Decoration Task

0:00:02 > 0:00:04Previously on Celebrity Apprentice, a new Trump joined the ranks.

0:00:04 > 0:00:07To my right is Eric Trump.

0:00:07 > 0:00:09Eric is a Georgetown graduate,

0:00:09 > 0:00:11And he really knows construction.

0:00:11 > 0:00:13The teams were tasked with creating

0:00:13 > 0:00:16three live radio commercials for Clockwork Home Services.

0:00:16 > 0:00:17Just go with me.

0:00:17 > 0:00:19- Go on.- Here we get to open up and have fun.

0:00:19 > 0:00:23Project Manager Bret Michaels took a risk and pushed the envelope.

0:00:23 > 0:00:25"We know people like to crack a lot of jokes..."

0:00:25 > 0:00:26You can't...

0:00:26 > 0:00:28I think they won't like it.

0:00:28 > 0:00:33The executives of the company wanted to avoid any cheap shots at plumbers.

0:00:33 > 0:00:36If I'm wrong, I will take the sword.

0:00:36 > 0:00:39While Tenacity had a problem of their own.

0:00:39 > 0:00:42We're not feeling any input from us ladies.

0:00:42 > 0:00:43And this is very important,

0:00:43 > 0:00:45that you open yourself up to input on it.

0:00:45 > 0:00:47OK, OK.

0:00:47 > 0:00:49'There's a little bit of a different vibe with Tenacity.'

0:00:49 > 0:00:51Let's face it, they can be a little bit bitchy.

0:00:51 > 0:00:55And tensions flared when Maria Kanellis crossed battle lines.

0:00:57 > 0:00:59Curtis is so mad right now.

0:00:59 > 0:01:00- No.- For real.

0:01:00 > 0:01:03Curtis thinks he's so hot.

0:01:03 > 0:01:06At the live performance both teams went for broke,

0:01:06 > 0:01:09as Cyndi Lauper stepped up to the mic.

0:01:09 > 0:01:12# Call 888-333

0:01:12 > 0:01:15# 88-88 cos we are never late... #

0:01:15 > 0:01:18And Bret went out on a limb.

0:01:18 > 0:01:20Hi, I'm Ben, the punctual plumber.

0:01:20 > 0:01:23We plumbers know people crack a lot of jokes at our expense,

0:01:23 > 0:01:25but we take our job very seriously.

0:01:25 > 0:01:26In the boardroom,

0:01:26 > 0:01:29each team's execution was called into question.

0:01:29 > 0:01:31If they explicitly said,

0:01:31 > 0:01:34"Don't make jokes at the expense of the plumbers,"

0:01:34 > 0:01:36I couldn't really understand why you felt the need.

0:01:36 > 0:01:39I don't want to be fired, but I would have to own up to that one.

0:01:39 > 0:01:41Well, as far as Tenacity,

0:01:41 > 0:01:43they thought you really packed too much

0:01:43 > 0:01:45into too short of commercials.

0:01:45 > 0:01:49In the end, playing it too safe cost Tenacity dearly.

0:01:49 > 0:01:53- Rocksolid, you win. Bret - 40,000 to your charity.- Yes.

0:01:53 > 0:01:54Thank you very much.

0:01:54 > 0:01:57And when Mr Trump asked who should be fired on the other team...

0:01:57 > 0:01:59Sharon, who do you think I should fire?

0:01:59 > 0:02:03..Sharon Osbourne and Maria Kanellis didn't hold back.

0:02:03 > 0:02:06Oh, Curtis. He's just too smug for me.

0:02:06 > 0:02:07I do agree with Sharon.

0:02:07 > 0:02:10I look at him and I'm like, "I want to punch you."

0:02:10 > 0:02:12Left to face Mr Trump,

0:02:12 > 0:02:15Cyndi's standout performance earned her a free pass.

0:02:15 > 0:02:17Cyndi did everything I told her to do.

0:02:17 > 0:02:19She worked extremely hard.

0:02:19 > 0:02:21You're not going to be fired. Go.

0:02:21 > 0:02:24And when Summer didn't fight for her life...

0:02:24 > 0:02:26- You're having a hard time with it, right?- I am...

0:02:26 > 0:02:29- Summer, you're having a hard time, right?- I'm saying Curtis because

0:02:29 > 0:02:31I want to compete for my charity.

0:02:31 > 0:02:33That's not a compelling reason, though.

0:02:33 > 0:02:34..she paid the ultimate price.

0:02:34 > 0:02:38You haven't given a very strong argument for you to stay.

0:02:38 > 0:02:39Summer, you're fired.

0:02:52 > 0:02:53I got to be honest.

0:02:53 > 0:02:56I don't know why they'd let Summer go, man. She's a fighter.

0:02:56 > 0:02:57- She ain't that way. - She is.

0:02:57 > 0:03:01No, she said, "I'd have to say Curtis, cos it's not going to be me."

0:03:01 > 0:03:02How did he kick you out?

0:03:02 > 0:03:05How did you make an early departure?

0:03:05 > 0:03:07'I didn't think it was so fair that Cyndi

0:03:07 > 0:03:08'got a free pass out of the boardroom.'

0:03:08 > 0:03:11I think I offended her by saying, "How come you're in here?"

0:03:11 > 0:03:13I'm not going to throw myself under the bus

0:03:13 > 0:03:15cos nobody sticks up for the gays.

0:03:15 > 0:03:17What the hell did you just say?

0:03:17 > 0:03:19- SHARON:- Nobody stands up for the gays.

0:03:19 > 0:03:22- Well, they- BLEEP- don't! They can't even get married.

0:03:22 > 0:03:25And it's OK to smoke pot and be a stoner.

0:03:25 > 0:03:27- Thank God.- But if you love somebody, you can't

0:03:27 > 0:03:29because somehow it upsets somebody.

0:03:31 > 0:03:33'I figure nobody's perfect.'

0:03:33 > 0:03:35But Holly, she's a control freak.

0:03:35 > 0:03:37And she's a two-faced biatch.

0:03:37 > 0:03:38I don't want to deal with her.

0:03:39 > 0:03:42- That sucks.- Curtis.

0:03:42 > 0:03:45'When Curtis came in, I was deflated.

0:03:45 > 0:03:48'I felt really proud to be in the final six. That's great.'

0:03:48 > 0:03:51But I was just hoping to see my girl come around that corner.

0:03:51 > 0:03:52But she didn't.

0:03:52 > 0:03:55Why did he fire her, just cos she was the Project Manager?

0:03:55 > 0:03:57Yeah. He kept saying, "Why should I fire Curtis?

0:03:57 > 0:03:59"You have to give me a reason."

0:03:59 > 0:04:01- And?- She didn't really give him one.

0:04:01 > 0:04:04'Pretty-boy Curtis seems so arrogant to me.'

0:04:04 > 0:04:07I thought he was smug from the beginning.

0:04:07 > 0:04:10'And I feel like he takes any opportunity he can

0:04:10 > 0:04:13'to just push out someone else, just to further his needs.'

0:04:13 > 0:04:15Here's to your charity, brother.

0:04:15 > 0:04:17Hey, thank you so much. Cheers, man. Thank you.

0:04:17 > 0:04:18For real.

0:04:24 > 0:04:27# Money, money, money, money

0:04:27 > 0:04:29# Money!

0:04:29 > 0:04:32# Money, money, money, money

0:04:32 > 0:04:34# Money!

0:04:34 > 0:04:37# Some people got to have it

0:04:37 > 0:04:39# Ye-eah

0:04:39 > 0:04:42# Some people really need it

0:04:42 > 0:04:44# Hey, listen to me, y'all

0:04:44 > 0:04:48# Do things, do things, do things Bad things with it

0:04:51 > 0:04:53# Dollar bills, y'all Come on

0:04:53 > 0:04:57# That mean, oh mean

0:04:57 > 0:04:59# Mean green

0:04:59 > 0:05:02# Almighty dollar

0:05:02 > 0:05:06# You know that money...

0:05:06 > 0:05:10# Give me a nickel, brother Can you spare a dime?

0:05:10 > 0:05:13# Money can drive some people

0:05:13 > 0:05:16# Out of their minds

0:05:16 > 0:05:19# For the love of money No good, no good

0:05:19 > 0:05:20# Money!

0:05:20 > 0:05:24# Money, money, money

0:05:24 > 0:05:25# Money! #

0:05:44 > 0:05:47'This morning, we got a chance to see Mr Trump's apartment.

0:05:47 > 0:05:52'I've never seen a view like that before in New York City.'

0:05:52 > 0:05:54I think I saw Russia from Mr Trump's apartment.

0:05:56 > 0:06:00'It has to be one of the greatest views in the entire world.'

0:06:00 > 0:06:04But he has a very interesting sense of style -

0:06:04 > 0:06:09gold and statued and fresco ceilings.

0:06:12 > 0:06:14'Incredible opulence.'

0:06:14 > 0:06:16You feel like you're in the high-rollers room

0:06:16 > 0:06:17of Caesars Palace.

0:06:19 > 0:06:21'I felt like we're going to have to take off our shoes.'

0:06:21 > 0:06:24Then I figure he's going to dry-clean the rugs anyway.

0:06:26 > 0:06:28- Good morning. - ALL:- Morning.

0:06:28 > 0:06:30Curtis, at the last boardroom,

0:06:30 > 0:06:33you said that Sharon and Maria didn't like you.

0:06:33 > 0:06:37- Is that a correct statement? - I think you said that, but I agreed with you.

0:06:37 > 0:06:40- You said they didn't like you because you didn't work together. - Right.

0:06:40 > 0:06:43- You're now working together. Curtis, get over there.- Oh, no! Oh, please!

0:06:43 > 0:06:45- Bret, you're going to the other team.- Oh, man!

0:06:45 > 0:06:47'You never should show your hand, ever,'

0:06:47 > 0:06:49if you're dealing with Donald Trump.

0:06:49 > 0:06:51Because as soon as he knows

0:06:51 > 0:06:52'what you don't like,

0:06:52 > 0:06:54'he's going to give it to you.'

0:06:54 > 0:06:57OK. You're standing in my apartment in Trump Tower,

0:06:57 > 0:07:00one of the greatest apartments ever built.

0:07:00 > 0:07:03Even Richard LeFrak, my great friend for many years

0:07:03 > 0:07:05who builds apartments, likes the apartment.

0:07:05 > 0:07:07And you better be very nice to Richard,

0:07:07 > 0:07:11because Richard is going to be, along with Don,

0:07:11 > 0:07:13my eyes and ears, all right?

0:07:13 > 0:07:16You'll each be given a beautiful apartment,

0:07:16 > 0:07:19and you'll refurbish this apartment appropriately

0:07:19 > 0:07:21for use by visiting executives.

0:07:21 > 0:07:23You're going to paint it and furnish it.

0:07:23 > 0:07:25You're going to fix it and make it look beautiful.

0:07:25 > 0:07:28And you'll decorate one of the rooms

0:07:28 > 0:07:30using your own celebrity style

0:07:30 > 0:07:33to give the apartment that "wow" factor.

0:07:33 > 0:07:36Richard, what is the criteria for winning?

0:07:36 > 0:07:39We're looking for originality, celebrity style,

0:07:39 > 0:07:43your ability to stage the apartment to improve its value

0:07:43 > 0:07:45and the overall quality of the renovation.

0:07:45 > 0:07:47Don, who will be judging?

0:07:47 > 0:07:50You're going to be judged by Lee Curtis of...

0:07:51 > 0:07:54- BridgeStreeet.- You're going to be judged by Lee Curtis

0:07:54 > 0:07:56- of BridgeStreeet Worldwide. - Say the whole thing again.

0:07:56 > 0:07:59You blew it. The kid will never be his father.

0:07:59 > 0:08:01I'm only kidding.

0:08:01 > 0:08:02- Isn't that terrible?- Terrible!

0:08:02 > 0:08:05You thought your kids had it bad, right? Believe me.

0:08:05 > 0:08:06All right, go ahead.

0:08:06 > 0:08:09You're going to be judged by Lee Curtis

0:08:09 > 0:08:10of BridgeStreeet Worldwide,

0:08:10 > 0:08:14as well as celebrity designer Jonathan Adler.

0:08:14 > 0:08:18The winning Project Manager will get 20,000.

0:08:18 > 0:08:21Pick your Project Managers, please.

0:08:21 > 0:08:22I'll let you two decide on this one.

0:08:22 > 0:08:24You don't want me designing anything.

0:08:24 > 0:08:25Maybe you should take it, Cyn.

0:08:25 > 0:08:28I don't know anything about that, and I don't know...

0:08:28 > 0:08:30If you feel strong about it, take it. Let's win.

0:08:30 > 0:08:33OK, come on. Let's go. Holly, who is your Project Manager?

0:08:33 > 0:08:37- I am.- You again, Holly? Boy, you're really putting yourself out there.

0:08:37 > 0:08:39I didn't necessarily want to be but, you know.

0:08:39 > 0:08:42It's because of the task. I don't live like that, you know.

0:08:42 > 0:08:43Who is your Project Manager?

0:08:43 > 0:08:46- It's Sharon.- So you're going to get a chance to prove yourself.

0:08:46 > 0:08:48Where's my paintbrush? I'm ready.

0:08:48 > 0:08:51'Holly is a good Project Manager.'

0:08:51 > 0:08:52She's very, very motivated.

0:08:52 > 0:08:55'She's already won an awful lot of money.

0:08:55 > 0:08:56'And I thought,

0:08:56 > 0:08:59'"I've got to try and raise something for my charity."'

0:08:59 > 0:09:02OK, let's go get them. Good luck. Thank you.

0:09:02 > 0:09:03Thank you.

0:09:03 > 0:09:05Thank you.

0:09:13 > 0:09:14Holly, let me ask you this.

0:09:14 > 0:09:16Yes or no, you want to be Project Manager on this?

0:09:16 > 0:09:18Let's pretend we're deciding right now.

0:09:18 > 0:09:21I just didn't feel like it was my "at bat".

0:09:21 > 0:09:23Cyndi, do you want to do it?

0:09:23 > 0:09:25Every time I'm Project Manager,

0:09:25 > 0:09:26she got a problem with me.

0:09:26 > 0:09:29'I did want the project a little,

0:09:29 > 0:09:32'but I knew that Holly likes'

0:09:32 > 0:09:33to do it Holly's way,

0:09:33 > 0:09:35and so Holly might as well be the boss.

0:09:35 > 0:09:38She and I, it's like oil and vinegar.

0:09:38 > 0:09:39All right, look. I'll do it.

0:09:39 > 0:09:42I have no problem doing it. I really don't.

0:09:42 > 0:09:45I really don't. I just had to get in that mind frame.

0:09:45 > 0:09:46That's all. I'm there.

0:09:46 > 0:09:49'I felt forced into being Project Manager on this one.

0:09:49 > 0:09:52'I thought for sure Cyndi was going to step up.'

0:09:52 > 0:09:54I really wanted Cyndi to win for her True Colors Fund.

0:09:54 > 0:09:56It's a great organisation,

0:09:56 > 0:09:59and she believes very deeply in its mission.

0:09:59 > 0:10:00I was thinking you could get,

0:10:00 > 0:10:03like, a really tacky shag rug.

0:10:03 > 0:10:04Right.

0:10:04 > 0:10:06But, you know, I know tacky.

