25:18 > 0:25:21He's an artist, there's no question about it.

0:25:21 > 0:25:23And I know he wants it and he feels it.

0:25:23 > 0:25:26But I didn't see the fire in him.

0:25:26 > 0:25:29I don't know. He's passionate, he was very honest.

0:25:29 > 0:25:33He's personally affected by the disease and now his child is,

0:25:33 > 0:25:36and he's going to do whatever he needs to do

0:25:36 > 0:25:39- to deliver for you in the finale. - Tell me about Holly.

0:25:39 > 0:25:45Holly is living this because she's not going to walk out of here

0:25:45 > 0:25:47and it's over.

0:25:47 > 0:25:51She's going home to autism and I think that's making her

0:25:51 > 0:25:53so strong and so focused.

0:25:53 > 0:25:55Bill, what do you think of Holly?

0:25:55 > 0:25:58She's got two losses under her belt as a project manager.

0:25:58 > 0:26:00I think that's a big problem.

0:26:00 > 0:26:03Although she raised a lot of money in one task, she lost two others.

0:26:03 > 0:26:06And, at the end of the day, it's about delivering results.

0:26:06 > 0:26:09- It's a tough battle, isn't it? - Oh, my! Who knew?- Yeah, well.

0:26:09 > 0:26:12Who knew the endurance was going to be such a factor?

0:26:12 > 0:26:14- I know what you're going through, believe me.- Thanks.

0:26:14 > 0:26:16I hear you've raised a lot of money.

0:26:16 > 0:26:19I did, I set a record and I'm so proud of that.

0:26:19 > 0:26:23I raised 350,000 for the HollyRod Foundation, for autism.

0:26:23 > 0:26:25No-one can take away the amount of money you raised,

0:26:25 > 0:26:29- but do you deserve to go to the next level?- Absolutely. Absolutely.

0:26:29 > 0:26:32Not just cos I raised a boat-load of money, because I'm here.

0:26:32 > 0:26:35Let's be clear, it wasn't so much about fundraising,

0:26:35 > 0:26:37it was about staying up all night and doing it.

0:26:37 > 0:26:41It was my dedication in doing it. And also it's my passion.

0:26:41 > 0:26:44But the reality is, I'm multi-dimensional

0:26:44 > 0:26:46and I'm not worried at all if I go forward here

0:26:46 > 0:26:49and the task has something to do and it's not fundraising.

0:26:49 > 0:26:54I have to bring this up. I know you've got two losses and one win.

0:26:54 > 0:26:55How do you explain that?

0:26:55 > 0:26:58You've got the most losses out of anyone who's still standing.

0:26:58 > 0:27:01I also have the most at-bats at project manager,

0:27:01 > 0:27:04- which should say something.- Yes, but you've got to deliver a win.

0:27:04 > 0:27:07Absolutely. But in the end, I'm still here for a reason.

0:27:07 > 0:27:09Coming out of this,

0:27:09 > 0:27:14what are you going to look back on and be most proud of?

0:27:14 > 0:27:16What have you found out about yourself?

0:27:16 > 0:27:18I learned that I'm a lot more resilient than I thought I was.

0:27:18 > 0:27:21I knew there was a moment where I was going to break down

0:27:21 > 0:27:23and say, "I've got to go home, I want to be with my kids."

0:27:23 > 0:27:25But every time I had that moment, I picked myself back up,

0:27:25 > 0:27:29got ready for another task delivery and just got on with it.

0:27:29 > 0:27:32Do you think you could walk on the street and bump into Maria?

0:27:32 > 0:27:35Maria, yes. Cyndi, not so sure.

0:27:35 > 0:27:36She's a little mad,

0:27:36 > 0:27:39and Carol Leifer, I think she's got my picture on a dartboard somewhere.

0:27:39 > 0:27:42But in the end, this is not personal, it's business.

0:27:42 > 0:27:44And I'm glad to be here on that behalf.

0:27:44 > 0:27:49Holly is a mother, and I want this for my child,

0:27:49 > 0:27:51and you guys, look out.

0:27:51 > 0:27:53Don't cross a mother and her cub.

0:27:53 > 0:27:54Holly's an ass kicker.

0:27:54 > 0:27:55She's very good.

0:27:55 > 0:27:59I'd like to see her go against Sharon.

0:27:59 > 0:28:00That's two strong, connected women...

0:28:00 > 0:28:02That's very interesting.

0:28:02 > 0:28:04..that CARE about their charities.

0:28:04 > 0:28:07Sharon sat and cried.

0:28:07 > 0:28:10But I think Bret is connected even more so because

0:28:10 > 0:28:13not only does it affect him, but now his child.

0:28:13 > 0:28:15I think Bret's terrific.

0:28:15 > 0:28:17Of course he cares, my Lord!

0:28:17 > 0:28:21But I'd like to see Bret just say, "Look out!"

0:28:21 > 0:28:24Joan, Bill, thank you very much. I love you both.

0:28:24 > 0:28:26- We've had a lot of fun. - Love you so much.

0:28:40 > 0:28:42Amanda, let them in.

0:28:42 > 0:28:43Yes, sir.

0:28:43 > 0:28:46Mr Trump is ready for you in the boardroom.

0:28:46 > 0:28:48- Oh!- Thank you, Amanda.- Here we go.

0:28:51 > 0:28:53This has been an awesome journey already, so...

0:28:53 > 0:28:55It has.

0:29:01 > 0:29:04Sit down, please.

0:29:09 > 0:29:13First of all, amazing job. We're down to now four.

0:29:13 > 0:29:16Four lonely, beautiful people.

0:29:16 > 0:29:18And you really should be very proud of yourselves.

0:29:18 > 0:29:19Your families should be proud.

0:29:19 > 0:29:22And your charities should be proud, most of all, because you

0:29:22 > 0:29:24really have done a great job.

0:29:24 > 0:29:26So, there's no loser.

0:29:26 > 0:29:29Two people are going to be fired right now, but there's

0:29:29 > 0:29:32no loser here, and I want you to understand that.

0:29:32 > 0:29:35- Sharon, you met with Joan Rivers and Bill Rancic.- Yes.

0:29:35 > 0:29:38How were your interviews? What did you think?

0:29:38 > 0:29:41I thought they went really well. They did.

0:29:41 > 0:29:44Who did you feel better about, Joan or Bill?

0:29:44 > 0:29:47Probably Joan, because Bill's hard to read.

0:29:47 > 0:29:50He has a great poker face.

0:29:50 > 0:29:54Joan liked you very much. She really felt very strongly about you.

0:29:54 > 0:29:57But tell me, why should I choose you?

0:30:00 > 0:30:03I can only say that I need it really badly.

0:30:03 > 0:30:05I need it really, really badly.

0:30:05 > 0:30:09- Need it where?- For my charity. - In your heart, in your head?

0:30:09 > 0:30:13For my charity. I made a commitment

0:30:13 > 0:30:15and I have to see it through.

0:30:17 > 0:30:21So, Bret, how did the interviews go for you?

0:30:21 > 0:30:22I thought they went great,

0:30:22 > 0:30:26and I thought that Joan and Bill both had completely different

0:30:26 > 0:30:29questions, took a completely different approach.

0:30:29 > 0:30:32Joan, I felt very personable with,

0:30:32 > 0:30:34and with Bill, he was very direct but I got a good feeling.

0:30:34 > 0:30:36It forced me to give direct answers

0:30:36 > 0:30:38and I felt good about that.

0:30:38 > 0:30:39Why should I keep you, Bret?

0:30:39 > 0:30:42- I think that I bring a lot to the table.- Like what?

0:30:42 > 0:30:45I think I'm creative. I think that I'm very focused.

0:30:45 > 0:30:47I can get it done. I'm a hard worker.

0:30:47 > 0:30:49And I've lived with this disease my entire life.

0:30:49 > 0:30:52And I'm here fighting for a cause so other children,

0:30:52 > 0:30:53hopefully we'll find a cure

0:30:53 > 0:30:56and they'll not have to go through what I went through.

0:30:56 > 0:30:59Holly, what'd you think of the interviews?

0:30:59 > 0:31:01Oh, they were both good. Bill was tough.

0:31:01 > 0:31:03I thought Bill was very tough.

0:31:03 > 0:31:05I was more comfortable with Joan.

0:31:05 > 0:31:07But, in the end, both of them I thought did a great job.

0:31:07 > 0:31:09Holly, why should I keep you?

0:31:09 > 0:31:12- Passion.- But they all have passion, Holly.

0:31:12 > 0:31:13Everybody at this table has passion.

0:31:13 > 0:31:16Differing degrees, and I think I have passion.

0:31:16 > 0:31:18I have the other stuff, too.

0:31:18 > 0:31:21But passion and drive, ambition and consistency.

0:31:21 > 0:31:23How important is this to you, Holly?

0:31:23 > 0:31:25Very important. Very important.

0:31:26 > 0:31:30Curtis, how'd you feel about the interviews?

0:31:30 > 0:31:31I thought they went well.

0:31:31 > 0:31:33Who did you like, from your standpoint,

0:31:33 > 0:31:34in terms of the interview?

0:31:34 > 0:31:38- I probably enjoyed the interview with Bill more, I think.- Why?

0:31:38 > 0:31:41He asked more questions about business, where Joan

0:31:41 > 0:31:44was a little bit more personal. Personal questions.

0:31:44 > 0:31:46So, Curtis, what about yourself?

0:31:46 > 0:31:49- I think I'm the best leader in the group.- Why do you say that?

0:31:49 > 0:31:52I mean, you had two people that couldn't stand you before.

0:31:52 > 0:31:55- Why do you say you're the best leader?- But he won us over. He did.

0:31:55 > 0:31:57Yeah, you put me in a really awkward position, Mr Trump.

0:31:57 > 0:32:00You made me go to a team where both people came and said that

0:32:00 > 0:32:03they didn't like me, and I had to literally start from the ground up.

0:32:03 > 0:32:07Joan Rivers said, "He's a really handsome guy.

0:32:07 > 0:32:11"He's a wonderful guy, sort of a somebody that's limited,

0:32:11 > 0:32:13"and he lacks a certain passion."

0:32:13 > 0:32:15I was a little surprised at that.

0:32:15 > 0:32:17Yeah, so am I. I'm extremely passionate, Mr Trump.

0:32:17 > 0:32:20Bill sort of stated that you were a one-trick pony.

0:32:20 > 0:32:22- You know what a one-trick pony is, right?- Mm-hm.

0:32:22 > 0:32:23And I was a little bit surprised at that.

0:32:23 > 0:32:25But they came out pretty strongly...

0:32:25 > 0:32:28- Hey, look, they're very opinionated people to start off with.- Right.

0:32:28 > 0:32:31But they did come out pretty strongly, Curtis.

0:32:33 > 0:32:34How do you respond to that?

0:32:34 > 0:32:37I think that I've proven that I'm not a one-trick pony. I can lead.

0:32:37 > 0:32:40I was a project manager on a task where I knew very little about

0:32:40 > 0:32:43what we were doing, when we were filming the 30-second commercial.

0:32:43 > 0:32:46I played great support to both Bret, Holly

0:32:46 > 0:32:47and Sharon in three different tasks.

0:32:47 > 0:32:51I mean, the problem I have is that Joan Rivers and Bill Rancic won.

