Deodorant Advert Task

0:00:02 > 0:00:04Previously on the Celebrity Apprentice...

0:00:04 > 0:00:07Mr Trump separated project managers Selita Ebanks and Rod Blagojevich

0:00:07 > 0:00:09from their teams.

0:00:09 > 0:00:11Tomorrow morning you're going out to Teterboro Airport.

0:00:11 > 0:00:15- You don't need a passport.- Celebrity Apprentice hasn't done this before.

0:00:15 > 0:00:16En route to Orlando, Rod and Selita

0:00:16 > 0:00:19were tasked with creating a three-dimensional display

0:00:19 > 0:00:23for Universal Orlando's the Wizarding World Of Harry Potter.

0:00:23 > 0:00:26You'll gather information about this new attraction.

0:00:26 > 0:00:29You'll report your findings back to your team in New York City.

0:00:29 > 0:00:33Back in New York, cracks began to form on Tenacity.

0:00:33 > 0:00:35You'll be over here doing this, but that wasn't your task.

0:00:35 > 0:00:37- I wouldn't butt in.- But you did.

0:00:37 > 0:00:42'Holly's very bossy, sometimes she could be, like, a know-it-all,'

0:00:42 > 0:00:46- but you shouldn't.- And Sharon Osbourne took a turn for the worse.

0:00:46 > 0:00:50I didn't feel well, I was still seriously sick.

0:00:50 > 0:00:52But the men had a glitch of their own.

0:00:55 > 0:00:57If Rod has to send an e-mail today,

0:00:57 > 0:01:00I sure as hell hope that there's a homing pigeon somewhere

0:01:00 > 0:01:02to attach a note to.

0:01:02 > 0:01:05After landing in Orlando, Selita rallied her troops.

0:01:05 > 0:01:07I just need us all to work together as a team.

0:01:07 > 0:01:11While Rod divided his team by giving Bret Michaels creative control.

0:01:11 > 0:01:13Bret, you're in charge.

0:01:13 > 0:01:18- I say we open this thing up and have no sides.- I'm a little lost.

0:01:18 > 0:01:23This whole interior, everything, becomes the interior of a castle.

0:01:23 > 0:01:25We have come all the way back to square one.

0:01:25 > 0:01:28At the presentation, Selita went for an authentic approach.

0:01:28 > 0:01:34- Wizards and muggles alike.- Muggles and wizards, muggles and wizards.

0:01:34 > 0:01:37While Rod's execution was a little foggy.

0:01:37 > 0:01:39Little more smoke. Little more.

0:01:41 > 0:01:42We're not going to be able to breathe.

0:01:42 > 0:01:46- And when the winner was announced. - Congratulations, the women win.

0:01:46 > 0:01:49The women handed the men their third loss in a row.

0:01:49 > 0:01:51Men, what's going on with you?

0:01:51 > 0:01:54When faced with being fired, Curtis Stone turned on Bret.

0:01:54 > 0:01:57Curtis, should Bret be brought back instead of you?

0:01:57 > 0:02:00Bret would sign off on the creative design and tell us what it was.

0:02:00 > 0:02:03Then ten minutes later he would describe something completely different.

0:02:03 > 0:02:05But Rod campaigned in Bret's defence.

0:02:05 > 0:02:07I don't believe we lost because of Bret.

0:02:07 > 0:02:11- And when Mr Trump gave Rod a second chance...- OK, Governor.

0:02:11 > 0:02:15- Will you be bringing Bret back to the boardroom?- I will not.

0:02:15 > 0:02:17..the former governor of Illinois conceded.

0:02:17 > 0:02:19I'm not going to throw him out of the bus.

0:02:19 > 0:02:23Governor, I have great respect for you. But, Rod, you're fired.

0:02:34 > 0:02:36When they have a dance party I'm going to kick your butts.

0:02:36 > 0:02:39- When I start pulling it out... - Oh!

0:02:41 > 0:02:43Congratulations, girls, that was awesome.

0:02:43 > 0:02:47The truth is, the truth is, we've won three in a row being cohesive...

0:02:47 > 0:02:49and respectful.

0:02:49 > 0:02:51'We're three in a row for the last three tasks,

0:02:51 > 0:02:54'but I don't underestimate Rocksolid.'

0:02:54 > 0:02:58Sometimes when you get rid of a player the dynamic changes.

0:02:58 > 0:03:00They could be stronger on so many levels.

0:03:00 > 0:03:02Hold on, guys, hold on. Here we go.

0:03:02 > 0:03:05Oh!

0:03:05 > 0:03:07- CYNDI:- All right. Rod's gone.

0:03:07 > 0:03:10So, Michael, this is what it feels like to come in here early?

0:03:10 > 0:03:14I'm hammered now. I finally get to come in.

0:03:14 > 0:03:16- Would you like some champagne? - We'll win the next one, buddy.

0:03:16 > 0:03:19We've got to, we've got to, man.

0:03:19 > 0:03:21We'll knock the next one out of the park.

0:03:21 > 0:03:23'We are down to four guys.

0:03:23 > 0:03:25'I think that we can work together as a team,

0:03:25 > 0:03:28'it's just a matter of being more organised.'

0:03:28 > 0:03:30But that is a personality thing,

0:03:30 > 0:03:32some people don't have the ability to do that.

0:03:32 > 0:03:34I don't think Bret has the ability to do that.

0:03:41 > 0:03:43# Money, money, money, money

0:03:44 > 0:03:45# Money

0:03:45 > 0:03:48# Money, money, money, money

0:03:49 > 0:03:52- # Money - # Some people

0:03:52 > 0:03:54# Got to have it

0:03:54 > 0:03:56# Yeah-eh

0:03:56 > 0:03:57# Some people

0:03:57 > 0:03:59# Really need it

0:03:59 > 0:04:01# Hey, listen to me, y'all

0:04:01 > 0:04:03# Do things, do things, do things

0:04:03 > 0:04:05# Bad things with it

0:04:07 > 0:04:08# Dollar bills, y'all

0:04:08 > 0:04:10# Come on

0:04:10 > 0:04:12# For that mean

0:04:12 > 0:04:14# Oh, mean

0:04:14 > 0:04:16# Mean green

0:04:16 > 0:04:19# Almighty dollar

0:04:19 > 0:04:20# For the love of that

0:04:20 > 0:04:22# Money

0:04:22 > 0:04:24# Give me a nickel, brother

0:04:24 > 0:04:26# Can you spare a dime?

0:04:27 > 0:04:29# Money can drive some people

0:04:29 > 0:04:33# Out of their minds

0:04:33 > 0:04:35# Money, money, money

0:04:35 > 0:04:37- # No good, no good - Money!

0:04:37 > 0:04:39# Money, money, money, money

0:04:40 > 0:04:42# Money! #

0:04:54 > 0:04:56'I came today to visit my dear friend Tiffany,

0:04:56 > 0:05:02- 'the director of Shine On Sierra Leone.'- Hi, Selita.- Hey!

0:05:03 > 0:05:05'I chose Shine On Sierra Leone as my charity

0:05:05 > 0:05:07'because in Sierra Leone,'

0:05:07 > 0:05:10one in four children die before the age of five,

0:05:10 > 0:05:14one in eight women die during childbirth.

0:05:14 > 0:05:18- So, tell me, how is the new school? - It's wonderful.

0:05:18 > 0:05:20If you remember, when we first started,

0:05:20 > 0:05:24there were 416 students in three rooms in a roofless building.

0:05:24 > 0:05:27We now have a total of eight classrooms

0:05:27 > 0:05:30and so it is down to 60 students per room.

0:05:30 > 0:05:31We need six more classrooms

0:05:31 > 0:05:34and that would take it down to 30 students per room.

0:05:34 > 0:05:36- You know I'm on the Celebrity Apprentice.- Yes.

0:05:36 > 0:05:42Well, the other day I was project manager, and I won. This is for you.

0:05:43 > 0:05:44SHE GASPS

0:05:44 > 0:05:47SHE SQUEALS Selita!

0:05:49 > 0:05:51- (Oh, my God!)- Isn't that great? It's amazing.

0:05:51 > 0:05:56- We could do a lot with that. - We can do so much with this.- Yes.

0:05:56 > 0:05:59The average wage in Sierra Leone

0:05:59 > 0:06:01is about six dollars a week.

0:06:01 > 0:06:04So you can see how far 20,000 is going to go.

0:06:05 > 0:06:09- You won!- I could do a dance. - I'm so excited.

0:06:29 > 0:06:33- Good morning.- Morning.- What do you think about losing the governor?

0:06:33 > 0:06:35It was tough, Michael, huh? Wasn't easy?

0:06:35 > 0:06:38- Yes, I thought it was pretty easy. - You are a nasty guy, Michael.

0:06:38 > 0:06:40That's why we get along, sir.

0:06:41 > 0:06:44Now, Sharon's not here, as we all know,

0:06:44 > 0:06:48she has been sick as a dog, she has been having a hard time. Cyndi.

0:06:48 > 0:06:51Mr Trump, my True Colours Fund

0:06:51 > 0:06:56worked on the Matthew Shepard And James Byrd Jr Amendment

0:06:56 > 0:06:58that's going into law today,

0:06:58 > 0:07:01and I have to go to Washington today,

0:07:01 > 0:07:03- I'm going to meet the president. - That's fine.

0:07:03 > 0:07:06- Say hello to the president. OK? - Yeah, you know him.

0:07:06 > 0:07:09- You know everybody, Donald. - I do, and I like him.

0:07:09 > 0:07:13Today you'll be working with a really great company -

0:07:13 > 0:07:18Right Guard. You'll be working with Dan and Eric from Right Guard.

0:07:18 > 0:07:20Eric, tell the teams, what are they doing?

0:07:20 > 0:07:24Your task is to introduce our best line of products ever.

0:07:24 > 0:07:27New Right Guard Total Defence 5.

0:07:27 > 0:07:29You will create a 30 second television commercial

0:07:29 > 0:07:32and a 10 second internet commercial,

0:07:32 > 0:07:36highlighting the benefits of our new product Right Guard Total Defence 5.

0:07:36 > 0:07:40We want you to focus on the young male sports enthusiast.

0:07:40 > 0:07:43You will be judged on three criteria -

0:07:43 > 0:07:45your creativity, your brand integration

0:07:45 > 0:07:48and your overall presentation.

0:07:48 > 0:07:53On my right, George Ross, Ivanka, they'll be my eyes and ears.

0:07:53 > 0:07:56So I want you to pick a project manager. Go ahead.

0:07:59 > 0:08:02- Oh, Holly.- Yup. 'It kind of caught me off-guard to find out

0:08:02 > 0:08:05'that we weren't going to have Sharon and Cyndi.'

0:08:05 > 0:08:07But now the playing field is even and we'll see what happens.

0:08:07 > 0:08:12- How we doing, fellas, who is it? - I am, Mr Trump.- Curtis.

0:08:12 > 0:08:15'Course I'm competitive. I'd like to put the girls in their place

0:08:15 > 0:08:17'and show them that we are here to compete.

0:08:17 > 0:08:19'But I'm here for Feeding America,'

0:08:19 > 0:08:23that's my purpose of being here. So here's my first real chance

0:08:23 > 0:08:26to throw some love Feeding America's way.

0:08:26 > 0:08:28So it's Curtis and Holly.

0:08:28 > 0:08:33Now, Right Guard is the official deodorant of the NBA.

0:08:33 > 0:08:37And you're going to be working with two of the all-time greats

0:08:37 > 0:08:40in the NBA, Clyde Drexler and Scottie Pippen.

0:08:40 > 0:08:43And you know, as I think of the great Scottie,

0:08:43 > 0:08:48and the great Clyde, we're in this basketball court, and I have an idea.

0:08:48 > 0:08:51We're going to have teams shoot baskets.

0:08:51 > 0:08:55The first team that gets a basket is going to win, from me,

0:08:55 > 0:08:5910,000 for that project manager's charity.

0:08:59 > 0:09:02All right, give me a basket ball. OK.

0:09:06 > 0:09:08CHEERING

0:09:12 > 0:09:14- I hope you got it on camera. - 'I could not believe it.'

0:09:14 > 0:09:18I was just like get the...beep out of here.

0:09:18 > 0:09:20OK, Selita. You're first.

0:09:20 > 0:09:24'I don't want to go first.'

0:09:24 > 0:09:27So then I start sweating, I'm like, "Oh, man, I got to make this."

0:09:31 > 0:09:33- All right. - 'Can't believe I missed that.'

0:09:33 > 0:09:38And I know my dad is going to shake his head. Tsk, tsk, tsk, tsk.

0:09:38 > 0:09:40Goldberg, come on up here.

0:09:40 > 0:09:44- Go on!- You know, strong guys like this don't have touch. Let's go.

0:09:44 > 0:09:4610,000, Goldberg.

0:09:49 > 0:09:51Summer, that was a lousy shot.

0:09:51 > 0:09:53I don't think he's going to do it.

0:09:53 > 0:09:55I don't think so.

0:09:55 > 0:10:02He's got it. Yup. OK, come on, Holly. Come on, Holly.

0:10:02 > 0:10:05Rodney will never forgive you if you miss.

0:10:08 > 0:10:09Come on, Michael.

0:10:13 > 0:10:16The guys, they didn't even bounce off the freaking rim,

0:10:16 > 0:10:17nothing, all air.