0:10:06 > 0:10:09Or a '70s look where they have the big eggs you could sit in.

0:10:09 > 0:10:12- Yeah, yeah. - What about Zen?- Zen is cool.

0:10:12 > 0:10:15- What's Zen? - Zen is very - it's very relaxed.

0:10:15 > 0:10:18Zen is relaxed, Balinese, Buddhists.

0:10:18 > 0:10:21- Oh, Buddhists.- I just don't know a lot about that look.

0:10:21 > 0:10:23But can you have cool stuff in there...

0:10:23 > 0:10:26- Oh, yeah. You can mix it... - Like a sofa that looks like lips?

0:10:26 > 0:10:29'I like Holly, and I like Cyndi,

0:10:29 > 0:10:32'but it is like walking into a really bad situation

0:10:32 > 0:10:34'with two sisters that are just arguing'

0:10:34 > 0:10:37and don't like anything that the other one likes.

0:10:37 > 0:10:38This is going to be fun.

0:10:38 > 0:10:41I was thinking of a disco kitchen.

0:10:41 > 0:10:43Put a disco ball up in the kitchen, have a party.

0:10:46 > 0:10:47Could be in the bathroom.

0:10:47 > 0:10:49Disco ball could be in the bathroom, too.

0:10:53 > 0:10:55All righty, then.

0:10:56 > 0:10:58What is this?

0:10:58 > 0:11:01'This is a massive task in a really short period of time.

0:11:01 > 0:11:03'We've got to paint an entire apartment,

0:11:03 > 0:11:06'shop for all the furniture, get it in, decorate it.'

0:11:06 > 0:11:08I don't know how we'll get it finished.

0:11:08 > 0:11:11- So this is the master bedroom, obviously, right?- Yes.

0:11:11 > 0:11:14Oh, it's a disgusting colour on the wall

0:11:14 > 0:11:16and there's no dressing room!

0:11:16 > 0:11:17That's the celebrity room.

0:11:20 > 0:11:23It's a celebrity that's seen better days!

0:11:23 > 0:11:25It's a has-been room.

0:11:27 > 0:11:30'The judges wanted one room

0:11:30 > 0:11:33'that you could say was the "celeb" room.'

0:11:33 > 0:11:36But it wasn't a bloody celebrity room. It was a cupboard.

0:11:36 > 0:11:37'So I thought,

0:11:37 > 0:11:41'"Let's make it our our celebrity media room."'

0:11:42 > 0:11:44Do you want to start, um, measuring,

0:11:44 > 0:11:47- like, just different areas? - Yeah.

0:11:49 > 0:11:51'When Curtis came on our team,

0:11:51 > 0:11:53'I'm thinking, "This is going to be a nightmare."

0:11:53 > 0:11:56'I mean, Sharon and I both don't like this guy.'

0:11:56 > 0:11:59Nothing creative seems to spark in him.

0:11:59 > 0:12:01But we need him now.

0:12:01 > 0:12:05- I would rather do a high table, though.- Definitely.

0:12:05 > 0:12:08It gives it more individual style and then more room.

0:12:08 > 0:12:11'Sharon and Maria don't like me. That's pretty evident.

0:12:11 > 0:12:13'So if we lose this task,

0:12:13 > 0:12:15'it'll be two against one in the boardroom.

0:12:15 > 0:12:17'So I've got to be super focused on this.'

0:12:17 > 0:12:19I'm going to turn them around. By the end of the challenge,

0:12:19 > 0:12:21I'm going to have them liking me.

0:12:32 > 0:12:34I love the Balinese look.

0:12:34 > 0:12:37But let's embrace the city, but Zen it

0:12:37 > 0:12:40so it's your escape within one of the biggest cities and most awesome...

0:12:40 > 0:12:42- What do you want to call it? - New York Zen.

0:12:42 > 0:12:45- That's what it is.- OK. OK. - New York Zen.- All right. Good.

0:12:46 > 0:12:49'There's something about the Balinese style

0:12:49 > 0:12:52'that just makes you feel relaxed, refreshed and renewed.

0:12:52 > 0:12:54'So I wanted to do something a little bit different

0:12:54 > 0:12:57'and play with colours that evoke

0:12:57 > 0:13:00'a feeling of serenity and acceptance.'

0:13:00 > 0:13:02Basically, a Balinese experience.

0:13:02 > 0:13:04Holly, this is a big question for you.

0:13:04 > 0:13:07What kind of paint do you see in the bedroom?

0:13:07 > 0:13:10- A very sky, mellow... - For that bedroom?- Yeah.- OK.

0:13:10 > 0:13:13- You want to make it like you're in the clouds in there?- No.

0:13:14 > 0:13:17'I had no idea how this is going to work out

0:13:17 > 0:13:18'with Cyndi, Bret and I.'

0:13:18 > 0:13:21I mean, you couldn't have picked three more different people.

0:13:21 > 0:13:24- Why not do the whole door full of door knockers?- OK.

0:13:24 > 0:13:28I love peeing all over the carpet. My feet are always warm when I do it.

0:13:28 > 0:13:31This isn't my strongest crew. Put it that way.

0:13:31 > 0:13:35- I really think you should glaze this- BLEEP- wall.

0:13:35 > 0:13:38- KNOCK ON DOOR - Hey. How you doing?- Good.

0:13:38 > 0:13:40- Pleasure to meet you. - Lee Curtis.

0:13:40 > 0:13:43- How are you?- Good. Good.- Hello!- Hi. - How are you?

0:13:43 > 0:13:46- Lee Curtis, president of BridgeStreeet.- Nice to meet you.

0:13:46 > 0:13:49- Pleasure.- Good to meet you. - Yes.- Fantastic apartment.

0:13:49 > 0:13:50'Sharon says whatever comes into her mind

0:13:50 > 0:13:53'and spits it out, like, "Oh, this is horrible!'

0:13:53 > 0:13:54"Ew, what a bad design!"

0:13:54 > 0:13:55And then the next minute,

0:13:55 > 0:13:57the executive of the company walked through

0:13:57 > 0:14:00and she said, "Lovely apartment!"

0:14:00 > 0:14:02I know you met with Mr Trump this morning.

0:14:02 > 0:14:03He gave you a little bit of the mission.

0:14:03 > 0:14:06- I'll just maybe tell you a little more about who we are.- Thank you.

0:14:06 > 0:14:09BridgeStreeet is a leading provider of furnished apartments.

0:14:09 > 0:14:12Our clients are typically Fortune 500 executives.

0:14:12 > 0:14:15Average length of stay, usually 60 to 90 days.

0:14:15 > 0:14:17So these are longer-term stays.

0:14:17 > 0:14:21'It hit me in that meeting - someone's going to be living there

0:14:21 > 0:14:25'for maybe a couple weeks or maybe a month or two.'

0:14:25 > 0:14:28And I realised that we got to make sure

0:14:28 > 0:14:31that it still has all the things that a hotel would.

0:14:31 > 0:14:34Our corporate mission is to make it easy

0:14:34 > 0:14:36for our guests to stay with us.

0:14:36 > 0:14:38What's that second bedroom?

0:14:38 > 0:14:40- That's just a real fun... - What do you want it to be?

0:14:40 > 0:14:43- That's just to go nuts with. - That's what I'm saying.

0:14:43 > 0:14:46It's a place where you go wild, you walk in and have a whole other experience.

0:14:46 > 0:14:48- OK.- As good as our product is,

0:14:48 > 0:14:51I know we kind of go to the middle of the demographic

0:14:51 > 0:14:53to make it functional for a lot of people.

0:14:53 > 0:14:56You all, I think, can do a lot more to make it a lot more fun.

0:14:56 > 0:14:58And taking into account the city that you're in, as well -

0:14:58 > 0:15:00one of the greatest cities in the world

0:15:00 > 0:15:02and there's a funk and a vibe to the city

0:15:02 > 0:15:06- that would probably make sense to think about as well.- Got it.

0:15:06 > 0:15:09'From what he said, one of those two bedrooms we've got to give

0:15:09 > 0:15:11'a really awesome celebrity style to.'

0:15:11 > 0:15:14He wants it so when they come in, they feel this warmth.

0:15:14 > 0:15:17Yet at the same time, it has a different feel.

0:15:17 > 0:15:19- Unless you need me, I will let you do your magic.- Thank you so much.

0:15:19 > 0:15:21All right, thank you very much.

0:15:21 > 0:15:23- Good luck. Have fun.- Thanks.

0:15:23 > 0:15:26I'm really picturing that celebrity room red.

0:15:26 > 0:15:28So that's that eclectic, crazy-ass room

0:15:28 > 0:15:31- that I think you could really help me with, Cyn.- All right.

0:15:31 > 0:15:34Something off the beaten path. Something a little different.

0:15:34 > 0:15:36Holly, she let me have a room,

0:15:36 > 0:15:38the cuckoo room, the room I could have fun in.

0:15:38 > 0:15:41'Then I started to think of what I could do

0:15:41 > 0:15:44'to make it, like, really nutty fun.

0:15:44 > 0:15:47'I'm sick of having everything so normal.'

0:15:47 > 0:15:49You say you want red. Then pick a red.

0:15:49 > 0:15:52- I'm trying. I'm picking seven colours at once.- I know, sweetie.

0:15:52 > 0:15:56- Like your nails would be great. - Hold on. Let her make that decision.

0:15:56 > 0:15:59'I had no idea if Bret would be effective or not.

0:15:59 > 0:16:03'But he was very organised. And he was diplomatic.'

0:16:03 > 0:16:04I just need it to be kind of a Zen...

0:16:04 > 0:16:06- Holly, can I cut to the chase?- Yeah.

0:16:06 > 0:16:09Just make a decision. You make it, we'll go get it.

0:16:09 > 0:16:12I like the way he managed Cyndi and I, actually.

0:16:12 > 0:16:15- What are you going to do here? - How you doing, guys? I'm Bret.

0:16:15 > 0:16:17- Mitch.- Nice to meet you. How you doing?

0:16:17 > 0:16:20- Do you know what we're doing? - Decorating this place.

0:16:20 > 0:16:22- Trying to.- We're trying to do it overnight.

0:16:22 > 0:16:24- We're here to give you a hand. - 'Our handyman came.'

0:16:24 > 0:16:27I was pleased to see strapping young men willing to paint my walls.

0:16:27 > 0:16:29I was OK with that.

0:16:29 > 0:16:31All right, so my colours are picked out

0:16:31 > 0:16:35- but they're going to get the paint. - No.- I'm going to the prop house.

0:16:35 > 0:16:37Cyn, are you going with me to the prop house?

0:16:37 > 0:16:40And you two can go together to Janovic, right?

0:16:40 > 0:16:43- And Ace.- And Ace.- OK. You got it.

0:16:49 > 0:16:52I love this pillow. On its own, it's great,

0:16:52 > 0:16:54but with that other stuff, it's not.

0:16:54 > 0:16:58'Maria, Curtis, and I went to the Bo furniture store,'

0:16:58 > 0:17:01which we'd had a line of credit with.

0:17:02 > 0:17:04It's nice stuff. Yeah.

0:17:06 > 0:17:07I like it.

0:17:07 > 0:17:12'I wanted modern, clean lines because it's non-offensive.

0:17:12 > 0:17:14'If you're trying to do a corporate apartment

0:17:14 > 0:17:15'and a businessman comes in

0:17:15 > 0:17:18'and there's all these tchotchkes everywhere,'

0:17:18 > 0:17:19it's like oppressive.

0:17:19 > 0:17:24Sharon, I love this mirror back here because it definitely...

0:17:24 > 0:17:27- No.- But I do love these pillows right here.

0:17:27 > 0:17:30That looks like something you'd get from a truck stop.

0:17:30 > 0:17:31I like this.

0:17:31 > 0:17:35I'm so anti that wood look. I hate it.

0:17:35 > 0:17:38'I was like, "Why don't we do this? Why don't we do that?"'

0:17:38 > 0:17:41But Sharon kept saying, "No."

0:17:41 > 0:17:44I really do think we're going to get criticised

0:17:44 > 0:17:46- for not pushing it.- Rubbish.

0:17:46 > 0:17:49It takes time to learn how to decorate.

0:17:49 > 0:17:51'In the time that I've been with my husband,

0:17:51 > 0:17:57'we have lived in 20 properties, so I have all that experience.

0:17:57 > 0:17:59'But Maria's a kid.'

0:17:59 > 0:18:02- This is a good bed. It's got storage underneath.- Yeah.

0:18:02 > 0:18:05I've got the full-length mirror here

0:18:05 > 0:18:08- that just goes up against the wall over there.- Leans up against it.

0:18:08 > 0:18:11- I've got the same thing at my house.- Me too.

0:18:11 > 0:18:14We ran around the showroom. We picked out all these things.

0:18:14 > 0:18:17And I think that Sharon and I made a real connection.

0:18:17 > 0:18:19And we worked well together.

0:18:19 > 0:18:22When you've got somebody like Jonathan Adler

0:18:22 > 0:18:25- coming to judge...- You don't want him to come in and say, "That's tacky."

0:18:25 > 0:18:29No. The thing is, Maria, she's got truck-stop taste.

0:18:29 > 0:18:32'I've never heard of a truck-stop style,

0:18:32 > 0:18:35'but I understand what she means when she says it.'

0:18:35 > 0:18:39- So, Maria, we want you to go to the paint store now.- OK.

0:18:39 > 0:18:41She felt more comfortable with Maria running off

0:18:41 > 0:18:45and grabbing the paint and me helping her with the furniture.

0:18:45 > 0:18:49So all you need to do there is get this.

0:18:49 > 0:18:52'They knew that I would go and do the dirty work.

0:18:52 > 0:18:56'Curtis is stealing my spot - master manipulator.'

0:18:56 > 0:18:59Maybe that creeped me out from the beginning. Something did.

0:18:59 > 0:19:02Something bothered me about this man from the very beginning.

0:19:12 > 0:19:15I would start in this room. I picked these two rooms.

0:19:15 > 0:19:17So when they come in with all that crap,

0:19:17 > 0:19:18they don't screw you up.

0:19:18 > 0:19:20Let's rock, man. We're good to go.

0:19:20 > 0:19:24'Holly put me in charge of the crew and I got the crew moving.'

0:19:27 > 0:19:29Oh, that's killer.

0:19:29 > 0:19:31'But the one thing I knew that the executives said

0:19:31 > 0:19:34'is bring in a piece of this awesome city of New York,'

0:19:34 > 0:19:37and so I just grabbed the camera and started shooting pictures

0:19:37 > 0:19:39of absolutely what I think New York is.

0:19:39 > 0:19:41'I'm going to put these big shots all over the place

0:19:41 > 0:19:44'and make you feel like, "I'm in a New York state of mind."'

0:19:44 > 0:19:46With a cowboy hat, of course.

0:19:53 > 0:19:56Franco? Hi.

0:19:56 > 0:19:59- You're doing a theme party? - Well, no, we're actually...

0:19:59 > 0:20:01More than that. We got to win, you got to help us.

0:20:01 > 0:20:03We're decorating an entire apartment.

0:20:03 > 0:20:06'Cyndi and I went to the prop store and Franco was fabulous.'

0:20:06 > 0:20:09We told him about our Balinese/Zen theme

0:20:09 > 0:20:11and he said, "Great. I've got great pieces."