0:32:51 > 0:32:56They did a fantastic job. They were great winners.

0:32:56 > 0:32:57And they've done very well since.

0:32:59 > 0:33:02So, I have to listen to them. Do you agree with that?

0:33:04 > 0:33:05Curtis, you're fired.

0:33:11 > 0:33:13- I have no choice.- Fair enough.

0:33:13 > 0:33:15They really were very, very strong in that way.

0:33:15 > 0:33:18- And get the hell out of here. - Mr Trump,

0:33:18 > 0:33:19thank you very much for the opportunity.

0:33:19 > 0:33:23- Thank you very much.- I appreciate it.- Thank you very much, Curtis.

0:33:23 > 0:33:26- Great job.- Curtis, congratulations. - Thanks. Good luck.- Love you, Curtis.

0:33:26 > 0:33:28- Love you, Curtis. - Love you, too, guys.

0:33:35 > 0:33:37'I've never been fired before in my life.

0:33:37 > 0:33:39'I was really disappointed,'

0:33:39 > 0:33:41because I wanted to raise

0:33:41 > 0:33:42a whole lot more money for Feeding America.

0:33:42 > 0:33:45'But that being said, I think that I've played a pretty good game,

0:33:45 > 0:33:47'and I've represented myself quite well.'

0:33:47 > 0:33:48What's up, buddy?

0:33:48 > 0:33:50'And if you're going to be fired,'

0:33:50 > 0:33:52you might as well get fired by Donald Trump, right?

0:33:56 > 0:34:00- Nice guy.- Very nice.- Very nice guy. - He's a gentleman. He is.- Yeah.

0:34:00 > 0:34:04OK, one more of you will be fired.

0:34:04 > 0:34:07Holly, who would you choose if you were me?

0:34:07 > 0:34:08Would you fire Sharon?

0:34:08 > 0:34:11- Between these two?- Or Bret? - Probably Bret.- Why?

0:34:11 > 0:34:14Only because I just feel like Sharon's passion has

0:34:14 > 0:34:16really come out in the last couple of tasks.

0:34:16 > 0:34:18Yeah, but she's gone a long way before it came out.

0:34:18 > 0:34:22But she worked it. She made up for it, and I feel like she's

0:34:22 > 0:34:25a real strong player, and I feel like she's just a passionate person.

0:34:25 > 0:34:28Look at her. I mean, she really feels this.

0:34:30 > 0:34:33- No, she has felt it. There's no question about it.- Yeah.

0:34:33 > 0:34:35Bret, who would you fire if you were me?

0:34:35 > 0:34:38We're down to three people. Two are going to leave here.

0:34:38 > 0:34:40We're going to have a hell of a final.

0:34:40 > 0:34:43You know, who would you fire if you were me, Bret?

0:34:47 > 0:34:48You know, I would fire Holly.

0:34:50 > 0:34:51Why would you fire Holly?

0:34:51 > 0:34:53My reasons are very simple.

0:34:53 > 0:34:56One, I think she is a strong player...

0:34:56 > 0:35:00Excuse me. Sharon, why are you crying? Don't cry, Sharon.

0:35:00 > 0:35:01You don't have to...

0:35:01 > 0:35:04I mean, you're doing so well, there's no reason to cry.

0:35:04 > 0:35:07You should be proud of yourself, Sharon. Why are you crying?

0:35:07 > 0:35:10I don't want to be a loser.

0:35:12 > 0:35:15It's a tough ordeal.

0:35:15 > 0:35:17People don't realise what you've been through.

0:35:17 > 0:35:19Nobody has an idea unless you've done this.

0:35:19 > 0:35:22You don't understand this passion at all.

0:35:25 > 0:35:29Sharon, who would you fire between Holly and Bret, if you were me?

0:35:33 > 0:35:35I can't.

0:35:35 > 0:35:38You have to, Sharon. I mean, you have to. That's part of it.

0:35:38 > 0:35:40- I know. But it's...- You have to.

0:35:40 > 0:35:44It's just that the three of us are so emotionally involved,

0:35:44 > 0:35:46because it directly affects us.

0:35:46 > 0:35:48I think of everybody here, the three of you

0:35:48 > 0:35:50- are the most emotionally involved.- Mm-hm.

0:35:50 > 0:35:53- It's personal.- Yes. - Which makes it tougher for me.

0:35:53 > 0:35:55It's not business, it's personal.

0:35:55 > 0:35:56Yes.

0:35:56 > 0:36:00And, um, it's so tough.

0:36:00 > 0:36:04I mean, I see Bret giving himself injections

0:36:04 > 0:36:06so many times a day.

0:36:06 > 0:36:08I see what Holly goes through.

0:36:08 > 0:36:12I know my guilt about what I go through.

0:36:12 > 0:36:16You know, who needs it more? Who should be the one?

0:36:16 > 0:36:18I could never make that decision.

0:36:20 > 0:36:23Sharon, do you think you can compete with, let's say, Holly,

0:36:23 > 0:36:25if you ended up in the finals?

0:36:25 > 0:36:29She's been so solid, such a great leader, and raised, I believe,

0:36:29 > 0:36:31more money than anybody.

0:36:31 > 0:36:34And Bret's been a winner in every sense of the word.

0:36:34 > 0:36:37He's won always as project manager.

0:36:37 > 0:36:41Do you think you have the energy to compete with, let's say,

0:36:41 > 0:36:43Holly, or, let's say, Bret?

0:36:44 > 0:36:47I said this to Bill, he asked me the very same question,

0:36:47 > 0:36:51and I said to him, "I died and came back."

0:36:52 > 0:36:55- And, um...- Yeah. - I'm strong enough.

0:36:57 > 0:36:59Yeah, I'm strong. I'm a fighter.

0:36:59 > 0:37:01You're more than strong. I mean, you're amazing.

0:37:01 > 0:37:04- I'm a fighter. - I know you're a fighter.

0:37:04 > 0:37:07- It's going to be tough to compete with these two, though.- I know that.

0:37:07 > 0:37:09- Because we're all fighters. - Absolutely.

0:37:09 > 0:37:12And we all want it really, really badly.

0:37:12 > 0:37:16And we want our charities to have the exposure that

0:37:16 > 0:37:18this show can give.

0:37:18 > 0:37:22But Bill felt strongly that you, in this current time,

0:37:22 > 0:37:24cannot compete with these two.

0:37:24 > 0:37:26You think that he's wrong about that?

0:37:26 > 0:37:31It's his opinion, and I said to him, "You don't know me.

0:37:31 > 0:37:34"But I know me, and I've gone through much worse than this

0:37:34 > 0:37:37"in my life, and I come back."

0:37:41 > 0:37:44Well, I think you're fantastic, Holly.

0:37:44 > 0:37:46I really think you're fantastic.

0:37:46 > 0:37:48Bret, I think you're fantastic.

0:37:48 > 0:37:50And, you know, Sharon, I love you.

0:37:50 > 0:37:53You're really a special woman.

0:37:56 > 0:37:59But, Sharon, you're fired.

0:38:03 > 0:38:04Thank you very much.

0:38:04 > 0:38:06You've done an amazing job. I appreciate it.

0:38:06 > 0:38:12Thank you, Mr Trump. I have had such an amazing experience here,

0:38:12 > 0:38:14and I thank you so much for letting me be a part.

0:38:14 > 0:38:18- It's been a great experience for me. Thank you, Sharon.- Thank you.

0:38:19 > 0:38:22Love you, Mama.

0:38:24 > 0:38:27All this crying. I don't cry.

0:38:27 > 0:38:30Not easy. Good woman.

0:38:30 > 0:38:32Love you, Sharon.

0:38:32 > 0:38:34- Love you, too. Thank you. - Thank you, Sharon. Thank you.

0:38:34 > 0:38:37- Your children are a delight. - Thank you very much.

0:38:37 > 0:38:39Great job. Amazing.

0:38:43 > 0:38:45All right, here we go.

0:38:48 > 0:38:51You win some, you lose some.

0:38:51 > 0:38:53'I was horribly emotional,'

0:38:53 > 0:38:57and Mr Trump went - whack! - "See ya!"

0:38:57 > 0:38:58Sharon, it's that elevator.

0:38:58 > 0:39:01Oh, do I have to? Damn elevator.

0:39:01 > 0:39:04'I'm just like, "Will you stop'

0:39:04 > 0:39:08- "- BLEEP- crying, you silly old bat?" It's like, "Enough!"

0:39:08 > 0:39:11You've got me!

0:39:19 > 0:39:21Holly, Bret, congratulations.

0:39:21 > 0:39:23- Thank you.- You're the final two. - Thank you.

0:39:23 > 0:39:26You beat out a lot of very, very capable people.

0:39:26 > 0:39:29The final is going to be absolutely a monster.

0:39:29 > 0:39:32It's going to be amazing, and one of you will become

0:39:32 > 0:39:33the Celebrity Apprentice.

0:39:33 > 0:39:35- Yes!- Go back to your suite at Trump Tower,

0:39:35 > 0:39:38enjoy yourselves tonight, because tomorrow, nice and early,

0:39:38 > 0:39:40I'm going to give you a task.

0:39:40 > 0:39:43It'll be fantastic. Have a good time. Congratulations. Your family,

0:39:43 > 0:39:46your charity, everybody's very proud of you.

0:39:46 > 0:39:49- Thank you, Mr Trump.- I'm very proud of you.- Thanks.

0:39:49 > 0:39:50You've been through a lot. Go ahead.

0:39:50 > 0:39:51Mr Trump, thank you.

0:39:51 > 0:39:53Great job.

0:39:53 > 0:39:55Woo!

0:39:57 > 0:40:00Sorry I have to kill you tomorrow, but right now, let's party!

0:40:05 > 0:40:09Woo! Hell, yeah. Come on, I'm pouring.

0:40:09 > 0:40:11- Hell, yeah.- I'm going to get you drunk and hung over,

0:40:11 > 0:40:13so you can't win nothing!

0:40:13 > 0:40:16Am I bringing it on? The running man? Is that how I roll?

0:40:16 > 0:40:18Uh-huh.

0:40:18 > 0:40:20I can't do it. I won't do it. I just did it.

0:40:23 > 0:40:26'I am so pumped up right now, it's unbelievable.'

0:40:26 > 0:40:28I came in here as the complete underdog.

0:40:28 > 0:40:30No-one thought I was even going to get out of bed.

0:40:30 > 0:40:32You know what everyone's mistake was, honestly?

0:40:32 > 0:40:34- Underestimating you. - They so underestimated me.

0:40:34 > 0:40:36They're like, "This guy ain't going to wake up."

0:40:36 > 0:40:38What I kept getting was, I'm too serious.

0:40:38 > 0:40:41'I will not underestimate Bret Michaels at all.'

0:40:41 > 0:40:44If I win, it's 250,000 for the HollyRod Foundation

0:40:44 > 0:40:47'and the title of being Celebrity Apprentice.

0:40:47 > 0:40:48'I came here to win this.'

0:40:48 > 0:40:50I want to beat Bret Michaels.

0:40:50 > 0:40:52I want to beat that unskinny bop.

0:40:52 > 0:40:56- Congratulations.- Congratulations. Cheers. And I want to say this.