0:10:17 > 0:10:21And here comes little Miss Maria in six inch stilettos.

0:10:25 > 0:10:28CHEERING

0:10:30 > 0:10:34'I'm so pissed at myself for missing that 10,000 hoop,'

0:10:34 > 0:10:36- but- BLEEP- the girls. I'm so sick of them.

0:10:36 > 0:10:38They've beaten us again, and again, and again.

0:10:38 > 0:10:43And then they beat us at throwing hoops(!) I mean, please. Ah!

0:10:43 > 0:10:46Great shot. Holly, come on over. Your charity, what is it, Holly?

0:10:46 > 0:10:48HollyRod Foundation,

0:10:48 > 0:10:50we raise money for families dealing with autism.

0:10:50 > 0:10:54- Well, you got yourself 10,000. - Thank you, Maria.

0:11:01 > 0:11:03Let's talk about a couple of things,

0:11:03 > 0:11:07one is the whole concept of skewing this towards young men.

0:11:07 > 0:11:11And the first thing I thought of was my son who is like 12, 13,

0:11:11 > 0:11:14and all of a sudden he comes home and he noticed that funk.

0:11:14 > 0:11:16- Maybe it's the girls... - Cheerleaders.

0:11:16 > 0:11:22- Walk up and go...- "Oh, dear." - So we have to show that he is funky.

0:11:22 > 0:11:25'It's funny, sometimes you get like thinker's block,

0:11:25 > 0:11:27'you cannot conceptualise.'

0:11:27 > 0:11:31But this concept of the first moments of funk came to me like that.

0:11:35 > 0:11:37Can you run through the concept, just so I know,

0:11:37 > 0:11:41- it starts in the kitchen.- Yes, mom gives him a hug and notices a funk.

0:11:41 > 0:11:45Somewhere in that scene appears our NBA player and he is like,

0:11:45 > 0:11:48"I'm your dude, I'm your fairy, funky fairy godfather."

0:11:48 > 0:11:49We should write that down.

0:11:49 > 0:11:51His funky godfather.

0:11:51 > 0:11:54- I love it. - That's hilarious.

0:11:56 > 0:11:59Holly was onto something really great

0:11:59 > 0:12:02and I think the four of us were doing a really good job,

0:12:02 > 0:12:03there's just a good vibe in there.

0:12:05 > 0:12:08- Holly.- Yeah?- I think we got a great concept.- I love it, I love it.

0:12:10 > 0:12:15Here they are, how are you doing? Curtis Stone, pleasure to meet you.

0:12:15 > 0:12:16'Today is a really tough challenge.

0:12:16 > 0:12:20'Two commercial spots in not even half a day.'

0:12:20 > 0:12:23So, soon as the executives arrived we picked their brains

0:12:23 > 0:12:25about the demographic and what they're looking for.

0:12:25 > 0:12:27We're looking for target consumers

0:12:27 > 0:12:30- between the age of 12 and 18 years old.- Yes.

0:12:30 > 0:12:33Do you want the 10 second internet spot

0:12:33 > 0:12:35to be related to the 30 second TV spot?

0:12:35 > 0:12:39Obviously there's a different approach in 10 seconds.

0:12:39 > 0:12:42So you have to think about how people consume film

0:12:42 > 0:12:43in the different mediums.

0:12:43 > 0:12:46Whether you use humour, serious, organic.

0:12:46 > 0:12:50Whatever technique you decide to use, the takeaway to the consumer -

0:12:50 > 0:12:51high performance.

0:12:51 > 0:12:55- OK.- And then it is a Right Guard branded commercial.

0:12:57 > 0:13:00The consumer for this category starts using it

0:13:00 > 0:13:02around the age of 12.

0:13:02 > 0:13:07How important is it to target the moms in charge

0:13:07 > 0:13:09who do all of the buying and all the purchasing?

0:13:09 > 0:13:14Even though a lot of times moms or significant others

0:13:14 > 0:13:15make the purchase,

0:13:15 > 0:13:20the influence on what to purchase is the actual boy or man.

0:13:20 > 0:13:21So we ultimately want to make sure

0:13:21 > 0:13:24that he's the one wanting the product.

0:13:24 > 0:13:25The most important thing

0:13:25 > 0:13:28is how do you appeal to that target demographic?

0:13:28 > 0:13:33As a mom, Holly wanted to use the young boy

0:13:33 > 0:13:37starting to get his first little smell of funk.

0:13:37 > 0:13:40And I thought it was a great idea.

0:13:40 > 0:13:43But I hope we're on the right track and hitting the right demographic.

0:13:43 > 0:13:46So I think that we are on the right track,

0:13:46 > 0:13:48I think it's relatable to the moms who are going to buy this.

0:13:48 > 0:13:50We're feeling good about our concept.

0:14:02 > 0:14:04All right. We just have to really keep focus today,

0:14:04 > 0:14:06I reckon this is the toughest one yet.

0:14:06 > 0:14:08'I've been looking forward

0:14:08 > 0:14:10'to being project manager for a while and I got to do it.

0:14:10 > 0:14:13'Now, Sharon is sick and Cyndi is not around,

0:14:13 > 0:14:15'so that makes four against four.'

0:14:15 > 0:14:16So the first time in a little while

0:14:16 > 0:14:19we're now on even playing fields with the girls,

0:14:19 > 0:14:20so I think we can win this.

0:14:20 > 0:14:24- Bret, do you have any ideas right now?- I have some great ideas.- Yeah?

0:14:24 > 0:14:26Yes. I would go humour, I'll make it fast. All right?

0:14:26 > 0:14:29I need you beside me, you have to do a little acting with me.

0:14:29 > 0:14:32So I asked Bret for a couple of creative ideas.

0:14:32 > 0:14:35Then he wants to act it out. This is just Bret world again.

0:14:35 > 0:14:38We're back in Bret Michaels' world.

0:14:38 > 0:14:41We're watching TV, doorbell rings. Be the doorbell.

0:14:44 > 0:14:47- Ding-dong. - Hey, I'm your guy for the day.

0:14:47 > 0:14:49They won him in a contest.

0:14:49 > 0:14:52First thing you see, he gets hit in the stomach with a basketball.

0:14:52 > 0:14:55- He's down.- 'Bret's brain works in an abstract kind of a way.

0:14:55 > 0:14:57'He'll keep babbling on, and on and on.'

0:14:57 > 0:15:00And you're like, "Bret, shut up or get to the point."

0:15:00 > 0:15:02Lay on the ground a second. I'll act this out.

0:15:02 > 0:15:04You're down. Watch.

0:15:04 > 0:15:06- HE SNIFFS - Nothing.

0:15:06 > 0:15:09Boom! OK, give us 100 push-ups.

0:15:09 > 0:15:14- His briefcase spills over and he's got all the brands in it.- I like it.

0:15:14 > 0:15:17I think there's elements of it that really work.

0:15:17 > 0:15:21'You know, the way he tries to articulate his ideas takes a while,'

0:15:21 > 0:15:25but then what happens is he spits out something brilliant at the end of it.

0:15:25 > 0:15:28So you learn to be patient with him and sort of just try and extract

0:15:28 > 0:15:30what you need in the fastest time possible.

0:15:30 > 0:15:33- All right, so that's it in a little nutshell.- I like that.

0:15:33 > 0:15:34I think it's really good.

0:15:35 > 0:15:38I think it'd be hilarious if I had on a pair of frickin' mom jeans.

0:15:38 > 0:15:42I just want to have a funny visual. And basically, the NBA player...

0:15:42 > 0:15:46- Hello!- Hi. Hi, everyone. - CHEERING

0:15:46 > 0:15:51Trust me, you got the better team, I'm just saying.

0:15:51 > 0:15:54'Each team had the opportunity to work with an NBA great.

0:15:54 > 0:15:56'And we were very excited when Scottie Pippen'

0:15:56 > 0:15:59came to announce he was now part of team Tenacity.

0:15:59 > 0:16:01We welcomed him with open arms.

0:16:01 > 0:16:05We're doing a concept called the first moments of funk.

0:16:07 > 0:16:09OK, we like that reaction.

0:16:09 > 0:16:15So, when you realised you were funky. You would be his funky godfather.

0:16:16 > 0:16:19'So we have our concept, we have our creative'

0:16:19 > 0:16:22and our fabulous NBA player and it's time to get busy.

0:16:24 > 0:16:28I'll go straight over and meet you guys when we're done with crafts.

0:16:28 > 0:16:30Call us if you need anything. Bye, you guys.

0:16:33 > 0:16:34Here he is.

0:16:34 > 0:16:35Hey!

0:16:35 > 0:16:38- How you doing? Curtis Stone. - Pleasure to meet you.

0:16:38 > 0:16:39Pleasure to meet you.

0:16:39 > 0:16:42We come up with this idea and we're all feeling pretty good about it.

0:16:42 > 0:16:45You know? And all of sudden Clyde The Glide comes walking in

0:16:45 > 0:16:48and I instantly get a great vibe from him.

0:16:48 > 0:16:53Oh, this is a heck of a crew here. How can you not win with these two?

0:16:53 > 0:16:58- You're going to help us win. - Absolutely. I'm here to help.

0:16:58 > 0:16:59I've known Clyde for a few years,

0:16:59 > 0:17:02we were on some Olympic teams together, he's a great guy.

0:17:02 > 0:17:04I was really pleased when we got him

0:17:04 > 0:17:07because I felt like this particular ad that we put together

0:17:07 > 0:17:09was better suited to Clyde than Scottie.

0:17:09 > 0:17:10Michael...

0:17:13 > 0:17:18- Huh?- Which team did Clyde play on?- Oh.

0:17:18 > 0:17:22- I don't want to be the most ignorant person in the world.- Houston.

0:17:22 > 0:17:24You've got to forgive me I'm a foreigner.

0:17:25 > 0:17:27Look, I'm a stupid Aussie, OK?

0:17:27 > 0:17:30When Clyde Drexler was a huge hero I wasn't in this country.

0:17:30 > 0:17:32So I don't even know who he is.

0:17:32 > 0:17:36It's so embarrassing for me because I know he's a huge star.

0:17:36 > 0:17:40- You're forgiven.- I'm the minority here.- It's all right, it's all right.

0:17:49 > 0:17:52Hey, Chris. It's Holly Robinson Peete,

0:17:52 > 0:17:53- how are you doing? - 'I'm doing well.'

0:17:53 > 0:17:56Listen, I'm going to quickly explain to you what we're doing.

0:17:56 > 0:17:59'We called Chris Paul, he's an NBA superstar

0:17:59 > 0:18:02'and the spokesperson for Right Guard.'

0:18:02 > 0:18:04And so we thought, "Who better to tell us

0:18:04 > 0:18:07"if we are on the right track or not?"

0:18:07 > 0:18:11And Scottie is playing the funky godfather, basically...

0:18:11 > 0:18:13CHRIS LAUGHS

0:18:13 > 0:18:17- 'Yeah, that sounds real good.' - We appreciate it, we love you, Chris.

0:18:17 > 0:18:18- Take care.- 'OK, thank you.'

0:18:18 > 0:18:20Chris Paul loved our concept

0:18:20 > 0:18:24and thought we were totally on the right track.

0:18:24 > 0:18:27Yeah, this is a whole different energy when they are not here.

0:18:27 > 0:18:28- It's very...- Cyndi was...

0:18:28 > 0:18:30She's here, she said, "Listen, buddy. Listen, youse.

0:18:30 > 0:18:33"Listen, kid. What's the task again?"

0:18:35 > 0:18:38So we'll be like, "Cyndi..."

0:18:38 > 0:18:43- PHONE RINGS - BLEEP- Here she is. Listen to this.

0:18:43 > 0:18:44- Cynd?- 'Holly?'- Hey.

0:18:44 > 0:18:49I'm here. I'm here about to go and be with the president.

0:18:49 > 0:18:50I'm so excited.

0:18:50 > 0:18:54- Say hello to Scottie Pippen, he can hear you.- Hello, Cyndi.- 'OK.

0:18:54 > 0:18:57'Hey, how are you? Thanks for joining our team!'

0:18:57 > 0:18:58Thank you, I'm enjoying it.

0:18:58 > 0:19:00'It's really exciting.'

0:19:00 > 0:19:04'I appreciate that Cyndi was trying to help from the White House.

0:19:04 > 0:19:06'I really did want to give Cyndi something to do.'

0:19:06 > 0:19:08I decided to charge her

0:19:08 > 0:19:10with writing a testimonial about her son Declan

0:19:10 > 0:19:14and when she discovered his first moments of funk.

0:19:14 > 0:19:18OK. I'll call you right after I get out, OK?

0:19:18 > 0:19:22All right, baby, have a good one. Tell the president, hi. OK, bye.

0:19:22 > 0:19:26- OK, this might wear me out. You have to help me.- Do what?

0:19:26 > 0:19:28You got to manage Cyndi for me.

0:19:40 > 0:19:43- Yeah.- Yeah, that's great, I'm packing up everything.

0:19:43 > 0:19:46I'm making a two second phone call to my daughter.

0:19:46 > 0:19:49'I'm in the war room and I'm really pumped up and I get this text'

0:19:49 > 0:19:52and it was to call my daughter Raine.

0:19:52 > 0:19:55'And when I made the call my heart just sank.'

0:19:56 > 0:19:58Hey, guys.