0:20:13 > 0:20:15- So, there is our Buddha. - She's awesome.

0:20:15 > 0:20:17I like her. I think we definitely need to take her.

0:20:17 > 0:20:19- I love the screen.- Yeah, right?

0:20:19 > 0:20:22Yeah, we can put that somewhere against one of those walls.

0:20:22 > 0:20:23CYNDI GASPS

0:20:23 > 0:20:26Shopping with Cyndi was like shopping with one of my children.

0:20:26 > 0:20:29This was just eye candy for her.

0:20:29 > 0:20:31Isn't that fun?

0:20:31 > 0:20:33'Cyndi was sort of like a gnat on a swamp in that place.'

0:20:33 > 0:20:35Oh, my God! Disco!

0:20:35 > 0:20:38I mean, she was just flitting from one side to the next.

0:20:38 > 0:20:41- Should I get a bigger one? - I think the little one's good.

0:20:41 > 0:20:43You don't want to make it too crazy.

0:20:43 > 0:20:45- Why not?- OK, let's make it crazy.

0:20:45 > 0:20:48Are you sure you don't want to do this?

0:20:48 > 0:20:50I think it's too grand for that little space.

0:20:50 > 0:20:52'I was sick and tired

0:20:52 > 0:20:56- 'of Holly being so - BLEEP- damn conservative.

0:20:56 > 0:20:57I hate that.

0:20:57 > 0:21:00'You need colour. You have to have some romance.

0:21:00 > 0:21:03'Let your freak flag fly.'

0:21:04 > 0:21:06Live your fantasy.

0:21:06 > 0:21:09Really fantastic and fab... fabulous.

0:21:09 > 0:21:11When you walk in, you're just transported.

0:21:11 > 0:21:15You see her, you see this. You put the luscious pillows there.

0:21:15 > 0:21:17- And you're in another world. - No.

0:21:20 > 0:21:24Holly will go the Thai feel, cos that's what she's into.

0:21:24 > 0:21:27'Sharon expected Tenacity to do an Asian theme,'

0:21:27 > 0:21:29Buddhas and, you know, all that sort of stuff.

0:21:32 > 0:21:33Hi. Props for today?

0:21:33 > 0:21:36Could you please tell me what sort of props

0:21:36 > 0:21:37you have for rental?

0:21:40 > 0:21:41Do you think it's possible

0:21:41 > 0:21:44for you to take a picture and send it to me?

0:21:47 > 0:21:48Oh, thank you. Yes.

0:21:51 > 0:21:54Oh, you did? Did you have Holly in there?

0:21:57 > 0:22:00Oh, they're doing the Balinesian. Oh, fantastic.

0:22:01 > 0:22:04'This nice lady on the other end of the phone'

0:22:04 > 0:22:05is just chatty, chatty, chatty,

0:22:05 > 0:22:07telling me everything they're doing.

0:22:07 > 0:22:10Did she manage to get the Balinese bed

0:22:10 > 0:22:12so I don't need to get it for her?

0:22:12 > 0:22:14- Exactly.- All right.

0:22:14 > 0:22:17'I just feel that the Balinese theme

0:22:17 > 0:22:19'is not right for a corporate apartment.'

0:22:19 > 0:22:23It's too eclectic to have a theme as strong as that.

0:22:23 > 0:22:25'You need to be neutral.'

0:22:25 > 0:22:28OK, thank you so much. Bye-bye.

0:22:28 > 0:22:31- I knew it.- We said it, right?

0:22:31 > 0:22:34- We said it right from the word go. - I feel like a spy now.

0:22:44 > 0:22:47Hey, Holly. Listen, I've got to leave.

0:22:47 > 0:22:48I'm already a half-hour late.

0:22:48 > 0:22:51- I'll see you guys back in the morning.- 'OK, Bret.'

0:22:51 > 0:22:53'I need to leave today to do a concert.

0:22:53 > 0:22:56'But I'm going to fly back tonight. I'm going to get on it tomorrow.'

0:22:56 > 0:22:58I'm going to have no sleep.

0:22:58 > 0:22:59But I am here for Holly, man.

0:22:59 > 0:23:01I'm going to get it done. I want to win.

0:23:01 > 0:23:04Holly? I got something amazing happening right now.

0:23:04 > 0:23:07- 'OK.' - I have this amazing panoramic shot

0:23:07 > 0:23:09of the skyline and the Chrysler Building.

0:23:09 > 0:23:11It looks really cool with the clouds.

0:23:11 > 0:23:13And when you turn that all to grey scale or black-and-white,

0:23:13 > 0:23:17- it's going to look amazing. - I love that, Bret. You know what?

0:23:17 > 0:23:20I like you on my team a lot better than you on the other team.

0:23:20 > 0:23:21I just have to say that.

0:23:21 > 0:23:24'Bret is a way stronger team-mate than I thought he was.

0:23:24 > 0:23:25'This guy comes to play.'

0:23:25 > 0:23:28So I'm a little distressed that he's leaving right now.

0:23:28 > 0:23:30But he's got a gig, and he's got to go.

0:23:30 > 0:23:33You know the chandelier? Should I get one?

0:23:33 > 0:23:35For the red room, you can do what you want.

0:23:35 > 0:23:36We're doing the whole apartment,

0:23:36 > 0:23:38but there has to be one fun celebrity room.

0:23:38 > 0:23:41So I had the perfect place to be a nut job.

0:23:41 > 0:23:43Hey, Holly.

0:23:43 > 0:23:45I want to put one of these in the room

0:23:45 > 0:23:47so they can feel it's really rock-'n'-roll.

0:23:47 > 0:23:49Cyndi, what is this room?

0:23:49 > 0:23:51It's a rock-'n'-roll room that you can lounge in.

0:23:51 > 0:23:55- It's a guest bedroom, but it's... - It's a rock-'n'-roll lounge.- Yeah.

0:23:55 > 0:23:56OK. OK.

0:23:56 > 0:23:59- I think it should be a black sofa. - That would really work well

0:23:59 > 0:24:01- with the black chandelier. - Right, it'd be strong.

0:24:01 > 0:24:04'I'm just learning to love Cyndi this task.'

0:24:04 > 0:24:06But Cyndi's a creative hurricane.

0:24:06 > 0:24:09- SHE GASPS - Holly! For the kitchen!

0:24:09 > 0:24:13Oh, my gosh! And Bret could be behind it.

0:24:13 > 0:24:16- And you put your two tables there. - Bret could be behind it!

0:24:16 > 0:24:19'When you realise that you're in the eye of the hurricane,'

0:24:19 > 0:24:22you just stay there and ride it out.

0:24:22 > 0:24:26'That's how I feel about Cyndi. I rode out her creative hurricane.'

0:24:26 > 0:24:28Cyndi Lauper, I am your auntie!

0:24:28 > 0:24:31I feel like we're a same-sex couple shopping.

0:24:31 > 0:24:34- "Oh, yes, Holly." - THEY LAUGH

0:24:34 > 0:24:36'I actually made Holly laugh.'

0:24:36 > 0:24:39You know, I kept telling her, "Sweetie, darling,

0:24:39 > 0:24:41"this new life we're going into is fabulous.

0:24:41 > 0:24:44"We're going to share this fabulous apartment."

0:24:44 > 0:24:47'She actually - she was laughing. We were having fun.'

0:24:47 > 0:24:49I love my new life. OK.

0:24:49 > 0:24:53- I'm so glad we got married. - I'm so glad we got married.

0:24:56 > 0:24:58Let's just go.

0:24:58 > 0:25:01Let's just go, cos we've got a place to decorate!

0:25:01 > 0:25:03'So, for this task, I had an idea.'

0:25:03 > 0:25:04If I can call a bunch of my friends

0:25:04 > 0:25:07'in the housewares industry and ask them

0:25:07 > 0:25:09'to hook me up with some free stuff, basically,

0:25:09 > 0:25:10'that could work, so I did.'

0:25:10 > 0:25:14Oh, God, I love these things. Gorgeous!

0:25:14 > 0:25:16'We probably walked out of there

0:25:16 > 0:25:18'with about ten-grand worth of stuff.'

0:25:20 > 0:25:22Nothing like a day of shopping.

0:25:25 > 0:25:28'I called a very good friend of mine'

0:25:28 > 0:25:30and I'm like, "Where can I go to in the city

0:25:30 > 0:25:34"where they will let me take everything out of their shop?"

0:25:34 > 0:25:37Anything in here that you need is all yours.

0:25:37 > 0:25:41- That would be just a godsend for us right now.- OK.

0:25:41 > 0:25:46'It's fabulous to be Sharon Osbourne. People are so terribly generous'

0:25:46 > 0:25:48to what they perceive as a celebrity.

0:25:48 > 0:25:51- Could we have this one, too?- Yes.

0:25:51 > 0:25:54And also the black-and-white print.

0:25:54 > 0:25:56'We literally walked around and said, "One of those,'

0:25:56 > 0:25:58'"one of those, two of those."'

0:25:58 > 0:26:00And I got to see Sharon in fine form.

0:26:04 > 0:26:06That one would be so perfect.

0:26:08 > 0:26:11And we got 140,000 worth of free stuff.

0:26:11 > 0:26:13Curtis, can I get you a drink?

0:26:13 > 0:26:16- Maybe a coffee, like a latte. - OK.

0:26:16 > 0:26:18Would Sharon make a good sugar mama?

0:26:18 > 0:26:19Abso-bloody-lutely.

0:26:21 > 0:26:24- Hello there!- Hi. How are you? How you doing?

0:26:24 > 0:26:26- Good to see you.- How you doing? - Very good.- Here we are.

0:26:26 > 0:26:29Does this remind you of that beautiful apartment we were in this morning?

0:26:29 > 0:26:33- Um, no.- No, no, no? - It's a little different.

0:26:33 > 0:26:36'When Mr LeFrak comes by, I'm there by myself.

0:26:36 > 0:26:38'And he's looking around going,'

0:26:38 > 0:26:40"Um, nothing is done."

0:26:40 > 0:26:43And I'm like, "But don't look over there! Look here! Yes!"

0:26:43 > 0:26:45I was, like, flashing my boobs.

0:26:45 > 0:26:47We're going to do a media room in here -

0:26:47 > 0:26:50a couple of big, comfy leather couches.

0:26:50 > 0:26:53- Of course, the big-screen TV. - What do you think of that?

0:26:53 > 0:26:56I think we could push it more. So we'll see.

0:26:57 > 0:27:00I wanted to make sure that he knew my feelings

0:27:00 > 0:27:01about the celebrity room,

0:27:01 > 0:27:04that he knew that I didn't necessarily agree with it

0:27:04 > 0:27:07'so when we got to the boardroom, I was covered.'

0:27:07 > 0:27:11And then in the living area, we have a low table.

0:27:11 > 0:27:13We're also going to get some chandelier

0:27:13 > 0:27:15to hang from over here.

0:27:15 > 0:27:17'I got a complete verbal description'

0:27:17 > 0:27:20of what they were doing, but the rooms were pretty empty.

0:27:20 > 0:27:23So right now, it's just an idea,

0:27:23 > 0:27:25and it hasn't really taken shape yet.

0:27:25 > 0:27:27'And they better hurry up.'

0:27:27 > 0:27:29- Good luck.- Well, thank you very much. - We'll see you later.

0:27:29 > 0:27:31Thank you. You take care.

0:27:43 > 0:27:44What do you think?

0:27:44 > 0:27:46- Oh, that's pretty. - Oh, it's beautiful.

0:27:46 > 0:27:49Oh, the paint looks good. I love the colour.

0:27:49 > 0:27:52It's bright and red, and I love it. I think it'll look really cool

0:27:52 > 0:27:54with the furniture Cyndi picked out.

0:27:54 > 0:27:56Cyndi and I got back to the apartment.

0:27:56 > 0:27:58Bret had done a great job getting that painting started.

0:27:58 > 0:28:01So I felt like I could start decorating.

0:28:04 > 0:28:06You good?

0:28:06 > 0:28:09'I did a lot of manual labour, a lot of lifting,

0:28:09 > 0:28:12'a lot of carrying things that were heavy.'

0:28:12 > 0:28:14I had some fun. I worked really hard, though.

0:28:20 > 0:28:22Please tell me that's not broken.

0:28:27 > 0:28:29I really hope they come back soon.

0:28:29 > 0:28:31I've got lots of questions.

0:28:32 > 0:28:37'There was so much to do. Me by myself with these two guys.'

0:28:37 > 0:28:41There was no way to get it done without some extra help.

0:28:41 > 0:28:43PHONE RINGS

0:28:43 > 0:28:45- Hello?- Hello?

0:28:45 > 0:28:48Hi, Maria. The purple wall is...

0:28:48 > 0:28:52I think we should go with the dark grey in the living room.

0:28:52 > 0:28:55OK. Shoot. I started painting it purple.

0:28:55 > 0:28:58And so you want dark grey in the living room, though.

0:28:58 > 0:28:59Yeah.

0:28:59 > 0:29:03'I was thinking about the colour combinations all day,'

0:29:03 > 0:29:05and I just thought, "Grey isn't offensive."

0:29:05 > 0:29:08And so many other colours

0:29:08 > 0:29:10work great with it.

0:29:10 > 0:29:13So it was like, "Nah, we got to go grey."

0:29:13 > 0:29:17And we're running low on time for painting this place,

0:29:17 > 0:29:20and so I didn't know if you wanted to try and hire some painters.

0:29:20 > 0:29:23OK. Bye-bye. Bye.

0:29:23 > 0:29:26I can probably get a couple of my friends to come and help us paint.

0:29:26 > 0:29:28PHONE RINGS

0:29:28 > 0:29:30- 'Hello?'- Have you got plans tonight, buddy?

0:29:30 > 0:29:32I might need you to come and be a painter with me,

0:29:32 > 0:29:35paint the apartment. We've got to paint an apartment tonight.

0:29:35 > 0:29:38And maybe you're going to have to bring your wife, too.

0:29:38 > 0:29:40'I called everyone I knew,

0:29:40 > 0:29:42'pretty much everyone I knew in New York

0:29:42 > 0:29:45- 'and asked, begged them, to come down and help.'- Taylor?

0:29:45 > 0:29:48Can you come and paint for us?

0:29:48 > 0:29:52There's just no way that we are going to get all this -

0:29:52 > 0:29:54we need help. We're just not going to get through it.

0:29:54 > 0:29:55Oi oi oi!

0:30:08 > 0:30:10- Hi!- How are you?

0:30:10 > 0:30:11- A little giddy.- Yeah.

0:30:11 > 0:30:13From the smell. Lovely.

0:30:13 > 0:30:15- Nice little contact high. - Yeah, for sure.

0:30:15 > 0:30:17But, you know, we're doing pretty good.

0:30:17 > 0:30:20- I've got painter Cyndi. - That is a hot look.

0:30:20 > 0:30:21It's very hot.

0:30:21 > 0:30:24We're doing a New York Zen look.

0:30:24 > 0:30:28The special celebrity room is going to be all Cyndi's, just...

0:30:28 > 0:30:30- Fun room.- Cyndi, show me. - Cyndi's explosion.

0:30:30 > 0:30:33- There's nothing to see except colour!- Colour?- We did a red room.

0:30:33 > 0:30:35Wow. And that's seriously red.

0:30:35 > 0:30:37So we're going very aggressive. I like it.