0:40:56 > 0:40:59All is fair in love, war, and raising money for our charities.

0:40:59 > 0:41:02- Yeah.- Love you.- That's what it's all about.- Love you. Cheers.- Cheers.

0:41:30 > 0:41:32Good morning and congratulations.

0:41:32 > 0:41:34You've done a fantastic job.

0:41:34 > 0:41:35Holly, how do you feel?

0:41:35 > 0:41:38Invigorated. Just happy and honoured to be here.

0:41:38 > 0:41:40- Bret?- I'm ready to rock.

0:41:40 > 0:41:41Are you surprised, Bret?

0:41:41 > 0:41:44Not in myself. I think a lot of people are surprised.

0:41:44 > 0:41:47- They counted me out from the beginning...- People are surprised.

0:41:47 > 0:41:48Yes, I believed in myself.

0:41:48 > 0:41:51- But you really have been amazing. - Thank you.- Both of you.

0:41:51 > 0:41:54So now we're down to our final task,

0:41:54 > 0:41:57and it's going to be a really big one.

0:41:57 > 0:42:01In fact, it's a combination of everything you've done so far

0:42:01 > 0:42:03in this competition.

0:42:03 > 0:42:07You'll be working with a really great company - Snapple.

0:42:07 > 0:42:10- Yes!- Wonderful people, wonderful product.

0:42:10 > 0:42:12I drink it all the time.

0:42:12 > 0:42:14- I love it. You like Snapple, Holly?- Love it.

0:42:14 > 0:42:18- You better say that, Holly.- I do! Grape is my favourite flavour.

0:42:18 > 0:42:19OK. Very good.

0:42:19 > 0:42:24With me is the chief executive officer of Snapple, Larry Young.

0:42:24 > 0:42:27- Larry?- Thank you. You will create a new flavour of Snapple tea.

0:42:27 > 0:42:30You will extend our advertising campaign

0:42:30 > 0:42:34with a new television commercial and print advertisement.

0:42:34 > 0:42:38And you will launch your product at an event filled with

0:42:38 > 0:42:42Snapple employees, distributors, and, most importantly,

0:42:42 > 0:42:45our passionate Snapple tea fans.

0:42:45 > 0:42:48Joining me today to help us with the task is Andrew Springate,

0:42:48 > 0:42:51our senior vice president of brand marketing.

0:42:51 > 0:42:54So, you'll be judged on the following - originality,

0:42:54 > 0:42:58creativity, incorporating your charity's mission and message,

0:42:58 > 0:43:01and, most important, maintaining the essence and the spirit

0:43:01 > 0:43:03of the Snapple brand across all you do.

0:43:03 > 0:43:06'Once I heard that we were able to incorporate our charity,

0:43:06 > 0:43:08'that got me really excited,'

0:43:08 > 0:43:11because HollyRod Foundation is my fifth child.

0:43:11 > 0:43:14And Snapple's going to raise the stakes even further.

0:43:14 > 0:43:17Your new Snapple tea product will be sold across the country.

0:43:17 > 0:43:19Good luck.

0:43:19 > 0:43:24The winner will receive 250,000

0:43:24 > 0:43:26for Holly or Bret's charity.

0:43:26 > 0:43:30And all across the country, people will be able to buy

0:43:30 > 0:43:32the Snapple products you create.

0:43:32 > 0:43:35And in doing so, they'll be supporting your charities.

0:43:35 > 0:43:38- Ooh.- How do you feel about that? - That's incredible. That's awesome.

0:43:38 > 0:43:41All right. That's going to be a lot of money and, Holly,

0:43:41 > 0:43:43you've already been pouring the money in.

0:43:43 > 0:43:45How much have you won so far for your charity?

0:43:45 > 0:43:47- 350,000.- And Bret?

0:43:47 > 0:43:51- 140,000.- All right. Well, very good. Congratulations.

0:43:51 > 0:43:55You're going to have help, but I'll send them to you in a little while.

0:43:55 > 0:43:57Go do your thing. Good luck.

0:43:57 > 0:43:59- Thank you very much.- Thank you.

0:43:59 > 0:44:00You ready? Let's rock.

0:44:12 > 0:44:15'I'm going to go over to the Snapple mixology laboratory'

0:44:15 > 0:44:17and I'm going to make sure

0:44:17 > 0:44:19that when I get to meet my other team-mates,

0:44:19 > 0:44:21'I had it all laid out.

0:44:21 > 0:44:23'I had a plan. I was going to get this done.'

0:44:23 > 0:44:27Good morning, good morning, everybody. Oh, there's nobody here.

0:44:27 > 0:44:30There's no birthday party in here for me.

0:44:33 > 0:44:37'I start laying out the computers, the pencils, the pens, the phones,'

0:44:37 > 0:44:39and I'm saying to myself, "Bret, I've learned a lot

0:44:39 > 0:44:42"on Celebrity Apprentice on how to organise."

0:44:47 > 0:44:48- Hello.- We're back!

0:44:48 > 0:44:52Oh, geez! Oh, man, what's happening?

0:44:52 > 0:44:56- What's up?- I can't believe you beat me in my task.

0:44:56 > 0:44:59- Are you my team?- We're your team. - Come on, then. Get in here.

0:44:59 > 0:45:02'Mr Trump sent in the helpers, and here comes Darryl Strawberry'

0:45:02 > 0:45:04and Summer Sanders. And I'm like, "Yes!"

0:45:04 > 0:45:06- What's the task?- It's Snapple tea. - Right.

0:45:06 > 0:45:09- We got to come up with a flavour that we love.- OK.

0:45:09 > 0:45:10We've got to shoot a commercial.

0:45:10 > 0:45:12I'm going to give you this right now so you have it.

0:45:12 > 0:45:15Look, I'm organised. Summer, which would you rather have?

0:45:15 > 0:45:17- Perfect.- There you go.

0:45:17 > 0:45:19- And there's the other one. - Look at you!

0:45:19 > 0:45:21- look at me all prepped. - Stapled or unstapled?

0:45:21 > 0:45:24'Our task today is really,'

0:45:24 > 0:45:25when you think about it,

0:45:25 > 0:45:27a culmination of all of the tasks to date.

0:45:27 > 0:45:30'I think this is a really, really hard task to walk into

0:45:30 > 0:45:32'after being gone for so long.'

0:45:32 > 0:45:34You let us know if you want us to throw ideas out.

0:45:34 > 0:45:37- You know I do.- It's got to be something that you feel good about.

0:45:37 > 0:45:39- Done.- 'To be able to come back'

0:45:39 > 0:45:41'after going home and getting some rest,'

0:45:41 > 0:45:43I wanted to come back and redeem myself.

0:45:43 > 0:45:46Finding a flavour that we love, that's all that matters,

0:45:46 > 0:45:48and then we can taste test it at the mall today.

0:45:48 > 0:45:50Today, of course, I got a cold sore on my lip,

0:45:50 > 0:45:53so now I got to go to the mall and do a taste test thing.

0:45:53 > 0:45:55So, you may have to be the front person. "Here, try this."

0:45:55 > 0:45:58- They're like,- "BLEEP- you! I'm not drinking that!

0:45:58 > 0:46:01"Anything you didn't touch?" It's just from stress.

0:46:01 > 0:46:03It's not from kissing all those groupies, huh?

0:46:03 > 0:46:05- No, no. Nothing at all.- Whatever!

0:46:05 > 0:46:06It's just stress.

0:46:16 > 0:46:19'So I'm all alone in my Snapple war room,'

0:46:19 > 0:46:23trying to figure out who's going to come and help me on this task.

0:46:23 > 0:46:26'I'm really hoping to get Summer Sanders, that's my homey,

0:46:26 > 0:46:28'and I just feel like we're really connected.'

0:46:30 > 0:46:34We're your new team. I'm sorry that I'm not Summer!

0:46:34 > 0:46:35I'm sorry.

0:46:35 > 0:46:38'In comes Curtis and Maria...'

0:46:38 > 0:46:40But at this point, I'm just happy to have help.

0:46:40 > 0:46:43We have to create and launch a new Snapple tea.

0:46:43 > 0:46:44OK.

0:46:44 > 0:46:48- We have to create a commercial, a print ad campaign...- Mm-hm.

0:46:48 > 0:46:51And then we have to present it in front of bunch of

0:46:51 > 0:46:53Snapple executives, like a big presentation.

0:46:53 > 0:46:56- OK.- We have three days to do this. - 'I thought to myself,'

0:46:56 > 0:46:58Thank God we have three days.

0:46:58 > 0:47:01'But at the same time, three days is'

0:47:01 > 0:47:04a short amount of time compared to how much we have to do.

0:47:04 > 0:47:06"Made from the best stuff on Earth."

0:47:06 > 0:47:08So why not incorporate an Earth logo?

0:47:08 > 0:47:10I don't want to get too far ahead of ourselves, but tomorrow's

0:47:10 > 0:47:12basically the creative stuff.

0:47:12 > 0:47:14Well, here's my initial thought...

0:47:14 > 0:47:17Maria, tomorrow's the creative stuff. Today is about the tea.

0:47:18 > 0:47:20'Curtis and I,'

0:47:20 > 0:47:23were trying. But then again we don't want to step on Holly's toes,

0:47:23 > 0:47:24because this is her baby.

0:47:24 > 0:47:28'If you can't win, you might as well be a person that's there'

0:47:28 > 0:47:30supporting someone that can win.

0:47:30 > 0:47:32So what are your thoughts for the commercial?

0:47:32 > 0:47:36Do you think you want to go the humour route,

0:47:36 > 0:47:38like they usually do?

0:47:48 > 0:47:49Today is really about the flavours.

0:47:49 > 0:47:52- Tomorrow is basically the creative stuff.- Mm-hm.

0:47:52 > 0:47:54So we can focus just on creating our drink

0:47:54 > 0:47:56- and then, today, we're going to take it over to a mall...- Mm-hm.

0:47:56 > 0:47:59..and we're going to do a taste test with people.

0:47:59 > 0:48:02The goal of the first day is just to create the new Snapple tea.

0:48:02 > 0:48:04If you drink Snapple and you're having fun,

0:48:04 > 0:48:06and it's made from the best stuff on Earth,

0:48:06 > 0:48:08and all that kind of stuff

0:48:08 > 0:48:11so, why not have it "Snapple, bringing you out of your shell"?

0:48:11 > 0:48:13I think "shell" might not be the actual...

0:48:13 > 0:48:15But the concept is very, very powerful.

0:48:15 > 0:48:18'I thought to myself, I'm going to help Holly with whatever'

0:48:18 > 0:48:21she needs, and it's not worth me fighting for things,

0:48:21 > 0:48:24'because it's not my task this time, and she's the project manager.'

0:48:24 > 0:48:26And I've already been fired,

0:48:26 > 0:48:28so I'm going to let her make the decisions,

0:48:28 > 0:48:30and I'm not going to argue with her.

0:48:32 > 0:48:35- Hi.- Hi, I'm Holly.- Megha Gandhi.

0:48:35 > 0:48:38- I'm going to be your Snapple development scientist today.- Good.

0:48:38 > 0:48:41- Fabulous.- We need you. - Great.- This is Curtis.

0:48:41 > 0:48:43'Our R&D specialist came in. She's lovely.