0:19:58 > 0:20:00Curtis, Clyde, everybody,

0:20:00 > 0:20:03I just want to tell you guys I'm in a serious situation.

0:20:05 > 0:20:09Last night my daughter had blood sugar spill into her urine

0:20:09 > 0:20:12and they're testing her for diabetes.

0:20:16 > 0:20:19I got to be honest, I'm freaking out. So my brain is a little...

0:20:20 > 0:20:22Very serious, I've had it my whole life.

0:20:22 > 0:20:26This is what I'd love to do, let's stay focused with this

0:20:26 > 0:20:29and occasionally I'm going to step out to make phone calls.

0:20:29 > 0:20:30I'll deal with my situation.

0:20:30 > 0:20:33You let us know if there's anything we can do. Do what you have to,

0:20:33 > 0:20:36that's much more important than anything we are doing.

0:20:37 > 0:20:40My daughter, all my life I've shown her I take the insulin injections.

0:20:40 > 0:20:42And she's asking me today,

0:20:42 > 0:20:44she said, "Dad, do I have to take shots...

0:20:44 > 0:20:47HE SOBS

0:20:50 > 0:20:52"..like you do?"

0:20:52 > 0:20:55You know, she just asked me if she had to take shots like I do.

0:20:55 > 0:20:57HE SOBS

0:20:57 > 0:20:59I don't want to do no more of the interview.

0:21:14 > 0:21:16- In here?- Yup.- Come on, Mr Scottie.

0:21:17 > 0:21:21- OK, this is where we are shooting our commercial.- This is where we start?

0:21:21 > 0:21:25This is it. All of our tasks have been a blank slate.

0:21:25 > 0:21:27Now when I look at it, I don't get...

0:21:27 > 0:21:29I won't go, "Oh, my God, there's nothing in here!"

0:21:29 > 0:21:33'Maria and Summer went to get our props, Selita, Scottie and I'

0:21:33 > 0:21:36went to our studio space to check it out and get started.

0:21:38 > 0:21:39Where's our DP, is he here yet?

0:21:39 > 0:21:43'We had all kinds of people there that needed direction.

0:21:43 > 0:21:48'We had hair, make-up crew, grips, gaffers, and our actors.'

0:21:48 > 0:21:53So, I think for the purposes of this commercial, you would be more

0:21:53 > 0:21:56appropriate for our guy who is actually the funky boy - no offence.

0:21:56 > 0:21:58- None taken!- OK.

0:21:59 > 0:22:03We had such a limited amount of time, because Scottie had to catch a plane.

0:22:03 > 0:22:07- So, I say we go with the green screen.- OK.- And time matters.- Yeah.

0:22:07 > 0:22:11- How much time do you have?- Well, he leaves, we are going to shoot...

0:22:11 > 0:22:14He's got to get on a plane, so we've got to get him out of here.

0:22:14 > 0:22:16- Less than four hours. - OK, less than four hours.

0:22:16 > 0:22:19- But you'll work your creative magic on us.- No pressure, Joe!

0:22:29 > 0:22:31Let's look around and see what we got.

0:22:31 > 0:22:36Guys, spread out, find anything that remotely looks like an apartment.

0:22:36 > 0:22:37If not, we should talk, really quickly.

0:22:37 > 0:22:39I don't think we've got anything.

0:22:39 > 0:22:43'My brain is already scattered from my daughter with the diabetes,

0:22:43 > 0:22:47'it was one of those days, right? And I'm looking at this room,'

0:22:47 > 0:22:49and I was positive that the studio

0:22:49 > 0:22:51would already have an apartment-esque area,

0:22:51 > 0:22:56but we get in there and it is a big, cold and empty studio.

0:22:57 > 0:23:00'I had no clue this was all they had here.'

0:23:00 > 0:23:02Curtis, I'm going to say something, don't hate me,

0:23:02 > 0:23:07it's just words. To build this stuff, it changes everything.

0:23:07 > 0:23:09We haven't got time to start rethinking it.

0:23:09 > 0:23:11We've just got to act on it.

0:23:11 > 0:23:13I reckon the best thing for you guys to do is to head towards

0:23:13 > 0:23:16the prop shop, OK? And then we'll keep in touch.

0:23:16 > 0:23:18I suddenly got concerned about the time,

0:23:18 > 0:23:21I was like, wow, we need to get our arses into gear!

0:23:21 > 0:23:23So I quickly sent Goldberg and Michael

0:23:23 > 0:23:25straight to the prop house and told them,

0:23:25 > 0:23:29write a list on the way, I'll call you with other stuff that we need.

0:23:29 > 0:23:30- I'm Chris, I'm the DP.- Hey, Chris.

0:23:30 > 0:23:33Curtis Stone, how are you? What are your thoughts?

0:23:33 > 0:23:36You know, because of the time constraints,

0:23:36 > 0:23:39we're going to be pumping and pushing. It's going to be a reach.

0:23:39 > 0:23:44- But you're saying we can achieve it? - For real?- We'll do what we can.

0:23:47 > 0:23:51You're giving us false hope that we're going to achieve this for you.

0:23:51 > 0:23:54- At the end of this, you're like, what the- BLEEP- did you just- BLEEP- get me to do?

0:23:54 > 0:23:56I don't even know what this is.

0:23:56 > 0:23:59- It's... I'm just...- OK, so tell me, what is the other idea?

0:23:59 > 0:24:04We start back here, boom! I'm tracking in on you, right here.

0:24:04 > 0:24:06We start pushing in on you, 30 seconds, boom!

0:24:06 > 0:24:07And at the very end, he says,

0:24:07 > 0:24:09"When I take it to the hoop, I never sweat it."

0:24:09 > 0:24:13You know, you're put in a really awkward position -

0:24:13 > 0:24:17do I start again, or do we carry on with something and not get to

0:24:17 > 0:24:20the end, and then have someone turn round and say, "Told you so"?

0:24:24 > 0:24:26OK, we'll change it.

0:24:27 > 0:24:29I'm doing this for you, and Curtis,

0:24:29 > 0:24:32- throw me under a- BLEEP- bus and back over me tomorrow.

0:24:32 > 0:24:33Let's do it, let's do it.

0:24:33 > 0:24:35'We had a limited amount of time to get these shots done,

0:24:35 > 0:24:37'and the time clock is running out.'

0:24:37 > 0:24:40So I'm glad that Curtis trusts me and he went with my new

0:24:40 > 0:24:44idea, because I don't think we had time to shoot the other one. This is the way to go.

0:24:44 > 0:24:46Please back over me tomorrow if this fails.

0:24:46 > 0:24:48- I'm begging you to.- Let's do it.

0:24:57 > 0:25:00LOUD ROCK MUSIC PLAYS

0:25:00 > 0:25:02No, that's not right.

0:25:02 > 0:25:05SLOW, MELLOW MUSIC No, too sad.

0:25:05 > 0:25:10We had such a limited amount of time and we had so much to do.

0:25:10 > 0:25:13But this is my first big job as project manager.

0:25:13 > 0:25:16And I wanted it to be great.

0:25:16 > 0:25:18- ATMOSPHERIC COUNTRY MUSIC - That's cool.

0:25:18 > 0:25:22That sounds like something that you would...when you're funky... Yeah.

0:25:22 > 0:25:24What about this, Selita?

0:25:24 > 0:25:27# Funky Godfather... #

0:25:28 > 0:25:30That's hilarious!

0:25:30 > 0:25:32# Funky Godfather

0:25:33 > 0:25:36# Funky Godfather... #

0:25:36 > 0:25:39I'm loving our cute jingle.

0:25:39 > 0:25:41# Funky Godfather... #

0:25:41 > 0:25:44It's really powerful and catchy.

0:25:44 > 0:25:48Kind of has this, like, 1970s Blaxploitation kind of vibe.

0:25:48 > 0:25:51"Every kid has his first moment of funk.

0:25:51 > 0:25:56"When yours comes, I'm here for you. Right? Because I'm your..."

0:25:56 > 0:25:58# Funky Godfather... #

0:25:58 > 0:26:02Yes! You're a genius!

0:26:02 > 0:26:04I hope my words go with it.

0:26:04 > 0:26:07I kept thinking, oh, please don't let the guys do this.

0:26:07 > 0:26:09Because when we decided to come up with the jingle,

0:26:09 > 0:26:11I think we felt like we had the advantage.

0:26:11 > 0:26:13MOBILE PHONE RINGS

0:26:13 > 0:26:16- Hey, chica!- Hey, mama, where you at?

0:26:16 > 0:26:19I'm still trying to leave right now, there was a lot of stuff to pack up.

0:26:19 > 0:26:23- Oh, wow.- Tell them that Scottie wants to get on a plane at 6.30.

0:26:23 > 0:26:26- Scottie has to get on a plane at 6.30.- Yes, I know.

0:26:26 > 0:26:30We already have everything that we want, it just takes them

0:26:30 > 0:26:32for ever to add things up and stuff.

0:26:32 > 0:26:36- Just give us a call when you are on your way.- OK, great, no problem.

0:26:36 > 0:26:40I'm shorthanded, Selita, I got one girl at the White House,

0:26:40 > 0:26:43one girl out sick, two girls out in the field.

0:26:43 > 0:26:47- I know, and we are still going to freakin' win.- We better win!

0:26:48 > 0:26:51I'm going to get on the phone and start changing all the other...

0:26:51 > 0:26:53Tell them to hold. Stay right at the prop house,

0:26:53 > 0:26:55because I'm going to need stuff.

0:26:55 > 0:26:57Curtis, I need one 10 foot basketball hoop.

0:26:57 > 0:27:00We'll be lucky to get one at this point.

0:27:00 > 0:27:02'So, Michael and Bill have gone off to get the props.

0:27:02 > 0:27:04'We briefed the guys on exactly what they need to find

0:27:04 > 0:27:08'and then Bret manages to convince me that it's not possible,'

0:27:08 > 0:27:10we're not going to be able to do it.

0:27:10 > 0:27:13So I have to call Bill and Michael and tell them what to get.

0:27:13 > 0:27:14PHONE RINGS

0:27:14 > 0:27:16- Hey, buddy. - I'm sorry to do this to you.

0:27:16 > 0:27:18I've got to do a complete 180 on you.

0:27:18 > 0:27:22Bret doesn't think we'll be able to shoot the ad in the timeframe.

0:27:22 > 0:27:25So we're going to do a completely new creative.

0:27:25 > 0:27:31- So, we need a basketball ring.- I think we can buy a basketball goal.

0:27:31 > 0:27:34- We don't have time to- BLEEP - around with it, we got to get going,

0:27:34 > 0:27:38- you know? That's the thing that I'm stressed about.- OK.

0:27:38 > 0:27:41Bret, we can't do it.

0:27:41 > 0:27:43I think we're going to have to go with what we initially started, dude.

0:27:43 > 0:27:46Just go back to the first plan, dude,

0:27:46 > 0:27:50- I'm just too stressed that we won't get the right stuff.- You got it.

0:27:50 > 0:27:52Bret had a different concept again.

0:27:52 > 0:27:56We have to stick to a plan and enact it immediately

0:27:56 > 0:27:58and we have to make it as simplistic as possible.

0:27:58 > 0:28:00We've said that every single time but it seems as if

0:28:00 > 0:28:05- we go back to trying to fit as much- BLEEP- in this bag as possible.

0:28:05 > 0:28:09Curtis, I may have your idea. What if we did a back and forth thing?

0:28:09 > 0:28:13He's at one end, the kids are on the couch at the other. You ready?

0:28:13 > 0:28:15No, let's just stick to something.

0:28:15 > 0:28:18We just wasted one hour on this whole kerfuffle about which idea

0:28:18 > 0:28:21we are going to go with. That can crush us!

0:28:21 > 0:28:25- This is just a- BLEEP- day, it's going from one mistake to another.

0:28:25 > 0:28:26The other thing is impossible.

0:28:26 > 0:28:29I'm begging you on my knees not to try to shoot the other thing.

0:28:29 > 0:28:32- We can't keep changing our mind. - I agree with Curtis.

0:28:32 > 0:28:34'I'm trying to be as creative as I can,

0:28:34 > 0:28:38'but at the same time, I'm really in a whole other headspace right now.'

0:28:38 > 0:28:40How is Rainbow doing?

0:28:42 > 0:28:44She thinks she's going to end up being like me

0:28:44 > 0:28:47and taking four shots a day, she's going to freak out.

0:28:47 > 0:28:52My daughter is scared right now and I'm scared for her. And I feel...

0:28:52 > 0:28:55It's awful, it sucks.

0:28:55 > 0:28:58But do not freak her out, OK?

0:28:58 > 0:28:59OK, thanks.

0:28:59 > 0:29:00'It's tough to hold in.

0:29:00 > 0:29:02'At a couple of points, I went into the bathroom,

0:29:02 > 0:29:04'just quietly, by myself, punch a few things,'

0:29:04 > 0:29:07smash my head into the mirror, you know, cry a little bit.

0:29:07 > 0:29:10- I think you're going through a world of- BLEEP,- I really do.

0:29:10 > 0:29:12- Let's just go with each other, OK? - I'm in, I'm in, I got your back.

0:29:12 > 0:29:16- And that's why I'm so upset, because I got your back.- I know you have.

0:29:16 > 0:29:19I got your back and I'm mad at myself for pushing for this thing...