0:30:37 > 0:30:41- No, but it's fun.- Yeah. - And I got an Eiffel Tower.

0:30:41 > 0:30:45We got an Eiffel Tower, and it's a little French. It's good.

0:30:45 > 0:30:48I've never seen a greater mismatch than what Cyndi's done

0:30:48 > 0:30:50versus what Holly's doing with the rest of the apartment.

0:30:50 > 0:30:53They're actually allowing Cyndi to be Cyndi.

0:30:53 > 0:30:56She's an eclectic person. She's got very, you know, wild taste

0:30:56 > 0:30:59and they're letting her run with that. We'll have to see how the judges perceive it.

0:30:59 > 0:31:03- We're going for a green bedroom. - Oh, yeah?

0:31:03 > 0:31:06All these colours are supposed to evoke some sort of Zen energy.

0:31:06 > 0:31:08- OK.- Are you feeling it?- I am.

0:31:08 > 0:31:11That's just the... Yeah, it's the fumes, I think, but...

0:31:11 > 0:31:13I look forward to seeing it tomorrow.

0:31:13 > 0:31:15- Thanks for coming. - We will see you soon.- OK, Don.

0:31:23 > 0:31:25- Thank you, Curtis. - You're welcome.

0:31:28 > 0:31:31Right, you go, brother.

0:31:31 > 0:31:34Hello, my darling.

0:31:34 > 0:31:36My God. Look how much paint.

0:31:36 > 0:31:38'I was a bit surprised when we got back.

0:31:38 > 0:31:41'There wasn't a hell of a lot done. I didn't have crazy expectations,'

0:31:41 > 0:31:46but you get back and are like, "Oh, wow! We've still got a lot to do."

0:31:46 > 0:31:48I'm trying to get two more guys here.

0:31:48 > 0:31:50So I think the best thing to do

0:31:50 > 0:31:52is just get killing it with the paint.

0:31:52 > 0:31:55'Sharon and Curtis were looking around,

0:31:55 > 0:31:56'wondering why more wasn't done.'

0:31:56 > 0:31:59And I'm like, "What did you guys expect?

0:31:59 > 0:32:01"I'm busting my ASS!"

0:32:01 > 0:32:04- Brought you a present, Maria. - 'Two boys are here.'

0:32:04 > 0:32:06I'm so glad you came!

0:32:06 > 0:32:08We have so much work to do!

0:32:08 > 0:32:10'I'd been feeling like,'

0:32:10 > 0:32:13"I hope somebody comes in here soon,

0:32:13 > 0:32:15"cos I'm going to be in big-time trouble."

0:32:18 > 0:32:21- To the rescue! - The cavalry's just arrived.

0:32:21 > 0:32:25'But then Maria's friends came over.

0:32:25 > 0:32:29'I had some friends come over. Curtis had some friends.

0:32:29 > 0:32:32'And I just felt things were definitely getting better.'

0:32:32 > 0:32:34You all right? You all right? Come on.

0:32:34 > 0:32:37You want a hug? You want a hug? You want a hug and a kiss?

0:32:37 > 0:32:39Oh, God, we need that.

0:32:40 > 0:32:43'It was a really jovial atmosphere. It was fun.

0:32:43 > 0:32:45'I felt like I was at college

0:32:45 > 0:32:47'and we were painting our dorm room.

0:32:47 > 0:32:50'Everybody destroyed their clothes. We got a couple of beers.

0:32:50 > 0:32:52'We ate some pizza and painted.'

0:32:52 > 0:32:54It was like the proper college party.

0:32:54 > 0:32:56OK, so let's finish this up.

0:33:02 > 0:33:03I think the metal gold,

0:33:03 > 0:33:05like, bronze over there

0:33:05 > 0:33:07and over there would be nice.

0:33:07 > 0:33:10'Cyndi and I are holding it down. So I feel good about where we are.'

0:33:10 > 0:33:12But I am looking forward to Bret coming back.

0:33:12 > 0:33:15- I want to show you the windowsill. - OK. Hold on one sec.

0:33:15 > 0:33:17'Cyndi's vision will come together.

0:33:17 > 0:33:20'I just know how it's frustrating for Cyndi

0:33:20 > 0:33:23'to be creative under the gun. So it's hard for her'

0:33:23 > 0:33:27to really just say, "OK, this is what I want."

0:33:27 > 0:33:29- It's red.- Yeah, it's red.

0:33:29 > 0:33:31The Eiffel Tower will look great in there.

0:33:31 > 0:33:34It will. You pick up that gold.

0:33:34 > 0:33:37'If it's a rock-'n'-roll room, you got to push it.

0:33:37 > 0:33:39'Cos that's where you're going to go and kick back.'

0:33:39 > 0:33:42God, this has got to be fun.

0:33:42 > 0:33:44You know what, I want to take a picture of this now,

0:33:44 > 0:33:47because tomorrow we're going to pull this thing together.

0:33:47 > 0:33:49After all the tasks that we've done,

0:33:49 > 0:33:51I believe in being able

0:33:51 > 0:33:53to turn this stuff around at the last minute.

0:33:53 > 0:33:55'It was a little bit of a rough start to this task.'

0:33:55 > 0:33:59I went in thinking I wasn't going to be Project Manager

0:33:59 > 0:34:03'but I'm glad I was Project Manager because I started to see the apartment coming together,

0:34:03 > 0:34:05'and I was like, "I'm proud of this."'

0:34:05 > 0:34:07- We're in good shape.- I think so. - I had my doubts.

0:34:07 > 0:34:11- You were worried for a minute, but now you're OK? - For a couple of minutes.

0:34:11 > 0:34:12But you came through, Holly.

0:34:24 > 0:34:26OK. Thanks so much, Kate.

0:34:26 > 0:34:27'OK. No problem.'

0:34:27 > 0:34:29Speak to you later. OK. Bye.

0:34:29 > 0:34:33'It's getting towards the end of the night, and we get a phone call from the furniture store.'

0:34:33 > 0:34:36Sharon, there's another truck still coming.

0:34:36 > 0:34:38We got so much furniture.

0:34:38 > 0:34:41- 'We got way too much stuff.' - Don't be silly.

0:34:41 > 0:34:42It's not a joke.

0:34:47 > 0:34:49'I really wanted to take a little bit of control

0:34:49 > 0:34:51'over what was coming off the trucks'

0:34:51 > 0:34:54and making sure it was placed appropriately

0:34:54 > 0:34:56so that the next day we could get that stuff upstairs.

0:34:56 > 0:34:59She just went and spent more...

0:35:00 > 0:35:03..on decking out this apartment

0:35:03 > 0:35:05than most people spend on their apartment.

0:35:05 > 0:35:08'When you unload three sofas, you could have just unloaded one'

0:35:08 > 0:35:12and then done a great job of setting it up, as opposed to unload three

0:35:12 > 0:35:14and then do a really rushed job of setting that one up.

0:35:14 > 0:35:18'That wasted even more time, and every second was super precious.'

0:35:18 > 0:35:21Even the one thing I thought she said "No" to, she got.

0:35:21 > 0:35:22Oh, she's crazy.

0:35:23 > 0:35:25- Maria?- Yes?

0:35:25 > 0:35:27Now I'm worried about the colours in here

0:35:27 > 0:35:32- because the- BLEEP- kitchen's beige and brown.

0:35:32 > 0:35:34And I'm now worried.

0:35:34 > 0:35:36'The wall changed from purple to grey

0:35:36 > 0:35:38'and now Sharon doesn't like the grey on the wall.'

0:35:38 > 0:35:40We don't have time to be changing our mind

0:35:40 > 0:35:42on the wall colours over and over

0:35:42 > 0:35:43and over and over and over again.

0:35:43 > 0:35:45Decide on something and make it work.

0:35:45 > 0:35:48I, like, don't even want to look at that wall now.

0:35:48 > 0:35:49And this is patchy.

0:35:49 > 0:35:51'Nobody wants to hear after you've'

0:35:51 > 0:35:55wasted all that time working on a colour

0:35:55 > 0:35:56and then somebody goes,

0:35:56 > 0:35:58"Sorry, don't want it now. Change."

0:35:58 > 0:36:01'But everything was on the line for me.

0:36:01 > 0:36:02'I didn't want to lose.'

0:36:02 > 0:36:05I'm now panicking about the colour of the hall and the living room.

0:36:05 > 0:36:10- Look at Curtis looking at me like, "She's- BLEEP- mad."

0:36:10 > 0:36:12'There's still so much work to do.'

0:36:12 > 0:36:14We haven't even gotten close to finish painting,

0:36:14 > 0:36:16'and it's Sharon's fault.

0:36:16 > 0:36:19'I don't know what we're going to do. It's a disaster.'

0:36:36 > 0:36:37'On the second morning,

0:36:37 > 0:36:40'Maria had the task of going to Bed Bath & Beyond,

0:36:40 > 0:36:43'and Curtis and I went to the apartment.'

0:36:43 > 0:36:45- Oh, my...- God.

0:36:49 > 0:36:53Well, it doesn't smell too bad. I was worried about the smell.

0:36:53 > 0:36:56'I didn't know whether I wanted to cry or just laugh,'

0:36:56 > 0:36:58cos it was so daunting.

0:36:58 > 0:36:59It was so like,

0:36:59 > 0:37:02- "Oh- BLEEP,- where do we begin?"

0:37:03 > 0:37:05What are we going to do about that red wall?

0:37:05 > 0:37:07Probably give it a second coat.

0:37:07 > 0:37:09Oh, no, we don't want it now, no.

0:37:09 > 0:37:12'Sharon decided to paint over the red.'

0:37:12 > 0:37:14At this point, in my opinion, it's too late to change.

0:37:14 > 0:37:17But Sharon's the Project Manager, so if she wants to change,

0:37:17 > 0:37:19I'll go along with it.

0:37:19 > 0:37:22- Oh,- BLEEP- me!

0:37:22 > 0:37:24- We're- BLEEP!

0:37:24 > 0:37:26- Absolutely- BLEEP- out of time.

0:37:26 > 0:37:29Everywhere I look, there's another wall that needs painting.

0:37:29 > 0:37:33- This is quite possibly one of the most monumental- BLEEP- ups

0:37:33 > 0:37:35that I've ever been involved in.

0:37:35 > 0:37:37We've just got so much to do.

0:37:39 > 0:37:42Can we move this out the way, please?

0:37:42 > 0:37:46'I went down to the holding area where all the furniture was,

0:37:46 > 0:37:50'and I was trying to work out in my head'

0:37:50 > 0:37:53which one, which one, which one do we take up?

0:37:53 > 0:37:55I need some advice.

0:37:55 > 0:38:00We've got really big pieces that won't fit in the elevator.

0:38:00 > 0:38:01How do we do it?

0:38:01 > 0:38:04There's no other freight elevator?

0:38:04 > 0:38:08- All the elevators that are used for people are just...?- Yeah.- OK.

0:38:08 > 0:38:11'A lot of stuff didn't fit in the elevators,

0:38:11 > 0:38:14'so we had to physically carry it up.'

0:38:14 > 0:38:17All of those that are wrapped up, they're really heavy.

0:38:17 > 0:38:19'So it was very difficult.'

0:38:19 > 0:38:23I was ready to just go lock myself in a cupboard

0:38:23 > 0:38:25and start hitting my head on the wall.

0:38:25 > 0:38:28I felt, "Any minute, I'm going to do it." Oy!

0:38:28 > 0:38:30- I'm- BLEEP- knackered!

0:38:36 > 0:38:40- Is this us?- Yes.- There's no more than this? This is all there was?

0:38:40 > 0:38:44OK, let me take it up. This is much smaller than the...

0:38:44 > 0:38:46I had like a whole wall.

0:38:46 > 0:38:49'Last night, I played a show, flew all the way back,

0:38:49 > 0:38:51'got here at four in the morning, slept for two hours.

0:38:51 > 0:38:53'I'm on a new team with Holly and Cyndi'

0:38:53 > 0:38:56and I just want to prove to them I'm going to give 1,000%.

0:38:56 > 0:38:59'So I'd snapped all these really interesting photos.'

0:38:59 > 0:39:02Now, this is perfect, but it's a little small.

0:39:02 > 0:39:04You remember Spinal Tap,

0:39:04 > 0:39:08when he wanted it 12 foot high and it came 12 inches?

0:39:08 > 0:39:12'This is a disaster. They're supposed to be seven foot and eight foot,'

0:39:12 > 0:39:15and these photographs are wallet-size, man.

0:39:15 > 0:39:16This is... This is bad.

0:39:16 > 0:39:19'All right, I'm going to hide these so Holly doesn't freak out.'

0:39:19 > 0:39:21I need to fix this problem right away,

0:39:21 > 0:39:24and I'm hoping I have enough time to do it.

0:39:24 > 0:39:26I know it's going to be horrible, but you know what?

0:39:26 > 0:39:29Just see if you can punch me out an eight-by-four.

0:39:31 > 0:39:32'What's your drop-dead time?'

0:39:32 > 0:39:35- As soon as you can get... yesterday.- 'OK.'

0:39:35 > 0:39:38- Thank you so much. Bye-bye. - 'You're welcome. Bye-bye.'

0:39:41 > 0:39:43We've already got towels.

0:39:43 > 0:39:46I grabbed an ironing board and an iron.

0:39:46 > 0:39:49I'm grabbing a rug for the front door.

0:39:49 > 0:39:52- I'm trying to get out of here as soon as I can.- 'OK, be in touch.'

0:39:52 > 0:39:54All right. I will. Bye-bye.

0:39:56 > 0:40:01'Why am I by myself all the time? Here I am at Bed Bath & Beyond.

0:40:01 > 0:40:03'But this is so much fun for me,

0:40:03 > 0:40:05'because now I get to go shopping while Sharon and Curtis,

0:40:05 > 0:40:07'they get to do the manual labour,'

0:40:07 > 0:40:09which I'm really excited for.

0:40:09 > 0:40:11- Hi!- Hi!

0:40:11 > 0:40:14How are you doing? It's good to see you!

0:40:14 > 0:40:16I was like, "I know nobody else has those jeans but my girl."

0:40:16 > 0:40:19Yeah, well, these jeans actually are working jeans.

0:40:19 > 0:40:21We got about four hours to go

0:40:21 > 0:40:24till we have to present our corporate apartment.

0:40:24 > 0:40:28You know what I was thinking? Can't I get some lace or something?

0:40:28 > 0:40:30'Working within time frames is difficult for Cyndi,

0:40:30 > 0:40:33'but I was trying to keep her on task.'

0:40:33 > 0:40:38- Buddy, this is better than that. - For what?- For the curtains.

0:40:38 > 0:40:42- But you can't put tablecloths up for curtains.- They're not going to know.

0:40:42 > 0:40:45You won't be able to throw a tablecloth up as curtains.

0:40:45 > 0:40:46OK. I give.

0:40:46 > 0:40:48'Now that we're, you know, married

0:40:48 > 0:40:50'and decorating our apartment together,

0:40:50 > 0:40:53'I really feel as though Cyndi listens to me -'

0:40:53 > 0:40:55she has more respect for what I have to say.

0:40:55 > 0:40:58I think I am ready. Cyn?!

0:40:59 > 0:41:02Oh, my God. I think I need everything.

0:41:02 > 0:41:05All right, let's get started, ladies.