0:48:43 > 0:48:46'And now it's just a matter of picking that flavour'

0:48:46 > 0:48:48that is going to be marketable.

0:48:48 > 0:48:51'But Bret and I have to have totally different flavours.

0:48:51 > 0:48:54'So we had to split them down the middle, and we had to negotiate

0:48:54 > 0:48:57'for which flavours I could have and which flavours Bret could have.'

0:48:57 > 0:48:59Feel free to start tasting. I have some cups for you.

0:48:59 > 0:49:02- All right, cheers.- Salut.

0:49:02 > 0:49:05'Diet tropical mixed with the coconut kicker.'

0:49:07 > 0:49:09Ooh, that's good.

0:49:09 > 0:49:10'For me, being diabetic,'

0:49:10 > 0:49:12it was very, very important for me

0:49:12 > 0:49:15that I was handling the Diet Snapple. I didn't even want to

0:49:15 > 0:49:16'try to make a sugar drink.'

0:49:16 > 0:49:19- Coconut added to anything reminds me of the summer.- I hate coconut.

0:49:19 > 0:49:20Coconut's too much for me.

0:49:20 > 0:49:22OK, this is lychee coconut.

0:49:22 > 0:49:24Mm, that's not bad.

0:49:24 > 0:49:26I think vanilla's good.

0:49:26 > 0:49:28- Reminds me of a snow cone. - Yeah, that's a good adder.

0:49:28 > 0:49:32- I want to taste this fig.- What's your favourite spice?- Ooh, no!

0:49:32 > 0:49:34Nutmeg we should use. You know why?

0:49:34 > 0:49:36Because, you know, nutty rocker.

0:49:36 > 0:49:38If this is a drink that's coming out in summer, you can start

0:49:38 > 0:49:41eliminating winter fruits, like apple and pear.

0:49:41 > 0:49:43Yeah, that's done. They're boring.

0:49:43 > 0:49:46'I definitely have an advantage with Curtis on the whole palate thing.'

0:49:46 > 0:49:49He's going to use his kitchen skills for good.

0:49:49 > 0:49:51Passing on the plum.

0:49:51 > 0:49:53- Ooh, that's good.- What?

0:49:53 > 0:49:54I'll make you one.

0:49:56 > 0:49:59Will you write down these ingredients -

0:49:59 > 0:50:00diet passion, thank you.

0:50:00 > 0:50:02Mix that with cinnamon.

0:50:02 > 0:50:05So that's a huge breakthrough for diabetes right now,

0:50:05 > 0:50:08is that cinnamon lowers and maintains your low blood sugars.

0:50:08 > 0:50:10'I wanted to get cinnamon in there,'

0:50:10 > 0:50:11and then I wanted the passion fruit,

0:50:11 > 0:50:14because I already had this rock'n'roll passion theme

0:50:14 > 0:50:15'spinning in my brain.'

0:50:15 > 0:50:18- It tastes good, doesn't it? - With sexy cinnamon, diet passion.

0:50:18 > 0:50:21Open up your inner rocker, the passion in you.

0:50:21 > 0:50:24- Taste it.- Thanks. strawberry something.

0:50:24 > 0:50:26- Passion fruit.- Mm. I like it.

0:50:26 > 0:50:28I think it smells so fragrant.

0:50:28 > 0:50:31Passion berry. Berry passionate.

0:50:31 > 0:50:33- It tastes very good, actually.- Yeah.

0:50:33 > 0:50:37'I need the passion fruit. we love the idea of'

0:50:37 > 0:50:39taking our passion fruit

0:50:39 > 0:50:40and making it into a "compassion berry" -

0:50:40 > 0:50:42mixing it with strawberry,

0:50:42 > 0:50:45'because part of what the HollyRod Foundation does is provide

0:50:45 > 0:50:47'compassionate care for people.'

0:50:47 > 0:50:49These are the ones we need - coconut, tropical, passion fruit.

0:50:49 > 0:50:51Strawberry, too.

0:50:51 > 0:50:54- We've got to do something with those four.- Yeah.

0:50:54 > 0:50:57Summer and Darryl, I got to do my negotiating.

0:50:57 > 0:51:00- You need to fight for cinnamon and passion fruit.- OK.

0:51:00 > 0:51:02So you have to figure out, like...

0:51:02 > 0:51:05I don't think you want to play your hand.

0:51:05 > 0:51:08Is there two girls, two guys? There's two guys for the ad.

0:51:08 > 0:51:11No, no. This is just... We have to negotiate for the flavours.

0:51:11 > 0:51:13Oh, that's the right... Oh, man.

0:51:13 > 0:51:15I'm already on the wrong day. OK.

0:51:15 > 0:51:17'Before Bret went into the negotiation,

0:51:17 > 0:51:19'I talked to him about this.'

0:51:19 > 0:51:21I said, "What is your number one flavour?"

0:51:21 > 0:51:23The two we really wanted were passion fruit and cinnamon.

0:51:23 > 0:51:25'That was my big concern.'

0:51:25 > 0:51:28So, let's say that she's like, "No, I want these two."

0:51:28 > 0:51:29Which one would you give up?

0:51:29 > 0:51:32- So, passion is your number one, right?- Have to have the passion.

0:51:32 > 0:51:35- OK, so that's what you know to fight for.- That's the fighter.- OK.

0:51:35 > 0:51:38So, first priority is to try to get that passion fruit, right?

0:51:38 > 0:51:41- Yeah.- We'll all be thinking positive.

0:51:41 > 0:51:43You want to negotiate?

0:51:43 > 0:51:45- I'll negotiate.- You will?

0:51:45 > 0:51:48- I'll wipe the floor with Bret.- OK.

0:51:49 > 0:51:51'Initially, I was going to negotiate with Bret'

0:51:51 > 0:51:53to get the flavours that we wanted.

0:51:53 > 0:51:55But then it just hit me like a tonne of bricks -

0:51:55 > 0:51:57'Curtis has worked with Bret a lot.

0:51:57 > 0:51:59'He knows Bret a lot better than me, and he was like,'

0:51:59 > 0:52:01"Piece a cake."

0:52:01 > 0:52:04- Just confuse him. - Yeah. That won't be hard.

0:52:05 > 0:52:08- Oh, I love you, Bret. - Oh, I love Bret.

0:52:08 > 0:52:09He does all that, "Go with it now.

0:52:09 > 0:52:13- "Feel me out here."- This could take a long time, this negotiation.

0:52:13 > 0:52:14I'm just saying.

0:52:14 > 0:52:16Good luck, Curtis!

0:52:16 > 0:52:18I might be back by Tuesday.

0:52:18 > 0:52:20Bring me back the passion fruit!

0:52:29 > 0:52:32Summer and Darryl, I've got to do my negotiating.

0:52:32 > 0:52:35- You need to fight for cinnamon and passion fruit.- OK.

0:52:35 > 0:52:37Let's say she's like, "You know what, Bret?

0:52:37 > 0:52:39"I want passion fruit and I want cinnamon.

0:52:39 > 0:52:42"So you can pick one of those, and I'll take the other one."

0:52:42 > 0:52:44I think I'd have to have the passion.

0:52:44 > 0:52:48- So that's what you know to fight for.- That's the fighter.- Right.

0:52:48 > 0:52:50When I got Summer, that's Holly's BFF,

0:52:50 > 0:52:52I thought, "This is going to be bad. She's a spy."

0:52:52 > 0:52:54I figured she'd just lay under the table

0:52:54 > 0:52:58'and sleep. But Summer has been absolutely awesome for me.

0:52:58 > 0:53:00'She is smart and strong.'

0:53:00 > 0:53:02Bye, guys. See you later.

0:53:02 > 0:53:03- See you in a bit.- See you in a bit.

0:53:03 > 0:53:06Let negotiations begin.

0:53:07 > 0:53:10- All right, Michaels.- Ugh, no!

0:53:10 > 0:53:13What's going on?

0:53:13 > 0:53:15- How are you, buddy? - I'm doing good, man. How you doing?

0:53:15 > 0:53:18- Are you the negotiator? - They sent me up.- Oh, good.

0:53:18 > 0:53:21I thought Holly was coming in to negotiate with me,

0:53:21 > 0:53:22and she sent up Curtis.

0:53:22 > 0:53:27'He is the celebrity chef. You know, it's going to be tough.'

0:53:27 > 0:53:29The first one I would love is passion fruit

0:53:29 > 0:53:31with a little kicker of cinnamon,

0:53:31 > 0:53:33and vanilla and black pepper, possibly.

0:53:33 > 0:53:37- Um...- How are you there?

0:53:37 > 0:53:41- I've got a bit of a problem. - Oh, you bastard!

0:53:41 > 0:53:43What's your second choice?

0:53:43 > 0:53:46- We've got pear, plum, nutmeg.- OK.

0:53:46 > 0:53:49And then I've got, the other one was the tropical fruit,

0:53:49 > 0:53:50the coconut with the vanilla kicker.

0:53:50 > 0:53:54'He had a couple of strange combinations in there,'

0:53:54 > 0:53:56like vanilla and tropical fruits

0:53:56 > 0:53:59and a couple of things that I was like, "Really? OK."

0:53:59 > 0:54:03If we could get the passion fruit and strawberry,

0:54:03 > 0:54:05then I'd totally be prepared to give you the vanilla.

0:54:05 > 0:54:09- How about if YOU take vanilla... - Yeah.

0:54:09 > 0:54:11- I'll take the passion fruit.- Um...

0:54:11 > 0:54:13'Curtis walks in, the first thing he says,'

0:54:13 > 0:54:14"I want passion fruit."

0:54:14 > 0:54:16I'm like, "Oh, no, you don't. that's what I'm getting."

0:54:16 > 0:54:19If you took my passion fruit, you took my A game.

0:54:19 > 0:54:22You kicked me right in the nards. You understand what I'm saying?

0:54:22 > 0:54:25- Yep.- So that's why I feel that unless I get the other things,

0:54:25 > 0:54:27- I don't even have a game.- Um...

0:54:27 > 0:54:31Give me your A game. Let's see what you've got.

0:54:31 > 0:54:34All the ones that you said, we're looking for the same stuff.

0:54:34 > 0:54:36'I had to pull a couple of swift ones on Bret.'

0:54:36 > 0:54:39I had to tell him that everything that was on his list

0:54:39 > 0:54:41was exactly what I wanted. that wasn't quite the truth.

0:54:41 > 0:54:44- I could let you walk with all... - All this?

0:54:44 > 0:54:46Pear. Plum. Was that your second choice?

0:54:46 > 0:54:48And I gave up the cinnamon.

0:54:48 > 0:54:50The passion's the killer.

0:54:50 > 0:54:52So, you're not happy with what you've got now?

0:54:52 > 0:54:55My key with Bret was to get in and out fast.

0:54:55 > 0:54:57'To avoid him getting to the bottom of the problem,

0:54:57 > 0:54:59'you've got to move quick. I was like, "Come on, mate.'

0:54:59 > 0:55:01"You've got what you want. I've got what I want.

0:55:01 > 0:55:03"Let's call it a day. No need to keep thinking."

0:55:03 > 0:55:06If you take the passion fruit and leave me with this...

0:55:06 > 0:55:10- You've got nothing.- ..then I can't even make a drink, you've fleeced me.