0:29:19 > 0:29:22- Let's just do what we can, let's just get what we can down.- OK.

0:29:22 > 0:29:26When you put life in perspective, the show is fantastic,

0:29:26 > 0:29:28but if my daughter is diagnosed with diabetes,

0:29:28 > 0:29:30I would have to tell my team

0:29:30 > 0:29:32I'm so sorry, I'm going to go and take care of my family.

0:29:44 > 0:29:46We need the rest of the girls.

0:29:48 > 0:29:51We need all four of us. Come on. To go.

0:29:53 > 0:29:54We actually need, like, 12 of us,

0:29:54 > 0:29:57but four is going to have to do today.

0:29:57 > 0:30:02- Oh, my God!- Girls in need of help! - OK, let's look at this.

0:30:03 > 0:30:06Just don't go too fast, it's a little slick, OK?

0:30:11 > 0:30:13Hey, Mr Pippen, I'm covering this up, OK?

0:30:18 > 0:30:23'Here I am, carrying a sink and a fridge and this and that,'

0:30:23 > 0:30:26but Selita disappeared on me.

0:30:26 > 0:30:28- What do you want to drink? - Any one of those Snapples.

0:30:28 > 0:30:34- Oh, this blanket's not so bad. - For charity. Autism, baby, autism!

0:30:34 > 0:30:37- How is it? Is it to your liking? - Oh, it's great.- Great.

0:30:37 > 0:30:39All the women seem to be doing very well,

0:30:39 > 0:30:43they are working very hard on this task. With one exception - Selita.

0:30:43 > 0:30:45I don't know what she's doing.

0:30:45 > 0:30:48Did you want some ice? You OK?

0:30:48 > 0:30:50Watch out.

0:30:51 > 0:30:54That girl is strong! Sorry?

0:30:54 > 0:30:56- You all right, baby?- I'm good.

0:30:56 > 0:30:59Where are you, Selita? Selita?

0:31:07 > 0:31:11Go, go, go, go! All right, let's do this, let's get it up there.

0:31:11 > 0:31:13Our props are here, guys.

0:31:13 > 0:31:15All of a sudden, here comes Bill and Michael with all the props.

0:31:15 > 0:31:18And everybody jumped on, I mean, we are grabbing stuff,

0:31:18 > 0:31:21let's make it look as best as we can and let's go, we've got to

0:31:21 > 0:31:24get this done or we'll to have no commercial to edit.

0:31:31 > 0:31:35And the next time, I feel like... Nothing! How about you? Nothing!

0:31:35 > 0:31:38So, Ivanka came to visit, and I knew that it Bret had gotten into it

0:31:38 > 0:31:41with her right then, that would have wasted even more of my time,

0:31:41 > 0:31:44and every second I had was super precious at that point.

0:31:44 > 0:31:48- Do you just want to start setting up the next shot? Thanks.- Absolutely.

0:31:48 > 0:31:51So, we've gone with an older demographic, and...

0:31:51 > 0:31:54'To be perfectly honest, I just tried to keep Ivanka happy'

0:31:54 > 0:31:57and tell her that everything was great, when it wasn't.

0:31:57 > 0:31:59Everything was a disaster and falling down around me.

0:31:59 > 0:32:01Why haven't you started filming yet?

0:32:01 > 0:32:03- We've shot two scenes, we're just about to shoot a third.- OK, good.

0:32:03 > 0:32:06'I wasn't telling the truth. She was like, why haven't you

0:32:06 > 0:32:08'started shooting? I was like, we've done two shots.'

0:32:08 > 0:32:11I told Ivanka what she wanted to hear so I could keep moving.

0:32:13 > 0:32:17But you can narrow that storyline and narrative into the 30 seconds?

0:32:17 > 0:32:20- Yeah. Yeah, I'm comfortable. - OK, good.

0:32:20 > 0:32:25I was impressed by the level of calm, which isn't easy

0:32:25 > 0:32:27when you've had this many concurrent losses.

0:32:27 > 0:32:31'I think Curtis had a strong sense of what he wanted to accomplish.'

0:32:31 > 0:32:33- So, you're going to win? - Yeah, absolutely.

0:32:33 > 0:32:34Good. Good attitude!

0:32:37 > 0:32:41Matthew Shepard, James Byrd Jr,

0:32:41 > 0:32:45Hate Crime Prevention Act is the law of the land after today!

0:32:45 > 0:32:48I'm here in Washington to take time out to listen to what

0:32:48 > 0:32:55the President has to say about this Hate Crime Prevention Act.

0:32:55 > 0:32:56I get all choked up when I'm saying it,

0:32:56 > 0:32:59because I've been working years to get this together.

0:32:59 > 0:33:03And as of today, it will be the law of the land.

0:33:06 > 0:33:10MOBILE PHONE RINGS I have the BlackBerry.

0:33:10 > 0:33:11Hi, it's me, Cyn.

0:33:14 > 0:33:19Oh, hi! Listen, you know, I was thinking about what you guys said,

0:33:19 > 0:33:22and my son realised in his locker room...

0:33:22 > 0:33:27CYNDI DROWNED OUT BY CHATTER

0:33:27 > 0:33:31..And the kids call it The Big P - puberty, they call The Big P.

0:33:31 > 0:33:35So, we'll have to fly in that cart at one point, Summer.

0:33:35 > 0:33:38..And when the boys realised that their locker room was really

0:33:38 > 0:33:41stinky and they needed some deodorant...

0:33:44 > 0:33:46Hello?

0:33:48 > 0:33:50'Did you hear that, any of this?'

0:33:50 > 0:33:52Yeah, we heard all of it, it was great.

0:33:54 > 0:34:00- All right, thanks, do great, I know you will.- OK, bye. OK.

0:34:01 > 0:34:04I'm sad that I'm missing it, but Holly,

0:34:04 > 0:34:07she don't listen to anyone anyway! Unless it's Summer.

0:34:07 > 0:34:11- Honestly, in the real world, I'd never- BLEEP- work with her.

0:34:11 > 0:34:13- OK, thanks so much. - Thank you so much.

0:34:15 > 0:34:18OK, so let's get our first shot. Will you call action for me?

0:34:18 > 0:34:21And roll cameras. Action!

0:34:21 > 0:34:24- Hey, Mom.- Hey, baby, how you doing?

0:34:31 > 0:34:34- OK.- That's good, that was good. - Can we do a playback?

0:34:34 > 0:34:37- Want to see our first scene here? - Yes, I do.- Come here, George.

0:34:37 > 0:34:40That's great.

0:34:42 > 0:34:45George, Mr Stern Face, he even chuckled.

0:34:45 > 0:34:47So, if we can get George to smile,

0:34:47 > 0:34:52I know we've got another task in the bucket. Man!

0:34:52 > 0:34:55OK, let's get going, guys, we've got to move, we've got to move.

0:34:55 > 0:35:00- Selita, how are we doing?- It's five o'clock.- OK, thank you. BLEEP!

0:35:06 > 0:35:10- And action!- What's up, fellas?

0:35:10 > 0:35:13I'm Clyde Drexler and I'm yours for the... Oof!

0:35:13 > 0:35:18- Oh, dude, you got hit real- BLEEP! - Here we go again, are we ready?

0:35:18 > 0:35:21It's good, but let's do it again!

0:35:21 > 0:35:24Clyde Drexler is a champion. I love the man.

0:35:24 > 0:35:28Hey, you guys, I'm Clyde Drexler and I'm yours for the day... Oof!

0:35:28 > 0:35:32Oof! Oof! Oof! Oof!

0:35:32 > 0:35:33What a guy. Such a sweetheart,

0:35:33 > 0:35:36absolutely nothing was too much trouble.

0:35:36 > 0:35:38In his pit, get up in his pit, not his nipple!

0:35:38 > 0:35:41We don't want any kinky BLEEP going on.

0:35:41 > 0:35:45- He literally let us do anything to him. I really respect him.- Action!

0:35:47 > 0:35:50- Nothing. - Right Guard Total Defense 5, man.

0:35:51 > 0:35:53- That is so good.- Curtis is the man.

0:35:53 > 0:35:55- I'm just the one- BLEEP - it up for him.

0:35:55 > 0:35:58- You're not- BLEEP- anything up, we're in this together.

0:36:08 > 0:36:11We ain't done our 10 second. Want to stick with that same concept?

0:36:11 > 0:36:12I don't know.

0:36:12 > 0:36:15'So, after we felt we'd shot everything for the 30-second ad,'

0:36:15 > 0:36:17we had to quickly move on to our 10 second ad,

0:36:17 > 0:36:21- because time was running out. - This is what I got, all right?

0:36:21 > 0:36:23So, you got Clyde and the kid playing basketball.

0:36:23 > 0:36:25The kid steals the basketball from Clyde.

0:36:25 > 0:36:28Then Clyde says, "That was good defence,

0:36:28 > 0:36:32- "but you need Total Defense." - Done!- 10 seconds.- Yeah, I like it.

0:36:32 > 0:36:37We're rolling. Everyone settle. Action!

0:36:37 > 0:36:40That was good defence, but... Phew!

0:36:40 > 0:36:44..what you really need is Right Guard Total Defense 5.

0:36:44 > 0:36:48That's good! The more exaggerated it is, the better it reads.

0:36:48 > 0:36:50- What do you think? - I think we're good.

0:36:50 > 0:36:53Everyone, thank you so much. This has been awesome.

0:36:53 > 0:36:55- Thank you, mate. - 'When we wrapped, I felt good.

0:36:55 > 0:36:58'I felt that we had got the shots we needed.

0:36:58 > 0:37:01'It was very tough to pull off that much stuff in that short

0:37:01 > 0:37:05'amount of time, but Curtis stuck to his guns and he was right.

0:37:05 > 0:37:08'It's horrible to have to admit you're wrong, it kills me,'

0:37:08 > 0:37:10but I'm admitting it.

0:37:14 > 0:37:18OK, we've got to go, we've got to go, we lose Scottie very shortly.

0:37:18 > 0:37:21We don't get finished, somebody get fired.

0:37:21 > 0:37:23Feeling definite time pressure crunches,

0:37:23 > 0:37:24because we lose Scottie in half an hour.

0:37:24 > 0:37:27I feel OK, a little nervous though.

0:37:27 > 0:37:30- Are you going to already have your hand up there?- All right.

0:37:30 > 0:37:33- OK, rolling.- Up higher, a little higher. Good, and action!

0:37:36 > 0:37:41- My God, that's awesome!- This is going to be real good for you, little boy.

0:37:41 > 0:37:46THEY LAUGH Awesome! That was great.

0:37:46 > 0:37:49- What about the 10-second shot? - Oh, yes.

0:37:49 > 0:37:52We need to do what we just did with each one of the boys and roll

0:37:52 > 0:37:55- that into our 10-second. - They're going to hang on the bar...

0:37:55 > 0:37:58They're going to hang on the bar, you just keep swiping those boys.

0:37:58 > 0:38:01- Let's go.- Yeah. Action!

0:38:03 > 0:38:10Love that. Next! Come on, little man. And, action! Let go.

0:38:10 > 0:38:13- Pull your knees up, honey.- Pull your knees up, let's see those legs.

0:38:13 > 0:38:15Oh, yeah! Good. Good one, good one.

0:38:15 > 0:38:19- Thank you so very much. - Thank you, ladies.

0:38:19 > 0:38:21OK, y'all give it up for Mr Scottie Pippen!

0:38:21 > 0:38:23THEY CHEER

0:38:23 > 0:38:25- Bye-bye. Good luck to you guys. - Thank you.

0:38:25 > 0:38:28- I look forward to seeing the ad. - You're the best, thank you so much.

0:38:28 > 0:38:32Scottie Pippen was just a super-duper star for us today.

0:38:32 > 0:38:35'But we felt a little rushed, we were crunched for time,

0:38:35 > 0:38:39'so the perfectionist in me is stressing.'

0:38:39 > 0:38:43- I don't even know if we've got all this.- No! Give it to me.

0:38:43 > 0:38:46Of course it does, we could change things.

0:38:46 > 0:38:49There's nothing you can do, it's gone now.

0:38:49 > 0:38:53- You know what, it's going to be funny.- Oh, my God.

0:38:55 > 0:38:57- OK, let's get to the edit.- I'm ready.

0:38:59 > 0:39:02After we finished everything at the studio,

0:39:02 > 0:39:04we headed over to the edit bay.

0:39:06 > 0:39:08Remember, you've got to edit two pieces.

0:39:08 > 0:39:12- We got three hours, two more hours in the morning.- We'll start on that.

0:39:12 > 0:39:14'We get into the van and everyone's kind of talking,

0:39:14 > 0:39:16'and I went into a vacuum.

0:39:16 > 0:39:18'All their voices went into, like, an echo chamber.'

0:39:18 > 0:39:20And I just couldn't hold it no more.

0:39:20 > 0:39:23So, I was talking about the presentation.

0:39:23 > 0:39:26And those jerseys, is that the plan, wearing those tomorrow?

0:39:26 > 0:39:27Wear the jerseys, yeah.

0:39:32 > 0:39:35I keep picturing my little girl taking four shots a day, man,

0:39:35 > 0:39:40I just keep...picturing it. And I feel like I did it.

0:39:40 > 0:39:44- Oh, man, don't do that.- Listen... - Don't do that, bro.

0:39:46 > 0:39:50I'm sorry, man, I don't cry, man, I just don't do it.