0:41:05 > 0:41:07I don't know if I'm allowed to buy all this, though.

0:41:07 > 0:41:09I have to ask my partner.

0:41:09 > 0:41:11This is our first little house together.

0:41:11 > 0:41:14We have, actually, we have a guy involved, too.

0:41:14 > 0:41:17'What in the world is going on?'

0:41:17 > 0:41:20Cyndi Lauper is running amok at Bed Bath & Beyond.

0:41:20 > 0:41:23'We had so many items, and we had little time left.

0:41:23 > 0:41:28'So I basically had to pull the plug on Cyndi's mad adventure.'

0:41:28 > 0:41:31Good morning, Bed Bath & Beyond.

0:41:31 > 0:41:34Customers, I'm looking for a Cyndi Lauper.

0:41:34 > 0:41:36Cyndi Lauper, are you up here?

0:41:36 > 0:41:38Where is she?

0:41:38 > 0:41:40Holly's looking for you. Cyn!

0:41:40 > 0:41:42Holly! I'm here! I'm here!

0:41:42 > 0:41:44Cyn! I was worried.

0:41:44 > 0:41:46- So, let's check out. We got to go.- I know.

0:41:46 > 0:41:4850, 70...

0:41:48 > 0:41:51- And thank you very much. - Thank you.

0:41:51 > 0:41:54Come on, you rat sidewinder.

0:42:00 > 0:42:01Oh, my goodness!

0:42:01 > 0:42:03OK, what can I start with, hon?

0:42:03 > 0:42:06Do you want to start tarting up that blue bathroom?

0:42:06 > 0:42:08OK. Yeah.

0:42:08 > 0:42:11'When I walked in to the apartment,

0:42:11 > 0:42:15'this place is still crazy, wild, stuff everywhere.

0:42:15 > 0:42:17'Nothing's put away.'

0:42:17 > 0:42:19We had so much to do!

0:42:19 > 0:42:20It's looking good.

0:42:20 > 0:42:23It's looking good. Thank you so much.

0:42:23 > 0:42:26- Looks so much better, hey? - It does!- So much better.

0:42:26 > 0:42:29- It's actually... I wish we'd done the whole room like that.- I know.

0:42:29 > 0:42:31- It's good, isn't it?- Yeah.

0:42:31 > 0:42:32'Sharon made the colours fun'

0:42:32 > 0:42:34without pushing the envelope too far.

0:42:34 > 0:42:36'She did a good job with it.'

0:42:36 > 0:42:40This is gorgeous, gorgeous, gorgeous!

0:42:40 > 0:42:43'I was very, very happy with the palette colour.

0:42:43 > 0:42:46'It was very relaxing. It was a lot of air in there.'

0:42:46 > 0:42:49And now it's furniture time. "Furniture time."

0:42:59 > 0:43:01Guys, you're miracle workers, man.

0:43:01 > 0:43:03Thank you.

0:43:03 > 0:43:05Right here against the wall.

0:43:05 > 0:43:07I got excited as I started to see it come together.

0:43:07 > 0:43:10Closer to the wall, to the window. Perfect.

0:43:10 > 0:43:13'We have a lot to do in the bedroom and certainly have a lot to do

0:43:13 > 0:43:16'in Cyndi's red room. But I'll be OK.'

0:43:16 > 0:43:20Something's gone. It was right here yesterday.

0:43:20 > 0:43:23Listen, who was here watching all this stuff?

0:43:23 > 0:43:25It was here and it's gone.

0:43:25 > 0:43:27So should I just call Franc and say it was stolen?

0:43:27 > 0:43:30- Because it's not here any more. - Let's keep unloading stuff

0:43:30 > 0:43:33- and I bet we'll find it.- No, it was here, I put it right here.

0:43:33 > 0:43:35I'm sure we'll find it, nobody stole it, Cyndi.

0:43:35 > 0:43:37Relax, don't yell at people.

0:43:37 > 0:43:40This ottoman that was this long, I signed...

0:43:40 > 0:43:43- Personally he gave it to me. - Cyn!- It was taken.

0:43:43 > 0:43:47- Don't yell at him.- Go easy, Cyndi. Take it easy. Don't yell.

0:43:47 > 0:43:50And it was right across here and it's not here any more.

0:43:50 > 0:43:52Tell her that we'll find it, tell her to relax.

0:43:52 > 0:43:56- Cyndi.- What has typically happened, Bret, is that she turns people

0:43:56 > 0:43:58- against us.- I get it.

0:43:58 > 0:43:59We need these workers.

0:43:59 > 0:44:03Cyndi can go from being the sweet, loving Cynd and just so sweet

0:44:03 > 0:44:05and then at a moment's notice she'll turn and snap on you.

0:44:05 > 0:44:08Hook this... Wait, wait. That's ugly. Stop!

0:44:08 > 0:44:11No. Leave it on the floor.

0:44:11 > 0:44:14- OK, Cyndi?- I'm sorry.- Please don't talk disrespectfully to these guys

0:44:14 > 0:44:17- who are working their ass off for us, OK? Please.- All right.

0:44:17 > 0:44:20Please. I'm trying to win this thing.

0:44:20 > 0:44:23This was the first task that I felt really connected with Cyndi.

0:44:23 > 0:44:27'But in the end, Cyndi can cost you. She's sort of a loose cannon

0:44:27 > 0:44:30'and managing Cyndi takes energy and time.'

0:44:30 > 0:44:34I now completely understand your world.

0:44:34 > 0:44:36Remember that in the boardroom.

0:44:43 > 0:44:45- THUD - Careful, please!

0:44:45 > 0:44:47Be careful, please.

0:44:47 > 0:44:50'We just had under an hour left to put the furniture together,

0:44:50 > 0:44:55'to make the beds, without getting it covered in paint cos the walls'

0:44:55 > 0:44:58were all still wet. It was literally a race against time.

0:44:58 > 0:45:01This room is done.

0:45:01 > 0:45:04This is the first room done, it's the guest cloakroom.

0:45:04 > 0:45:10We just wanted to try and brighten it up a bit. The painting is not great

0:45:10 > 0:45:13but it's just the effect. And then you have to close the door

0:45:13 > 0:45:15cos I can't get it dirty!

0:45:16 > 0:45:20- What do you think about taking these off?- I think we should.

0:45:20 > 0:45:23'My focus was on the kitchen. My idea was to give ourself'

0:45:23 > 0:45:27a bit more depth in terms of vision, so I took the doors off

0:45:27 > 0:45:32'a couple of the cupboards, which of course is a risky thing to do.

0:45:32 > 0:45:35'When you walk into a kitchen with all the most beautiful equipment in the world,

0:45:35 > 0:45:39'if there's no food in it, it doesn't look like a real kitchen.

0:45:39 > 0:45:42'You need to have some fresh fruit - some bred and some muffins.

0:45:42 > 0:45:45'And we did that. I think the kitchen looked beautiful.'

0:45:45 > 0:45:47I'd love to spend a day in that kitchen.

0:45:47 > 0:45:52We're going to do it. We're going to do it. We're going to do it.

0:45:52 > 0:45:53We're getting there.

0:45:56 > 0:45:5830 minutes to go.

0:45:58 > 0:46:00Can you put this guy right in the middle...

0:46:00 > 0:46:04You don't want that between there for them to set their tea or whatever they would do?

0:46:04 > 0:46:05That looks cool there.

0:46:05 > 0:46:08Well, it would be right under your... Yeah, OK.

0:46:08 > 0:46:10- That would work. - You see what I mean?

0:46:10 > 0:46:12'I like living in a fantasy world.

0:46:12 > 0:46:15'That's why I made that room as much of a fantasy as I could.

0:46:15 > 0:46:19'I love odd things and interesting touches.'

0:46:19 > 0:46:22And the room really did come alive with fun.

0:46:22 > 0:46:25'And I thought it was fantastic.'

0:46:25 > 0:46:28- Are they literally down the street?- 'Yes.'

0:46:28 > 0:46:29I'll be down at the front desk.

0:46:29 > 0:46:32I got the call. Photos are downstairs.

0:46:32 > 0:46:34I've got to get the photos, get them up on the wall.

0:46:34 > 0:46:35Come on. Come on.

0:46:35 > 0:46:37'I figure, what could possibly go wrong?'

0:46:37 > 0:46:39Well, the elevator doesn't show up.

0:46:44 > 0:46:46'But nothing was stopping me.

0:46:46 > 0:46:50'I flew down 18 flights of steps to get these pictures.'

0:46:54 > 0:46:56- You're the best, man. - My pleasure.

0:46:56 > 0:46:58My brother, thank you. Thank you.

0:46:58 > 0:46:59'So, I get the hand-off,

0:46:59 > 0:47:02'and I have to run 18 flights of stairs back up.

0:47:02 > 0:47:05'It was insane. I'm sweating profusely.'

0:47:07 > 0:47:09So, here we go. Let's get this up.

0:47:09 > 0:47:11Let's go. Here we go.

0:47:11 > 0:47:13'This is the payoff, right?'

0:47:13 > 0:47:15'I promised Holly I would get this done.

0:47:15 > 0:47:18'And there it is - New York is on the wall.'

0:47:18 > 0:47:21Our New York Zen den is complete.

0:47:21 > 0:47:23Hold on. Wait for it.

0:47:23 > 0:47:25Ah, Zen.

0:47:27 > 0:47:2915 minutes!

0:47:29 > 0:47:30Let's go! Let's go!

0:47:36 > 0:47:40'I wanted to take all the garbage out, all the wrappings,'

0:47:40 > 0:47:43so I was trying to find places to put it all.

0:47:43 > 0:47:47- And then I'm like,- "BLEEP- it. Throw everything in the hallway."

0:47:47 > 0:47:49Paint on the floor.

0:47:49 > 0:47:50Got to get it off quick.

0:47:54 > 0:47:57- Can you check your shoes? - Big boss.

0:47:57 > 0:47:59Who's got a light?

0:47:59 > 0:48:01Time's up!

0:48:01 > 0:48:04- I think it looks- BLEEP- amazing!

0:48:06 > 0:48:10'So the task was over, the place was pretty much finished.'

0:48:10 > 0:48:13It could have been better. It always could be.

0:48:13 > 0:48:14But I was pretty happy with it.

0:48:14 > 0:48:16I sort of looked around,

0:48:16 > 0:48:18I was like "I guess we've kind of made it."

0:48:18 > 0:48:22THEY LAUGH

0:48:22 > 0:48:25I love you after this! I love you guys!

0:48:25 > 0:48:28'Curtis comes up and gives me the biggest hug ever and thanks me,

0:48:28 > 0:48:30'so I was like, "You know what?'

0:48:30 > 0:48:34"We all bring something different, and it worked so well together."

0:48:34 > 0:48:37I think that this is corporate yet funky.

0:48:37 > 0:48:40If this was my apartment, I'd be happy to have people over.

0:48:40 > 0:48:43- You would?- Yeah.- Yeah.

0:48:57 > 0:49:00No more fussing. Let's go, we're done.

0:49:00 > 0:49:03I think we did a great job renovating the property.

0:49:04 > 0:49:09Our concept is a Balinese-style Zen sanctuary.

0:49:09 > 0:49:11When you walk in, the first thing you see

0:49:11 > 0:49:15are really warm chestnuts and oranges and rusts

0:49:15 > 0:49:19that evoke a real Zen feeling.

0:49:19 > 0:49:21Then, as you go in to the bathroom,

0:49:21 > 0:49:23we have cooler hues - the light blues.

0:49:23 > 0:49:25The master bedroom was sea foam.

0:49:25 > 0:49:30Green is really the colour of life, serenity, as well.

0:49:30 > 0:49:32Cyndi's room is kind of wild and crazy,

0:49:32 > 0:49:34so when you want to unleash your wild side,

0:49:34 > 0:49:36you go to Cyndi's rock-'n'-roll Zen room.

0:49:36 > 0:49:38KNOCK ON DOOR

0:49:38 > 0:49:40Hello, everybody. How you doing?

0:49:40 > 0:49:42- Hello.- I'm Bret. - Jonathan. How are you?

0:49:42 > 0:49:44Of course, Jonathan. Come on in.

0:49:44 > 0:49:46Hi. Good to see you guys again. How are you?

0:49:46 > 0:49:50'Our judges, Jonathan Adler and Lee Curtis, came in.'

0:49:50 > 0:49:53And we gave them a tour of our celebrity Zen retreat.

0:49:53 > 0:49:56We're doing sort of a colour-therapy concept

0:49:56 > 0:50:00where colour, obviously, invokes certain feelings.

0:50:00 > 0:50:02And I think these warm tones and earth tones

0:50:02 > 0:50:06make you feel warm like a giant hug when you walk in.

0:50:06 > 0:50:10'Jonathan is tremendously talented. And he's a tough critic.'

0:50:10 > 0:50:12But I felt like Jonathan

0:50:12 > 0:50:14would definitely get the colour concept.

0:50:14 > 0:50:17So this is our relaxing living-room area.

0:50:17 > 0:50:20We like this area because it's very relaxing.

0:50:20 > 0:50:23Definitely have our Mama Buddha here.

0:50:23 > 0:50:26- Miss Buddha's fab. - Isn't she sweet? We like her.

0:50:26 > 0:50:29Follow us in to our sea foam-green sanctuary.

0:50:29 > 0:50:31- Sea foam-green.- I love this colour.

0:50:31 > 0:50:33My mom has it all over her house, and I love it.

0:50:33 > 0:50:36We decided to just keep it very minimal.

0:50:36 > 0:50:38Make the colour on the wall the star.

0:50:38 > 0:50:41- Do you want to look at our little Zen bathroom?- Oh, yeah.

0:50:41 > 0:50:44I wanted to point out to you, Bret took these photographs.

0:50:44 > 0:50:47- It's from the Bret Michaels Collection.- That's great.- Thanks.

0:50:47 > 0:50:50- If the music thing doesn't work out...- I got a gig.

0:50:50 > 0:50:53So, should we show you our final finale?

0:50:53 > 0:50:55Cyndi, would you like to show them?

0:50:55 > 0:50:57OK, you might want to come home from work

0:50:57 > 0:51:03and really kick back in our rock-'n'-roll Zen den.

0:51:03 > 0:51:05We felt like red brings out strong emotions,

0:51:05 > 0:51:08and red is a very intense and rich colour.

0:51:08 > 0:51:11And I thought Cyndi did a phenomenal job pimping it out.

0:51:11 > 0:51:13- Good job.- Nice. With the patent leather.

0:51:13 > 0:51:15Yes. Patent leather.

0:51:15 > 0:51:17That resists a lot of the juices

0:51:17 > 0:51:20that come out of a celebrity night.

0:51:20 > 0:51:23'I really, really thought our theme was strong.'

0:51:23 > 0:51:26I hope Mr Adler and Lee think the theme was strong as well.

0:51:26 > 0:51:28All right, guys. Thanks.

0:51:28 > 0:51:30- Thank you.- All right. See you later, bye.

0:51:33 > 0:51:38I think that our apartment looked modern and clean.

0:51:38 > 0:51:41It wasn't overloaded with tchotchkes,

0:51:41 > 0:51:44and it wasn't offensive.

0:51:44 > 0:51:46The celebrity room was a struggle.

0:51:46 > 0:51:49It really was. It was the afterthought.