0:55:10 > 0:55:12- I want to do the right thing by you. - I've got you.- We're old mates.

0:55:12 > 0:55:15Hold on a second here.

0:55:15 > 0:55:17I've got Goldberg waiting in the hallway in case.

0:55:17 > 0:55:18Oh, no! Is he out there?

0:55:18 > 0:55:21'He wasn't going to budge, and I was thinking,'

0:55:21 > 0:55:24if he ain't going to budge, I'll be here two hours.

0:55:24 > 0:55:25I need to make a drink that's great.

0:55:28 > 0:55:29You know what I'm going to do?

0:55:29 > 0:55:32It's taking my A-game away, but you know what?

0:55:32 > 0:55:34I need to get on with my game.

0:55:34 > 0:55:37So I'm going to give you this. I'm going to give you this.

0:55:37 > 0:55:40- So, you're good?- Take that passion fruit. Let's get this thing done.

0:55:40 > 0:55:41You've got it, man. Good luck, mate.

0:55:41 > 0:55:43'I think Bret gave it up a bit easy.'

0:55:43 > 0:55:46If I was Bret, and I wanted passion fruit, I would

0:55:46 > 0:55:47have fought for it a bit harder.

0:55:47 > 0:55:49But who knows? Maybe he didn't. Maybe he bluffed me.

0:55:49 > 0:55:52All right, now I got to rethink this.

0:55:55 > 0:55:59- Sucker! - I heard you say, "Sucker!"- Ha-ha!

0:56:00 > 0:56:04I never wanted passion fruit to begin with, so he can have it.

0:56:06 > 0:56:08All right. I'm lying, I did.

0:56:10 > 0:56:11Ooh!

0:56:11 > 0:56:13What we got? What we got? What we got?

0:56:13 > 0:56:15Uh-oh. That was not a good face.

0:56:15 > 0:56:16I feel bad for what I just did.

0:56:16 > 0:56:19- Uh-oh. What'd you do?- It was like taking candy from a baby.

0:56:19 > 0:56:22Oh, God! What do we got? Show me something.

0:56:22 > 0:56:25- His first choice was passion fruit. And there it is.- Oh, yes!

0:56:25 > 0:56:28Sorry, Bret! Yes!

0:56:28 > 0:56:29What?! That's two!

0:56:29 > 0:56:34Oh, my God, you got... How did you do that!?

0:56:34 > 0:56:37- How did you do that?- Good job!

0:56:37 > 0:56:39Curtis came back down. He had all the juices we needed,

0:56:39 > 0:56:43'all the juices we wanted. He got everything on my list.'

0:56:43 > 0:56:45I sent the right man up there.

0:56:46 > 0:56:49Hi! How was negotiating?

0:56:49 > 0:56:53It was OK. Here's...Here's what didn't go good for me.

0:56:53 > 0:56:55What didn't go good is they were firm on the passion fruit.

0:56:55 > 0:56:57- Uh-oh.- All right, firm... It's OK.

0:56:57 > 0:56:59I was going to be up here, we weren't budging.

0:56:59 > 0:57:01So we would have been here for hours.

0:57:01 > 0:57:04'I can't wait to see the video of the actual'

0:57:04 > 0:57:06"negotiation" of Bret going,

0:57:06 > 0:57:09"I want passion fruit," and Curtis going, "No!"

0:57:09 > 0:57:11Bret saying, "OK".

0:57:11 > 0:57:13They stole our passion.

0:57:13 > 0:57:15They didn't steal our passion. Just stole our passion fruit.

0:57:15 > 0:57:18Maybe have to go back and rethink this.

0:57:18 > 0:57:21'I don't know how the negotiation went. I know we've ended up'

0:57:21 > 0:57:22very vulnerable.

0:57:26 > 0:57:30So now we just put together what we want to be our two drinks.

0:57:30 > 0:57:32- OK.- This was unbelievably great together.

0:57:32 > 0:57:35- OK.- Then we can decide whether we want the vanilla or cinnamon.

0:57:35 > 0:57:37- So, this is where I would go.- OK. - OK.

0:57:37 > 0:57:40- And then our second drink should be just this.- OK.

0:57:43 > 0:57:44'We developed two drinks:'

0:57:44 > 0:57:46one was Pear Plum Nutty, which also

0:57:46 > 0:57:48'worked with the diabetes.'

0:57:48 > 0:57:50"Pear Plum Nutty with a sinfully delicious kicker."

0:57:50 > 0:57:54- I think it's great, you guys. - That's it.

0:57:54 > 0:57:56I love this taste, man. It's good.

0:57:56 > 0:57:59'And the other drink was simply called Trop-a-rocka.'

0:57:59 > 0:58:02- I like that drink.- Wow.- It's good.

0:58:02 > 0:58:05I sent Darryl off to the mall to do a taste test,'

0:58:05 > 0:58:07cos you got to find out what the people love,

0:58:07 > 0:58:09what the consumer wants, right?

0:58:09 > 0:58:10I'm out, guys.

0:58:10 > 0:58:13How bummed are we going to be if they come back and say,

0:58:13 > 0:58:17"No-one likes the Pear Plum Nutmeg"?

0:58:17 > 0:58:21It doesn't matter. It will just be my executive choice.

0:58:21 > 0:58:23So, which one do you want to do first?

0:58:23 > 0:58:25Let's try our compassion and strawberry.

0:58:25 > 0:58:27Passion fruit, strawberry?

0:58:29 > 0:58:30Technical, eh?

0:58:30 > 0:58:32Ladies and gentlemen, Compassion Berry.

0:58:32 > 0:58:34Ooh, it smells delicious.

0:58:34 > 0:58:36It does, doesn't it?

0:58:36 > 0:58:39There's something about passion fruits that just get you going.

0:58:39 > 0:58:44We like the idea of morphing the names of passion fruit

0:58:44 > 0:58:46and strawberry into Compassion Berry.

0:58:46 > 0:58:49'But, was the actual tea going to taste good?

0:58:49 > 0:58:52'And then when we blended it with our R&D specialist, we loved it.'

0:58:52 > 0:58:54I'm loving that one, you guys. I say we pick that one.

0:58:54 > 0:58:56Do you think it needs a spice?

0:58:56 > 0:58:59- What kind of spice do you think it needs?- I don't know.

0:58:59 > 0:59:03- I'm just... I'm just curious. - Did we get sweet basil?

0:59:03 > 0:59:04- Yeah.- Try the sweet basil in there.

0:59:04 > 0:59:06'You've got pepper and nutmeg,

0:59:06 > 0:59:07'and things that you'd never imagine'

0:59:07 > 0:59:10would be in a Snapple drink.

0:59:10 > 0:59:12Yet, one little hit of these

0:59:12 > 0:59:13'changes the whole flavour.'

0:59:13 > 0:59:16- See what that brings to it. - Thank you.

0:59:18 > 0:59:22- That's very good. - I like it.- Mm-hm.

0:59:22 > 0:59:25Why don't we do the passion, strawberry, basil and see if

0:59:25 > 0:59:28- people have a reaction to the basil or not?- Sure.

0:59:28 > 0:59:30'We did decide we were going to take two flavours out:'

0:59:30 > 0:59:33one with sweet basil, and one without.

0:59:33 > 0:59:36'What we're really concerned about is how does the sweet basil

0:59:36 > 0:59:39'affect our passion fruit, strawberry tea?'

0:59:39 > 0:59:44# Roll, roll, roll your Snapple gently out the door... #

0:59:44 > 0:59:45'I really wish'

0:59:45 > 0:59:48we could have came up with two completely different teas,

0:59:48 > 0:59:50'so the public would have been able to tell us

0:59:50 > 0:59:51'which one they liked.'

0:59:51 > 0:59:53That's not bad, actually. 'But Holly does this.'

0:59:53 > 0:59:56Holly gets something in her mind, and then that's it.

0:59:56 > 0:59:58You're not going to change her mind.

0:59:58 > 0:59:59All right, here we go!

0:59:59 > 1:00:03- Beautiful!- 'It could be a huge mistake if nobody likes this drink.'

1:00:05 > 1:00:07All right. So, what are we doing here?

1:00:07 > 1:00:09Let's take one last look at that sucker.

1:00:09 > 1:00:11"The best ingredients make the best drinks with zero calories.

1:00:11 > 1:00:15"So pop that top, and make that sucker pucker.

1:00:15 > 1:00:17"I guarantee it's going to rock your world."

1:00:17 > 1:00:20"Incorporation of your charity's mission and message."

1:00:20 > 1:00:22So, we haven't done that in there yet.

1:00:22 > 1:00:25And it has to be in the label? Within the label?

1:00:25 > 1:00:29- I don't know. - We have a little room still, right?

1:00:29 > 1:00:34- It's just oversaturated with words. - What's going on?- Doing good.

1:00:34 > 1:00:36- How are you doing? I'm sorry. - Good to see you.

1:00:36 > 1:00:38- I was so engrossed. - Oh, listen, that's cool.

1:00:38 > 1:00:40- Show me what you got. - Look at those colours.

1:00:40 > 1:00:42Got the red, you throw a little guitar, a little hint

1:00:42 > 1:00:43of stuff, the fruits.

1:00:43 > 1:00:47- So, what's the flavour?- Pear Plum Nutty.- How's the taste?

1:00:47 > 1:00:49- Taste is unbelievable.- Really?

1:00:49 > 1:00:52Cos it just doesn't seem like a combo I'd ever want to drink, but...

1:01:01 > 1:01:04- Hello there.- How are you?- How's everything going?

1:01:04 > 1:01:06It's going good so far.

1:01:06 > 1:01:08- I got my...- Oh, going barefoot and everything!

1:01:08 > 1:01:10I got my shoes off.

1:01:10 > 1:01:13We're doing a hybrid of passion fruit and strawberry.

1:01:13 > 1:01:15We're calling it "Compassion Berry tea".

1:01:15 > 1:01:18- So, this is where we are now. - Good integration of the autism.

1:01:18 > 1:01:21- Yeah. Yeah, you know? - In there with the puzzle pieces.

1:01:21 > 1:01:23'I love that he got that our label incorporated'

1:01:23 > 1:01:27the puzzle pieces, and the puzzle pieces are the symbol of autism.

1:01:27 > 1:01:30We wanted to be able to do this Compassion Berry, and we

1:01:30 > 1:01:33couldn't do the Compassion Berry piece without the passion fruit,

1:01:33 > 1:01:34or the strawberry.

1:01:34 > 1:01:36Is passion fruit, though, Middle America?

1:01:36 > 1:01:39Um... It's not, but the strawberry sort of brings it down and makes it

1:01:39 > 1:01:41a little bit more recognisable.

1:01:41 > 1:01:43- Yeah.- It's a different-looking fruit.

1:01:43 > 1:01:46'It's interesting. Because they put so much stock in the fact

1:01:46 > 1:01:48'that this is the compassion fruit,'

1:01:48 > 1:01:50really linking the tea to the flavour and to the name.

1:01:50 > 1:01:54I think Holly could have troubles if people don't like the taste.

1:01:54 > 1:01:55If the taste test goes awry,

1:01:55 > 1:01:58'it's going to be an issue for her.'

1:01:58 > 1:02:00No small task, huh?