0:39:50 > 0:39:55- We are here for the whole BLEEP reason.- I know, it just sucks, man.

0:39:55 > 0:39:59Raising awareness and money for that charity.

0:39:59 > 0:40:02So if there is ever any good karma out there,

0:40:02 > 0:40:05- it's at your door right now, buddy.- I know.

0:40:05 > 0:40:07You guys have just put up with me, you've been great.

0:40:07 > 0:40:10And I mean this, man, I mean, sincerely, I never thought I'd be...

0:40:10 > 0:40:13I mean, I say a prayer every day that my kids are not diabetic.

0:40:13 > 0:40:19And man, to have your daughter... Sorry.

0:40:19 > 0:40:22I mean, sincerely, I'm sorry, man, I don't, I don't cry about nothing.

0:40:27 > 0:40:30We're there for you, just like you're there for us.

0:40:31 > 0:40:35- Sending positive vibes for you, bro. - Thank you. I need that.

0:40:35 > 0:40:38OK, give me five or something, please.

0:40:56 > 0:40:59So, I need to find the best take of this one?

0:40:59 > 0:41:01Find the best take of this one first,

0:41:01 > 0:41:03this is pretty much our opening master. Hey, son!

0:41:03 > 0:41:05So, we finished up on our soundstage

0:41:05 > 0:41:08and immediately came over to piece it together in an edit room.

0:41:08 > 0:41:10It's the moment of truth, really.

0:41:10 > 0:41:12So, that's number one, let's mark that.

0:41:12 > 0:41:15- I like the one where he's a bit higher.- OK, here's another one.

0:41:15 > 0:41:18- I like that better. - I'm Scottie Pippen and I'm your...

0:41:18 > 0:41:21# Funky Godfather! #

0:41:21 > 0:41:25Raise up the "Funky Godfather" a little bit more.

0:41:25 > 0:41:30Well, we're not sound editing now. We're just fitting it in.

0:41:30 > 0:41:34'Maria is a very aggressive woman, when it comes to a lot of things.

0:41:34 > 0:41:37'She always has her two cents, or her input.'

0:41:37 > 0:41:41The grab is weak. I'm sorry. The grab is a little...

0:41:41 > 0:41:43'She is always twitching her little leg

0:41:43 > 0:41:46'and then she kind of spaces out cos she is, in her mind,

0:41:46 > 0:41:48'those little wheels are turning and she is literally plotting.

0:41:48 > 0:41:50'She is trying to figure out her next move.

0:41:50 > 0:41:53'She is constantly thinking about the boardroom.'

0:41:53 > 0:41:57- 'New Right Guard Total Defense 5.' - Bang!

0:41:57 > 0:42:01- Yes, new Right Guard Total Defense 5.- Bang.- Yes.- Cut.

0:42:03 > 0:42:07'Hey, what's up, fellas? I'm Clyde Drexler and I am yours for the...!

0:42:07 > 0:42:09'First off we started with a 30-second commercial.

0:42:09 > 0:42:12'It seemed like all the pieces were there, you know?

0:42:12 > 0:42:14'I was a little bit surprised.'

0:42:14 > 0:42:16I was worried he'd say, "Oh, we missed that shot."

0:42:16 > 0:42:18'But we're pretty happy with it.'

0:42:18 > 0:42:21Look at that nice light movement we did on that.

0:42:21 > 0:42:22Good work, Rock.

0:42:22 > 0:42:25Look at that. Look at that!

0:42:25 > 0:42:27If there is one thing I know it is the edit bay.

0:42:27 > 0:42:32'And those two kids acting and Clyde, man, it was making me laugh hard.

0:42:32 > 0:42:34'In some way the task kind of saved me

0:42:34 > 0:42:38'because it took my mind off my daughter for just a minute.'

0:42:38 > 0:42:43- Nothing.- Told you.- Right Guard Total Defense 5. Works every time.

0:42:43 > 0:42:45It's funny! You like it?

0:42:45 > 0:42:48- Looks good.- Watch it a few times.

0:42:48 > 0:42:51- We're getting close. - Dude, this is great.

0:42:51 > 0:42:53- But we still have a lot to do on the other one.- Oh, yeah.

0:42:53 > 0:42:55The other one is going to be cake.

0:42:55 > 0:42:57'So in the morning we have to finish the 10-second spot.'

0:42:57 > 0:43:00A lot of work but it is achievable and I am feeling good about it.

0:43:00 > 0:43:03BRET: That's good. That's good!

0:43:16 > 0:43:20- Good morning, Bret! - Good morning, Billy. How you doing?

0:43:20 > 0:43:21Doing good, partner, you?

0:43:21 > 0:43:24First thing this morning we all got in the van

0:43:24 > 0:43:27and headed to the edit bay because we had two hours with the editor

0:43:27 > 0:43:29but the most important thing, for all of us,

0:43:29 > 0:43:31was to hear how Bret's little girl was.

0:43:31 > 0:43:34- How are you, Bret? - I am OK. I'm good.

0:43:34 > 0:43:36We are just going to keep positive that it is going to come back

0:43:36 > 0:43:38and everything will be great.

0:43:38 > 0:43:40'My daughter is getting tests done.'

0:43:40 > 0:43:42I do not know when we will get results.

0:43:42 > 0:43:45It could be days, a couple of weeks. I do not know but I am anxious.

0:43:45 > 0:43:48Like I said, unfortunately, she has all the symptoms.

0:43:48 > 0:43:51The thirst, the weight loss. So...

0:43:51 > 0:43:54Well, all our thoughts are with you.

0:43:54 > 0:43:57Yes, I know, thank you very much.

0:43:57 > 0:44:00Hands in for Curtis. Let's do it, men.

0:44:00 > 0:44:03Ready? One, two, three, Rocksolid!

0:44:03 > 0:44:06Bust it, man. Today we are winning it.

0:44:11 > 0:44:14Hi. OK, Cyndi has not seen this.

0:44:14 > 0:44:19Cyndi is back and my fear is that Cyndi will come at the 11th hour,

0:44:19 > 0:44:22when we have made the decisions, and start making suggestions.

0:44:23 > 0:44:27LAUGHTER, AD PLAYS

0:44:27 > 0:44:30- I'm your...- # Funky Godfather. # - And I'm here for you.

0:44:30 > 0:44:32Can you double that?

0:44:32 > 0:44:33If you double it, triple it,

0:44:33 > 0:44:37you make that sound like a girl-group thing.

0:44:37 > 0:44:38We talked about that yesterday.

0:44:38 > 0:44:42- He is all set for you.- He can double it?- Yes.- I will sing with you.

0:44:42 > 0:44:45We're not singing, we are just tweaking it.

0:44:45 > 0:44:48Oh, doubling it with the machine? Oh. OK.

0:44:48 > 0:44:50Cyndi underestimates me.

0:44:50 > 0:44:53Cyndi does not have a clue what I have done in the business.

0:44:53 > 0:44:56She is not the only one in the entertainment field.

0:44:56 > 0:44:58# Funky Godfather. #

0:44:58 > 0:45:00That's even better. That's a double?

0:45:00 > 0:45:03# Funky Godfather. #

0:45:03 > 0:45:05Yeah, if I overdub real quick with that,

0:45:05 > 0:45:07I think it will sound more natural.

0:45:07 > 0:45:11- Let me just do that, since I'm not doing anything.- I'll let you.

0:45:11 > 0:45:13'The more you do, the better you get at it

0:45:13 > 0:45:18'and I just happen to be a musician working in the field 20-30 years.'

0:45:18 > 0:45:19I know about sound.

0:45:19 > 0:45:20OK!

0:45:20 > 0:45:25CYNDI DOES VOCAL EXERCISES

0:45:25 > 0:45:27# Funky Godfather. #

0:45:27 > 0:45:28All right.

0:45:28 > 0:45:31Ready? Here we go.

0:45:31 > 0:45:35# Funky Godfather. #

0:45:35 > 0:45:39CYNDI HARMONISES

0:45:42 > 0:45:45We knew this was going to happen because she's too in her element.

0:45:45 > 0:45:49We want to make sure we hear it. Holly, I am not going to let...

0:45:49 > 0:45:50Your voice was great.

0:45:50 > 0:45:54Tiny bit less. Tiny. Yes.

0:45:54 > 0:45:56So, come listen to it and then we'll just...

0:45:56 > 0:45:59If all of us go and do it and get it done...

0:45:59 > 0:46:06# Funky Godfather, yeah. #

0:46:06 > 0:46:07I don't hear you at all.

0:46:07 > 0:46:10I am just the hair. OK, turn me up just a little.

0:46:10 > 0:46:13Like, two percent.

0:46:13 > 0:46:17# Funky godfather, yeah. #

0:46:17 > 0:46:21- That last part was good. - Yes, that's cool. That's great.

0:46:21 > 0:46:24- You can't really tell it is me singing.- It is great.

0:46:24 > 0:46:27- It's got texture.- That is all it was supposed to do. OK.- Thank you, Cyn.

0:46:27 > 0:46:31Approved! We have got to start mixing.

0:46:33 > 0:46:36Let's do the 10. Here we go.

0:46:36 > 0:46:38That was good defence but, man, wooh!

0:46:38 > 0:46:40'We have got to finish off the edit,

0:46:40 > 0:46:42'completely do the 10-second spot.'

0:46:42 > 0:46:45Then fine-tune our presentation. So we are in a pretty good place.

0:46:45 > 0:46:48What do you think about going in a different direction

0:46:48 > 0:46:50and just using the outtakes?

0:46:50 > 0:46:52Let us find a few more of him going "wooh!"

0:46:52 > 0:46:55- Just a couple more of those.- Gotcha.

0:46:55 > 0:46:58'In a 10-second spot, you know, it is the internet.'

0:46:58 > 0:47:01So it is a little bit looser, you can have a bit more fun with it.

0:47:01 > 0:47:03Wooh!

0:47:04 > 0:47:06- That is great.- Like that?- Yes.

0:47:11 > 0:47:15'Goldberg and I are working on the presentation.

0:47:15 > 0:47:18'The presentation needed to be a bit of a show

0:47:18 > 0:47:21'and just looking around at the four of us, we all did have stories.'

0:47:21 > 0:47:25I thought it would be a good idea to include that in the presentation.

0:47:25 > 0:47:27You want to talk about pressure?

0:47:27 > 0:47:29Put yourself in my shoes for a minute as a professional wrestler.

0:47:29 > 0:47:32Put yourself in my underwear for a second,

0:47:32 > 0:47:34which I have to run around in the ring wearing.

0:47:34 > 0:47:36If anybody sweats, it is me.

0:47:36 > 0:47:38I can contribute with conviction,

0:47:38 > 0:47:42- as opposed to sitting there like a broken- BLEEP- dog or something.

0:47:42 > 0:47:45- Here we come. Right.- Here it comes.

0:47:45 > 0:47:50That was good defence but, man, wooh!

0:47:50 > 0:47:55You want a great defence? Right Guard Total Defense 5.

0:47:55 > 0:47:59- It is pretty good.- I like it.- It is not going to get better than that.

0:47:59 > 0:48:01Yes, it is good.

0:48:01 > 0:48:03This was a very tough task for our team

0:48:03 > 0:48:07and I think that Curtis really pulled it together and did a great job

0:48:07 > 0:48:09and now I'm ready to go into the presentation

0:48:09 > 0:48:11and I'm ready to kick some ass.

0:48:11 > 0:48:15Guys, for the first time, we have finished before the task ended.

0:48:15 > 0:48:17- That is unbelievable! - I'm going to go get drunk!

0:48:17 > 0:48:19We can have a coffee!

0:48:22 > 0:48:26You said you wanted the locker scene for the 10-second spot, right?

0:48:26 > 0:48:28- Yes.- OK. So just the locker scene.

0:48:28 > 0:48:32'Initially, my 10-second spot was going to be totally different

0:48:32 > 0:48:34'from my 30-second spot.'

0:48:34 > 0:48:37But I really think the middle portion of our 30-second piece

0:48:37 > 0:48:41is so strong and funny that alone, in 10 seconds, it'll be a winner.

0:48:41 > 0:48:43Do you guys want to go in a different room,

0:48:43 > 0:48:47- so that way she can play loud? - I will keep an eye on this.

0:48:47 > 0:48:50Thank you, babe. I have confidence in you.

0:48:50 > 0:48:53I trust Maria to cut together the 10-second spot

0:48:53 > 0:48:55and I will be in a corner putting together my presentation.

0:49:01 > 0:49:04That window looks dirty. Could you go over there?

0:49:04 > 0:49:07That plant looks like it needs to be fed.

0:49:07 > 0:49:09Nothing is worse as a project manager

0:49:09 > 0:49:11than when someone walks up and says, "I don't have anything to do."

0:49:11 > 0:49:14It is, like, find something to do.

0:49:14 > 0:49:17Look around, there has got to be something!

0:49:17 > 0:49:2015 minutes to go. Feeling good about this, you guys.

0:49:20 > 0:49:22- Want to come and see this? - Nope. I am sure it is great.

0:49:22 > 0:49:25I was in the room, by myself.

0:49:25 > 0:49:27Four women were outside.

0:49:27 > 0:49:29One could have come and helped.

0:49:29 > 0:49:30No? OK, fine.

0:49:30 > 0:49:33I think it is that last visual.