0:51:49 > 0:51:52The one thing that I did want to do

0:51:52 > 0:51:54was make it feel expensive

0:51:54 > 0:51:57by putting in a few luxury items.

0:51:57 > 0:52:00The bottom line is, I'm Project Manager.

0:52:00 > 0:52:03I did what I wanted to do in that apartment.

0:52:03 > 0:52:06'So it's really do or die.'

0:52:06 > 0:52:08- Hello.- Hello. This is Curtis.

0:52:08 > 0:52:11- Pleasure to meet you.- How are you? - And this is Maria.- Hi.

0:52:11 > 0:52:14'I think that we pulled off the task

0:52:14 > 0:52:16'and we did it well and we did it on time.'

0:52:16 > 0:52:21And it's like, "Yeah. Oh, yeah. Bring in the judges."

0:52:21 > 0:52:23So, I'll talk about the kitchen, being the chef.

0:52:23 > 0:52:25We thought we'd open up the space a little bit

0:52:25 > 0:52:29and we took doors off a couple of cabinets to give a bit of a depth.

0:52:29 > 0:52:31And we filled it with beautiful stuff.

0:52:31 > 0:52:33You can move straight through to the dining,

0:52:33 > 0:52:37and these days we quite often sit at the sofa and eat, as well.

0:52:37 > 0:52:39This coffee table does open up.

0:52:39 > 0:52:42- So this actually folds up like that, see?- So you have a tray.

0:52:42 > 0:52:46- Fab. - We wanted to keep it clean lines.

0:52:46 > 0:52:50And we didn't want to put too much furniture into this space.

0:52:50 > 0:52:55- Wow. This is the celebrity room. - We just wanted some colour to pop.

0:52:55 > 0:52:57This is kind of a media room.

0:52:57 > 0:52:59- MARIA:- Got your popcorn maker in the corner,

0:52:59 > 0:53:02your big-screen TV, and so it's functional, as well.

0:53:02 > 0:53:04The guest cloakroom.

0:53:04 > 0:53:06We thought to give it more shelf space

0:53:06 > 0:53:08by getting that unit.

0:53:08 > 0:53:12And this is what would be the master.

0:53:12 > 0:53:14Clean lines.

0:53:14 > 0:53:17- It's still stylish. - I don't see a dresser.

0:53:17 > 0:53:18I just never use one.

0:53:18 > 0:53:20I think they're old-fashioned looking.

0:53:20 > 0:53:23'I don't think that Mr Curtis was impressed

0:53:23 > 0:53:26'because I didn't have drawers.'

0:53:26 > 0:53:30"Celebrities don't do that, Mr Curtis."

0:53:31 > 0:53:34- All right, you guys. Thank you. - Thank you very much.

0:53:34 > 0:53:36'When it comes to something like this,

0:53:36 > 0:53:38'it's down to personal taste.'

0:53:38 > 0:53:41Who knows? You know, it's in the hands of the gods.

0:53:44 > 0:53:46Lee, Jonathan, what did you think?

0:53:46 > 0:53:48It's unbelievable to do what they did in 24 hours.

0:53:48 > 0:53:51- What did you think about Rocksolid? - I thought they were rock-solid.

0:53:51 > 0:53:54When you walked in the door of the apartment, it looked expensive.

0:53:54 > 0:53:57Curtis made the kitchen a very appealing kitchen.

0:53:57 > 0:53:59They did a lot to make the rooms look bigger

0:53:59 > 0:54:02by removing pieces but staying functional.

0:54:02 > 0:54:04Yeah, the apartment felt huge.

0:54:04 > 0:54:07But I got to say, their celebrity room fell short for me.

0:54:07 > 0:54:09Like, there was nothing celebrity-roomish about it.

0:54:09 > 0:54:10It was just another room.

0:54:10 > 0:54:13That was supposed to be an important part of the challenge

0:54:13 > 0:54:15and it seems like they just didn't really care about it.

0:54:15 > 0:54:17One thing I did notice - they didn't have a dresser.

0:54:17 > 0:54:20That was interesting for me cos a dresser's still,

0:54:20 > 0:54:22you know, pretty much a common piece to have in a bedroom.

0:54:22 > 0:54:24What about Tenacity?

0:54:24 > 0:54:27With as much as they did and the colours they used, I think they shrunk the space.

0:54:27 > 0:54:31I mean, there was so much going on that you felt a little constricted.

0:54:31 > 0:54:34I guess they were trying to create a serene environment,

0:54:34 > 0:54:36but it felt more cheap than Zen.

0:54:36 > 0:54:39I think, on a colour level, where they fell down

0:54:39 > 0:54:40was in that sea foam in the bedroom.

0:54:40 > 0:54:42That was like, "W-What?"

0:54:42 > 0:54:45Like, I don't know where they came up with that sea foam

0:54:45 > 0:54:47and it was totally dissonant with the rest of the apartment.

0:54:47 > 0:54:49But their celebrity room

0:54:49 > 0:54:51was infinitely more celebrity-roomish.

0:54:51 > 0:54:55So it was really nice to see personality and bold, bold gestures.

0:54:55 > 0:54:57Interestingly, we found out halfway through the tour

0:54:57 > 0:55:00that Bret had taken all those New York pictures.

0:55:00 > 0:55:02- Oh, really?- Yeah, they were really, really good.

0:55:02 > 0:55:05I would put those in my apartment, absolutely.

0:55:05 > 0:55:07Overall, who do you think won?

0:55:07 > 0:55:10Based upon all the criteria, I think we'd have to agree.

0:55:44 > 0:55:47- Holly...- Yes. - How'd your team do?

0:55:47 > 0:55:49Under the circumstances, I thought we did phenomenally.

0:55:49 > 0:55:52- What were the circumstances?- Well, we lost one of our team members

0:55:52 > 0:55:54cos he went off to do a concert

0:55:54 > 0:55:57and he was so helpful, and I didn't want him to go.

0:55:57 > 0:56:00What did you think of Cyndi's performance?

0:56:00 > 0:56:02Oh, I thought Cyndi did a terrific job.

0:56:02 > 0:56:06It was, um, a little difficult to focus her,

0:56:06 > 0:56:10but I gave her one focus, which was our celebrity room.

0:56:10 > 0:56:11And I could have used Bret

0:56:11 > 0:56:13just to help me wrangle her a little bit more.

0:56:13 > 0:56:16How did that come out, the celebrity room?

0:56:16 > 0:56:19- How did it look?- I loved it. It was a Cyndi explosion.

0:56:19 > 0:56:22But is it something that commercially would rent?

0:56:23 > 0:56:26Uh...perhaps, yeah. Depends on the client.

0:56:26 > 0:56:29What did you think of Holly as a Project Manager, Bret?

0:56:29 > 0:56:31I got to be honest - when we started,

0:56:31 > 0:56:33I may have jumped to a conclusion real quick

0:56:33 > 0:56:37that Holly wanted to do it cos she knew Jonathan Adler's work.

0:56:37 > 0:56:39And the end result, she was fantastic.

0:56:39 > 0:56:43In the beginning, we had a little bit of a snafu, let's just say,

0:56:43 > 0:56:45cos I think she felt really under a lot of pressure.

0:56:45 > 0:56:47- I didn't want to be Project Manager. - She didn't.

0:56:47 > 0:56:51- Who should have been Project Manager?- Cyndi. - And why wasn't she?- I don't know,

0:56:51 > 0:56:53but I felt like it wasn't my at-bat.

0:56:53 > 0:56:55Bret just came off a huge win. I came off a win before

0:56:55 > 0:56:59I thought it was Cyndi's turn. And all we hear Cyndi say is, "Nobody cares about the gays.

0:56:59 > 0:57:02"No-one's looking out for the gays." And I thought she needed to step up.

0:57:02 > 0:57:04And I thought it was a great opportunity for her

0:57:04 > 0:57:07- to make some money for... - What about that, Cyndi?

0:57:07 > 0:57:10OK. Gloves off.

0:57:10 > 0:57:12I thought that Holly...

0:57:12 > 0:57:15Holly said she knew of the designer

0:57:15 > 0:57:17that was going to come and judge. I don't.

0:57:17 > 0:57:21And when I went with her, I tried to get her

0:57:21 > 0:57:25to go with statues and things that were imaginative.

0:57:25 > 0:57:27- Didn't you do that? - I certainly did.

0:57:27 > 0:57:28So it wasn't like she had to focus me.

0:57:28 > 0:57:32What does this have to do with gays? Holly, what does this have to do...

0:57:32 > 0:57:35I'm trying to figure that out myself!

0:57:35 > 0:57:36Cyndi's charity's very important to her

0:57:36 > 0:57:38and I thought, since I had come off a really big win

0:57:38 > 0:57:41and he had won 140 for his charity, she had only won 20,000...

0:57:41 > 0:57:44I think part of the reason of being here is to win for your charity.

0:57:44 > 0:57:48Holly, did you get along with Cyndi on this task?

0:57:48 > 0:57:51Uh, actually, I kind of fell in love with Cyndi on this task.

0:57:51 > 0:57:54- We got along really well. - I got her to laugh.

0:57:54 > 0:57:56- We laughed. - Why, is she not a laugher?

0:57:59 > 0:58:02Really? I don't see you as that serious a person, Holly.

0:58:02 > 0:58:05When it comes to this competition, and autism, I'm very serious.

0:58:05 > 0:58:09- It's business. OK. I think that's good.- Mm-hmm.

0:58:09 > 0:58:11OK.

0:58:11 > 0:58:12- Sharon.- Yessie?

0:58:12 > 0:58:14- How'd your team do?- Fantastic!

0:58:14 > 0:58:16Amazing!

0:58:16 > 0:58:18And how are you getting along with Curtis?

0:58:18 > 0:58:20- Much better.- We love Curtis.

0:58:20 > 0:58:21Oh!

0:58:21 > 0:58:23Now I'm getting jealous. Now...

0:58:23 > 0:58:25He brought it. He brought his "A" Game.

0:58:25 > 0:58:27So you really... You think he's...

0:58:27 > 0:58:30- You think he's a good guy now. - He is. He is a good guy.

0:58:30 > 0:58:32He's going to marry one of my daughters.

0:58:32 > 0:58:35He's going to cook for me at Christmas. We love him.

0:58:35 > 0:58:39- Sharon, you didn't like Curtis very much at one point.- Oh, no.- No, no.

0:58:39 > 0:58:42Initially. And Maria certainly didn't like him.

0:58:42 > 0:58:44And now you really like him a lot.

0:58:44 > 0:58:47Yeah, because I'm a big-mouth old bat who's...

0:58:47 > 0:58:48You're not old.

0:58:48 > 0:58:51- "Ish."- We're getting up there, but not yet.

0:58:51 > 0:58:54And I just, you know - no tolerance, no tolerance.

0:58:54 > 0:58:56And I open my mouth all the time.

0:58:56 > 0:58:59And then I have to apologise for my bad behaviour

0:58:59 > 0:59:01and realise he's fabulous.

0:59:01 > 0:59:03How did you like working with them, Curtis?

0:59:03 > 0:59:05I loved working with them. I had a lot of fun with Sharon.

0:59:05 > 0:59:08- We went shopping. - Who was better, Maria or Sharon?

0:59:08 > 0:59:11Oh, they both really brought it in their own ways.

0:59:11 > 0:59:14Maria worked super hard. Sharon, very resourceful.

0:59:14 > 0:59:18She was on the phone as much as we were pegging it on the streets.

0:59:18 > 0:59:19Both really stood out.

0:59:19 > 0:59:22OK. Good.

0:59:22 > 0:59:25- Mr LeFrak, my good friend. - Yes, sir?

0:59:25 > 0:59:27My good friend and for many years my good friend,

0:59:27 > 0:59:30what did Jonathan Adler and Lee Curtis from BridgeStreeet

0:59:30 > 0:59:32think of Rocksolid?

0:59:32 > 0:59:35Well, they thought they did a rock-solid job.

0:59:35 > 0:59:37- They did an excellent job. - Yes!

0:59:37 > 0:59:40Curtis did a great job putting the kitchen together.

0:59:40 > 0:59:44They thought Sharon and he did a super job

0:59:44 > 0:59:46in leverageing their celebrity status

0:59:46 > 0:59:50to get about 100-some-odd-thousand dollars' worth

0:59:50 > 0:59:52of free furnishings for the apartment.

0:59:52 > 0:59:55And, you know, that was a very clever and effective way

0:59:55 > 0:59:58to get a good job done, with one exception.

0:59:58 > 1:00:01And that was that they thought the celebrity room

1:00:01 > 1:00:05- fell a little short of what they had to do.- Ah.

1:00:05 > 1:00:07- Why, Richard? - Missed the "wow" factor

1:00:07 > 1:00:09that you would expect in a celebrity room.

1:00:09 > 1:00:12It looked a little bit too much like an ordinary media room.

1:00:12 > 1:00:14OK.

1:00:15 > 1:00:17So, Don, let me ask you, how did Tenacity do?

1:00:17 > 1:00:20Well, the executives that I met with,

1:00:20 > 1:00:21you know, they really actually...

1:00:21 > 1:00:23Jonathan Adler loved your photos, Bret.

1:00:23 > 1:00:27- Tell him thank you.- He thought you were a professional photographer.

1:00:27 > 1:00:29I knew he'd love you!

1:00:29 > 1:00:31- Mm-hmm!- Big boy!

1:00:31 > 1:00:33- He liked the room separator. - Thank you.

1:00:33 > 1:00:35They thought that was a nice touch.

1:00:35 > 1:00:37They thought the Buddha was placed perfectly,

1:00:37 > 1:00:40that Cyndi's celebrity room was fun, bold and original.

1:00:40 > 1:00:44They wish they'd seen more of that out of Rocksolid.

1:00:44 > 1:00:46The cons were that there was a bit too much going on.

1:00:46 > 1:00:50The suite looked much more cheap than Zen.

1:00:50 > 1:00:54- And they really didn't like the sea foam green.- Oh, they didn't?

1:00:54 > 1:00:56It was pretty aggressive for a green.

1:00:58 > 1:01:00OK, so it's the moment of truth.

1:01:02 > 1:01:05The fact is that

1:01:05 > 1:01:08the executives felt very, very strongly

1:01:08 > 1:01:12about one of the apartments. They thought it was brilliant.

1:01:12 > 1:01:15They thought it was really amazing

1:01:15 > 1:01:18that you did so much in a short period of time.

1:01:18 > 1:01:20And they felt...

1:01:20 > 1:01:22solidly...

1:01:25 > 1:01:27...behind Rocksolid.

1:01:27 > 1:01:30They just thought you were great.

1:01:30 > 1:01:34They thought yours was OK, Holly, but not spectacular.

1:01:34 > 1:01:36They thought Rocksolid was fantastic.

1:01:36 > 1:01:39- Oh, dear!- Whoa!

1:01:39 > 1:01:41Big turnaround in a week, Mr Trump.

1:01:43 > 1:01:45By the way, Donald,

1:01:45 > 1:01:48I've decided to double the prize this week.

1:01:48 > 1:01:52- I think we'll make it 40,000. - That's very nice.- Awesome.

1:01:52 > 1:01:53- DON JR:- That's great.

1:01:53 > 1:01:55Thank you so much. Thank you.

1:01:55 > 1:01:56- Happy to do it.- Thank you.

1:01:56 > 1:01:58So, Sharon, thanks to Richard

1:01:58 > 1:02:01you're going to get 40,000 for your charity. What is it?