1:02:03 > 1:02:07Guess what? We found better stuff.

1:02:07 > 1:02:11- Hey, Darryl. What's happening?- All right. How you doing?- Good.- Good.

1:02:11 > 1:02:13Are you ready for some Snapple?

1:02:13 > 1:02:15'I went with Maria over to the mall,'

1:02:15 > 1:02:16and we took some of our new concoction over

1:02:16 > 1:02:19'to give people to try.'

1:02:19 > 1:02:23- This is strawberry, passion fruit and basil.- Basil?

1:02:23 > 1:02:25That's really good.

1:02:25 > 1:02:29- Oh, it's so yummy and refreshing. - The best thing I've ever tried.

1:02:29 > 1:02:31- Awesome.- The best thing you ever tried? Good man.

1:02:31 > 1:02:34Step right up, step right up. We're coming up with a new Snapple line.

1:02:34 > 1:02:36Trying to figure out which tastes better.

1:02:36 > 1:02:38Taste was very important in this task,

1:02:38 > 1:02:41'for Bret to be able to know what drink he needs to make.'

1:02:41 > 1:02:45- No? Which one you like? - I like the vanilla one.

1:02:45 > 1:02:48That's tropical vanilla. Tell me what you think.

1:02:48 > 1:02:50- It tastes like dessert.- Is it good?

1:02:50 > 1:02:52How could you go wrong with vanilla and cinnamon?

1:02:52 > 1:02:56- Mm.- Like that?- Mm-hm.- Yes.

1:02:56 > 1:02:59This is pear, plum, nutmeg, and, um...cinnamon. No?

1:02:59 > 1:03:01No good.

1:03:01 > 1:03:03No good, no good. You got to drink a little bit more.

1:03:03 > 1:03:05Get a little bit more taste to it.

1:03:05 > 1:03:08- I don't want to.- Why...?- It tastes like my grandpa.- Yeah, yeah.

1:03:08 > 1:03:11'This drink, pear, plum, nutmeg, and'

1:03:11 > 1:03:13a little cinnamon...and most people didn't like that.

1:03:13 > 1:03:15Most of them picked the Trop-a-rocka.

1:03:15 > 1:03:19- That's a home run for you, right? - Right.- Delicious.

1:03:19 > 1:03:21- Yeah, I like it better.- Hang on.

1:03:26 > 1:03:28'I wanted to get a little taste of what,'

1:03:28 > 1:03:30uh...Bret had to offer.

1:03:30 > 1:03:33- Try this.- What is it? Pear? Plum?

1:03:35 > 1:03:36- It's not good.- Gross.

1:03:36 > 1:03:40This tastes horrible. It tastes like Christmas bottled up.

1:03:40 > 1:03:41'I think it's like Bret's taste.

1:03:41 > 1:03:43'He's not too picky when it comes to...'

1:03:43 > 1:03:45women,

1:03:45 > 1:03:48so, you know, he just tests them all and tastes them all.

1:03:48 > 1:03:53Well, this is like the whole brood of Rock Of Love all in one drink.

1:03:53 > 1:03:56And let me just say, all together, not delicious.

1:03:56 > 1:03:59Absolutely disgusting.

1:03:59 > 1:04:00It was gross.

1:04:00 > 1:04:02Would you like to try some of the good stuff?

1:04:09 > 1:04:11Hey, Darryl, what you finding out?

1:04:11 > 1:04:16They liked the tropical, vanilla and cinnamon. They love it.

1:04:16 > 1:04:18'We were really shocked to learn that the taste-testers

1:04:18 > 1:04:19'loved the Trop-a-rocka.'

1:04:19 > 1:04:22The whole creative was around the Pear Plum Nutty.

1:04:22 > 1:04:24That may change us up a little bit, but I have to make

1:04:24 > 1:04:26an executive decision on which way to go.

1:04:26 > 1:04:28All right. I'm on my way back now.

1:04:28 > 1:04:30I'll see you in a few minutes. Thank you.

1:04:30 > 1:04:33Now we're just going to have to obviously change this up.

1:04:33 > 1:04:36And then we'll call it Trop-a-rocka underneath.

1:04:36 > 1:04:38'I always feel that the people know what the people want.'

1:04:38 > 1:04:41And, uh...we found out they wanted Trop-a-rocka.

1:04:41 > 1:04:44'Of course, I made the artwork for all the other stuff.

1:04:44 > 1:04:46'So, we flipped it all around.'

1:04:46 > 1:04:50"Bret's blend tea: Trop-a-rocka - it'll rock your world."

1:04:50 > 1:04:53Now it comes together.

1:04:53 > 1:04:56- Good night. - Isn't that amazing how that works?

1:04:56 > 1:04:59- Do we have to shoot the TVC tomorrow?- Uh-huh.

1:04:59 > 1:05:01I'm trying to get a little jump on tomorrow.

1:05:01 > 1:05:03Tomorrow's going to be kind of a rough day.

1:05:03 > 1:05:06'To shoot a 30-second commercial, and to create a three-page'

1:05:06 > 1:05:10advertisement, I think is a very, very, very, tall task.

1:05:10 > 1:05:13We need to talk to our prop house.

1:05:13 > 1:05:15'We have to make sure we get all the props that we need.'

1:05:15 > 1:05:18I want to get them lined up tonight.

1:05:18 > 1:05:21So, I asked Curtis to call the prop house.

1:05:23 > 1:05:28Amanda, it's Curtis Stone calling from, uh, what are we?

1:05:28 > 1:05:30I'm so sorry to call you after hours.

1:05:30 > 1:05:33Are you working tomorrow at the prop shop?

1:05:33 > 1:05:35Wonderful.

1:05:35 > 1:05:38'I'm looking at the time, I'm like, I think this prop house is closed.'

1:05:38 > 1:05:41He calls this...and a young lady answers and says, "Hey, you!"

1:05:41 > 1:05:45"Hey, you!"? Not, "Prop house! May I help you?"

1:05:45 > 1:05:49He called the girl's cellphone. After hours.

1:05:49 > 1:05:52He had the full-on bat line for this girl.

1:05:54 > 1:05:56So, yeah, I think I'll come in tomorrow.

1:06:09 > 1:06:12We're in our final challenge, so this is the big finale.

1:06:16 > 1:06:19We won the last one, yeah, thanks to your great propping.

1:06:19 > 1:06:21'The girl seemed overwhelmed that Curtis was calling,

1:06:21 > 1:06:24'just giving her a little bit of his time.'

1:06:24 > 1:06:26And, she goes, "Oh, my God, I didn't know you won!

1:06:26 > 1:06:28"You didn't tell me you won, silly."

1:06:28 > 1:06:32And it's so funny, I notice Curtis did not mention that he didn't win.

1:06:32 > 1:06:35- Bye.- 'OK. That's how he's rolling.'

1:06:35 > 1:06:40Everyone, Summer, Darryl, come here and take a look at this,

1:06:40 > 1:06:42because we need to send this pretty soon.

1:06:42 > 1:06:45OK. "My new tea is taste- bud-tested and rocker-approved.

1:06:45 > 1:06:48"I chose those ingredients not only because they taste great,

1:06:48 > 1:06:51"but as a lifelong type-one diabetic, pears, mango, peaches,

1:06:51 > 1:06:55"and cinnamon have helped me to maintain good blood-sugar levels.

1:06:55 > 1:06:57"I drink it cos I love it. It'll rock your world."

1:06:57 > 1:07:04- Perfect.- That's real.- Oh, man. - Swish! Woo! Aha! We did it.

1:07:04 > 1:07:06Tomorrow's going to be a crazy day.

1:07:06 > 1:07:08Without a doubt, tomorrow's going to be insane.

1:07:08 > 1:07:10You going to put your head around your concept?

1:07:10 > 1:07:12- Do you have it, like...- I am.

1:07:12 > 1:07:14'Going into tomorrow, I am a little'

1:07:14 > 1:07:16bit confident, a little bit nervous.

1:07:16 > 1:07:18'We have to shoot a commercial.

1:07:18 > 1:07:20'We have to get our three-page ad together.

1:07:20 > 1:07:22'And we also have to get a PowerPoint.'

1:07:22 > 1:07:24If he's going to win, he's going to win cos of tomorrow.

1:07:24 > 1:07:26If he's going to lose it,

1:07:26 > 1:07:28'he's going to lose it because of tomorrow.'

1:07:28 > 1:07:29Boom. Thank you.

1:07:38 > 1:07:39Ooh! That's nice.

1:07:39 > 1:07:41I'm going to be honest, you got good jeans on.

1:07:41 > 1:07:44- Those are good butt jeans right there.- Thank you.

1:07:44 > 1:07:46Let's start right now at the funniness of this funniness.

1:07:46 > 1:07:48'Today, we've got to shoot the print ad.

1:07:48 > 1:07:50'We've got to shoot the commercial.'

1:07:50 > 1:07:52There is no doubt that I'm feeling a lot of pressure.

1:07:52 > 1:07:54And I'm trying to keep my cool.

1:07:54 > 1:07:57- Like, how do you do a diabetes ad that's funny?- You don't!

1:07:57 > 1:08:01- But I'm going...- It doesn't have to be in-your-face.

1:08:01 > 1:08:02Bret was just torn, you know,

1:08:02 > 1:08:05how to get his diabetes message across,

1:08:05 > 1:08:06'and be funny at the same time.'

1:08:06 > 1:08:08I say we shoot two ads.

1:08:08 > 1:08:11I say we shoot the one that's sincere, and then we shoot

1:08:11 > 1:08:13that one that's funny.

1:08:13 > 1:08:15And I said, "You know what we gave you?

1:08:15 > 1:08:18"We were so good with our time management, that I made two ads."

1:08:18 > 1:08:22Can you imagine in the middle of a Snapple ad, I'm talking about cancer?

1:08:22 > 1:08:24You will get so many people mad, it would be silly.

1:08:24 > 1:08:27- Right.- I say we do two completely different ads.

1:08:27 > 1:08:29'To shoot one commercial in the timeframe'

1:08:29 > 1:08:31we had was extraordinary.

1:08:31 > 1:08:33'So to shoot two was insane.

1:08:33 > 1:08:36'I knew today was going to be absolutely overwhelming.

1:08:36 > 1:08:38'There was entirely too much to do.'

1:08:38 > 1:08:40Oh, we need the ad!

1:08:40 > 1:08:43- Somebody's got to work on that three-page ad from 12-8.- BLEEP!

1:08:43 > 1:08:45Who shoots a 30-second commercial

1:08:45 > 1:08:47- and a three-page ad in the same day? - I know.

1:08:47 > 1:08:49Hello?

1:08:52 > 1:08:54Oh! This is where all the magic happens.

1:08:54 > 1:08:57'This is the morning of our big photo shoot, our video for our

1:08:57 > 1:09:00'commercial, and Curtis and Maria went to the prop house to get

1:09:00 > 1:09:02'all the things that I need.

1:09:02 > 1:09:04'Last night, I really struggled creatively.'

1:09:04 > 1:09:08My creative juices were just all dried up.

1:09:08 > 1:09:11'But, this morning, things are sort of coming to me.'

1:09:11 > 1:09:12I did stay up late last night,

1:09:12 > 1:09:15and I started to write out a script that I liked.