0:49:37 > 0:49:38AD PLAYS

0:49:38 > 0:49:42That is not where "upgrade your defence" goes.

0:49:42 > 0:49:44- It goes right there.- One minute!

0:49:44 > 0:49:46It goes in the silent part.

0:49:46 > 0:49:49That is why we put it in there, because of the air.

0:49:49 > 0:49:53'I am listening to the commercial and the audio sounds funny.'

0:49:53 > 0:49:56That "upgrade your defence" is not where we just put it. What happened?

0:49:56 > 0:49:58Why have we changed that?

0:49:58 > 0:50:02- Why did we change that? - I do not know. I did not change it.

0:50:02 > 0:50:04I guess I should have come back in.

0:50:04 > 0:50:06I don't know why we changed that.

0:50:07 > 0:50:10So I am looking at Maria, like, OK, you have been listening to this.

0:50:10 > 0:50:14Why didn't you catch this? And I was pissed off at Maria.

0:50:15 > 0:50:21- OK, let's go. We are leaving. It's done.- I know. I have to deal with it.

0:50:21 > 0:50:25- I have just got to put my clothes on here.- I'm sorry. I'm sorry.

0:50:25 > 0:50:28You cannot tell me something is wrong at the very last minute.

0:50:28 > 0:50:30I asked you to come in, I asked you to come and see it,

0:50:30 > 0:50:32ten minutes prior and you did not.

0:50:32 > 0:50:35'If you snap at me too often, too much,

0:50:35 > 0:50:37'I am going to come back at you.'

0:50:37 > 0:50:42- I don't care any more.- Yes, you do. - No, I don't. You know.

0:50:42 > 0:50:45- I don't care, I don't care. - Of course you do.

0:51:00 > 0:51:03- Good afternoon, Eric and Dan. How are you guys doing today?- Good.

0:51:03 > 0:51:07I am Bret Michaels, rock star at large, lifelong user of Right Guard.

0:51:08 > 0:51:10'The presentation is one of the judging criteria.'

0:51:10 > 0:51:12So it is really important

0:51:12 > 0:51:16because it might be the difference between a win and a loss in this.

0:51:16 > 0:51:19And nobody puts on a more high-performance show

0:51:19 > 0:51:20and no-one sweats like I do.

0:51:20 > 0:51:22All right, golden boy.

0:51:23 > 0:51:27I spent 11 years as an athlete training every day in Texas,

0:51:27 > 0:51:29where it is as hot as you know what.

0:51:29 > 0:51:34I challenge anybody to tell me about sweating and pressure.

0:51:34 > 0:51:35Yeah, yeah, we get it. You are fast.

0:51:35 > 0:51:39But, let's face it, it only takes you 20 seconds to do 200 metres.

0:51:39 > 0:51:42When chefs cook, they are in the kitchen for 16 or 17 hours a day.

0:51:42 > 0:51:45We know what being in a sticky spot is all about.

0:51:45 > 0:51:48Those are very compelling stories, ladies.

0:51:48 > 0:51:49You want to talk about pressure?

0:51:49 > 0:51:52Let's talk about being a professional wrestler,

0:51:52 > 0:51:57in front of millions of people, on live television, in your underwear.

0:51:57 > 0:52:01Now, we have all got reasons to find ourselves in sticky situations

0:52:01 > 0:52:03but there is nothing to fear

0:52:03 > 0:52:07because underneath it all we have got Right Guard.

0:52:07 > 0:52:10It is not a full strip show, just half.

0:52:10 > 0:52:13So we shot a 30-second commercial which we are about to show you.

0:52:13 > 0:52:16We got a couple of kids and they won Clyde The Glide for a day,

0:52:16 > 0:52:18so let's see what they did with him.

0:52:18 > 0:52:21- He ain't coming.- Dude, I won the contest. He is coming.

0:52:23 > 0:52:27Hey, what's up, fellas? I am Clyde Drexler and I am yours for the...dah!

0:52:27 > 0:52:31- Nothing.- I knew it.- 222. Oh!

0:52:31 > 0:52:34If the executives' reaction is any indication of whether

0:52:34 > 0:52:37we will win or lose, we just got our butts kicked.

0:52:37 > 0:52:40- Works every time. - Never get caught off guard.

0:52:40 > 0:52:44It was a look of confusion and stoicness.

0:52:44 > 0:52:46Sto-fusion is what was going on.

0:52:46 > 0:52:49Let's see the 10-second spot.

0:52:49 > 0:52:50That's good defence.

0:52:50 > 0:52:54That was good defence but, man, wooh! Wooh!

0:52:54 > 0:52:58Oh! You want a great defence? Right Guard Total Defense 5.

0:52:58 > 0:53:01There you go. We had the pleasure of working with incredible athletes

0:53:01 > 0:53:04and representing a great brand, so thank you for the opportunity.

0:53:04 > 0:53:06We hope you enjoyed it.

0:53:06 > 0:53:09Listen, our acting may stink. Our armpits do not.

0:53:09 > 0:53:11That is all we are going to say.

0:53:16 > 0:53:18Hello, good afternoon. How are you?

0:53:18 > 0:53:20The moment the task was handed out,

0:53:20 > 0:53:23I instantly recalled the first day

0:53:23 > 0:53:28I realised my 12-year-old son needed to begin wearing deodorant.

0:53:28 > 0:53:31In the Peete House we lovingly refer to that day

0:53:31 > 0:53:33as his first moments of funk.

0:53:33 > 0:53:38So now I would like to introduce Team Tenacity's own Cyndi Lauper

0:53:38 > 0:53:42to share her own personal experience with her own first moments of funk.

0:53:42 > 0:53:44- Cyndi?- Thank you, Holly.

0:53:44 > 0:53:46Hey, how you doing?

0:53:46 > 0:53:50My son had come home and I took notes.

0:53:50 > 0:53:53So, anyway, he came back.

0:53:54 > 0:53:57'Cyndi fumbled all over it.'

0:53:57 > 0:53:59I am kind of a little nervous

0:53:59 > 0:54:01because that is part of the presentation.

0:54:01 > 0:54:07Blah, blah! My own son was thrilled about the "big P".

0:54:07 > 0:54:12Puberty. We are thrilled about having the other big P with us,

0:54:12 > 0:54:17Scottie Pippen, who is here on this screen to fix the funk.

0:54:17 > 0:54:19So enjoy.

0:54:19 > 0:54:21- Hey, Mum.- Hey, son.

0:54:21 > 0:54:24Every kid has his first moment of funk.

0:54:24 > 0:54:26I am Scottie Pippen and I am your...

0:54:26 > 0:54:30# Funky godfather. #

0:54:30 > 0:54:31I am here for you.

0:54:31 > 0:54:34'I think our concept relates to everyone.

0:54:34 > 0:54:38'Men who can remember that time for them, that first funky moment.

0:54:38 > 0:54:39'The young men experiencing it...'

0:54:39 > 0:54:41I don't know, I think we hit it out of the park.

0:54:41 > 0:54:44This is going to be real good for you, little boy.

0:54:44 > 0:54:45- # Funky godfather.- #

0:54:45 > 0:54:48Introducing new Right Guard Total Defence 5 -

0:54:48 > 0:54:51for your first moment of funk.

0:54:51 > 0:54:53We also created an ultra-cool 10-second spot.

0:54:53 > 0:54:55Every kid has his first moment of funk.

0:54:55 > 0:54:57I am Scottie Pippen and I'm your...

0:54:57 > 0:54:59# Funky Godfather. #

0:54:59 > 0:55:03Introducing new Right Guard Total Defence 5 - for your first moment of funk.

0:55:03 > 0:55:04So those are our two spots

0:55:04 > 0:55:09- and we really had a good time and I think it showed.- Thank you, we appreciate your hard work.

0:55:09 > 0:55:11They all sing: # Funky Godfather! #

0:55:26 > 0:55:28Eric, Dan, how did they do?

0:55:28 > 0:55:31Well, Mr Trump, both teams did exceptionally well.

0:55:31 > 0:55:34- We had a really tough decision. - What did you like most?

0:55:34 > 0:55:39Well, the men's team really seemed to get what we were going after.

0:55:39 > 0:55:42Total Defense 5 is a product that is all about high-performance.

0:55:42 > 0:55:44They really got that message.

0:55:44 > 0:55:46What was really strong about the women's team,

0:55:46 > 0:55:49the commercial itself was highly entertaining.

0:55:49 > 0:55:52They used Scottie Pippen in a really clever, interesting way.

0:55:52 > 0:55:54They developed their own jingle.

0:55:54 > 0:55:55I did think, though,

0:55:55 > 0:55:59the guys focused specifically on the 13-to-18-year-olds.

0:55:59 > 0:56:02That is a stronger place to go than to go to a mum.

0:56:02 > 0:56:05What did you not like?

0:56:05 > 0:56:08The men's team, their ad simply was not as entertaining,

0:56:08 > 0:56:10to where it would really resonate with consumers

0:56:10 > 0:56:11and break through the clutter.

0:56:11 > 0:56:15With the women's team, the difference between the 30-second commercial

0:56:15 > 0:56:16and 10-second commercial,

0:56:16 > 0:56:19they simply did an editorial cut down,

0:56:19 > 0:56:22as opposed to looking at a different way of using the internet

0:56:22 > 0:56:24versus a TV commercial.

0:56:24 > 0:56:27So, overall, you thought they were both terrific.

0:56:27 > 0:56:30- Yes.- But you had a preference? - Yes.- And who is the winner?

0:56:37 > 0:56:42- Hi.- Hi.- I'm here to see Mr Trump. - OK. Mr Trump?

0:56:42 > 0:56:47- Mr Johnson is here to see you. Step right in.- Thank you.

0:56:48 > 0:56:52- Hi, Michael.- Hi, Mr Trump, how are you?- Sit down.- Thank you.

0:56:52 > 0:56:56Unfortunately I have some bad news. I have a family personal situation.

0:56:56 > 0:56:59I have to head back to San Francisco and take care of my son.

0:56:59 > 0:57:03- Is your son OK?- Yes, he is fine. - What is the problem?

0:57:03 > 0:57:07- Fighting with the wife? - It is just a personal issue.

0:57:07 > 0:57:11- So this was a total surprise to you? - Yes, absolutely.

0:57:11 > 0:57:13Wow! That is a big one.

0:57:13 > 0:57:18If this was avoidable, I would certainly stay with these guys.

0:57:18 > 0:57:19I am hoping I can come back.

0:57:19 > 0:57:22I should know when I get there and get on the ground.

0:57:24 > 0:57:27All right. I don't think it helps if you come back

0:57:27 > 0:57:29because I think you will have missed too much time.

0:57:29 > 0:57:31You will not be able to compete.

0:57:31 > 0:57:32It is not fair to the other people

0:57:32 > 0:57:35because people will be fired in between.

0:57:35 > 0:57:39- I think that is not fair to the rest of the team.- You are exactly right.

0:57:39 > 0:57:42All right. Well, good luck to your son and good luck to you.

0:57:42 > 0:57:44- Thank you.- Take care of yourself.

0:57:52 > 0:57:55- You are leaving now?- Yes.

0:57:55 > 0:57:59Michael told us he had some really personal family issues going on

0:57:59 > 0:58:01and he does not want to get into it with us

0:58:01 > 0:58:04and I completely respect that but, as a team,

0:58:04 > 0:58:08we are there for him and as his friends we are there for him.

0:58:08 > 0:58:11- Thank you. Let me know what happens.- I will, for sure.

0:58:12 > 0:58:14- Good luck.- Thank you.

0:58:14 > 0:58:16'We are a great team.

0:58:16 > 0:58:20'This is a bunch of guys that really enjoy working together.

0:58:20 > 0:58:22'I would love to stay but I am a family man

0:58:22 > 0:58:24'and they mean everything to me.'

0:58:24 > 0:58:25Reality is what it is.

0:58:25 > 0:58:30I have got, you know, to get back and handle my situation.

0:58:34 > 0:58:36We are going to miss you. This is not the way we want you to go.

0:58:36 > 0:58:41- Take care of your family. - Rocksolid.- Rocksolid, man.

0:58:41 > 0:58:43Take care of your family.

0:58:43 > 0:58:45Rocksolid is down to three people but, you know what,

0:58:45 > 0:58:50'I am here to raise money and awareness for the Diabetes Foundation.

0:58:50 > 0:58:52'This just makes me fight even harder...'

0:58:52 > 0:58:54because my heart and soul is in doing this.

0:58:54 > 0:58:57Gentlemen, we have stepped into the surreal.

0:59:31 > 0:59:35Michael had to leave. He had a problem. It was a family problem.

0:59:35 > 0:59:37I asked whether or not this was something

0:59:37 > 0:59:41he could have predicted before he got involved with this whole thing. He said no.

0:59:41 > 0:59:45It is too bad he had to leave, but I wish him the best of luck.

0:59:45 > 0:59:48Goldberg, what do you think? Are you surprised he left?

0:59:48 > 0:59:51If Michael Johnson left, I know the competitor he is,

0:59:51 > 0:59:53there was a damn good reason for it.

0:59:55 > 0:59:59OK. How do you think your team did, Curtis?

0:59:59 > 1:00:02We had a really tough time with this challenge, Mr Trump.

1:00:02 > 1:00:05We had a couple of personal things happen with the team.