1:02:01 > 1:02:04My charity is Cedars-Sinai Hospital,

1:02:04 > 1:02:07Sharon Osbourne Colon Cancer Programme.

1:02:07 > 1:02:11- That's a great group.- Thank you. - Congratulations.- Thank you so much.

1:02:11 > 1:02:14- And thank you, Mr LeFrak. - You're more than welcome.

1:02:14 > 1:02:16- It means a lot. - OK, go ahead. Thank you.

1:02:16 > 1:02:18- Thank you.- Thank you.

1:02:18 > 1:02:19Good job, guys.

1:02:19 > 1:02:21- Great job.- Thank you.

1:02:21 > 1:02:22Well done, guys.

1:02:24 > 1:02:27That's 40,000 free screenings for people.

1:02:27 > 1:02:30- That's amazing. - 40,000 people.- Wow.

1:02:30 > 1:02:32OK, Tenacity...

1:02:32 > 1:02:35Unfortunately, somebody's going to be fired.

1:02:43 > 1:02:45Congratulations.

1:02:45 > 1:02:48Thank you, thank you, thank you!

1:02:48 > 1:02:52'I'm playing for the Sharon Osbourne Colon Cancer Programme,'

1:02:52 > 1:02:56associated with Cedars-Sinai Hospital in Los Angeles.

1:02:56 > 1:02:58'And it's so important for me personally'

1:02:58 > 1:03:00because this hospital saved my life.

1:03:00 > 1:03:04So, 40,000, and it means 40,000 colon-cancer screenings.

1:03:04 > 1:03:05Yeah.

1:03:05 > 1:03:07'I just want to make people aware'

1:03:07 > 1:03:11and be able to help people get checked out.

1:03:11 > 1:03:13You know, you've got to be checked.

1:03:13 > 1:03:16- Cheers.- Here's to your charity, honey. Well done.

1:03:16 > 1:03:18Cheers. Thank you so much.

1:03:18 > 1:03:19Here we go.

1:03:19 > 1:03:23Holly, are you nervous? You seem to really want to win. Are you nervous?

1:03:23 > 1:03:25I always want to win. That's why I came here.

1:03:25 > 1:03:27- Are you nervous?- Right now? No, not particularly.

1:03:30 > 1:03:33- What about you, Cyndi? - Maybe last week.

1:03:33 > 1:03:34I feel anxious

1:03:34 > 1:03:38and a little upset about everything.

1:03:38 > 1:03:42The executives felt strongly, their apartment was better.

1:03:42 > 1:03:45So you're not upset about being here wrongfully, are you?

1:03:45 > 1:03:49- No, I was upset about something else.- Tell me.- No, I...

1:03:49 > 1:03:53- You have to fight for yourself now because you could be a candidate. - Good. I will. Fine.

1:03:53 > 1:03:55Throughout this whole thing,

1:03:55 > 1:03:59I was the one given all the shlep work,

1:03:59 > 1:04:03and I was there carrying, humping, pulling the bags,

1:04:03 > 1:04:05carrying the furniture in with the guys,

1:04:05 > 1:04:08you know, doing all the grunt work.

1:04:08 > 1:04:10But, Cyndi, why didn't you step up as Project Manager?

1:04:10 > 1:04:13- Everybody says you should have. - Because I don't have...

1:04:13 > 1:04:16I do not furnish houses.

1:04:16 > 1:04:17- Neither do I.- I always work.

1:04:17 > 1:04:21- You do so.- None of us by trade are decorators or contractors.

1:04:21 > 1:04:23Just cos I knew who Jonathan Adler was

1:04:23 > 1:04:25doesn't mean I am Jonathan Adler.

1:04:25 > 1:04:27I have not designed or decorated houses.

1:04:27 > 1:04:30Yes, if someone shows me a fabulous Balinese bench,

1:04:30 > 1:04:31I'll say, "Yes, I like that."

1:04:31 > 1:04:34But that doesn't make me a designer by trade. I'm not.

1:04:34 > 1:04:37Cyndi, the executives really like your work. They like your taste.

1:04:37 > 1:04:41I don't know if you have good taste, but they loved your red room.

1:04:41 > 1:04:44You've been a fashion icon in your own right for decades.

1:04:44 > 1:04:48- But I've never furnished houses. - Don't you think... But it translates across to design.

1:04:48 > 1:04:50It's all a sense of style, right?

1:04:50 > 1:04:53Especially if that sense of style has to do with celebrity.

1:04:53 > 1:04:55Well, Holly, you're the Project Manager.

1:04:55 > 1:04:59Why shouldn't I fire you? You lost. It wasn't really close.

1:04:59 > 1:05:01You can blame Cyndi. You can blame Bret.

1:05:01 > 1:05:04I'm not going to blame anybody. I'm just going to say that, yes...

1:05:04 > 1:05:05But why shouldn't I fire you?

1:05:05 > 1:05:07Because I came here to win.

1:05:07 > 1:05:09I know, but they came here to win, too.

1:05:09 > 1:05:13- Did you come to lose, Bret?- Hell no. - Did you come to lose, Cyndi?

1:05:13 > 1:05:17- You say you came to win, that's just words.- But you have opportunities. - Holly, it's words.

1:05:17 > 1:05:18You came to win, they all came to win.

1:05:18 > 1:05:20Goldberg came to win and he got his ass kicked.

1:05:20 > 1:05:23At the same time, I have to say, you are a fighter.

1:05:23 > 1:05:25- I am.- Would we say she's a fighter, Cyndi?

1:05:25 > 1:05:28Yeah, but she's also a pain in the butt sometimes

1:05:28 > 1:05:31because she's right, she's the boss and she does everything.

1:05:31 > 1:05:33Wait a second. When Cyndi was Project Manager,

1:05:33 > 1:05:35no-one could get a word out edgewise.

1:05:35 > 1:05:37- Hon... - She was more than bossy.

1:05:37 > 1:05:39She was disrespectful to people.

1:05:39 > 1:05:40- Holly...- That was your project.

1:05:40 > 1:05:42You had three people that said that.

1:05:42 > 1:05:45- That's not true. - This task, we got along fine,

1:05:45 > 1:05:47but there were moments where I had to stop down

1:05:47 > 1:05:49- and sort of babysit Cyndi. - No, you didn't.

1:05:49 > 1:05:52Bret saw that. I don't know if you want to say anything

1:05:52 > 1:05:55- or you're just playing it cool... - I'm just letting you talk. I've got plenty to say.

1:05:55 > 1:05:58- But please finish.- Bret, I'd like to hear what you have to say.

1:05:58 > 1:06:00You've sort of been under the radar for this,

1:06:00 > 1:06:02- and you missed a part of it. - Right.

1:06:02 > 1:06:04Who should I fire, Bret?

1:06:07 > 1:06:10Um, well, let me state the situation first.

1:06:10 > 1:06:12No. I want an answer, Bret, or I'm going to fire you.

1:06:12 > 1:06:16- I'm going to give you one. - If you don't give me an answer, I'm going to fire you.

1:06:16 > 1:06:21I've... Cyndi's room was the best room in the house,

1:06:21 > 1:06:24but Cyndi also... I knew what they meant,

1:06:24 > 1:06:26and this is what her rose and her thorn is.

1:06:26 > 1:06:29She talks a lot. I had very little time.

1:06:29 > 1:06:31Who'd I talk to?

1:06:31 > 1:06:33- Cos you got mad at the guys.- I...

1:06:33 > 1:06:36- You were firing at the guys. - You were flat-out rude to them.

1:06:36 > 1:06:39- You can be rude to people, Holly. - Not when you need them

1:06:39 > 1:06:41to get through with what you have to do.

1:06:41 > 1:06:44Cyndi's best blessing in life is she is an absolute star.

1:06:44 > 1:06:46You're funny, your stories, I love them.

1:06:46 > 1:06:49I don't tell no stories. I don't even talk any more!

1:06:49 > 1:06:52I'm not throwing you under the bus. But in the situation we're in,

1:06:52 > 1:06:55- I could hang with you every day - it's fantastic.- No, you can't.

1:06:55 > 1:06:56Well, if you're asking me...

1:06:56 > 1:06:59- Not any more he can't, right, Cyndi?- No.

1:07:00 > 1:07:03All right, let's leave Bret out of it for a second.

1:07:03 > 1:07:07- You still haven't given me an answer.- He didn't answer!- I got you.

1:07:07 > 1:07:09I'm going to ask you in a second.

1:07:09 > 1:07:12Cyndi, if you were me, who would you fire?

1:07:12 > 1:07:13Holly.

1:07:13 > 1:07:15Why?

1:07:15 > 1:07:19Because she's difficult. And because she's very negative.

1:07:19 > 1:07:21But don't you find her very talented?

1:07:21 > 1:07:24I think she's awesome. She dots all her dots.

1:07:24 > 1:07:26But she's tough to work with.

1:07:26 > 1:07:28- She's always doing all of it. - That's hilarious.

1:07:28 > 1:07:31- Hilarious.- And so I think, I think...

1:07:31 > 1:07:34And I did everything I... There's no pleasing her.

1:07:36 > 1:07:38Holly, I assume you're not going to say Bret -

1:07:38 > 1:07:40I assume you're going to say Cyndi.

1:07:40 > 1:07:43Why would you fire Cyndi over yourself as Project Manager?

1:07:43 > 1:07:46Because Cyndi is, like,

1:07:46 > 1:07:49so difficult to direct and redirect.

1:07:49 > 1:07:52She's got this unbelievable creative mind,

1:07:52 > 1:07:54but it's just, it's all over the place.

1:07:54 > 1:07:56And it's very hard to direct her.

1:07:56 > 1:07:59When Summer was here, Summer was my Cyndi whisperer.

1:07:59 > 1:08:03She was the one that was able to say things to her when Maria and I couldn't

1:08:03 > 1:08:06because it was difficult to connect with her. When Sharon was here,

1:08:06 > 1:08:08- Sharon would just say, "Shut the- BLEEP- up,"

1:08:08 > 1:08:10and then that'd be it, you know? Cyndi would listen to her.

1:08:10 > 1:08:12- She'd tell you to shut the- BLEEP- up, too, missus.

1:08:12 > 1:08:15OK, which... No, she's never said that to me, but that's OK.

1:08:15 > 1:08:17So, she would do that. And Bret was here.

1:08:17 > 1:08:21I thought, "Bret and Cyndi, both rockers. They're able to connect with each other.

1:08:21 > 1:08:23"He'll be the one able to redirect her

1:08:23 > 1:08:25"and get her to be focused on what we're doing."

1:08:25 > 1:08:27- "Redirect" me?- And even he...

1:08:27 > 1:08:31Even he at one point just walked up and said, "I can't."

1:08:31 > 1:08:32And yet she did the best room.

1:08:32 > 1:08:34She did a room that I allowed her to do

1:08:34 > 1:08:36- and that I...- There we go!

1:08:36 > 1:08:38I did! Well, I charged you with that.

1:08:38 > 1:08:40"Allowed"! That's how it's always been!

1:08:40 > 1:08:42That's what Project Managers do, honey.

1:08:42 > 1:08:44Even when I was the Project Manager, you sent me out!

1:08:44 > 1:08:48We're talking about this. Since you went through this whole mea culpa

1:08:48 > 1:08:52- that you don't understand interior decor.- I lost my temper, I'm sorry.

1:08:52 > 1:08:54And yet she came up with the best room of everybody.

1:08:54 > 1:08:56- I gave her...- No, she said, "Paint the room red."

1:08:56 > 1:08:58- I delegated...- She came up with the best room.

1:08:58 > 1:09:01You're saying that she said to paint it red?

1:09:01 > 1:09:02- She said she wanted a red room. - Yes.

1:09:02 > 1:09:05So are you giving Holly credit for the room?

1:09:05 > 1:09:06She said she wanted a red room.

1:09:06 > 1:09:09I said, "I want a red room, and I want you to do it, Cyndi.

1:09:09 > 1:09:12"This is where you shine." And that's where I put her in.

1:09:12 > 1:09:15Cyndi, it doesn't seem, tactically, that was a smart thing to say -

1:09:15 > 1:09:17everyone gave you credit for the room

1:09:17 > 1:09:19and that was the best thing of the entire apartment.

1:09:19 > 1:09:23I was with her the whole time at the prop house and she ran everything by me.

1:09:23 > 1:09:25The thing that Holly's trying to say is

1:09:25 > 1:09:28that, yes, Cyndi's room was great,

1:09:28 > 1:09:30but Cyndi's not a good team player.

1:09:30 > 1:09:33But she inspires so much.

1:09:34 > 1:09:36Cyndi, why would you have said that

1:09:36 > 1:09:38- the red was her idea? - Cos I'm honest.

1:09:38 > 1:09:41- Cos I'm honest.- You are honest. Maybe too honest, in a certain way.

1:09:41 > 1:09:43Here you are getting all this credit.

1:09:43 > 1:09:46Bret, wouldn't she have been better off just not saying anything?

1:09:46 > 1:09:47What, lying?

1:09:47 > 1:09:50You're not lying if you don't say anything.

1:09:52 > 1:09:55I would have probably kept my mouth shut in that situation.

1:09:55 > 1:09:59But what I want to say in Holly's defence for one second,

1:09:59 > 1:10:01I must state that Holly having to deal with

1:10:01 > 1:10:04both of us of creative minds,

1:10:04 > 1:10:05I'm hard to direct when I was on that team.

1:10:05 > 1:10:08- You're hard to direct, apparently. - You're not hard to direct.

1:10:08 > 1:10:10- You were very effective.- Thank you.

1:10:10 > 1:10:12But you had your hands full, no matter what.

1:10:12 > 1:10:16And then in the morning, you were wishing it wasn't you.

1:10:16 > 1:10:17You had your hands full.

1:10:17 > 1:10:19Once I took it on, I took it on.

1:10:19 > 1:10:22- You got it on.- I was just shocked that she didn't step up.

1:10:22 > 1:10:23But once I took it on, I did.

1:10:23 > 1:10:26I think she did step up, though, in all fairness.

1:10:26 > 1:10:28She did a room that everybody loved.

1:10:28 > 1:10:30She did a room that was fantastic by every standard.

1:10:30 > 1:10:32You may have picked the paint, but...

1:10:32 > 1:10:33I didn't just pick the paint.

1:10:33 > 1:10:36She ran everything by me, asked me about everything.

1:10:36 > 1:10:38- Because you're the Project Manager. - That's right.

1:10:38 > 1:10:40And I had five other rooms to think about.

1:10:40 > 1:10:44- OK, I'll ask you this. - I was helping you with those five other rooms, missus.

1:10:44 > 1:10:46- Mmm.- Oh, bull- BLEEP, - I certainly was!

1:10:46 > 1:10:48- You undid stuff, but as far as vision...- No, I didn't undo stuff.

1:10:48 > 1:10:51I went and said, "This Buddha, Holly.

1:10:51 > 1:10:53"Look at this chair. Put some colour in."

1:10:53 > 1:10:55Yeah, but it just...

1:10:55 > 1:10:58The way you work, it's like it takes twice as long

1:10:58 > 1:11:01to get you on task as anyone else.

1:11:01 > 1:11:04- Oh, brother!- I'm going to ask you to step out just for a minute, please.