1:09:15 > 1:09:18I knew I would have to tweak it, but I was hoping that it would

1:09:18 > 1:09:21morph into what was going to become our 30-second commercial.

1:09:21 > 1:09:23So, I need to cast this commercial.

1:09:23 > 1:09:26If you could e-mail me photos, that'd be terrific.

1:09:28 > 1:09:33- OK, so, we're going to get the giant globe, lab table...- Potion vials.

1:09:33 > 1:09:35Potion vials, of course. And lab coats. OK.

1:09:35 > 1:09:38'Well, first thing in the morning, both myself and Maria'

1:09:38 > 1:09:39ran around to the prop shop

1:09:39 > 1:09:41'to pick up various bits and pieces.'

1:09:41 > 1:09:44- Amanda!- Hello! How are you?

1:09:44 > 1:09:47Thank you so much for taking my call yesterday. How you doing?

1:09:47 > 1:09:51- Hi, good.- Good to see you.- Good to know that you made it this far.- Yes.

1:09:51 > 1:09:54It's so funny seeing the women swoon.

1:09:54 > 1:09:58'They just get so excited to see their very pretty,'

1:09:58 > 1:10:01Aussie chef coming up. And, they get so, like,

1:10:01 > 1:10:02'mesmerised by him.'

1:10:02 > 1:10:05So, let me tell you what we're doing.

1:10:05 > 1:10:08Look at that! Hello, Trop-a-rocka.

1:10:08 > 1:10:11Oh, whoa! That is cool-looking!

1:10:11 > 1:10:13Look at this delicious new Snapple we've created.

1:10:13 > 1:10:16'Our label looked awesome. There's no denying

1:10:16 > 1:10:19what our message is and how we're going to make this unique.

1:10:19 > 1:10:21- Hey, guys!- Stop it!

1:10:21 > 1:10:23- Look what I got.- Oh, man!

1:10:23 > 1:10:25- I got the real one.- You got the man.

1:10:25 > 1:10:28- Arthur, this is Bret. - Nice to meet you. I'm Bret, man.

1:10:28 > 1:10:31So, we were given one Snapple character to work with.

1:10:31 > 1:10:34Arthur, when he walked into our room, I literally took

1:10:34 > 1:10:37one look at him and was laughing so hard.

1:10:37 > 1:10:39'Cos you've seen the Snapple commercials,

1:10:39 > 1:10:42'and you know how funny he is. And then when you see him'

1:10:42 > 1:10:44walking into your studio, it was hilarious.

1:10:44 > 1:10:47We'll hold the drink like this. You're holding it with me.

1:10:47 > 1:10:49We're like this, just looking forward, and everyone's

1:10:49 > 1:10:52telling us what to be, right?

1:10:52 > 1:10:53For the funny commercial,

1:10:53 > 1:10:55the concept is simply for me and Arthur to be

1:10:55 > 1:10:58'two bad actors hired to do a Snapple commercial.'

1:10:58 > 1:10:59We just look, back.

1:10:59 > 1:11:02There's the ad rep, the director, the agent,

1:11:02 > 1:11:06'and the model are standing there staring at us at the other end'

1:11:06 > 1:11:08while shooting this commercial.

1:11:08 > 1:11:11- But we need a businesswoman. - Hot-looking businesswoman.- OK.

1:11:11 > 1:11:13Double-D blonde.

1:11:13 > 1:11:15Or brunette, doesn't matter to me either way.

1:11:15 > 1:11:18Who else, Bret, do we want to come audition?

1:11:18 > 1:11:20Darryl, you have to be in the ad.

1:11:20 > 1:11:24Darryl's got to be the director. Darryl's got to come out in a beret.

1:11:24 > 1:11:25But one of those berets that's too small.

1:11:25 > 1:11:27- Will you do it, Darryl? - Yeah, I will.

1:11:27 > 1:11:29'I was shocked myself, you know,'

1:11:29 > 1:11:30but Bret wanted me to participate

1:11:30 > 1:11:32in the commercial. And be a part of it.

1:11:32 > 1:11:35So, I mean, like I said, you do whatever it takes, you know?

1:11:35 > 1:11:36'Anytime you volunteer to participate,

1:11:36 > 1:11:38'you give your best effort.'

1:11:38 > 1:11:41Why don't you have Darryl call the talent company?

1:11:41 > 1:11:43Let's get on the talent, and let's look at them.

1:11:43 > 1:11:46Maybe ask where you can go online to check the actors.

1:11:46 > 1:11:47- Yeah, OK.- 'It is a full-time job'

1:11:47 > 1:11:48to make sure that he knows

1:11:48 > 1:11:51this is what we have to do and this is the task at hand.

1:11:51 > 1:11:53'I mean, his creative energy is all over the place.

1:11:53 > 1:11:55'So part of it's getting him to focus.'

1:11:55 > 1:11:56Here's our schedule.

1:11:56 > 1:11:58Oh, I love you. Look at you.

1:12:02 > 1:12:04Oh, cool!

1:12:04 > 1:12:06Oh, this looks great! Yay!

1:12:06 > 1:12:10- That looks very cool. Very good. - OK, good. Well, that's step one.

1:12:10 > 1:12:12Jim is one of the Snapple characters.

1:12:12 > 1:12:14Um...I don't do nudity.

1:12:14 > 1:12:17- Just want to let you know that. - Oh, OK. All right.- No nudity.

1:12:17 > 1:12:20All right, I'll be back. I've got to come up with a different idea.

1:12:20 > 1:12:23He's a hilarious guy, and I was really happy to be able

1:12:23 > 1:12:25to have Jim as one of my actors. He sells lines

1:12:25 > 1:12:27'like I have never seen.'

1:12:27 > 1:12:30- We're going to have three actors in a "laboratory".- Mm-hm.

1:12:30 > 1:12:33Putting together the Snapple flavour.

1:12:33 > 1:12:35The concept is the tea makes people feel for others.

1:12:35 > 1:12:38'The reason why this task is big is because not only do you'

1:12:38 > 1:12:41have to actually pick actors, but you have to audition them.

1:12:41 > 1:12:44- Hi.- Hi!- Are you Holly?- I am.

1:12:44 > 1:12:45- How'd I guess? Kenan. - Nice to meet you.

1:12:45 > 1:12:49'So, I called the agency. I got a bunch of actors in.'

1:12:49 > 1:12:52So, I'd love to hear a couple of you guys just read them down.

1:12:52 > 1:12:55- How's your stuff? - Oh, the best stuff on Earth.

1:12:55 > 1:12:57- Hey, how's your stuff?- My stuff is better. It just got better.

1:12:57 > 1:13:02- Hey, how's your stuff?- My stuff is better. It just got better!

1:13:02 > 1:13:04One more time, and switch the parts around.

1:13:08 > 1:13:10Maybe, Bill, you could read the end. Like, the tag line.

1:13:10 > 1:13:13- That would be good.- How's your stuff?- Best stuff on Earth.

1:13:13 > 1:13:16- Hey, how's YOUR stuff? - Oh! My stuff is better!

1:13:16 > 1:13:18Mmm, this IS the best stuff on Earth.

1:13:18 > 1:13:19'I hate casting,'

1:13:19 > 1:13:21and hiring and firing.

1:13:21 > 1:13:24'As an actress, I don't like judging'

1:13:24 > 1:13:27other actors. It makes me very uncomfortable.

1:13:27 > 1:13:29Can you fire them for me?

1:13:30 > 1:13:32Who do you want to fire? You tell me.

1:13:32 > 1:13:36I know which ones I want. It's Lauren, Natalie and Mike.

1:13:36 > 1:13:39- OK. Where are they all? - I feel so bad.

1:13:39 > 1:13:41'I made Curtis do the firing,'

1:13:41 > 1:13:45because Curtis is cute and he has that cute little Australian accent.

1:13:45 > 1:13:48'And, somehow saying, "you're fired," in an Aussie accent doesn't'

1:13:48 > 1:13:50come off as harsh.

1:13:50 > 1:13:52- Tell them thanks for coming, and I love them.- I will.

1:13:52 > 1:13:56- But those are my three.- Hi, guys. - Hi!- How are you?

1:13:56 > 1:13:58- I see she made you be the bad guy. - She has.

1:13:58 > 1:14:01She's made me be the bad guy. 'You know what? I just got fired,'

1:14:01 > 1:14:02so I had a little bit in me.

1:14:02 > 1:14:04I was ready to fire someone else. I didn't mind it.

1:14:04 > 1:14:07Well, so, the three people that we are going to go with are Lauren,

1:14:07 > 1:14:09Natalie and Mike.

1:14:09 > 1:14:11- I thought I was in this. - I think you're in it.

1:14:11 > 1:14:14- You guys throwing me out, or...? - I think you're in it regardless.

1:14:14 > 1:14:16- Nice to meet you. - Night. Lovely to meet you.

1:14:16 > 1:14:17Thank you for coming down.

1:14:17 > 1:14:19'I've got to work on this.'

1:14:19 > 1:14:20My casting skills are great.

1:14:20 > 1:14:25My firing skills...well, let's just say I'm no Mr Trump.

1:14:25 > 1:14:28Curtis, you're a female wrestler? Is that right?

1:14:28 > 1:14:30- I'm not the female wrestler. - He's the chef!

1:14:36 > 1:14:39If he can line these guys up, then he can get them going while

1:14:39 > 1:14:40you're shooting the first commercial.

1:14:40 > 1:14:42'Summer and Darryl are in charge'

1:14:42 > 1:14:44of hiring all of the actors and models.

1:14:44 > 1:14:46But what about the other girl, as well?

1:14:46 > 1:14:48The girl with the real crazy hair?

1:14:48 > 1:14:50My whole thing is if they're funny.

1:14:50 > 1:14:52She doesn't need to be funny.

1:14:52 > 1:14:54- She needs to be like... - She's got to be funny.

1:14:54 > 1:14:55She's sending two funny girls.

1:14:55 > 1:14:58- Is she sending her?- No.- Send her.

1:14:58 > 1:15:00'No matter what,'

1:15:00 > 1:15:02Bret needed the hot chicks.

1:15:02 > 1:15:04- Hello!- Hi.

1:15:04 > 1:15:06- I'm Bret.- Tracy. - Nice to meet you, Tracy.

1:15:06 > 1:15:08This is going to be awesome. We're having a lot of fun.

1:15:08 > 1:15:11OK. Just have you hang out in make-up and wardrobe.

1:15:11 > 1:15:12- Yeah, I'll be there. - I'll walk you back.

1:15:12 > 1:15:15This isn't one of those uptight... Although I'm nuts.

1:15:15 > 1:15:17Yeah, look at that.

1:15:17 > 1:15:19- I'm Bret. Nice to meet you, Natasha.- Nice to meet you.

1:15:19 > 1:15:21This is Darryl. That's Summer.

1:15:21 > 1:15:24I'll be directing, with my crew, this gaggle-fest

1:15:24 > 1:15:25that we're shooting today.

1:15:25 > 1:15:28So, come on back. I'll let you relax and...how you doing today? All good?

1:15:28 > 1:15:31- I'm doing well.- Good. You look awesome. I'm doing great.

1:15:31 > 1:15:32'This was about ordering cute girls'

1:15:32 > 1:15:35to be in his commercial, because he's a rocker.