1:00:05 > 1:00:09- Both Michael went through a lot... - What else?

1:00:09 > 1:00:12Bret has also had a tough time the last couple of days with some

1:00:12 > 1:00:15personal issues, not that that meant he was not with us.

1:00:15 > 1:00:19- He was still with us. - But he is still here.- Absolutely.

1:00:19 > 1:00:22Is it anything you can discuss? What is the problem?

1:00:22 > 1:00:23My oldest daughter is nine.

1:00:23 > 1:00:26She has been feeling sick and lost weight

1:00:26 > 1:00:30and they did a preliminary test and think she may be diabetic.

1:00:30 > 1:00:32And it is hereditary?

1:00:32 > 1:00:35That runs in families?

1:00:35 > 1:00:38Yes, if the father has it, there is a 50% chance that

1:00:38 > 1:00:41- one of my kids might have it.- So sad.

1:00:41 > 1:00:43Now, does that make you feel even stronger about fighting

1:00:43 > 1:00:46for your charity? Or do you think you would like to leave?

1:00:48 > 1:00:50I think you know that I do not want to leave here

1:00:50 > 1:00:53but for my charity I would fight to the end and especially now.

1:00:53 > 1:00:57However, if she was really sick I would never say I want to leave

1:00:57 > 1:00:59but I would leave to take care of my daughter.

1:01:02 > 1:01:06- OK. Holly, how did your team do? - I thought we did really well.

1:01:06 > 1:01:08We certainly enjoyed ourselves.

1:01:08 > 1:01:14We were a couple of men, or women, short but we had a good time.

1:01:14 > 1:01:15How is Sharon doing?

1:01:15 > 1:01:18I do not think she is doing too well.

1:01:18 > 1:01:20She has been really under the weather.

1:01:20 > 1:01:22I cannot believe what I'm seeing here.

1:01:22 > 1:01:25First, Darryl quits, then Michael leaves

1:01:25 > 1:01:28and now we are having this situation with Sharon.

1:01:28 > 1:01:30Do you think this is a way of Sharon saying,

1:01:30 > 1:01:33"Let me escape a couple of tasks and keep going?"

1:01:33 > 1:01:35No, I know she is really ill.

1:01:35 > 1:01:37We have been keeping in contact with her.

1:01:37 > 1:01:40I do not think there is anything behind it.

1:01:40 > 1:01:42I understand people get sick

1:01:42 > 1:01:44but I cannot let this go on too much longer.

1:01:44 > 1:01:48It is not really fair to the rest of you who are here.

1:01:48 > 1:01:51Holly, who did the least on your team? Who was the least productive?

1:01:51 > 1:01:55Oh, Cyndi, but she had to go see a man named President Obama.

1:01:55 > 1:01:58- Well, that is a good excuse.- And I came back this morning and I worked.

1:01:58 > 1:02:02- Did you like the President? - He was awesome. Very smart.

1:02:02 > 1:02:05It was an awesome, surreal day.

1:02:05 > 1:02:10Good. Let's watch the ads. We'll start with the men.

1:02:12 > 1:02:16- He ain't coming.- Dude, I won the contest, he's coming.

1:02:16 > 1:02:18Hey, what's up, fellas?

1:02:18 > 1:02:22I'm Clyde Drexler and I'm yours for the day... Oh!

1:02:22 > 1:02:25- Nothing.- 222!

1:02:25 > 1:02:30- He's down.- Smell him. - Nothing.- Told you.

1:02:30 > 1:02:34- Clyde, how about 1,000 jumping jacks? - He's been going for like an hour.

1:02:34 > 1:02:36- Smell him.- Nothing.- Told ya!

1:02:36 > 1:02:40Right Guard Total Defense 5 - works every time.

1:02:40 > 1:02:43Never get caught off guard.

1:02:47 > 1:02:49Now we'll do the ten second ad.

1:02:49 > 1:02:51That's good defence.

1:02:51 > 1:02:56That was good defence but man! Wooh! Man! You want a great defence?

1:02:56 > 1:02:59Right Guard Total Defense 5.

1:03:01 > 1:03:05All right, now for the women's ad. Let's see what we have.

1:03:06 > 1:03:11- Hey, Mom.- Hey, son!- Every kid has his first moment of funk.

1:03:11 > 1:03:16- I'm Scottie Pippen and I'm your... - # Funky Godfather! #

1:03:16 > 1:03:19I'm here for you.

1:03:19 > 1:03:20- Hey.- Oh, hey.

1:03:20 > 1:03:26New Right Guard Total Defense 5. Upgrade your defence.

1:03:26 > 1:03:30This is going to be real good for you, little boy.

1:03:30 > 1:03:33Introducing new Right Guard Total Defense 5,

1:03:33 > 1:03:35for your first moment of funk.

1:03:35 > 1:03:39- Good job, girls.- That's good too.

1:03:39 > 1:03:42Every kid has his first moment of funk.

1:03:42 > 1:03:45- I'm Scottie Pippen, and I'm your... - # Funky Godfather! #

1:03:45 > 1:03:48Introducing new Right Guard Total Defense 5

1:03:48 > 1:03:50for your first moment of funk.

1:03:50 > 1:03:53All right, Bret, whose ad was better?

1:03:53 > 1:03:56I think they did a good job but I thought ours was funnier

1:03:56 > 1:03:59with a lot more set-ups and a lot more originality.

1:03:59 > 1:04:01Goldberg, what did you think?

1:04:01 > 1:04:05I thought the part where Scottie Pippen picked the kid up in the air was hilarious.

1:04:05 > 1:04:08Other than that, I think ours was better.

1:04:09 > 1:04:14So, Cyndi, you weren't here so can you actually disassociate yourself

1:04:14 > 1:04:19with your team for a second and be impartial? Whose ad was better?

1:04:19 > 1:04:24Honestly? No offence, I didn't think it was that funny, your ad.

1:04:24 > 1:04:27I didn't know what to expect from your ad.

1:04:27 > 1:04:31I did. I thought it was very funny. I never laugh at anything.

1:04:31 > 1:04:35I'm not a person that laughs a lot. I thought it was funny.

1:04:35 > 1:04:37I don't know why, he gets hit with the ball,

1:04:37 > 1:04:40what's funny about that, but I laughed.

1:04:41 > 1:04:47- Maria, whose ad was better? - Ours was definitely better.

1:04:47 > 1:04:50You really didn't create two separate platforms.

1:04:50 > 1:04:52You really just shortened one.

1:04:52 > 1:04:54We do wish that we had two separate

1:04:54 > 1:04:57and originally we did have two separate.

1:04:57 > 1:04:58We did have two separate ads but...

1:04:58 > 1:05:02You have to give them credit for that. They had two different ads.

1:05:02 > 1:05:05Who decided not to use the second ad?

1:05:07 > 1:05:11- That's trouble if you lose. - You know, that's the truth.

1:05:11 > 1:05:14What am I going to do, lie?

1:05:14 > 1:05:17Holly, was that you singing the jingle?

1:05:17 > 1:05:21- It was, with a little bit of Cyndi underneath.- Cyndi, wow!

1:05:21 > 1:05:24I knew how to do that so when I heard it I went and sweetened it.

1:05:24 > 1:05:29I sang it and Cyndi came in and helped me layer the vocal.

1:05:29 > 1:05:31Can you sing it for me now, Cyndi?

1:05:31 > 1:05:36# Funky Godfather

1:05:36 > 1:05:40# Funky Godfather

1:05:40 > 1:05:44# Funky Godfather! Ey! #

1:05:47 > 1:05:51- Nice trill at the end. - It's very good.

1:05:51 > 1:05:55OK, Ivanka, what did the executives think of the men's team,

1:05:55 > 1:06:00- pro and con?- They thought some of the pros were your presentation.

1:06:00 > 1:06:02The thought is was phenomenal, cohesive,

1:06:02 > 1:06:04everyone did a great job and everyone participated.

1:06:04 > 1:06:06They thought in terms of the commercial

1:06:06 > 1:06:09that you did a very good job articulating the brand

1:06:09 > 1:06:14and specifically what this deodorant does which is about endurance.

1:06:14 > 1:06:17It's about the performance of the actual deodorant.

1:06:17 > 1:06:20The con was they thought the viral video, the 10 second video,

1:06:20 > 1:06:26wasn't going to go viral. They thought it wasn't funny enough.

1:06:26 > 1:06:29OK, George, what about the women?

1:06:29 > 1:06:33The executives thought the first moment of funk was creative, funny

1:06:33 > 1:06:35and certainly original.

1:06:35 > 1:06:39They thought it was a very creative use of Scottie Pippen.

1:06:39 > 1:06:42They thought it was good physical comedy.

1:06:42 > 1:06:44Pippen holding the boy in the air,

1:06:44 > 1:06:46they thought that was a really clever touch.

1:06:46 > 1:06:48As far as the cons were concerned,

1:06:48 > 1:06:53the 10 second internet spot doesn't stand alone on the market as well.

1:06:53 > 1:06:55Another con - the focus was on the mom

1:06:55 > 1:07:00when the target market is not the mom but the 13 to 18-year-old boy.

1:07:03 > 1:07:07OK, let's find out who won.

1:07:11 > 1:07:16The fact is that the executives ultimately thought both teams

1:07:16 > 1:07:19did a great job. Really great job.

1:07:19 > 1:07:23They liked the job that the women did.

1:07:27 > 1:07:30There is one problem.

1:07:30 > 1:07:34Your team lost. They loved the men's commercial.

1:07:34 > 1:07:36They liked your commercial

1:07:36 > 1:07:40but they absolutely loved the men's commercial

1:07:40 > 1:07:43and Right Guard's going to be using it all over the place.

1:07:43 > 1:07:45They really thought it was fantastic and by the way,

1:07:45 > 1:07:49I have to tell you, I agree with them, so congratulations.

1:07:49 > 1:07:51Curtis, you win 20,000 for your charity. What is it?

1:07:51 > 1:07:55It's Feeding America. There's a lot of people out there

1:07:55 > 1:08:00- that are going to be very happy about it.- Excellent, very good.

1:08:00 > 1:08:02OK, have a good time. Thank you.

1:08:02 > 1:08:06- Congratulations.- It feels a lot better to win that, right?

1:08:07 > 1:08:11Feels good, doesn't it, Goldberg? Look at these guys.

1:08:11 > 1:08:15Don't squeeze him too hard, Goldberg. He'll be dead.

1:08:15 > 1:08:20We needed the morale back, bro. Woo!

1:08:20 > 1:08:22- I knew it, I could feel it, dude. - We're back!

1:08:22 > 1:08:24They had no resolve to the funk.

1:08:24 > 1:08:28The commercial was funny, but it had no resolve.

1:08:28 > 1:08:32- Remember what I said? "Let's get back to that- BLEEP- product, man!"

1:08:32 > 1:08:35OK, women. Unfortunately, somebody will be fired.

1:08:43 > 1:08:49- So stoked!- Rocksolid, back at it. - Cheers.

1:08:49 > 1:08:51I'm here playing for Feeding America.

1:08:51 > 1:08:54There's one in eight Americans still have to face hunger.

1:08:54 > 1:08:56It's a crazy statistic and to be honest,

1:08:56 > 1:08:58it's a complete honour just to represent them.

1:08:58 > 1:09:02I'm so close to my charity and to be able to give them 20 grand

1:09:02 > 1:09:03makes me so happy right now.

1:09:03 > 1:09:05It's an incredible charity.

1:09:05 > 1:09:08They just do so much for so many different people

1:09:08 > 1:09:11so to think about 20,000 and what that can do, it's amazing.

1:09:11 > 1:09:15Let's watch him hammer a few people here.

1:09:15 > 1:09:18Holly, what happened?

1:09:18 > 1:09:21Well, I think we were all very confident.

1:09:21 > 1:09:26In our 30 seconds, we did shoot footage for a separate viral.

1:09:26 > 1:09:29- Too bad you didn't use it.- True.

1:09:29 > 1:09:32It had a big impact on the decision.

1:09:32 > 1:09:36It was a decision I made to make a really cool product in the 30

1:09:36 > 1:09:40and then we'll cut down our funniest part to go viral.

1:09:40 > 1:09:44Whose idea was the jingle?

1:09:44 > 1:09:45Mine.

1:09:45 > 1:09:48- They loved it.- Hallelujah! - They loved it, Holly!

1:09:48 > 1:09:52Glad they loved something!

1:09:52 > 1:09:55It's not a question of loving something,

1:09:55 > 1:09:57it's a question of degree.

1:09:57 > 1:10:00- They liked it.- It was catchy.

1:10:00 > 1:10:02You're taking a lot of responsibility

1:10:02 > 1:10:05so obviously you were a very dominant project manager,

1:10:05 > 1:10:08but the problem with having such a dominant personality

1:10:08 > 1:10:10when you're a project manager,

1:10:10 > 1:10:12it almost seems like you're a one-woman show

1:10:12 > 1:10:14and you just happened to have a team.

1:10:14 > 1:10:17That's not true. I delegated, we talked about everything.

1:10:17 > 1:10:21- I just don't agree that it's a one-woman show.- Is that true, Summer?

1:10:21 > 1:10:23Yeah.

1:10:24 > 1:10:28Maria, who was the weak link on your team?

1:10:30 > 1:10:32Um, gosh...

1:10:35 > 1:10:38I hate doing it, I really do.