1:11:04 > 1:11:07Just step out. I want to speak to Richard and Don.

1:11:08 > 1:11:10Tough decision. Not easy.

1:11:10 > 1:11:12No, it never is.

1:11:18 > 1:11:19It's tough.

1:11:22 > 1:11:24I'll tell you one thing. All three of us want to stay here.

1:11:24 > 1:11:28- Cyndi's a fighter, you're a fighter. - We wouldn't be here up to this point

1:11:28 > 1:11:29- if we didn't want to stay.- Right.

1:11:29 > 1:11:32Or we would have just sat in there and not said anything.

1:11:43 > 1:11:47I'm going to give you my two cents. They've been too easy on me in there.

1:11:47 > 1:11:50They're never easy on me. Something is too off.

1:11:50 > 1:11:53Like, I love it better when I get my balls busted.

1:11:53 > 1:11:55I feel more at home.

1:11:55 > 1:11:57They haven't busted my balls at all in there.

1:11:57 > 1:12:00Something stinks for me. I haven't put my finger on it yet.

1:12:02 > 1:12:03Richard, what do you think?

1:12:03 > 1:12:06In my opinion, Bret took off. I'd fire Bret.

1:12:06 > 1:12:09- Don, what would you do?- You know, I was going to say Holly

1:12:09 > 1:12:11until Cyndi said, "Holly was the person

1:12:11 > 1:12:15"who gave me the inspiration for everything that was great about my part of the project."

1:12:15 > 1:12:17I think that was just an incredible tactical error.

1:12:17 > 1:12:21- I don't know how you can keep her after that.- Very interesting. Amanda, let them in.

1:12:21 > 1:12:22Yes, sir.

1:12:25 > 1:12:27Let me get the door for you all.

1:12:34 > 1:12:36Sit down, please.

1:12:39 > 1:12:42All right, let me ask you this. Should I fire Bret...

1:12:42 > 1:12:46Should I fire Cyndi, or should I fire you, Holly?

1:12:46 > 1:12:48I think you got to fire Cyndi.

1:12:48 > 1:12:51- I think he got to fire you. - I'm way more focused.

1:12:51 > 1:12:52I'm more focused.

1:12:52 > 1:12:55I'm easy to direct. It's hard to redirect her.

1:12:55 > 1:12:57She has snapped at and been so rude

1:12:57 > 1:12:59to so many people that we needed in task,

1:12:59 > 1:13:02including these lovely, gorgeous guys

1:13:02 > 1:13:03that were there to help us.

1:13:03 > 1:13:05I literally said to you, "Please do not yell at them."

1:13:05 > 1:13:08Because when the chips are down, when situations are hard,

1:13:08 > 1:13:10you got to be able to understand and be nice

1:13:10 > 1:13:13- to the people that you're delegating work to.- Bret, was Cyndi rude?

1:13:13 > 1:13:16There was a couple times where she, in passion...

1:13:16 > 1:13:18Was she rude or was she just a leader,

1:13:18 > 1:13:20like, you know, "I want this done"?

1:13:20 > 1:13:23There's a difference between being tough and smart

1:13:23 > 1:13:26and being rude and stupid, right? Was she rude?

1:13:26 > 1:13:27I wouldn't say rude,

1:13:27 > 1:13:29but I'd say she was pretty aggressive with them

1:13:29 > 1:13:31and more than we needed them to be.

1:13:31 > 1:13:33She needs a little more honey in her than vinegar.

1:13:33 > 1:13:36She alienates people that are just there to work for us.

1:13:36 > 1:13:39But, Holly, she did the best room.

1:13:39 > 1:13:41But I gave her the idea for the room.

1:13:41 > 1:13:43- Oh, bull- BLEEP,- you said red! - And I dele...

1:13:43 > 1:13:46Cyndi, you told us that that was her idea.

1:13:46 > 1:13:49- She said red! She said red! - Correct.- As the Project Manager...

1:13:49 > 1:13:53No, and then I said, "I'm done up to here with the safe stuff,"

1:13:53 > 1:13:56and I finally went in and said, "Let's have some freakin' fun

1:13:56 > 1:14:00- "and bring the- BLEEP- damn patent-leather furniture in."- Right.

1:14:00 > 1:14:02- "And make it fun."- And I was right there the whole time.

1:14:02 > 1:14:06Saying, "Yes, let's do that." But they're talking about this room,

1:14:06 > 1:14:08which was the best room in the house.

1:14:08 > 1:14:10And I was right to put you in charge of that room -

1:14:10 > 1:14:13- that was something they liked. - You're taking credit for my work now.

1:14:13 > 1:14:16- And I should be fired?- I have to take credit for everything

1:14:16 > 1:14:19- because I'm Project Manager. - So you should be fired.

1:14:19 > 1:14:21You should be, because it's very difficult...

1:14:21 > 1:14:23- Cyndi, should you be fired? - No.

1:14:23 > 1:14:26In all fairness, Holly, whether you like Cyndi or not -

1:14:26 > 1:14:28you obviously don't like her much...

1:14:28 > 1:14:31- No, I do like her. It's just hard to work with her.- She's got a great...

1:14:31 > 1:14:33Yeah, but, you know, all genius are...

1:14:33 > 1:14:34Did you ever hear that - Broadway shows -

1:14:34 > 1:14:36He's not easy to work for, either.

1:14:36 > 1:14:40The most brilliant actors and actresses on Broadway,

1:14:40 > 1:14:42they say, are the most difficult, OK?

1:14:42 > 1:14:44I mean, people are difficult

1:14:44 > 1:14:46- if they have a certain intelligence. - Yeah.

1:14:46 > 1:14:49When you disenfranchise people, they don't work for you

1:14:49 > 1:14:51and that makes it more difficult for you to achieve the task.

1:14:51 > 1:14:55That's what I had to work with. And Bret got a taste of it and he's being all cool now,

1:14:55 > 1:14:57but, ooh, yesterday was a whole other story.

1:14:57 > 1:14:59- I think that... - I'm just letting you talk.

1:14:59 > 1:15:00- I know you are, Bret. - I'm listening.

1:15:00 > 1:15:04- You got to be able to... - I don't think you're that easy, Holly.- I've said my peace.

1:15:04 > 1:15:05I've said my peace.

1:15:05 > 1:15:07Holly, can Bret keep up with you two?

1:15:07 > 1:15:10Well, he was doing a better job in the apartment.

1:15:10 > 1:15:12- In the room, he's being diplomatic. - I'm not knocking it, Bret,

1:15:12 > 1:15:15but I'm watching these two go at it and you're sort of sitting

1:15:15 > 1:15:19and Mr LeFrak said, "Why not fire Bret?"

1:15:19 > 1:15:22- Let me start by this. I... - And I wouldn't have thought of it, frankly, but he's right.

1:15:22 > 1:15:26I'm watching these two go at it. They have unbelievable spirit.

1:15:26 > 1:15:28- Right.- You weren't here but in all fairness,

1:15:28 > 1:15:31- you had our permission, so I can't do it on that.- Right.

1:15:31 > 1:15:34But I wonder, can you really keep up with them?

1:15:34 > 1:15:37Unfortunately, I'm overly passionate about what I feel.

1:15:37 > 1:15:40I keep my temper down because when it blows, it's awful.

1:15:40 > 1:15:42And so what I'm saying is

1:15:42 > 1:15:45that I focus my energy and my passion.

1:15:45 > 1:15:47I had to run 18 flights of stairs...

1:15:47 > 1:15:49Yeah, but you don't have the same energy or passion

1:15:49 > 1:15:52- as Cyndi or Holly right now. - I do have the same.

1:15:52 > 1:15:55- I'm being respectful. - I don't think so. I don't know.

1:15:55 > 1:15:58Temperature's getting pretty warm at the other side of the table.

1:16:00 > 1:16:02I-I feel I gave 1,000%.

1:16:02 > 1:16:05In 48 hours, I slept two hours to get back here.

1:16:05 > 1:16:08But, Bret, I love what I see from these two in terms of passion.

1:16:08 > 1:16:10She won in terms of the room.

1:16:10 > 1:16:13You did nice photographs, but photographs are photographs.

1:16:13 > 1:16:14You didn't do it to the same extent.

1:16:14 > 1:16:17But she really did do a good job with that room.

1:16:17 > 1:16:21- Don't you agree?- Great job. But I was painting the wall and taking pictures out the window

1:16:21 > 1:16:23while I'm doing this. I'm time managing,

1:16:23 > 1:16:26running 18 flights of stairs, taking photos. I don't know what more I could done.

1:16:26 > 1:16:29Could you see Bret being fired, Holly?

1:16:29 > 1:16:31You know what I'm saying.

1:16:31 > 1:16:35Whether you like Cyndi or not, and you don't like her much,

1:16:35 > 1:16:37but you know what, she's got a great artistry,

1:16:37 > 1:16:40- a great uniqueness.- She does, but I'd never hire her to work for me.

1:16:40 > 1:16:42I wouldn't hire you either, Miss Thing.

1:16:42 > 1:16:44We're talking about for this particular task.

1:16:44 > 1:16:48For this task, I loved what she did and I gave her the rope to do it.

1:16:48 > 1:16:50And Bret, I just...

1:16:50 > 1:16:53I want Bret just to be... Look. Bret's going to be who Bret is.

1:16:53 > 1:16:56But I want Bret to be as strong about what he felt...

1:16:56 > 1:16:59Is Bret as strong as Cyndi?

1:16:59 > 1:17:01I thought he was effective during the task,

1:17:01 > 1:17:04- but now he's just... - Not very effective now.

1:17:04 > 1:17:06What have I not said, Holly?

1:17:06 > 1:17:10I don't know, it just seems to me that you're not very effective.

1:17:10 > 1:17:12- I just want you to be... - I disagree 1,000%.

1:17:12 > 1:17:15What I'm saying is, Holly came out of the box not wanting to do it.

1:17:15 > 1:17:18When she accepted the task, she did a fantastic job.

1:17:18 > 1:17:21I did everything I could do, everything you could do,

1:17:21 > 1:17:23and then let me say the one key element we're all missing.

1:17:23 > 1:17:25She did one room. We did five or six.

1:17:25 > 1:17:28- BLEEP!- I helped her with every freakin' room!

1:17:28 > 1:17:29I walked through courts with her!

1:17:29 > 1:17:33- But I didn't see that part.- I walked through the prop house with her.

1:17:33 > 1:17:36We spent two or three hours in that prop house

1:17:36 > 1:17:39focusing on your one room, which in the end paid off,

1:17:39 > 1:17:41but I sat there and allowed that.

1:17:41 > 1:17:42I made sure that, as Project Manager,

1:17:42 > 1:17:44I helped direct you with that.

1:17:44 > 1:17:48Look, I just felt like it was a very difficult task

1:17:48 > 1:17:50in the time we had, and I did the best I could.

1:17:50 > 1:17:52Bret, let me ask you this.

1:17:52 > 1:17:54Do you have the same energy that these two have?

1:17:54 > 1:17:57Both of them have a lot of energy. I feel I have just as much energy.

1:17:57 > 1:18:00I feel that my place sometimes when they're having this discussion

1:18:00 > 1:18:06- is not for me to butt in. - But it is. When I ask a question, "Who should I fire?"

1:18:06 > 1:18:09and you say, "Oh, I love Holly so much. I love Cyndi so much.

1:18:09 > 1:18:12"They're so great and wonderful," it's like...

1:18:12 > 1:18:15- No, I was just trying... - Who should I fire?

1:18:19 > 1:18:21Cyndi.

1:18:22 > 1:18:24- Why?- Because her time-management

1:18:24 > 1:18:27and my time-management skills are not great,

1:18:27 > 1:18:29and I think I'm bad and I think that she's worse.

1:18:29 > 1:18:31But she's very creative.

1:18:31 > 1:18:34And I think that Holly did a better job of managing our time.

1:18:34 > 1:18:36Holly, do you think I should fire Bret?

1:18:37 > 1:18:39No. I really don't.

1:18:39 > 1:18:41And I didn't think

1:18:41 > 1:18:43that you could even factor in the fact that he wasn't there.

1:18:43 > 1:18:46But as I've been Project Manager three times,

1:18:46 > 1:18:48there have been people who haven't been there.

1:18:48 > 1:18:51So that's been an issue in trying to pick up the slack.

1:18:51 > 1:18:54But I just was surprised with how well Bret came through.

1:18:54 > 1:18:56And on the other hand, I think Cyndi

1:18:56 > 1:18:57is very difficult to deal with.

1:19:02 > 1:19:03In all fairness, Cyndi,

1:19:03 > 1:19:06this is not the first time that this has come up.

1:19:06 > 1:19:08And the thing I didn't like

1:19:08 > 1:19:10was that I thought you did the room.

1:19:10 > 1:19:14I thought it was your conception, your everything, including the colours and all.

1:19:14 > 1:19:18But why did you tell me that it was Holly's idea to make the room red?

1:19:18 > 1:19:20- She...- And that was - excuse me.

1:19:20 > 1:19:23That was one of the things that the executives liked so much.

1:19:23 > 1:19:25And you know what? We all want to be truthful.

1:19:25 > 1:19:28- Why? Cos I was truthful. - You were very truthful.

1:19:28 > 1:19:30I wouldn't throw her under the bus -

1:19:30 > 1:19:32- I found her very difficult. - I respect your truthfulness.

1:19:32 > 1:19:35You didn't have to bring it up - that wouldn't be untruthful.

1:19:35 > 1:19:37They liked Bret's pictures and the red room.

1:19:37 > 1:19:40And the fact that you gave up, that you gave up the fact

1:19:40 > 1:19:42- that Holly's idea was the red room...- No!

1:19:42 > 1:19:44Cyndi, I'm a big fan of yours. I love your music.

1:19:44 > 1:19:46I love you. I think you're an amazing woman.

1:19:46 > 1:19:50But why did you bring up the fact that it was Holly's idea?

1:19:50 > 1:19:52Because it was true!

1:19:52 > 1:19:54OK. Cyndi, you're fired.

1:19:59 > 1:20:01- All right.- Thank you. Thank you.

1:20:02 > 1:20:05Get out. Thank you.

1:20:17 > 1:20:19- Bye-bye.- Bye, Cyn.

1:20:19 > 1:20:22Cyndi, I don't want to leave like this.

1:20:22 > 1:20:24- I'm leaving.- I know. - It's like high school, Bret.

1:20:24 > 1:20:27- It's like- BLEEP- high school. - It's not personal.

1:20:27 > 1:20:30- What I found personal was time management, and that was bull- BLEEP

1:20:30 > 1:20:32- and I found it really difficult... - My time management sucks.

1:20:32 > 1:20:36That's all right. It's fine. I'll see you.

1:20:36 > 1:20:38All right.

1:20:44 > 1:20:47- That wasn't easy.- No. That was a tough choice.

1:20:47 > 1:20:52Definitely tough, but you can't make tactical errors like that and make it through to the end.

1:21:23 > 1:21:26I do not think Donald made the right decision.

1:21:26 > 1:21:29It was Holly's apartment they didn't like, not my room.

1:21:29 > 1:21:33I think Holly talks out of both sides of her mouth.

1:21:33 > 1:21:34She can flatter people

1:21:34 > 1:21:37but behind their backs, she can "Chh!"

1:21:37 > 1:21:40Now that I'm not there, let's see how it goes without me.