1:15:35 > 1:15:37- Hi, how are you doing? - I'm good. How are you?

1:15:37 > 1:15:40- Good. I'm Bret.- Lauren. Nice to meet you.- Hi, Lauren.

1:15:40 > 1:15:42- Nice to meet you. You want to bring your stuff?- Sure.

1:15:42 > 1:15:44'When the girls walk in,'

1:15:44 > 1:15:46they are a major distraction for him.

1:15:46 > 1:15:49'And you have to try to keep him on course.'

1:15:49 > 1:15:52As soon as he... I just need Bret to come over here and look at this.

1:15:52 > 1:15:55'I have to have this PowerPoint approved.'

1:15:55 > 1:15:56I can't pull Bret away.

1:15:56 > 1:15:59'I have lots of questions creating this ad, making sure'

1:15:59 > 1:16:02it's exactly the way he wants it. A lot of it is about his charity.

1:16:02 > 1:16:05- Go ahead.- Look how professional I am.- That's hot.- Done.

1:16:05 > 1:16:08My first issue of Playboy ruined me, cos it was the business issue,

1:16:08 > 1:16:11and it's the hottest. It ruined me.

1:16:11 > 1:16:16I'll have to look this way while addressing you cos it's really hot.

1:16:16 > 1:16:17I'm just saying. All right.

1:16:25 > 1:16:28'I was sort of unpacking the props that we brought.'

1:16:28 > 1:16:30I probably had the vision of how that set should look.

1:16:30 > 1:16:33'I pretty much took on the responsibility of building the set.

1:16:33 > 1:16:35'Making sure it looked colourful'

1:16:35 > 1:16:37and fun, and loads of Snapple everywhere.

1:16:37 > 1:16:39- These are real passion fruits?- Yeah.

1:16:39 > 1:16:42I had every chef in the country scouring for passion fruits.

1:16:42 > 1:16:43'I don't know where he found'

1:16:43 > 1:16:46all that passion fruit. Apparently, it's out of season.

1:16:46 > 1:16:49'Curtis doesn't wait for you to tell him to do something, he does it.'

1:16:49 > 1:16:52I really felt relieved that I had Curtis there.

1:16:52 > 1:16:55OK, let's try one. See what happens.

1:16:55 > 1:16:57- Quiet, please.- OK, ready?

1:16:57 > 1:16:58We're rolling.

1:16:58 > 1:17:00'I would imagine that Snapple would put months,

1:17:00 > 1:17:02'maybe even a year, into something like this.'

1:17:02 > 1:17:04And we only had a couple days.

1:17:04 > 1:17:06- And cut.- One more?- Yeah, one more.

1:17:06 > 1:17:08One more like this, and then we're going to move on.

1:17:08 > 1:17:11The time pressures are so intense right now.

1:17:11 > 1:17:13He shouldn't be looking right at camera.

1:17:13 > 1:17:14Uh, we should do both.

1:17:14 > 1:17:18Usually, there's a distant look.

1:17:18 > 1:17:20Holly's trying to have her head in two places at once.

1:17:20 > 1:17:22'If I let her concentrate on the 30-second spot,

1:17:22 > 1:17:23'I could take a bit of'

1:17:23 > 1:17:25the pressure off her and do the still shoots.

1:17:25 > 1:17:28Do you think maybe a little bit, him where his body's

1:17:28 > 1:17:30pointing in a different direction, or...?

1:17:30 > 1:17:31Maybe just a little bit awkward.

1:17:31 > 1:17:33Like a little bit... I like that.

1:17:33 > 1:17:35- Yeah. Go back.- I love that.

1:17:35 > 1:17:36I love that.

1:17:36 > 1:17:39Holly's direction was to go quite a long way down that autism road.

1:17:39 > 1:17:42'So the double-page spread is going to be a map of the world,

1:17:42 > 1:17:44'then we're going to have puzzle pieces on it.

1:17:44 > 1:17:47'And then we're going to have the kid standing on

1:17:47 > 1:17:48'one of the puzzle pieces that's missing.'

1:17:48 > 1:17:52And the idea of that is to try and demonstrate, somehow,

1:17:52 > 1:17:55that Snapple has come together with the HollyRod Foundation,

1:17:55 > 1:17:59'and helping to slowly put the pieces of this puzzle together.'

1:17:59 > 1:18:03- Yeah, maybe you're looking at the Snapple bottle.- Powerful shot, hey?

1:18:03 > 1:18:05It's like got it all in there, right? Everything you need.

1:18:05 > 1:18:08Very quiet, please. And, action!

1:18:08 > 1:18:12'I learned from the last commercial I shot for Right Guard, I would'

1:18:12 > 1:18:15rather overshoot and have too much to choose from, than undershoot.

1:18:15 > 1:18:18- Action!- How's your stuff?- My stuff? The best stuff on Earth.

1:18:18 > 1:18:21- Oh, yeah! And I got new stuff! - So, how's your stuff?

1:18:21 > 1:18:24- My stuff is new! It just got better! - What's your stuff?

1:18:24 > 1:18:26What's your new, better stuff?

1:18:26 > 1:18:28The best stuff on Earth and it did just get better!

1:18:28 > 1:18:30And cut. Very good.

1:18:30 > 1:18:32'Autism is not funny,'

1:18:32 > 1:18:34but the Snapple ads are very funny.

1:18:34 > 1:18:35And very memorable.

1:18:35 > 1:18:38'I thought it was best to go in a funny direction, and basically'

1:18:38 > 1:18:42just tag the commercial with the fact that Snapple was

1:18:42 > 1:18:44'supporting this autism cause.'

1:18:44 > 1:18:46- How's your stuff?- My stuff? The best stuff on Earth!

1:18:46 > 1:18:49This is the best stuff on Earth, and it DID just get better!

1:18:49 > 1:18:54- Great. Cut.- Oh, my gosh. She is... You are fun-ny!

1:18:56 > 1:18:58- OK, Summer?- Yes, yes, yes?

1:18:58 > 1:19:01Can you help me just write this script so me and Arthur can

1:19:01 > 1:19:03- shoot our first thing immediately? - You got it!

1:19:03 > 1:19:04'So I decided I need to shoot'

1:19:04 > 1:19:06two different commercials -

1:19:06 > 1:19:08one that leans a little more serious,

1:19:08 > 1:19:09and one that leans a lot more fun,

1:19:09 > 1:19:11but still gets the message across.

1:19:11 > 1:19:13"Hi, I'm Bret Michaels. And I'm Arthur."

1:19:13 > 1:19:17And we say, "Normally, we have lot of fun doing these commercials,

1:19:17 > 1:19:20"but we decided to take a much more serious approach." Right.

1:19:20 > 1:19:23'For the serious commercial, the concept is simply for me and Arthur'

1:19:23 > 1:19:27just to stand there, hold the bottle like this, dolly in,

1:19:27 > 1:19:30a big push in on us, and voiceover all the way in, saying,

1:19:30 > 1:19:33'"Snapple's a great drink, this is about diabetes."'

1:19:33 > 1:19:36You set dolly track on a 30-second push...

1:19:36 > 1:19:39And you push 30 seconds, so when that dolly track stops moving,

1:19:39 > 1:19:42- I better be done talking, that's the end of my commercial.- Right.

1:19:42 > 1:19:45Dolly tracks are basically like railroad tracks that I can

1:19:45 > 1:19:48set the cameras up on with skateboard wheels, and just

1:19:48 > 1:19:51kind of push it in slow, and it doesn't bobble.

1:19:51 > 1:19:52- I'm Bret.- Joe.

1:19:52 > 1:19:54Nice to meet you, man. Nice to meet you.

1:19:54 > 1:19:58What we want to do is set up a dolly track coming this way.

1:19:58 > 1:20:00They don't have a dolly here?

1:20:00 > 1:20:03If you want a dolly, you need to figure out

1:20:03 > 1:20:06- where to get it and pick it up. - You got it. I'll do it now.

1:20:06 > 1:20:07I'm trying to keep my cool right now.

1:20:07 > 1:20:10It's ridiculous they would not have a dolly track.

1:20:10 > 1:20:13'When I got here and didn't have proper equipment, I thought is,

1:20:13 > 1:20:14"This is bad.

1:20:14 > 1:20:16"I need to fix this problem right away.

1:20:16 > 1:20:18'"And, I'm hoping I have enough time to do it."'

1:20:18 > 1:20:21All right, here we go. It would be one doorway dolly.

1:20:25 > 1:20:29No worries.

1:20:30 > 1:20:32I appreciate your time.

1:20:33 > 1:20:38- That just wasted my- BLEEP- time. All right. So, here we go.

1:20:38 > 1:20:39I want this dolly track.

1:20:39 > 1:20:42And for me, dolly track is so important, because without it

1:20:42 > 1:20:44'I do not have my shot.'

1:20:44 > 1:20:46How long will it take to get it here?

1:20:47 > 1:20:51- They're going to send you it. - Let me take it.

1:20:51 > 1:20:53OK, here's my deal.

1:20:53 > 1:20:56I don't...I don't need it. We're good. Thanks.

1:20:56 > 1:20:59I don't have the time. So thank you.

1:20:59 > 1:21:02- This is a- BLEEP.- It'll be another two-hour nightmare.

1:21:02 > 1:21:03I've been through it before.

1:21:03 > 1:21:05- 'Bret was about to lose his- BLEEP - absolutely.'

1:21:05 > 1:21:08And I can understand that, cos when you get this visual in your

1:21:08 > 1:21:11head, and this is what I'm doing, and then, like, the main part of

1:21:11 > 1:21:15that visual cannot happen for you, it's actually kind of panic mode.

1:21:17 > 1:21:20It's the best stuff on Earth, and it did just get better!

1:21:22 > 1:21:24Cut. Great.

1:21:24 > 1:21:27Thank you, actors! You all were terrific. It was excellent!

1:21:27 > 1:21:30'We just finished up with all the actors.

1:21:30 > 1:21:31'We're wrapping our actors,

1:21:31 > 1:21:33'we're wrapping our model for our print campaign.'

1:21:33 > 1:21:36That was the easy stuff, and now the hard work starts

1:21:36 > 1:21:37in editing.

1:21:37 > 1:21:40'Little bit of a time crunch. Still feeling very positive.'

1:21:40 > 1:21:43I'm shooting, again, this commercial today.

1:21:43 > 1:21:46I just need to get this stuff here yesterday, if you know what I mean.

1:21:51 > 1:21:54- Their insurance won't cover it. They got to get their- BLEEP- agent.

1:21:54 > 1:21:56- This is a- BLEEP.

1:21:56 > 1:21:58They're, "My company won't release it."

1:21:58 > 1:22:01"We'll hold it in the hallway till we get all the paperwork."

1:22:01 > 1:22:04It's a nightmare. It's a nightmare. OK.

1:22:04 > 1:22:07They're giving me a technical glitch right now that I can't fix.

1:22:09 > 1:22:12Look, we haven't shot anything yet. Where's the dolly track?

1:22:12 > 1:22:15If I don't get this dolly, we have screwed this up so badly,

1:22:15 > 1:22:17I'm telling you, we are going to lose.

1:22:29 > 1:22:32Subtitles by Red Bee Media Ltd.