1:10:40 > 1:10:43Maria's going to throw someone under the bus.

1:10:43 > 1:10:46Watch out for Maria.

1:10:46 > 1:10:51I'm really sorry and everything, but I would have to say Selita.

1:10:51 > 1:10:53When I was screaming and hollering to get someone

1:10:53 > 1:10:58to help me carry all the stuff in, you came.

1:10:58 > 1:11:01Summer was carrying stuff in with me and Selita wasn't.

1:11:01 > 1:11:04I was there at the time and it surprised me quite a bit

1:11:04 > 1:11:08because this is a contest so you really have to put out a little more.

1:11:10 > 1:11:13I love Selita, but she is the weak link.

1:11:15 > 1:11:19Let me ask you, Selita, how you would respond to that?

1:11:19 > 1:11:23You know, there's a lot of work that goes into putting into a production.

1:11:23 > 1:11:25Holly was doing the creative aspect

1:11:25 > 1:11:29and I was organising every other aspect of this task.

1:11:29 > 1:11:33- This lovefest, we got to break this- BLEEP- up. - It's just been broken.

1:11:33 > 1:11:37- This lovefest is going to end. - It's just been broken.

1:11:37 > 1:11:40Summer, if you were me, who would you fire?

1:11:40 > 1:11:42Well, there's two obvious.

1:11:42 > 1:11:45The people that weren't there, Cyndi and Sharon.

1:11:45 > 1:11:47- Let's leave them alone for now. - Cindy was there!

1:11:47 > 1:11:50One's sick and the other's with the president. What am I going to do?

1:11:50 > 1:11:54It's tough, right? Let's assume we have to leave them alone.

1:11:54 > 1:11:59Holly, pick two people to come back with you into the boardroom.

1:11:59 > 1:12:04Someone will be fired. Who are they going to be?

1:12:04 > 1:12:08- Can I ask you a question?- Yes. - Cyndi was actually...

1:12:08 > 1:12:10Cyndi was with the president.

1:12:10 > 1:12:13I won't fire her, bring her back if you want.

1:12:14 > 1:12:18We're going to give Sharon a pass for a little while longer.

1:12:18 > 1:12:22- As long as you all think she's really sick.- OK.

1:12:22 > 1:12:25You think she's really sick, Holly?

1:12:25 > 1:12:27Yeah, absolutely.

1:12:27 > 1:12:31If you think she's really sick, she has a pass at least for tonight.

1:12:31 > 1:12:36All right, then I have to bring Selina and Maria.

1:12:36 > 1:12:38Why Maria?

1:12:38 > 1:12:40The only thing that happened

1:12:40 > 1:12:43that I can even point any kind of finger at Maria

1:12:43 > 1:12:47is we had a little glitch with our edit at the last minute

1:12:47 > 1:12:49that cost us some valuable time.

1:12:49 > 1:12:53And I asked you to come in 10 minutes earlier.

1:12:53 > 1:12:57When I last left the editing bay, there was something that was in.

1:12:57 > 1:13:00When I returned to the editing bay, it was out.

1:13:00 > 1:13:03Maria was there when we heard it was out.

1:13:03 > 1:13:06- She never mentioned anything about it.- I asked you...

1:13:06 > 1:13:09- It's apples and oranges. - Can I say something?

1:13:09 > 1:13:12You're not going to like me for this, but I got to say it.

1:13:12 > 1:13:15Cyndi, you're not even coming back in, you're not even coming back in.

1:13:15 > 1:13:19- Thanks, Mom, but listen. - You weren't even here.

1:13:19 > 1:13:23You were here last minute and went in to do sound editing

1:13:23 > 1:13:26and putting yourself on the vocal and that's what you did.

1:13:26 > 1:13:29You didn't even hear me on the vocal, we heard you.

1:13:29 > 1:13:31I told you I didn't hear you and asked you to turn it up

1:13:31 > 1:13:33and you said, "Turn it up two notches."

1:13:33 > 1:13:38That's neither here nor there. It's hard for me to say any of you ladies.

1:13:38 > 1:13:40- Holly ain't going to take no- BLEEP.

1:13:40 > 1:13:42- She won't take any- BLEEP - from anybody.

1:13:42 > 1:13:45She's a strong woman. She'll stick with her conviction.

1:13:45 > 1:13:49Cyndi, do you think I should fire Holly?

1:13:57 > 1:14:00I can't say that, I'm just telling you what happened.

1:14:00 > 1:14:03You got pretty animated for a minute there so you obviously believe...

1:14:03 > 1:14:07Actually animated. Not a lot of liking for Holly, it seemed.

1:14:07 > 1:14:10I think you do have the fortitude and strength

1:14:10 > 1:14:12to be able to answer that question.

1:14:12 > 1:14:14You're not loving Holly.

1:14:15 > 1:14:20It's just that... I can't, I can't do it.

1:14:20 > 1:14:24Summer? Who should I fire?

1:14:24 > 1:14:27- Come on, Summer.- Are you kidding me? - You're supposed to be so tough.

1:14:27 > 1:14:30I don't think you're so tough. Who should I fire?

1:14:30 > 1:14:34- You've got three great girls there. - Who's the weakest of the three?

1:14:36 > 1:14:42The strongest is Holly. I know you asked me who the weakest was.

1:14:42 > 1:14:47- Who's the weakest?- I can't answer that. I wish I could but I can't.

1:14:47 > 1:14:52You two go to your suite. Everybody out. Somebody is going to be fired.

1:14:52 > 1:14:54You'll be right back, thank you very much.

1:14:58 > 1:15:00Do you feel like you're in an interrogation?

1:15:00 > 1:15:04- I shouldn't open my big- BLEEP- mouth.

1:15:05 > 1:15:09I promised myself I wasn't going to get "black girl," but two seconds away.

1:15:13 > 1:15:15Sometimes you've got to do it.

1:15:15 > 1:15:17I wish I had some Right Guard!

1:15:32 > 1:15:33Ivanka, what do you think?

1:15:33 > 1:15:36Holly has such a strong personality and she was such a leader

1:15:36 > 1:15:38that it's hard not to fire her.

1:15:38 > 1:15:41With that said, Selita just doesn't show any energy.

1:15:41 > 1:15:45- I'd like to see her defend herself. - George, what do you think?

1:15:45 > 1:15:48My personal feeling is that when you come to the boardroom,

1:15:48 > 1:15:50you have to be ready to fight.

1:15:50 > 1:15:53OK. Amanda, let them in.

1:15:53 > 1:15:56Ladies, you can head back in.

1:16:08 > 1:16:10Sit down, please.

1:16:15 > 1:16:19- It's a lot of pressure, isn't it? - Yeah, but I'm just really bummed.

1:16:19 > 1:16:22I wanted to make money for my charity and that's why I came.

1:16:22 > 1:16:25- Do you think you should be fired? - I really don't.

1:16:25 > 1:16:29- I think I'm a strong player. - And you think who should be fired?

1:16:29 > 1:16:30It's interesting.

1:16:30 > 1:16:36I really feel like Selita has been such a strong player

1:16:36 > 1:16:40but George saw something in Selita that was weak.

1:16:40 > 1:16:42I think Maria is an amazing player

1:16:42 > 1:16:46- but sometimes I'd seen her do some things.- Like what?

1:16:46 > 1:16:49In the boardroom, I've seen her call people out...

1:16:52 > 1:16:55Try to throw people off the subway.

1:16:55 > 1:16:57She lives in a pretty tough world.

1:16:57 > 1:17:00I get that and I understand it's a wrestler thing, I don't know.

1:17:00 > 1:17:04- I'm just saying...- Do you think she'll do that to you?- Absolutely.

1:17:04 > 1:17:07You almost want to get rid of her so she doesn't throw you...?

1:17:07 > 1:17:10I don't want to get rid of her, I just want to stay.

1:17:10 > 1:17:11I don't want to go.

1:17:11 > 1:17:14- Maria, do you think it's fair that you were brought back?- No.

1:17:14 > 1:17:17- You don't see it?- No. - Why did she bring you back?

1:17:17 > 1:17:20I don't know, maybe she blames me a little bit

1:17:20 > 1:17:24for what happened with the editing, but at the end of the day,

1:17:24 > 1:17:27I gave her two opportunities to come back and look at it.

1:17:27 > 1:17:30- That's not true.- The thing of the matter is - let me finish -

1:17:30 > 1:17:34is that I did give her opportunities. She didn't take them.

1:17:34 > 1:17:36She said, "You got this." I did have it.

1:17:36 > 1:17:40- You were very ineffective in that room...- Ineffective!

1:17:40 > 1:17:44When I was in the room, Maria, you walked up to me and said,

1:17:44 > 1:17:47"You need to look at this again." I said, "No, I'm good with it."

1:17:47 > 1:17:49Why? Because I was working on my presentation.

1:17:49 > 1:17:53You know what's bothering me a little bit and very off topic,

1:17:53 > 1:17:57but Selita, Maria basically undermines you.

1:17:57 > 1:18:00She told us if you were weak, that you should be the one to be fired.

1:18:00 > 1:18:04That's fair, everyone's entitled to their opinion.

1:18:04 > 1:18:08- It's fair that she said that? - Are you weak?

1:18:08 > 1:18:10I'm absolutely not weak because if I was weak

1:18:10 > 1:18:12- I would not have won 20,000 for my charity.- True.

1:18:12 > 1:18:15I think I'm a woman who wears many hats, extremely talented,

1:18:15 > 1:18:19and I think my greatest attribute is that I'm able to be a team player.

1:18:19 > 1:18:21You know, Selita, if somebody attacked me

1:18:21 > 1:18:24and said I wasn't doing something, I would get furious.

1:18:24 > 1:18:27I would defend - please - I would defend myself.

1:18:27 > 1:18:30- That got a lukewarm response. - Absolutely.

1:18:30 > 1:18:33The players in this situation basically have to be very strong,

1:18:33 > 1:18:35have to defend themselves.

1:18:35 > 1:18:38That concerns me for the future.

1:18:41 > 1:18:44It just seems to me that Holly and Maria

1:18:44 > 1:18:47are much stronger in terms of their abilities.

1:18:47 > 1:18:49Their personalities, I'm sure, absolutely.

1:18:49 > 1:18:52Quite frankly, I think Maria is a very strong woman

1:18:52 > 1:18:53but I think at times she can be a bit abrasive.

1:18:53 > 1:18:57If you were me, who would you fire of these two, Selita?

1:19:00 > 1:19:04I would have to fire Maria, only because Maria was given

1:19:04 > 1:19:08the responsibility of making sure that the editing gets done.

1:19:08 > 1:19:12Please let me finish. Excuse me.

1:19:12 > 1:19:14When all of this chaos happens,

1:19:14 > 1:19:17there she is trying to throw Holly under the bus...

1:19:17 > 1:19:20That wasn't the situation though.

1:19:20 > 1:19:22Furthermore, I walked back into that room

1:19:22 > 1:19:26and I heard something that was wrong on our audio.

1:19:26 > 1:19:29It played four times and I said, "What is that?"

1:19:29 > 1:19:30At no point did Maria ever hear it.

1:19:30 > 1:19:33She didn't hear it because she wasn't observant?

1:19:33 > 1:19:35She didn't hear because she didn't know it was wrong.

1:19:35 > 1:19:38Hey, I don't know, maybe she wanted...

1:19:38 > 1:19:41You don't seem to think that Maria's a very loyal team player.

1:19:41 > 1:19:43- No.- This has come up...

1:19:43 > 1:19:46Oh, I'm sorry, I only won 10,000 for your charity!

1:19:46 > 1:19:48You sunk a basket, I'm happy about that!

1:19:48 > 1:19:51Here's the problem I have.

1:19:51 > 1:19:56I'm looking at Holly as a strong, tough, smart woman.

1:19:58 > 1:20:05I'm looking at Maria and she's a strong, smart, tough woman.

1:20:05 > 1:20:10I'm looking at Selita and I don't see the same fire.

1:20:10 > 1:20:15Therefore I have no choice. Selita, you're fired, go.

1:20:16 > 1:20:18I would just like to thank you for the opportunity,

1:20:18 > 1:20:20and bringing awareness to my charity

1:20:20 > 1:20:22and for the opportunity of winning 20,000.

1:20:22 > 1:20:25And you've done very well, thank you very much.

1:20:34 > 1:20:40I love you so much. Call me, bye. Maria, I respect you so much.

1:20:40 > 1:20:45- I respect you too.- You're fierce and...watch out for her!

1:20:45 > 1:20:47Thanks for the advice, I will!

1:20:51 > 1:20:55- Hello. How do you pronounce your name?- Adrian.- Nice to meet you.

1:21:01 > 1:21:04- Ivanka, I felt fine about that. - You were right on about the fire.

1:21:04 > 1:21:06- Seems like she didn't have it. - Absolutely.

1:21:06 > 1:21:09I just thought it was sort of an easy one.

1:21:43 > 1:21:46My only advice is watch out for that little conniving...

1:21:46 > 1:21:48Did I say that out loud? Maria.

1:21:48 > 1:21:51I work with some of the biggest divas in the world, honey.

1:21:51 > 1:21:54We are all cut from different cloths

1:21:54 > 1:21:57and you don't have to be a negative person to get ahead.

1:21:57 > 1:21:59Tacky.

1:22:04 > 1:22:07Subtitles by Red Bee Media Ltd